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guy scutellaro Oct 2019
The rain ****** through a darkening sky.

The man's eyes grow bright and he smiles. Softly, he whispers, " Man, you're the biggest, whitest, what hell are you anyway?"

The pup sits up and Jack Delleto caresses her neck, but much to the mutt's chagrin the man stands up and walks away.

Jack has his hand on the door about to go into the bar. The pup issues an interrogatory, "Woof?"

The rain turns to snow.

The man's eyes grow bright and he smiles, "My grandma used to say that when it snows the angels are sweeping heaven. I'll be back for you, Snowflake."

Jack shivers. His smile fading, the night jumps back into his eyes.

Snowflake chuffs once, twice.

The man is gone.



The room would have been a cold, dark place except the bodies who sit on the barstools or stand on the ***** linoleum floor produce heat. The cigarette smoke burns his eyes. Jack Delleto looks down the length of the bar to the boarded shut fire place and although the faces are shadows, he knows them all.

The old man who always sits at the second barstool from the dart board is sitting at the second bar stool. His fist clenched tightly around the beer mug, he stares at his own reflection in the mirror.

The aging barmaid, who often weeps from her apartment window on a hot summer night or a cold winter evening, is coming on to a man half her age. She is going to slip her arm around his bicep at any moment.

"Yeah," Jack smiles, "there she goes."

Jack Delleto knows where the regulars sit night after night clutching the bar with desperation, the wood rail is worn smooth.

In the mirror that runs the length of the bar Jack Delleto sees himself with clarity. Brown hair and brown eyes. Just an ordinary 29 year old man.

"Old Fred is right," he thinks to himself, "If you stare at shadows long enough, they stare back." Jack smiles and the red head returns his smile crossing her long legs that protrude beneath a too short skirt.

The bartender recognizes the man smiling at the redhead.

"Well,  Jack Delleto, Dell, I heard you were dead. " The six foot, two hundred pound bartender tells him as Dell is walking over to the bar.

"Who told you that?"

"Crazy George, while he was swinging from the wagon wheel lamp." Bob O'Malley says as he points to the wagon wheel lamp hanging from the ceiling.

"George, I heard, HE was dead."

The bartender reaches over the bar resting the palms of his big hands on the edge of the bar and flashes a smile of white, uneven teeth. Bob extends his hand. "Where the hell have you been?"

They shake hands.

Dell looks up at the Irishman. "I ve been at Harry's Bar in Venice drinking ****** Marys with Elvis and Ernest."

Bob O'Malley grins, puts two shot glasses on the bar, and reaches under the bar to grab a bottle of bourbon. After filling the glasses with Wild Turkey, he hands one glass to Dell. They touch glasses and throw down the shots.

"Gobble, gobble," O Malley smiles.


The front door of the bar swings open and a cold wind drifts through the bar. Paul Keater takes off his Giants baseball cap and with the back of his hand wipes the snow off of his face.

"Keater," Bob O'Malley calls to the Blackman standing in the doorway.

Keater freezes, his eyes moving side to side in short, quick movements. He points a long slim finger at O'Malley, "I don't owe you any money," Paul Keater shouts.

The people sitting the barstools do not turn to look.

"You're always pulling that **** on me." Keater rushes to the bar, "I PPPAID YOU."

As Delleto watches Keater arguing with O'Malley, the anger grows into the loathing Dell feels for Keater. The suave, sophisticated Paul Keater living in a room above the bar. The man is disgusting. His belly hangs pregnant over his belt. His jeans have fallen exposing the crack of his ***, and Keater just doesn't give a ****. And that ragged, faded, baseball cap, ****, he never takes it off.

When Keater glances down, he realizes he is standing next to Jack Delleto. Usually, Paul Keater would have at least considered punching Delleto in his face. "The **** wasn't any good," Paul feining anger tells O'Malley. "Everybody said it was, ****."

The bartender finishes rinsing a glass in the soapy sink water and then places it on a towel. "*******."

Keater slides the Giant baseball cap back and forth across his flat forehead. "**** it," he turns and storms out of the bar.

"Can I get a beer?" Dell asks but O"Malley is already reaching into the beer box. Twisting the cap off, he puts it on the bar. "It's not that Keater owes me a few bucks, "he tells Dell, "if I didn't cut him off he'd do the stuff until he died." Bob grabs a towel and dries his hands.

"But the smartest rats always get out of the maze first," Jack tells Bob.


Cigarette butts, candy wrappers, and losing lottery tickets litter the linoleum floor. Jack Delleto grabs the bottle of beer off the bar and crosses the specter of unfulfilled wishes.

In the adjacent room he sits at a table next to the pinball machine to watch a disfigured man with an anorexic women shoot pool. Sometimes he listens to them talk, whisper, laugh. Sometimes he just stares at the wall.

"We have a winner, "the pinball machine announces, "come ride the Ferris wheel."



"I'm part Indian. "

Jack looks up from his beer. The Indian has straight black hair that hangs a few inches above her shoulders, a thin face, a cigarette dangling from her too red lips.

"My Mom was one third Souix, " the drunken women tells Jack Delleto.

The Indian exhales smoke from her petite nose waiting for a come on from the man with the sad face. And he just stares, stares at the wall.

Her bushy eyebrows come together forming a delicate frown.

Jack turns to watch a brunette shoot pool. The woman leans over the pool table about to shoot the nine ball into the side pocket. It is an easy shot.

The brunette looks across the pool table at Jack Delleto, "What the **** are you starin at?" She jams the pool stick and miscues. The cue ball runs along the rail and taps the eight ball into the corner pocket. "AH ****," she says.

And Jack smiles.

The Indian thinks Jack is smiling at her, so she sits down.

"In the shadows I couldn't see your eyes," he tells her, "but when you leaned forward to light that cigarette, you have the prettiest green eyes."

She smiles.

" I'm Kathleen," her eyes sparkling like broken glass in an alley.

Delleto tries to speak.

"I don't want to know your name," she tells Jack Delleto, the smile disappearing from her face. "I just want to talk for a few minutes like we're friends," she takes a drag off the cigarette, exhales the smoke across the room.

Jack recognizes the look on her face. Bad dreams.

"I'll be your friend," he tells her.

"We're not going to have ***." The Indian slowly grinds out the cigarette into the ashtray, looks up at the man with the sad face.

"Do you have family?"

"Family?" Delleto gives her a sad smile.

She didn't want an answer and then she gets right into it.

"I met my older sister in Baltimore yesterday." She tells the man with sad eyes.' Hadn't seen her since I was nine, since Mom died. I wanted to know why Dad put me in foster homes. Why?

"She called me Little Sister. I felt nothin. I had so many questions and you know what? I didn't ask one."

Jack is finishing his beer.

"If you knew the reasons, now, what would it matter, anyway."

The man with the black eye just doesn't get it. She lived with them long enough. Long enough to love them.

She stands up, stares at Jack Delleto.

And walks away.


It's the fat blondes turn to shoot pool. She leans her great body ever so gently across the green felt of the pool table, shoots and misses. When she tries to raise herself up off the pool table, the tip of the pool cue hits the Miller Lite sign above the pool table sending the lamb rocking violently back and forth. In flashes of light like the frames from and old Chaplin movie the sad and grotesque appear and disappear.

"What the **** are you starin at?" The skinny brunette asks.

Jack pretends to think for a moment. "An unhappy childhood."

Suddenly, she stands up, looking like death wearing a Harley Davidson T-shirt.

"Dove sta amore?" Jack Delleto wonders.

Death is angry, steps closer.

"Must be that time of the month, huh," Jack grins.

With her two tiny fists clenched tightly at her side, the brunette stares down into Delleto's eyes. Suddenly, she punches Jack in the eye.

Jack stands up bringing his forearm up to protect his face. At the same time Death steps closer. His forearm catches her under the chin. The bony ***** goes down.

Women rush from the shadows. They pull Jack to the ***** floor, punch and kick him.

In the blinking of the Miller Light Jack Delleto exclaims," I'm being smother by fat lesbians in soft satin pants."  But then someone is pulling the women off of him.

The Miller Lite gently rocks and then it stops.

Jack stands up, shakes his head and smiles.

"Nice punch, Dell," Bob O' Malley says, "I saw from the bar."

Jack hits the dust off of his pants, grabs the beer bottle off of the table, takes a swallow. Smiling, he says, "I box a little."

"I can tell by your black eye." O'Malley puts his hand on his friends shoulder. "Come on I'll buy you a shot. What caused this spontaneous expression of love?"

"They thought I was a ******."


2 a.m.

Jack Delleto walks out the door of the bar into the wind swept gloom. The gray desolation of boarded shut downtown is gone.

The rain has finally turn to snow.

His eyes follow the blue rope from the parking meter pole to its frayed end buried in the plowed hill of snow at the corner of Cookman Avenue.

The dog, Snowflake, dead, Jack thinks.


The snow covers everything. It covers the abandon cars and the abandon buildings, the sidewalk and its cracks. The city, Delleto imagines, is an adjectiveless word, a book of white pages. He steps off the curb into the gutter and the street is empty for as far as he can see. He starts walking.

Jack disappears into empty pages.


Chapter 2


Paul Keater has a room above Wagon Wheel Bar where the loud rock music shakes the rats in the walls til 2a.m. The vibrations travel through the concrete floor, up the bed posts, and into the matress.

Slowly Paul's eyes open. Who the hell is he fooling. Even without the loud music, he would not be able to sleep, anyway.

Soft red neon from the Wagon Wheel Bar sign blinks into his room.

Paul Keater sits up, sighs, resigns himself to another sleepless night, swings his legs off the bed. His x-wife. He thinks about her frequently. He went to a phycologist because he loved her.

Dump the *****, the doctor said.

"I paid him eighty bucks and all he had to say was dump the *****." He laughs, shakes his head.

Paul thinks about *******, looks around the tiny room, and spots a clear plastic case containing the baseball cards he had collected when he was a boy.

He walks to the dresser and puts on his Giant's baseball cap. Paul sits down on the wooden chair by the sink. Turns on the lamp. The card on top is ***** Mays. Holding it in his hand, it is perfect. The edges are not worn like the other cards.

It was his tenth birthday and his dad had taken him to his first baseball game and his father had bought the card from a dealer.

Oblivious to the loud rock music filtering into his room, he stares at the card.

Fondly, he remembers.

Dad.


                                     *     

It arrives unobtrusively. His heart begins to race faster.
Jack Delleto rolls away from the cracked wall. He sits up and drops his legs off the bed.

Jack Delleto thinks about mountains.

When he cannot sleep he thinks about climbing up through the fog that makes the day obscure, passing where the stunted spruce and fir tees are twisted by the wind, into cold brilliant light. Once as he climbed through the fog he saw his shadow stretching a half a mile across a cloud and the world was small. Far down to the east laid cliffs and gullies, glaciated mountains and to the west were the plains and cities of everyday life.

The army coat is draped over the back of the chair. In the pocket is his notebook. Jack stands and takes the notebook from the pocket. When he sits in the wooden chair he opens the book and slides the pen from the binder.

When he finishes his story he makes the end into the beginning.



                                           Chapter 3


"I want a captain in a truck." The 10 year old boy with the brown hair tells his mom. "I want it NOW."

His blonde haired mom wearing the gold diamond bracelet nods her head at Jack Delleto. Jack looks up at the clock on the wall. It is only 9a.m. After four years of college Jack has a part time job at K.B. Toy store. "We're all out of them," he tells her for the second time.

"Honey," Blondie tells her boy, "they're all out of them."

"YOU PROMISED."

"How about a sargeant in a jeep?

"OK, but I want a missile firing truck , too."

Delleto turns to the display case behind the counter. Briefly, he studies his black eye in the display case mirror and then begins searching the four shelves and twenty rows of 3 inch plastic toys. He finds the truck. His head is aching. He finds the truck and puts it on the counter in front of the boy.

"Sorry, we're all out of the sargeant," Jack tells the pretty lady. The aching in his head just won't go away.

"Mommy, mommy, I want an ATTACK HELIOCOPTER, MOMMMEEE, I WANTAH TTTAAANNNK..."

Jack Delleto leans over the counter resting his elbows on the glass top. The boy is staring at the man with the black eye, at his bruised, unshaven face.

"Well, we haven't got any, GODDAMED TANKS. How about a , KICKINTHE ***."

Finally the boy and his mother are quiet.

"My husband will have you fired."

She grabs the boy by the hand. Turns to rush out of the store.

Jack mutters something.

"MMOOOMEEE,  what does..."

"Oh, shut the hell up," the pretty lady tells her son


                              
     

The assistant manager takes a deep drag on her cigarette, exhales, and crosses her arms to hold the cigarette in front of her. Susan looks down at Jack sitting on the stool behind the counter. He stands up. "Did you tell some lady to blow you?" She crushes the cigarette out in the ashtray on the shelf below the counter. "Maybe you don't need this job but I do."

"Sue, there's no smoking in the mall."

"Jack, you look tired," the cubby teenager tells him, "and your eye. Another black eye."

"I was attacked by five women."

'Oh, I see, in your dreams maybe. I see, it's one of those male fantasies I'm always reading about in Cosmo. You're not boxing again, are you Dell?" Sue likes to call him Dell.

"I go down to the gym to work out. Felix says I've got something."

"Yeah, a black eye." Susan laughs, opens the big vanilla envelope, and hands Jack his check.

She turns and takes a pair of sunglasses from the display stand. "You 're scaring the children, Dell ." Susan steps closer looks into Dell's brown eyes and the slips the sunglasses on his face. "Why don't you go to lunch."

                                        
     

It's noon and the mall is crowded at the food court area. Jack gets a 20oz cup of coffee, finds a table and sits down.

"Go over and talk to him. " Susan says. Jack turns his head , looks back, sees the Indian walking towards his table.

"Hello, Kathrine," says Jack Delleto.

"My names not Kathrine, it's Kathleen."

Jack pulls the chair away from the table, "Have a seat Kate."

Her eyebrows form that delicate frown. "My names Kathleen." As soon as she sits down she takes a cigarette from the pack sticking out of her pocketbook. "I had to leave. I told the baby sitter I'd only be gone an hour. Anyway you weren't much help."

"So why did you come over to talk to me?"

"You were alone, the bar full of people and you're alone. Why?"

"I like it that way. You've seen me there before?"

"Yeah, sitting by the pin ball machine staring at the wall, and sometimes, you'd take out your blue note pad and write in it.
What do you write about?  Are you goin to write about me..."

"Maybe. How many kids do you have?"

"Just one. A boy, and believe me one is enough. He'll be four in June," Kathleen smiles but then she remembers and abruptly the smile disappears from her face. "Sometimes I see Anthony's father in the mall and I ask him if he'd like to meet his son, but he doesn't.

Kathleen draws the cigarette smoke deep into her lungs, tilts her head back, and blows the smoke towards the skylight. Suddenly caught in the sunlight the smoke becomes a gray cloud. " I didn't want to marry him anyway, I don't know why he thought that."

She hears the scars as Delleto talks, something sad about the man, something like old newspapers blowing across a deserted street. She hears the scars and knows never, never ask where the scars came from.


                              
     

As Jack walks towards the bank to cash his check, he glances out the front entrance to the mall. It is a bright, cold day and the snowplows are finishing up the parking lot plowing the snow into big white hills. That is the fate of the big white pup plowed to the corner of Cookman and Main buried deep in ***** snow. At that street corner when the school is over the children will play on the hill never realizing what lay beneath there feet.

The snow must melt; spring is inevitable.

His pup will be back.



                                           Chapter 4


The 19 year old light heavyweight leans his muscular body forward to rest his gloved hands on the tope rope of the ring. He bows his head waiting to regain his breath as his lungs fight to force air deep into his chest. Bill Wain has finished boxing 4 rounds with Red.

Harry the trainer, gently pulls the untied boxing gloves from Red's hands. "Good fight, he says, patting Red on the back as the fighter climbs through the ropes and heads to the showers. Harry hands the sweat soaked gloves to Felix who puts one glove under his arm while he loosens the laces on the other 12ounce glove. He makes the sleeve wider.

"Do you want the head gear?" Felix asks.

Jack Delleto shakes his head and pushes his taped hand deep into the glove.

