Is there an order?
In there an approximation of pi
circling our first awkward flirtations?
Does a dragon curve lurk hidden as I
caress the curvature of your spine?
Where does Euclidean geometry fit in to the
first time our lips met?
Does the Pythagorean theorem detail our most intimate
love making?
A quadratic formula for the shameful
discarding of punched in picture frames?
Is there a golden ratio that best expresses
hurried apologies and frantic entanglements
between our sheets?
I know for certain there was
a simple subtraction
on the day your tears added up everything
and finally said goodbye.
Some would say there is order in this
chaos disguised as order disguised as
chaos
Continually debating pattern recognition
or butterfly effects
But I’d like to think
We were more subtle than that

you know, on that N86 bus listening to dikanda's
https://goo.gl/OAUjMe (ketrin ketrin),
while going to the brothel, where i kissed *****'s
eyelid skin i turned my heart into a lung...
and it burst akin to muscled stress of the softer tissue,
by heart was the black horse of the race...
she would only be worth £110 an hour...
but in my heart... a lifetime... so classical fm is
asking for three songs to be enlisted in the hall of fame
here are my three:
1. something to think about (christopher young) -
   hellraiser ii,
2. no time for caution (hans zimmer) -
    interstellar,
3. spectres in the fog (hans zimmer) -
     the last samurai, competing with
(4. any other name (thomas newman) -
     american beauty,
and....
5. carpe diem (maurice jarre) -
     the dead poets' society);
i always found classical music invoked
by fast image exchange most adhering
to a modern public... after all...
the notes written down are transliterated
from moving geometries
asking for a human face...
that one abstraction leaving another created...
so enriched we can be living and leaving here,
but leave and live here cradled and crawling
and nothing more than an attempt for
a crafted shawl of woollen care...
assuredly we were the blank canvas,
when the sheep and lion were clothed...
the lizard inwardly having its blood cooled...
and we the mediators...
to evolve from an origin of such biological diversity?
why will darwinism claim to be a humanism
and let no humanism in?!
if darwinism branched from science for a populism
of understanding prepositions as propositions
(given that propositions are allowed expression
with far many more complex words than prepositions,
given the former are deemed a nature or origin
and the latter a nature of coordination)
why allow it a humanistic simplicity
and complicate humanism to a non-expression's
extent of a complexity? darwinism cannot grasp
humanism's complexity per se, for each its own per se
allowance... darwinism cannot relate to humanism,
since humanism deals with the one diluted into the many,
while darwinism deals with the many concentrated into
the one:
and noting the varied dimensional usage of pronouns,
the singular (engaging), the singular (disengaging),
the plural (effective), the plural (ineffective),
to use but a few among others... how would a self,
as either realistically concerned or as expressed
in an atlas pose when one individual speaks of a species
to ever survive... to speak of humanity per se,
is to not speak of being human per se (a self),
but as if under a constant threat from either internal
or external stimuli, it's to speak as if human
but hardly being human... darwinism only said
in simpler terms 1 = ~∞ 0 1 (one equals
approximately infinity denying one... expressed
further: one equals approximately infinity denying
oneness, hence ethnicity, hence disparity,
the infinite approximate is due to the no. of equally
represented identities of reflection as one's akin
in historical content for a vanity representation
of ego) / although there's a parallel disparity:
1 = ∞ 0 ~1 (1 equals a reasonable infinity
of the semblance collective, as approximated within
one's own constitution, denied by the constitution
of the semblance collectivised denying 1 its
oneness by a division, into pop. psychology
of subconscious, unconscious, ulterior and posterior
assembling of identification in order to relate
a concrete un-divisible one, to a oneness
of ~∞ 0 ∞†, whether governed by animate or inanimate
things, worthy of either representing
∞ = 0 ~1, or ~∞ = 0 1 (infinity equating itself to
a denial of an approximation of one,
or approximate infinity equating itself to a denial
of one) - by most standards a collective power
increases, while an individual coercion with
such increase in power is diluted to mediocre representation
of what was once hoped for to be an individual...
as worded: i'm about to inherit a pickaxe, an igloo,
a herd of sheep, a land arable for regular hunts
to provide sustenance, but as i said, the oddity
of increasing vocabulary as body-building index muscle,
will hardly teach you the physics of quanta in
the realm of modulating grammar,
on the basic basis of grammatical as
a method of de-categorisation one word from it being
named, to it being acted upon as a termed way of
walking (differently), or otherwise.

†a bit much for me, an alfred jarry moment
at the end of dr. faustroll's opinions and exploits...
papa **** got the dangling essence of things:
je suis jarry among the je suis cherub charlies,
if poet does not appreciate other artistic mediums
he can't mediate them,
poetry is supposed to mediate all artistic expression
with platonic criticism... it's supposed to mediate,
with poets appreciating each and every craft...
whether sculpture we scrap metal stolen from a park,
or whether an oil canvas be worth as much as toilet
paper when the painter is alive, and millions more
when he's dead.. we need gravity a demanding
drama to extend drama into grammar...
poets have to become the middle-men of haggling,
they need to appreciate art in an elitist way
in order that art can't become genealogically defining,
like dramatics of the theatre lost between idols
of 1950s screening compared to idols of 19'90s screening...
we need poets as the glue stuck to every output...
we need to appreciate all art other than their own
to discover their own... we can't have the mindless
jealousy bribe us to reconcile composition,
so that poet against poet is still writing poetry...
he isn't... he's writing a polemic... and that's hardly
a dialogue... it's a mortifying analogue of monologue...
and we don't want poetry to be such a belittling
circumstance of the original intent of practice,
why would a poet's rarity be reduced to
a market blasphemy of ultra-eloquent speech
in order that it might be used to scold?
why the jealousy? why?! it reeks of revenge
that only requires a Darwinism to include it,
as sustainable and necessary,
too many monkeys to create a single man...
too many difference in man from continental span
of africa, to asia... to even bother a standing ovation
origination in genetic scrip of a chimpanzee...
script wants man to be genetically above
a genetic script of a banana numbering more genes
that itself... the biodiversity of monkey
is akin to man... why would the two chiral statues
suddenly become gemini of explanation?
it all fits... but it stinks...
well, whatever that was... it's the pride of a language
that keeps darwinism alive...
but theology is closer to humanism than darwinism...
it's a compound logic, darwinism ends with with an ism,
an empiricism... and the only logic accounted for
is a logic of repeat... just look at the forms of these words...
formulated by L and Γ (origin of the kabbalistic interpretation
of allah)... keep the prefix akin to a suffix composed to
an enclosure... theology provides the better logistics
of expressing being human than an empiricism
known to be darwinism... after all a -logy tends to
repeat a systematic use of words...
empiricism a systematic use of facts...
easier to become bored of facts than words.

the oddity of it all, i can sound like a 70 year old, writing in 2016, by simply writing about 2004 - and that's the excuse everyone gives for lazy English text form: 2 (abc), 3 (def), 4 (ghi), 5 (jkl), 6 (mno), 7 (pqrs), 8 (tuv), 9 (wxyz) - where you had to press a button several times to get the right letter (even with spellcheck helping you shorten the digit-bag sequence) - but that's no excuse with digital phones and a complete keyboard... but that's how it looks, after only 12 years... i'm actually aged 70 given the advances of the technology advent... let's forget the technology of the 1990s... i've circled round and met up with people who collected vinyls... that's how old i am in respect to my buying habits... we're the silver-compact-vinyl kids: the ghouls of the 1960s, born in the 1980s and not getting down with the kids... and to readdress just two books: all that stream-of-consciousness made the latter end of Ulysses a bit like writing by candle-light... as was reading the plagiarism of the above stated in Sartre's iron in the soul... or as the puritans said: we're filling for at least a ¶ (pilcrow) to be inserted: not to mess up the idea of a river and "thinking aloud" where punctuation marks mean: stopping suddenly because you become self-conscious... i just needed a ****** bookmark! the monks at the time of Charlemagne used the ¶ quiet often, condensed bibles, ink was worth 20 camels and paper was worth 20 dresses for a queen... ah, the times when paper was as precious as silk... so the puritans condensed writing, they weren't as sparing in their inner feng shui - a room the size of St. Paul's... and two words in it: Jesus Christ... they were like modern day delivery guys, packaging words together, they didn't have the luxury to write paragraphs with the now established spacing afresh, i.e.:

            and Jimmy went up a ladder into the loft etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc.
             Florence was making a cup of tea when she heard Jimmy yell: 'my long lost golf clubs!' etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc.

i.e.

¶ and Jimmy went up a ladder into the loft etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc.

alternatively the ¶ went out of fashion in the literary world, once writing became affordable and changed into a profiteering case of bravado... but i still think ¶ is a bit like using a clef.*

or how to keep one's intellectual integrity: have a drink or two,
and muster enough creative energy to use this encoding -
or... how to make poetry akin to computer
programming - a subtler way to encode
the now slothfully rising moon:
half of it, not full, nor scimitar crescent,
a half bitten honey biscuit, just above the forest
horizon, and the semi-detached houses
of English outer-suburbia - in a sense
transcendentalism, a box with many words
in it attributed to the cause,
as is the reason why Christianity became
the most schismatic religion that has ever
graced man's "good will" (ambiguity,
not an approximation) - in line with philosophical
whims of vogue: idealism, realism, transcendentalism,
existentialism, ism after ism after the Methodists
and the Baptists and other mongrels of current
affairs... already stated: populist Platonism
and the ransacked and burnt library of Alexandria...
yes, decidedly, poetry as a variation of
computer programming - although more akin
to: the tetragrammaton and the Noah's
checklist of paired onomatopoeia(s) (plural
form is underlined, Oxford hasn't picked up
the circumstance: there are neurotics out there
who'd send you to the guillotine for not
updating "spelling mistakes" that aren't
"spelling mistakes" quickly enough!) -
to the cause or as signatures of being easily
recognisable as: yes, that's that... a moustache
and a bowler hat...            alternatively
watch a stand-up show by Miranda -
the very typical English-ness inside out:
hysterical from the word go... the ministry of
funny walk from Monty Python ***
                      the two walks at the airport -
or the trip-up on skewed pavement slabs
checking the impromptu socially acceptable
version of the other seeing us -
comedians do it oh so well: the inside-out,
stern exterior, boy ******* a thumb and relating
to a blanket as if it were an umbilical chord...
what a tightly knit individual...
                          made complete with about a dozen
patches...
                       but it is! it is! it really is already
ready to be likened to computer programming,
perhaps there's no <xerox> or other commands,
but poetry deals with encoding sounds,
no man can encode a proper roar of a lion
or a squirt of a skunk, that's sheer travesty that
so many people can actually muster enough
encouragement to encode these sounds...
i imagine a world where we don't even care
to write knock, and knock on a piece of wood
and a noumenon is born, the sound isn't noted
down, it remains a thing in itself (synonyms,
in italics) - it's probably akin to getting a tattoo,
great if you have a short-term memory loss
like that guy in Memento... but it's going to
be hard to displace knock-knock -
again this is already an approximation -
onomatopoeia upon onomatopoeia -
it doesn't even sound akin or properly dressed
to mention Plato's theory of forms -
sounds can be forms: apparently they're waves...
no waves are forms (shapes) -
or that demigod who fell in love with his shadow,
rather than his image reflected in a lake,
he fell in love: because it gave him enhanced reflexes...
every single time... boom... shadow... boom...
shadow... and so much of language goes into
these nonsensical types of encoding -
blah for: talking a lot -
                                           hmm - when negatively
pondering something -
                                            i believe that
there should be a grammatical elevation of the onomatopoeia
to the status of nouns, verbs etc. -
                           but it is, it is, it really is
like computer programming,
               above and beyond the sheltering vacuum -
how would we ever write a word to encode the
sound of lightning, or a volcano erupting,
or the earth spinning - in these areas i find god -
       i will find man in these areas:
but i'll be hinged on mathematical explanation:
and mathematics is pure optics -
                       so what that we can write one and write
1, write two and write 2, three and 3, four and 4 -
    by now we can write to, too, free and for...
and this is just the start -
                             by acknowledging onomatopoeia
for something, we acknowledge our limitation
of encoding something in that realm -
this inability gave us the emergence of nouns -
   sooner or later when someone started
talking about an earthquake... a litmus test of:
brr grrm boom bah dobble aah! etc.
we got the picture - and why would a monkey
evolve from its conscious-sleep reservoir
to say just as much as with a simple grunt and ooh -
actually, some onomatopoeia(s) became sophisticated -
a grunt is a sophisticated onomatopoeia -
       as is weeping and crying and shouting -
as is shooing (or to shoo) -
well, that's how i see it... poetry as reality programming -
since there's more than just a computer -
at the moment it just resembles a game of
whack-a-mole -                 although there's more than
the mere 26 primary moles -
      and all this talk does relate to something,
something very important at the beginning of the
20th century... well, a century later, and something
similar is being discussed... Ivan Bunin?
noble prize winner from 1933, the first russian to do so...
  anyway... this goes beyond his concerns...
his concerns were akin to that dud i made
with the word mruwka -
                               personally? i feel that the "correct"
version of the word is aesthetically displeasing -
and anyone who says otherwise treats orthography
not as an aesthetic question, but a question
of rubrics and regime - so there we have the "correct"
version mrówka                               (ant)       -
anyone agree with me? well, the English language
doesn't have any concerns for orthographic
regulation - it has excessive spelling and that's that -
what bothered Ivan was the Bolsheviks rewriting
orthographic rules... the word in question?
izvestia - that really peeved him off...
                      everyone in intellectual circles was
disturbed by the changes (can't recall the original) -
but the changes were approved by the Russian Academy of
Sciences (immediately before the revolution) -
there would have been any dispute about the "evolution"
in orthographic terms if done prior to Feb. 1917 -
the war postponed the changes, and with the Bolsheviks
in power... then obviously the suspicion...
   now... such changes are but farts in hurricanes
in comparison with what happened in the realm of English...
i mean, ****'s sake, we're talking minor aesthetic tweaks
here and there - the changes still encompass the form
that's understood by the ear, and it's only a matter of
taste where you write the word ant as either mruwka
or mrówka - well, mind you, i'm already asking
for the incorporation of the Czech š (sz) and č (cz) -
but what's happening in English... my god: it's terrifying!
all these acronyms? all these emoticons?
        i know that English journalists are in favour of
:) and :( and ;) ;) [wink wink] - and next thing you know:
you're talking to a monkey... you soon realise:
the deaf have nurtured a superior system of communication,
as have the blind than these poor, healthy, ably nimble
*******...                   how they're superior, i don't know,
and in all honest? don't care...
         for goodness' sake: a heard a story that a girl
wrote her g.c.s.e. English language paper in text format:
   e.g. c (see) u (you) l8r (later)          -
now you see why i think that poetry is like computer
programming?
these people are scripts from a classical software program
that looks something like: 3;r/d]]aq"pk.0    etc.    
it's a complete and utter mess!
                         fair enough saying: O Shakespeare O
Milton... those guys are turning in their graves...
and they ain't showering the English language with
graces mind you: they're calling it the new
***** & Gomorrah - and it's not England was the sole
inheritor of the computer -
                                       that's what not having
diacritical accessories does to you...
                             you get hacked...
and this... pretty much... is a form of a hack:
you'll wake up tomorrow with a pair of sunglasses
or think you're looking down a microscope;
i swear to god...       me and Ivan are just laughing...
he's not drinking, i'm drinking, but we share
the same intuitive devices - the same puppet strings
pulled him in 1919 as they are pulling me in 2016...
the same ****** trials of a variation of zoology -
some look at monkey behaviour,
            others look at how language is cradled in people:
and i'm not even going to bother
elaborating on anything by Chomsky -
which brings me to the following conclusion
(back to Miranda) - i don't believe in fame apparent,
fame apparent, as in: tabloid crap and c.c.t.v.
and 20 nannies and 50 bathrooms, and not being
recognised wearing a virtual reality gear when walking
down a street when otherwise imprisoned on
a television screen rewind - that's not fame,
that's tyranny under the masses -
                         i don't believe in it... which answers
one famous English scientist's question:
why does posthumous fame exist?
                                    it's like that Camus question
about suicide - well... i guess it's a question of
endurance... a bit like a fail-safe mechanism about
why the pyramids are still standing even though
they experienced so much weathering by the elements -
well, as endurance has it: posthumous fame is
filled by introverts...
                                          i dare you to name that
famous Bolshoi ballet dancer, or that famous 1930s
actor or actress... they're part of the extrovert side of
what's called "fame" - but that's only a minor point
i wanted to make... the real zest i already explained -
ah crap, summary in maxim:
   the concept of modern fame is the result of a god
that has been attributed such qualities as omnipresence...
               well, aren't modern celebrities... a bit like that?

