The Poetry Barn wasn’t really a barn
It was merely an old farm house,
It sat on the acres of Eddington’s Farm,
Surrounded by sheep and by cows.
But Poets came over from Stuttersby Dell,
Drove over from Scatabout Wood,
To write in the air of the Poetry Barn
About things, when they ought and they should.

They came from Great Orton, they came from Rams Well,
They came from Glenn Wheatley and Grey,
The best and the worst of the poets you’d find
At the Poetry Barn, every day,
The rooms had been empty for many a year
So they all sat on bundles of straw,
And when they ran out they would send up a shout,
So some would go out and get more.

The mornings would see all the Elegies worked,
The Epics, the Odes and Quatrains,
The Poetry Barn would then grumble and groan
As the Dirges would enter the drains.
By noon the fair Sonnets came into their own
With just the odd wanton Lament,
When poets would seek out the culprit to find
One grinding his verse in a tent.

By evening they’d work on the Pastoral,
The Sestet, the Roundel as well,
And those at a loss after losing the toss
Would be stuck with the old Villanelle,
They’d all settle down when the Moon came up round,
And the stars twinkled boldly in rhyme,
When one asked the other, ‘pray, what rhymes with brother,’
And he’d say, ‘your Mom, all the time.’

The poems would stick to the inside walls,
Would tear at each other like knaves,
They’d fill up the aisles and lie flat on the tiles
And would damage the old architraves.
At night you could hear all the horses hooves
As they carried the good news to Aix,
And in came the wedding guest, him with the albatross
Counting his many mistakes.

I saw that they’d burned down the Poetry Barn
With one sad, incendiary rhyme,
A poet called Glover who wrote to his lover
‘My candle, you light all the time.’
The straw caught alight in his lover’s delight
And they fled from that bastion of verse,
I just penned this missal for someone to whistle,
The one that he’d written was worse.

David Lewis Paget

by John Greenleaf Whittier  (1807 – 1892)

“As the Spirits of Darkness be stronger in the dark, so Good Spirits which be Angels of Light are augmented not only by the Divine Light of the Sun, but also by our common Wood fire: and as the celestial Fire drives away dark spirits, so also this our Fire of Wood doth the same.”

        COR. AGRIPPA,
           Occult Philosophy, Book I. chap. v.

“Announced by all the trumpets of the sky,
Arrives the snow; and, driving o’er the fields,
Seems nowhere to alight; the whited air
Hides hills and woods, the river and the heaven,
And veils the farm-house at the garden’s end.
The sled and traveller stopped, the courier’s feet
Delayed, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.”

                                       EMERSON

The sun that brief December day
Rose cheerless over hills of gray,
And, darkly circled, gave at noon
A sadder light than waning moon.
Slow tracing down the thickening sky
Its mute and ominous prophecy,
A portent seeming less than threat,
It sank from sight before it set.
A chill no coat, however stout,
Of homespun stuff could quite shut out,
A hard, dull bitterness of cold,
That checked, mid-vein, the circling race
Of life-blood in the sharpened face,
The coming of the snow-storm told.
The wind blew east; we heard the roar
Of Ocean on his wintry shore,
And felt the strong pulse throbbing there
Beat with low rhythm our inland air.

Meanwhile we did our nightly chores, —
Brought in the wood from out of doors,
Littered the stalls, and from the mows
Raked down the herd’s-grass for the cows;
Heard the horse whinnying for his corn;
And, sharply clashing horn on horn,
Impatient down the stanchion rows
The cattle shake their walnut bows;
While, peering from his early perch
Upon the scaffold’s pole of birch,
The **** his crested helmet bent
And down his querulous challenge sent.

Unwarmed by any sunset light
The gray day darkened into night,
A night made hoary with the swarm
And whirl-dance of the blinding storm,
As zigzag, wavering to and fro,
Crossed and recrossed the wingàd snow:
And ere the early bedtime came
The white drift piled the window-frame,
And through the glass the clothes-line posts
Looked in like tall and sheeted ghosts.

So all night long the storm roared on:
The morning broke without a sun;
In tiny spherule traced with lines
Of Nature’s geometric signs,
And, when the second morning shone,
We looked upon a world unknown,
On nothing we could call our own.
Around the glistening wonder bent
The blue walls of the firmament,
No cloud above, no earth below, —
A universe of sky and snow!
The old familiar sights of ours
Took marvellous shapes; strange domes and towers
Rose up where sty or corn-crib stood,
Or garden-wall, or belt of wood;
A smooth white mound the brush-pile showed,
A fenceless drift what once was road;
The bridle-post an old man sat
With loose-flung coat and high cocked hat;
The well-curb had a Chinese roof;
And even the long sweep, high aloof,
In its slant spendor, seemed to tell
Of Pisa’s leaning miracle.

A prompt, decisive man, no breath
Our father wasted: “Boys, a path!”
Well pleased, (for when did farmer boy
Count such a summons less than joy?)
Our buskins on our feet we drew;
With mittened hands, and caps drawn low,
To guard our necks and ears from snow,
We cut the solid whiteness through.
And, where the drift was deepest, made
A tunnel walled and overlaid
With dazzling crystal: we had read
Of rare Aladdin’s wondrous cave,
And to our own his name we gave,
With many a wish the luck were ours
To test his lamp’s supernal powers.
We reached the barn with merry din,
And roused the prisoned brutes within.
The old horse ****** his long head out,
And grave with wonder gazed about;
The **** his ***** greeting said,
And forth his speckled harem led;
The oxen lashed their tails, and hooked,
And mild reproach of hunger looked;
The hornëd patriarch of the sheep,
Like Egypt’s Amun roused from sleep,
Shook his sage head with gesture mute,
And emphasized with stamp of foot.

All day the gusty north-wind bore
The loosening drift its breath before;
Low circling round its southern zone,
The sun through dazzling snow-mist shone.
No church-bell lent its Christian tone
To the savage air, no social smoke
Curled over woods of snow-hung oak.
A solitude made more intense
By dreary-voicëd elements,
The shrieking of the mindless wind,
The moaning tree-boughs swaying blind,
And on the glass the unmeaning beat
Of ghostly finger-tips of sleet.
Beyond the circle of our hearth
No welcome sound of toil or mirth
Unbound the spell, and testified
Of human life and thought outside.
We minded that the sharpest ear
The buried brooklet could not hear,
The music of whose liquid lip
Had been to us companionship,
And, in our lonely life, had grown
To have an almost human tone.

As night drew on, and, from the crest
Of wooded knolls that ridged the west,
The sun, a snow-blown traveller, sank
From sight beneath the smothering bank,
We piled, with care, our nightly stack
Of wood against the chimney-back, —
The oaken log, green, huge, and thick,
And on its top the stout back-stick;
The knotty forestick laid apart,
And filled between with curious art

The ragged brush; then, hovering near,
We watched the first red blaze appear,
Heard the sharp crackle, caught the gleam
On whitewashed wall and sagging beam,
Until the old, rude-furnished room
Burst, flower-like, into rosy bloom;
While radiant with a mimic flame
Outside the sparkling drift became,
And through the bare-boughed lilac-tree
Our own warm hearth seemed blazing free.
The crane and pendent trammels showed,
The Turks’ heads on the andirons glowed;
While childish fancy, prompt to tell
The meaning of the miracle,
Whispered the old rhyme: “Under the tree,
When fire outdoors burns merrily,
There the witches are making tea.”

The moon above the eastern wood
Shone at its full; the hill-range stood
Transfigured in the silver flood,
Its blown snows flashing cold and keen,
Dead white, save where some sharp ravine
Took shadow, or the sombre green
Of hemlocks turned to pitchy black
Against the whiteness at their back.
For such a world and such a night
Most fitting that unwarming light,
Which only seemed where’er it fell
To make the coldness visible.

Shut in from all the world without,
We sat the clean-winged hearth about,
Content to let the north-wind roar
In baffled rage at pane and door,
While the red logs before us beat
The frost-line back with tropic heat;
And ever, when a louder blast
Shook beam and rafter as it passed,
The merrier up its roaring draught
The great throat of the chimney laughed;
The house-dog on his paws outspread
Laid to the fire his drowsy head,
The cat’s dark silhouette on the wall
A couchant tiger’s seemed to fall;
And, for the winter fireside meet,
Between the andirons’ straddling feet,
The mug of cider simmered slow,
The apples sputtered in a row,
And, close at hand, the basket stood
With nuts from brown October’s wood.

What matter how the night behaved?
What matter how the north-wind raved?
Blow high, blow low, not all its snow
Could quench our hearth-fire’s ruddy glow.
O Time and Change! — with hair as gray
As was my sire’s that winter day,
How strange it seems, with so much gone
Of life and love, to still live on!
Ah, brother! only I and thou
Are left of all that circle now, —
The dear home faces whereupon
That fitful firelight paled and shone.
Henceforward, listen as we will,
The voices of that hearth are still;
Look where we may, the wide earth o’er,
Those lighted faces smile no more.

We tread the paths their feet have worn,
We sit beneath their orchard trees,
We hear, like them, the hum of bees
And rustle of the bladed corn;
We turn the pages that they read,
Their written words we linger o’er,
But in the sun they cast no shade,
No voice is heard, no sign is made,
No step is on the conscious floor!
Yet Love will dream, and Faith will trust,
(Since He who knows our need is just,)
That somehow, somewhere, meet we must.
Alas for him who never sees
The stars shine through his cypress-trees!
Who, hopeless, lays his dead away,
Nor looks to see the breaking day
Across the mournful marbles play!
Who hath not learned, in hours of faith,
The truth to flesh and sense unknown,
That Life is ever lord of Death,
And Love can never lose its own!

We sped the time with stories old,
Wrought puzzles out, and riddles told,
Or stammered from our school-book lore
“The Chief of Gambia’s golden shore.”
How often since, when all the land
Was clay in Slavery’s shaping hand,
As if a far-blown trumpet stirred
Dame Mercy Warren’s rousing word:
“Does not the voice of reason cry,
Claim the first right which Nature gave,
From the red scourge of ******* to fly,
Nor deign to live a burdened slave!”
Our father rode again his ride
On Memphremagog’s wooded side;
Sat down again to moose and samp
In trapper’s hut and Indian camp;
Lived o’er the old idyllic ease
Beneath St. François’ hemlock-trees;
Again for him the moonlight shone
On Norman cap and bodiced zone;
Again he heard the violin play
Which led the village dance away.
And mingled in its merry whirl
The grandam and the laughing girl.
Or, nearer home, our steps he led
Where Salisbury’s level marshes spread
Mile-wide as flies the laden bee;
Where merry mowers, hale and strong,
Swept, scythe on scythe, their swaths along
The low green prairies of the sea.
We shared the fishing off Boar’s Head,
And round the rocky Isles of Shoals
The hake-broil on the drift-wood coals;
The chowder on the sand-beach made,
Dipped by the hungry, steaming hot,
With spoons of clam-shell from the ***.
We heard the tales of witchcraft old,
And dream and sign and marvel told
To sleepy listeners as they lay
Stretched idly on the salted hay,
Adrift along the winding shores,
When favoring breezes deigned to blow
The square sail of the gundelow
And idle lay the useless oars.

Our mother, while she turned her wheel
Or run the new-knit stocking-heel,
Told how the Indian hordes came down
At midnight on Concheco town,
And how her own great-uncle bore
His cruel scalp-mark to fourscore.
Recalling, in her fitting phrase,
So rich and picturesque and free
(The common unrhymed poetry
Of simple life and country ways,)
The story of her early days, —
She made us welcome to her home;
Old hearths grew wide to give us room;
We stole with her a frightened look
At the gray wizard’s conjuring-book,
The fame whereof went far and wide
Through all the simple country side;
We heard the hawks at twilight play,
The boat-horn on Piscataqua,
The loon’s weird laughter far away;
We fished her little trout-brook, knew
What flowers in wood and meadow grew,
What sunny hillsides autumn-brown
She climbed to shake the ripe nuts down,
Saw where in sheltered cove and bay,
The ducks’ black squadron anchored lay,
And heard the wild-geese calling loud
Beneath the gray November cloud.
Then, haply, with a look more grave,
And soberer tone, some tale she gave
From painful Sewel’s ancient tome,
Beloved in every Quaker home,
Of faith fire-winged by martyrdom,
Or Chalkley’s Journal, old and quaint, —
Gentlest of skippers, rare sea-saint! —
Who, when the dreary calms prevailed,
And water-**** and bread-cask failed,
And cruel, hungry eyes pursued
His portly presence mad for food,
With dark hints muttered under breath
Of casting lots for life or death,

Offered, if Heaven withheld supplies,
To be himself the sacrifice.
Then, suddenly, as if to save
The good man from his living grave,
A ripple on the water grew,
A school of porpoise flashed in view.
“Take, eat,” he said, “and be content;
These fishes in my stead are sent
By Him who gave the tangled ram
To spare the child of Abraham.”
Our uncle, innocent of books,
Was rich in lore of fields and brooks,
The ancient teachers never dumb
Of Nature’s unhoused lyceum.
In moons and tides and weather wise,
He read the clouds as prophecies,
And foul or fair could well divine,
By many an occult hint and sign,
Holding the cunning-warded keys
To all the woodcraft mysteries;
Himself to Nature’s heart so near
v That all her voices in his ear
Of beast or bird had meanings clear,
Like Apollonius of old,
Who knew the tales the sparrows told,
Or Hermes, who interpreted
What the sage cranes of Nilus said;
A simple, guileless, childlike man,
Content to live where life began;
Strong only on his native grounds,
The little world of sights and sounds
Whose girdle was the parish bounds,
Whereof his fondly partial pride
The common features magnified,
As Surrey hills to mountains grew
In White of Selborne’s loving view, —
He told how teal and loon he shot,
And how the eagle’s eggs he got,
The feats on pond and river done,
The prodigies of rod and gun;
Till, warming with the tales he told,
Forgotten was the outside cold,
The bitter wind unheeded blew,
From ripening corn the pigeons flew,
The partridge drummed i’ the wood, the mink
Went fishing down the river-brink.
In fields with bean or clover gay,
The woodchuck, like a hermit gray,
Peered from the doorway of his cell;
The muskrat plied the mason’s trade,
And tier by tier his mud-walls laid;
And from the shagbark overhead
The grizzled squirrel dropped his shell.

Next, the dear aunt, whose smile of cheer
And voice in dreams I see and hear, —
The sweetest woman ever Fate
Perverse denied a household mate,
Who, lonely, homeless, not the less
Found peace in love’s unselfishness,
And welcome wheresoe’er she went,
A calm and gracious element,
Whose presence seemed the sweet income
And womanly atmosphere of home, —
Called up her girlhood memories,
The huskings and the apple-bees,
The sleigh-rides and the summer sails,
Weaving through all the poor details
And homespun warp of circumstance
A golden woof-thread of romance.
For well she kept her genial mood
And simple faith of maidenhood;
Before her still a cloud-land lay,
The mirage loomed across her way;
The morning dew, that dries so soon
With others, glistened at her noon;
Through years of toil and soil and care,
From glossy tress to thin gray hair,
All unprofaned she held apart
The ****** fancies of the heart.
Be shame to him of woman born
Who hath for such but thought of scorn.
There, too, our elder sister plied
Her evening task the stand beside;
A full, rich nature, free to trust,
Truthful and almost sternly just,
Impulsive, earnest, prompt to act,
And make her generous thought a fact,
Keeping with many a light disguise
The secret of self-sacrifice.

O heart sore-tried! thou hast the best
That Heaven itself could give thee, — rest,
Rest from all bitter thoughts and things!
How many a poor one’s blessing went
With thee beneath the low green tent
Whose curtain never outward swings!