The old man takes the other glove from under his arm, pulls the laces out, and holds it open. Without turning his head to look at him, Felix tells Harry, "Make sure Bill doesn't cool down. Tell him to shadow box. Harry walks over to Bill and Bill starts shadow boxing.

Jack pushes his hand into the glove. "Make a fist." Jack does. Felix pulls the laces and ties it into a bow.

Felix looks intently into Delleto's eyes. "How does that feel?"

"About right."

"You look tired."

"I am a little."

"Are you sick or is it a woman."

"I'm not sick."

A big smile forms across the face of the former welterweight champion of Nevada. The face of the 68 year old Blackman is lined and cracked like the old boxing gloves that Jack is wearing but his tall body is youthful and athletic in appearance. Above Felix's eyebrows Jack sees the effect of 20 years as a professional fighter. He sees the thick scar tissue and the thin white lines where the old man's skin has been stitched and re-stitched many times. As he gives instructions to Jack, Felix's brown eyes seem to be staring at something distant and Jack wonders if Felix has chased around the ring one time too often his dream.

"And get off first. Don't stop punching until he goes down. You've got it kid and not every fighter does."

Jack and Felix start walking over to the ring.

"What is it I've got?" Jack Deletto wonders.

Felix puts his foot on the fourth strand of the rings rope and with his hand pulls up the top strand and as Jack steps into the ring, "You've got, HEART."

In the opposite corner Bill Wain waits.

"Will he be alright?" Harry asks.

"Bill's tired, " Felix replies, then he tries to explain. "It's not about money. I'm almost 70 and I want to go out a winner." Felix pauses and the offers, he can hit hard with either hand."

"Yeah, but at best he's a small middleweight and he only moves in one direction, straight ahead."

"Harry, I love the guy," Felix puts his hand on Harry's shoulder, he's like Tyson at the end of his career. He'd fight you to the death but he's not fighting to win anymore."

Harry puts his hands in his pocket and stares at the floor. "Do you want me to tell him to go easy." Harry looks up at Felix waiting for an answer.

"I'm tired of sweeping dirt from behind the boxes of wax beans and tuna fish. I'm sick of collecting shopping carts in the rain. A half way decent white heavyweight can make a lot of money. It's stupid for a fighter to practice holding back. Bill's a winner. Jack'll be alright."

Felix hands the pocket watch to Harry so he can time the rounds.

Bill Wain comes out of his corner circling left.

Jack rushes straight ahead.

Felix winks at Jack Delleto and whispers, "The Jack of hearts."



                                           Chapter 5


The front door of the Wagon Wheel bar explodes open to Ziggy Pop's, "YOU'VE GOT A LUST FOR LIFE." Jack Delleto steps over the curb and vanishes into the dark doorway.

"HEY, JACK, JACK DELLETO," The lanky bartender shouts over the din.

Delleto makes his way through the crowd over to bar. How the hell have you been Snake?" Jack asks.

"Just great," says Snake. "You're lookin pretty ****** good for a dead man."

"Who told you that? Crazy George?"

The bartender points across the room to where a man in a pin stripe suit is swinging to and fro from a wagon wheel lamp attached to the ceiling.

"Yeah, I thought so. Haven't seen Crazy George in a year and he's been telling everyone I'm dead. I'm gonna have to have a long talk with that man."

Snake hands Jack a shot of tequila. The men touch glasses and throw down the shots.

How's the other George? Dell asks.

"AA."

"How's Tommy? You see him anymore?"

"Rehab."

"What about Robbie?"

Snake refills the glasses. "He's livin in a nudist colony in Florida, he has two wives and 6 children."


Jack looks across the room and sees Bob O'Malley trying to adjust the rose in the lapel of his tuxedo. Satisfied it won't fall out O'Malley looks up at the man swinging from the lamp. "Quick, name man's three greatest inventions."

"Alcohol, tobacco, and the wheel," Crazy George shoots back.

O'Malley smiles and then jumps up on the top of the bar and although he is over six feet and weighs two hundred pounds, he has the dexterity and grace of a ballerina as he pirouttes around and jumps over the shot glasses and beer bottles that litter the bar.

Wedding guests lean back in their chairs as strangers fearful of his gyrations ****** their drinks off the bar. Bob fakes a slip as he prances along but he is always in control and never falters. Forty three year old Bob O'Malley is Jim Brown who dodges danger to score the winning touch down.

When Bob reaches the end of the bar he jumps to the floor, pulls two aluminum lids from the beer box, and with one in each hand he smacks them together like cymbals.

Some guests clap. The bemused just stare.

In the back of the room sitting at the wedding table the father of the bride leans over, whispers into the ear of his crying wife, "If I had a gun I'd shoot Bob."

The bride raises a glass of champagne into the smoke filled air and Bob takes a bow but then heads towards the kitchen at the other end of the room.

" Hey, Bob," Jack Delleto shouts to the groom.

O'Malley stops under the wagon wheel lamp and turns as Delleto steps into the  circle of light cast onto the floor.

"Congratulations, I know Theresa and you are goin to be happy. I mean that." Delleto offers his hand and they shake hands.

"Thanks, Mr. Cool."

Jack takes off the sunglasses.

"TWO black eyes. Your nose is bleeding. What happened?"

Dell takes the handkerchief from his back pocket, wipes the blood dripping down his face. "It's broken."

"What happened?" O'Malley asks again.

"Bill Wain."

"He turned pro."

"Yeah, but he's nothing special. Hell, he couldn't even knock me down."

O'Malley shakes his head. "Dell, why do you do it? You always lose."

"If you don't fight you've already lost."

"Put the sunglasses back on, you look like a friggin raccoon."

Dell smiles. The blood running down his lips."Thersa's beautiful, Bob, you're a lucky guy."

"Thanks Dell." O'Malley puts his hand on Dell's shoulder and squeezes affectionately. Bob looks across the room at Theresa. "Yeah, she is beautiful." Theresa's mother has stopped crying. Her father drinks whiskey and stares at the wall.

O'Malley looks away from his bride and passed the archway that divides the poolroom from the bar and into the corner. With the lamp light above his head gleaming in his eyes Bob seems to see a ghost fleeting in the far distant, dark corner. Slowly, a peculiar half smile forms uneven, white, tombstone teeth.  A pensive smile.

Curious, Dell turns his head to look into the darkness of the poolroom, too.

At night in July the moths were everywhere. When Dell was a boy he would sit on his porch and try to count them. The moths appeared as faint splashes of whiteness scattered throughout the nighttime sky, odd circles of white that moved haphazardly, forward and then sideways, sometimes up and then down.

Sometimes the patches of moths flew higher and higher and Dell imagined the lights those creatures were seeking were the stars themselves; Orion, the Big Dipper, and even the milky hue of the Milkyway.

One night as the moths pursued starlight he saw shadows dropping one by one from the branches at the tops of the trees. The swallows were soundless and when he caught a glimpse of sudden darkness, blacker than the night, he knew the shadows had erased the dreamer and its dream.

His imagination gave definition to form. There was a sound to the shadows of the swallows in his thoughts, the melody and the song played over and over. Wings of shadow furled and unfurled. Perhaps he saw his reflection in the night. Perhaps there are shadows where nothing exists to cast them.

"Do you hear them, Bob?"

"Hear what?" Bob asks.

"All of them."

"All of what?"

"Shadows," Delleto candidly tells his friend, then, "Ah, Nothin."

O'Malley doesn't understand but it does not matter. The two men have shared the same corner of darkness.

Bob calls to Paul Keater. Keater smiles broadly, slides the brim of his Giant baseball cap to the side of his forehead. The two men disappear through the swinging kitchen door.


                                          Chapter 6


"Hello Kate." Jack Delleto says and sits down. She has a blue bow in her hair and make up on.

"My names Kathleen."

She fondles the whiskey glass in her slim fingers. "Hello, Dell, Sue thinks Dell is such a **** name. Kathleen takes a last drag on her cigarette, rubs it out in the ashtray, looks up at him, "What should I call you?"

"How about, Darlin?"

"Hello, Jack, DARLIN," her soft, deep voice whispers. Kathleen crosses her legs and the black dress rides up to the middle of her thigh.

Jack glances at the milky white flesh between the blue ***** hose and the hem of her dress. Kate is drunk and Dell does not care. He leans closer, "Do you wanna dance?"

"But no one else is dancing."

"Well, we can go down to the beach, take a walk along the sand."

"It's twenty degrees out there."

"I'll keep you warm."

"All right, lets dance."

Jack stands up takes her by the hand. As Kathleen rises Jack draws her close to him. Her ******* flatten against his chest. He feels her heart thumping.

The Elvis impersonator that almost played Las Vegas; the hairdresser that wanted to be a race car driver; the insurance salesman with a Porche and a wife.  Her men talked about what they owned or what they could do well.

And Kathleen was impressed.

But Dell wasn't like them. Dell never talked about himself. Did he have a dream? Was there something he wanted more than anything?

Kathleen had never meant anyone quite like Dell.

She rests her head on his shoulder. "What do you what more than anything? What do you dream about at night?"

"Nothing."

"Come on," she says," what do you want more than anything? Tell me your dreams."

Jack smiles, "Just to make it through another day."  He smiles that sad smile that she saw the first time they met. "Tell me what you want."

Kate lifts her head off of his shoulder and looks into his eyes. "I don't want to be on welfare the rest of my life and I want to be able to send my son to college." She rests her cheek against his, "I've lived in foster homes all my life and every time I knew that one day I'd have to leave, what I want most is a home. Do you know the difference between a house and a home?"

"No. not at all"

Her voice is a roaring whisper in his ear, "LOVE."

The song comes to an end and they leave the circle of light and sit down. Kate takes a cigarette from the pack.

Dell strikes a match. The flame flickering in her eyes. "Maybe someday you'll have your home."

"Do you want me to?"

"Yeah."

Kate blows out the match.


                                  
     


"Can you take me home?" Kate asks slurring her words.

Kathleen and Jack walk over to where the bride and groom are standing near the big glass refrigerator door with Paul Keater. When Paul realizes he is standing next to Jack Delleto he rocks back and forth on the heals of his worn shoes, slides his Giants baseball cap back and forth across his forehead and walks away.

O'Malley bends down and kisses Kathleen on the cheek and turns to shake hands with Dell. "Good luck," says Dell. Kathleen embraces the bride.

Outside the bar the sun is setting behind the boarded shut Delleto store.

"That was my Dad's store, " Jack tells Kate and then Jack whispers to to himself as he reads the graffiti spray painted on the front wall.
"TELL YOUR DREAMS TO ME, TELL ME YOU LOVE ME, IF YOU LOVE ME, TELL ALL YOUR DREAMS TO ME."


                                         Chapter 7


An old man comes shuffling down the street, "Hello Mr. Martin, " Jack says, "How are you?"

"I'm an old man Jack, how could I be," and then he smiles, "ah, I can't complain. How are you?"

"Still alive and well."

"Who is this pretty young lady?"

"This is Kate."

Joesph Martin takes Kathleen by the arm and gently squeezes, "Hello Kate, such a pretty women, ah, if I was only sixty," and the old man smiles.

Kathleen forces a smile.

The thick eyeglasses that Mr. Martin wears magnifies his eyes as he looks from Kathleen to Jack, "Have fun now, because when you're dead, you're going to be dead a long, long time." And Martin smiles.

"How long?  Delleto inquires.

The old man smirks and waves as he continues up the street to the door leading to the rooms above the bar. He turns to face the door. The small window is broken and the shards of glass catch the twilight.

Joesph Martin turns back looking at the man and young woman who are about to get into the car. He is not certain what he wants to say to them. Perhaps he wants to tell them that it ***** being an old man and the upstairs hallway always smells of ****.

Joesph Martin wants to tell someone that although Anna died seven years ago his love endures and he misses her everyday. Joesph recalls that Plato in Tamaeus believed that the soul is a stranger to the Earth and has fallen into matter because of sin.

A faint smile appears on the wrinkled face of the old man as he heeds the resignation he hears in his own thoughts.

Jack waves to Mr. Martin.  Joesph waves back. The mustang drives off.

Earth, O island Earth.


                                               Chapter 8


Joseph pushes open the door and goes into the hallway. The fragments of glass scattered across the foyer crunch and clink under his shoes. The cold wind blowing through the broken window touches his warm neck. He shivers and walks up the stairs. There is only enough light to see the wall and his own warm breathing. There is just enough light like when he has awaken from a  bad dream, enough to remember who he is and to separate the horror of what is real from the horror of what is dreamt.

The old man continues climbing the stairs following the familiar shadow of the wall cast onto the stairs. If he crosses the vague line of shadow and light he will disappear like a brown trout in the deepest hole in a creek.

By the time he reaches the second floor he is out of breath. Joseph pauses and with the handkerchief he has taken from his back pocket he wipes the fog from the lenses of his eyeglasses and the sweat from his forehead.

A couple of doors are standing open and the old man looks cautiously into each room as he hurries passed. One forty watt bulb hangs from a frayed wire in the center of the hallway. The wiring is old and the bulb in the white porcelain socket flickers like the blinking of an eye or the fearful beating of the heart of an old man.

When he opens the door to his room it sags on ruined hinges.

Joesph searches with his hand for the light switch.  Several seconds linger. Can't find it.

Finds it and quickly pushes the door shut. He sits down on the bed, doesn't take his coat off, reaches for the radio. It is gone.

Joseph looks around the room. A small dresser, the sink with a mirror above it. He takes off his coat and above the mirror hangs the coat on the nail he has put there.

Hard soled boots echo hollowly off the hallway walls. The echoes are overlapping and he cannot determine if the footsteps are leaving or approaching.

The crowbar is under his pillow.

He grabs it. Holds it until there is silence.

He lays back on the bed. Another night without sleep. Joseph rolls onto his side and faces the wall.

Earth, O island Earth.



                                           Chapter 9


Tangled in the tree tops a rising moon hangs above the roofs of identical Cape Cod houses.

Jack pulls the red mustang behind a station wagon. Kathleen is looking at Dell. His face is a faint shadow on the other side of the car. "Do you want to come up?" she asks.

Kathleen steps out of the car, breathes the cold air deep into her lungs. It is fresh and sweet. Jack comes around the side of the car just as she knew he would. He takes her into his arms. She can feel his lips on hers and his warm breath as the kiss ends.

They walk beneath the old oak tree and the roots have raised and crack the sidewalk and in the spring tiny blue flowers will bloom. The flowers remind Jack of the columbines that bloom in high mountain meadows above tree line heralding a brief season of sun and warmth.

"Did you win?" Kathleen asks as she fits the key into the upstairs apartment door. The door swings open into the brightly lit kitchen.

Dell, leaning in the doorway, two black eyes, looking like the Jack of Hearts. "It doesn't matter."

"You lost?"

"Yeah."

Crossing the room she takes off her coat and places it on the back of the kitchen chair. When Kate leans across the kitchen table to turn on the radio the mini dress rides up her thigh, tugs tightly around her buttocks.

The radio plays softly.

Jack stands and as Kathleen turns he slips his arms around her waist and she is staring into his eyes like a cat into a fire. His body gently presses against the table and when he lifts her onto the table her legs wrap around his waist.

Kathleen sighs.

Jack kisses her. Her lips are cold like the rain. His hand reaches. There is a faint click. The room slips into darkness. It is Eddie Money on the radio, now, with Ronnie Specter singing the back up vocals. Eddie belts out, "TAKE ME HOME TONIGHT, I WON"T LET YOU LEAVE TIL..."

When Jack withdraws from the kiss her eyes are shining like diamonds in moonlight.

The buttons of her dress are unfastened.  Her arms circle his neck and pull him to her *******. "Don't Jack. You mustn't. I just want a friend."

His hands slide up her thighs. "I'll be your friend, " says Jack.

Her voice is a roaring whisper in his ear. "*** always ruins everything," He pulls her to the edge of the table as Ronnie sings, "O DARLIN, O MY DARLIN, WON'T YOU BE MY LITTLE BAABBBY NOOWWW."


They are sitting on a couch in the room that at one time had been a sun porch.

Now that they have gotten *** out of the way, maybe they can talk. Sliding her hands around his face she pulls him closer.

"Jack, what do you dream about? You know what I mean, tell your dreams to me."

"How did you get those round scars on your arm?" Dell wonders.

"Don't ask. I don't talk about it. Do you have family?"

