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Maggie Emmett Jul 2015
PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery hell;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi
This poem is part of a longer poem called Seasons of Terror. This poem was performed at the University of Adelaide, Bonython Hall as a community event. The poem was read by local poets, broadcasters, personalities and politicians from the South Australia Parliament and a Federal MP & Senator. The State Premier was represented by the Hon. Michael Atkinson, who spoke about the role of the Emergency services in our society. The Chiefs of Police, Fire and Ambulence; all religious and community organisations' senior reprasentatives; the First Secretary of the British High Commission and the general public were present. It was recorded by Radio Adelaide and broadcast live as well as coverage from Channel 7 TV News. The Queen,Tony Blair, Australian Governor General and many other public dignitaries sent messages of support for the work being read. A string quartet and a solo flautist also played at this event.
Vicki Kralapp Aug 2018
Within a world of azure blue,
the mantas glide with angel wings,
and fly on winds of ocean waves,
inside their realm of mystery.

Like ancient beings from the deep,
they flash and shimmer in our light,
with other-worldly mammoth forms;
cephalic fins and flattened frames.

These gentle giants of the night,
draw fishes from the briny deep,
their vivid forms flash to and fro,
feed on the banquet of the sea.

They dance balletic in our lights;
exquisite, rings and summersaults,
with bubbles lit to guide their path,
they glide just past our mortal reach.

These stunning marvels of the deep,
are but a finite sampling,
of what our planet offers up,
far past our wild imaginings.
All poems are copy written and sole property of Vicki Kralapp.
Coleen Mzarriz May 2021
Time passes by like a whistle in the wind. Ignored and only observed within the thickness of one's skin. The once gnawing temptation in Lula's eyes were now exchanged in kaput like a dead black swan in the lake.

It grew on her and she can only justify it by moving her legs back in forth and forward with her ballet shoes; she can only obtain her physical through the applause of everyone around her. Yet, there were trickles of blood forming inside her internal wound — as the piano strikes another note in A minor, she can only whisk in pain and undone drafts in her head. "Tis will be over", she raises her head upon the crowds heaping in excitement, she turned around and flew her wings upright and the heads of the audience once more clapped in vain and delirium nonsensical pleasure.

As Chopin's symphony were almost in the last note, she stood straight and made her way to the middle. There, she locked eyes with her forbidden lover and a small smile throughout. The intensity of another Vivaldi's winter classic can be grasp once more and another set up of white swans gathered together — formed a circle and she went in the middle. Her eyes turned black and her wings bleed another tint of jet black and crimson. The crowds awed in reverence and she soared above them. A starlet in the headless crowds and dreary sweet rustle of voices gave her another bliss.

And while she was served aloft, there were another macabre symphony that plays through the soft rough piano; it was a solemn prayer and they were the kind souls going up to the heavens.

"Go on, Salem. Play the winter magic," Salem could only look at his muse and he strike another note, passing notes two steps from their 'haven'.

Lula slowly ripped her wings for the last time and smiled to all the headless men. Her satin dress reveals her plumpy chest and an hourglass body. Lula is a goddess black swan. Men could only forward their eyes and threw her pennies once more and she could only move in her balletic conventional pose. For the last time, she flew with her black tinted wings and they were all beheaded.

The white swans began to sing in a solemn outcry until it became too remorseful. The white swans turned their heads down when they met Lula's dead eyes. Her laugh echoing the whole stadium with its own persona and it is like crawling down into waltz where it reaches their earshot. They can only sing in albeit and expensive heads started to explode.

"Two steps from hell," she sings.
You can listen to, 'Salem's Secret' by Peter Gundry. This is where my inspiration came from.
Homunculus Jan 2019
The temperature has been in the low single digits since the early morning hours. As I venture outside, everything is gray and lifeless. The brightest and most vibrant objects in this glum portrait of a day are the snowflakes. They dance; they flicker; they undulate, glistening midair in balletic flourishes, descending hesitantly to the ground, and then scattering back into the winds as they land. One of nature's cryptic metaphors? Perhaps, but who's to say? As my eyes take stock of the world around me, I find that I am surrounded on all sides by death and decay. Time has stripped the deciduous trees of their once vibrant autumn leaves, which have long since abandoned the branches to be raked up and wither into mulch. Juxtaposed against these, every block or so, are the evergreens, which seem at once to mock proudly their barren counterparts, and also to weep quietly in sullen isolation. The sod has become a hazy yellow which resembles straw, brittle in texture, and browning toward the roots. Within this morbid scenery, I understand that in only a few hours, I could just as easily succumb to the forces of nature which brought it about and become but another mere instance of it. A true illustration of the philosophical doctrine of sublimity. As soon as the sting of the cold makes contact with the skin, the brain kicks into survival mode. “I must escape this.” Nothing could possibly be more important. The leisure with which the homeward journey is usually pursued is completely abandoned. Only urgency remains:

        GET IN CAR
MAKE ROUNDS
STOP AT SIGN
“YOU'RE STOPPING, TOO?
        “TOO BAD; TOO SLOW;
        “TOO. *******. COLD.
        “I. GO. FIRST.