As one who held herself a part
Of all she saw, and let her heart
Against the household ***** lean,
Upon the motley-braided mat
Our youngest and our dearest sat,
Lifting her large, sweet, asking eyes,
Now bathed in the unfading green
And holy peace of Paradise.
Oh, looking from some heavenly hill,
Or from the shade of saintly palms,
Or silver reach of river calms,
Do those large eyes behold me still?
With me one little year ago: —
The chill weight of the winter snow
For months upon her grave has lain;
And now, when summer south-winds blow
And brier and harebell bloom again,
I tread the pleasant paths we trod,
I see the violet-sprinkled sod
Whereon she leaned, too frail and weak
The hillside flowers she loved to seek,
Yet following me where’er I went
With dark eyes full of love’s content.
The birds are glad; the brier-rose fills
The air with sweetness; all the hills
Stretch green to June’s unclouded sky;
But still I wait with ear and eye
For something gone which should be nigh,
A loss in all familiar things,
In flower that blooms, and bird that sings.
And yet, dear heart! remembering thee,
Am I not richer than of old?
Safe in thy immortality,
What change can reach the wealth I hold?
What chance can mar the pearl and gold
Thy love hath left in trust with me?
And while in life’s late afternoon,
Where cool and long the shadows grow,
I walk to meet the night that soon
Shall shape and shadow overflow,
I cannot feel that thou art far,
Since near at need the angels are;
And when the sunset gates unbar,
Shall I not see thee waiting stand,
And, white against the evening star,
The welcome of thy beckoning hand?

Brisk wielder of the birch and rule,
The master of the district school
Held at the fire his favored place,
Its warm glow lit a laughing face
Fresh-hued and fair, where scarce appeared
The uncertain prophecy of beard.
He teased the mitten-blinded cat,
Played cross-pins on my uncle’s hat,
Sang songs, and told us what befalls
In classic Dartmouth’s college halls.
Born the wild Northern hills among,
From whence his yeoman father wrung
By patient toil subsistence scant,
Not competence and yet not want,
He early gained the power to pay
His cheerful, self-reliant way;
Could doff at ease his scholar’s gown
To peddle wares from town to town;
Or through the long vacation’s reach
In lonely lowland districts teach,
Where all the droll experience found
At stranger hearths in boarding round,
The moonlit skater’s keen delight,
The sleigh-drive through the frosty night,
The rustic party, with its rough
Accompaniment of blind-man’s-buff,
And whirling-plate, and forfeits paid,
His winter task a pastime made.
Happy the snow-locked homes wherein
He tuned his merry violin,

Or played the athlete in the barn,
Or held the good dame’s winding-yarn,
Or mirth-provoking versions told
Of classic legends rare and old,
Wherein the scenes of Greece and Rome
Had all the commonplace of home,
And little seemed at best the odds
‘Twixt Yankee pedlers and old gods;
Where Pindus-born Arachthus took
The guise of any grist-mill brook,
And dread Olympus at his will
Became a huckleberry hill.

A careless boy that night he seemed;
But at his desk he had the look
And air of one who wisely schemed,
And hostage from the future took
In trainëd thought and lore of book.
Large-brained, clear-eyed, of such as he
Shall Freedom’s young apostles be,
Who, following in War’s ****** trail,
Shall every lingering wrong assail;
All chains from limb and spirit strike,
Uplift the black and white alike;
Scatter before their swift advance
The darkness and the ignorance,
The pride, the lust, the squalid sloth,
Which nurtured Treason’s monstrous growth,
Made ****** pastime, and the hell
Of prison-torture possible;
The cruel lie of caste refute,
Old forms remould, and substitute
For Slavery’s lash the freeman’s will,
For blind routine, wise-handed skill;
A school-house plant on every hill,
Stretching in radiate nerve-lines thence
The quick wires of intelligence;
Till North and South together brought
Shall own the same electric thought,
In peace a common flag salute,
And, side by side in labor’s free
And unresentful rivalry,
Harvest the fields wherein they fought.

Another guest that winter night
Flashed back from lustrous eyes the light.
Unmarked by time, and yet not young,
The honeyed music of her tongue
And words of meekness scarcely told
A nature passionate and bold,

Strong, self-concentred, spurning guide,
Its milder features dwarfed beside
Her unbent will’s majestic pride.
She sat among us, at the best,
A not unfeared, half-welcome guest,
Rebuking with her cultured phrase
Our homeliness of words and ways.
A certain pard-like, treacherous grace
Swayed the lithe limbs and drooped the lash,
Lent the white teeth their dazzling flash;
And under low brows, black with night,
Rayed out at times a dangerous light;
The sharp heat-lightnings of her face
Presaging ill to him whom Fate
Condemned to share her love or hate.
A woman tropical, intense
In thought and act, in soul and sense,
She blended in a like degree
The ***** and the devotee,
Revealing with each freak or feint
The temper of Petruchio’s Kate,
The raptures of Siena’s saint.
Her tapering hand and rounded wrist
Had facile power to form a fist;
The warm, dark languish of her eyes
Was never safe from wrath’s surprise.
Brows saintly calm and lips devout
Knew every change of scowl and pout;
And the sweet voice had notes more high
And shrill for social battle-cry.

Since then what old cathedral town
Has missed her pilgrim staff and gown,
What convent-gate has held its lock
Against the challenge of her knock!
Through Smyrna’s plague-hushed thoroughfares,
Up sea-set Malta’s rocky stairs,
Gray olive slopes of hills that hem
Thy tombs and shrines, Jerusalem,
Or startling on her desert throne
The crazy Queen of Lebanon
With claims fantastic as her own,
Her tireless feet have held their way;
And still, unrestful, bowed, and gray,
She watches under Eastern skies,
With hope each day renewed and fresh,
The Lord’s quick coming in the flesh,
Whereof she dreams and prophesies!
Where’er her troubled path may be,
The Lord’s sweet pity with her go!
The outward wayward life we see,
The hidden springs we may not know.
Nor is it given us to discern
What threads the fatal sisters spun,
Through what ancestral years has run
The sorrow with the woman born,
What forged her cruel chain of moods,
What set her feet in solitudes,
And held the love within her mute,
What mingled madness in the blood,
A life-long discord and annoy,
Water of tears with oil of joy,
And hid within the folded bud
Perversities of flower and fruit.
It is not ours to separate
The tangled skein of will and fate,
To show what metes and bounds should stand
Upon the soul’s debatable land,
And between choice and Providence
Divide the circle of events;
But He who knows our frame is just,
Merciful and compassionate,
And full of sweet assurances
And hope for all the language is,
That He remembereth we are dust!

At last the great logs, crumbling low,
Sent out a dull and duller glow,
The bull’s-eye watch that hung in view,
Ticking its weary circuit through,
Pointed with mutely warning sign
Its black hand to the hour of nine.
That sign the pleasant circle broke:
My uncle ceased his pipe to smoke,
Knocked from its bowl the refuse gray,
And laid it tenderly away;
Then roused himself to safely cover
The dull red brands with ashes over.
And while, with care, our mother laid
The work aside, her steps she stayed
One moment, seeking to express
Her grateful sense of happiness
For food and shelter, warmth and health,
And love’s contentment more than wealth,
With simple wishes (not the weak,
Vain prayers which no fulfilment seek,
But such as warm the generous heart,
O’er-prompt to do with Heaven its part)
That none might lack, that bitter night,
For bread and clothing, warmth and light.

Within our beds awhile we heard
The wind that round the gables roared,
With now and then a ruder shock,
Which made our very bedsteads rock.
We heard the loosened clapboards tost,
The board-nails snapping in the frost;
And on us, through the unplastered wall,
Felt the light sifted snow-flakes fall.
But sleep stole on, as sleep will do
When hearts are light and life is new;
Faint and more faint the murmurs grew,
Till in the summer-land of dreams
They softened to the sound of streams,
Low stir of leaves, and dip of oars,
And lapsing waves on quiet shores.
Of merry voices high and clear;
And saw the teamsters drawing near
To break the drifted highways out.
Down the long hillside treading slow
We saw the half-buried oxen go,
Shaking the snow from heads uptost,
Their straining nostrils white with frost.
Before our door the straggling train
Drew up, an added team to gain.
The elders threshed their hands a-cold,
Passed, with the cider-mug, their jokes
From lip to lip; the younger folks
Down the loose snow-banks, wrestling, rolled,
Then toiled again the cavalcade
O’er windy hill, through clogged ravine,
And woodland paths that wound between
Low drooping pine-boughs winter-weighed.
From every barn a team afoot,
At every house a new recruit,
Where, drawn by Nature’s subtlest law,
Haply the watchful young men saw
Sweet doorway pictures of the curls
And curious eyes of merry girls,
Lifting their hands in mock defence
Against the snow-ball’s compliments,
And reading in each missive tost
The charm with Eden never lost.
We heard once more the sleigh-bells’ sound;
And, following where the teamsters led,
The wise old Doctor went his round,
Just pausing at our door to say,
In the brief autocratic way
Of one who, prompt at Duty’s call,
Was free to urge her claim on all,
That some poor neighbor sick abed
At night our mother’s aid would need.
For, one in generous thought and deed,
What mattered in the sufferer’s sight
The Quaker matron’s inward light,
The Doctor’s mail of Calvin’s creed?
All hearts confess the saints elect
Who, twain in faith, in love agree,
And melt not in an acid sect
The Christian pearl of charity!

So days went on: a week had passed
Since the great world was heard from last.
The Almanac we studied o’er,
Read and reread our little store
Of books and pamphlets, scarce a score;
One harmless novel, mostly hid
From younger eyes, a book forbid,
And poetry, (or good or bad,
A single book was all we had,)
Where Ellwood’s meek, drab-skirted Muse,
A stranger to the heathen Nine,
Sang, with a somewhat nasal whine,
The wars of David and the Jews.
At last the floundering carrier bore
The village paper to our door.
Lo! broadening outward as we read,
To warmer zones the horizon spread
In panoramic length unrolled
We saw the marvels that it told.
Before us passed the painted Creeks,
A   nd daft McGregor on his raids
In Costa Rica’s everglades.
And up Taygetos winding slow
Rode Ypsilanti’s Mainote Greeks,
A Turk’s head at each saddle-bow!
Welcome to us its week-old news,
Its corner for the rustic Muse,
Its monthly gauge of snow and rain,
Its record, mingling in a breath
The wedding bell and dirge of death:
Jest, anecdote, and love-lorn tale,
The latest culprit sent to jail;
Its hue and cry of stolen and lost,
Its vendue sales and goods at cost,
And traffic calling loud for gain.
We felt the stir of hall and street,
The pulse of life that round us beat;
The chill embargo of the snow
Was melted in the genial glow;
Wide swung again our ice-locked door,
And all the world was ours once more!

Clasp, Angel of the backword look
And folded wings of ashen gray
And voice of echoes far away,
The brazen covers of thy book;
The weird palimpsest old and vast,
Wherein thou hid’st the spectral past;
Where, closely mingling, pale and glow
The characters of joy and woe;
The monographs of outlived years,
Or smile-illumed or dim with tears,
Green hills of life that ***** to death,
And haunts of home, whose vistaed trees
Shade off to mournful cypresses
With the white amaranths underneath.
Even while I look, I can but heed
The restless sands’ incessant fall,
Importunate hours that hours succeed,
Each clamorous with its own sharp need,
And duty keeping pace with all.
Shut down and clasp with heavy lids;
I hear again the voice that bids
The dreamer leave his dream midway
For larger hopes and graver fears:
Life greatens in these later years,
The century’s aloe flowers to-day!

Yet, haply, in some lull of life,
Some Truce of God which breaks its strife,
The worldling’s eyes shall gather dew,
Dreaming in throngful city ways
Of winter joys his boyhood knew;
And dear and early friends — the few
Who yet remain — shall pause to view
These Flemish pictures of old days;
Sit with me by the homestead hearth,
And stretch the hands of memory forth
To warm them at the wood-fire’s blaze!
And thanks untraced to lips unknown
Shall greet me like the odors blown
From unseen meadows newly mown,
Wood-fringed, the wayside gaze beyond;
The traveller owns the grateful sense
Of sweetness near, he knows not whence,
And, pausing, takes with forehead bare
The benediction of the air.

Written in  1865

Wild, wild grass and wild, wicked smile, heavy
wooden barn burning off the hip for us to see, same barn
we made love in, views of red and blue firetruck lights
forever burnt, engraved inside my head, days so hot things
catch sparks in the nights when we come to life again
remember how we couldn't afford clothes (well, still can't)
so we all partied in the ****, skinny dip in the lake and a flame
snuck off with Johnny somewhere, but glad no animals lived
inside that barn for years now and the country is where I belong---

telephone poles to nowhere, blue skies, rolling yellow grassy hills
and water towers occasionally, your wild and wicked smile
next to me in the van with our friends doing our time on the road
but a burning barn can't crush our spirits more than they already are
can't ruin the memories of a number of electrified nights
of alcohol and poor decisions, broken people collecting
each other's pieces.

He was calm, cool and relaxed
In his Papa's old forbidden barn
His eyes hid a lonely happiness
It was a quiet summer afternoon

At first he thought it was a man
But in the heat, he couldn't decide
And his young heart felt haunted
So from a distance he watched

Then, the clouds gathered
And a mighty storm brewed
Darkness slithered into the barn
Rife with the venom of uncertainty

And like the darkness , she crept in
Her eyes haunted by a strange fear
Danced about the old lonely barn
But not one glance fell on the boy

He watched her and her thoughts
Settle down in the hay and into sleep
The barn was now dark and quiet
With the exception of silent sobs

Then suddenly they stopped,
In his minds eye they dispersed
Like the dark stormy clouds, then
He slowly crept up to her

But before he could do the ritual
Strange fingers griped his hand
They had the terrifying grip of death
And death was a man!

Despite the fact
that other local kids

were in the hay barn playing
Jane stood at the barn doors

looking in apprehensively
and you stood beside her

waiting for her to move in
or say something

but she just stood looking in
are we allowed in to play?

she asked
sure as long as we don’t

cause damage to the hay bales
you replied

and she sniffed the air
and moved in

and looked around
the huge barn

with its semi dark
and smells of hay

and captured sun
and warmth

the other kids played
but took no notice

of Jane or you
as you entered

closed the doors
and moved around

the hay strewn floor
haven’t you been

in a hay barn before?
you asked looking

at her bright summer dress
and white socks and sandals

yes years ago
she said

as she paused
at the edge

of the nearest hay bale
and sat down

and you sat beside her
in the semi dark

with sunlight making
small light through cracks

and holes in the walls
I don’t like mice and rats

she said
and I saw one once

in another barn
and it frightened me

you sat in silence
for a few moments

taking in the air and smells
and then the other kids

ran off out side
into the sunlight

talking of playing
down by the pond

and catching things
you sat still

until their voices died off
and then she said

why have you
brought me in here?

you looked at her eyes
in the dull light

and her lips moving
with their small speech

to be alone with you
without prying eyes

you said
oh I see

she replied
and stood up

and climbed upwards
on the hay bales

with you following
behind her

seeing her sway
as she moved

her hands pulling
her upwards

her legs taking each step
onto a hay bale carefully

then having reach
high up in the barn

she sat down
and you sat beside her

if my father saw me here
he’d think things

Jane said
and she looked at you

with her large eyes
what things? you asked

watching her lay back
with her hands

behind her head
I don’t know

he never said
she muttered

as she lay there
she lifted a leg

and her dress
slipped downwards

revealing a glimpse
of naked thigh

that’s parents for you
you uttered

never saying
what they think

or saying things
but don't explain

you lay down
beside her

on the hay
as outside the barn

the soft sound
of pitter patter

on the roof
of sudden rain.