"Yeah. A brother. Tell me about those scars."

My ****** foster dad. He burned me with his cigarette. That's how I got these ****** scars.

And when I knew he was coming home, I'd get sick to my stomach, and when I heard his key in the door, I'd *** myself. And I got a beating.

But that wasn't the worst of it.

When they didn't beat me or burn me, they ignored me, like I didn't exist, like I wasn't even there. And you know what, I didn't hate him. I hated my father who put in all those foster homes."



                                             Chapter 10



Spring. All the windows in the apartment are open. The cool breeze flows through her brown hair. "You're getting too serious, Jack, and I don't want to need you."

"That's because I care for you."

The rain pounds the roof.

Jack Delleto sits down on the bed, caresses her shoulder. "I hate the rain. Come on, give me a smile. "Kathleen pulls away and faces the wall.

"Well, I don't need anyone."

"People need people."

"Yeah, but I don't need you." There is silence, then, "I only care about my son and Father Anthony."

"What is it with you and the priest?" You named your son Anthony is that because he's the father."

"You're an *******. Get out of here. I don't love you." And then, "I've been hurt by people and you'll get over it."

Then silence. Jack gets up from the bed, stares at her dark form facing the wall. "Isn't this how it always ends for you?"

The room is quiet and grows hot. When the silence numbs his racing heart, he goes into the kitchen, opens the front door and walks down the steps into the cold rain.


"Anthony," Kathleen calls to her son to come to her from the other bedroom and he climbs into the bed, and she holds him close. The ghost of relationships past haunt her and although they are all sad, she clings to them.


On the sidewalk below the apartment window Jack stops. He thinks he hears his name being called but whatever he has heard is carried off by the wind. He continues up the dark street to his Harley.

High in reach less branches of the old oak tree a mockingbird is singing. The leaves twist in the wind and the singing goes on and on.



                                            
     



The ringing phone. The clock on the dresser says 5 a.m.

"Who the hell is this?"

"Jack, I'm scared."

"Kate? Is that you?"

"Someone broke into my apartment."

"Is he still there?"

"No, he ran out the door when I screamed. It was hot and I had the window open. He slit the screen."

"I'll be right over."



                                         Chapter11


"How hot is it?" Kathleen asks.

The bar is empty except for O'Malley, Keater, a man and a woman.

"98.6," says Jack. The sweat rolls down his cheeks.

"Let's go to the boardwalk."

"When it's hot like this, it's hot all over."

"We could go on the rides."

"I've got the next pool game, then we'll go."

"It's my birthday."

"I bought you flowers."

"Yeah, carnations."

Laughing, Paul Keater slides the brim of his baseball cap back and forth across his forehead.

Jack eyes narrow. He starts for Keater, Katheen steps in front of Jack, puts her hands on his shoulders. She looks into his eyes.

"Who are you Jack Delletto? What is it with you two? But as always you'll say nothing, nothing." As Jack tries to speak she walks over to the bar and sits on the barstool.

"It's my birthday," she tells O'Malley.

When Bob turns from the horse races on the T.V., he notices her long legs and the short skirt. "Hey, happy birthday, Kate, Jack Daniels?"

"Fine."

Filling the glasses O'Malley hands one to Kathleen, "You look great," he tells her.

"Jack doesn't think so. Thanks, at least someone thinks so."

"Hope Jack won't mind," and he leans over the bar and kisses her.

Kathleen looks over her shoulder at Delleto. Jack is playing pool with a woman wearing a black tight halter top. The woman comes over to Jack, stands too close, smiles, and Jack smiles back.

The boyfriend stares angrily at Jack.

When Kathleen turns back O'Malley is filling her shot glass.

Jack wins that game, too.



                                                 Chapter 12



"Daddy," the little girl with her hands folded in her lap is looking up at her father. "When will the ride stop? I want to go on."

"Soon, Darling, "her father assures her.

"I don't think it will ever stop."

"The ride always stops, Sweetie." Daddy takes her by the hand, gently squeezes.


When the carousel begins to slow down but has not quite stopped Kathleen steps onto the platform, grabs the brass support pole. The momentum of the machine grabs her with a **** onto the ride, into a white horse with big blue eyes. Dropping her cigarette she takes hold of the pole that goes through the center of the horse. She struggles to put her foot in the stirrup, finds it, and throws her leg over the horse. The carousel music begins to play. With a tremble and a jolt, the ride starts.

Sitting on the pony has made her skirt ride well up her legs. The ticket man is staring at her but she is too drunk to care. She hands him the ticket, gives him the finger.

The ticket man goes over to the little girl and her father who are sitting in a golden chariot pulled by to black horses.

"Ooooh, Daddy, I love this."

"So do I," The father smiles and strokes his daughter's hair.

The heat makes the dizziness grow and as the ride picks up speed she sees two of everything. There are two rows of pin ball machines, eight flashing signs, six prize machines. All the red, blue and green lights from the ride blend together like when a car drives at night down a rain-soaked street.

Kathleen feels the impulse to *****.

"Can we go on again?" The little girl asks.

"But the ride isn't over, yet."


Kathleen concentrates on the rain-soaked street and the dizziness and nausea lessens. She perceives the images as a montage like the elements that make up a painting or a life. She has become accustom to the machine and its movement. The circling ride creates a cooling breeze that becomes a tranquil, flowing waterfall.

The ponies in front are always becoming the ponies in the back and the ponies in back are becoming the ponies in the front. Around and around. All the ponies galloping. Settling back into the saddle she rides the pony into the ever-present receding waterfall.

You can lose all sense of the clock staring into the waterfall of blue, red and green. Kathleen leans forward to embrace the ride for a long as it lasts.

Just as suddenly as it started, the ride is slowly stopping, the music stops playing.

Coming down off the pony she does not wait for the ride to stop, stumbles off the platform and out the Casino amusement park door. "****, *******," she yells careening into the railing almost falling into Wesley Lake.

She staggers a few steps, sits down on the grass by the curb, hears the carousel music playing and knows the ride is beginning again, and all of her dreams crawls into her like a dying animal from its hidden hole.

And it all comes up from her throat taking her breath away. A distant yet familiar wind so she lies down on the grass facing the street of broken buildings filled with broken people. From the emptying lot of scattering thoughts the mockingbird is singing and the images shoot off into a darkening landscape, exploding, illuminating for a brief moment, only to grow dimmer, light and warmth fading into cold and darkness.




                                      
     

"Your girlfriend is flirting with me," Jack Delleto tells the man. "It's my game."

The man stands up, takes a pool stick from the rack, as he comes towards Jack Delleto the man turns the pool stick around holding the heavy part with two hands.

There is an explosion of light inside his head, Delleto sees two spinning lizards playing trumpets, 3 dwarfs with purple hair running to and fro, intuitively he knows he has to get up off the floor, and when he does he catches the bigger man with a left hook, throws the overhand right. The man stumbles back.

His girlfriend in the tight black halter top is jumping up and down, screaming at, screaming at Jack Delleto to stop, but Jack, does not. Stepping forward, a left hook to the midsection, hook to the head, spins right, throws the overhand right.

The man goes down. Jack looks at him.

"You lose, I win," and Delleto's smile is a sad, knowing one.



                                                  CHAPTER­ 13

"It's too much," and Jack looks up from the two lines of white powder at Bob O'Malley. "I'll never be able to fall asleep and I hate not being able to sleep."

" Here," Bob takes a big white pill from his shirt pocket.

Jack drops the pill into his shirt pocket and says, "No more." He hands the rolled-up dollar bill to Bob who bends over the powder.

"Tom sold the house so you're upstairs? O Malley asks, and like a magician the two lines of white powder disappear.

"Till i find another place," Jack whispers.

Straightening up, O'Malley looks at Dell, "I know you 're hurting Dell, I'm sorry, I'm sad about Kate, too."

"Kate had a kid. A boy, four years old."

Jack becomes quiet, walks through the darkened room over to the bar. Leaning over the bar he grabs two shot glasses and a bottle of Wild Turkey, walks back into the poolroom. He puts the shot glasses on top of the pin ball machine. "We have a winner, " the pin ball machine announces. Dell fills the glasses.

"Felix came in the other day, he's taken it hard," Bob tells him.
Bill Wain knock down four times in the sixth round, he lost consciousness in the dressing room, and died at the hospital."

"I heard. What's the longest you went without sleep? Jack asks.

"Oooohhh, five, six days, who knows, after awhile you lose all track of time."

They take the shots and throw them down.

"I wonder if animals dream," Jack wants to know. "I wonder if dogs dream."

"Sure, they do, " O'Malley assures him, nodding his head up and down, "dogs, cats, squirrels, birds."

"Probably not insects."

"Why not? June bugs, fleas, even moths, it's all biochemical, dreams are biochemical, mix the right combination of certain chemicals, electric impulses, and you'll produce love and dreams."

                                          
     

Jack Delleto goes into his room above the bar, studies it. The light from the unshaded lamp on the nightstand casts a huge shadow of him onto the adjacent wall. Not much to the room, a sink with a mirror above it next to a dresser, a bed against the wall, a wooden chair in front of a narrow window.

The rain pounds the roof.

The apprehension grows. The panic turns into anger. Jack rushes the white wall, meets his shadow, explodes with a left hook. He throws the right uppercut, the overhand right, three left hooks. He punches the wall and his knuckles bleed. He punches and kicks the blood-stained wall.

At last exhausted, he collapses into the chair in front of the open window. Fist sized holes in the plaster revel the bones of the building. The room has been punched and kicked without mercy.

The austere room has won.

The yellow note pad, he needs the yellow note pad, finds it, takes the pencil from the binder but no words will come so he writes, "insomnia, the absence of dream." He reaches for the lamp on the nightstand, finds it, and turns off the light. Red and blue, blue and red, the neon from the Wagon Wheel Bar sign blinks soft neon into his room. The sign seems to pulsate to the cadence of the rock music coming from the bar.

Taking the big white pill from his shirt pocket, he swallows it, leans back into the chair watching the shadows of rain bleed down the wall. The darkness intensifies. Jack slides into the night.



                                           Chapter 14


The rain turns to snow.

With each step he takes the pain throbs in his arm and shoulder socket. His raw throat aches from the drafts of cold air he is ******* through his gaping mouth and although his legs ache he does not turn to look back. Jack must keep punching holes with his ice axe, probing the snow to avoid a fall into an abyss.

The pole of the ice axe falls effortlessly into the snow, "**** it, another one."

Moonlight coats the glacier in an irridecent glow and the mountain looms over him. It is four in the mourning and Jack knows he needs to be high on the mountain before the mourning sun softens the snow. He moves carefully, quietly, humbly to avoid a fall into a crevasse. When he reaches the top of the couloir the wind begins to howl.

"DA DA DUN, DA DA DUN, HEY PURPLE HAZE ALL AROUND MY BRAIN..."

Jack thinks the song is in his head but the electric guitar notes float down through the huge blocks of ice that litter the glacier and there standing on the arête is Jimi, his long dexterous fingers flying over the guitar strings at 741 mph.

"Wait a minute, " Jack wonders, stopping dead in his tracks. The sun is hitting the distant, wind-blown peaks. "Ah, what the hell," and Jack jumps in strumming his ice axe like an air guitar, singing, shouting, "LATELY THINGS DON'T SEEM THE SAME, IS THIS A DREAM, WHATEVER IT IS THAT GIRL PUT A SPELL ON MEEEE, PURRPPLLE HAZZEEE."


                                        
     


Slowly the door moans open.

"Jack, are you awake?" her voice startles him.

"Yeah, I'm awake."

"What's the matter, can't sleep?"

Jack sifts position on the chair. "Oh, I can sleep all right." He recognizes the voice of the shadow. "I want to climb to a high mountain through ice and snow and never be found."

"A heart that's empty hurts, I miss you, Jack Delleto."

"I'm glad someone does, I miss you, too, Kate."

There is silence for several minutes and the voice comes out of the darkness again.

"Jack, you forgot something that night."

"What?" The dark shape moves towards him. When it is in front of him, Jack stands, slips his arms around her waist.

"You didn't kiss me goodbye."

Her lips are soft and warm. Her arms tighten around his neck and the warmth of her body comes to him through the cold night.

"Jack, what's the matter?" She raises her head to look at him, "Why, you're crying."

"Yeah, I'm crying."

"Don't cry Darlin," her lips are soft against his ear. "I can't bear to see you unhappy, if you love me, tell me you love me."

"I love you, I do," he whispers softly.

"Hold me, Jack, hold me tighter."

"I'll never let you go." He tries to hug the shadow.


                                          
      *


The dread grows into an explosion of consciousness. Suddenly, he sits up ******* in the cold drafts of air coming into the room from the open window. Jack Delleto gets up off the chair and walks over to the sink. He turns on the cold water and bending forward splashes water onto his face. Water dripping, he leans against the sink, staring into the mirror, into his eyes that lately seem alien to him.



                                            Chapter 15


Someone approaches, Jacks turns, looks out the open door, sees Joesph Martin go shuffling by wearing a faded bathrobe and one red slipper. Jack hears Martin 's door slam shut and for thirty seconds the old man screams, "AAHHH, AAAHHH, AAAHH."
Then the building is silent and Jack listens to his own labored breathing.

A glance at the clock. It is a few minutes to 7 a.m. Jack hurries from his room into the hallway.  They pass each other on the stairs. The big man is coming up the stairs and Jack is going down to see O'Malley.

Jack has committed a trespass.

When the big man reaches the top of the stairs, the red exit light flickers like a votive candle above his head. The man slides the brim of his Giants baseball cap back and forth across his forehead, he turns and looks down, "Hello, Jack, brother. Dad loved you, too, you know." An instant later the sound of a door closing echoes down the hallway steps.


Jack Delleto is standing in the doorway at the bottom of the steps looking out onto the wet, bright street.

"Hey, Jack, man it's good to see you, glad to see you're still alive."

Jack turns, looks over his shoulder, "Felix, how the hell are you?"
The two men shake hands, then embrace momentarily.

"Ah, things don't get any better and they don't get any worse," shrugs the old man and then he smiles but his brown eyes are dull, and Jack can smell the cheap wine on the breath of the old boxer. "When are comin back? Man, you've got something, Kid, and we're going places."

"Yeah, Felix, I'll be coming back."  Jack extends his hand. The old fighter smiles and they shake hands. Suddenly, Felix takes off down Main Street towards Foodtown as if he has some important place to go.

Jack is curious. He sees the rope when he starts walking towards the Wagon Wheel Bar. One end of the rope is tied around the parking meter pole. The rest of the rope extends across the sidewalk disappearing into the entrance to the bar. The rattling of a chain catches his attention and when the huge white head of the dog pops out of the doorway Jack is startled. He stops dead in his tracks and as he spins around to run, he slips falling to the wet pavement.

The big, white mutt is curious, growls, woofs once and comes charging down the sidewalk at him. The rope is quickly growing shorter, stretches till it meets it end, tightens, and then snaps. Now, unimpeded by the tension of the rope the mutt comes charging down the sidewalk at Delleto. Jack's body grows tense anticipating the attack. He tries to stand up, makes it to his knees just as the dog bowls into him knocking him to the cement. The huge mutt has him pinned down, goes for his face.

And begins licking him.

Jack Delleto struggles to his knees, hugs her tightly to him. Looking over her shoulder, across Main Street to the graffiti painted on the boarded shut Delleto Market...

                               FANTASY WILL SET YOU FREE

                                                 The End

To Tommy, Crazy George and Snake, we all enjoyed a little madness for a while.


"Conversations With a Dead Dog..."
howard brace Oct 2012
Stood rigidly to attention either side of the hearth, the two bronze fire-dogs had been struggling to maintain that British stiff upper lipidness, which up until earlier that evening had best befitted their station in life... indeed, for the last half hour at least had become brothers in arms to the dying embers filtering through the bars of the cast-iron grate, passing from the present here and now, having lost every thermal attribute necessary to sustain any further vestige of life... to the shortly forthcoming and being at oneness with the Universe... only to fall foul of the overflowing ash-pan below.  This premature cashing in of the coal fire's chips could only be attributed to the recent and prolonged thrashing from the Baronial poker... and a distinct lack of enthusiasm from the family retainer, whom it appeared, required spurring along in a like manner... and while unseen mechanisms were heard to be engaging, then resonating deep within the Hall... that unless summoned... and quickly, the housekeeper had little intention of making an appearance of her own choosing and re-stoke the Study fire while the BBC Home Service were airing 'Your 100 Best Tunes' on the wireless, leaving the heavily tarnished pendulum to continue measuring the hour.