“HEATER'S NOT WORKING??!?!?!”
BANG ON DASHBOARD LIKE CHILD MID-TANTRUM
“HEATER IS WORKING?!?!?!?!”
HANDS IN FRONT OF WARM VENTS
“WINTER'S FORBIDDEN FRUIT!!!!!!!!”
“****, NOW IT'S COLD AGAIN?!?!?!
        “TURN. THE VENTS. OFF.”
“WHY EVEN HAVE A HEATER
        “IF IT ONLY WORKS FOR 30 SEC-”
WHY ARE YOU STOPPING?!?!?!
             THE ******* LIGHT IS
             GREEEEEENNNNNN!!!!!!!!!!!!!!!!

LOOK OVER LEFT SHOULDER
“NOPE, I'LL DIE:
“NOPE, I'LL DIE:
“NOPE, I'LL DIE:
“NOPE... WAIT, THERE'S MY IN!!!!!!
“FINALLY, A STRAIGHTAWAY!!!!!!”

“THE SNOW'S NOT STICKING,
I CAN GO FASTER THAN THIS. NO COP WOULD DARE PULL ME OVER IN THIS ****...

Well, maybe a sadomasochist on some “sir, please step out of the car” type ****, but I don't see one, anyhow.”

Okay, getting closer now. Can almost feel the loving protection of the stately brick walls, the roaring furnace, the tenacious water heater. Just another mile...
Up the hill- left turn- right turn- pull up- park. “Oh boy, here we go again”
*Rigorously examine pockets and center console to be sure nothing is accidentally left behind

Car door opens
“RUNNNNNNNNNNNNNNNNNNNNN!!!!!!!!!!!!!!!!!!!!!!!!!!!!!”

­       I reach the door, shivering like a frightened Chihuahua, hands palsied with cold as I fumble desperately for my key and struggle in the darkness to find the lock. “Click” GOT IT!!!!!!! I turn the key and push the door, but experience resistance due to the towel placed underneath to prevent the draft from coming in. I heave with all my weight and the door budges as I violently stagger into my humble domicile. I make my way into my room to find my cats sleeping intently on my bed. One of them looks up at me like “What's your deal?” Oh, Dante, if only you knew.
I've been reading a lot of Pynchon lately. I like the sort of stream of consciousness prose he launches into sometimes, and decided to tinker with it in my daily writing practice.
Also...
I imported this from my word processor, and the HP algo ****** the entire original formatting up; so I hope you'll forgive some of the aesthetic deficiencies.
Brent Kincaid Aug 2015
He always wanted to be a ballerina
To dance so dainty up on his toes.
But everyone could see under his tutu
And the bump they saw was not his nose.
He had the talent and the perfect figure
To perform the balletic steps just right.
There was no way he could ever manage
To keep that ample package out of sight.

Jete, jete. Plie, Plie.
Dance like that’s all you want to do.
Dancing straight, or dancing gay,
Do whatever is right for you.
Hands and toes pointed fine
Back and necks held straight.
Maybe it’s not your time to get picked.
But make it worth their wait.

His skin was smooth just like a swaddling baby
There was no concern about flat *******.
Many ballerinas are rather mannish
With not much curvature to their chests.
So he could pass completely undetected
Androgyny was his great good friend
But any moment when he swirled about
Tutu would lift and then spell the spell would end.

Jete, jete. Plie, Plie.
Dance like that’s all you want to do.
Dancing straight, or dancing gay,
Do whatever is right for you.
Hands and toes pointed fine
Back and necks held straight.
Maybe it’s not your time to get picked.
But make it worth their wait.

He never really loved the danseur posture
The holds and lifts and hearty leaps about.
But in the world of ballet and its leaders
Ballerina guys are always left out.
Still he danced in tutu at auditions.
He heard the comments, paid them no mind.
If they could not see grandly male Pavlova
That meant that all of them were blind.

Jete, jete. Plie, Plie.
Dance like that’s all you want to do.
Dancing straight, or dancing gay,
Do whatever is right for you.
Hands and toes pointed fine
Back and necks held straight.
Maybe it’s not your time to get picked.
But make it worth their wait.
Ronald Jones Dec 2016
Awesome animal
Magician with your amazing sleight of neck tricks
Coat of tawny spots a perfect artist painted
Your wondrous balletic grace lends mystery and eyeful daze
as we look up to you with inexpressible sorrow
aware that one day you might vanish from our smitten sight
Giraffes are on the endangered species list.
Nigel Morgan Oct 2012
It is that time before bed
When the day says stop
But still there are things to do
 
As talk and chat winds down
We give our attention
To the News and Weather
 
As couples do before bed
Before the sorting of cats
Locking the doors
 
Before going upstairs
To brush teeth and
Peek at the children
 
(Oh the way the heart’s
love leaps as
the landing-light falls
 
on those dear faces -
sleep gathering in
what the day has grown)
_______
 
Now the promise
Of bed’s lamplight
The click of the switch
 
And the slow radiance
Of the low-energy bulb
Spreading across pillows
 
Into the shadows where
As I lie in bed and melt
you remove your clothes
 
Such careful unbuttoning
before the limbs’ balletic
Moves in sequence
 
Pull-up draw-down
Shed-off  un-hook
Drop fold pile place
 
A jigsaw of curved forms
coming together
in a dance of shadows
 
And now the final gesture
When if naked or not you
Stoop to pull the cover back
 
In exquisite shudder
Your *******
Fall and sway
 
As the smooth fruit
Of your beauty’s
Tree is revealed
Timothy H Dec 2015
early nightfall in the canyon
a bat's balletic swoop
complements the alpine tribu-
tary, it's gentle loop

hi! I see you ursa major
you too are part of this--
the lull, the beat, the spell, the sleep
now with a goodnight kiss
Deniece Long Sep 2016
dark skies come to life
ballerinas in the sky
dance in the moonlight
Brad Lambert Dec 2013
Such is the sound–
These hearts are a'breakin'.