I lay with two women.

In an Economy seat,
emblematic nowadays of
the global economy,
"value" disguised as
a shrunken package size,
for which the cost thereof
can hardly be described as
economical.

my extremities are engaged in
extreme sport,
my competition,
my aisle mates,
young ladies both.

In recognition of the
early hour of our departure,
I have been awarded by them,
a singular honor,
a distinguished cross, of sorts,
pinned with a medal,
for gallantry under siege,
the medal is not of
two crisscrossed rifles,
but crisscrossed elbows,
for gallantry
upon the cross
of the middle seat.

Blanketed and hooded,
or should I say "hoodied,"
slumber comes too easily to
my young traveling cellmates,
as does the
flexibility of the body.

They seem to revel in the words,
akimbo and limbo,
upon my adjacent
body parts.

My sides, my shoulders,
my haunches and paunches,
punched, pillowed and pilloried,
summarily donated
(with a consent slip
called an airline ticket),
to scientific research:
"In Furtherance of the Study of
Sleeping on Airplanes."

My lap, however, sacrosanct,
how else could I type,
of heartfelt matters,
read on,
for you have been both
punked and pranked!

My mind freely wanders
while body is
captive and captivated,
(did I mention they were
young and attractive?)
to the manner
in which we
juggle proximity.

My darling:
You lie beside me,
a distance of
but a few inches,
but closer still,
for I am inside you,
I am yours
for your flesh,
I take,
a blood vow,
sealed with divine blessings
of mine own composition.

For the children of my children:
You are crosstown,
but I hardly know ya,
I am of your flesh, your blood,
eternal and immutable,
no poem can be allowed
to reveal what I owe you,
secret debts unpayable
till and after
death us do part.

Proximity in my tears,
proximity in my fears
for all of us,
for thoughts of you,
come regular,
with every breath.

Proximity at the cellular level,
until that day your
words first emerge,
your are of me and my issue,
mine to behold,
mine with which to dream,
mind to mind and mine.

So now there are two,
where speech is not
a viable tool.
Know that when
I no longer compose,
I will still eternal communicate
in ways, beyond belief.

You:
So many we touch, so briefly,
lose and fade from daily sight,
yet, forever, treasured,
measure for measured,
each one of you,
parcel posted upon who I am,
the tick in the tock
of my beating heart's
final prayer,
Grace after the Meal of Life.

At my funeral
please inform the rent-a-rabbi,
that I was this and that,
labels to write on post-its,
to be stuck on my gravestone
that no one will come visit,
but please someone,
tell him to say these words:

Between,
there was no between,
there was
no approximation,
no proximity,
there was no scientific instrument extant,
that could measure
the close love,
the heart and home
in which his faith resided,
for those who touched his life.

Drinking a Guinness Extra, an empty gesture,
Beset truly by the words of Joyce,
I am sick of the turning from text
To annotation. I wish only to read
A text as it was meant,
With the knowledge not aside
But present already in my blasted skull

It's like the modern appreciation of Shakespeare
—At best an approximation. The words that were
Common, fallen out of usage.
The words then invented, now commonplace.

Thither and hither again I will look
Tracking the details
Researching the clever allusion
Trying not to miss & missing anon
what's right in front of me

                            D.B. Guy

I would trust a word,
only when I could
go beyond it's
crusty outer shell,
fleshy girth, as well
and feel the heart
pulsating, making
red blood coursing
through the veins
speaking earnest truth
as heart beats,
what makes all words
other than this one
redundant, for that
moment in time,
stops my heart
with wonder,happiness
grief or ebullience
or many a other shades
when I intimately
knows that word.

The shoes of a dead man
For you to walk
And his blade
For you to ****
Every page vanished
And every memory
But not the paper upon which it was written
And the dust
Under which it was hidden
Traces of direction
Windblown
A new future
Waiting for ripples to die
To see the reflection
And the form
That must be overcome
In the eyes of others
To determine need
Though not enough
In the eyes of others
To speak
Or live in silence
To write
Or to think
For who would listen
Or learn
From a man wearing a dead man’s shoes?
Because they are not wearing them
Only you
The blasphemy of discarding his past
But saving his presence
Is only for you to know
The willful generation
The one that learns from the past
But lives for the future
While others
Ignore the past
And die before they say amen
But not the man walking in a dead man’s shoes
Inside a book
Inside another book
Choosing the prophecy
That fits his needs
But not the worlds
Because they wouldn’t understand
Even if it was written in their language
Nobody can understand
Except the man walking in a dead man’s shoes
He knows death
And every word is life
So he reads
And prays
And does not bring who he is
Because he is not the book
He is only the man walking in a dead man’s shoes
He cannot hear anything
Or see color
Only the desperation that fills the void
Between men
And their confusion
That he is unafraid
And able to walk between people
Without explanation
Or justification
Because they wouldn’t understand
Nobody can understand
Except the man walking in a dead man’s shoes
So don’t ask
Don’t ask
You do not know how to ask
Or what to do with wisdom
They are just words
Words that amaze you
But cannot change you
Because to you they are words
To him they only describe
An approximation
A sketch
Of smoke
From a fire
That you cannot see
Or feel
Not like him
Because you are not a man wearing a dead man’s shoes
It is much worse than you think
Because you won’t confront it
You are insensitive
Dehumanized
The only ones worth living must believe as you do
Thoughts are life to you
Certain thoughts
Thoughts that may be right or may be wrong
Thoughts that cannot be described by one man the same as another
But thoughts that he will not speak
Because he is walking in a dead man’s shoes
Without the blade
For he does not come to you by the sword
For separation is only by choice
His alone
Without bloodshed
Without the desire of what you have
For he is not a thief
He will live without it
He will never take it
For his interest is not in what you have
But in what he can earn
And what is provided
As it is given by the world
As it is described
In the prophecy
That best fits his needs
Because he is a man walking in a dead man’s shoes

well, if everyone is
   going to be so *******
honest...

   tender, little melancholics
   attempting to punch
   above their weight...

egomaniac? always a superstition,
littered with scatter brains,
broken mirrors
   and: the eternal fire -
no longer a choking smoke...
   shrapnel from some fungus,
or some whizz-kid's experiment
in the Swiss Alps...

initial psychosis?
   oh sure... peppered with
polka dots of hallucinations,
some visual,
but mostly auditory...
   a bit like:
    being forced out of your
own head,
   but not your body...
i could call it:
     being fertilißed...

mainstream: "transgender"
hot topics...
get a load of this one:
all metaphor,
   the closest approximation
of the truth, or subsequent
"feelings"...
      the body is left intact,
the brain though:
   what's the difference
between psychosis
         and osmosis?

an etymological study:
shared suffix:
    -osis
                and that's about it...
but initial psychosis:
for all the fear,
   for all my travels between
London and Edinburgh
and Glasgow,
and Dover,
   and Athens,
   and... Serbia...
              Katowice...
          wherever i went:
i had ants up my ***,
         fidgety ******, i was...
i'm pretty ******* sure,
that if i decided to drop l.s.d.
i would be unimpressed...
compared to my initial
psychosis... which lasted
for... how long was it?
anyone care for the scale,
i just don't exactly remember:
months, years?
  i'd be boasting if i put it
on a weeks scale...

2nd tier psychosis...
ugh... too much Kant...
                 no hallucinations...
just debiliating thoughts,
a chimera of p.t.s.d.,
  depression and the whole
rainbow of the DSM...
    more ****-heads in these parts
than genitals or anti-genitals
or... whatever hormonal... thing...
there's to it...

look closer at
  the orthodox madmen...
and now look at:
    acceptable madness...
we're hardly cripples...
crippling thoughts yes,
in this case,
   a 2 week period of absolute,
unadulterated debility:
no i know where the word
comes from in ****** for
idiot, i.e. debil...

2nd tier psychosis:
it's a noumenon...
    unlike a phenomenon
you might hear about...
when some schizoid can't
restrain himself
and goes off off the tangent
of: perfectly normal
paranoia...

          what? if everyone's
going to be so ******* honest,
i might as well throw my two
cents into the wishing well...
if i write this out,
bash the blank slate,
that's me one step away
from doing it to a punching
bag... which...
i usually associate with:
exhausts the body...
   and the mind was always
   just silent, in accordance to:
elvis... has just... left the building.

i wonder what a 3rd tier
psychosis is...
              and there i was thinking:
the problem with madness,
you can only go mad once...
apparently you can
go mad twice...
   it was never going to be
a terminal illness...
madness is... like...
fluctuations...
   it changes over time...
       and with it: the language...
unless of course
    i'll be restricted,
akin to that amazon show
homecoming
   (julia wobewts:
tongue numb, forgot to trill,
lisp and all)...
   then again:
   memory is a fickle faculty,
i actually don't possess
the will to remember what
i want,
    or what i don't want...
it's almost automated,
akin to:
         the "ancient" rubrics
of pedagogy on a teen level
of exposure...

  as ever: first comes the drill...
2 x 2 = 4, a, b, c, d, e, f, g, h, i, j...
like: who the **** invented
this pointless memory gap,
this pointless rust,
this pointless sequence of
non-events?
        memory erosion:
   right there, in school...
and not even a "menial" task
at hand...
   not even a craft that can be
repeated, over and over again:
for a reason...
  that it can be perfected,
and therefore made, easier...

yeah... 2nd tier psychosis
is too orientating,
thereby not disorientating,
therefore not a phenomenon,
but a noumenon...
therefore a cold-sweat horror...
and not as much
of a scenario of running
a mythical marathon
up and down England to Scotland,
or across Europe
   to Athens...

and there i was thinking...
perhaps one day...
    i might have a curious reader
akin to r. d. laing...
                      one day...

infringement on i.q.?
   who said anything about
an infringement on i.q.?
            well there's the exfoliation
process of...
   ridding oneself of the tuxedo
of social norms, constrictions...
like any old person might
given the notion: **** it,
i'm old, i don't care...
        the paranoid aspect is
associated with:
    youth...
        and the whole:
                   not yet, not yet...
well... if not now, then, then?

          brash, crass...
whatever you want to call it:
hit the iron while its hot...
            and here i am thinking...
so... this premature melancholics
is... the new, "normal"?

welcome to the chemistry circus
of lady pharma:
i always wanted to think of
my brain is either a chemical soup,
or my use of language
as a salad...
   that'll go just fine,
with the main course
                            of jesus christ.