     An indistinct mutter and snap of a closing door latch sounded in the immediate distance as the unhurried shuffle of domestic footsteps... not too dissimilar from those of Jacob Marley's spectral visitation to Scrooge... echoed ever closer along the ancient, oak panelled hallway without.  Their sudden cessation, allowing the housekeeper ingress to  the book lined Study, was by way of sporadic groans from unoiled hinges, door furniture that voiced the same overwhelming lack of attention as that of the fire-grate set in the wall opposite and presumably, from the same overwhelming lack of domestic servitude.
                                        
     "Had his Lordship rang...?" the Housekeeper wailed dolefully, giving her employer what might casually pass for a courteous bob... and in lieu no doubt, of Marley's rattling chains, padlocks and dusty ledgers... "and would there be anything further his Lordship required..." before she took her leave for the evening.  The notion of a sticky mint humbug warming the cockles of his ancient, aristocratic heart gave her pause for thought as she rummaged through her pinafore pockets, then thought better of it, after all, confectionary didn't grow on trees...  In bobbing a second time she noticed the malnourished, yet strangely twinkling coal-scuttle lounging over by the hearth, whose insubstantial contents had taken on an ethereal quality earlier that evening and had now transferred its undivided attention to the recently summoned Housekeeper, who was quite prepared to offer up a candle in supplication come next Evensong were she mistaken, but the coal-scuttle's twinkle bore every intimation of giving what appeared to be a very suggestive 'come-on' in return... and had been doing so since she first entered the room... 'and did she have any plans of her own that particular evening', the coal-scuttle twinkled suavely, 'perchance a leisurely stroll down by the old coal cellar steps...'  Now perhaps it was the lateness of the hour which had caused the Housekeeper's confusion that evening, or perhaps an over stretched imagination, brought on through domestic inactivity, but it wouldn't take a great deal to hazard that a lingering fondness for Gin and tonic played no small part towards her next curtsey, which she did, albeit unwittingly, in the unerring direction of the winking coal-scuttle.

     With the household keys as her badge-of-office, jangling defiantly from the chain around her waist, the housekeeper began inching back the same way she came, back towards the study door and freedom... and back into the welcoming arms of her 1/4 lb. bag of peppermint humbugs and the pint of best London Gin she'd had to relinquish prior to 'Songs of Praise...' and which was now to be found... should you happen to be an inquisitive fly on a particular piece of floral wallpaper... half-cut, locked arm in arm with the bottle of Indian tonic water and in the final, intoxicating throws of William Blake's, 'Jerusalem...' hic.

     "Ha-arrumph..." the elderly gentleman cleared his throat... "ah Gabby" he said, lowering his book and placing it face down upon the occasional table set beside him.  The flatulent groan of tired leather upholstery made itself heard above the steady monotony of the mantle-piece clock as he stood and chaffed his hands in the direction of the bereft fire, "Oh! I'm sorry your Lordship, then there was something...?" as she maintained her steady but relentless backwards retreat unabated, the double-barrelled bunch of keys taking up a strong rear-guard action and away from the well disposed coal scuttle... "and was his Lordship quite certain that he required the fire stoking at such a late hour..." she dared, "perhaps a nice warming glass of port and brandy instead" gesturing towards the salver, long since tarnished by the half hearted attentions of a proprietary metal polish... "and would he care for..." then thought better of offering to plump the chair cushions herself, having discovered Mort, the household mouser in the final stages of claiming them as his own, deftly rearranging the Victorian Plush with far more than any noble airs or graces.

     "Poor Mrs Alabaster, you will recall Sir, I'm sure..." a pained expression crossed the Housekeepers face as she collided with a corner of the Georgian writing bureau and bringing her to an abrupt halt... "her late Ladyships lady" she continued, indiscreetly rubbing her derriere, "whose services your Lordship dispensed with at the onset of last Winter, shortly after the funeral, God rest her late Ladyship... when you made her redundant... and how she's been unable to find a new situation ever since on account of her lumbago flaring up again, seeing as how it's been the coldest January in living memory", which in all likelihood meant since records began... "and SHE didn't have any coal either... or a roof over her head for all anyone cared... begging yer' pardon, yer' Lordship", letting her tongue slip as she attempted yet one more curtsey... "and it's wicked-cruel outside this time of year Sir, you wouldn't turn a dog out in it..." and how ordering the coal used to be Mrs Alabaster's responsibility...

     "Oh no, Sir", as she unsuccessfully stifled a hiccup...she would be only too delighted to rouse the Cook, especially after that dodgy piece of scrag-end they'd all had to suffer during Epiphany, but it was only last week that the Doctor had confined Cookie to bed with the croup... "as I'm sure your Lordship will recall..." as she attempted a double curtsey for effect, the despondent coal-scuttle now all but forgotten, "that below-stairs had been dining on pottage since a week Friday gone... and it tends to get a little moribund after almost a fortnight your Honour... and that Mrs Cotswold's rheumatism was still showing no signs of improvement either by the looks of things... and was having to visit the Chiropodist every fortnight for her bunions scraping... and how she's been advised to keep taking the embrocation as required".

     As a young woman, any disposition her grandmother may have had towards sobriety or moral virtue had quickly been prevailed upon by the former Master's son taking intimacy to the next level with the saucy Parlour Maid's good nature.   Shortly thereafter, having been obliged to marry the first available Gardener that came along, she was often heard to say "a bun in the oven's worth two in the bush" for it was with stories 'of such goings-on'  that made it abundantly clear to the Housekeeper, that it was far more than old age creeping up... and that if she didn't keep her wits wrapped tightly about her, as she threw a sideways glance at the winking philanderer... then who would.

     As for the Gardener, "well... he couldn't possibly manage the cellar steps at this late hour, yer' Lordship, wot' with the weather being the way it is right now Sir, seasonal... and him with his broken caliper... and bronchitis playing him up at every turn, even though his own ailing missus swore by a freshly grown rhubarb poultice first thing each morning", but oddly enough, "how it always seemed to work better if the young barmaid down in the village rubbed it on, especially around opening time..." even his brother, Mr Potts Senior, ever since their Dad passed away... "God rest his eternal soul", as she whirled, twice in as many seconds, a mystical finger in the air... had said how surprised he'd been to discover that it could be used as a ground mulch for seed-cucumbers... it was truly amazing how The Good Lord provided for the righteous... and even as she spoke, was working in mysterious ways, His Wonders to Behold... "Praised-Be-The-Lord".

     And how the entire household, with the possible exception of Mrs Alabaster, her late Ladyships lady, who doggedly refused to be evicted from her 'Grace n' Favour cottage...' the one with pretty red roses growing around the door, that despite a string of eviction notices from the apoplectic Estate manager... had noticed what a fine upstanding Gentleman his Lordship had steadfastly remained since her late Ladyships sudden demise... "God-rest-her-immortal-soul..." and may she allow herself to say, "how refreshing it was to have such a progressively minded and discerning employer such as his Lordship at the helm, one filled with patient understanding and commitment towards the entire household..." much like herself...

     Fearing an uncontrollable attack of the ague, which invariably took the form of a selfless and unstinting dereliction to duty and always flared up at the slightest suggestion of having to roll her sleeves up and do something... which incidentally, was the first mutual attraction by common consent to which her parents, some forty years earlier had discovered they both held in tandem... and "would his Lordship take exception..." feigning a sudden relapse as she gestured towards the nearest chair, were she to take the weight off her feet... she plonked herself solidly upon the Chippendale before his Lordship could decline... "perhaps a recuperative drop of brandy" she volunteered, "just for medicinal purposes", she swept her feet onto the footstool, then crossed them with a flourish that would have caused Cyrano de Bergerac to hang up his sword... "the good stuff, if his Lordship would be so kind, in the lead-crystal decanter... over in the corner by the potted plant", she caught sight of the adjacent cigarette box, also tarnished... "just to keep body and soul together, may it please 'Him upon High'..." and just long enough to brave the coal cellar steps and refill the amorous scuttle... "if only it were a little less chilly", she gave an affected cough... on account of her diphtheria acting up again, she felt sure that his Lordship understood...  Moving over to one of the book lined alcoves, the elderly Gentleman lifted several tomes from the shelves... 'My Life in Anthracite', an illustrated compendium' "to begin with, I think... followed by... hmm!" 'The History of Fossil-Fuels, a comprehensive study in twelve breath taking volumes' "and we'll take it from there" as he threw the first on the barely smouldering embers...

                                                      ­     ...   ...   ...**

a work in progress.                                                        ­                                                         1859
Ayad Gharbawi Dec 2009
THE STORY OF SARA






Or A Reflection on Ourselves


Ayad Izzet Gharbawi










2008














Table of Contents



Chapter 1: An Awakening. Page: 3.
Chapter 2: University. Page 12.
Chapter 3: Being an Activist. Page 23.
Chapter 4:  The Hallowed Purification Programme. Page: 32.
Chapter 5: The Party Self Destructs. Page: 55.
Chapter 6: Confusion after the Collapse of my Icon. Page: 64.
Chapter 7 Getting a Job as a Psychiatrist. Page 69.
Chapter 8: Afim: Sick or ‘Normal’? Page: 84.
Chapter 9: Having Children. Page 105.
Chapter 10: Omar Again. Page: 109.
Chapter 11: The Meaningless Existence of My Husband. Page 121.
Chapter 12: My Daughter: Lara. Page 127.
Chapter 13: Getting to the Top in my Job. Page: 131.
Chapter 14: Success & Emptiness. Page 142.
Chapter 15: The Shock. Page: 148.
Chapter 16: The Trap. Page: 153.
Chapter 17: The Punishment. Page 162.
Chapter 18: The Barmaid and the Alcoholic Conversation. Page: 166.
Chapter 19: Old Age. Page: 180.
Chapter 20: Seeing My Son: Noor. Page: 184.
Chapter 21: The Unexpected Visitor. Page: 191.
Chapter 22: Conversation with my Social Worker. Page: 195.
Chapter 23: My Visitor Returns. Page: 206.
Chapter 24: Isolation. Page: 210.

















THE STORY OF SARA



– OR, A REFLECTION ON OURSELVES



CHAPTER ONE:  AN AWAKENING



  
            Sara is my name.
  I feel the need to write down the words, or rather, the connected and the unconnected stories, of my life.
  I wish to say straightaway, that I am not an important person; on the opposite.
  I am, in fact, a no one.
  I achieved nothing meaningful in my life, and I was never famous.

  So, why you may think, should anyone read about my life, considering that I am a nobody?
  Well, I think, that precisely because I am a nobody, people should read about my life!
  Why?
  Because, since most of us are nobodies, therefore, I must be a reflection for a significant number of people.
  I am a mirror that most of us do not see; after all, who wants to see what they really look like?

  You see, if I were famous, then I would be in the minority of the population, and, as a consequence, I would reflect the lives of just a small fraction of the people.
  In other words, if I were rich, and if I were to write about my life as a rich woman, then most readers would have absolutely nothing to relate to such a story.
  But then again, to tell you the truth, I am plagued by insecurities and self doubt.
Why am I plagued by insecurities and self doubts?
  Because life itself is full of doubts and insecurities!
  Everyday there are so many events that happen that you do not fully understand - and so they have no certainty.
There are so many thoughts that come across your mind that you cannot believe in with certainty - in other words, you have doubts!
  Life is made up of events, people and thoughts that are themselves uncertain, vague, indefinite, unclear, ambiguous and ultimately blurred.
  That is why, for me, I found no certainty in my life, no sense of definiteness – and the end result is that my image of my personal reality was a blurred vision.

  I could never see an accurate view of my own reality - because I had far too many flawed characteristics.
  I am extremely temperamental.
  I am extremely impulsive; I speak, behave and act without thinking in a sober, rational, deliberate manner.
  I am not a very good judge of character when it comes to people. I often evaluate people wrongly. I misread who they really are.
  I am often very cold with other human beings; I am unable to sympathise and be compassionate to other people.
  I am not a good listener.
  I am a slave to my irrational passions, my dark urges and my undesirable needs.
  Now I am not saying that I have these characteristics all the time – but I confess that I do have them far too often.

  And all these awful characteristics make me quite unable to focus on myself in a logical, coherent and rational manner.
  I am unable to see my real Self; I cannot see where my rational mind tells me where I need to go with my life, rather than where my dark passions tell myself where to go.
  So, maybe my story isn’t worth telling at all.
  Should I write the story of my life or not?
  Will anyone read it?


  I am a member of the weak and the unknown and the unheard class.
  I am a member of the invisible classes, of what they call 'Humanity'.
  Even though, I don’t know what ‘Humanity’ actually means any more.
  I am one non-entity amidst this ocean of Humanity.
  I am a nothing.
  So, what’s the point of my existence and, more importantly, the story of my existence!?


  Actually, sometimes, when I’m in a good mood, I think, yes, come, do not be timid or afraid, and take a serious gaze at my own face, and I hope you will see yourselves – yes, you, the majority of the people out there, this night; for when you see yourselves in my face, you may learn so much about yourselves, and it seems to me, after I have been living and experiencing so long, you may learn from my mistakes.
  It seems to me, that one of the problems so many of us people out there are facing, is that nobody seems to want to take a serious, unbiased way that they really look like – and this is because of fear.


  But what is this ‘fear’?  
  I know that this fear is one reason that causes a nagging and persisting unhappiness.
  This fear is because we are scared to look at ourselves and find a picture that is severely deformed and far too horrible to behold.
  Do you believe that looking at your own face is an easy task?
  I hear you tell me: Oh Sara, all you have to do is to look at the mirror and you see yourself.
  How easy!
  But, I’m afraid, you are wrong.
  Because when you say to me, that all you have to do is to see your face in the mirror, that is not accurate.


  And that is, because the face you are seeing in the mirror is an image.
  That is not your face!
  That’s an image of your face!
  And an image is only one degree of reality.
  An image is never and can never be the whole reality.
  So, you say, why is it that I am seeing an image of my face in the mirror and not the whole reality of my face?
  Because you yourself are scared to scrutinize and stare so deeply at your own face.
  Fear is restraining you from seeing your own reality.
  You may see your real face and it may be a face that is far too ugly to see!



  Now, when I am in a bad, bleak, hopeless mood, I really believe in the depths of my angry heart, that it is utterly pointless to write anything, precisely, because I feel that my entire life is completely worthless.
  Emptiness.
  I feel my life is filled with emptiness.
  Ha!
  How can you ‘fill’ anything with emptiness!
  You know, I feel like ripping to shreds everything I’ve written, and yes, reader, I’ve done that many times – and, then I start all over again.
  And how dare I presume that anyone out there in the world would be in any way interested to read the life of an empty woman who happens to be called Sara?
  You see, at times like these, I have self hate.
  I confess.
  I hate every single thing about myself.
  And that includes my pointless story.


  And so many times, especially at night, when I’m able to write my story, I think, what if no one is reading these words?
  How frightful!
  Could I possibly be that empty?
  Could I – Sara - possibly be so utterly meaningless as a human being, to the extent that no one could possibly be interested, to give me more than a few precious moments of their time, from their important lives?
  Well, for all you people out there whose lives are brimming with happiness; for all those of you people whose lives are so full and busy, so they never experience the utter tedium of boredom; for all those of you people who never face an inner emptiness, a loneliness within their hearts and minds; for all those of you people who have no fears, no anxieties, and no insecurities – then I can honestly tell you to hurl this book away!

  And, yet, I would like to believe that - in the depths of my shaky beliefs and my uncertain certainties - that I have at least one listener with me!
  You know why?
  Because it gives me so much comfort and peace of mind to think that I have one human who is interested to know me!
  The most horrible thing to me is to live in total isolation.
  And to ease that unique kind of emotional pain, is to know that someone, somewhere in this planet actually cares for you.