Snap.

Only I know that crink in my neck–
that sprainin' a'joints grinding 'gainst disks.
I know how the cold creeks do get in October,
sheets and slabs, it's wet in October.
Listen to those frost-ridden reams underfoot!

Snap.

Cold conversing, I said, "A'hush off. . . Now, now. . . smirk'd, yea-sayin' open an ear–"
Listen to that shard, to them shimmerin' sheets of ice underfoot: Snap.
You'd think them finger-snappin's was some jazz! Jam! Jubilate! Just do it again.
I want an iced, ambient encore; chilled to the bone-core, I grab that glarin' a'glistenin' glass.
The median is near the middle, give that shard a shove, I want to hear it again–

Snap.

That's my kick, my wake-me-not whistle borne of creekwater:
That single soundin' o'shatterin' of sharded sheets,
two halves of a once-whole gripped,
glistenin' a glass singin' as it snaps:

I, ice, do hiss!
Listen: it's in the hiss, man!
And my snaps sound ballistic
when I break, balletic, in two!


'Twas a hiss indeed.
that ice does as electricity:

O' it does cry when it cracks,
it does fizzle as it fragments,
it does spark as it splits,
it does bend light between bubbles,
it does melt in my midst,
things do get wet in October.
O' it was by the creek that I told her:

"Such is the sound of two hearts a'breakin'–
'Tis only ice underfoot."
the acorns tumble, the dried leaves slip slowly sideways,
each a slow motion death, almost balletic, or acrobatic,
the decedents, like bodies on the Field of Hastings, their
skeletons to be consumed by a history ******* earthy soil

this more than any thing, as much as covid deaths of known
older brothers more than the messages on the answering
machine from robotic nurses and truly concerned doctors,
impatiently waiting to discuss test results with still alive patients

four lines in each stanza was unplanned like sets of decades,
that the man’s life can be retrospectively be divisibly assayed,
each titled, consistent of games and sets, until the last match
not on center court, is finale tie-broken, the faults too numerous

he writes this unshaken, but stirred, for the hours spent observing,
of each trajectory of every fallen leaf is distinctly connected to losses,
oh! how the losses multiplied; loves, children, unspoken words of
affection and forgiveness, mounted, moats, barriers to fulfillment,

a lawn of dead shriveled things, mounting, dear mother of god, all

préludes that hasten(ed) the shedding of lives every August!
Isadora Elmira Dec 2013
I was driving on the highway
at a skipping 70.
Singing along to 80’s top 10
phrases like“everybreath you take” and “total eclipse of the heart”
splurged off my tongue.
Waving out the last ember of my cigarette
like a star in a constellation

            I was drivin' back home after a
            10 hour flight and 1 week business trip.
            2 hours of sleep were guarded under my seat belt.
            The windows were down, the air conditioner was blastin'
            I was brakin' all the stops to stay awake
            Come on! my ****** eyelids wouldn’t stay open
            they kept slidin' closed as if 100 pound weights were clipped onto my eyelashes
            like those freaks in the Guinness world record--
            or something---
            focus.....focus.... slurred off my tongue as red carlights blurred
            and danced to a balletic symphony of speed.
                      

                        The Choreographed Cars All In Spaced Lines
                                               Flashed By
                        A Black Ranger Extended His Hand To a
                                                  Toyota
                        Dance with me?
                        The processed metals leaned close to
                        One another
                        Twirling their wheelings on the ground
                        Pirouetting
                        Other cars joined in
                        Tumbling on top of each other
                        Glass showered upon them like flower petals.