Nearly four decades ago, nearly half a century
I walked Freedom Boulevard from
a lonely bus stop and as I drove there
the other day I saw a girl standing at one who could have been
me, in memory -- frozen

Would it still be there? One of my treasured childhood memories
Still living, not someone's brand new home, or a bunch of Villas in a gated community, lost
The land bleeds in California, but has started to scar over and forget the apple orchards
across the street from The Barn, where I used to ride, and now the houses are at least
covered in trees as nature tries to overtake the foreign, like in Cherenobyl

The big red barn sitting atop a small hill, crammed with horse paddocks now that
the little barns turned to condos.  But it is still there. Like magic, frozen in time.
The red barn, I walk in, it looks smaller than I remember
but the ***** brown cobwebs still cover the cieling and I am
nine years old again

Before I knew the boundaries of my gender
When I felt powerful, if neglected, strong and in charge
Before I knew the bindings of my ***
The limitations
I felt strong, and as I stand here,
I may as well be nine again, a single digit
And my fear melts away, and the lessons learned about my place
in the world evaporate
I stand, and look around at the barn nearly unchanged
and reclaim myself

There were three in the meadow by the brook
Gathering up windrows, piling ***** of hay,
With an eye always lifted toward the west
Where an irregular sun-bordered cloud
Darkly advanced with a perpetual dagger
Flickering across its *****. Suddenly
One helper, thrusting pitchfork in the ground,
Marched himself off the field and home. One stayed.
The town-bred farmer failed to understand.

“What is there wrong?”

“Something you just now said.”

“What did I say?”

“About our taking pains.”

“To **** the hay?—because it’s going to shower?
I said that more than half an hour ago.
I said it to myself as much as you.”

“You didn’t know. But James is one big fool.
He thought you meant to find fault with his work.
That’s what the average farmer would have meant.
James would take time, of course, to chew it over
Before he acted: he’s just got round to act.”

“He is a fool if that’s the way he takes me.”

“Don’t let it bother you. You’ve found out something.
The hand that knows his business won’t be told
To do work better or faster—those two things.
I’m as particular as anyone:
Most likely I’d have served you just the same.
But I know you don’t understand our ways.
You were just talking what was in your mind,
What was in all our minds, and you weren’t hinting.
Tell you a story of what happened once:
I was up here in Salem at a man’s
Named Sanders with a gang of four or five
Doing the haying. No one liked the boss.
He was one of the kind sports call a spider,
All wiry arms and legs that spread out wavy
From a ****** body nigh as big’s a biscuit.
But work! that man could work, especially
If by so doing he could get more work
Out of his hired help. I’m not denying
He was ******* himself. I couldn’t find
That he kept any hours—not for himself.
Daylight and lantern-light were one to him:
I’ve heard him pounding in the barn all night.
But what he liked was someone to encourage.
Them that he couldn’t lead he’d get behind
And drive, the way you can, you know, in mowing—
Keep at their heels and threaten to mow their legs off.
I’d seen about enough of his bulling tricks
(We call that bulling). I’d been watching him.
So when he paired off with me in the hayfield
To load the load, thinks I, Look out for trouble.
I built the load and topped it off; old Sanders
Combed it down with a rake and says, ‘O. K.’
Everything went well till we reached the barn
With a big catch to empty in a bay.
You understand that meant the easy job
For the man up on top of throwing down
The hay and rolling it off wholesale,
Where on a mow it would have been slow lifting.
You wouldn’t think a fellow’d need much urging
Under these circumstances, would you now?
But the old fool seizes his fork in both hands,
And looking up bewhiskered out of the pit,
Shouts like an army captain, ‘Let her come!’
Thinks I, D’ye mean it? ‘What was that you said?’
I asked out loud, so’s there’d be no mistake,
‘Did you say, Let her come?’ ‘Yes, let her come.’
He said it over, but he said it softer.
Never you say a thing like that to a man,
Not if he values what he is. God, I’d as soon
Murdered him as left out his middle name.
I’d built the load and knew right where to find it.
Two or three forkfuls I picked lightly round for
Like meditating, and then I just dug in
And dumped the rackful on him in ten lots.
I looked over the side once in the dust
And caught sight of him treading-water-like,
Keeping his head above. ‘**** ye,’ I says,
‘That gets ye!’ He squeaked like a squeezed rat.
That was the last I saw or heard of him.
I cleaned the rack and drove out to cool off.
As I sat mopping hayseed from my neck,
And sort of waiting to be asked about it,
One of the boys sings out, ‘Where’s the old man?’
‘I left him in the barn under the hay.
If ye want him, ye can go and dig him out.’
They realized from the way I swobbed my neck
More than was needed something must be up.
They headed for the barn; I stayed where I was.
They told me afterward. First they forked hay,
A lot of it, out into the barn floor.
Nothing! They listened for him. Not a rustle.
I guess they thought I’d spiked him in the temple
Before I buried him, or I couldn’t have managed.
They excavated more. ‘Go keep his wife
Out of the barn.’ Someone looked in a window,
And curse me if he wasn’t in the kitchen
Slumped way down in a chair, with both his feet
Stuck in the oven, the hottest day that summer.
He looked so clean disgusted from behind
There was no one that dared to stir him up,
Or let him know that he was being looked at.
Apparently I hadn’t buried him
(I may have knocked him down); but my just trying
To bury him had hurt his dignity.
He had gone to the house so’s not to meet me.
He kept away from us all afternoon.
We tended to his hay. We saw him out
After a while picking peas in his garden:
He couldn’t keep away from doing something.”

“Weren’t you relieved to find he wasn’t dead?”

“No! and yet I don’t know—it’s hard to say.
I went about to **** him fair enough.”

“You took an awkward way. Did he discharge you?”

“Discharge me? No! He knew I did just right.”

They lived up on a hill

In an old farm house along side the old wind mill

Out front was the old barn that leaned slightly to one side

It had been used for many years and filled the owners with pride

On the farm the family continued to stay

The mother and two sons living peacefully day after day

Then came a time when the mother grew sick

All gathered around the bed as the final clock began to tick

She passed away leaving the sons all alone

They continued to live but the farm no longer felt like home

Espically to the one son that was called Sam

He withdrew into himself and became just a shadow of a man

On the outside everything seemed fine

No one suspected that Sam was running out of time

Not even the other son, John, who worked the farm alongside him

So it came as a shock when Sam committed the ultimate sin

In that barn on the hill

A man entered and time stood still

Sam told John he was doing a chore and smiled as he went to the barn

A shot rang out that awoke the many sleeping animals on the farm

What to do when you enter the place that you knew so well

Only to find that your brother lays with a gun and an empty shotgun shell

What a sight to see that early in the morning

The heavens did weep as the rain started pouring

Mourning the loss of another so soon

As the wind whistled a sorrowful tune

So a few months after he had buried his mother

John had to keep it together so he could bury his brother

Staying strong as the world falls apart

Keeping their memories close to his heart

Yet he couldn't stand to stay

So he moved to get away

Now the barn on the hill stands empty along with the rest of the farm

An abandoned home ruined by death and self harm

1
I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.

I loafe and invite my soul,
I lean and loafe at my ease observing a spear of summer grass.

My tongue, every atom of my blood, form’d from this soil, this air,
Born here of parents born here from parents the same, and their
parents the same,
I, now thirty-seven years old in perfect health begin,
Hoping to cease not till death.

Creeds and schools in abeyance,
Retiring back a while sufficed at what they are, but never forgotten,
I harbor for good or bad, I permit to speak at every hazard,
Nature without check with original energy.

2
Houses and rooms are full of perfumes, the shelves are crowded with
perfumes,
I breathe the fragrance myself and know it and like it,
The distillation would intoxicate me also, but I shall not let it.

The atmosphere is not a perfume, it has no taste of the
distillation, it is odorless,
It is for my mouth forever, I am in love with it,
I will go to the bank by the wood and become undisguised and naked,
I am mad for it to be in contact with me.

The smoke of my own breath,
Echoes, ripples, buzz’d whispers, love-root, silk-thread, crotch and
vine,
My respiration and inspiration, the beating of my heart, the passing
of blood and air through my lungs,
The sniff of green leaves and dry leaves, and of the shore and
dark-color’d sea-rocks, and of hay in the barn,

The sound of the belch’d words of my voice loos’d to the eddies of
the wind,
A few light kisses, a few embraces, a reaching around of arms,
The play of shine and shade on the trees as the supple boughs wag,
The delight alone or in the rush of the streets, or along the fields
and hill-sides,
The feeling of health, the full-noon trill, the song of me rising
from bed and meeting the sun.

Have you reckon’d a thousand acres much? have you reckon’d the
earth much?
Have you practis’d so long to learn to read?
Have you felt so proud to get at the meaning of poems?

Stop this day and night with me and you shall possess the origin of
all poems,
You shall possess the good of the earth and sun, (there are millions
of suns left,)
You shall no longer take things at second or third hand, nor look
through the eyes of the dead, nor feed on the spectres in
books,
You shall not look through my eyes either, nor take things from me,
You shall listen to all sides and filter them from your self.

3
I have heard what the talkers were talking, the talk of the
beginning and the end,
But I do not talk of the beginning or the end.

There was never any more inception than there is now,
Nor any more youth or age than there is now,
And will never be any more perfection than there is now,
Nor any more heaven or hell than there is now.

Urge and urge and urge,
Always the procreant urge of the world.

Out of the dimness opposite equals advance, always substance and
increase, always ***,
Always a knit of identity, always distinction, always a breed of
life.
To elaborate is no avail, learn’d and unlearn’d feel that it is so.

Sure as the most certain sure, plumb in the uprights, well
entretied, braced in the beams,
Stout as a horse, affectionate, haughty, electrical,
I and this mystery here we stand.

Clear and sweet is my soul, and clear and sweet is all that is not
my soul.

Lack one lacks both, and the unseen is proved by the seen,
Till that becomes unseen and receives proof in its turn.

Showing the best and dividing it from the worst age vexes age,
Knowing the perfect fitness and equanimity of things, while they
discuss I am silent, and go bathe and admire myself.

Welcome is every ***** and attribute of me, and of any man hearty
and clean,
Not an inch nor a particle of an inch is vile, and none shall be
less familiar than the rest.

I am satisfied - I see, dance, laugh, sing;
As the hugging and loving bed-fellow sleeps at my side through the
night, and withdraws at the peep of the day with stealthy
tread,
Leaving me baskets cover’d with white towels swelling the house with
their plenty,
Shall I postpone my acceptation and realization and scream at my
eyes,
That they turn from gazing after and down the road,
And forthwith cipher and show me to a cent,
Exactly the value of one and exactly the value of two, and which is
ahead?

4
Trippers and askers surround me,
People I meet, the effect upon me of my early life or the ward and
city I live in, or the nation,
The latest dates, discoveries, inventions, societies, authors old
and new,
My dinner, dress, associates, looks, compliments, dues,
The real or fancied indifference of some man or woman I love,
The sickness of one of my folks or of myself, or ill-doing or loss
or lack of money, or depressions or exaltations,
Battles, the horrors of fratricidal war, the fever of doubtful news,
the fitful events;
These come to me days and nights and go from me again,
But they are not the Me myself.

Apart from the pulling and hauling stands what I am,
Stands amused, complacent, compassionating, idle, unitary,
Looks down, is *****, or bends an arm on an impalpable certain rest,
Looking with side-curved head curious what will come next,
Both in and out of the game and watching and wondering at it.

Backward I see in my own days where I sweated through fog with
linguists and contenders,
I have no mockings or arguments, I witness and wait.

5
I believe in you my soul, the other I am must not abase itself to
you,
And you must not be abased to the other.

Loafe with me on the grass, loose the stop from your throat,
Not words, not music or rhyme I want, not custom or lecture, not
even the best,
Only the lull I like, the hum of your valved voice.

I mind how once we lay such a transparent summer morning,
How you settled your head athwart my hips and gently turn’d over
upon me,
And parted the shirt from my *****-bone, and plunged your tongue
to my bare-stript heart,
And reach’d till you felt my beard, and reach’d till you held my
feet.

Swiftly arose and spread around me the peace and knowledge that pass
all the argument of the earth,
And I know that the hand of God is the promise of my own,
And I know that the spirit of God is the brother of my own,
And that all the men ever born are also my brothers, and the women
my sisters and lovers,
And that a kelson of the creation is love,
And limitless are leaves stiff or drooping in the fields,
And brown ants in the little wells beneath them,
And mossy scabs of the worm fence, heap’d stones, elder, mullein and
poke-****.

6
A child said What is the grass? fetching it to me with full hands;
How could I answer the child? I do not know what it is any more
than he.

I guess it must be the flag of my disposition, out of hopeful green
stuff woven.

Or I guess it is the handkerchief of the Lord,
A scented gift and remembrancer designedly dropt,
Bearing the owner’s name someway in the corners, that we may see
and remark, and say Whose?

Or I guess the grass is itself a child, the produced babe of the
vegetation.

Or I guess it is a uniform hieroglyphic,
And it means, Sprouting alike in broad zones and narrow zones,
Growing among black folks as among white,
Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I
receive them the same.

And now it seems to me the beautiful uncut hair of graves.

Tenderly will I use you curling grass,
It may be you transpire from the ******* of young men,
It may be if I had known them I would have loved them,
It may be you are from old people, or from offspring taken soon out
of their mothers’ laps,
And here you are the mothers’ laps.

This grass is very dark to be from the white heads of old mothers,
Darker than the colorless beards of old men,
Dark to come from under the faint red roofs of mouths.

O I perceive after all so many uttering tongues,
And I perceive they do not come from the roofs of mouths for
nothing.

I wish I could translate the hints about the dead young men and
women,
And the hints about old men and mothers, and the offspring taken
soon out of their laps.

What do you think has become of the young and old men?
And what do you think has become of the women and children?

They are alive and well somewhere,
The smallest sprout shows there is really no death,
And if ever there was it led forward life, and does not wait at the
end to arrest it,
And ceas’d the moment life appear’d.

All goes onward and outward, nothing collapses,
And to die is different from what any one supposed, and luckier.

7
Has any one supposed it lucky to be born?
I hasten to inform him or her it is just as lucky to die, and I know
it.

I pass death with the dying and birth with the new-wash’d babe, and
am not contain’d between my hat and boots,
And peruse manifold objects, no two alike and every one good,
The earth good and the stars good, and their adjuncts all good.

I am not an earth nor an adjunct of an earth,
I am the mate and companion of people, all just as immortal and
fathomless as myself,
(They do not know how immortal, but I know.)

Every kind for itself and its own, for me mine male and female,
For me those that have been boys and that love women,
For me the man that is proud and feels how it stings to be slighted,
For me the sweet-heart and the old maid, for me mothers and the
mothers of mothers,
For me lips that have smiled, eyes that have shed tears,
For me children and the begetters of children.

Undrape! you are not guilty to me, nor stale nor discarded,
I see through the broadcloth and gingham whether or no,
And am around, tenacious, acquisitive, tireless, and cannot be
shaken away.

8
The little one sleeps in its cradle,
I lift the gauze and look a long time, and silently brush away flies
with my hand.

The youngster and the red-faced girl turn aside up the bushy hill,
I peeringly view them from the top.

The suicide sprawls on the ****** floor of the bedroom,
I witness the corpse with its dabbled hair, I note where the pistol
has fallen.