  I was born in the City, in a middle to low class neighbourhood, where families tended to help each other.
  It was a closely knit community. You knew everyone, and everyone knew you and so, when there was any problem, people would help each other out. You see, in this way, problems became less heavy than they would have been otherwise, because when more people come to help you, the problem weighs less, as opposed to if each family had to cope with their problems all on their own.
  It was a happy childhood; I adored my parents and I thought no one could be better than them.
  They were my icons.
  As a child, they were good to me, and I could see nothing wrong with them.
  But how long did that last?
  By the time my mind was waking up, so to speak, by eleven or twelve, I began to notice, that what I saw wasn't all that rosy at all. My parents used to argue a lot; Dad would scream and Mother would howl.
  And what were the causes of these clashes?

  Both were guilty of countless faults.
  Dad drank too much; Mom didn't pay enough attention to housekeeping and so our house was rather *****; neither parent paid any attention to us; Dad would always invite his 'friends', and they would be rather ****** in their behaviour and with their jokes (or what they thought were 'jokes'); Mom would go for hours on end to her 'friends' houses, and leave us children alone; so, when they were in the mood to fight, good God, both sides of the trenches had lots of reasons, or excuses, to use as ammunition!
  And what battles do we young children witness!
  Dad would scream: "What kind of Mother are you when you do nothing for the house; you don't cook, and so we never have homemade cooking; you don't clean, and so the house stinks and is always in a terrible mess; and then you disappear for hours to God knows where, leaving us all behind! How much time do you even spend with our children? I’ll tell you how long – you don’t spend any time with our children! Children need love, attention and time spent with them; how do you think that affects our children? Do you think that makes then happy?"

And Mom would scream, at the same time: "What kind of Father are you? You're always drunk, and you're always socialising with drunk, ****** idiots. How do you think our children are reacting when they see their Father interacting with the most lewd, disgusting people? You're lazy in your job – and that is when you keep a job more than a few weeks – and, not surprisingly, you don't bring in enough money, and so we live a miserable lifestyle. And, you dare to ask me why I leave this house for so many hours? Of course, I want to leave this house – it's because I cannot stand the repulsive sight of you! And then, you have the nerve to ask me, ‘how long do I spend with our children’? You **** hypocrite! How long do you spend with our children? Not one minute!"


  I would usually rush off to my room, and hide my body and soul in my pillow.
  And as I grew into a teenager, my parents were fighting against each other even more.
  Who was right and who was wrong?
  Sometimes I felt for sure, that Dad was wrong; and, at other times, I felt that Mom was to blame; while at other times, I felt both were to blame; and then again, at other times, I would be so confused that I just gave up thinking about the whole mess, and just wish they never brought me to this world.
  How could I judge them?
  I could never really tell, because I didn't have the facts, did I? Who knows if Dad really was lazy at his job, and if that was the case, why he didn't he realize that we needed him to work harder, in order for us to have a better quality of life? Or, maybe he wasn't making enough money, simple because his job was a low paying one, and so it wasn't his fault that he brought such meagre wages.


  Who knows why Mom didn't take care of the house?
  Maybe she was depressed?
  And who knows why she went off to her friends' house for hours on end?
  Put simply, when you don't have the facts, how can you possibly judge in a reasonable manner?
  But then, maybe, you, my dear reader, will say I am wrong, because one ought to judge the situation by using one's emotions and not just 'facts'.
  To be honest, when I think of those wretched days, maybe they were both 'right' and wrong'; but in what measures – don't ask me!
  What I do know for sure was this: the fact that both Mom and Dad never spent any time with me really hurt me and made feel insecure. I really needed their company when I was a child and right through to my adolescent years, but, unfortunately, they were never, ever interested to sit with me and talk to me – not even for a minute.

  In my teenage years, I clearly remember that I felt that I needed Mom and Dad, because I remember feeling frightened for the first time in my life.
  Why did I feel ‘afraid’?
  I honestly don’t know.
  Strangely enough, before the age of thirteen, all my parents' fighting did not leave me scared; no, my response was one of sadness only.
  
  So, I tried to talk with Mom and Dad, issues that were bothering me, but I found out, to my horror, that they could not answer any of my questions.
    I would ask my parents endless questions like:
"Should I continue studying in school and go on to university, or should I leave and get a menial job?"
"At what age should I get married?"
“Is marriage worth it or not?"
"Should I smoke cigarettes and drink alcohol – or, are these things wrong?"
  “What characteristics should I look for, when I make friends? In other words, what are the good attributes versus the bad attributes in the character of any person?”
  “What is morality?”
  I remember that my parents were themselves confused by my questions, and at the same time they were irritated.
And, at other times, they were increasingly bored with my unending questions.


  Strange combination, isn't it – to be both 'confused’, irritated' and 'bored' with someone nagging at you all the time!?
  I know why they were 'bored'; that's the easy part – it was because, they gradually found me to be a nuisance or an irritant with my questions.
  They were 'confused and irritated', because they felt stuck as to how they could best answer my questions.
You see, they were, themselves, doing all the wrong things, so how could they advice me to do what was supposed to be 'good'?!
  For example, 'Can I smoke and drink alcohol?'
Good question, Sara, but a question that you shouldn’t really ask your parents, when you recall, that both were heavy smokers and drinkers!
  And, when I asked them: 'Should I get married?' How can they answer that one
Though, if you ask her name, she says Elise,
Being plain Elizabeth, e'en let it pass,
And own that, if her aspirates take their ease,
She ever makes a point, in washing glass,
Handling the engine, turning taps for tots,
And countering change, and scorning what men say,
Of posing as a dove among the pots,
Nor often gives her dignity away.
Her head's a work of art, and, if her eyes
Be tired and ignorant, she has a waist;
Cheaply the Mode she shadows; and she tries
From penny novels to amend her taste;
And, having mopped the zinc for certain years,
And faced the gas, she fades and disappears.
The bar  was empty .
The bartender like always made another run through making sure all was clean and in order.
When like some weird mental ninja she found someone sleeping in a booth.

The man seemed so peaceful lost in perfect drunken slumber.
So she did what any kind hearted soul who stumbled apon some sleeping drunk in a booth
would do.

Kicked the **** outta it and said.
Look ******* how many times have  I told you stop passing out here dont you have a *******
home!?

But this wasnt any regular drunken sleeping beuthy of a ******* .
It was everyones favorite drunken *******.
And the misspelling  madman of hello Gonzo.

Oh my lord someone  catch that donkey for he finds out Taylor Swift's in town.
Yes the kids went for a braindead bubblegum **** fest and  ended
up with nature show  or more like a donkey show  but what *******
hadnt been with Taylor Swift?

What the hell are you talking about.!
The barmaid said to me looking angry yet still there was that strange look of hey if this were a ****  something was about to happen.

Hey there Susan, Becky,Rebbeca whatever the hell your name is another round please.
Are you ******* nuts!
The woman seemed tense but I had to ask myself was this a trick question?

I thought long and hard yet stayed semi soft in thought that is get your mind outta the gutter ya perves.
Look miss lets not kid each other theres a reason im here besides the fact that im a drunk
that and im avoiding  the cops.
Cause duh!
No one would ever think to look for me in a bar.
Yeah you sit behind that bar looking at me asking  will that be all  but lets cut the crap.

The woman was silent  as I could tell there was a connection  on one of thoose
deep level's  like in one of thoose ******* romance books women read  
like the Notebook  yeah thanks Nicholas Sparks now women want you  to hang with em till they go senile and I like to usally leave after I   pay.

Not that I read that book.
What do ya think I am a ****** duh thats why they make movies.
It was for research only.
Well that and this chick I was trying to bang wanted to see it.
Look I had to go cause she was to young to go by herself.

Im kidding well kinda.
But enough with the foreplay hamsters.

Miss I  say we turn down the lights maybe put on some music have a couple cold one's.
You can serve cause you know after having a few drinks your not supposed
to operate heavy machinery.
Its a ******* bottle opener you idiot! she said.

Shh  I  said to this madien of the *****.
Yeah thats what grandad thought now look were he is?
He died ?
Yes he did and there isnt  a moment  I dont linger to hear him say
Hey **** for brains!
Get off your dead *** and get me a beer!

Wow he really sounds like a *****.
Yeah come to think of it he kinda was.
We sat there in silence togather deep in reflection yet not really cause it was
kinda dark and  everyone nothing refelcts in the dark  but some things
glow like condoms but thats enough about my glowstick.

Hey the barmaid asked.
Did he really die from using a bottle opener?
Well it was more of the semi truck's fault but if he hadnt of reached for that *******
he's probaly be here as we speak and I wouldnt be the only one.
Telling you you have a marvelous  set of *******.
Or annoying the **** outta you.

Look ****** I put up with annoying drunks everyday.
And when I say lastcall your cutting into my time.
So although you got nothing better to do  then drink your liver silly.
I wanna get the **** outta here.

So your saying you wanna go home maybe take a nice warm bath.
Walk around half naked call up your girlfriends wrestle and maybe make out.
While a strange demented man films the whole the thing or joins in cause  
im all about inprove acting  and filmaking.

It seemed this strange gatekeeper to the ***** wasnt a lover of the arts.
Cause befor you could whistle dixie while being spanked by a dwarf dressed as
Dolly Parton I was chased from the bar.

Cast into the cold depths of darkness and alone  it's okay.
it would'nt have worked out sure we coulda dabbled in the arts gotta a few thousand
hits off of a adult site really what romance doesnt start that way?

But me I was a  loner a cowboy who couldnt ride a horse  but hey someone has to break the ******* mold and besides  that's what cars are for.
So I was off but i'd see the barmaids face again  sure she had knocked me down
like a group of braindead teenie boppers would a security gaurd who stood
between them and Justin Bieber.

But are paths would cross again.
Duh im a drunk  and besides  it wasnt all a loss.
cause as she was pushing me out the door  I felt her ****.

See kids you always gotta look  on the brightside.

Untill next time stay crazy.      

Gonzo
Jamie F Nugent Mar 2016
In a little pub in London,
Moriarty drank his beer,
Night came, a ***** black night with rain.
Mid-December, nineteen hundred and thirty nine,
Just a few months before ****** turned London's
sky black with lead.
But for now,
Moriarty drank his beer,
Sat solemnly in the candle-lit corner.
He gazed ruefully into his drink,
Like a haggard old grey ghost.
He was tired and felt strange and lost
in this faraway disgusting place.
The whorey smell of the city.
He felt a million and one miles away
from his home.
He was born in a little white cottage,
straw roof, on a small tragic island
off the West of Ireland;
Just a few stone-trows away from
the sleepy fishing village of the
village of Kinsheenlan.
Moriarty had often written letters to
his lonesome mother dearest,
but instead of tossing the letters
into gloomy London post-boxes,
he would post them into
the pub's fireplace.
Fuel for his shame.
Alas, the curse of drink had taken
over his soul and mind.
The sweet poison was now
his only pleasure,
his only softness.

So there he sat, drinking the Devil's drop,
like a mop soaks up spills on the counter-top.
And blowing out sliver smoke rings
all through those long winter nights.
Give to Moriarty to drink mandragora,
until he becomes muddied and slow.
Those rose colored glasses that he had
on for so long now,
they were not going to shield him forever.
As he transfixed his eyes on his beer,
he heard a voice,
a wondrous voice,
at first he thought it lay alone in his mind,
but it was coming from down the hallway,
the sounds of a young maiden's song,
wild and free.
It made his heart feel the substance of his life.
That fabulous blue center-light delight of song.
Sounding so alike to his sister Betty.
It shook him to his core.

Moriarty, the poor lost soul,
had not seen his sister in twenty odd years.
He recalled their last meeting.

The ship has set sail into an ocean, black and calm.
Just that morning, Moriarty got the letter from his mother,
Handwritten in felt tip, slightly stained with a tear,
Telling him to keep warm and stay safe,
To fill his stomach and fill his pockets.

As his sister stood on Dublin's docks to see him off and wish him well
She shrinks with the distance growing between and
She looks twelve and three quarter years younger than she did that day,
The little girl who Moriarty fought with all the live long day over nothing.
Now, she was the women who put up a fight over his sailing away.
Sometimes, brothers and sisters never change.

She knew that this was for the best, but she would never admit that,
Not with words,
She felt her words, weightless would have just sailed right away with him.
Moriarty wondered what she will look like if he seen her again,
Will she have received wrinkles from worrying about mother?
Will her chestnut hair have turned white as the snow burying her bare feet?
And now
Betty was all Moriarty's mother had, after Moriarty's father,
a fisherman, drowned that awful November night.

Then, just as Moriarty thought of his ghostling past,
there came the question
'Are you going home for Christmas, dear?'
Asked the barmaid,
Her words dripping like honey into Moriarty's half-empty-glass.
'Sure, I have not been to Ireland in an age, but I know for certain
that my mother is waiting for me with arms open' Moriarty answered.
But he was unsure if his own poor mother would recognize him
for it had been so long.
But just then, Moriarty heard the Christmas-bell-like-voice of
the women standing, singing in the hallway.
The past came into consciousness like a flood.
And in the corner of his eye,
there glazed, the starting of a tear.
Moriarty pushed aside his beer glass-half-full and
said to himself
'I shall be home for Christmas day'.

After two weeks, long weeks
Gone drink nor smoke,
Moriarty have sharped up enough pounds and pennies
to bring him to his home of Ireland.
And while on that train through the lands, green and beautiful,
The deeper into the West Moriarty went
the stronger he felt it,
a beat, beat, beat that thumped and rang out in his chest.
Night fell by the time Moriarty set foot in Kinsheelan,
The church bells rang true and strong sixfold.
Moriarty was unrecognized by the sailor Tomas Bawn,
As he climbed into the little white boat
to sail home across the calm, blue, winter-waters,
to that same white cottage.
Tomas Bawn heard Moriarty as he said to himself
in little more then a whisper
'Thank God above, I shall be home for Christmas day'.


In a little pub in London,
Moriarty's abode,
By the hallway door,
A letter, unread,
Laid upon the floor, It read-

'Oh dear Danny,
Our poor mother has passed.
The funeral will take place
In Kinsheelan church
After mass
On Christmas day'.




-Jamie F. Nugent
Barmaid in a black bikini
Push up bra and all
Eight hours in an endless shift
Supplying visual accommodation
To fantasies best left unspoken
By the yabbos leering at the bar.

One half a pill at shift’s beginning
The other at hour four
Keeps the chatter ever charming
And the hopelessness at bay
As the clock sits paralyzed
And it’s always nine fifteen.
ljm
Inspired by David's   "I'M"
I once worked as a bikini clad barmaid in a beer bar that catered to auto workers from a nearby factory.  The pay was great but I had to take half a seco-synetan diet pill every 4 hours.  They made me rap and chatter and able to charm the yobbos making lewd suggestions and conjectures.  I lasted only 8 mo. before it was time to move on to something a  little more like who I am.
Larissa Nov 2013
Rose Tyler, Bad Wolf, blonde bombshell.
Through time with the Doctor she did propel.
She loved the Doctor and he loved her too.
If it's my last chance to say it,
Rose Tyler, I--

Jack Harkness, the flirt, the man of men.
He pops up at the Doctor now and again.
They met with a lie,
Now he can't die
Forever here now and then.

Martha Jones, the doctor, the woman that heals.
Her time in the TARDIS caused all kinds of feels.
She pointed a gun to save the Doctor's skin
Yet in the end, her and Mickey did win.
All kinds of fun and all kinds of sass.
Martha Jones, one badass.

Donna Noble, ah, how does one describe thee?
Married a creeper and set the Oods free.
Through the Daleks and Rose, it seemed to end the world
Until the Doctor's DNA and her's accidentally swirled.
Of all the companions, she was a supreme member
Most important woman in the universe,
Too bad she won't remember.

Of all the companions, no one remembers Ms. Astrid Peth.
Her one and only appearance ended in death.
She stowed away on the flying Titanic
With passengers, aliens, and angels that were satanic.
Astrid wanted to travel and see the stars.
Her death seemed to add to the Doctor's scars.
He wasn't able to bring her back in the flesh
For the Doctor was the cause of her final, last breath.

Finally we come to little Amelia Pond.
Waited twelve years for the Doctor's bond.
She sat on her suitcase, face raised to the stars
Thinking of Jupiter, Saturn, and Mars.
He came back when she was supposed to marry Rory
But she still snogged the Doctor, being predatory.
It was Amy and Rory Pond in the ends
Even when the stone angels did descend.
Some mainstream Whovians say Ms. Pond's overrated,
But after all, she was the girl who waited.