Communion of Soft Fingertips

speak, modern world
we are sketched in languages of digital bits,
parity shading certainty with probabilities of truth
giving us form and existence across distance,
distilled to series of warm, invisible numbers

frequencies divided step-wise, as Fourier found them
in noise amalgamated as information heterodyned,
left to be separated out, reordered
by advanced statistical protocols
that trace our borders with delicate, unseen fingertips
 
a description of new beings, relationships between them
uncertain at first in the short trails
of data they create

but there eventually - by the law of large numbers
or acts of successive approximation

we'll find them

revealed, like a pointilist painting
or seemingly random collection of string
whose elements are alone meaningless
unless we step back to see an entirety of mass
which we recognize immediately
as true love and intimacy

check it out check it out
chic chicky boom chicky boom chic chic
it's da state of this here disunion
this here bangalore torpedo seeks yer minefields
this here suffering hero
n
crows about         strafes
multitudes                 peripherally
****** blind prophets
exclaim
chic chicky boom chicky boom chic chic
it's nothing but beginning
of  beginning & z end of approximation
time's sweet angry subluxation
universal caving in on U & U
chic chicky boom chicky boom chic chic
when was z last time U really loved
i mean really really really loved
ha i could only hold to z imagination
z skeleton z allegory z myth
'cause everything slides & falls
screams careens outta control
chic chicky boom chicky boom chic chic
she brought in rrrrevolution.evolution.now
is z caustic effervescence of her wit
eroding my sandy castle of deceit?
ha and repeat ha
chic chicky boom chicky boom chic chic
forgive-me-notes are written high
on z forehead of my despair
a cursive flowing interdiction
malediction cruxifiction err-u-diction
en-passant
in each pyrotechnic moment when we don't see I-to-I
on anything relevant to what we once hoped was us
but we continue dance dance dance
perseveration aberration indiscretion cha-cha-cha
chic chicky boom chicky boom chic chic
she said *** is z engine of z world
like engine like world like ***
like like like
could say no more
oh it's tiresome to go on
describing that chimeric uniting
flesh-to-flesh-in-flesh eliding
we all are guilty of
do not end a line with a preposition such as
that or a proposition such as this:
given angle a prove that old triangle theorem
two simultaneous loves don't make a right
cherchez les angles les anglais la bon mot
ya know
chic chicky boom chicky boom chic chic
when i die please  bury me upside down
prone to z ground making dead love to earth ya kno
while the centuries lie down next to me
chic chicky boom chicky boom chic chic
chic chicky boom chicky boom chic chic
chic chicky boom chicky boom chic chic
chic!
chic!

September 8.17am

Awake still not knowing

The time or hour even of the day

The light as bright as a new

Clear sky intimates to me the

Approximation of open shop time

Even so the streets are quiet

It is not open shop time until 8.30

There is time


At 9.30 the open shop is no longer open

Though all the street is busy

The lights flicker through

Their pattern of the day

And the light fades and quickly

Returns through the brick-built shadows

It is time


At 10.30 maybe the day will start


At 11.00 the start of the day

Is over and the streets

Calm down to a hustle and a bustle

Of tourists sightseeing

And cyclists out-driving

The constant hubbub of motors

The sights they are seen

And the coffee is served

To a mutter and a mumble of lunch and


At 11.35 when the light

Is as bright as the glass on the corner

The brollies pop up over tables

That prop up baggage of merchandised habits

And chequebooks and cards pay the bills


Round noon the young girls trip round

The young men tripping round

The tables and chairs of the fat

And the fortunate few


Two minutes past one.


1.30 A missing hour or so before

A leisurely stroll through

The shops and the inns of any

Old street in town

For the tourist a nap beckons

His hotel calls him for dinner

And his tickets for the evening

Pre-booked


1.45 The pubs spill out until two

In the suits

In the laughs

The haircuts and the ****

The boxes and boxes and stepped

Upon stubs of American brand-named

Tobacco the half empty glasses and

Unfinished plates betray an ennui

Boredom and short sight


2.30 Swept away by the staff the world

Is an oyster for the titbits that go to the dogs

Even the boss and his immediate help

Don’t leave the inn until three

And at five-thirty they’ll be back for

A pre-lunch meeting with dinner

And a bottle of wine


Outside on the street

The tourist who isn’t picks up

An unfinished smoke and sits down


At 3.30 he is asked if he would

Care to move on

For fear of

Upsetting business

He juggles his options

Decides against the train stations

Instead settles

For a seat in the sun


And at 5.30 returns to the smog

Of the street in the hope of

A *** or some fodder

The City returns its money-making

Machinery to the cafés and the bars

And the trains and the belt

Of the green that England is made of


At 6.35 the lights are alive and

The moon will arise in the day

As the tourists flood back in their numbers

A show

A show

A film

A play

Some serious art up the river

The life of an entertainments

Manager is as hectic as he cares to provide


At 7.30 the evenings begin

And the tourist who isn’t

Notes the pubs and the inns and

The food on the plates

Somehow do not beckon to him

Instead he will sit and look at his pint before leaving

For he knows not where

Somewhere

The people are not

All strangers to him

Somewhere

The people will know he is there

Somewhere

Other than here

In this trap for the tourist who is


The tourist who is and who will

And who can and who wants to experience it all

The tourist with the plastic in his coat and

The bag in his hand that say to him

And to his wife

Or his girlfriend

We’ve got power


At 8.45 a creeping on nine

The mulling of ale settles in

And the tourist who is and

The tourist who isn’t share an ashtray

Of fingers and butts

The boss behind the door and his boys

Who he pays to help him out

have left and will drink on

At home or in clubs until late and

Regretful in the morning return




© scribler 2010

there was an audience... there is still an audience...
i wonder about it...
i'm such a conservative deacon in the comments
that... i leave very little traces of interaction...
i tried getting ****** into the whole affair
of leaving comments - like i might have left
grafitti tags on the pillars of bridges...
                   there was an audience... there's still an
audience... i imagine...
or i rather: translate with metaphor what i'm:
trying to imagine...
              three moths have attempted to fly into
my room to spend the night free from fear...
i caught two in my hand... put the clenched hand
to my ear... no... not the sea trapped in a seashell...
close... sound effect of... rain on a tin roof...
a moth trapped in a cage of a hand...
it hasn't rained for days... weeks even...
       the most... bountiful of springs in england...
and everyone is... supposed to handle the affair
like the 2nd coming of ribonson crusoe...
          i can: because i'm used to it...
                    peacefully anti-social...
                     it's hardly bragging but:
there's an audience... there's always an audience...
here's to me: getting regularly milked...
or... laying some eggs with the sunrise and the moon...
i am... at a stage of maturing from...
a phase where... i did... once upon a time...
care about what i wrote... for my own gratification:
but... not any more...
         i've reached a point where...
i can join the ranks of the 4 Dada Suicides...
     'the four' (who) 'took nihilism of the movement
to its ultimate conclusion, their works are
the remnants of lives lived to the limit and then cast
aside with nonchalance and disdain'...
Vaché (overdosed)... Rigaut (shot himself)...
Cravan and Torma (disappeared)...
        the latter two... probably lived a life in
approximation to what might have happened
to... Richey Edwards...
born on...                  disappeared aged 27...
death is the last clue...
    not that i'm going to imitate what's already
claimed...
but... a mile from my home...
i can... find... ample resources... hemlock...
the stems are poisonous...
      i've tried... lilac mushrooms... dog mushrooms
they call them...
i don't know whether i ate a poisonous
one or not... it wasn't...
    a muhomor... amanita fly agaric...
           but... when the circuses have died and
the bread is still there...
no new movies... no sports...
what can beat: the old tease of mortality...
the grain-of-sand per month's worth of movement
added... to the tally and
the curriculum vitae of vivo per se...
                   the theatre of death...
     if i don't think about death with a joke...
i stop being... ridiculous in life...
                   i like the thought of death when...
life doesn't preserve any... sense of...
any... alternative... "light" entertainment...
it's not like i'm planning an escape...
rich and about to clone myself...
   and teach the clone "me" to be: a "future" - and me...
i almost can see how someone must
have tried to cheat death with the available
avenue of cloning...
but... the subservience of the clone...
the clone being what?
       someone must have learned the hard way...
i just interjected the question as an: and...
which is a conjunction...
          but if you're gonna go...
hell... seal a room and yourself in it...
and buy a... metaphorical tonne of lily of the valley...
go to sleep... and never wake up...
death... even death has to become entertaining:
in thinking terms - at the very least...
the only real eventuality among...
half a dozen of impossible things to think about...
daily... and here's that apple...
   if nietzsche... sentenced the source
and future disease from the 19th century...
well... so much for overcoming nihilism...
         nihilism... after all... is not... apathy...
   and even with the death of nihilism...
                              at least nihilism still asked
for moloch-esque sacrifices of will...
     apathy? what does this slug ask for?
it asks of you to... well... wrestle with yourself...
hence that "overlooked" quote:
if a day has many pockets...
       yes... those pockets of self-realisations that
provide a glitch of proof...
a proof of... having to find dominion in
settled dust... oh to hell with grand metaphors
of staging revolutions brought down
from mountain-tops!
- and i'm literally drinking my way through...
what 19th century nihilism became:
a 21st century apathy hangover...
      i'll spare the 20th century the rites of...
a mythical new beginning... a year 0...
        100 years give or take... each side of the end
of the 20th century...
but... nihilism is no longer... the standard:
to overcome...
             as much meaning can be derived from
a peanut as from a falling star...
to be this: subjective sanitiße everything -
                       i hardly think... a dickens would
require an objective reader...
what is an objective reader?
someone who studies: rather than reads...
newspapers...
someone who probably proofs reading...
by also ensuring citations are... made abundantly
clear... archives... etc.
well... better contemplating the theatre of death
than... say...
"normies":
    ahem... the critique of china...
       point: can you imagine... if... communism...
was thought-up... when...
the french revolution began? the only revolution?
rather than the russian oopsie?
well... and communism began...
when... engels and marx... went to the north
of england... and... prior to the manifesto...
wrote of the details of child-labour...
this is not my thing but...
it gets to the point where:
you can criticize china all you want...
but there's no smart... or dumb way...
to go about... pretending to be at war...
with a population of a billion people...
that... if push comes to shove...
could be conscripted instantly...
              to point out... is to exhaust the argument:
to have an argument for:
"western" principles of democracy...
here... have some balloons... here's a keg
of helium... 'ave fun...
by now... saudi arabia is secretly planning
a jihad into the Xinjiang province...
saudi arabia: the vatican of the islamic world...
is secretly trying to... blah blah...
no... the saudi princes are strapped to their yachts...
the bangladeshi slave labour blah blah...
yeah: but whittle ol' england needs
the Neds of Lahore and their tier up from
the chimney top: crescent moon-lick... slick...
- but to be this... fired up...
                it's simply exhausting to have:
a freedom of speech for such high demands...
not need to hide behind the ideals of love...
or being misunderstood...
             in no defence... but... under the guise
of that grand word: capitalism...
the sub- thorough: made in china...
                and what now? the jaw dropping
counter to the very delicate status quo?
it's beyond nihilism... when such upheld
values allowed for artistic rebellion...
to the moon: been there, done that..
europe the old man... h'america the newly
acquired *******...
       you want politico jargon ******* squeezes...
sure thing...
     stoic india... always the stoic india...
to **** off the competition - cheap soviet steel...
the soviet union's nuna 2, on 13 september 1959 -
in between: frank sinatra's:
fly me to the moon - 1963...
and thus... r.e.m.'s yeah yeah: 20 July 1969...
it's hard to compensate / compete with
that sort of a trojan hard-on ***** of
the elgin marbles...
                              at least the germanic peoples
played and understood the ping-pong
with the slavic peoples -
the hungarians on the side...
but not this... african trash for beijing...
the mongol capital of crimea...
and golden hoarding project: typo...
   when they came riding in... smeared
in **** and week old **** and horse blood...
to make... the labyrinth of the baghdad library...
a pyramid of skulls...
squeeze me: to this tired state of lost
the head to a guillotine chatter-box...
even the events of napster unfolding...
and all that's being streamed and...
now's the time to kiss and cuddle prostitutes...
and wet mr. whittle dicky for second
chances of a lost digestive... in that pond
of brew...
                easy fools to fool: those camel back
rich in dino-blood: soul black...
like espressos of mecca... flowing rich
and dying with a soothing...
from amnesia and diabetes...
and amputated limps when... sugar ingestion
leaves them... dancing ballet on only one foot...
because: porky pie and ms. amber: ha!
all bad!
                so much for... what's waiting
the white girl pornstars...
the liberated afro-h'americans and the service...
of beijing shrimp ****...
double edged sword... the height and...
all those attaches... of a fine... fine...
procelain piece of ***...
no-man's-land... the middle ground:
of... mercedez-benson-and-hedges...
        on my way out... the apache / sioux /
dodo / aztec / mayan / dodo (again) projects...

semi-closure...
   gary glitter - rock & roll part II
     ian watkins (of lostprophets) -
                      shinobi vs dragon ninja...
sorry... that one was a paedo...
              toddle-****** for the latter...
and it's not like... i enjoyed the music
to begin with...
i can't see an ad hominem argument
for the former...
                 toddler-******: esp. if the output...
well... it's not trash...
   it's: dad mantra... it's dad claustrophobia...
my take on:
mahler contra pergolesi....
            counter: invest in 100 years to come...
of which... you will...
find a future reader: being alive...
not having re(a)d you...
1986... the reader is born...
1997... you die...
you are discovered... come...
2K and 7... 8...... perhaps 9...
  a time-reference of...
         13 years from the readers birth to your
death... it's Glasgow... a very rare...
sunny... afternoon...
psychosis of the reader...
         1997 through to... 2008...
              that's 11 years... so...
what matters most is... how well you walk
through the fire...
that one about the crow and the madmen...
and each: having his niche:
his "social distancing" clause...
writing was fun when one could
stomach the: in the background...
when people lived their: very troublesome:
important... surgical precision...
nobel prize winning type / typo lives...
writing via a sense of voyeurism was...
well... hardly the self-evident blatant it has
become...
escape into fiction (lies you tell others)...
escape into imagination (choking ties of
tier-a: as above... with tier-b: as below)...
or escape into memory (lies you tell
yourself)...
but i rather the memory...
the cinema of it...
i forget to blink when: blinking is akin
to... signatures... autographs of famous people...
bull... shyte: philately...
         lepidopterology... half closure of the semi-
closure... a brilliant metaphor...
      when the **** or the latex gimp suits
are not available...
there's always that 14 year old "idea"...
of... a tamed *******...
well... if you imagine it as... love at first sight...
you're 16 she's 14... and...
you're dating her older sister at the time...
and then... she disappears...
within the confines of her first and last
unflowering...
but the pristine first-impressions become
less metaphor and more: idealism...
it's fun... when there's a concensus of it being:
forbidden... it's what drives both the hunger...
and the feeding...
that it's never actually realised is beside
the point: made... in... lars von trier's
nymphomaniac...
          too catholic of me: born into it...
but... repressing the urges... is as much as...
delighting oneself in them...
ergo: the necessary *******...
so much for... *****-******* and oyster
slurping... when... you have been...
ahem... told to **** it up...
with the: "excess of skin"...
excess of skin / chemical imbalance
in the brain...
how about... i allow... a triatoma infestans...
to quicken my: dementia...
the myth goes... along the lines...
a horse with a grain of sand...
via its ear... will bash and ram and ram and bash
its head against a brick wall:
in an attempt to rid itself of the irritation...
conformity:
cul de sac queers and kwerks...
i lampoon on a sunday...
the rest of the days i'm free...
clued into: cwown...
which is... somehoo: velsh... in parts...