My cigarette was jammed into the dashboard
and the sirens of melodic ambulances
            were in my ears.
Simon Soane May 2016
Being a weekend binge drinker I don’t really like Mondays
my poor fragile mind is in a alcohol daze,
my limbs are slow and heavy, each movement is a trial
I feel like I’ve ran a marathon after swimming the length of The Nile,
I lop around all zombiefied my legs are full of lead
my eyes are groaning loudly, like an extra from The Walking Dead,
I’m on the verge of snoozing, I do that sleepy involuntary ****,
I pinch myself real hard “Si you have to stay awake in work!”.
So I take a trip to the disabled toilet and have a nap on the ceramic floor,
hoping I’ll feel much better after this tad of a tiny snore,
I rouse after ten minutes and decide to control this ***** ridden strife,
I must get a grip soon, I want a grasp on this Monday life,
a light bulb pings out of nowhere to brighten my maudlin mood,
this sweet recovery will be engendered by lots scrumptious of food,
so I indulge in a savoury overload and gorge on toast and crisps;
Discos, Hula Hoops, Quavers and defo tons of Frisps,
on my dinner I scoff a Mac Donalds and then a Greg’s sausage roll,
this hungry Homer gluttony helps to sustain my whole,
the calorific sustenance does it’s job and my hangover starts to diminish,
I gaze at the computer’s clock and think “hey it’s time I finished!”.
I ponder “ohh I can glide home knowing my day is done
and if it stays sweet and bright I can enjoy a few hours in the sun,
after that I can watch Breaking Bad and catch up with Coronation Street
while busting out the texts and having more to eat,
yeah I’m see what Walter White’s up to while being really greedy,
wait a ******* minute, tonight’s when I’ve said I’d help the needy!
*******, **** **** **** ****, that’s my evening of chilling down the spout,
rather than a hammock night in I’ve got to venture out
and feed a load of ungrateful gits who don’t even clear their plates
and ask me if I’m a cross dresser while sniggering with their mates,
rather then see if Jesse gets caught by Hank and how the story unfolds
I’ll have to scrub those scrubbers dishes pristine while wearing marigolds,
as oppose to nodding off reading with a Rustlers under my front room lamp
I’ll have to put a load of cutlery away after making a 20 sugar brew for a *****!"
So I decide the Wellspring is off tonight as I really can’t be assed going
I’ll just graft extra hard for *** next week and keep the drinks a flowing,
so I’m just about to pick my phone up and call in with a excuse that’s pretty lamey
but then I realise if I don’t go I won’t get to see Amy!
Suddenly there is a spring in my step, my motion feels on point
I shower very quickly and post drying roll a joint,
I have a zip in my posture as I sail and blaze down the road
all my thoughts of staying in they instantly erode,
I think “Amy is ace and topper, in her company all is fun
she’d make a day of gloom resplendent with the sun,
her chirping silly noises are always brill in the air
she turns my giggles to def com one, I laugh without a care,
I mean I know I'm hilarious, I can feel my own strengths in my head and tummy
but when I'm with Amy I'm even more funny!  
She makes it all sunny!
Cos we can berate that gormless Declan who eats with the speed of a cheetah
say he's troffing all the time, like a professional eater,
we can spray a bit of water, have a lot of chat
teleport through nonsense with the free degree of claptrap,
chill around the washer where all the cool kids hang
kicking back like Gs, knowing all the slang,
flick a fleck of sausage then have a speaking swirl
flex the talking muscles with sweet balletic twirl.
I mean she's not perfect, she could improve her lot
she's pretty immodest, always going on about how she's so hot,
alright supermodel, calm down, yeah, okay you were blessed with good looks
be you know being arrogant really ******* *****.
And she don't like the ***** cats, her brain must have a feline blur
how can she not warm to their whiskers and their contented little purrs,
her eyes sometimes don't always work and she is optically infirm
and she steals pies from the scrotes, she don't know to wait her turn,
she'd stab you in the back for a go at the counter, she's always trying to grab the lead,
and added to all that she can't even ******* read!
(I'm surprised you can read this actually.)
But i'll overlook these foibles, her flaws aren't yet that drastic
she has to merge some yang in there to be so yin fantastic!
Ahh, in this life where what was can no longer leave a reflection
it's always super to feel the natural flow of connection;
glowing with simplicity
our joyous synchronicity!"
So i approach the door of The Wellspring and feel sweet and glad
and think, "you know for a Monday you aint turned out too bad!".
Tad of context, Wellspring is a homeless shelter place I work at, obvs I don't really think they are all tramps, just fun for the lols of the poem!
Joseph S Pete Apr 2019
Long lines at midnight, breathless hype,
shiny sheen, the high gloss of marketing,
cosplay and balletic spoiler avoidance,
slammed multiplexes, overloaded ticket sites,
Croesus-like CGI kissing earnest steady-cam shots,
fan service, callbacks, countless punches.

Childhood idols fleshed out
on the grandeur of the silver screen,
writers room noodling netting billions
long after all the shaggy boho creatives
that originated it all were lowered
into the loamy maw of anonymous grave plots.

There's a degree of validation for the pasty
and hopeless, the low and lowdown
in watching a distinguished professional legend
pretending to be Bartoc the frickin Leaper
as though it's not silly, as though all
your idle moments, all your random diversions
really matter in the end, as though it all ties up
with a master-planned through-line of purpose,