The blab of the pave, tires of carts, sluff of boot-soles, talk of
the promenaders,
The heavy omnibus, the driver with his interrogating thumb, the
clank of the shod horses on the granite floor,
The snow-sleighs, clinking, shouted jokes, pelts of snow-*****,
The hurrahs for popular favorites, the fury of rous’d mobs,
The flap of the curtain’d litter, a sick man inside borne to the
hospital,
The meeting of enemies, the sudden oath, the blows and fall,
The excited crowd, the policeman with his star quickly working his
passage to the centre of the crowd,
The impassive stones that receive and return so many echoes,
What groans of over-fed or half-starv’d who fall sunstruck or in
fits,
What exclamations of women taken suddenly who hurry home and
give birth to babes,
What living and buried speech is always vibrating here, what howls
restrain’d by decorum,
Arrests of criminals, slights, adulterous offers made, acceptances,
rejections with convex lips,
I mind them or the show or resonance of them-I come and I depart.

9
The big doors of the country barn stand open and ready,
The dried grass of the harvest-time loads the slow-drawn wagon,
The clear light plays on the brown gray and green intertinged,
The armfuls are pack’d to the sagging mow.

I am there, I help, I came stretch’d atop of the load,
I felt its soft jolts, one leg reclined on the other,
I jump from the cross-beams and seize the clover and timothy,
And roll head over heels and tangle my hair full of wisps.

10
Alone far in the wilds and mountains I hunt,
Wandering amazed at my own lightness and glee,
In the late afternoon choosing a safe spot to pass the night,
Kindling a fire and broiling the fresh-****’d game,
Falling asleep on the gather’d leaves with my dog and gun by my
side.

The Yankee clipper is under her sky-sails, she cuts the sparkle
and scud,
My eyes settle the land, I bend at her prow or shout joyously from
the deck.

The boatmen and clam-diggers arose early and stopt for me,
I tuck’d my trowser-ends in my boots and went and had a good time;
You should have been with us that day round the chowder-kettle.

I saw the marriage of the trapper in the open air in the far west,
the bride was a red girl,
Her father and his friends sat near cross-legged and dumbly smoking,
they had moccasins to their feet and large thick blankets
hanging from their shoulders,
On a bank lounged the trapper, he was drest mostly in skins, his
luxuriant beard and curls protected his neck, he held his bride
by the hand,
She had long eyelashes, her head was bare, her coarse straight locks
descended upon her voluptuous limbs and reach’d to her
feet.

The runaway slave came to my house and stopt outside,
I heard his motions crackling the twigs of the woodpile,
Through the swung half-door of the kitchen I saw him limpsy and
weak,
And went where he sat on a log and led him in and assured him,
And brought water and fill’d a tub for his sweated body and bruis’d
feet,
And gave him a room that enter’d from my own, and gave him some
coarse clean clothes,
And remember perfectly well his revolving eyes and his awkwardness,
And remember putting piasters on the galls of his neck and ankles;
He staid with me a week before he was recuperated and pass’d north,
I had him sit next me at table, my fire-lock lean’d in the corner.

11
Twenty-eight young men bathe by the shore,
Twenty-eight young men and all so friendly;
Twenty-eight years of womanly life and all so lonesome.

She owns the fine house by the rise of the bank,
She hides handsome and richly drest aft the blinds of the window.

Which of the young men does she like the best?
Ah the homeliest of them is beautiful to her.

Where are you off to, lady? for I see you,
You splash in the water there, yet stay stock still in your room.

Dancing and laughing along the beach came the twenty-ninth
bather,
The rest did not see her, but she saw them and loved them.

The beards of the young men glisten’d with wet, it ran from their
long hair,
Little streams pass’d all over their bodies.

An unseen hand also pass’d over their bodies,
It descended tremblingly from their temples and ribs.

The young men float on their backs, their white bellies bulge to the
sun, they do not ask who seizes fast to them,
They do not know who puffs and declines with pendant and bending
arch,
They do not think whom they ***** with spray.

12
The butcher-boy puts off his killing-clothes, or sharpens his knife
at the stall in the market,
I loiter enjoying his repartee and his shuffle and break-down.

Blacksmiths with grimed and hairy chests environ the anvil,
Each has his main-sledge, they are all out, there is a great heat in
the fire.

From the cinder-strew’d threshold I follow their movements,
The lithe sheer of their waists plays even with their massive arms,
Overhand the hammers swing, overhand so slow, overhand so sure,
They do not hasten, each man hits in his place.

13
The ***** holds firmly the reins of his four horses, the block swags
underneath on its tied-over chain,
The ***** that drives the long dray of the stone-yard, steady and
tall he stands pois’d on one leg on the string-piece,
His blue shirt exposes his ample neck and breast and loosens over
his hip-band,
His glance is calm and commanding, he tosses the slouch of his hat
away from his forehead,
The sun falls on his crispy hair and mustache, falls on the black of
his polish’d and perfect limbs.

I behold the picturesque giant and love him, and I do not stop
there,
I go with the team also.

In me the caresser of life wherever moving, backward as well as
forward sluing,
To niches aside and junior bending, not a person or object missing,
Absorbing all to myself and for this song.

Oxen that rattle the yoke and chain or halt in the leafy shade, what
is that you express in your eyes?
It seems to me more than all the print I have read in my life.

My tread scares the wood-drake and wood-duck on my distant and
day-long ramble,
They rise together, they slowly circle around.

I believe in those wing’d purposes,
And acknowledge red, yellow, white, playing within me,
And consider green and violet and the tufted crown i

THE LEGEND OF HOLLYWOOD IN VERSE
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950's only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the entire poem and don't hesitate to know many interesting facts - which I also did not know! I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                 THE LEGEND OF HOLLYWOOD :
                        THE AMERICAN  DREAM
                             BY RAJ NANDY

           A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the 'persistent of vision'.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera; forming the Edison Trust, - a cartel that took control of
the Film Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights atarted to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from
New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost
365 days of the year!
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labour.

                        THE RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the areas abundant red-berried shrubs also known as
California Holly.
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see !
Hollywood was incorporated as a municipality in 1903, and during
1910 unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’, and has become a landmark and America’s cultural icon, and an evocative symbol for ambition, glamour, and dream.
Forever enticing aspiring actors to flock to Hollywood, hypnotised
by lure of the big screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honouring and encouraging excellence in all
facets of motion picture production.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the Critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbanks and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film got released in
1938 on the big screen!
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and
John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood.
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’,
‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  the Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s

BACKGROU­ND:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Eisenhower
succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

DEMAND FOR NEW THEMES DURING THE 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
She provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob.
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang,
      Let's rock,.................... (Lyrics of the song.)

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

BOX OFFICE HITS YEAR-WISE FROM 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Deaths During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY WITH FEW TITBITS :
From Fort Lee of New Jersey we have travelled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the  American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple,
who became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature
film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to
Hollywood later;
Between 1940 and 1947, made great thrillers like 'Rebecca', ‘Notorious’, ‘Rear Window’, and ‘Dial M for ******’.
But he never won an Oscar as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
the 20th Century Fox Studio.
To award critically acclaimed films and television shows, by awarding a
Scroll initially.
Later a Golden Globe was made on a pedestal, with a film strip around it.
In 1955 the Cecil B. De Mille Award was created, with De Mille as its first
recipient.

THE GRAMMY AWARD:
In 1959 The National Academy of Recording and Sciences sponsored the
First Grammy Award for music recorded during 1958.
When Frank Sinatra won for his album cover ‘Only The Lonely’, but he
did not sing.
Among the 28 other categories there was Ella Fitzgerald, and Count Basie
for his musical Dance Band Performance.
There was Kingston Trio’s song ‘Tom Dooly’, and the ‘Chipmunk Song’,
which brings back nostalgic memories of my school days!

CONCLUDING HOLLYWOOD STORY  WITH STUDIOS OF THE 1950s

Challenge Faced by the Movie Industry:
Now the challenge before the Movie Industry was how to adjust to the
rapidly changing conditions created by the growing TV Industry.
Resulting in loss of revenue, with viewers getting addicted to
their Domestic TV screen most conveniently!

The late 1950s saw two studios REPUBLIC and the RKO go out of business!
REPUBLIC from 1935- ‘59 based in Los Angeles, developed the careers of
John Wayne and Roy Rogers, and specializing in the Westerns.
RKO was one of the Big Five Studios of Hollywood along with Paramount,
MGM, 20th Century Fox, and Warner Brothers in those days.

RKO Studio which begun with Fred Astaire and Ginger Rogers in the ‘30s,
included actress Katherine Hepburn who holds the record for four Oscars
even to this day;
And later had Robert Mitchum and Carry Grant under an agreement.
But in 1948, RKO Studio came under the control Howard Hughes the
temperamental Industrialist.
Soon the scandal drive and litigation prone RKO Studio closed, while
other Big Four Studios had managed to remain afloat!


PARAMOUNT STUDIO:
Paramount Studio split into two separate companies in 1950.
Its Theatre chain later merged with ABC Radio & Television Network;
And they created an independent Production/Distribution Network.
Bing Crosby and Bob Hope had been Paramount’s two biggest stars.
Followed by actors like Alan Ladd, William Holden, Jerry Lewis, Dean
Martin, Charlton Heston, and Dorothy Lamour.
They also had the producer/director Cecil B. De Mille producing high-
grossing Epics like ‘Samson & Delilah’ and ‘The Ten Commandments’.
Also the movie maker Hal Wallis, who discovered Burt Lancaster and
Elvis Presley - two great talents!

20th CENTURY FOX:
Cinema Scope became FOX’s most successful technological innovation
with its hit film ‘The Robe’. (1953)
Its Darryl Zanuck had observed during the early ‘50s, that audience  
were more interested in escapist entertainments mainly.
So he turned to FOX to musicals, comedies, and adventure stories.
Biggest stars of FOX were Gregory Peck & Susan Hayward; also
stars like Victor Mature, Anne Baxter, and Richard Wind Mark.
Not forgetting Marilyn Monroe in her Cinema Scope Box Office hit
movie - ‘How to Marry a Millionaire’, which was also shown on
prime time TV, as a romantic comedy film of 1953.

WARREN BROTHERS:
During 1950 the studio was mainly a family managed company with
three brothers Harry, Albert, and Jack Warren.
To meet the challenges of that period, Warren Bros. released most of
its actors like James Cagney, Humphrey Bogart, Oliver de Havilland, -
Along with few others from their long-term contractual commitments;
Retaining only Errol Flynn, and Ronald Regan who went on to become
the future President.
Like 20th Century Fox, Warren Bros switched to musicals, comedies,
and adventure movies, with Doris Day as its biggest musical star.
The studio also entered into short term agreements with Gary Copper,
John Wayne, Gregory Peck, Patricia Neal, and Random Scott.
Warren Bros also became the first major studio to invest in 3-D
production of films, scoring a big hit with its 3-D  suspense thriller
‘House of Wax’ in 1953.

MINOR STUDIOS were mainly three, - United Artists, Columbia, and
The Universal.
They did not own any theatre chain, and specialized in low-budgeted
‘B’ Movies those days.
Now to cut a long story short it must be said, that Hollywood finally
did participate in the evolution of Television industry, which led to
their integration eventually.
Though strategies involving hardware development and ownership of
broadcast outlets remained unsuccessful unfortunately.
However, Hollywood did succeed through program supply like prime-
time series, and made-for-TV films for the growing TV market making
things more colorful!
Thus it could be said that the TV industry provided the film industry
with new opportunities,  laying the groundwork for its diversification
and concentration;
That characterized the entertainment industry during the latter half  
of our previous century.
I must now confess that I have not visited the movie theatre over the last
two decades!
I watch movies on my big screen TV and my Computer screen these days.
Old classical movies are all available on ‘You Tube’ for me, and I can watch
them any time whenever I am free!
Thanks for reading patiently, - Raj Nandy.
**ALL COPYRIGHTS ARE WITH THE AUTHOR RAJ NANDY OF NEW DELHI