- by death i imply a riddle...
                 by death i imply:
          freed from the cinema of highly edited
pseudo-living...
not even among the stage of the theatre...
but at least...
cinema got one thing right...
   the suicide of christine chubbuck -
the urban myth goes along the lines of:
a cockroach was found... alive... 2 weeks...
after its head was guillotined...
       it's like that... bane quote:
and... the andrei chikatilo... reality...
non-verbatim:
                 'perhaps he's wondering... why
someone would shoot a man...
before throwing him out of a plane'...
rephrasing:
   'perhaps he's wondering...
why someone would shoot a man...
after throwing him into a prison cell'...
unless... he wasn't... expecting...
to wait for him... to die... of a urban myth...
2 weeks if not more...
brain-dead: heart still pumpking...
horrors from Kiev... Chernobyll the *******
icing cream topping the gwand:
godzilla: pie in the sky...

     i cared... once... once... that was:
upon a time...
these times don't really require much focus...
the space itself poses enough
liberty... no need to look as far back
as there's to look forward...
     the 20th century killer: zenith...
****** and ferriswheel of events...
                waking up to the new mandarin
plateau... it's like...
waking up from... the refreshing cain
mythos relatability...
always from h'america...
otherwise... bullet to the head...
king soldier: human rights...
   yeah... nice... the shame of homeless people:
there's an alexander the great...
a a diogenes of synope: with a hippocratic
oath... loitering around the corner?
hell! go wit' the flou...
                 jump-start a prison adventure...
less... high morality ****-pants
asking questions on the way...
people of high morality
and high: low social status importance...
**** someone...
better than becoming philosophically
homeless... blah blah...
                         i'm so little i actually
define myself as:
at liberty to preserve the lives of moths...
yes... well that's nice...
for anyone asking to: ride the easy... roulette.

Falling
Sinking
Drowning
Redemption

Steel
Blood
Exhaustion
Black­ness

Suppose to me for a second that you ignore the cultural barrier between the man standing in front of you and yourself. This man was raised in a far away land, whose people are PECULIAR in many ways, not quite fitting into any group you have heard of. He has, in the past been referred to, sometimes affectionately and sometimes derogatorily, as an alien. He is PONDERING. You can see it on the blank, nearly expressionless face that he posits towards this unblinking world he considers void of redeeming qualities. In his land, there is a PECULIAR saying, that he keeps repeating to himself, as though it was a mantra that could somehow save him from what seems, at this point, impending. He is PONDERING this saying. The way he recites it, sometimes quietly within his mind's eye and sometimes out loud, much to the dismay of those hearing him, is "Acting with the peace of the dead." which is an approximation of the way he heard it once, when his father said it to him as a child. He is unsure what this PECULIAR phrase has been doing in his mind for the last week. He is in a tall building, on the top floor, and he considers jumping out of a window every free moment he allows himself. He has, on occasion, realized his consciousness left him during the day, only to be roused back from his PONDERINGS by the sounds of objects and people that no longer exist. He hears the voice of Him, the man who swam before him, despite not knowing how to swim. He fears that his knowledge of swimming forbids him from joining Him. He does on occasion realize that his fear of not being able to swim with Him is what some would call PECULIAR. Some would explain that he needs to let go of these foolish endeavors and let the 4514 swim along the coast, soundly. His father would have told him about the days he PONDERED the window of his tenth floor apartment as well.
He deems long enough has passed. He opens the window, and manifest before him is a bridge of RAINBOW. He steps onto the bridge and loses control of his conscious mind.

Swallowed by the dread
Swimming with the dead
The station is unmanned
The operator's ******

Let they who art one with the endless ocean
The black and glintingly specked sea of tar
Encroach you and grasp at what you hold

Let them hold you down, down under
Suffocating the life out of you
Holding your throat until you drown

Let ye, fettered traveler, join us
We are a merry lot down here
This void, this black space we inhabit
It really isn't as scary as it sounds
There is love and joy and celebration
There is camaraderie, feasts
There are memories, in many which ways
There are dreams, and no nightmares
Let ye, shackled traveler, join us
For we have sang of your exploits
For we have cried for your sorrows
For we so desire to meet with you (again)
Let ye, battered traveler, join us
We miss you.
Your hugs felt nice.
We miss seeing you grow up by our side.
Even when far apart, we would always think of you.
We love you, and we wish you were here with me.

Suppose to me for a second that you ignore the difference of corporeal worlds between the woman standing in front of you and yourself. She inhabits a world of very little LIGHT. (Though there is some.) It is the middle of the night, which she is able to infer because even though her eyesight is as SHARP as ever, there is still absolutely nothing visible in this world. Though her other senses are, for lack of a better expression, quite attuned to this world, and therefore she can easily sense her way through the room she usually wakes up in. This, however, is not that room. She stumbles immediately, and falls, to a floor that feels much different, courser to the touch. The feeling of her heart welling up the usual anxious thoughts is not as LIGHT as it was a moment ago. She is in a deep state of panic. Of paranoia. Of fright. Of terror. The darkness feels all the more encroaching, all the more terrifying, in this new, unexplored room. White specks begin to cloud her vision as she stumbles around, wounding herself constantly. Bruises, cuts, trauma. She stays down, this time. There is a distinct coldness to the floor where she lay. She gropes around, and yelps in pain. SHARP. It's a knife! She grabs the handle of it. Quite LIGHT. She decides to test out the SHARPness of this knife and stabs at the floor. Nothing happens. Her heightened feelings of panic bring back memories, unpleasant memories, similarly involving darkness, knives and unfamiliarity. She can only see one possible way out, and concurs she'd like to see LIGHT at least one more time. She falls into a deep sleep, clutching her knife at her chest and dreaming of those folks of merriment.
She wakes, still as panicked as before, but sees that specks of brightness now form around the horizon far outside her room. They don't bring any joy to her, she just wanted to see them one last time.
She deems long enough has passed. She cuts into the flesh of her body that, through the darkness, she has never seen before, and manifest before her is blood. It is a stark, crimson color, a shade she has never once beheld. Then, as her senses begin to faulter, she looks again and sees more shades, all those of a RAINBOW. She brought herself joy by managing to create color in a world with none before her. She lets herself lose control of her conscious mind.

The woman and the man meet
A clashing of two different worlds
Two different times, yet at once the same
They both open their mouths to each other
No sound comes, they stand silent

THEY PONDER THE RAINBOW, ITS PECULIAR, SHARP LIGHT.

They stand together in the space that the choir mentioned in passing previously. Waves crash against them both, yet they stand unflinching, trying and failing to scream, yell, shout, anything that would make the other one understand. Their duality frightens them both, as though they know something the other doesn't. Finally, a voice booms, it is both of theirs and yet it is not. It asks the question that they both mean to phrase:
"I'm very happy to finally be here, but... where is everyone?"

A first exclamation
Is it an approximation?
Of my imagination
Spoken determination

We are all in delusion
Sinking possibilities
Acting on this activation
A brain improvisation

A flowing dedication
Mounted city destination
Lacking in co-operation
Mounted evaluations

Investing the cognition
Is not the only direction?
Embracing the investigation
My convergence recruitment

Not even words uncovers
The layered entrenchment
Sunken lost in introversion
A day dream of absolution

.for two days a song was haunting me, seemingly unheard before, hidden in the deep recesses of my mind - unrelated by sound or memory... yet burning itself a presence regardless of my faculties... restless... i had to take a walk through bedfords park, havering country park and hainault forest country park - through sun and rain and two bottles of wine... twice seeing bambi and at times scuttling like a rat / misanthrope from the unusual traffic of these parts... to finally find peace... Borodin's prince igor!

there's just enough of gloating to have to muster...
before some grander detail has to take form:
i've been trying to capture the song
i want to listen to: but it's hardly a genesis
of an #A... or... whistling...
             kik kershaw's the riddle?
                         it's not - now that the hindsight ("spoiler")
is presented... it wasn't a bach aria:
or a batCH... well: who's the good surd?
'ere boy... vat's a good tau: ba'ch...
     the would be baчelor: j. s. baχ...
                            a juggling act of... less than...
what james joyce's finnegans' had to offer:
and more: the diacrcrcr-detail-of-antics...
       pop sort of reference points?
                   would they be... if they weren't...
for the per se reasons?
                  details are in the noumenon -
that... axe-folding: exfoliating lesser demand
for: **** in machina...
                                      the sort of details
that mind: the over-simplified woman...
and... the terrible complicated seance of...
when witches were detailed about...
their broomsticks were to be replaced with...
vacuum cleaners... terrible details of
"unnecessary" complications...
man of science man of technology man
of engineering and man of mathematics...
much later... the man of linguistics and...
the troop of ballet dancers... the choreographers
and the composers...    

i have taken enough days to gloat...
working an addiction in reverse...
a bank-roll filled with: plenty of nicotine...
and chem.,
           just waiting for the completed
day... an exercise in language:
and jack daniels bubblegum:
pale blue... blueberry images... gluttons
of colour: those pearls...
back to music... back to music...

   i wanted: rather than tried...
to fathom a pause in the construnction
of the res cogitans: with the usual
punctuation markers...
it's hardly a semi-colon...
          a full-stop... a comma or a full-stop...
hardly the detail of syllables
with diacritical markers...
    hidden letters...
rare in english that sheer and chisel
should come together...

i was thinking of a punctuation marker
to block of all narrative...
not a mere punctuation marker -
not some apostrophre...
                precursor to the possessive article:
's..              's...
even the russians do not have
what i already have...
         namely... дж...   джик is an approximation...
something is hidden within...
dzik itself (boar)... dzikość - wildening...
        a lost attribute for the civilized man...
   дж is... slightly off from the intended:
   дз - while ж (rz or ż-art - joke) -
              is... well... it appears...
but is a few letters apart...
       for example in: drzeć (tear - ter:
not tier - nor teer - backwards to forwards...
latin diphthong of æ) -
                        to tear paper into pieces...
   a tear ran down my cheek...
   to have read: rather than... to simply: read -
and... the reed - a stalk of a bulrush...
               the eastern lands...
                      synonyms and two best known
aliases: the birch tree and the bulrush wetlands...

this is the only best: approximation
of a song akin to Borodin's prince igor...
that can't be hummed... unless heard proper...
not from an abstract of memory...
conflation of adjectives?
abstract is more an adjective than a noun...
for this presentation...

      hiding letters like a good 'ebrew...
           surds detailed with apostrophes...
mollusk legs... exercised...
  a day later and the extreme cigarette high
is "missing": not found...
   щыт "vs" szczyt / ščyt -
                 no less congested than:
                                       dość! enough!

from the initial fascination of working
english into greek...
                     things had to translate themself
into "mordor" regions: Ruś, Krym, Tartar...
the Caucaus...
                        and the Turkic dwarf plebs
of mythical Constantinople... takeover...

- with thinking i wanted to capture:
res vanus: the empty thing...
       a synchronised: symphony of...
with what's being emptied...
while at the same time... with what's being
filled...
the years passed when pacing
with a heart of a turtle...
compared to... the heart of a mouse...
i call it: no known noun...
              to think is to have the heart
of a mouse... easily agitated...
no room for lost narratives...
      hell: better still... without haikus
and all those condoms of denial and...
delayed view-count murmurs...

          a case of: res cogitans:
a thing most animate...
a case for: res vanus:
   aa thing most inanimate...
         it's... a slingshot... a strain on purpose...
it's an incremental addition of purpose...
it's a punctuation mark akin
to: lost the linear...
up toward the copernican east we go...
and then back toward the flat-earth
project of... being able to read a map:
topography... without: the need for 3D:
3D the copernican: it's all very imaginary...
vector alpha:
points beta and gamma...
to find punctuation: a silence...
a bit like... finding gravity...
which isn't a sound... but if it was...
it would be... the sound of falling rain
on leaves or lead plating of a roof...
or... the sound of recycling...
of water... in a waterfall...

by now all the ******* readers have
disappeared... there's no more...
instagram haikus in the system...
there's the drone drill sequence...
a very distant humming sound...
perhaps an impromptu crescendo of
variations of a cat's meow...

absolute: total: шит... more like шитышит:
    шыт if i was... to be honest...
   sheets of paper... floating about...
                    well... i too once thought:
those russians... with they cyrillic...
but no diacritical markers...
      well K in a mirror: ж...
                      no one told me about brining
mirrors into the project...
     sh-ch-
sz-cz-                щыт - height: well... zenith...
bl-ы'h bl-ы'h: blah... blah...
       it's a letter: the russians call a "sound"...
like the english should start calling
the letter "g" or the "h" a >sound<:
surd...    an apostrophe: gnome: 'nome...
gnosticism: 'nosticism...
                                 'alf the 'arvest...
prop'er: cockers and pouch of punches...
   very ******* irish sober to me...
brings all the harlequins and loon'doon'ish
to the backyard for:
                   milch-schütteln-und-schäkel...