Melody Pond, also known as River Song
She was fair, cunning, and strong.
Amy's daughter, but looked years older.
Amy wouldn't believe her no matter what River told her.
River Song, a time lord herself.
But even her story went to the shelf.
She was put in jail for killing a good man.
But even then, with the Doctor she ran.
The Doctor and River, hands fastened tight.
She still didn't want to let go with all of her might.
Dr. Song and the Doctor were on different tracks in time.
Hopefully, she'll be back, witty, fierce, and sublime.

The mystery. All the loose ends come to Clara Oswald.
The latest companion to be installed.
She once was a woman, mind in a machine
But now she's in the flesh, cruising the scene.
Oswin Oswald was a governess and a barmaid
Until she came back, unashamed to be afraid.
Even though she is a mystery to be solved,
Here's to our angst, Ms. Oswin Oswald.

But one day all the companions will be gone
And the Doctor will be alone again.
He will think of all the lives he's withdrawn
Hoping for a lifelong friend.
Though his intelligence, sexiness, and brilliant mind
There are no other like him, he's the last of his kind.
The man who travels around kissing strangers;
The impossible doctor meeting some painters.
Many wonder how long he can cheat the clocks
But until then, he's just a madman with a box.
CONTAINS MANY SPOILERS
Disclaimer: I don't own Doctor Who or any of the characters affiliated with them.
Lysander Gray Jul 2012
Empty glasses sit like soldiers at attention.
8 wide, 10 thick;
ranks for drunks.

The business of boredom
beats the barmaids and patrons
into service,
or subservience.

We are watched over
by flickering eyes
which could
stop
staring
at any moment.

Loneliness is a half-pint.

I'm glad my glass is full.

I'm glad the barmaid wears checks on her stockings.

I'm glad the barmaid reads.

I'm glad the economy is ******,
so economists have something to make them feel interesting.

I'm glad the lesbians found feminism;
instead of Jesus.

I'm glad for the sad eyed, gray haired drunks
that live off Marlboro Red's and dream-fumes.

I'm glad the roof is stained with memories:
postcards
sketches
photographs
an old box of pills.

And I love you because you're a *******.
~
November 2023
HP Poet: Lori Jones McCaffery
Age: 84
Country: USA


Question 1: We welcome you to the HP Spotlight, Lori. Please tell us about your background?

Lori: "I was born Loretta Yvonne Spring in a tarpaper shack on Lone Oak Road, Longview Washington, on New Years Day in 1939. That means I’ll soon turn 85. In high School a boyfriend changed my first name to Lori and I kept it. At 29 I married and became Lori Spring Jones. (I signed poems “lsj”) I had one child, a daughter, and when 20 years later I divorced, I kept the Jones name. I married again, in 1988 and became Lori Jones McCaffery, sometimes with a hyphen, sometimes not. I’m still married to that Brit named Colin and I speak “Brit” fluently. I sign everything I write “ljm” (lower case). I didn’t know about handles when I joined HP, so I just used my whole name and then felt I may have seemed uppity for using all of it. If I had a handle, it would likely be POGO. Short for Pogo stick. Long Story. I have an older sister and a younger brother. Both hate my poetry. My parents divorced when I was 12. My mother’s family was originally from No. Carolina. I’m proud of my Hillbilly blood. I went to college on a scholarship. Worked at various jobs since I was in high school. Moved to Los Angeles in 1960 just in time to join the Hippy/summer-of-love/sunset-strip-scene, which I was heavy into until I married. I read my stuff at the now legendary Venice West and Gas House in Venice Beach during that period. I’ve been an Ins. Claims examiner, executive secretary, Spec typist, Detective’s Girl Friday, Bikini Barmaid, Gameshow Contestant Co-ordinator, Folk Club manager, organizational chef, and long time Wedding Director. (I’ve sent 3,300 Brides down the aisle) "


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Lori: "I wrote my first poem in the 5th grade and never stopped. I had an awakening in 1957 when I worked at a resort during school break and met another poet, who unleashed a need to write that I’ve never been able to quell. I joined Hello Poetry in 2015, I think. Seems like I’ve always been here. I tend to comment on everything I read here. I’ve received no encouragement from my family so I feel compelled to encourage my “family” here. I do consider a large number of fellow writers friends, and value the brief exchanges we have. I don’t know if Eliot intended HP to be a social club but among us regulars, it kind of has been, and I love that."


Question 3: What inspires you? (In other words, how does poetry happen for you).

Lori: "Living inspires me. The intricacies of relationships, and the unpredictability of navigating society. A news story often does it. A song may stir words. Other poetry often sets me off on a quest of my own. I write very well to deadlines and prompts. I adore BLT’s word game and played it a lot in the beginning. Seeing the wonderful job Anais Vionet does with them shamed me away. I have hundreds of yellow lined pages with a few lines of the ‘world’s greatest poem’ on each, all left unfinished because I’m great at starts and not so great on endings. Some day, I tell myself….some day."


Question 4: What does poetry mean to you?

Lori: "Poetry has been a large part of my life as long as I can remember. I would feel amputated without it. I recited the entire “Raven” from memory in Jr. High School. I still remember most of it. More recently I memorized “The Cremation of Sam McGee” Poetry is my refuge - with words I can bandage my hurts, comfort my pain and loss, share my opinions and assure myself that I have value. It is where I laugh and also wail. I would like to think it builds bridges."


Question 5: Who are your favorite poets?

Lori: "My favorite poets include Edgar Allen Poe, Robert W Service, Amy Lowell (I read ‘Patterns’ in a speech contest once), Robert Frost, Shel Silverstein, and Lewis Carroll."


Question 6: What other interests do you have?

Lori: "I’m a collector. Whippet items, vintage everything, I read voraciously: 15 magazine subs, speculative fiction (SF) and anything else with words written on it. I try to read everything every day on HP. I watch Survivor religiously and keep scorecards. Ditto for Dancing with the Stars. I’m a practicing Christian with a devilish side and involved heavily in Methodist church work, which includes cooking for crowds and planning events."


Carlo C. Gomez: “Thank you so much for giving us an opportunity to get to know you, dear Lori! It is an honor to include you in this series!”

Lori: "Thank you so much for this very undeserved honor. This is a wonderful thing you are doing. I know I write with a different voice than many, and it is empowering to be accepted for this recognition. I apologize for being so verbose in answering your questions. When you get to my age you just have so many stories to tell."



Thank you everyone here at HP for taking the time to read this. We hope you enjoyed getting to know Lori better. I learned so much. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez & Mrs. Timetable

We will post Spotlight #10 in December!

~
Mateuš Conrad Aug 2016
i thought that Sunday would be the day that i'd save money and indulge in my insomnia, not drinking, but i have a triage appointment with my G.P. today between 12 and 5 p.m., so i'll not be synthesising sleep (quantum peek-ah-boo with ß in American with a zed - i.e. zed leppelin), never mind. you pick up obscurity as you go along with it; whatever becomes personal you depersonalise by abstracts, standard procedure when writing a chemistry experiment: abstract prior to explanation, in science abstracts are not exactly abstracts in humanism, they're merely prologues, or shorthand intros.

my writing addiction is worse than my alcohol addiction,
a hell-raiser in heaven...
****, i can end up penniless and broke on the street,
its my parents i'm worried about -
i do have a Muslim enemy - i buried it for 7 years
faking schizophrenia so i could be untouchable -
i can give you the name, i can give you a little biography,
i'm worth two coin flips a **** by my estimate,
i didn't fake insanity so i would get £120 a week on
debility payouts, now that would be mad...
i have to plan from time to time when i have to stop
drinking and synthesising sleep rather than going mad,
i was brought back to ensure my father didn't fall into
depression when one of my cousins undermined his
team of roofers stealing them, the "cousin"?
husband of my grand-uncle's daughter, technically my aunt,
undermined my father's self-employment strategy
employing Poles and Romanians - my father? taught
by Scots... old Jack the Guinness pouch puncher -
diesel running at 4 a.m., breakfast at 5 a.m.,
work is life... work is life... **** me! it's 2016
and the death of Prof. Dumbledore died today,
the movie was completed in 2009 - so obviously no spoiler
alert, 7 years the secret was hidden from my ear...
i only learned of it today... as i also learned...
premature depression in the youth of England -
second Marx and Engels are waiting... spring clean angelic
suggestions of how England invented unshakeable
utopia... WRONG! what do you think Marx and Engels
were doing? what do you think the problems are in England
right now? right now?! mental health.
the pride and prestige of English society is getting to me...
their under-reading of philosophy books -
what sort of damage can a thought experiment have on someone?!
none! getting all ******* pompous and Clancy will
not solve the matter - they don't like wording, or subsequent
excesses - they're importing nurses from India
and are mesmerised by the Japanese curse of karaoke -
England, the 51st ******* state - akin to the Penguin
cover of K. ****'s *man in the high castle
,
you ain't pure just 'cos' you think you are!
i have a worse addiction than drinking... writing enlarges
the monster in me... you obstruct my hands from the
keyboard i turn into a monster, given brain damage
you can reason why i tend to need an ****** space of
recording something down - i need it more than alcohol,
without alcohol i just get bored, i don't live in
sparkly Paris for one, the nights around here are deafening...
one example? my father obstructed me recording a thought
(got i miss the expected ease of cognitive narration
i knew prior, and i loath the personality that resides in me
at present... i could have been such a good father)...
i get blocked on the stairs before i want to write the
waterfall, he grabs my index finger and dislodges it...
the rest is pure comedy... the paramedics come,
i compliment the male paramedic on his looks
(why am i so misogynistic by now? i used to idealise
women! n'ah, no point mulling this problem,
the answer is too obvious)... i go to the hospital...
i wait for an hour, pose for pictures with my dislocated
finger, have a laugh and a chat, walk up to a black
girl with some medical problem (the dislocated finger,
what a brilliant comedy gimmick) and introduce her to
Us3 on my knees - time to straighten my finger -
the doctor asks me how it happened -
i lie: i was in such a shock i don't remember,
i pursue the lie to effectiveness - i notice his name,
i was in a pub with a Hungarian barmaid and i asked
her the problem i was having, some psychiatrist with
the surname Szasz, an english speaker couldn't make
the z into a h to say... shash - so i tested this failure
on the barmaid on the doctor, Hungarian test 1.
said his name... asked... Hungarian? yes, he replied.
bingo! lie sealed, Malachi's prophecy came true.
later he obliged to send me the x-rays of my dislocated
finger to my email account... charm charm charm.
i'm a poo'h bear when drunk, strike a conversation
with me like this one Lithuanian girl did and i'll kiss
you from forehead to your chin and neck, kissing your
eyes shut... but get between me and the blank page?
not a good idea. i'm ******* scatter brained -
rarely i get the opportunity to relive the cognitive narration
fluidity i once had that inhibited me from writing anything,
and i mean anything apart from homework and exams.
also... the **'s debut album is a rarity... it's one of those
albums you can listen to without headphones -
listening to it on headphones is rather pointless -
it's perfectly pitched for a bedroom auditorium;
and not much music makes sense without headphones
these days; but i also wonder why not everyone is
addicted to music, and more to conversation via the epitome
of Radio 4's chatty chatty broken bloke.
Sunday newspaper book reviews as usual... no book of
poetry... oh hell, let's bring out the howitzers -
pop culture ignores poetry, poetry explodes in a culture,
many people are disaffected, congested into sardine phobias,
struck that some people remember the countryside life
and milking cows, small town life... the internet is in its
genesis, the middle-classes semi-proficient in the technology
are damning it with promises of a feasible exodus to
the promised land of the sitting-room couch and television,
no one is noticing the digital miners who are digging
for the perfect pixel - a polydiadem fly-eye;
but here i am, facing ridicule at the teachings of Jesus Christ,
hating him is sorta a fake, but it's more a fake at
either Christianity, or the unrelenting fictionalisation of
the man thanks to the Greeks, bemusement at the Star
of Bethlehem, the historian Josephus, and the fact that
that the Nag Hammadi library was found in Egypt and not
Israel... i'd be dumb to ignore the archaeological proofs
culminating with the crucifix and the atom bomb and the
pathology of predicting ends of worlds... Oppenheimer
was just as good, quoting the Sanskrit death bit -
i guess living in Egypt gave the little man of Nazareth
pharaonic ambitions of worship - easier and more convincing
on a crucifix than on a throne with sensible Greek
digestion of the world and fascination to boot -
hence the fascination to the last with architecture and
'my father's house will be a house of prayer',
seen the state of the Anglican Church? and see how mundane
the prayer service has become after 2000 years?
everywhere, now, countless religions are sprouting like
spring ginger using psychedelics and what not...
well, that was the case in the 20th century... the 21st century's
answer is this dark age reinterpretation of Cartesian
philosophy... not so airy-*******-fairy about philosophy
books, are we? philosophers prescribe no drugs, merely
thoughts... what you would probably have not thought out...
harmless pharmacology if you're into claustrophobic
suicide pacts with yourself... the 21st century has proved
another breeding ground in England, this time not economic...
and if not economic, therefore existential...
i'm just another Engels looking for his Marx... or another
Marx looking for his Engels. ah, the cascade ends.
Standing on the sidewalk
Hearing all the back talk
Watching while they cakewalk
Wonderin’ how I got here.

Step behind the bar table
Fool yourself if you are able
Tell yourself this ain’t no stable
And them ain’t dumb animals.

Start a conversation
End it in frustration
Why the aggravation
You know ******* can’t talk.

Turn into a pill head
Drop ‘em til you see red
Wish that you could be dead
Or anywhere but here.
                   <<>>
Tried this one summer in my youth.  Hated it.
Michael R Burch Apr 2021
ALBERT EINSTEIN POEMS

These are "poems" I created from Albert Einstein quotes, changing a word here and there for the sake of meter and rhyme...



A question that sometimes drives me hazy:
am I or are the others crazy?
—Albert Einstein, interpretation by Michael R. Burch



Relativity and the 'Physics' of Love
by Albert Einstein, interpretation by Michael R. Burch

Sit next to a pretty girl for an hour,
it seems like a minute.
Sit on a red-hot stove for a minute,
it seems like an hour.
That's relativity!

Oh, it should be possible
to explain the laws of physics
to a barmaid! ...
but how could she ever,
in a million years,
explain love to an Einstein?

All these primary impulses,
not easily described in words,
are the springboards
of man's actions—because
any man who can drive safely
while kissing a pretty girl
is simply not giving the kiss
the attention it deserves!



Solitude
by Albert Einstein, interpretation by Michael R. Burch

Solitude is painful
when one is young,
but delightful
when one is more mature.

I live in that solitude
which was painful in my youth,
but seems delicious now,
in the years of my maturity.

Now it gives me great pleasure, indeed,
to see the stubbornness
of an incorrigible nonconformist
so warmly acclaimed...
and yet it seems vastly strange
to be known so universally
and yet be so lonely.



Morality
by Albert Einstein, interpretation by Michael R. Burch

Still, as far as I'm concerned,
I prefer silent vice
to ostentatious virtue:
I don't know,
I don't care,
and it doesn't make any difference!



Against Hubris
by Albert Einstein, interpretation by Michael R. Burch

Science without religion is lame,
religion without science is blind,
and whoever undertakes to establish himself
as the judge of Truth and Knowledge
is shipwrecked by the laughter of the gods.



War and Peace
by Albert Einstein, interpretation by Michael R. Burch

But heroism on command,
senseless violence,
and all the loathsome nonsense
that goes by the name of patriotism:
how passionately I hate them!

Perfection of means
and confusion of ends
seem to characterize our age
and it has become appallingly obvious
that our technology
has exceeded our humanity,
that technological progress
is like an axe in the hands of a pathological criminal,
and that the attempt to combine wisdom and power
has only rarely been successful
and then only for a short while.

It is my conviction
that killing under the cloak of war
is nothing but an act of ******.
(I do not know what weapons
World War III will be fought with,
but World War IV will be fought
with sticks and stones.)

Oh, how I wish that somewhere
there existed an island
for those who are wise
and of goodwill! ...

In such a place even I
would be an ardent patriot,
for I am not only a pacifist,
but a militant pacifist.
I am willing to fight for peace,
for nothing will end war
unless the people themselves
refuse to go to war.