as though it all mattered when you avidly read
about Iron Man, Hercules and Giant Man punching
out the red-shirt Skrulls (or was it the Krees?) on some spaceship
for a few minutes back at your grandmother's house
back before she was dead, before you were consumed
with the caustic sting of bitterness and bile, all the
accrued weight of a life generally but pleasantly wasted.
Simon Soane Dec 2016
Thankfully there are many days of the year I adore
that are gilded with flight and resplendent with soar,
even in the midst of supposed bleak mid winter frown
they’ll be a jive and a boogie at a dance in Town,
where it’s far from chilly in a huggy warming soothe
and all is fine in a January’s groove.
Any day in March could prove to be ace
with the appear of a friendly face,
as then chatting swirls with balletic gymnastic,
our rhetoric full of the pirouette of fantastic,
what was just another night of the 365
becomes made with the joy of being alive.
Spring usually blossoms with a sure run,
the unfurl of gentle, the know of hotter sun,
blooming naturally with the grace of the trequartista,
as well as the long weekend off for Easter.
Every morning gets brighter just a smidgen,
summer’s encroach feels fab to be lived in,
under verdant leaves clarities’s clear
and then tent is out because festival’s here;
“Hi my name’s Simon, what’s your name, how’s it going?”,
as music plays and vino is flowing,
“what you like Buffy too?  Ahh man it’s so great,
“yeah man it’s all about love and never leaving life too late!”.
And yeah when I get back I might be a comedown mess
but I love you festivals nevertheless!
Then September’s coming soon,
for fallen leaves the ground makes room,
what once was glistering in the green of the hour
curls to the gone of fading flower,
that’s okay though as that’s just the way it goes,
everything is transient, even great loves will someday part,
it all has an end, that amazing start,
it’s the bit in the middle that makes it serene,
the make of the moment believably supreme,
plus round the corner it’s Halloween;
where ghoulish attire can get “ohh, good call!” and a laugh
with a 31st deviation from the usual dress path.
Then in a few days booming lurks
in the here then disappear of fireworks,
as well, in November, there are frolics with friends
and those fireworks are yet to end.
Now as you can see all those other days of the year I marvel at their behest
but, if I had to say, I love you the best;
I start putting décor up in anticipation of your arrival
I feel festive butterflies begin to rise and spiral,
I get out the banners when I know you’re coming soon,
I throw tinsel all around my room,
as I want you to know that when you get here
my heart is full of splendid cheer,
you always make me smile with consummate ease
as welcome as July’s warming breeze;
as soon as my eyes open on your morning
I feel the effulgent skip of the dawning,
I rise to greet you with wide open arms,
“yeah, you got me, I fell for your charms!”,
every second with you is full of wondrous thrill,
you are top, you’re easily brill,
your magic tactility, the sing in your touch,
aww, I love you so much.
So yeah all the other days I don’t love you any less,
just you Christmas Day, you’re simply the best!
Nat Lipstadt Mar 11
“I write blurt by blurt, edit once, then post and send it out like a puppy”
that is learning to walk, impossible to walk straightly,
thank gawd for walls and laundry baskets and single sneakers
that obstacle us into trouble, opportunities always a near
but never fatal crashing,
and our whisking swishing tail is an ever
countervailing, counterbalancing
waving gesture of
“oops,
there we one goes from nearly, nearer, almost another
nearest disaster

that is the style of substance of how I write
headlong smashing, bouncing off walls,
regrouping spindly words into a balletic
clown show,
startling off in a new and unforeseen direction,
scrambling energy like three sunny side up eggs,
whistling and crackling and popping,
god, this writing stuff is **** tiring,
so much easier to respose,
chew there upon,
selectfully taste and spit~select
a single word,
picking the appropriate apropos,
taking a nap in between,
then
recommencing
blurting
blurts
of escapading words
that tumble out,
falling all around,
requiring reassembly like
an impossible-to-put-together
new toy,

anyway,
here for you to play with
for your sensory pleasure
is my latest greatest
blurt,
which rhymes with
dessert,
which I will imbibe
after eating all my

vegetables.
commenced 3/3/24
11:55am
Wellyn Dec 2019
I HATE IT.
I HATE THIS.
I HATE HIM WHOM I HAVE TO MOURN FOR.
I HATE IT. I HATE THIS.
I HATE THE WAY IN WHICH WICKED IS BAD.
I HATE IT. I HATE THIS.
I HATE PREFORMATIVITY.
I HATE MOST THAT I WRITE THIS.
I HATE IT. I HATE THIS.
I HATE THAT MY ICONS ARE DEAD.
I HATE IT. I HATE THIS.
I HATE THAT I’M BEGGING FOR MORE.
I HATE IT.  I HATE THIS.
I HATE THAT I HAVE TO CHOOSE.
I HATE, FOR WHAT I WAS DESTINED IS TAINTED.
I HATE IT. I HARE THIS.
I HATE THEM WHOM I HAVE TO MOURN FOR.
I HATE IT. I HATE THIS.
I HATE THAT I CAN’T GO BACK. BACK TO THE ZYGOTE, TO THE GRECIAN AGE, TO A LAND WITHOUT EARS.
I HATE IT. I HATE THIS.
I HATE HER WHOM I HAVE TO MOURN FOR.
I HATE IT. I HATE THIS.
I DON’T WANT TO BE WICKED.
I HATE IT. I HATE THIS.
I HATE XIR WHO I HAVE TO MOURN FOR.
I HATE IT. I HATE THIS.
I HATE THAT STEEPED IN PAIN I AM SUPPOSED TO TRANSFORM.
TO SHINE BRIGHT. TO DROWN AND SURVIVE.
I rise in wrath, sadness, regret. Balletic and vile, dipped in warmth. Lifeless, like milk teeth. Tar, sits vast beneath my feet.

I am all. All the ways that it hurts plus the beauty. Padded shoulders, green and purple.

I will never be complete.
Dancing beings underneath the evening stars, stretched out ionosphere, elastic, ecstatic. Paused yet stillmoving.