Salty rancher spackle is to Earthy diva smackers as Swinging hotel number is to?
Rippling cling bread is to Three lizard chariots as Indigo lime tangent is to?
Nighttime reunion planet is to Nettle lane scuffle as Soaking spider *** is to?
Fancy trance logs are to Sticky fudge lather as Vivacious gator college is to?
Cheerful blossom face is to Secret tractor rocket as Canned gremlin emblems are to?
Jealous pitchfork generals are to Heartbreaking patchwork veranda as Folding robot noise is to?
Pretty rhino rash is to Lost locket vengeance as Back pocket weather is to?
Frosted candy sidewalk is to Sneaky kook code as Shiny waffle smoke is to?
Sapphire cloud romance is to Magnetic comet lava as Blue triangle envy is to?
Vanishing honey melody is to Thermal elf pajamas as Whistling iceboat shampoo is to?
Peach mint politics is to Frozen doll pennies as Rusty anchor catapult is to?
Swollen pony fever Throbbing sword kazoo as Silent turbine science is to?
Obese germ thunder is to Stacked lemon towers as Corrupt moon jockey is to?
Demented insect whistle is to Glass trophy cleanup as Purple geode bubble is to?
Nighttime razor slime is to Lacquered dragon maps as Tint paper mittens are to?
**** camel drops are to Velvet ****** shoes as Slippery red muffins are to?
Flying hot drool is to Pale chocolate telescope as Tin trumpet ballet is to?
Expensive puppy speed is to Flowered duck mirror as Cosmic needle factory is to?
Fractured laser doodles are to Cracked butter gravel as Rubber holster straps are to?
Majestic panther fortress is to Jeweled cork target as Iron swan taxi is to?
Poisonous pepper bouillon is to ****** goat soap as Chrome feather pirates are to?
Digital gorilla scriptures are to Timid hunter stench as Frozen domino video is to?
Eccentric troll opera is to Transparent wax village as Spoiled coral agony is to?
Bizarre green metal is to Pillow eating hamster as Leather cavern ***** are to?
Eternal hurricane evidence is to Powdered rainbow perfume as Smoking yellow prune is to?
Liquid wish cleanser is to Exploding meadow ladders as Brittle rose hammer is to?
Caged foam filter is to Cherry balloon string as Ivory cactus spider is to?
Carbon puppet watch is to Sad kings compass as Elastic lace whiskers are to?
Nitrogen trolley dust is to Lazy elephant toffee as Orange toad choir is to?
Dark pole zodiac is to Blue finger blanket as Illegal bug nozzle is to?
Stinky towel cookies are to White jade caskets as Sticky snail tea is to?
Converting stellated caramels is to Mythic aerosol socks as Rubber raspberry jokes are to?
Flying clock carousel is to Whisky nut worms as Plastic fish platforms are to?
Queasy Vaseline queens are to Moody pigeon pills as Aqua mice fur is to?
Spotted bowl shadow is to Idiotic radiance lotion as Bungalow toad hearse is to?
Gushing chimney fungus is to Funky lamb acrobat as Utopian **** sprinkler is to?
Twinkling bungalow tablet is to Botanical duck rope as Bug hat ram is to?
Broken clock fossil is to Black ginger confetti as Parisian cobra meatloaf is to?
Silly Xerox ribbon is to Obedient raccoon carny as Traditional cat linguini is to?
Last astral advisor is to Elastic badger riddles as Broken circle rifles are to?
Bagged squire channel is to Temporary mosaic cake as Ancient bacon thread is to?
Wireless math army is to Moronic neon money as Pearl razor radar is to?
Rubber buzzard blizzard is to Troubled bubble wizard as Crushed hash ******* is to?
Purple birdy cure is to Tangled frost blossoms as Silken bridal saddle is to?
Unisex owl accordion is to Sugar bottomed boat as Optical nougat treasure is to?
Flavored saline rain is to Black arrow clan as Transistorized clam guitar is to?
Sharpened twig scar is to Mutant beet sonar as Baked troll mask is to?
Boxed noodle secrets are to Traditional guru buttons as Glossy marshmallow strategy is to?
Vibrating melted jelly is to Silver furniture dream as Spewing collated seats is to?
Burnt mountain pickles are to Baby preacher shoes as Sympathetic pilot pain is to?
Narrow portal treaty is to Monkey warehouse vacancy as Painted tornado trap is to?
Porch penny sulfur is to Glowing pony fat as Patched mattress bait is to?
Frigid waitress fallacy is to Graphic shrimp salute as Misted sneezing window is to?
Moist apple moss is to Daddy’s zoom seed as Downtown Pope cart is to?
Tired felon trickle is to Holographic squirrel candle as Wild ray hay is to?
Deadly zero chalk is to Folding wilderness chart as Curved ******* vacuum is to?
Hollow porcelain pellets are to Strawberry rain stencils as Microwave taxi nomads are to?
Wasted machete balcony is to Crumpled creature confessions as Fridge fuzzed fruit is to?
Sloppy demon damage is to Squeaky puppet chuckle as Mental arcade combat is to?
Monster trout stories are to Lewd pirate cocktail as Locked mammal grommet is to?
Rotting rope network is to Tragic toy goat as Cotton submarine shoes are to?
Complex pepper dance is to ****** cloud cushion as Marching taxi holiday is to?
Mental petal collectors are to Spooned barn putty as Dork factory fiction is to?
Hot spotted tops are to Timed stepping pests as Yogurt notching tartar is to?
Crazy dog comics are to Ambitious cartoon sphinx as Pavlov’s zinc ballet is to?
Soiled spinster wedding is to Padded razor wound as Floating fish map is to?
Slippery leopard pants are to Perfumed nut button as Dart wizard party is to?
Needy alien elephants are to Barking garden gnats as Quasar focused paper is to?
Slanted heart **** is to Bronzed cliff sandals are to Cunning jockey jokes are to?
***** thumbprint massage is to Holistic princess memory as Sliding dental sword is to?
Drifting wood whistle is to Fluorescent carpet powder as Foam dragon whistle is to?
Chopped web shadow is to Immortal vermin soup as Collapsing porch conspiracy is to?
Stolen thunder chant is to Haunted comet heart as Swollen throat portrait is to?
Fragrant frost parfait is to Grumpy caveman *** as Random stingray solo is to?
Squeaky polar turbine is to Silent lava fever as Oversized lunar fulcrum is to?
Synthetic dew droppers are to Pocket poster paste as Hypnotic screen dog is to?
Symbolic whirlpool nausea is to Dreaming tree phantom as Log badge bracket is to?
Camp hippo map is to Horseradish seizure insurance as Distant insect mirror is to?
German lady sherbet is to Stuntman laundry wax as Hungry butterfly ghost is to?
Fly smudged foil is to Amped maze coil as Shifting optic terror is to?
Automatic sheep floss is to Panoramic tanker anchor as Throbbing bone pillow is to?
Mutant clown village is to Nightmare translation treasure as Spotted spectral chakra is to?
Blind roach tweat is to Hermit worm tiara as Divine logo ritual is to?
Glueless gun stamp is to Malicious spam pump as Floral toffee pods are to?
Dudgeon mist removal is to Menacing bolt smacker as Boating duke shadow is to?
Costly metal plungers are to Creaky buzzing gushers as Glowing star cushions are to?
Raked barge sludge is to Crusted cream glitter as Zircon gutter babble is to?
Fake gold scholar is to Amish ******* mogul as Faithful ***** choir is to?
Sacred limo prayers are to Fried mice café as Splintered ****** thimble is to?
Dealing rabbit decals is to Pelican bongo festival as Patched equator rot is to?
Freedom gourd gasoline is to Cobblers studying acorns as Desecrated dice crater is to?
Tattered tapestry rod is to Busted particle scanner as Bogus piffle catalogue is to?
Trifle truffle raffle is to Last lamb laminate as Segmented cake goggles are to?
Domestic tackle tactic is to Ticking tic talk as Cordial corps coordinates is to?
Tucked duck caftan is to Sunken ramp ruckus as Wretched ranch rhetoric is to?
Clearly incomprehensible directions are to Useful archaic nonsense as Antiquated skeletal outline is to?
Bewildered beasts feasting are to Lazy busybodies resting as Vaccinating brave volunteers are to?
Lucky wagon dragons are to Famous gargoyle gargle as Formal postman funding is to?
Furrowed shroud chowder is to Borrowed tartan pajamas as Martini mixed algebra is to?
Cowgirl balloon helium is to Chewy glucose habitat as Stationary monument movement is to?
Diamond powered powder is to Diagonal diameter diagram as Purposely condensed expansion is to?
Organic iodine capsule is to Gleaming beach probe as Dominant dome static is to?
Shaving wrinkled targets is to Petting sensible monsters as Selling invisible whiskey is to?
Frozen piano architecture is to Note dotted clouds as Screaming Korean worms are to?
Sonic plant website is to Telepathic climbing clam as Bored protein exercise is to?
Gourmet mollusk cone is to Numb poodle caravan as Asian raven radar is to?

Barn

A graveyard of empty whiskey bottles,
curled, browned labels coated with dust.


A farmer drank in this dirt basement, alone,
wind chapped face illuminated by a kerosene lantern,
swollen fingers forever  clutching the
glass neck of his half drained bottles.

I drink ***** in the renovated kitchen,
lit by dimmed lights, gentle shadows
dancing across the glossy hardwood floor.
I look out at the dark bodies of trees
swaying, uneasy in the night breeze.

Sometime after midnight,
the farmer’s ghost
stumbles up the creaking staircase behind me,
to our bed.

I can’t wait to be a hundred;
turning over the thoughts
and plots, of Caledon
floating on Zimmer inserts
and dusted Florsheims
three steps forward
in a dream woven
summer afternoon

Through the barn doors
and bee keeper flats
assimilating voices
from Sachems
and Forbes
and Hope Healers
coming and going
as the countryman
comes and goes

You can feel it
in a place like this
the 3 in the tree memories
of Allis Chalmers
and combine parts
of Sundrim poppers
and shallow carp fields
of patterned lawsons
and fading caulk
(on the ripped and rolled
frontier seats)

it’s a wishing well
for the peddler
and bold hydrangea...
both peeking their way
through the rusted
grinders wheel

They gathered by Williamson Road at sun-up
      from neighboring spreads across the Tioga valley.
They came with carts laden with lumber stacks -
      with saws, adzes, hammers and sundry tools.

They gathered with the homesteaders bond.
      to co-build their neighbor's' dreams.

Sweet music of community echoed off the hills.
     Chisels clanged into rock, shaping the foundation,
saws sang into boards to frame a timbered skeleton.
     The staccato syncopation of hammers fastened walls
that soon would shelter plowshares, stock and grain.
      A smithy leaned over his fire and forge -
chiming iron into sturdy latches and hinges.

     Children scurried about mixing squeals and laughter
with exuberant fetching and lifting whenever called.
    
In two short passings of the sun the deed was done
      and a handsome new barn, decked out in a wash of red
was silhouetted tall and proud against the fading light.

Homesteaders gathered at a celebration table
      to share a hearty meal adorned by the music
of fiddles, grateful smiles and easy laughter.
  
Then one by one they steered their wagons home
      gazing back at what their labors had wrought -
knowing to the depth of their communal souls
      that we are more together than we are apart

Listen up, America!  This is the music of community.
      We are more together than we are apart.

*© 2016 by Robert Charles Howard

Come queen of months in company
Wi all thy merry minstrelsy
The restless cuckoo absent long
And twittering swallows chimney song
And hedge row crickets notes that run
From every bank that fronts the sun
And swathy bees about the grass
That stops wi every bloom they pass
And every minute every hour
Keep teazing weeds that wear a flower
And toil and childhoods humming joys
For there is music in the noise
The village childern mad for sport
In school times leisure ever short
That crick and catch the bouncing ball
And run along the church yard wall
Capt wi rude figured slabs whose claims
In times bad memory hath no names
Oft racing round the nookey church
Or calling ecchos in the porch
And jilting oer the weather ****
Viewing wi jealous eyes the clock
Oft leaping grave stones leaning hights
Uncheckt wi mellancholy sights
The green grass swelld in many a heap
Where kin and friends and parents sleep
Unthinking in their jovial cry
That time shall come when they shall lye
As lowly and as still as they
While other boys above them play
Heedless as they do now to know
The unconcious dust that lies below
The shepherd goes wi happy stride
Wi moms long shadow by his side
Down the dryd lanes neath blooming may
That once was over shoes in clay
While martins twitter neath his eves
Which he at early morning leaves
The driving boy beside his team
Will oer the may month beauty dream
And **** his hat and turn his eye
On flower and tree and deepning skye
And oft bursts loud in fits of song
And whistles as he reels along
Cracking his whip in starts of joy
A happy ***** driving boy
The youth who leaves his corner stool
Betimes for neighbouring village school
While as a mark to urge him right
The church spires all the way in sight
Wi cheerings from his parents given
Starts neath the joyous smiles of heaven
And sawns wi many an idle stand
Wi bookbag swinging in his hand
And gazes as he passes bye
On every thing that meets his eye
Young lambs seem tempting him to play
Dancing and bleating in his way
Wi trembling tails and pointed ears
They follow him and loose their fears
He smiles upon their sunny faces
And feign woud join their happy races
The birds that sing on bush and tree
Seem chirping for his company
And all in fancys idle whim
Seem keeping holiday but him
He lolls upon each resting stile
To see the fields so sweetly smile
To see the wheat grow green and long
And list the weeders toiling song
Or short note of the changing thrush
Above him in the white thorn bush
That oer the leaning stile bends low
Loaded wi mockery of snow
Mozzld wi many a lushing thread
Of crab tree blossoms delicate red
He often bends wi many a wish
Oer the brig rail to view the fish
Go sturting by in sunny gleams
And chucks in the eye dazzld streams
Crumbs from his pocket oft to watch
The swarming struttle come to catch
Them where they to the bottom sile
Sighing in fancys joy the while
Hes cautiond not to stand so nigh
By rosey milkmaid tripping bye
Where he admires wi fond delight
And longs to be there mute till night
He often ventures thro the day
At truant now and then to play
Rambling about the field and plain
Seeking larks nests in the grain
And picking flowers and boughs of may
To hurd awhile and throw away
Lurking neath bushes from the sight
Of tell tale eyes till schools noon night
Listing each hour for church clocks hum
To know the hour to wander home
That parents may not think him long
Nor dream of his rude doing wrong
Dreading thro the night wi dreaming pain
To meet his masters wand again
Each hedge is loaded thick wi green
And where the hedger late hath been
Tender shoots begin to grow
From the mossy stumps below
While sheep and cow that teaze the grain
will nip them to the root again
They lay their bill and mittens bye
And on to other labours hie
While wood men still on spring intrudes
And thins the shadow solitudes
Wi sharpend axes felling down
The oak trees budding into brown
Where as they crash upon the ground
A crowd of labourers gather round
And mix among the shadows dark
To rip the crackling staining bark
From off the tree and lay when done
The rolls in lares to meet the sun
Depriving yearly where they come
The green wood pecker of its home
That early in the spring began
Far from the sight of troubling man
And bord their round holes in each tree
In fancys sweet security
Till startld wi the woodmans noise
It wakes from all its dreaming joys
The blue bells too that thickly bloom
Where man was never feared to come
And smell smocks that from view retires
**** rustling leaves and bowing briars
And stooping lilys of the valley
That comes wi shades and dews to dally
White beady drops on slender threads
Wi broad hood leaves above their heads
Like white robd maids in summer hours
Neath umberellas shunning showers
These neath the barkmens crushing treads
Oft perish in their blooming beds
Thus stript of boughs and bark in white
Their trunks shine in the mellow light
Beneath the green surviving trees
That wave above them in the breeze
And waking whispers slowly bends
As if they mournd their fallen friends
Each morning now the weeders meet
To cut the thistle from the wheat
And ruin in the sunny hours
Full many wild weeds of their flowers
Corn poppys that in crimson dwell
Calld ‘head achs’ from their sickly smell
And carlock yellow as the sun
That oer the may fields thickly run
And ‘iron ****’ content to share
The meanest spot that spring can spare
Een roads where danger hourly comes
Is not wi out its purple blooms
And leaves wi points like thistles round
Thickset that have no strength to wound
That shrink to childhoods eager hold
Like hair—and with its eye of gold
And scarlet starry points of flowers
Pimpernel dreading nights and showers
Oft calld ‘the shepherds weather glass’
That sleep till suns have dyd the grass
Then wakes and spreads its creeping bloom
Till clouds or threatning shadows come
Then close it shuts to sleep again
Which weeders see and talk of rain
And boys that mark them shut so soon
will call them ‘John go bed at noon
And fumitory too a name
That superstition holds to fame
Whose red and purple mottled flowers
Are cropt by maids in weeding hours
To boil in water milk and way1
For washes on an holiday
To make their beauty fair and sleak
And scour the tan from summers cheek
And simple small forget me not
Eyd wi a pinshead yellow spot
I’th’ middle of its tender blue
That gains from poets notice due
These flowers the toil by crowds destroys
And robs them of their lowly joys
That met the may wi hopes as sweet
As those her suns in gardens meet
And oft the dame will feel inclind
As childhoods memory comes to mind
To turn her hook away and spare
The blooms it lovd to gather there
My wild field catalogue of flowers
Grows in my ryhmes as thick as showers
Tedious and long as they may be
To some, they never weary me
The wood and mead and field of grain
I coud hunt oer and oer again
And talk to every blossom wild
Fond as a parent to a child
And cull them in my childish joy
By swarms and swarms and never cloy
When their lank shades oer morning pearls
Shrink from their lengths to little girls
And like the clock hand pointing one
Is turnd and tells the morning gone
They leave their toils for dinners hour
Beneath some hedges bramble bower
And season sweet their savory meals
Wi joke and tale and merry peals
Of ancient tunes from happy tongues
While linnets join their fitful songs
Perchd oer their heads in frolic play
Among the tufts of motling may
The young girls whisper things of love
And from the old dames hearing move
Oft making ‘love knotts’ in the shade
Of blue green oat or wheaten blade
And trying simple charms and spells
That rural superstition tells
They pull the little blossom threads
From out the knapweeds button heads
And put the husk wi many a smile
In their white bosoms for awhile
Who if they guess aright the swain
That loves sweet fancys trys to gain
Tis said that ere its lain an hour
Twill blossom wi a second flower
And from her white ******* hankerchief
Bloom as they ne’er had lost a leaf
When signs appear that token wet
As they are neath the bushes met
The girls are glad wi hopes of play
And harping of the holiday
A hugh blue bird will often swim
Along the wheat when skys grow dim
Wi clouds—slow as the gales of spring
In motion wi dark shadowd wing
Beneath the coming storm it sails
And lonly chirps the wheat hid quails
That came to live wi spring again
And start when summer browns the grain
They start the young girls joys afloat
Wi ‘wet my foot’ its yearly note
So fancy doth the sound explain
And proves it oft a sign of rain
About the moor ‘**** sheep and cow
The boy or old man wanders now
Hunting all day wi hopful pace
Each thick sown rushy thistly place
For plover eggs while oer them flye
The fearful birds wi teazing cry
Trying to lead their steps astray
And coying him another way
And be the weather chill or warm
Wi brown hats truckd beneath his arm
Holding each prize their search has won
They plod bare headed to the sun
Now dames oft bustle from their wheels
Wi childern scampering at their heels
To watch the bees that hang and swive
In clumps about each thronging hive
And flit and thicken in the light
While the old dame enjoys the sight
And raps the while their warming pans
A spell that superstition plans
To coax them in the garden bounds
As if they lovd the tinkling sounds
And oft one hears the dinning noise
Which dames believe each swarm decoys
Around each village day by day
Mingling in the warmth of may
Sweet scented herbs her skill contrives
To rub the bramble platted hives
Fennels thread leaves and crimpld balm
To scent the new house of the swarm
The thresher dull as winter days
And lost to all that spring displays
Still mid his barn dust forcd to stand
Swings his frail round wi weary hand
While oer his head shades thickly creep
And hides the blinking owl asleep
And bats in cobweb corners bred
Sharing till night their murky bed
The sunshine trickles on the floor
Thro every crevice of the door
And makes his barn where shadows dwell
As irksome as a prisoners cell
And as he seeks his daily meal
As schoolboys from their tasks will steal
ile often stands in fond delay
To see the daisy in his way
And wild weeds flowering on the wall
That will his childish sports recall
Of all the joys that came wi spring
The twirling top the marble ring
The gingling halfpence hussld up
At pitch and toss the eager stoop
To pick up heads, the smuggeld plays
Neath hovels upon sabbath days
When parson he is safe from view
And clerk sings amen in his pew
The sitting down when school was oer
Upon the threshold by his door
Picking from mallows sport to please
Each crumpld seed he calld a cheese
And hunting from the stackyard sod
The stinking hen banes belted pod
By youths vain fancys sweetly fed
Christning them his loaves of bread
He sees while rocking down the street
Wi weary hands and crimpling feet
Young childern at the self same games
And hears the self same simple names
Still floating on each happy tongue
Touchd wi the simple scene so strong
Tears almost start and many a sigh
Regrets the happiness gone bye
And in sweet natures holiday
His heart is sad while all is gay
How lovly now are lanes and balks
For toils and lovers sunday walks
The daisey and the buttercup
For which the laughing childern stoop
A hundred times throughout the day
In their rude ramping summer play
So thickly now the pasture crowds
In gold and silver sheeted clouds
As if the drops in april showers
Had woo’d the sun and swoond to flowers
The brook resumes its summer dresses
Purling neath grass and water cresses
And mint and flag leaf swording high
Their blooms to the unheeding eye
And taper bowbent hanging rushes
And horse tail childerns bottle brushes
And summer tracks about its brink
Is fresh again where cattle drink
And on its sunny bank the swain
Stretches his idle length again
Soon as the sun forgets the day
The moon looks down on the lovly may
And the little star his friend and guide
Travelling together side by side
And the seven stars and charleses wain
Hangs smiling oer green woods agen
The heaven rekindles all alive
Wi light the may bees round the hive
Swarm not so thick in mornings eye
As stars do in the evening skye
All all are nestling in their joys
The flowers and birds and pasture boys
The firetail, long a stranger, comes
To his last summer haunts and homes
To hollow tree and crevisd wall
And in the grass the rails odd call
That featherd spirit stops the swain
To listen to his note again
And school boy still in vain retraces
The secrets of his hiding places
In the black thorns crowded copse
Thro its varied turns and stops
The nightingale its ditty weaves
Hid in a multitude of leaves
The boy stops short to hear the strain
And ’sweet jug jug’ he mocks again
The yellow hammer builds its nest
By banks where sun beams earliest rest
That drys the dews from off the grass
Shading it from all that pass
Save the rude boy wi ferret gaze
That hunts thro evry secret maze
He finds its pencild eggs agen
All streakd wi lines as if a pen
By natures freakish hand was took
To scrawl them over like a book
And from these many mozzling marks
The school boy names them ‘writing larks’
*** barrels twit on bush and tree
Scarse bigger then a bumble bee
And in a white thorns leafy rest
It builds its curious pudding-nest
Wi hole beside as if a mouse
Had built the little barrel house
Toiling full many a lining feather
And bits of grey tree moss together
Amid the noisey rooky park
Beneath the firdales branches dark
The little golden crested wren
Hangs up his glowing nest agen
And sticks it to the furry leaves
As martins theirs beneath the eaves
The old hens leave the roost betimes
And oer the garden pailing climbs
To scrat the gardens fresh turnd soil
And if unwatchd his crops to spoil
Oft cackling from the prison yard
To peck about the houseclose sward
Catching at butterflys and things
Ere they have time to try their wings
The cattle feels the breath of may
And kick and toss their heads in play
The *** beneath his bags of sand
Oft jerks the string from leaders hand
And on the road will eager stoop
To pick the sprouting thistle up
Oft answering on his weary way
Some distant neighbours sobbing bray
Dining the ears of driving boy
As if he felt a fit of joy
Wi in its pinfold circle left
Of all its company bereft
Starvd stock no longer noising round
Lone in the nooks of foddering ground
Each skeleton of lingering stack
By winters tempests beaten black
Nodds upon props or bolt upright
Stands swarthy in the summer light
And oer the green grass seems to lower
Like stump of old time wasted tower
All that in winter lookd for hay
Spread from their batterd haunts away
To pick the grass or lye at lare
Beneath the mild hedge shadows there
Sweet month that gives a welcome call
To toil and nature and to all
Yet one day mid thy many joys
Is dead to all its sport and noise
Old may day where’s thy glorys gone
All fled and left thee every one
Thou comst to thy old haunts and homes
Unnoticd as a stranger comes
No flowers are pluckt to hail the now
Nor cotter seeks a single bough
The maids no more on thy sweet morn
Awake their thresholds to adorn
Wi dewey flowers—May locks new come
And princifeathers cluttering bloom
And blue bells from the woodland moss
And cowslip cucking ***** to toss
Above the garlands swinging hight
Hang in the soft eves sober light
These maid and child did yearly pull
By many a folded apron full
But all is past the merry song
Of maidens hurrying along
To crown at eve the earliest cow
Is gone and dead and silent now
The laugh raisd at the mocking thorn
Tyd to the cows tail last that morn
The kerchief at arms length displayd
Held up by pairs of swain and maid
While others bolted underneath
Bawling loud wi panting breath
‘Duck under water’ as they ran
Alls ended as they ne’er began
While the new thing that took thy place
Wears faded smiles upon its face
And where enclosure has its birth
It spreads a mildew oer her mirth
The herd no longer one by one
Goes plodding on her morning way
And garlands lost and sports nigh gone
Leaves her like thee a common day
Yet summer smiles upon thee still
Wi natures sweet unalterd will
And at thy births unworshipd hours
Fills her green lap wi swarms of flowers
To crown thee still as thou hast been
Of spring and summer months the queen