and then i return the cork back onto the corkscrew...
as i pa'k - my... packaging... CCCP... comrade...
the folded soviet shop...
don't worry terrible ivan... there's a new shop
in town... the iron has morphed into silicon...
see-through curtains and...
this virus... did more damage...
than any... brave lion of the jihad would ever...
circumstance of the affairs of westminster bridge...
they would "epstein" one through
one in a while...
                 to **** chicken the populace
into a cucklicking KKK strut dance of:
burning hoods and bras and crucifixes...
and ******...
                              conventional... formal...
language usage? please reserve that for...
the golf course and business talk...
                write? write what? a kandinsky?!

yes... a big hello ******* from
tiktok and twitter...
1 minute videos and... 180 characters...
         i feel constrained... claustrophobic...
if... i can't write an imitation Dickens chapter...
1000 words is ******* lemonade...
2000 words is... regurgitating a day's worth
of a newspaper... saturday edition...
which includes the editorial and the magazines...
3000 words? a truly rare thing...
      given that... conjunctions and their details
are not counted: ' - is both an apostrophe and a surd
letter... t'at all depends: on the "v.a.t."...

the whole point was...
finding excuses to write about quitting smoking
are other... they were all fine: crack ******* smoked
when the levels of nicotine were dropping...
the upper body was exercised...
but the legs weren't... mollusks and oysters for *****...
or... toes...
to count... oysters for toes...
but when the legs have been exercised...
and a balance has been reached...
there's little to gloat about... about...
quitting smoking...
there's a need to say: the glory of the tongue
and its palette when walking...
the budding beauty of things surrounding me...
all blushing envy of the green...
  self-respecting green and its almost
teasing green phosopherscent insomnia
in the rubric of the sun: next to wake...
next to hide... a bud of bishop hues...

insomnia green of the forest...
                     poor bambi (x2)...
                    zinfandel rosé!
count! syllables! nurse! scalpel!
zin!-f'ah-del... rou-s'eh...
                              oh remind me of the night...
and the forest... the blinking moon
by count of clouds obstructing its glee...
turned into a melting moon...
spray-painted over the leaves with
its last will of agitated: clingy mercury tinge...

the debate: "debate" wasn't about...
i took 3 days to gloat about quitting smoking...
there are more important affairs to mind...
notably! notably?

example!

la traviata is an opera in three acts by (giuseppe) verdi
set to an italian libretto by francesco (maria) piave
                                                 (verbatim: i.e. borrowed)...

there... they cite... the composer...
    who doesn't need a first name, since: verdi is...
synonymous with verdi and opera composition...
but...
         yeah... you need to mention the first name
and the surname of... the libretto: francesco piave...
the opera...
      music... and... the words...
well so much for the music...
but... last time i heard... a violinist holds...
a violin and a bow...
                         what's the opera singer
to hold? the melody? no! he needs to hold...
words...

   today i passed a family in the forest...
a mother, a father... two children...
                   and a grandfather...
maternal / paternal... i don't know...
i was already on my second bottle of wine...
the woman asked me:
   'will we get back to the car park if we turn
around on this route?'
        i was already eyeing them with
a curiosity prior...
i uttered the words... 'you should...'
          not... 'i hope so... since i'll be
testing that question'...
or 'you will...'
                           several minutes later
in my own solipsistic interlude...
            you should... i swear to god...
sometimes i say something and can't
see letters behind the sound...
      like: i shouldn't really see: meow...
behind the sound a cat makes...
since... a cat doesn't just make an: ego sum: meow
universal statement...
there are variations...
    'you should'... i repeated...
slightly drunk and... whatever... i didn't see
any letters in the sound i made...
           for once... not the last time, though...

to abide in such joys from a past -
chevalier, mult estes guariz -
                 to cite charmlemagne and prince rolo:
the scandinavian convert -
who's (whoz: not who is) descendents
were the morphed vikings: the normans...
who conquered england...
        since the predecessors couldn't...
walther von der vogelweide:
                    palästanalied...
all through the german autobahn...
                   the word... AUSFAHRT!
the lands owned by the lithuanian who
married: and by marriage became converted...
from the last pagan prince of europe:
enclosure rhapsody of caged
elephants: prior: mammoths...
  the estonian bulwark...
von meer zu meer (von baltisch zu schwarzes meer)
these jagiełło platitudes of envy... chełm...
      sch'war'zes...

begotten not made: blistered...
the scarf of colour to capture the frenzy of
autumn... a shawl best worn to...
loot the colour and suffocate the subject
with: no past a dream and a dream
without rucurrence...
to borrow from the past as much
if not more from fiction!
to say: once they pickled Barbarossa...
come the third crusade... disgruntled oath-breakers...
sought the prussians...
and the lithuanians... and all that land
to the east...
had they only known... what the prussians
would make of the absence of the saxons
of the pomeranians and the bavarians...
i wasn't there... no...
but a romance is a romance is:
here's to... no ode to a ******* sailor:
capn' ahab... or the rodin instruction
knee deep in the mud at ypres...
or the mass-graves of german youth
or: how kaisser wilhelm and that in-breeding
crew of familial ties tore europe
on the altar of the bull...
before this bourgeoisie whittle adoolph HIT!
came about and charged the former
bitzmarck ***** and the elites with...
eh... the story is so told and so old...
"they" couldn't fathom the middle-project
of the khaki and ******* not coming
from their... high-brow... aristocracy...
better to reign in hell than to serve in heaven...
choir boy whittle adoolph said:
i'll borrow the schnurrbart from chaplin...
after all... with a surname like mine...
a ****** or a chaplin is no... WIN-D'SOR!
yes... apostrophe 'ere if not to hide a surd...
it's to elevate punctuation...
for the sake of syllables... the hyphen is not
enough... vowel catcher tetragrammaton
invocation! the first arm of the god:
the second arm is for: ha ha ha! laughter!
cynic and satyr!
            eh... let's leave the stoics to their
love of labouring over the fate of oysters!
protestants and pre-destination-alists...
clarvoyant calvinists!

                         from the decadence of a "lost"
empire... what "pseudo" history is to be
resurrected... romanced...
the angevin empire?! that there is a past...
the "lesser" dream...

a patrick and andrew a george...
and ef bwy newid troi (he who...
altered path) -

troedfilwr - petty velsh:
quasi-silesian / kashubian / little warsaw
of the "bigger picture" masovia...
CAPital neu...
          
- ever write something...
at a snail's pace: crow pecking...
because a moth has just flown into your room...
and... unlike... holding a seashell to your
ear... to find the ivory shore...
and the details of false echo of... galloping
waves...
you clench your hand...
and hear... fluttering... like the sound of...
desperately falling rain..

madame butterfly is an opera
by (giacomo) puccini, with a libretto
by luigi illica and giuseppe giacosa

the magic flute, k. 620, is an opera in
mozart to a german libretto by
emanuel schikaneder:

           der verk is in the form of a singspiel:
singing and spoken dialogue...
my demise: the awe... interludes of...
theatre... in an opera!

               rushing rushing and... kandinsky
the colt serenade kind...
  with... canvas... and an auction house
of reserve that... fridge magnet enterprise
of a single mother of... 6...
              
you couldn't get an opera...
working from the carmina burana...
the... libretto... thankfuly...
constricted the music...
you'd only get what you already have...
a medley... opertics instead of an opera...
sketches of an opera...
    the whole custard mess...
the rhubarb the rasberry "finicky"...
         the Goliards and the... gonnards...

               were diu werlt alle min
               von dem mere unze an den Rin,
               des wolt ih mih darben
               daz diu chunegin von Engellant
                lege an minen armen

the quid pro quos and the... anon. circus
spectacular sheen!
  
  what is the composer without the libretto?
the violin player has his violin and bow
attached: like some... frankenstein's take
on an elaboration of an autumnal fallen:
leaf of: a "false" limb...
dire desires for a lingering crescendo...
of a piece... without an overture...
bothercome children and the good life...
nothing worth clarifying the nouns:
to a supper... a goodnight...

                       bedtime with nabokov?
my take... well... it becomes apparent...
when... the local... easily accessed by the many...
avenues of love... are exercised...
what remains? taboo...
and once the taboo is... investigated...
invested in... well then...
there's that all overpowering tease of
thought not materialised into a will...
a 14 year old girl... below the mark...
she's 16 and i'm 18...
and i'm not her... cousin and this is not
israel...
                  after a while... the only *** available
is... the forbidden type...
and there's... so much freedom in
what's forbidden... when it's only thought...
the complex: θ(ought) complex
that becomes φ(inking)...

              the moment "she" starts to
perceive the mirror...
       and you're looking into the concept
of time and of glass...
  
but then... there's... the libretto... and the composer...
the rare event of: richard wagner...
where there's a schizoid... bilingual...
"in theory": der kommissar working 7/11
on the advent of: neu-muzik zu kommen!

  queen of the night aria contra...
my sleeping karma - satya - ahimsa...
that one: "last" cigarette...
me... a wife and a child...
        tidy... if i only aimed at...
the fraction to no effect...
the wife and the sole child...
i'd be doing all the proper details...
a wife and... the hungarian model...
of at least: towing 2...
      hardly an embitious venture if only
towing the holy trinity of:
fake hey-gay-zeus fake myriam fake josephus...

not looking for queen of the night aria...
   nor satie's gnossienne no.1 sampled...
ezio bosso - under the trees...
           vittorio monti
jean-paul egide martini {/^.5.p 6^)_(0$drd...
toast!
it was... bothering me... started last night...
took 6 rough miles to get the tune
out from my head...
into a coffin... of sorts...
it was... borodin's prince igor! all along!

p.s. re-flex: the politics of dancing...
       duran-duran: the reflex; ******-pointer-ler;
h'american pie contra dad:
   the gay bar: electric sexes und siebens:
hefyd...                         deutsche bankschisch...
zeit (time) and the ruschischen:
              цeit... always conflated as...
indistinguishable by a ****** / lithuanian...
           цeit - bißcuit... crumble: чarcoal...

hey presto: a *******... voilà contra eureka!

Alone within my emotional wilderness

A reverie along memory lane when, this lviii sea sunned
row man (stills paddles in oarlocks and serenely quizzically,
lackadaisically, and harmoniously drifts) along the slip
stream of time. Awash on his figurative manual navigated
opportunistic prideful quintessential schooner reflects,
regales, and revisits ebbing lapsed instances (fast receding
into the past time, when psychological instability grounded
fragile my self esteem (generated venting, steaming, and
piping hot brickbats). As a newly minted harrumphing,
grubbing, and floundering dada enmeshment (analogous
to a fish caught in a net, hence quickly ricocheting, rabidly
splashing, and sloppily thrashing) predicated my foray
into das fatherhood. Aye experienced nearest approximation
Bing battered, rammed, and torpedoed from glomming
(par for the course riot ting heaps) necessarily imposed
adult responsibility. Such metaphorical motoring across
avast Battle Creek with no landfall in sight, this then nada
so Grand Turk (key in the straw) Otto man continually
snapped, cracked and popped. This human ping-pong
fitbit part player papa felt akin to subjection re: thralldom).
At this juncture in me cross currents of existence I can
harken back to those most exhausting, fatiguing, and
grueling endeavors. Hindsight offers this aging baby
boomer the luxury to cast astern. Retrospective leisurely
trawls along the shoals throes of fatherhood allow,
enable and provide and opportunity to scrutinize per
chance, where arises this on account of the empty nest
syndrome. Ordinarily the wife (i.e. missus to appear
more formal), would caw out my name nonstop….
”Matt”…”Matt”…”Matt”…, but she opted to organize
the cluster of assorted household items at the apart
ment (located in Crum Lynne – Ridley Township),
we hope to move within a fortnight. Thy spouse
volunteered her own mini reprieve by setting order
to the miscellaneous fixings gradually amassed,
appropriated, and gifted thru out the twenty plus
years of marriage, which hodgepodge of personal
possessions downsized whence circumstance dictates
evaluating goods having keepsake meaning versus
anomaly of belongings to be unloaded, repurposed
for someone else, or ordained as unworthy to schlep.
Alone asper like a very brief sabbatical from marriage
finds stillness amidst the white noise of the whirring
fan. Thus, I sit here ruminating how to dredge up
some idea for a poem,  (non) fiction or essay. This
husband became acclimated, conditioned, and em
bossed with a mate a tete for two plus decades,
whereby both thee dos delightful daughters on
Track 742 heading west. Honest to dog, I miss
the role of fatherhood when either off spring
(with an age difference of approximately twenty
five plus months) romped, scampered, and trotted
as toddlers, and upon childhood, thy little girls
found exultant excitement dashing higgledy-
piggledy, hither and yon, to and fro across the
playground as most glorious human indulgence.
Despite the plaintive wail vis a vis Juliet saying
goodnight to Romeo (…parting is such sweet
sorrow) haint pleasurable atoll. Hitherto un
known that during the most vexing, trying,
and quaking bouts when both kin of thy ****
fought like angry cats would there transpire
the occasion of sincere tearfulness ululating
vain warbling. Now a pang of nostalgia arises
when I drive past their happy go lucky stomp
ping turf, or reflect on answering the trumpet
call to chauffer one or thee other to amusement
park, play date, mall, favorite toy store such as
Fivebelow, birthday party, et cetera. Even
certain tunes recalled to mind and/or heard
being broadcast across the audio logical spec
trum a cause for moistened tear ducts. Wince
with sadness also mixed with sigh lent bundled
expostulations of joy. Both progeny metamorphosed
into able bodied, minded and spirited lasses,
whose attainment far exceeded any projections
internally forecast. Initial onset of parent role
found me all thumbs. Prior to begetting two
darling dames, this chap spent disproportionate
number of hours sequestered within some hide
away, which frequently happened to be the
designated bedroom at 324 Level Road, College
Ville, Pennsylvania, 19010. Never did thee major
rit tee days of mine life point to babysitting or
working with that chronological demographics
comprising the adoring blessed innocence,
murmuring newborn obliviousness, that bespoke
penultimate unsullied, utmost virtue necessitating
interaction with tender infants beckoning being
cradled, endearingly fondled, demonstrably easing
fondness gripping heartstrings issue jetblue kinks.
Aye felt pitched headlong into this foreign territory,
and initially experienced utmost awkwardness when
attending, pampering and pulling (albeit gently)
upsy daisy, the nascent hint of autonomy. Remembrance
and recollection of élan, joie de vivire, and yea those
ear splitting threshold of pain screaming tantrums
all boxed into tidy wholesome Zen announcing
nuggets of greater meaningfulness and absolute
value. The above long winded reverie intended and
meant tubby a semi biography, but leave hit up to
his hie n hiss, he went way overboard, and will give
a one line summarization to describe his i.e. yours truly
life sentence fate decreed. He (this Anglophile chipper
chap lived under duress of extreme anxiety, obsessive/
compulsive behavior, panic attacks and essentially
schizoid personality disorder for the greater part
of his life and hard times, which raw bits would
warrant fleshing out to extrapolate how these psychic
pitfalls represented critical factors at various and
sundry turning points in his life.