I am black, pointed. Free, stillinchains. A dripping matriarch. A reflection transcendent, moss-filled and fed up. Afraid.  

Stylish metalwork, animation and formlessness.Wilted and strong. Lilac, xir name.  

Protect these ribs from that strain.
The thoughts unexplained.
Protect the clothes never worn. And the freedom forgotten.
Protect me.
For I still hope to be forgotten.
All Joe king aside

Humor iz vital stove topface
component to survive the cares
and concerns oven uncertain
culinary future, that presages

over heating of this planet
concomitant with extinction
per the human race. Many
gauges point toward an
irrevocable debacle where

the evolutionary timer seems
to tick, head, and (hmm…
more like barreling) toward
becoming a cooked goose.

An ear splitting ruth less
buzzer will be an impossible
mission to clap quiet while
steam issues out the airwaves

from stymied paunchiest pilot
light buck kit brigade. If and/
or when such a fiery fate befalls
this arrogantly bombastic,

conceitedly egoistic, forlorn,
grievously hapless, irascibly
jangling, kookily middling
luddite, he hopes his demise

will be brutish, short and nasty
while surviving foreign legion
members of locked humanity
hob bull along the blitzed
boulevard of broken dreams.

Whatever provokes a maniacal
person to laugh as the world
turns tumultuously affecting
a surreal ambience akin to the
edge of night (especially with

dark shadows) may appear
wantonly vapid unspooling
threnodies sotto voce.
Rational quartermasters
promulgated outlandish no mans land.

Knowledge jackknifed ideal
humane gentility. Febrile earth
lings’ dragnet cleaved bona fide
actualization. What other option

available to tinker, tailor, soldier
spy except to chuckle at the folly
gingerly loosened upon the terra firmae?
Nothing short of an uproarious chortle

would be prescribed from doctor
demento to ameliorate the tightly
wound tension arising from local

or global aggression arising from
bullies calling their bluff fed goat
bluster, division by the zero
sum game of thrones. Thus,

this mechanically nonsensical,
pop sic cull *** purée to throw
fire retardant on the conflict frission
intonating loopy outré playfulness

with words hoop ping quadratic
equations totally add further
meaninglessness. Hence **** friend,
aye axe hew, how does humor get decided?

Laughter versus humor All Joe king aside.
Jest parody offers funny types of humor.
Seriously folks. What spurs this laughter?
Repression of natural mandated libidinal
kickstarter jammed in high gear feeds

e-z dropsy clodhoppers bursts of hyena
sounding eruptions! The cervical contractions
puffed up like jiffy pop laced pompadour,
increased with greater frequency and

intensity asthma due date approached
(which felt like violent shaking of the
biological ***** re: me), especially
prominent when “mother” gracefully
described Arabesque. She gravitated

to modus operandi sans professional
ballet dancer like a duck would drake
to water, and salve and duff heat whirled
pool ache kin to preparation H - soothing

the pain in the *** of hemorrhoids. Hours
elapsed with incessant stretching (while
in a standing pose) blithely drawing one leg
or the other up against those roseate ****** cheeks.

Even when quite progressed along
the family way with yours truly, thy
status while in utero where ******
stretched akin to a taut rubber band

near ready tubby (or knot tibia) snapped,
like ballet slippers suspending balanced
***** of toes pointed to maximum flexion,
or inflated balloon ready to pop beyond
capacity or, bulged in utero, she maintained

a fanatic, maniacal, and slavish veneration
asper the rigorous being a choreographed
top notch ballerina. This passion to bend
body electric defied laws of fig newton’s,

finagled parallel dimensions, and hugged
joie de vivre limbs maintaining nonchalant
passion recognized talent unbridled versatility
waiving youngest attaining burlesque,

Churrigueresque dramatic elegiac fluidity
transformed thine mama into a holographic,
kaleidoscopic, and opportunistic piquant
rondelet thru vitality, whimsicality, and zealotry.

Gracefulness hove spectators to behold defiance
asper flexibility of muscles in conjunction with
defiance of physics. Once immersed in a classical
routine, thee supple rubbery form assumed

by thine mother ******* focused klieg lights
upon wondrous kinetic magic. An audience
member vicariously experienced dalliance
of some mind-numbing narcotic minus
the addiction. Stupefaction trans fixed gaze

upon the dynamic parameters of space
and time to present an enchanting move
able feast replete with operatic poetry,
quixotic romanticism, and sculpturesque

statuesque totemic union verging on affects
cast by a singular whirling dervish. A
heightened indoctrination of jubilation
radiated from every cell of this artiste

in motion. Pirouettes cast grotesque dark
shadows and etched the faux edge of
night scenario with gigantesque ghoulish
phantasmagoric veterans of many tragic-

comic composers long since vetted into
the storied ballroom of fame. No surprise
then that when mine exit from the berth
canal of stage nom de plume Harriet Harris

witnessed by a full house, my denouement
propelled from the tender vittles tulip ruffled
private naughty bits induced balletic movements.
Meanwhile me mum (real name christened Chrys

Anne Thumb) busily intensely engrossed herself
(terrifically totally tubularly) within whose inter
twined arms and legs that emulated an analogy
to a pretzel held me snug as a bug in rug. A pause

(which many interpreted to initiate an applause)
sprung a contagion of hand clapping that drowned
out the impetus signifying the first breath of
this wordsmith. Only as the slap happy flesh

diminished did ardent hard fans of a triumphant
fancy feast and foot loose Gangnam style winged
goddess take stock of the starlit cradling a newborn.
Frightful faces and peculiar sounds appeared scary.