I was standing in the aisle at Bulk Barn
I was low on neutrinos and looking to stock up
I like to sprinkle them on my cereal in the morning

I made my way down the aisle and found the anti-photons
If you like your coffee black and not sweet
Then this is almost as good as other alternatives

My electron supply was fine
But I thought I'd get some anyway
Just for the ion-y

I don't understand the economics but I guess
The invisible hand does
When the clerk looked in my basket
She just waved me through

The three stood listening to a fresh access
Of wind that caught against the house a moment,
Gulped snow, and then blew free again—the Coles
Dressed, but dishevelled from some hours of sleep,
Meserve belittled in the great skin coat he wore.

Meserve was first to speak. He pointed backward
Over his shoulder with his pipe-stem, saying,
“You can just see it glancing off the roof
Making a great scroll upward toward the sky,
Long enough for recording all our names on.—
I think I’ll just call up my wife and tell her
I’m here—so far—and starting on again.
I’ll call her softly so that if she’s wise
And gone to sleep, she needn’t wake to answer.”
Three times he barely stirred the bell, then listened.
“Why, Lett, still up? Lett, I’m at Cole’s. I’m late.
I called you up to say Good-night from here
Before I went to say Good-morning there.—
I thought I would.— I know, but, Lett—I know—
I could, but what’s the sense? The rest won’t be
So bad.— Give me an hour for it.— **, **,
Three hours to here! But that was all up hill;
The rest is down.— Why no, no, not a wallow:
They kept their heads and took their time to it
Like darlings, both of them. They’re in the barn.—
My dear, I’m coming just the same. I didn’t
Call you to ask you to invite me home.—”
He lingered for some word she wouldn’t say,
Said it at last himself, “Good-night,” and then,
Getting no answer, closed the telephone.
The three stood in the lamplight round the table
With lowered eyes a moment till he said,
“I’ll just see how the horses are.”

“Yes, do,”
Both the Coles said together. Mrs. Cole
Added: “You can judge better after seeing.—
I want you here with me, Fred. Leave him here,
Brother Meserve. You know to find your way
Out through the shed.”

“I guess I know my way,
I guess I know where I can find my name
Carved in the shed to tell me who I am
If it don’t tell me where I am. I used
To play—”

“You tend your horses and come back.
Fred Cole, you’re going to let him!”

“Well, aren’t you?
How can you help yourself?”

“I called him Brother.
Why did I call him that?”

“It’s right enough.
That’s all you ever heard him called round here.
He seems to have lost off his Christian name.”

“Christian enough I should call that myself.
He took no notice, did he? Well, at least
I didn’t use it out of love of him,
The dear knows. I detest the thought of him
With his ten children under ten years old.
I hate his wretched little Racker Sect,
All’s ever I heard of it, which isn’t much.
But that’s not saying—Look, Fred Cole, it’s twelve,
Isn’t it, now? He’s been here half an hour.
He says he left the village store at nine.
Three hours to do four miles—a mile an hour
Or not much better. Why, it doesn’t seem
As if a man could move that slow and move.
Try to think what he did with all that time.
And three miles more to go!”
“Don’t let him go.
Stick to him, Helen. Make him answer you.
That sort of man talks straight on all his life
From the last thing he said himself, stone deaf
To anything anyone else may say.
I should have thought, though, you could make him hear you.”

“What is he doing out a night like this?
Why can’t he stay at home?”

“He had to preach.”

“It’s no night to be out.”

“He may be small,
He may be good, but one thing’s sure, he’s tough.”

“And strong of stale tobacco.”

“He’ll pull through.’
“You only say so. Not another house
Or shelter to put into from this place
To theirs. I’m going to call his wife again.”

“Wait and he may. Let’s see what he will do.
Let’s see if he will think of her again.
But then I doubt he’s thinking of himself
He doesn’t look on it as anything.”

“He shan’t go—there!”

“It is a night, my dear.”

“One thing: he didn’t drag God into it.”

“He don’t consider it a case for God.”

“You think so, do you? You don’t know the kind.
He’s getting up a miracle this minute.
Privately—to himself, right now, he’s thinking
He’ll make a case of it if he succeeds,
But keep still if he fails.”

“Keep still all over.
He’ll be dead—dead and buried.”

“Such a trouble!
Not but I’ve every reason not to care
What happens to him if it only takes
Some of the sanctimonious conceit
Out of one of those pious scalawags.”

“Nonsense to that! You want to see him safe.”

“You like the runt.”

“Don’t you a little?”

“Well,
I don’t like what he’s doing, which is what
You like, and like him for.”

“Oh, yes you do.
You like your fun as well as anyone;
Only you women have to put these airs on
To impress men. You’ve got us so ashamed
Of being men we can’t look at a good fight
Between two boys and not feel bound to stop it.
Let the man freeze an ear or two, I say.—
He’s here. I leave him all to you. Go in
And save his life.— All right, come in, Meserve.
Sit down, sit down. How did you find the horses?”

“Fine, fine.”

“And ready for some more? My wife here
Says it won’t do. You’ve got to give it up.”

“Won’t you to please me? Please! If I say please?
Mr. Meserve, I’ll leave it to your wife.
What did your wife say on the telephone?”

Meserve seemed to heed nothing but the lamp
Or something not far from it on the table.
By straightening out and lifting a forefinger,
He pointed with his hand from where it lay
Like a white crumpled spider on his knee:
“That leaf there in your open book! It moved
Just then, I thought. It’s stood ***** like that,
There on the table, ever since I came,
Trying to turn itself backward or forward,
I’ve had my eye on it to make out which;
If forward, then it’s with a friend’s impatience—
You see I know—to get you on to things
It wants to see how you will take, if backward
It’s from regret for something you have passed
And failed to see the good of. Never mind,
Things must expect to come in front of us
A many times—I don’t say just how many—
That varies with the things—before we see them.
One of the lies would make it out that nothing
Ever presents itself before us twice.
Where would we be at last if that were so?
Our very life depends on everything’s
Recurring till we answer from within.
The thousandth time may prove the charm.— That leaf!
It can’t turn either way. It needs the wind’s help.
But the wind didn’t move it if it moved.
It moved itself. The wind’s at naught in here.
It couldn’t stir so sensitively poised
A thing as that. It couldn’t reach the lamp
To get a puff of black smoke from the flame,
Or blow a rumple in the collie’s coat.
You make a little foursquare block of air,
Quiet and light and warm, in spite of all
The illimitable dark and cold and storm,
And by so doing give these three, lamp, dog,
And book-leaf, that keep near you, their repose;
Though for all anyone can tell, repose
May be the thing you haven’t, yet you give it.
So false it is that what we haven’t we can’t give;
So false, that what we always say is true.
I’ll have to turn the leaf if no one else will.
It won’t lie down. Then let it stand. Who cares?”

“I shouldn’t want to hurry you, Meserve,
But if you’re going— Say you’ll stay, you know?
But let me raise this curtain on a scene,
And show you how it’s piling up against you.
You see the snow-white through the white of frost?
Ask Helen how far up the sash it’s climbed
Since last we read the gage.”

“It looks as if
Some pallid thing had squashed its features flat
And its eyes shut with overeagerness
To see what people found so interesting
In one another, and had gone to sleep
Of its own stupid lack of understanding,
Or broken its white neck of mushroom stuff
Short off, and died against the window-pane.”

“Brother Meserve, take care, you’ll scare yourself
More than you will us with such nightmare talk.
It’s you it matters to, because it’s you
Who have to go out into it alone.”

“Let him talk, Helen, and perhaps he’ll stay.”

“Before you drop the curtain—I’m reminded:
You recollect the boy who came out here
To breathe the air one winter—had a room
Down at the Averys’? Well, one sunny morning
After a downy storm, he passed our place
And found me banking up the house with snow.
And I was burrowing in deep for warmth,
Piling it well above the window-sills.
The snow against the window caught his eye.
‘Hey, that’s a pretty thought’—those were his words.
‘So you can think it’s six feet deep outside,
While you sit warm and read up balanced rations.
You can’t get too much winter in the winter.’
Those were his words. And he went home and all
But banked the daylight out of Avery’s windows.
Now you and I would go to no such length.
At the same time you can’t deny it makes
It not a mite worse, sitting here, we three,
Playing our fancy, to have the snowline run
So high across the pane outside. There where
There is a sort of tunnel in the frost
More like a tunnel than a hole—way down
At the far end of it you see a stir
And quiver like the frayed edge of the drift
Blown in the wind. I like that—I like that.
Well, now I leave you, people.”

“Come, Meserve,
We thought you were deciding not to go—
The ways you found to say the praise of comfort
And being where you are. You want to stay.”

“I’ll own it’s cold for such a fall of snow.
This house is frozen brittle, all except
This room you sit in. If you think the wind
Sounds further off, it’s not because it’s dying;
You’re further under in the snow—that’s all—
And feel it less. Hear the soft bombs of dust
It bursts against us at the chimney mouth,
And at the eaves. I like it from inside
More than I shall out in it. But the horses
Are rested and it’s time to say good-night,
And let you get to bed again. Good-night,
Sorry I had to break in on your sleep.”