Our task must be to free ourselves
by widening our circle of compassion
to embrace all living creatures
and the whole of nature and its beauty.
And peace cannot be kept by force;
it can only be achieved by understanding.



Mystery
by Albert Einstein, interpretation by Michael R. Burch

There are two ways to live your life:
one is as though nothing is a miracle,
the other is as though everything is a miracle.

The most beautiful thing we can experience is the mysterious:
it is the source of all true art and all science.
He to whom this emotion is a stranger,
who can no longer pause to wonder and stand rapt in awe,
is as good as dead: his eyes are closed.



Curiosity
by Albert Einstein, interpretation by Michael R. Burch

The important thing is not to stop questioning.

Curiosity has its own reason for existing.

One cannot help but be in awe when he contemplates
the mysteries of eternity,
of life,
of the marvelous structure of reality.

It is enough if one tries merely to comprehend a little of this mystery every day.

Never lose a holy curiosity.

People do not grow old no matter how long we live.
We never cease to stand like curious children
before the great Mystery into which we were born.



Character
by Albert Einstein, interpretation by Michael R. Burch

Great spirits have often encountered violent opposition from weak minds
because anger dwells only in the ***** of fools
and weakness of attitude soon becomes weakness of character.

Only two things are infinite: the universe and human stupidity (and I'm not sure about the former) ;
furthermore, we can't solve problems by using the same kind of thinking we used when we created them.

The world is a dangerous place: not just because of the people who are evil,
but also because of the good people who don't do anything about it.

He who joyfully marches to music rank and file has already earned my contempt:
he has been given a large brain by mistake, since for him the spinal cord would surely suffice.



These are poem about Albert Einstein or in which I mention him ...



Excerpts from “Travels with Einstein”
by Michael R. Burch

I went to Berlin to learn wisdom
from Adolph. The wild spittle flew
as he screamed at me, with great conviction:
“Please despise me! I look like a Jew!”

So I flew off to ’Nam to learn wisdom
from tall Yankees who cursed “yellow” foes.
“If we lose this small square,” they informed me,
earth’s nations will fall, dominoes!”

I then sat at Christ’s feet to learn wisdom,
but his Book, from its genesis to close,
said: “Men can enslave their own brothers!”
(I soon noticed he lacked any clothes.)

So I traveled to bright Tel Aviv
where great scholars with lofty IQs
informed me that (since I’m an Arab)
I’m unfit to lick dirt from their shoes.  

At last, done with learning, I stumbled
to a well where the waters seemed sweet:
the mirage of American “justice.”
There I wept a real sea, in defeat.

Originally published by Café Dissensus



The Cosmological Constant
by Michael R. Burch

Einstein the frizzy-haired
claimed E equals MC squared.
Thus all mass decreases
as activity ceases?
Not my mass, my *** declared!



ASStronomical
by Michael R. Burch

Relativity, the theorists’ creed,
claims mass increases with speed.
My (m)*** grows when I sit it.
Mr. Einstein, get with it;
equate its deflation, I plead!



Relative to Whom?
by Michael R. Burch

Einstein’s theory, incredibly silly,
says a relative grows *****-nilly
at speeds close to light.
Well, his relatives might,
but mine grow their m(*****) more stilly!



Relative Theory I
by Michael R. Burch

Einstein’s "relative" theory
says masses increase, all too clearly,
at speeds close to light.
Well, his relatives’ might,
but mine grow their m(*****) more stilly!



Relative Theory II
by Michael R. Burch

Einstein’s peculiar theory
excludes all my relatives, clearly,
since my relatives’ *****
increase their prone masses
while approaching light speed—not nearly!



Relative Theory III
by Michael R. Burch

Relativity, we’re led to believe,
proves masses increase with great speed.
But it seems my huge family
must be an anomaly;
since their (m)***** increase, gone to seed!



A Child’s Christmas Prayer of Despair for a Hindu Saint

Santa Claus,
for Christmas, please,
don’t bring me toys, or games, or candy . . .
just . . . Santa, please,
I’m on my knees! . . .
please don’t let Jesus torture Gandhi!

Will Jesus Christ cause or allow Albert Einstein and Mahatma Gandhi to be tortured in an "eternal hell" for guessing wrong about which earthly religion to believe? What about Jesus's parable of the Good Samaritan, who put aside religious differences to practice compassion? Did Jesus, who saved all his sternest criticism for hypocrites, talk the talk but fail to walk the walk himself? Or did Christian theologians get something very, very wrong? And what would Santa Claus and the Easter Bunny say about such intolerance and infinite cruelty?  




The Top Ten Einstein Quotations: The Wit and Wisdom of Albert Einstein

You never truly understand something until you can explain it to your grandmother.

We all know that light travels faster than sound. That's why certain people appear bright until we hear them speak.

Only two things are infinite: the universe and human stupidity (and I'm not sure about the former) .

The difference between stupidity and genius is that genius has its limits.

An intellectual solves a problem. A genius avoids it.

The only reason for time is so that everything doesn't happen at once.

The most incomprehensible thing about the world is that it is at all comprehensible.

The hardest thing in the world to understand is the income tax.

Not everything that can be counted counts, and not everything that counts can be counted.

Gravitation is not responsible for people falling in love!

Keywords/Tags: Albert Einstein, poet, poems, poetry, relativity, physics, love, time, genius, stupidity, universe, light
The barmaid,
the one with the toned forearms
and the cute accent,
looks like you.

Feelings come back momentarily.
I keep my mouth shut,
like I always have.
That's our relationship.

Congrats on your engagement.
copyright
The uniVerse Oct 2018
I wonder how some people's brains work
why their bodies twist and twerk
is it all just attention seeking
and what the hell is fleeking?
now I'm not one to sit and judge
because I never passed the bar
without stopping to get drunk
not quite down in one
more like two below par
this is when you begin people watching
a popular pub past time
I saw a guy who was pork scratching
which certainly put me off mine
a barmaid stood there ready to serve
who just wanted some peace and quiet
but the men they formed a queue to perve
she almost caused a riot
now I guess I am just another fool
that's drinking after hours
barely balancing upon a stool
trying to maintain his mental powers
from the far corner, a drunk begins to sing
before collapsing on the floor
just as the last order bell rings
maybe I'll have another
I only drank two or was it four?
Reminiscing a misspent youth.
Tommy Johnson Jul 2014
What have I done?
I've unleashed Quincy Valero into The Big Bad City, upon Greenwich Village for the first time
The 177 express, round trip
To Port Authority
To the A train to Canal

We missed our stop
Had to walk from Soho to Washington Square Park
But along the way we saw artists and galleries
Head shops and street performers
Hobos and junkies

"We made it"
"We in this *****!"
Quincy said as we walked through the arches

We saw a multitude of creatures
An artist drawing floral murals with chalk
Meditating Buddhists
A cello player playing for a meal
A drummer drumming for money to get back home
A jazz band
A clarinet player
Writers scribbling down whatever came to mind

We saw beautiful women everywhere
"Look, my ten, your two"
Quincy said nodding to a **** brunette wearing a sundress walking by

We got coffee at The Third Rail coffee shop
We met lovey dovey couples and a girl poet sipping espresso

Treading down Bleaker to Sullivan to Macdougal to Huston
*** shops, leather and studs, ****** and flavored lubes
"This **** reminds me of Saw"
Quincy said with a laugh
"Too much for your threshold aye?"
I said nudging him

We passed a guy selling vinyl on the street
"How much for the Charlie Parker record?" I asked
He took the record out and inspected it
"Five bucks" he said
"How long you gonna be here, like till what time?" I asked
"Oh I don't live by time or numbers" he answered
"Time ain't your mast huh?" I laughed
"Nope, you cant spell T-I-M-E without M-E" he said
Quincy and I looked at eachother with a grin
"I'll be back, if I'm not here before you leave good luck in your ventures" I said as we walked away
"Thanks brother enjoy the day" he said smiling and waving

We ate to Papaya Hot dogs
Best in the city
Then to the pool hall

Now folks, it is common knowledge where I'm from the Quincy Valero is the local pool shark
He can break and sink three *****
He can jump over your ball and get his in
He can shoot behind his back with one hand

Playing with him is a guaranteed loss
But I never cared, I just like playing
We talked and laughed about all the stupid nonsense back at home
And planned our next move

We went to The Blue Note, the best jazz club in the city
The Dizzy Gillespie All Star Band was playing that night
But it was too expensive for both of us so we went on to St. Mark's place

More head shops
More *** shops
And book stores, clothing stores
Punk things in Search and Destroy, record stores
All that good stuff

It was getting late
Back to Bleaker to start drinking
First stop, a little pub
The bartender was a gorgeous blonde, sweet as could be
We ordered two beers
She seemed to be having trouble with the tap
"Sorry guys it's a little foamy, next rounds on me"
We were amazed by that because back home all the bartenders couldn't care less if we got a whole mug of foam
We clinked glasses and took that first cool icy sip
So nice on such a hot day

"Ya know dude, this is it this is perfect" Quincy said
"What you mean?" I asked
"Well this is a great time, I'm on vacation right now and were here exploring and relaxing and enjoying the moment, this moment" he said with his beer hovering over his mouth

Quincy always talked about "This"
This moment
This time
This feeling
This thing

"This" is that time when you're in the moment
That moment of complete and total encumbrance
When you're wrapped up in what you'r doing because you love it and you're happy
The moment you live for
The moment you want to last forever
This moment
This right here
Not then, not before or after
But right now, this
We lived our lives trying to to make this happen every second of everyday
Living it up

Quincy took me to Artichoke Pizza
And my God, it was immaculate
A nine in wide, nine inch long and half inch thick slice of heaven
It was a mixture of crunchy, gooey, savory goodness
I highly recommend it

Then back to the bars
Wicked *****'s
Triona's
Off The Wagon
The Bitter End
GMT
The Red Lion
Cafe Wha?
1849

Beer
Wine
***
Whiskey
Scotch on the rocks
Bourbon

Smoking electronic cigarettes down cobble stone roads
Passing hipsters, college students and tweakers
Locals and tourists
"Out of my way you tourist *******" I yelled frantically pushing my way passed them with Quincy trudging behind

You can always spot a tourist because they got their cameras, their ***** packs and their head looking up saying "ooo look at the building and that one!" taking snap shots in awe

We walked to The V-club
As we walked up to the entrance a little old lady in a wheel chair called out to us, "Are you two brothers?"
We laughed and said "no, were best friends and next door neighbors"
"Oh, well you too look very similar, very young" she said
"Yeah we're both twenty one" Quincy said
"You live around here?" I asked
"Right over there" she said pointing to the building across the street
She told us about how the building was falling apart and how all the law students got booted out leaving the little old lady and one other person living in the nine floor heap
"Back in the day there were river rats in their the sized of cats, but now we only have mice" she said
"I'm being moved though, whenever the land lords and the officials decided where" she added
She had some sort old senior citizen perk that allowed her to be taken care of
She then started to spit some of her poetry from thirty years ago, perfectly from memory
It was full of truth, insight and hope
We were floored by this wheelchair bound geriatric
She was a a retired barmaid, a poet, and an ex-lounge singer
Her name was Tracy Warren

The three of us walked into the V-club
I ordered a glass of Pinot Noir
And Quincy got a draft Brooklyn Lager
While pulling out a stool a spilled my wine all over the wooden table
"****" I said as everyone in the bar watched me put my face in my palms
I got paper towels and cleaned up my mess while the bartender leaned over to Quincy and said "If you don't tip me that will be your last drink ever in here"
"Okay" Quincy said as he walked over to me laughing at my expense
"If it was Burgundy I'd be in tears" I said with a half serious frown

I went to the bartender and apologized and asked sheepishly if I could possibly get a refill

"You spilled your wine?" he asked with sarcasm
"Yeah" I said
"And you want me to give you another?" he asked
"Well, I mean I don't know if that's okay or not that's why I'm asking" I said
"We don't, it isn't okay, you have to buy another one" he said with the most insulting tone I've ever heard
"Okay" I said with disdain

"**** this guy" Quincy and I both said
I left the remaining wine dripping off the table
Quincy ****** all over the bathroom
He finished his beer and we left without tipping that bearded-high and mighty- *******
We said goodbye to Tracy and she told us to enjoy every moment and to get home safely

We went to one more bar, had one more drink and headed home
But on the way to the train we got stopped by a ***
"Hey you give me money I know you got it" he yelled at Quincy
"Na man, hes broke trust me" I said to end the oncoming confrontation
"No yous lying i know it" he said
"Na, see those shoes? I got him those shoes, fifty five bucks" I told him
"Stop putting me on" he yelled
Then some white knight hipster wearing thick rimmed glasses and a green flannel stepped in and said "What's going on here? You picking on my friend?" While putting his arm around the *** mocking him and making trouble for us
"This ******* won't give me any money for my troubles" he told the hipster
"Come on man, give 'em something" he said to Quincy
"Dude, he has no money he spent all he had today" I said to the hipster and the ***
"He's a trust fund kid, he gets it from mommy and daddy" I said winking to Quincy
"Trust fund kid?!" the hipster said
"Trust fund kid!" said the ***
"TRUST FUND KID, TRUST FUND KID" screamed the hipster, the *** and myself laughing at Quincy making a scene
Then me and Quincy just walked away throwing our heads back howling at the full moon, drunk and exhausted heading for the subway  

The subway to Port Authority
Our legs, our feet and our ***** were killing us
We just wanted to sit

We could not for the life of us find our gate
We got misdirections from officers, other public transportation patrons
Thank God for this one janitor for pointing us in the right direction out of our wild goose chase
And ***** the guy who I asked "Hey man do you know where I can find the gate for the 177 express?"
And all I got was a blank indifferent stare
"WELL **** ME RIGHT?!" I yelled in his face

Finally we got on the line for our bus
We saw some weaselly looking guy cutting the line until he got booted to the back of the line
As he passed us we both looked at his and said "Weet, get meerkatted scumbag"
He had to wait for the next bus, whenever that was

The bus ride home felt like an eternity
But we made it
We had to walk down the unpaved dirt road to our street

We did it
We took on The Village
Sailed through the bars
Walked the streets
Met cool, hip people
Made memories
And now we have stories to tell
Julie Grenness May 2016
There's a secret men's club,
Of men at the pub,
We are men, we drink beer,
Loud laughter over here,
Slap shoulders, cheers,
We are men, we drink beer,
Bring the barmaid over here,
Let's drink beer, cheers,
Loud laughs and leers,
"I'll give you one, my dear!"
Men laugh, say, "Hear, Hear!"
Chicks walk by smiling,
What are babes thinking?
"Underwhelming,
Have a look at them,
They're no excuse for men!"
Men laugh and don't care,
More beers over here,
There's a secret men's club,
All the men down at the pub.
Feedback welcome.
n stiles carmona Apr 2019
(No puedo hablar la lengua.)
I cannot speak my father's native tongue.
(No puedo hablar suficiente...)
At least, not enough of it to get by.
(...no entiendo, lo siento.)
The body I inhabit feels like foreign territory.
(No lo se.)
My grasp of it ends here.

I. OTRA VIDA

Dia de san valentin, 2000: mi padre aprendió inglés por amor; voló a través del mar Mediterráneo. Él tiene miedo de los sonidos cuando trata de hablar. Pero él lo intenta. Él habla casi perfectamente -- mientras, estoy teniendo una conversación uno-a-uno con Google. Es vergonzoso.

I recall two or three trips, max. There's a blend of urban and natural that's a haven for the eye -- the buildings themselves are seduced by the sun; divine blends of amber, tawny, white. Classically Romantic. That nighttime humidity fogs up your lungs and makes it feel like a hug. There was a time when we were poised to move back there - and in Dad's case, another, nearly leaving without any desire to take me with him.

My makeshift home is built upon stereotypes: orange trees, olive oil, generous glasses of vino. Pienso qué un otra vida where I'm stood on the beach at dusk, with heavy-lidded eyes and ears attuned to cicadas and rolling waves. This is narcissistic lust for the woman I could've been - she is all smiles, bilingual, peace embodied. Those are the nights when I'm not careful: she leaves my bed by morning.