Thence spurred via submit able exertion climaxing
with a riveting acrobatic contortion (essentially
forcing this now grown baby boomer former chap -
lain cocooned for nine months within the womb),

thyself made headway into an alien world, whereat
this full term new born did provide his own wailing
lyrics (even at that tender infant hood, an iconoclastic
antiestablishmentarian). This now grown baby boomer

chap lain cocooned for nine months within the womb,
who sought nothing more nor less than that which
necessitates being swaddled, pampered, mollycoddled,
cuddled, bundled, and held close to the *****. As

grown middle-aged madman (albeit married to
X-Files rabid fan) still craves, desires, and gloms
toward picturesque pairs of pendulous pliant plump prized
politically incorrect breastworks.
The Widow Dec 2016
Emmett looked at me like that
the first to do so in the year + 2 months
since I debuted the scar
Our paths literally crossed -
I drew them later on a street map
with a big X where they eventually converged

- on the turn of the stairs
between floors 3 - 4 at the mall
, the way he ran from those cops
lithe economy of gesture
so balletic in flight
that I thought about how
his hips might interfere with me
before I bothered to look at his face.
I just wish Emmett didn't have
swastikas in his eyes.
Mom, I met someone.
Emily Miller Oct 2017
One can almost hear the operatic chorus
Cry out in emotion,
As they ascend the marbled stairs,
Hands shaking so in excitement,
That the ornate metal railing cannot be felt beneath them.
Down a hall, feet gliding on the polished floors,
Around the corner,
And there it is,
On the wall like an altar,
Mountain range of colors,
Geometric patterns,
Like gilded windows into other worlds,
And a resting place of alabaster skin,
The calm prairie
Amidst a festival of shimmering lights,
Celebrating with vigor
The peace
The eye of the storm
In her expression,
The Woman in Gold.
Her figure rising from the extravagance
Like the simple and graceful tendrils of steam
From a cup of tea.
Amiable and tender,
In the middle of a bustling cafe.
At once, you are spun onto a dancefloor,
Crafted by Midas,
Twirling and dipping and dancing,
With explosions of royal sunlight,
Before the gentle partner takes you by the hand,
And leads you into a steady, yet balletic waltz.
Say her name,
This secret woman,
She deserves more than anonimity,
Say her name,
In a whisper as quiet as her poised hands,
Or in a glorious cry of admiration,
As cacophonous as the color of the robes
She is swathed in.
Say her name,
Like a prayer,
Or a pledge,
Or a dutiful anthem,
With your hand to your heart,
Say her name,
And never let the memory of the sound slipping off of your tongue.
Say her name,
Like you survived the war in her honor,
Say her name,
She is not just a woman,
Say her name,
No matter her religion,
Say her name,
Because she was forgotten,
But no longer,
Never again,
For you, we’ll remember,
Adele.
ogdiddynash Apr 2018
so many people on
the city streets
on a fine spring Saturday

how can I,
her *** grab,
in a gesture of
genuine admiration,
for its balletic pas de deux
a perfect gyration elation
within a tight jeans artistic
framing

with all these impolite people occupying our space
in the Q train subway station


on the isle of Manhattan
Micahwritespoems Sep 2020
The woman, the one whose intellect stands and pleads on her legs, bring about equality
But whose body recoils not out of her own conformity
Manoeuvre balletic,compassionately and LADYLIKE
Humanity continually directs her, she is a woman, and that is her lone portrayal
Where she yearns to put her foot down ,
she is always giving a foot stool
Assistance is what she needs
Her being independent is hazardous
Only scrutinised for what she wears
underneath her garments
identified solely as a exquisite blossom
A instrument for the hands of society to play
The artistry of woman’s body withholds plenty functions
That men lust for
Gratification being the prime reason
The make-believe contrast bound by  “She and He”.
A level of credit is disposed from men.
Pureness faraway from conclusive
Self-pride being fundamental
Society makes this concrete description.
How to act according to our particular
In order to be respected in the eyes of the people.
of lust and desire.
To gratis herself, to alter what being a woman means,
what (gender) equality means.
Women shouldn’t be criticised by the dimensions of a skirt
A women shouldn't feel apprehensive to chase her dreams
because of society’s wail
It shouldn’t be intricate for all to be the same
to be equivalent
Free of cost from the penny priced stereotypes
Cheyanne Hopkins May 2018
her arms move
flowing with the wind
soft and gentle movements

her breath leaves her lips
slipping through their soft flesh
her hips swing slowly,
lithe and balletic

her hands run across her abdomen
feather-light and floating

her eyes shine
fire aflame
ready to burn
to attack
to ****

her dress falls across her skin,
like burning embers dying
a small spark still alive

a phoenix, reborn
thriving and naive
beauty incomparable

she steps towards me
the smile of a feline on her lips
she reaches for me
warm and chilling at once
I shiver,
my cold skin
burning,
fingerprints carved into my skin
a memory of the forever running girl
gay,
Ben Klash Dec 2019
a combination of inattention
fog-slick streets,
and the bravado of an impatient tailgater

a blurt of adrenaline that comes from seeing
not being
(un)able to avoid the car in front,
managing to swerve at the final moment before

impact
clip the corner,
bumper skittering off to the curb

checklist: license, insurance, don’t admit fault, exchange info, leave the scene.