“Lucky for you you did. Lucky for you
You had us for a half-way station
To stop at. If you were the kind of man
Paid heed to women, you’d take my advice
And for your family’s sake stay where you are.
But what good is my saying it over and over?
You’ve done more than you had a right to think
You could do—now. You know the risk you take
In going on.”

“Our snow-storms as a rule
Aren’t looked on as man-killers, and although
I’d rather be the beast that sleeps the sleep
Under it all, his door sealed up and lost,
Than the man fighting it to keep above it,
Yet think of the small birds at roost and not
In nests. Shall I be counted less than they are?
Their bulk in water would be frozen rock
In no time out to-night. And yet to-morrow
They will come budding boughs from tree to tree
Flirting their wings and saying Chickadee,
As if not knowing what you meant by the word storm.”

“But why when no one wants you to go on?
Your wife—she doesn’t want you to. We don’t,
And you yourself don’t want to. Who else is there?”

“Save us from being cornered by a woman.
Well, there’s”—She told Fred afterward that in
The pause right there, she thought the dreaded word
Was coming, “God.” But no, he only said
“Well, there’s—the storm. That says I must go on.
That wants me as a war might if it came.
Ask any man.”

He threw her that as something
To last her till he got outside the door.
He had Cole with him to the barn to see him off.
When Cole returned he found his wife still standing
Beside the table near the open book,
Not reading it.

“Well, what kind of a man
Do you call that?” she said.

“He had the gift
Of words, or is it tongues, I ought to say?”

“Was ever such a man for seeing likeness?”

“Or disregarding people’s civil questions—
What? We’ve found out in one hour more about him
Than we had seeing him pass by in the road
A thousand times. If that’s the way he preaches!
You didn’t think you’d keep him after all.
Oh, I’m not blaming you. He didn’t leave you
Much say in the matter, and I’m just as glad
We’re not in for a night of him. No sleep
If he had stayed. The least thing set him going.
It’s quiet as an empty church without him.”

“But how much better off are we as it is?
We’ll have to sit here till we know he’s safe.”

“Yes, I suppose you’ll want to, but I shouldn’t.
He knows what he can do, or he wouldn’t try.
Get into bed I say, and get some rest.
He won’t come back, and if he telephones,
It won’t be for an hour or two.”

“Well then.
We can’t be any help by sitting here
And living his fight through with him, I suppose.”


*****************

­
Cole had been telephoning in the dark.
Mrs. Cole’s voice came from an inner room:
“Did she call you or you call her?”

“She me.
You’d better dress: you won’t go back to bed.
We must have been asleep: it’s three and after.”

“Had she been ringing long? I’ll get my wrapper.
I want to speak to her.”

“All she said was,
He hadn’t come and had he really started.”

“She knew he had, poor thing, two hours ago.”

“He had the shovel. He’ll have made a fight.”

“Why did I ever let him leave this house!”

“Don’t begin that. You did the best you could
To keep him—though perhaps you didn’t quite
Conceal a wish to see him show the *****
To disobey you. Much his wife’ll thank you.”

“Fred, after all I said! You shan’t make out
That it was any way but what it was.
Did she let on by any word she said
She didn’t thank me?”

“When I told her ‘Gone,’
‘Well then,’ she said, and ‘Well then’—like a threat.
And then her voice came scraping slow: ‘Oh, you,
Why did you let him go’?”

“Asked why we let him?
You let me there. I’ll ask her why she let him.
She didn’t dare to speak when he was here.

Their number’s—twenty-one? The thing won’t work.
Someone’s receiver’s down. The handle stumbles.

The stubborn thing, the way it jars your arm!
It’s theirs. She’s dropped it from her hand and gone.”

“Try speaking. Say ‘Hello’!”

“Hello. Hello.”

“What do you hear?”

“I hear an empty room—
You know—it sounds that way. And yes, I hear—
I think I hear a clock—and windows rattling.
No step though. If she’s there she’s sitting down.”

“Shout, she may hear you.”

“Shouting is no good.”

“Keep speaking then.”

“Hello. Hello. Hello.
You don’t suppose—? She wouldn’t go out doors?”

“I’m half afraid that’s just what she might do.”

“And leave the children?”

“Wait and call again.
You can’t hear whether she has left the door
Wide open and the wind’s blown out the lamp
And the fire’s died and the room’s dark and cold?”

“One of two things, either she’s gone to bed
Or gone out doors.”

“In which case both are lost.
Do you know what she’s like? Have you ever met her?
It’s strange she doesn’t want to speak to us.”

“Fred, see if you can hear what I hear. Come.”

“A clock maybe.”

“Don’t you hear something else?”

“Not talking.”
“No.”

“Why, yes, I hear—what is it?”

“What do you say it is?”

“A baby’s crying!
Frantic it sounds, though muffled and far off.”

“Its mother wouldn’t let it cry like that,
Not if she’s there.”

“What do you make of it?”

“There’s only one thing possible to make,
That is, assuming—that she has gone out.
Of course she hasn’t though.” They both sat down
Helpless. “There’s nothing we can do till morning.”

“Fred, I shan’t let you think of going out.”

“Hold on.” The double bell began to chirp.
They started up. Fred took the telephone.
“Hello, Meserve. You’re there, then!—And your wife?

Good! Why I asked—she didn’t seem to answer.
He says she went to let him in the barn.—
We’re glad. Oh, say no more about it, man.
Drop in and see us when you’re passing.”

“Well,
She has him then, though what she wants him for
I don’t see.”
“Possibly not for herself.
Maybe she only wants him for the children.”

“The whole to-do seems to have been for nothing.
What spoiled our night was to him just his fun.
What did he come in for?—To talk and visit?
Thought he’d just call to tell us it was snowing.
If he thinks he is going to make our house
A halfway coffee house ‘twixt town and nowhere——”

“I thought you’d feel you’d been too much concerned.”

“You think you haven’t been concerned yourself.”

“If you mean he was inconsiderate
To rout us out to think for him at midnight
And then take our advice no more than nothing,
Why, I agree with you. But let’s forgive him.
We’ve had a share in one night of his life.
What’ll you bet he ever calls again?”

Fragile egg-shell mind on dawn’s highway bleeding the segue between times traversed only in momentary dreams or in enduring excursions

We drag our droll and quaint 60s baggage like the luggage of a safari made of concrete girding a cavernous expanse of unheralded ground

With our ears oriented to the floor, we leap out of body never to deplore….never to ignore….never to miss the blue bus of our drafted imaginations, so carefully culled from brash elitism

I trounce the intervening time between being friendless and an ironic end, and an irenic comrade becoming the dearest amazed but always aplomb friend

We simper in our glorious traversal, and though bedraggled through an ornamented cavern we linger just long enough to be celebrated

Then a blues riff emanates from a vapid bar, and finally someone heralds my exhumed memory still rusty with the pavement of encased concrete on an empty or full tomb

So I wander in my mind to that roughshod Paris glassy tincture a romanticized gild of proper sensibility crafted in the tongues of lizards emulating the tongues of serpentine Anglicans

As the power of love transcends the love of power, both are afforded serendipitously upon the stately occasion of a fitful revolt where heads literally rolled and deaths still unfurl from the slippage of a violent malevolent eternity, crafting a new creative way to expedite the smite of preventable scourge

So Jim, I see your picaresque side and your wide-eyed love for a listless ship anointed of a crystal blip just detectable long enough on RADAR to become the statistic to crack the slim WHIP

No wigs are needed at this formality, no figs grow from trees forty-five years buried and almost a full month unsung

Pitiable cretins of an invented insanity, they scoff at my ravenous and portentous heart for its excess and for aligning with an upstart verging on only a specious insanity

Why in all humanity could a month be mustered with every defense of history and yet for it to be so widely flouted as a risible exercise in futility

The irony that the artistic glamor of a past vogue becoming a revival that is often toked only to one song but never to the memorial of great cavernous and commodious imaginations, staggers with dismay where otherwise the mayday would be a disaster but still a great day

Then I look at a triggered-fingered omen of a death so ominous yet so brazenly confronted as the ambassadors of time provide plaudits to a fearless martyrdom

Why such a sad spate, why such a stringent but malevolent fate a malediction on a family whose crest is not crestfallen like rolling waves but ornamented with gravity impounding its own weight

A fugacious tomb, an eternal flame, a swan song announcing an independent authority on a prescient demise mashed and deprived

A single shot rippling through the broadened space between clasped eternity and a histrionic disgrace as a psychological confederate pays lip service to a reiterative applause

A cousin hardly American in a defected record of incendiary plumes of a hoarse hatred of waxen discs and flying discs alike,  climbs out of a bonfire mounted purely out of vindictive spite

Then upon a great white buffalo a wrapped package of Californian love before California ever alighted like something beyond an avaricious dove, saw a rocky park and a hearth of illuminated darkness the singular spark

Captain Morgan knows the jackknife applause of a botched deal morphing into a disbelieved spiel. A shibboleth of enormous mystical weight crashing down from an ethereal abode and heaven heavily saddened cannot hardly appeal

Then a loving spoonful of crystal blue persuasion led me to Ethel’s regimented keepsake and for once in my life nobility and I became a grateful waif. But temerity laughed, splintered spacecraft, and the wooden paws of a bearish applause led to resurgent clarity

Blinking stars shattered by knighted and raw applause punctured the liberated might of a sentient hortatory savior grasped by the internecine wrench of a waxen time

An indie track slides by unnoticed in an aleatory time, and the threadbare whine of centuries of lament becomes a dastardly barn set ablaze with the fury of ancients and the scurry of faineant patents

Perfidy slides in recess, and in gentle forbearance the winged angel lingers like a halo on conifer and spring above a remedial ring

I dial frisky celerity tingling the dangling claws of a raven’s screed and in plunder of all history’s pilfer secrets I eagerly weave a tapestry Indiana Jones himself would be proud to watch

Not the riotous ruin of a mystery tour of verdure crippled by genocide but overcome by the revived life of raised rain razing the moments of indelible pain

But the culmination of a proffered time taken at its word for its every careened bird, for its every brazen gird. The manger of proctored stars calls us home tonight and home forever. Life in quaked timorous stumbles suddenly no longer so fitfully absurd.

The quixotic plundered of pirates and emperors in direct emulation of some crooned pastiche of whittled integrity, surges above any encased blurb and any vain testament to a pyramid rigid in destiny and ragged in desultory and sturdy sincerity

Multiplying the ineffable by the division of arable divorced from edible is too creative to be eaten as pabulum when sparks curdle flickered moonlight crimson and that become golden only to the last laugh of ennobled ragamuffins

Frankly the desert of melliferous gorillas abetting the lark of a heavily vetted camarilla engaged in the sinecure of a rigged wall on a main street to block the tall from the lame bleat. Stocks grazed, costs engaged on a littoral beach at the end of a Bossy promenade

This prayer is a cutthroat collapse of a merry spare, a ribbed ****** waiting to plunge into the antithesis of female despair, but sincere in its restraint that vixens courted in love aren’t courted in litigation of a wagered dare

Ambulances chase Deloreans through the desolate moon-stricken skies of a time agape with fleets of phantasmagoria on a Cliffside too wise to ever mince words or excise cries

Skulking the red-teared caverns of entombed films and lampooned tinctures on a passion vetted only for certain and utter deracinated disguise, I wallop with winged men in a single soul armed to the teeth with inveterate tithes to eternal internments of poached and endangered gazettes

As growth older in wizened skin bets on epithets rather than epitaphs for rinsed peace and triumphant clefts we leap above in orbit of only the bellowing nether of blown tolls and untold souls aggregating the esoteric grasp of Alexandrian tomes

The denumeration of certainty is a carousel of wonder, a splurge of time ripped asunder with majesties of paparazzi scuttled impacts a throttled iniquity of regalia’s indicted blunder frenchified but still clean with inestimable sheens

With twenty-five dollars, a dime an assist and a nickeled reiteration of currency already so personable it is divine and sublime in crazed desist I watch the embroiled natives clash in denatured violence with the warriors of a crossed repast hearkening to an old land much of ire but too much of grandstand to ultimately last

Itching for a holy field husk of peerless ties listed as rumpus and beer, a two-packed smoked by bludgeoned blokes careless in irascible sputters of a muffled doom, a Vegan becomes the author of too many sacrosanct homilies becoming defiled witchcraft brooms dead on arrival too many lionized tombs

In plaudits and the scause of an amplified “what if?” of an olfactory nightmare of petrified fog of effluvium bogged in Wade and in heat it is always clogged, sinewy libations of toasted preemptive revenge become a powerballed hog

A castle in the sky founded on Franklin but scourged of wineskins brimming with a distilled time, a swift repartee becomes the whispered ladder of saints blather becoming not rather other than a Dan Rather spatter

A door breeched by a broached inconvenience of amphigory beyond common reach, I clamber excess and whisk the lingered love into destiny beyond any word other than a beseeched preach of nothing tired but everything inspired of noble love with abundance often to teach

Fireworks of turned tides of fallow tithes to aliens beyond any conceivable bribe the bushwhacker writhes but survives staying alive without even a hint of garbled jive a 27th floor glass elevator is quite a resplendent ride

Wellsprings knowing radical rolled tides of errant dice also themselves guilty of confessional tithes to the monolith of avarice at the nooked cranny of an evaporated time we whine as the police sting the album rained with songs too lugubrious to sing but in their elegy every lonely heart has a propinquity phone of souled resonance ring

Iterative mastery of a mathematics of love, loss decay and the dross of a dental Occidental floss, the sweep of screened queues become questions of inestimable importance to foreign dues on a horse with no name but so consumed with fumes

A fright occultist thriller prowls in a waylaying daylight, masquerading an innocent confection for a rescued triage of a dawn stabbed with knives in our last dying days of trembled plight

He resurrects only the wraiths of detest, squinted at by the putrefaction of summoned cardiac arrest and littered with bullets that somehow can penetrate even impregnable bullet proof vests the wrapped carcass of the mummified husk of ready despair offers itself a ghoulish and raspy prayer

Synchronized in a low roaring swathe of rollercoasters too immersive to ride, the terpsichorean obscurantism of deliberately shattered fragments becoming blurbs dismissed with hijacked deride the carnival of a summer sun becomes the ocean of limitless love becoming endless fun

We forget the drawl of the droll old tales that haunt like specters in the closet and beneath the bedridden valetudinarian of an effrontery of shackled fright, we sprawl the innumerable caverns of prophetic insight afforded by the pantheon of history enter stage left, depart stage right

And with their insight I write and write, I grasp the tusk of democracy and wage an insurrection against the doubt of plodding limitations in otherwise immaculate sight

*** and tyrannosaurus rex, of litigable offenses leading to pardonable arrests, the gated entryway of a poetic splurge leads to the demiurge of a demotic enlightenment and suddenly the frank becomes the frazzled retirement and that haunting hounding bunny transmogrified by a shattered eye averts the car crash that careens ponderous engines out of limitless twilight blue skies.

Diamond lightning in pristine skies escorts the telegraphic totems of riddled modems from 1967 to 2016 and suddenly all venerable personages converge on a teeming scene of a union unified by a universal dream. To become everything and yet nothing and out of light and darkness to become a beatific beam

My baby moves in jumps and flutters inside me,
like the barn swallows that make nests
of dirt and twigs outside the restaurant.
Yesterday they disappeared
and I learned that a maintenance man came and hosed them down.  
Tragic, he said.
But necessary.  
Too much bird ****.  
When I got pregnant
it felt like waking up at the top of a roller coaster.
And then an engagement.  
Somehow
this is how my life is going
and somehow it does not feel like cliche.
Ask as many what-ifs as you want
but there is just a single trajectory.
Even though you have to fall asleep one day
before waking in the next.
Moving through concentric circles and trying to find the center.
Biology is happening
in a part of me that I am still getting to know.  
Kaleidoscoping.
She was once the size of a grape
but now I read she can blink her eyelids.
She is also not like the barn swallows.