unlike the book of Enoch's proposition, i deem fallen "stars" (we all know they meteors, but religious language loves metaphors) as disgraced saints, given there's so many of them they can sometimes outnumber angels, so yeah, in reverse of religious blah i deem fallen stars are disgraced saints, rather than disgraced angels.

and upon having written the words that i had,
i felt a sharp indentation on my right hand,
as if someone was pressing a sharpened
avocado seed into it, that i knew was the thumb
of my guardian - there was a reason why
i masturbated prior to puberty aged 8,
that i might know the difference in the ways
it might be taught: circumcision and
religious obedience, and the non-circumcised
with their indolence and hedonism threshold -
or how to marry the monotheistic man
with the man of no theistic concerns -
who came later than the circumcised woman -
who in stories of a Prince f Egypt was beautified
in her agony: as passing the fruit to man -
from paranoid despots of Egypt eager to keep
a harem and let her not simply enjoy the company
of other men, but of greater peril from these despots,
that she could wield a greater satisfaction
from her own hand than his excavation of power -
never before was this story told in the crude manner
it deserved - the shame on poetry, and the subsequent
undermining of poetry! to every, EVER poet out there
readying himself for a renewed reinterpretation
of his horrid book, a word of caution: you will not
gain any other technique from this, no pun-joke,
this is metaphor versus imagery, after all imagery
deciphers metaphor, the ideogram of meaning,
thank god the Chinese were allowed to sustain their ideogram,
otherwise using these skeletons i'd never achieve
a worthy playing field, no table tennis table, no
squash cube, no tennis court, no football pitch...
given the survival of the Chinese ideogram i can climb
a tier higher from what's encrypted,
i can, thanks to the Chinese ideogram morph words
above the tier of sounds, above the tier of grammatical
categorisation that are governed by time / timing, and
enter the only realistic realm necessary, the poetic:
to treat "holy" but subsequently metaphorical texts
for a revision changing metaphor (hallucinatory images)
into imagery (the times when certain tools were
anticipated, of that said: Galileo and the telescope
and the *oculus rufus of Jupiter
it's appropriate karma and the dishonouring philosophy's
feeling of superiority that merely matches them with
Koranic scribbles that poets finally can box the other
strand of language use into oblivion...
poetry and the freedoms to suffice its continuation...
true via a real example: the "prince" of philosophers,
no other than Spinoza, polishing lenses,
as every philosopher after him, sharpening the meaning
of words, trying to eradicate Thesaurus Rex from
human existence, trying to coagulate synonyms into
a single meaning, i.e. prescribing words
of fluidity and subsequent poly-elasticity a mono-usage,
their prize lost, their dittoing of up-kept credentials,
their dittoing but lack of approximation ~******* up /
or simply buckling under the strain...
sharpening of the eye, they mistook killing off poetry
but by doing so, they encouraged Sophistry -
the art of rhetoric... poets never spoke to convince people,
they spoke to entertain people, why are these
apes running the mental life of people?! never put
your eggs in one basket... the poets were condensed into
the same cauldron as the Sophists, even though
poets preferred to speak from a page or the prior written
than from the heart of a deceiving others...
at the time of Spinoza doubt was still a considerable evil,
only when denial emerged were people finally considered
easy-zoological specimens of study: a doubtful faith
is a faith non-the-less, wavering faith, but at least
not an offshoot of denial, which only breeds bad faith
(as Sartre described) and ends up being a confession in
a *******'s bedroom by some duke of *****-nilly.
in the end, all i have to say is: the preliminary poem
always aids your sober affairs that later becoming drinking
affairs: that the Chinese ideogram resilience allowed
us to translate "holy" texts of pure metaphor into
pure imagery, and create the paradigm of desecration
justified like a Mongol in Baghdad...
where the true Golgotha is situated -
that poets aren't sophists, and that by attacking
poets, philosophers created by far the more zealous
version of criticising poetry: a Surat in the Koran
and the current flowering of unnerved sophistry in
politics: not that much a case of speaking with a persuasive
manner, but a way of speaking toward a persuasive
lie that doesn't endanger the status quo.
so what saves modern poetry from despair and dodo?
the Chinese ideogram, thanks to the Chinese ideogram
(working from the book of Genesis) i can pass an object in
the form of metaphor (apple) via jingzi / mirror
and get imagery back (*******) - only because
i am passing one skeletal object of spelled simplicity
into another object of akin spelled simplicity
via something resembling carpals-metacarpals-phalanges
(the wrist) - as the title suggests: wrist-mirror -
only thanks to the Chinese up-keeping of their ideogram
i can transform metaphors into imagery,
the fruit of knowledge into ******* -
or puns into jokes;
this is why i'd only take two books with me to the grave,
Ezra's Cantos and Russell's history of western society:
it's because of them that i get to keep
the desired momentum.

if it be a tribal issue, i'd craft a society
from each nation,
but it be a furthered without ethnicity
for a system,
socialism is equated with borders
where the many calais migrants are male
with no female counterparts,
a sort of faked ******, more apparent
when the tennis matches roll into quarter finals,
kacap ******* moaning and groaning
a serve, a return... russian galls all eager-******
for the ooh-ah, ugh-nibble pull apart the ribcage!
even serena williams imitated for a while
the welcome ******* distraction,
the song named the misty mountain colds
will define my life, i invested many words
for the emotion behind it, and i'll invest in nothing else
in order to feel:
like i feel lessened in creative exploits
with a thousand blank pages between me and the ink
of zoological phonetics encoding emerges
(put a number to it, and every time
i get depressed - because the quality changes
very little, and the little that's left only
belittles with a sudden loss of adventure:
poets the naked narrators who cannot
craft characters, instead writ into action
a familiarity with narration but no
de-personifying narration),
mind you the god that endowed you with adventure
mind you the god that endowed you with pampering,
and which world to designate life with will you choose?
kacap! kacap! orthodox mad monk kacap *******!
let the commonwealth oar its last into the geography
of poland ukraine and lithuania carved from the mapping
of frequented transit of commercial goods...
that i find my un-originality among the blank pages
published, when i read the inked blotches of former
invaders of the blanks tattooing their tongue
from breath and into word, in order to ignite a nobleness
of delay: that word might invoke memory porous,
and breath imagination, and the riddle of dissected
airing of thought: with vowels the zenith and consonants
the nadir, i here by name meeting a loss of anonymity
proclaim a union in syllables of the height and depth
coordinating a linear road well travelled, universal;
here too i claim the sloth of slang mismatched from
quicksilver, taking off the trailing technology of
such an endeavour of rhyme upon rhyme with the
sole expressing it successfully: the utility of a rhymed couplet:
rap pancake potato sack readied for the flip flip
of the slavish rubric of packing the ones readied
for cotton picking.
route back to tennis: kacap ******* smoking
thick tough cigars of: umf! pooh! plough! ooh oh ah!
backhand spin, forehand ****! umf! ****! clap loud!
ooh oh ah!
the iceberg sized diamonds were easily dispersed,
and all other riches were stored with
screams in helium kept tight: advantages of
wealth circular economy
in the octopus incisor depths of
the mosquitoes of iron maiden skeletons
of sharpened blood draining arteries dubbed
the clippings of st. peter's of st. petersburg insignia nailing
a fathomable curse, readied for the public,
and readied for the ***** of a concentrated public
expression in only one statistical imprint: continuum
(be met assuredly):
our garden of eden readied for the public barbers
where once the bread of the beards begot a trimming
of a diet, should erotica feign a menopause of onomatopoeias
once readied for the ultimate pleasure,
now readied for old age's onslaught of readier
sober speech to make choice akin to mistake,
given 2 be 2 and both located in a flat earth of the square,
as seen in linear rather than omnipresent orientation
of the optics... and so on and so on, successfully,
to unsuccessfully remind us all of the candle flame hush,
arable the last neared star to give moon dominion
over the night that was a feline gaze of luminescent
fattening of many mirrors in termed phosphorous
elemental, when john, catherine and gabriel
stood contrast erectile on the spaniel's spine converted
to a dimension of dissection of rooted distances
made worthwhile unknown now (the surd k)
and the phonetic approximation of knowing (surd
the 15th century, surd the 16th, 17th, 18th, 19th, 20th,
in order to speak now and sepia the rest, as the
equivalent of not having the surd for the syllable now).

next time you say you can handle all of my crazy,
baby, make sure you have a vacuum

for all of the lazy, broken pieces of those same words said before,
that have been smashed and smeared into my **** carpet,
so you don’t cut your feet walking backwards out the front door.

next time you say you can handle all of my crazy,
maybe make sure you have a vacuum

because my hair sheds like it’s perpetually ridding me of thick coated winters,
and leaving behind a shrine to our time together like forget-me-nots
so you will find pieces of me everywhere -
not just in the carpet, the bed sheets, the backseats,
but on the radio:
if not because my voice is still etched into your mind during the static silence
then because i knew the words to every song like i wrote them all,
and i wrote a lot of them about you, or people like you:
the previous liars and triers and vacuums.

next time you say you can handle all of my crazy,
remember space is a vacuum

and how you also said we are two stars intertwined
because we are not celestial beings but soft bodies destined to die,
oxygen deprived, with ruptured lungs in ten seconds time.

shadows entangled so it happens
the oppressor and the oppressed
such an intimacy of pain terror and shame
in the quietness of the right hand the left hand
surrender to the cruelty of an exchange
to be or not to be delusional
this is a question
reality just an approximation of a terrifying
mystery without meaning

a beat of a heart alone in the dark
we have many songs but still little understanding
about the growing shadow lurking in the bright light

Asleep in his cot.
Or so I thought.
I hear his restlessness
(No sleep for the rest of us)
I lie and wait for the inevitable,
His teething has been terrible.
He's about to start crying.
But the restlessness ends:

Silence is eerie when it is unexpected.

My tired brain seizes its chance,
Shutting my eyes on my behalf,
Forcing my body to relax,
Filing away my anxious thoughts,
But, no! Just as sleep takes hold,
My door creeps open.
There stands my son,
Or at least an approximation of him:

Doorway silhouettes are unnerving.

Then, a dragging realisation:
My son is just nine months old.
He cannot climb,
He cannot walk,
He cannot even stand.
The sleeping process reversing,
Adrenaline begins coursing,
The small figure approaching:

Staring and with spittle drooling.

I choose flight over fight,
Need to know my son is alright -
That he is not this thing of the night -
But the child-thing chooses fight,
Chases me, grabs me and bites.
It will not let go,
Its claws dig in,
Its breath stinking:

My son is my dying thought...