The other guy didn’t care about all that.

I have never hit anyone in anger.
I didn’t want to hit this guy.  Again.
He wanted my wallet
grabbed for
(don’t admit fault)
cash reassurance instead of having insurance
to repair the damage I made
(don’t admit fault)

did this just turn from an accident to a mugging?
a happenstancial battery?

the illogic
demand
froze me

So I hugged him.
embraced him
wrested him
to the ground gently

The move felt elegantly slowly balletic
but came with bruised ribs, broken glasses, black eye
as he magically turned into four passenging kicking friends.
exchanging violent info

My stitches were removed immediately and eventually.

I had to laugh as they left the scene
The only thing he couldn’t check off the list was insurance.
The Fire Burns May 2018
An eerie song bubbles from the depths,
not quite describable, but you can feel it,
a shadow emerges into sunlit waters,
growing larger as it approaches.

Suddenly like a volcano erupting,
a huge body covered in barnacles,
erupts on the surface in a balletic roll,
gasping for air and spewing water.

Several others join the first,
the majestic spectacle of nature,
the largest creatures on the planet,
move off in a group, just below the surface.
Olivia Thompson Mar 2021
I received a beautiful flower today

and put it in the window,

for it to bathe in the sunlight and

wait for the rain.

It wilted.

It stood still a moment so that I could see it sway.

Its body held steadfast and melancholic,

and the petals laid aghast, weary, and cadaverous.

The flower itself looked like a young child,

whose ears had listened to the heartbroken voices of their parents,

a new spirit already bent, doomed, still yet uncertain,

as if its first morning had also been its last.

Her petals hung around her waist,

the pink silk laying lopsided on the stem, ruffled.

The reflection of the clouds imposed on her belly,

casted onto my own chest.

I look at her, astonished of her beauty, but perplexed

by the nature of her own spirit.

I questioned her vulnerability and her truth, as

it felt like she had tried to reassure me, by her coming,

of the broken promises,

alas her thorns said otherwise,

and her salmon petticoat sheltered her true olive-green body.

I studied her movement with every gust of wind,

to see if she had recognized the brisk kiss,

or if it had felt differently from when she had been in the fields,

unbothered and surrounded by other flowers her size,

synchronized in the movement with each breath,

their balletic petals holding hands with the sunbeams,

before being ripped from their earthy home,

and thrown into a foreign place where it is frigid and florescent.

The flower’s strong veins–

–you could call them veins,

had been tattered as every root seized from the safety of mother nature’s nursery,

with hope of a new start and being gullible enough to think it so. Instead,

being tossed into my arms, where I cannot supply the nutrients to be pumped into its delicate heart.

And it lay there,

wishing once more to feel any semblance of feeling grounded.

The flower stayed ***** long enough for me to enjoy its beauty, be charmed by its hope and solitude,

but also watch as each of its petals curl and begin to flinch for,

each gust of wind brings a new danger to its well-being.

And then I will keep it so I may watch it forever,

remembering the way that it was, but also the way it could have been if it had been left

untouched by unkept hands.

And I felt the flower, if not alive in the beauty that the world brings,

then alive earthy tones of a leather-bound book,

that too had once held hands with the sunlight and felt the nip kisses of the wind.

And I let it live.
Nat Lipstadt Jan 2023
Her hands lay gently joined,
her breathing breaches a bedroom’s silence


clasped as one, in the very early morn,
her fingers in motion, wavering, *******
a violin instrument, an unseen youthful memory,
her internality rumbles with a quiet litany,
an indecipherable host of jumbled mumbles,
a cacophony accompaniment to her steady breathing

I, study her, as I have done so many mornings prior,
once more, capriciously slipping back inside/beside our bed,
to restart My Sunday morning quiet-like, for as is my wont,
have awoken with the morning dark, treading room to room,
filling my Winslow Homer’s Macintosh mug, with 19.7 fluid oz. of Jamaican beans freshly ground, an instigating odor, a fragrancy
most contradictory, soothing, nonetheless, a steadying, yet a
blaring wake-up call

She, clad inher new festive plaid pajama top,
a creamy fabric that begs for my I-dare-not stroke,
is easy prone and that,
pleases me, for I wish to bed beside her, letting her rest
till her mind texts her body, no more! or the mumbles
grow nagging onerous and stirring and when the disposition is
well-disposed,
she stirs too, after her fashion

with a dancer’s grace, her arm slowly rises, resting airborne,
fingers arrayed and balletic arranged, pointing upwards,
lingering until
the arm falls impromptu, sudden,
as a crescendo striking
her risen hip-mound, imitating a bell’s clapper,
and sleeps no more…

<>

Sun Jan 15 2022
in the wee daylight  hours
a true

— The End —