II. ESTA VIDA

To mourn the "what ifs" shows a lack of gratitude for what is, and god, what luck! For inglés to be the second most-spoken language, de-facto "centre of the universe"! To migrate most anywhere and get by; for the Western world to be coerced into Anglophonic bliss since tourism makes their ends meet!

On a holiday, I clam up ordering "una batista fresa" and get a taste of how my father feels. José Francisco: his colleagues call him Frank, in the same way I shun my legal surname because a Spanish 'LL' is too hard for others to grasp. I reek of privilege - post-post-Franco, white European, playing with my non-language behind closed doors. There's private delight in a rolled 'r': momentarily, I'm local, not a mere faux-foreigner appropriating my own heritage. Ironic - he tries to be "less immigrant" whilst I've got the fortune of trying to be more.

I was born into a universe of possibilities. A million options feel like fate -- screenwriter, Oxford grad, Spanish barmaid-or-waitress-or-I'll-take-whatever -- each unchased path is a reminder that, somehow, I'm choosing wrong. I've never perceived myself as small (ex-tall child, "ex"-chubby kid with a head outstretching the clouds, first of the eleven-year-olds to grow **** and got gawped at like I'd grown an extra nostril). Outside this hall of mirrors, I am tiny -- too small to have this many dreams -- manifesting as terror-borne paralysis because I want to do more than I'm built for. Solution: aim smaller or grow up.
half-whiny, half-dreaming. i don't normally rely on google translate - i'm trying to self-teach with duolingo (occasionally enlisting grammatical help via dad).
JC Dec 2015
give me five minutes i said and
the glass, notempty, stared back
   americans at the bar
   refused to be quiet
as the poem forced itself through the belgian air
brussels they said is where
it all comes together - the barmaid, watching me silently, agrees
       difficult not to see that 0-0 result as a judgment, a prediction an omen

no score?

i'd hoped for more
Cristina Dean Jun 2015
i understood loneliness
after my shift one day
sitting at a table of the
steakhouse I worked at
eating a
sad soggy salad and this
woman at the bar is
on her own
looking around
making uncomfortable
faces and frantically
searching the restaurant
with her crazy eyes
it’s awful and it makes me
feel bad for her
i cringe because
i know she is looking for the barmaid
to talk with
they've become friends and now
she needs her and her
need is all out there
displayed in the open
desperate and pathetic
i am sickened by the sight that I can’t touch
my salad
i feel so bad
i don’t want to be in
the vicinity of her but it also
makes me sick to think of myself
because here I am
sitting alone and
who is to say no one is
across the restaurant and
feeling bad
watching me eat this
sad soggy salad
Wee Angus on his wae frae work
would hit tha pub fa a perk
O' Tennents lager frae tha keg
whiles chatting up tha barmaid Meg
A pint or twa there wae friens
a' bleathering awa like scholars an Deans
Debators O Parlimentary views
Ministers preaching o'er tha pews
Wae drink in hand they'd laugh their fill
tha glory Mead upon their bill
Yelping like some bairney pups
catching breeths atween their sups.

(nae wiser a man than yin filled wae ale
Nae greater a time than while drinking frae tha Grail.)

In football games they A' would linger
or singing songs for all's a singer
Nae matter how bad tha voice
a' would request their favorite choice
Happy all wae drink in hand
while holding up the bar they stand
In rattled curses tae tha bumping airms
while viewing o'er some lassies chairms
Whispering oot all dreams an desires
that drink within them all inspires
An' Angus kens that soon or late
he tae hame must tak tha gate.

Kenning tae deep doun inside
his drunken breath he'd better hide
Saying fareweel tae friens and foes
leaing ahind tha pub's warm burning coals
Doun he stummels tae tha chippy
tha air ootside tis crisp an nippy
Making him drunker than afore
he side steps frae door tae door
Eating his fish supper, enjoying each bite
thinking aboot all that's happened tha night.
Till there he rouns tha corner street
His hame sae warmly it does greet,
Falling o'er tha step ootside his hame
Tha door it opens, Behold his sullen Dame
Trying tae act sober wae all his might
afore his wifie here tha night
But she's nae fool nor blind tae see
his daft antics, his blabbering plea.

In comes Angus wae words O' love
tae face tha thumping slap an shove
Her roaring voice would put fear intae tha Deil
Hear wee Angus weep an squeal.

(What type O' life drink it brings
that great at first yet later stings
What worth has man tae waste his life
wae drinks illusions an its strife.
Sooner or later as true as Hell
Yin cannie live save by its spell
getting worse an worse day by day
while friens an family turn away
An Angus wheither he kens or no
has drifted where tha drunkards go
An time shall tell what fate bestows
for tha Curse O Ale, nae man knows.)

Alisdaire O'Caoimph
Tash Street Apr 2010
A smoke-filled room, a loud gaffaw, the barmaid pours a beer,
the pub is full of country blokes and Aussie atmosphere.
Some 'Chisel' thru the speakers, the racetrack on the telly,
pool table sending iv'ry ***** to its underbelly.
Walls adorned with history, and heads of native birds,
the Nation'l Anthem in a frame, 'cause no-one knows the words.

An ag'ed man sits in the corner, sipping at his ale,
his teeth are stained, his liver's shot, his ragged skin is pale.
Young buck swaggers in and, as the room lets up a shout,
he tips his head in mock salute and takes his earnings out.
Good mates standing at the bar as jugs are passed around,
the yarns are flowing freely to impress the growing crowd.
The old man in the corner holds his voice above the din,
"You boys want a story, eh? Well, buck up and listen in.

Jus' the other day this feller was sat here at the bar,
he held his glass with steel hook, his cheek, it had a scar.
That scar, it ran from ear to chin, ****** it was shockin',
angry, red and all inflamed, he'd taken quite a coppin'.
With legs the size of tree trunks an' a barrel for a chest,
he looked as though, with just one blow, he'd put a man to rest.
I ventured on the happenings, and nodded to his claws,
he turned to me, quite wearily, and spoke, after a pause."

As if to emulate the mood, the old man waits a bit,
he squints his eyes upon the crowd and makes a show of it.
"This bloke is felling up a tree, 'bout fifty foot or so,
a lightning bolt, he gets a jolt, the chainsaw he lets go.
It backs up from the branch and lops off both his paws,
then, before he thinks to catch 'em, they hit the forest floors.
He’s with them soon enough, as the rest of him descended.
I shakes me head, 'Christ!' I says, tryin' to comprehend it."

The crowd is leaning forward and the air is getting tense,
the old man lights a cigarette, just to build suspense.
He slowly sips at his beer, then lifts his head to speak,
"Me eyes then trail from steel claws to mark upon 'is cheek,
'That how you did your face in, the chainsaw misbehavin'?'
He took a pause, held up his claws, and shrugged, "Cut it shavin'.""
Àŧùl May 2016
There are three types of lies,
You're honing each one as time flies,
I have been intimate with each one of yours.

The first is the simplest lie,
You kept repeating it time and again,
I lost count of the times you said, "I love you."

The second is the **** lie,
This one is more complex and deceitful,
Even you lost count of saying, "I love you forever."

And the third one is called the Statistics,
As afterwards, you kept blaming its demise on me,
Many times I heard, "Countless times you forgot about me."

I never intended to blow the whistle on you,
But last night you said it on call that I kept forgetting,
I'd have forgotten my virginity or its loss before my accident,
But one thing I simply could not have ever forgotten,
I had become someone else from your own name.

But I hear a faint melody from a distant place,
Maybe a mermaid sings it softly for me,
Or who knows another barmaid!

Scared to death I am of love,
Neither can I bear another betrayal,
Nor can my heart now be a loveless barren.
7 Paragraphs, 23 lines of a broken dream.

My HP Poem #1081
©Atul Kaushal
Ken Pepiton Aug 2019
she was jest one knotch too weird wired for regular folk
her
smile was sorta crooked,
'til she grinned,
then
the whole ****** room lit up like

Christmas Eve and New York New Year on TV

she was thereafter ever after I vanished
in the undamming of the flow,
past the weir on Tenant's Creek.

We walked in the moonlight,
to a famous cavern
where,
Dreamtime, dust stirred in the cave...
hear the sea?

way yonder, hear the ocean?
Sh, touch the dust, ashes of the past,
roll in the dust.
choke
cough choke joke joke
you pass
you pass heko heko finiinish wink.

Morning
Wood pecker rythmn in a hummingbird realm,
one two three for five six seb

seberal cebral lesions appear, pop-outa-gno-where

evil imaginations in your hear, dear reader,
go binge all Purge movies,

then rewatch five seasons of that sup-augmented
puppy show, where each episode is a win,
for the
favorite, in any any child's hierarchy of worth.
Paw
Patrol verses Oscars Oasis--
Get some goodoldfashion ethotical archeo-types
Etched in acid,
splashed in face of the diva asking ever who who who

is fairest of the fair?
not fair?

har har har, fair's fair, in Love 'n' War glory stories,

that end well, all's well.
That ends.

Next is no longer just
around the corner... this junction is some

past all that. Here is where
the rubber met
the road,

the one that leaked and changed reality
for me.
How small the co-incidental nature of our nativity. It's a miracle you can read this.
Mike Hauser Feb 2014
Pirate girls have the red-est hair
with an attitude of they don't care
After a night of heavy drinking
it's off to some more ship sinking

Barmaid's they have eyes of blue
that you can get lost into
Pouring one drink after another
any wonder why we love her

Soccer moms are where it's at!
Eyes of green and hair of black
Mini vans and low cut jeans
Sweet lil things of truckers dreams

Derby girls with bright blue locks
Hot pink skates and plaid tube socks
A date with them is quite a time
The way they roll will blow your mind

So many different girls
of so many different colors
Have the boys falling
all over each other
Saddened by
that lonely day
When all bright
colors fade...
to gray...
Collaboration with the ever so popular "Thomas Gagliardi"
Mark C Jan 2013
She, betrayed, in histrionic flow,
Heart akimbo, flailing at the sky,
Fired with voyeuristic need-to-know,
Rages at the outing of a lie.

He, defensive, understanding, sure,
Accommodates the outburst in his stride.
Lassoes her with a practiced sinecure;
Instinctive gesture, expertly applied.

She, bewildered, aimless and morose –
(He, distracted by the barmaid’s hips)
Casts aside the guilt-effacing rose;
Repealed devotion scrawled upon her lips.
Lysander Gray May 2013
The quiet servants to  a neon god
walk beneath blind stars.
The sightless man sits, as two lovers pass
him by, under his feet the ground the changes colour,
Off  time with the chatter that surrounds me.
He takes the hand of an elderly celestial
and they exit the scene
the way of waves.

Laughter explodes like a bombshell
the only casualty is silence.
Through the steel arch I watch
ivory wave burn the black
rippled
sea.

A child chases a seagull
through the slits of sea-fog
caught in the light.

The barmaid leaves and my eye follows her,
resting on the corpses  of our  modern age;
bullet ridden with boredom and the chill,
swathed in the sear cloth of modernity
and eyes glazed by ***.
They wait.
The "Sons of the Silent age"
who's thoughts are as stolen
as this line,
stolen from greater men.
The Lindbergh baby has grown up.

I bear witness to the silence and pressure
of the girl to my left, it  encroaches this space  as
her gaze encroaches the distance.

These streets were once filled with the
flotsam
of wasted  youth,
the steady stream of touristry.
Now, in the winter
they lay empty, cold and pecked
by the multitudinous hordes of bird and man alike.
Where once they writhed with life
now they sit dormant and sleep atomic
on a chill stream,
at once both mirror and glass to our
wonderous world.

If we are the dreamers and music makers,
then  our instruments sleep in dust
and our dreams walk silent in this defeat
of waking.
21/5/2013 - Surfers Paradise, 7:30 pm.
kevin morris Dec 2013
****** flirting with that barmaid like that. He says that he was just having a laugh but I’m sick of it. Everytime we go out it’s the same
“Oh its just a laugh Lucy. Just chill out, get a life”.
“I’ll get a life without you” I told him as I threw my ***** and coke in his face. He was furious but give him his due he didn’t retaliate. He’s a womanising ******* but he has never been violent.
Its dark walking home. Still its only 20 minutes from the pub to my flat. He’d better not think of coming back there, ******! **** its raining. I’ll be drenched. I new that I should have called a cab but I was so het up, not thinking straight.
That blokes been following me for the past few minutes. Don’t panic Lucy it’s a coincidence. He just happens to be going in the same direction as you. I can’t see his face. That hat pulled down almost hiding his eyes, I don’t like it. Christ he’s walking fast, almost running. Keep calm he just wants to get home out of the rain the same as you. But he’s running straight at you. **** the alley’s empty just this ****** and me. Scream, call for help. But he hasn’t done anything, he’s only running. Shout anyway it will scare him away.
“Help, help someone please help”.
There are no houses around here. No one can hear me. I shouldn’t have gone down this short cut, It saves 5 minutes but its taken me away from the main street. Oh Christ why didn’t I call a cab. Please, please god help me. He’s running now. I can here him calling for me to stop. You must be ******* joking mate I’m not stopping for you! I can’t run in these heels. Off they come. I haven’t been to the gym for ages. God I’m so out of condition I’m wheezing like an old man. My chest’s killing me and I’ve a stitch in my right side. Must rest. Can’t rest he’ll catch you. Must stop for a moment. I can’t. Oh **** he’s still gaining on me I wish I’d kept going to the gym with the girls. Please, please no he’s almost on top of me. Run, Run Lucy, must get away. I can see the street lights up ahead. Just one more spurt and your back in civilisation.
He’s waving. What the hell does he expect me to do, I’m not stopping! Oh Christ he’s caught up with me. He’s got something in his hand and he’s pointing it at me. God is it a gun? Why me?
“You left this on the bar. God lady you where in a hurry. I thought I’d never catch up with you. This is your mobile isn’t it?”
Edna Sweetlove Dec 2014
I know of an alehouse on Skye
Whose toilets stink worse than a sty;
Where drunken old fools
With purple-veined tools
In pools of warm piddle-froth lie.

There was once a barmaid called Sue
Who went in to clean up the loo
The stench was so great
She met a dire fate
When she fainted and drowned in stale poo.

Old Sally had six pints of cider,
When she turned to the man slumped beside her
Who'd groped with his hand;
So she belched twice and
Pumped out the puke from inside her.

I ordered some cheese and a port
To try and banish the thought
Of people's reactions
To Sally's contractions;
Most betting was that she'd abort.
nicolas huerta May 2013
"sitting on the wrong side of heaven
sitting on the wrong side of hell,
sitting on the wrong side of everything"

Two truckers talk miles
weight stations,
and *******

as the barmaid coughs up
a sharp,
wet,
smokers laugh,

at the racist joke
an old man tells
while he rolls up a cigarette
cracks with wrinkles,
and upsets

the heavy middle aged woman
feeding dollars into the slot
of a game machine,
trying to beat her own
high scores.

My draft mug sheds frost
into a soggy napkin and
I notice how useless
everything is.

The empty pool table
with a warped stick on it,

the display of snack food
behind the bar
that look old and dusty

The man coming from the bathroom,
coughing as he passes
a twinkling electronic dartboard,
a powered down
Creature from the Black Lagoon
pinball machine,


and a hi-tech jukebox
that will never be used
because the patrons here
are low-tech with no interest
in the cyber-generation's toys.

Too early for happy hour,
too late to go in for work

We are all just waiting,
killing time,
trying to remember
or trying to forget,
and hiding from the world,

Of course,
we all could be drunks,
losers, the **** that lives
in **** town, but the latter
seems more romantic
and truthful.
Eye of the beholder
I guess.
annh Apr 2020
You caught my eye but once,
You caught me eye but twice,
Then popped them in a cocktail glass,
And topped it up with ice.

Vermouth you added first,
And then a shot of gin,
A squeeze of lime, a dash of tea,
With salt around the rim.

‘One martini coming up!’ you drawled,
You slid it down the bar,
And so returned my eyes to me,
Like olives from a jar.

To those who swear that love is blind,
You've surely never been,
The subject of a stolen glance,
From a barmaid named Nadine.
A repost from the dim and distant past.
Am I back...I’m not sure. What I am sure of is that sitting with the warmth of the morning sun on my back, iPad in my lap, scrawling and trawling, scrolling and trolling (I jest - couldn’t resist the rhyme) is the most contently anxious I’ve felt in weeks. Stay safe! :)

— The End —