you box it silly, until you get to speak to it...
you box, box, box box it into pretty, you box it into
something resembling a francis bacon...
can you even imagine, feeling this much?
and then get to write about it all, by way of treating it
a mush? i'm sure that hardly
resembles the sitter, but that hardly
matters... look at that masterpiece of a
boxed face? looks blurry, i admit...
but that keeps it as art, and i find that to be...
most necessary... for i find the most recurrent
theme as: just ordinary;
everything just being as numerous
and countless, and reproducible as the
phenomenon of spring,
    that frail thing that needs to bloom
and later die... what a horrid escapade
to give it a metaphor akin to vivaldi...
sparrows... sparrows? seriously?!
   it's just that autumn, and its scents,
and its fruits... that auburn, that khaki:
if ever orff met vivaldi, he would call
autumn: the reviver!
spring is something that exists in th realm
of dr. seuss... i.e. mainly children...
or that great dumb joy of dogs...
   same ****, different cover.
- i listen to what could be best described
as neo-**** music (nietzsche did that,
introduced the hyphen at the beginning
of a paragraph, within the realm of the paragraph,
that seriously needs to be deploit within
poetry, with no paragraph, as a
whimsical call to changing the subject,
and retaining the object form, and repressing
psychiatric investment in, what they
later call a: "person". so i guess that's
- - - - - and me somehow closing the bracket
like i might keep to that romeo & juliet phrase
of palms and monks and kiss kiss moosh?
  ****...                         d'uh.               )
because i'm the one with testicles...
and how world war ii taught be something...
that i wasn't too keen to learn about in the first place...
maybe the celt in you feels i should
have shut-up and sailed on a titanic
failure...
        yeah, like that ship...
     or how ᚠ and ᚦ.... and how θ and φ
are almost identical,
revisionists with a care to revive the latin
grapheme of æ... should look toward anywhere
but here... like that grand mythical
marriage of Adam and Eve... that gave
us umlaut and macron?
how could life, if that alone, but merely dialogue
with someone become simple,
after a father wrote something akin to finnegans wake
to a daughter? it's my ex-girfriend,
she calls me up while i'm doing an industrial-sized roof
(tar, felt, slabs, *******)
and comes up with: i'm hearing voices! i'm hearing voices!
you're not going to read proust, that's for sure;
and historically speaking, that was a movement,
not something done solo...
literally a bunch of squaters that mattered
in the birth of the 20th century.
        - me neither give, nor have a bother;
we already presume to have had it sideways
with the colon and the |... whatever that represents.
          but aren't the ᚠ and ᚦ... θ and φ
identical concerns?
  you wait and watch something else encoded
having this tenacity to suddenly implode...
you'll be left wishing a moustache is
about all you could ever grow...
                   therion thermometer.. philo...
thinker, phlegm... what's with wh and why
isn't it... doing anything?
the combination of t h and p h is
too, well... bewildering to me...
thermometer, pharmacy...
ph, th... v / d -e point...
               i once called language something
that could well be mistaken to imply
approximation...  phantom, pantomine,
tantilising, infantile, in that... d d do duplex
done...
              we know the myth that philosophers
are doers and not thinkers,
we know the best ones are not exactly literate,
or if they are, they don't bother the sophism
of implosion... they just explode onto the world
and are like: hey man!
but can someone please explain to me why
ᚠθᚦφ exists? i must have just written F, four times...
and read about fifty slang terms on the internet
to say:
really?! y.h.w.h. is just a ghetto acronym written
on a brick wall? like the internet?
         ᚠθᚦφ is probably just the same,
the way people keep making an oath, or adding
the emphasis as if they spotted a comet...
      it's just fe fe, fe fe -
or ef ef, ef ef          depending which copernican
side of it you come from to congregate
in the land of the "setting sun".
                l e f t t o r i g h t
                  t f e l o t t h g i r
they meet somewhere, and sprechen lingua franco...
perhaps like Sicily, in the times of
that liberty magnet that was Fredrick II
from the Hahenschtaufen haus...
i have to do it... akin to       n
                                         w      e
                                              s... look at that...
what a beautiful acronym...
  it's not even a case of being ignorant...
  but it seems to be the general idea of a compass
these days...
                 and to think, to have the sheer
concern to make the effort to read...
which is the only reason why i resort to having
the same effort to write,
  or where two roads meet...
or what's called the fork... funny that...
three arms and a leg to stand on...
                                                     ᚠ
                                              ᚦ           θ
                                                     φ
i reduce modern vulgarity for not enough
fucky-fucky... some reduce it to the tourism
of Taiwan...
   and how Taiwan is perfectly adaptable for
a heretical christian revival, or the confused pronoun
case of almost parasitical invitation...
you hear it all the time in england,
english men going to taiwan and looking for
pretty clay, behemoths...
      right now i wish i was listening to the news
in poland... ****! at least it would be easier
******* from conservative catholic grannies
than this oddity, that really needs a second david bowie...
i can't do it... i see paying for the absurdity of ***
is fine... walking into a shop
    and buying chewing gum... a ******* would
buy more things than i ever could...
or care to want...
               a woman might go and buy perfume...
all i need is some water, and soap...
  just as rare as finding a keen reader of kraszewski,
or a tatarkiewicz... too many people read marx,
it's starting to eat me up...
         i'm starting to see a work by marx like
i might see a bench pressing corner in a gym...
                          or a crucifix; get all vampiric
and angry goo that constantly seems to recoil into
siesmic fits of violence, always minding
the lord of mosquitos... and never... Beelzebub...
bled on the cross, talked wine-to-blood
at the last supper, didn't he? so he's not
                                     the lord of mosquitos?
the wars we had because of it...
    thankfully... to inact progress...
               as all hell is blamed for doing:
or rather imroving... oh don't mind me, i'll have
to wait 2000 years for someone to recognise me,
as i did, j. c. nazareth, lord of mosquitos and
countless wars to finally freeze chickens
                      and ice-cream; cabbage? fresh!

Are you happy?
someone asked me
of late at just
the right
moment

I hesitated
What exactly is
happiness?
Not wealth
or fame

It is not
to be found
in dopamine
or dancing
through life

Not
godliness
ascetiscism
or contentment
But it surely feels like

an approximation of a
certain moment of bliss
that even now
I cannot fully
apprehend

AH 2018

I wasn't expecting
your B or your C game,
certainly not your J or K

or any other letters
in the alphabet, really,

except that one at the beginning:
looks like a pyramid with a perch,
isosceles triangle with bottom arisen,
traffic cone alerting to awesome ahead,
space shuttle tip to aerospace action,
an upside down V with a chin rest,
upward-pointing pencil tip,
2D teepee with a loft...

or your best
approximation.

This feels
Like the color,
Purple.

My tiny dancer
Shock blonde
And cinnamon sugar
Watching Saturday morning cartoons
Curled up in bed.

The grey daze before dawn.
Like goose down and
Razor blades

I’m enthralled.
Captured
Raptured
Rising from the dead
Of long, wrong dreams
Inside my head.

Could this be?
Could this be?
Could this be?
Love?
Or just a
Weak approximation of.

‘Cause the world seems to stop
Whenever she’s near
And everything becomes
Perfectly clear.

I perfectly understand that I
Can’t get enough
Of my
Fingers in her hair.

I can’t get enough
Of her
Artificial air.

Yes, this feels,
Like the color,
Purple
Like goose down
And razor blades.

I am rarely satisfied
with the words that I choose
to express myself with.
In the end,
I settle for an approximation
of what I had wanted to say.
How often do I find myself
falling short
of a truly beautiful sentiment?

It coasts on the dips and dives
along smooth muscle, contracting
pushing, friction absent
and lubrication self-perpetuating.

She called it a spiral, but
I don't see it that way.

It is funny how the little things --
orange and purple and white petals
strings of words together like beads
white-bordered photographs in sepia
-- are bigger than they should be
and shrinking into the smallest spaces
ubiquitous and permeating
reproducing
on and onward pulling.

How do you determine the area of a feeling
how you wipe it down like auto wax
all the crevices like jelly in the webbing
between your fingers
all the misplaced metaphor and you're assuming
I know what you're talking about
you're assuming I care.

I see them there in the bright lights.
I want to be with them.
I want to be a part of nothing.
I want something to be a part of me.

The circle is the mockingest of shapes
daring the others to find its edges
a noose for the mathematician
relying on impossible for truth discovery
the approximation to determine strength or mass or density.

A curve is inherently incorrect
and creates problems for the navigators
who trust cohesion and consistency
who trust each other in cohesion
and constant and consistent standard creation
who challenge the borders of the world
and braid together the loose ends
cruising on new planes.

I watched the wing fall into the water
into the lake, that's a lake, right?
It feels like it goes on forever.

Loud noise.
Open eyes.
Dart right and right.
Grab. Hold. Release.
Quiet.

In chalk on the floor, I drew one of those shapes.
I crawled inside of it, curled up into it.
I closed my eyes tight and held my knees together.

at what point wasn't it a way to bypass
the editorial scrutiny...
to directly engage with a reading
public...
why did i think this might be: any good?
i guess i only thought:
i need this out and i can't stash it
like a corpse...
into some damp cellar... like a morally
relativistic monstrosity of a sociopaths'
analogy of: "feels"...
   well, no **** Sherlock!
how i made the following reply...
is beyond me:

- believe me... i had more to write but i felt a sense of restraint... i'd like to see what a terse reply would make you focus on... so i'm scrapping the concept of handicap: heads up... now it all depends what you'll be choosey about... or not... because there's plenty in you reply i could quip about... well... then again: is being witty synonymous with being satirical? i'm not for intelligent / condescending humour on my part... personally i love the dryness of sarcasm... but then again: what's to like about the bluntness of nail-heads? just my take on... what exactly not to like about schadenfreude (what's not to like about schadenfreude)... i'd much prefer a humiliation of a leather gimp suit... so it seems: honesty is the best joke in play... there are too many stereotypes in England too... the best one i heard was by my Glaswegian english teacher in school... ahem... how was copper wire invented? two Scots arguing over a penny... like the stereotypical arsenal of deciphering the Jewry run wild in the realm of the gentiles... with the Scots... being our prized asset of: reverse stereotyping... i guess because knowledge of poor Hebrews is either a mystery or taboo... worse still... a mythology... and here i promised myself restraint... yet i'm experiencing something of a writing block and i... most probably found the most surprising alternative outlet... the eroteme lady - ms. query... so there must be nothing concrete about you... well... i too remember being a teenager prior to 2000 on those hotmail chatrooms where the acronym ASL could get you... all hot & bothered... don't take this the wrong way but i've heard that most writers, poet (i'm a chicken scratching doodler at best) reverted to the medium of correspodence... lucky you, "lucky" that i'm testing the waters on you... but don't worry... i've tested the medium with other people and wondered about their stamina... you are starting to gravitate toward psychiatrist status...  it's so strange though... not writing on abstract... blank... rather: inform sender... it's to them... all that *******, romantic or not... about writing for that one person... sure... **** it... write 'em a letter... don't mind about that trippy-*** poem of yours... you know? apologies if you come across as something of a punching bag for sounds... i hope no typos... well typos can be excused... ah these ****** articles about... wait wait... momentary lucidity... i was going to use some of this in my way of combating my writing block... the troubles in the english language... spelling... "approximation" drop the vowels realise: that's how the Hebrews wrote all along... treating their vowels like diacritical markers... the ****?! i feel like i'm being robbed in plain sight... because Copernicus didn't ******* realise jack-****... they pile it up with their Pope and the execution of ******* Galileo...  ugh... it takes some ******* nerve for these days to allow for this ****-centred kindergarten of events in man's... non-evolving history to continue like some: no ******* dodo exctinction ever took place... (agreed... the following are all faux pas... "invigorations") honey? babe? ms. anonymous gender fluid pronoun neutral... what's the informal, best? ms. avatar ms. harleyquinn the world's stupid? what are american stereotypes of europeans? come to think of it... that cookies is too big to take a bite from... you can't exactly base stereotypes having only seen tourists... since a tourist is a stereotype per se... i'd have to go to california... to get a californian stereotype... to georgia for the georgian stereotype...  wait a minute... Costa Rica... "hint hint"? Latino? that wasn't exactly... it was a fork in the road... the Sephardi... you're working from an avatar canvas... you're making allusions to... what i look like and it's like i'm a mesmerising doppelganger of al pacino... is there a chicago accent? i heard a lot of the ****** diaspora was lodged in that *******... i was terrible at accents... almost always a chamaleon... people still ask me where i'm from... so like this one-stand-up comedian in Edinburgh said... when he was quizzed about the geography of his accent... 'you might recognise my accent... it's... educated'... now that's that... isn't it? i could fake you an indian accent if i wanted to... perhaps a german accent too... but i could fake it... by the way... in these parts... biligualism can be treated as schizophrenia... just saying... somehow integration is not fully deserving the status that: not integrating decides... because... not integrating is... "safety first"... the dodo project alliance...  least of all... i've been dying to by a baseball cap with the Cleveland Indians old logo with chief wahoo... so stereotyping americans... it's beyond hard... it's like stereotyping Russian that are not in the vicinity of Moscow... some are probably Mongol remnants... their own idiosyncratic solipsists to their own... i'll take up my bicycle tomorrow and this drunken tirade will most probably fizzle out... i truly couldn't make up giving a toss about what's internalized americana stereotyping... not that i don't care... i just don't know... the currency of the nation sends me years and years of Ed Gein reinterpretations... what am i supposed to "say"? tomorrow i'll be up early and bothered about my bicycle as if it were a horse... but i'll still want to retain gravity with leaving you with this frankness of a reply... lobster-red probably implies if not simply implores: ginger and freckles... i like to think of suntans as serpents shedding skin... i suntan i'm a copperneck... i like the german sound on this... plus... it's readily available as compounded: kupfernacken... what's better? auburn-tease? kastanienbraunecken? i like the joy you feel with what you already prescribed me with.. that i know so little about you... that while i'm prodding you withhold giving me concreteness.... concreteness would allow me... disadvantage me to focus on "things" that are absolutely not necessary... so: i can focus on whether i'm not being pedantic enough and: misspelling...so... what's the stereotype surrounding Alaskan gurls?!

- thanks for being ascribed in getting my "mojo" back...for now...

- What do you mean? I'm surprised this is the shortest message you've sent. I was getting used to your drunk musings. [I say this with a smile but I know you don't like emojis or silly acronyms, and writing out "laugh out loud" sounds ridiculous... after all, you know how important sounds are to me].

- you just asked one of those questions that... is aligned with asking... 'what are you thinking'? the moral 'ought compass waved me a goodbye and if i haven't broken any laws to pursue the sort of freedom of though i currently enjoy... bypassing the need so stress a "freedom" of speech... writing is an extension of thought: not a prompt / invitation to speak... i'm surprised that you scrutinise the length of my replies... and were we to begin with? in the "easily offended" pile-up? well i'm still getting drunk... you're still an avatar mystery... but at least i'm waging a war on prosaic sobriety to boot... i guess i had to come clean at some point... i never write sober... i don't see the point of being: disengaged from the genuine (a longer version of a one word would have sufficed... but i'm lazy about the spelling... while at the same time... there's this critical theory approach done in some of the newspapers about english spelling... let's see if i get it right... dis-in-genius... for starters... disengenous.. horrid... aaah so terrible... dis-less-advantageous... disadvantageous... oh **** me... i wriggled into that one: all sound and proper...why ask me: what do i "mean"? - it's not that i don't like emojis (well, i don't) but... what the hell... there are better hieroglyphs to focus on than chiseled into pyramid stone: own... happy face... the Chinese were doing ******* x-ray gizmo **** at almost the same time... it's a focus loss... don't even get me started that *** = a Parisian hello with tendering the cheeks with... a labyrinth of smooches... my lips are my pouches blah blah blah... you seem to be enjoying my rants... i gather? i don't even know why to bother with an ask (question doesn't even do justice to how i'm framing this)...  you want to write as little as possible to properly excavate me... well no surprise... if light can't bend around corners... i'll have a look: none-the-less... emphasis on the hyphens... this poor down-trodden word could be helped with some "breathing space"; no? i "mean": 霜... shoo-aang... frost... i have dancing skeletons throwing toothpicks at chopsticks pilled up in an area of pine wood... look at this sort of *******... and here we are... cradling one of the old languages with "holes in letters"... to peer through... O now i see... B: otherwise: ha, ha ha ha... what's **** in Chinese? the Greek prized π... but what P & I look like for a farting, mandarin? hey presto: "@"... not even a western concern for "patriarchy" could have complicated: what's already too complicated... a billion people... a wall... that didn't keep out the Mongols from invading... yet a phonetic encoding system that... would topple each and every pyramid... from Giza to the cleaving of South America from Africa that can be staged at some Aztec "miracle"... i am writing (to) you like a bewildered person... because: why wouldn't i otherwise not be? so what do i mean? hmm... what's that holy trinity of statistical terms... mean... meridian... mode? i think i remember correctly... thank god i'm not going to apologise for being drunk... i've heard the stereotypes of drunkards with no future for thirst... the other thirst... the thirst for something beside their own handicap... i'd also duly convert to Islam too... i was cycling past a mosque and heard the most impossible sound of praise that will never escape me... but by the bottle i did: closer to the Jewry i am... contradictory how that is... don't want to stop drinking... uncircumcised... it's a really magical juggling act that's littered with self-deprecating humour interludes... aligned with norse mythologies... grr... **** me... now i'm attempting to "sell" you a makeshift tinder profile sketch... don't know... never will... never used: don't ask...  but i forgive you... for asking me: what does "it" all mean? it means we're for the thrill of it... it makes sense if we're still gagging for it... and we're not exposed to old-age closure cinematic scripts of solo cinema of memory... i like typing because i have itchy fingers... you'd probably like to hear me speak... no? it's exactly 20 minutes past midnight and i have a date with a bagel at 9am tomorrow morning... i still want another injection of truth in me before i do the  lady nox some justice and sleeping with her fiendish daughters... i mean... who does that... wake you up with a hard-on? never mind... i don't even know how to end this "convo": it can't be with a farewell... or an adieu... or a サヨナラ... oh wait... that's "goodbye, forever"... how does one end a half-way between a musing and a real person on the replying end of "things"... i guess like this: NARA... ナラ... short for narazie...  translated from my mutterzunge as: perhaps loosely... for the time being... for now... how else... to end my tirade?!