My father painted his dairy barn yellow
Maybe because he found some bargain paint
Then came along the inspector fellow
With his clipboard, and he said that yellow ain’t

Legal, that dairy barn paint had to be white
My father had The Book, and from it he read
That a dairy barn’s color only had to be light
“Well, I’ll find something else,” the inspector said

He found a fly speck on an old cow bell -
May Texas milk inspectors just go to (Newark)

It's like those great John Ford movies,
The door frame opening to endless sky.
You know, like the one in "The Seekers,"
Except in this case, you're on the outside.

The field is swept with wind, the sky pristine,
And the barn roof?  Why it's covered in snow.
Weird, but brilliant in the afternoon light.
The door is ajar.  Hello.

So you step past the threshold to the smell,
A mixture of hay, dung, sweat and aged leather.
The walls are blanketed in tools.
Hand saws, hammers, the occasional piece of rope.

In the center sits a rusting John Deer.
With a blown front tire, and an oil can next to it.
Inexplicably, in the corner, beneath a working Coke machine,
A little girl sings to herself.

Wait, we are not over yet.
Up in the rafters, there he is, that grey barn owl.
Look! He twists his neck at the sound and blinks.
He sees everything.

I am stepping backwards now.
Out of the picture frame and into the kitchen.
I  think I need to get out of these snowy clothes,
And into something more comfortable.

the stray
kittens
meeting
at the
red barn
rolling on
***** of
green and
purple yarn
pouncing on
the tapioca
scent of
a catnip
moon

I ain't goin' back to Maggie's farm no more
To thatch that old black barn
Already done it twice
Done that thing most my life
Someone else's turn now for sure

Ain't gonna work for Maggie's brother don't you see
He'll not be using me
Bought his wife an Aston Martin
For turning forty three
He couldn't even bother  
To make a cup of tea

It all seems so appealing
When you're young and fit
Thirty five years later
Feel I've done my bit

Been a faithful servant
Couldn't ask for more
Now I'm looking forward
To the final straw

Eternal consciousness
in the Void
(makes trial & jail seem almost
friendly)

a Kiss in the Storm

(Madman at the wheel
gun at the neck
space populous & arching
coolly)

A barn
a cabin attic

Your own face
stationary
in the mirrored window

fear of restroom’s
Tragic cold
neon

I’m freezing

animals
dead

white wings of
rabbits

grey velvet deer

The Canyon

The car a craft
in wretched
SPACE

Sudden movements

& your past
to warm you
in Spiritless
Night

The Lonely HWY
Cold hiker

Afraid of Wolves
& his own
Shadow
~~~

The Wolf,
who lives under the rock
has invited me
to drink of his cool
Water.
Not to splash or bathe
But leave the sun
& know the dead desert
night
& the cold men
who play there.
~~~

a ha
Come on, now
luring the Traveller
Mighty Voyager
Curious, into its dark womb
The graves grinning
Indians of night
The eyes of night
Westward luring
into the brothel, into the blood bath
into the Dream
The dark Dream of conquest
& Voyage
into night, Westward into Night

"Farewell to barn and stack and tree,
Farewell to Severn shore.
Terence, look your last at me,
For I come home no more.

"The sun burns on the half-mown hill,
By now the blood is dried;
And Maurice amongst the hay lies still
And my knife is in his side.

"My mother thinks us long away;
'Tis time the field were mown.
She had two sons at rising day,
To-night she'll be alone.

"And here's a ****** hand to shake,
And oh, man, here's good-bye;
We'll sweat no more on scythe and rake,
My ****** hands and I.

"I wish you strength to bring you pride,
And a love to keep you clean,
And I wish you luck, come Lammastide,
At racing on the green.

"Long for me the rick will wait,
And long will wait the fold,
And long will stand the empty plate,
And dinner will be cold."

I flip through the pictures some are so great
some are just dull and need to be thrown away
The ones that make me smile are of friends
they are not just any friends
They will love you
And support you
always tell the truth no matter how much it hurts
We have different personalities
and we see the good in everyone
With Macy the one who is always there
is not afraid to say what she thinks
With Grace and her Pride so perfect not to stretched
Without her life wouldn't be so far fetched
With Emma and her energy so crazy and wild
The barn is always dull without that child
With morgan and her loyalty thats incredibly fierce
She will laugh and cry with you
What I am trying to say is we have been through so much
we have stayed with each other and comforted each other
through too thick and very thin
Where friends leave us sobbing I will i will always know i will have you.
When i think of you guys you make me smile
I would die for you really
Because I've got your back Just as you've got mine
So while i bring this poem to an end i have one thing to say
after all the friends that have dissapointed me
I don't trust easily
I know i will trust you when i trust know one else
We will go from thick and thin and who knows what else........

The blushing barn barks
With bleeded hues
Gutted girders
The once held the strict structure
Now hold hollow hidey holes
For all the remaining vermin
While the festering flesh
Of the butchered beasts
Burn the sinuses of strangers
Who walk through the burnt broken building

Prohibition came, but not to Whiskey Hill.
A man has got to eat; a drunk must have his fill.

Old Abner dug a basement before fall
Beneath the milking barn at night;
Dug down and mortared up a wall;
Bought copper sheets and hammer-fit 'em tight,
Disguised his vent holes in the stall
By countersinking posts to keep them out of sight.
Set down a trapdoor and a sturdy stair,
Strawed the lot and penned up his old mare.

In all he did, he didn't tell his wife a thing;
He reasoned there was money to be made...
More than the crops would ever bring,
More than the eggs the chickens laid,
He'd be enriched by moonshine in the spring.

He learned to ferment mash from an old book,
Soaked down a bag of corn and let it sprout,
Waited twelve full days before he took a look,
Cracked kernels, poured on water, boiling hot,
Then pitched the yeast and left his hidden nook,
And all the while kept his mouth shut;

Seven days and Sunday passing by,
Old Ab could wait no more;
Ate supper quick and told his wife
He'd one more feeding chore...
Stole to the barn and shoo'ed the mare aside,
Pulled up the vent posts from the floor,
Climbed down and lit a fire inside
Beneath the still to let the vapors soar.

A thrill began as drops began to fill the jug;
The fore-shot blended in as Ab forgot
That methanol would poison off the slug,
So when a shot he took, his breathing stopped.

Above, impatient Molly stamped, then paced
Hungrily in her pen, shoved to reach her hay
And dropped the standards in their place,
Plugged tight the vents, above where Abner lay.

When Hildy woke, her husband still was out;
She walked down to the barn, no sign to see;
And thought it odd the horse was out...
The cattle lowing hungrily for feed.

The sheriff came to have a look;
No luck had he,
Old Hildy sold the place and moved away.
Where she went and how remains a mystery.
A cousin bought the place: house and barn and still (unseen).
His sons, exploring, found old Abner in the spring
Beneath the horse's paddock where he lay.

An old barn shrill with crickets' trill
(we snuck away to meet like spies)
tomatoes on the windowsill
(the car was hot against my thighs)
clover growing through the floor
(there was little time to spare)
summer here had grown indoors
(your hands were strong, and everywhere).

The barn is burning
The race-track is over
Farmers run out w/
buckets of water
The horse flesh is burning
They’re kicking the stalls
(panic in a horse’s eye
That can spread & fill
an entire sky.)

The clouds flow by
& tell a story

about the lightning bolt & the mast
on the steeple

Some people have a hard time
describing sailors to the
undernourished.

The decks are starving
Time to throw the cargo over

Now down & the high-sailing
fluttering of smiles on the air
w/its cool night time disturbance

Tropic corridor
Tropic Treasure

What got us this far to this
mild equator

Now we need something
& someone new
when all else fails
we can whip the horse’s eyes
& make them cry
& sleep
~~~

France is 1st, Nogales round-up
Cross over the border-
land of eternal adolescence
quality of despair unmatched
anywhere on the perimeter
Message from the outskirts
calling us home
This is the private space of a
new order. We need saviors
To help us survive the journey.
Now who will come
Now hear this
We have started the crossing
Who knows? it may end badly

The actors are assembled;
immediately they become
enchanted
I, for one, am in ecstasy
enthralled.
Can I convince you to smile?

No wise men now.
Each on his own
grab your daughter & run
~~~

“Oh God, she cried
I never knew what
it meant to be real
I thought all this was a joke,
I never let the horror, or
the sweetness & the dignity
penetrate my brain”

“Let me up to see
the window. Dark Riders
pass in the sunset
coming home from
raiding parties.
The taverns will be
full of laughter, wine,
& later dancing, later
dangerous knife throws.

Antonio will be there
& that *****, Blue Lady
playing cards w/silver
decks & smiling at the night,
& full glasses held aloft
& spilled to the moon.
I’m sad, so full of sadness”
~~~

She’s selling news in the market
Time in the hall
The girls of the factory
Rolling cigars
They haven’t invented musak yet
So I read to them
From The BOOK OF DAYS
a horror story from the Gothic age
a gruesome romance
From the LA
Plague.

I have a vision of America
Seen from the air
28,000 ft. & going fast

A one-armed man in a Texas
parking labyrinth
A burnt tree like a giant primeval bird
in an empty lot in Fresno
Miles & miles of hotel corridors
& elevators, filled w/ citizens

Motel Money ****** Madness
Change the mood from glad to sadness

play the ghost song baby
~~~

a young woman, bound silently, on
a hostpital table, obviously pregnant,
is gutted & rifled of her empire

objects of oblivion
~~~

Drugs *** drunkenness battle
return to the water-world
Sea-belly
Mother of man
Monstrous sleep-waking gentle swarming
atomic world
Anomic in social life

how can we hate or love or judge
in the sea-swarm world of atoms
All one, one All
How can we play or not play
How can we put one foot before us
or revolutionize or write
~~~

Does the house burn? So be it.
The World, a film which men devise.
Smoke drifts thru these chambers
Murders occur in a bedroom.
Mummers chant, birds hush & coo.
Will this do?
Take Two.
~~~

each day is a drive thru history

A farmer, a diligent worker, I am.
Passed down the same employment
The same land, generation to generation
This field has never grown the best crops
But always enough to scrape by
It has always been, to the naked eye,
Filled with weeds
But I labor all day, sometimes in the blaring heat
Pulling weeds and caring for each precious plant
For not being one more **** I have to pick.
Some weeds are deep-rooted and will not pull
And I pass them by
Acres and acres of land with weeds
Harbored off into sections
Singly alone, it takes weeks
To rid one of weeds and then harvest
But the little money I gain back from that
I cherish that much core.
A farmer from generations and generations of diligent workers am I
And this is my story.

As I was working in my field one day a man came up to me
He had a clean pressed black suit
And hundred dollar sunglasses
Well dressed for business.
He asked me, "Why do you work so long and hard with pulling deep-rooted weeds when you hardly get any pay?"
I explained my family's field of generations and generations.
It never gets any better, but hey, it never gets any worse.
I could feel him looking down upon my labor in my family's field of generation after generation
He said to me, "A pretty lady such as yourself should not be working in such heat."
This man, he told me of his fields back home.
He had cows, even. Chickens and horses.
"The finest of the finest," he assured me, "bred from rare and royal breeds."
He told me of a home where I would be cool and looked after and no longer would have to
"scratch such pretty hands working in such a lowdown field."
Well this business man in his clean pressed black suit
And his hundred dollar sunglasses,
He took my hand, looked me in the eyes
and tenderly said,
"It doesn't have to be this way.
Come with me, I will show you."
And I followed him to his red corvette
And we drove into the sunset
On passed the moon
And when we arrived
It was as splendid as he had said.
Fields and fields of green
"All of this is yours," he said, "just stay with me."

And for days I was cared for by him
I spent my time in the cool house
Both of us together
He rarely left, but when he did it was to harvest the field
It had few **** that he didn't bother pulling
Or to feed and care for the prized chickens, horses, cows.
Or to cash the money the fields had earned
Always giving me
Much more than I needed.
He massaged my back and sang me songs
And told me I would never have to worry about anymore weeds for the rest of my life
Let him do all the worrying.
And I did.
And all was well.

That night I awoke with an itch in my throat
That itch turned to a cough and I fully opened my lids
To a thick grey haze that turned at the soft flesh of my eyes
I coughed again and again to sit up and look around the smoke-filled room.
I crawled my way out of my silk-sheeted bed in my silk nightgown and tried to call out
But nothing but tears came from my eyes
I felt my way to the door, touching my money on the dresser and I pocketed it.
I struggled though the flames and the heat of the smoke.
My vision blurry, head light, lungs shriveling, eyes burning, feet cut and scraped from broken glass upon the floor
And as I finally mad my way to the front door
My hand passed over a note taped to the wall in the entry way.
I pocketed this as well.
I rushed out into the cold night air that felt free from the heat of the thick haze
I blinked away the tears in my eyes, took a few breath and cleared the dizziness
I pulled out the note and it read:
"If you survive, I want you to know: I'm sorry."
I continued to cough.
And I didn't bother to blink away these tears.

The police arrived a few hours later.
The house and barn and field burned down,
They were still able to identify the cause:
There was a storm that night and lightening had struck
A tall **** near the edge of the field
By the barn
This **** was big, tall, and deep-rooted.
No one had bothered to pull it.
The barn caught fire first and all the finest of the finest chickens and horses and cows bred from rare and royal breeds
Were laid to wast,
Bones found in the ashes.
The field and home burned at the same rate,
No bones found in the ashes.
And the man dressed for business
In his clean-pressed black suit
And his hundred dollar sunglasses
Was no where to be found.
The police said they would do their best to find him
But I knew they wouldn't do either.

I ran back home in the chill of the night that had once seemed comforting
It bit at my toes and my ears and the tears on my cheeks
It numbed everything else that the protection the silk offered
My rubbed-soft feet found it hard to run more than a mild in the cold dirt and rough rocks
But they ran back past the moon and out of the sunrise,
Coarse and calloused by the time they reached the old farm.
There were now more weeds than ever and my hands had run smooth from not a days work, not a **** pulled so long
And I removed the burnt, torn, frozen silk and bought new sturdy working clothes with the money I pocketed
I looked out upon the old abandoned field of generations and generations of my mothers
And I prepared for the fresh open wounds I would have by the ned of this day
Determined to make this field as beautiful as it once had been I grabbed the base
Of the first **** at my feet.
And pulled.

Working your way out of ionic ******* can be
seriously interesting however, it can also be
lugubrious.

I was standing in the aisle at Bulk Barn.
low on neutrinos, I was looking to stock up
I like to sprinkle them on my cereal in the morning

I then made my way down the anti-photon aisle
if you like your coffee black and not sweet, as I do
this is almost as good as other alternatives

I did realize that
my electron supply was fine
but thought I'd get some anyway
just for the ion-y

I don't understand the economics of this transaction
but it is apparent the invisible hand does

When the clerk looked in my basket
I was waved through

Vivid red barn juxtaposed against a green pumpkin field.
Cloudless sky with bright sun hurt my eyes.
Starkness of the scene burnt into my mind.
Beautiful!
Time passes.
Sun lowers in the sky with fat orange orbs all around.
Bright reds, yellows and orange ornate the trees.
Hayride swinging through.
Artist easel in the field.
A painting just waiting to be alive.
Sun lowers still.
Winter, snow deep, cold white drifting toward the barn, glistening.
Snow Hare tracks everywhere. Black crows in the sky warning out their calls.
Mud season, sun moves higher in the sky banishing the white until next year.
Sun, still on the move.
New baby green in the field reappears.
Cycle continues year after year