- So let me get this a bit straight (as straight as a stray arrow, that is): you only write when you're drunk (I'm the luckiest one to be at the listener - or reader in this case - end of your tirades as you call them... I call them musings); you have a fixation with words, even the ones that you don't know how to spell correctly (except maybe in a language I don't know so I can't really tell), you didn't answer why I'm ascribed to getting your mojo back (where did it go?), and you wake up with a hard-on. Got it!

- i've been lodged into a backlog: ******-town sort of: stalling... give me a few hours... although: ever wonder what: giggles sounds like... in the deafness of the night? i do... i want to reply you like so... like now... like this... maybe i will... maybe i will not... i'm gaging to buy one of those cleveland chiefs baseball caps...the grinning siouxsie chieftan....perhaps i want to relearn "how to": take the GRIN... a little bit more... seriously... no? **** it... i'm drinking as it is... i want to reply you in full throttle... straight arrows... and the welsh V of the longbow-men too to boot... chopsticks straighter... "straighter"... i tend to only write when i'm drunk... i abhor sober prosaic intimidation and... all the lies, subsequently...sober people don't get "drunk" on moral relativism of white lies? and i'm born yesterday, no? you openly venture into... a quest of question within the regards... of being... this only.... i almost wanted you to feel this sort of... an alienating increment... of... how i might pile on more detail... they are musings... i don't take them seriously... about as much relax as is a required: necessary.... i have a fixation with words... jurisprudence to me is merely a game of thesaurus ploy-tow... i spell i don't spell... i'm overtly pedantic... i also felt queasy when testing my eyes at an authentic testimony of the "law"  being "exaggerated"... "tested"... "proved"..i must have: lying eyes... no other eyes do see... no? i have a fixation with "things" beside the usage of ***** and strobe lighting...

you have my attention... don't you? you know... the last time i attempted having a conversation... i was too naive...too young... everything "everything" applied itself to being too predictable... i want to love again: but being in love is almost a weakness... i don't feel like being weak... i guess this is where the rekindling of my "mojo" ends... hello cul de sac...

new paragraph... ever hear(d) of the alpha and the omega "man"? i'm pretty sure you heardf of mr. beta... for all the worth of a totality of... man... i'm last... i'd forever be... last... i don't want to be first... i also don't want to be 2bd sniffing **** and crab-meat-... either...

give me the totality... i'll be satisfied with a "question" of
last... hence the expression: omega man...
didn't hey-zeus say?
i'm the alpha and the omega?

i don't write sober, i'n afraid i might lie...
you're not lucky,..
but you're also not... godzilla....

i "somehow" haven't ascribed you with the sort of details of: explanation that would allow you... to satiate yourself with answers... as to how... why... yllu managed to "mojo" probe me back to life? you.. the Faroe Islands to begin with? you know... they have this gimmick... on the Faroe Isles... it's not a gimmick... it's called// i don't know what's it called... skúvoy? but i'm happy to tease when the whales are slaughtered... the the blood comes a running: the lions also... apparently tease with a yawn... look at this word, though: grindadráp....

ever catch the giggle im der nacht? nein? too italian... no? ******* borrowed pollack: the self-depreciating... loan... not load... of bollocking...

don't believe yourself as being the sole recepient of a reply...

you're not lucky... you're just... available...

terribly botherome... isn't, it?

- i thought i'd make this a two tier reply... it would be a shame to reread what i wrote on one of my "escapades"... perhaps this... hanging-over... ha'h... more like hung, drawn & quartered some time to time... but believably sane, pleasantly morose - at evens with masochism... so reclining into a moral trip-up... i probably mentioned grindadráp - since i still have the window open on the phrase i'm familiar with... Sámal Joensen-Mikines... i most probably ended up giggling in the night... god... i'm just skim reading what i wrote... well good to know that i can only the best thing and sober up: simultaneously returning to a more rigid, conventional... formal use of language: that i might suppose i'm in a confessional booth... a welcome mirage for the time being... while i decide to wither away watching the old firm (a derby soccer match between celtic & rangers)... of note... i had this argument with the natives so time ago... the... Celts... but it's the Boston / Glasgow Çeltics... no? you're a girl that likes sounds... i've been following this current discussion that has reached the heights of printed newspapers... citation, sian griffths (gwif-if-if-ififs) education editor: new spelling ROOLS to make english more predictable for pupils... "we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the feelds..." see... i really admired Charlie Bukowski for a while... until he came out as a lazy slob who would require an editor to correct his spelling... there's dyslexia and there's just plain: hash-browns... for all my worth of idiosyncrasy that i wriggle in as i go along, most of which will not find common ground and a cosmopolitan outlet of users... for me, as someone who acquired this tong'u: i've grown fond of how aesthetically messy this toong can become and how readily available this messiness is... even London can become a ****-joke: Loon'dune... in my mutterzunge sounds are more distinct... apart from the graphemes sz, ch, cz, rz (ż) - i'd have to borrow from a Czech a caron to hide a letter or two: š (sz / the equivalent SHarp in english) and č (cz / CHatter respectively)... all these unique sounds... ą, ę, ć, ń, ó, ś, ź - Wombat ł... anyway... i just thought, sobering up... that you'd like to have a certain bulging volume of fudge to return to... before i take another dive into ms. amber and pass another night as w. h. auden wrote: only the hitlers of this world write at night... sure... herr auden... because the day is for watching football and / or cycling.

- à propos: https://www.youtube.com/watch?v=-L5iefl2QtA

- If you share music can I? I'm sorry that I didn't reply sooner. It's been a **** last week and this week isn't any better yet. I like reading your messages, drunk and sober. When I write in my native language I use the accent over the vowels to emphasize the second-to-last vowel of a word. I love speaking, reading and writing in my native language, though I'm sure that I know much less than you would about languages. Shall we continue talking about sounds? How about sounds in my language? Of course, you have to guess if you haven't already.

- mind you: i had second thoughts about writing this reply... perhaps you can judge for yourself... i'm just not into having double-mystery encounters with an "avatar"... plus i made an emphasis on the point... what music were you not going to share?

sure... but first share your music... i have this thirst for Nick Hornby's high fidelity and being a teenager again... a teenager in love, again...i was probably the most happy-go-anywhere sort of person when i found a vinyl copy of Wardruna's kvitravn in my local HMV... which is: sunrise records and entertainment ltd trading as hmv & fopp.... given i already have the other chapters on cd - copied into mp3... (runaljod - yggdrasil & gap var ginnnunga)...  and given it's so rare to fnd a vinyl of this calibre... that some vinyls comes with an mp3 link... i thought: hell... i'll give this record the proper 3D aura treatment and not listen to it on headphones... or utilise it to "conquer" space... & just walking with it across a market sq. without a plastic bag to stash it in... i might as well have walked with a cat on my shoulder... because... who the hell still buys... well... invests in vinyl? now... coming to the language...second-to-last vowels of  word... you know... you can keep me interested without overplaying this "mystery" game... isn't the use of an avatar enough? i really can't comprehend a language that focuses on second to last vowels... without focusing on vowels: per se... just to reiterate... you didn't share a link to some music... you pitted yourself as American... i can continue being interest without having too many enigmas to sort... i have yet to find a language that only applies accents to, e.g. suppOsE... or maybe i'm just too ignorant to have come across a language that behaves in such a way: unless it's some idiosyncratic variation (of it)... you don't have to remain a complete mystery to me for me to keep engaging... there can be some sort of rooting in reality... otherwise i'll just return to my original purpose of writing: staging myself against a blank canvas and a barrage of sounds that i'll need to "un-spaghetti" into linear streaks.... i'm not going to guess: you'll either tell me or not... i'm currently listening to snake-pit poetry: einar selvik... any one can have a ****** week... for a while i was anticipating you testing whether or not i'd reply not getting a reply from you... and that, somehow, miraculously... i'd continue to creep-up to teasing you again... perhaps that's me dabbling in misnomers... no... you'll need to give me something concrete... i'm already starting to itch with a sensation that i better return to the canvas than keep this conversation... no offence... it's just draining me when something abstract could also be doing: likewise... but it wouldn't end up being a ****-tease... i could possibly create something out of it... not just so more: oh... oh? ** **: what's next?! i know when it becomes a brain-drain... a side project... it has to come with an excuse whereby you'll probably recoil with: but i had a ****** week... granted... but who hasn't...  you could have waited another week until participating in the timeframe of the passing of weeks started to feel good once more... if you only dropped a music suggestion... otherwise... thanks... but... no... this conversation is going nowhere... i think i'm just relocating my writing block elsewhere... all the best: in keeping an aura of mystery... within the realm of avatars and non-accountability... come to think of it... no... this is as fair as i could be.

this supposed "unique" specimen... not really...
i want to focus on what allows me to belong:
beside the unfathomable landmarks
of trees and mountains:
roaming stars that even my demented
grandfather corrected himself on...
satellites... no... roaming stars?!
well... i didn't conjure this **** out of my own
*** for pleasure, either...

back towards... falling asleep while listening
to the Hellraiser soundtrack:
hellbound...
because eerie is how:
i how how: "things"...
i'm so alone at times that it's beyond making
sense: it's about infringing on a god-stature...
status... this omniscient
contradiction that some Elijah bundled up
into... two crows croaked...
the tower of London can entertain 6:
so the king's ******* and the queen's
jewels are left intact...
for the successor to worry about...

we have these conversations but too bad
the girl is playing timid...
and i'm... gargantuan...
the length of a tongue that turns into an eel...
hands like octopus extension...
i could wrap her up in... bubblewrap
and start the puncture pinch-pinch ceremony
of not seeing the bubble float: up-up...

i have a sense of ego like...
a bad l.s.d. trip?!
****-guage-abuse? gauge? sort the ones
for the snoozing zero-toasts
and you have yourself
a new jersey smart: bite-off... not bit... though...

i could never have children:
not because i could never be a good father:
but i'd be a terrible husband...
how do i "know"?
i would never allow myself
to earn the amount:
she'd want to spend...
via solo: i'll spend on ms. cojack amber
and some ******* liquorice vinyl...
and a bicycle...
rubber-teasing: ****-teet-****....
when using the brakes...
when minding my ******* "luck"
on a roundabout with a massive twuck...

plus i'd love to **** more...
i'd love to **** as much more as
the thought-"taboos" discourage me
from doing... so it's a nice adventure: thinking
the next: moral antagonist, antithesis
of "could i"?
central theme? Lo-li-t'ah...
and i'm the second from third removed
uncle of the marquis de sade...
you want... you need... you have to orientate
yourself around the last taboo...
the one that's not associated with...
crispy clean antics of those *******
in their savvy leather gimp suits etc.

"power to the people": *******...
power to who owns what...
i'm starting to conjure up
profanities akin to:
but at least when they owned slaves...
they took care of their slaves...
they wouldn't want a slave to be rotten...
to be despondent...
trouble with freedom is...
my own, self-made... man...
if i were a slave...
i'd learn to bend the rules...
i'd entertain the fantasy of freedom...
while being constrained with...
all the benefactor securities...
i'd be owned but i'd also be:
obligated to a social contract of some sort...

so freely as to nothing be:
so averaging assumptions...
presumptions... so by nothing i unfree myself:
to... sort of quest to: "be"...
while the priestly class held back literacy...
within the timeframe of when
a new literacy emerged... of coding...
so double-up-on-surds... no?

herr gizmo l:)(}{
the realm of the three brackets... )}]...
one literacy replaced the old literacy
but in terms of retaining the old type...
the new type is... not exactly allowing
for movement of... hearts? is, it?
i still have to retain punctuation...
i still need need to perfect it...

but this is not conversational linguinie,
is it?
i stand firm in, stressing:
writing is an extension of thought...
writing is an extension of thought:
it's hardly an invitation to speak...
the past centuries haven't taught us
that literacy is a constraining beast of priests'
fancy?
let me... detail my limbs for you
in stressing this point further:
what good came from the project
of literacy en masse?
graffiti scribbling on brick walls?
out of what beside desperation?

such constraints were employed as
to: the person exercised in completely body:
usage... wouldn't feel like
a ******* hamster of a ******* ferris wheel
when push came to shove...
somehow everything physical became
lesser class: demeaning...
somehow we all turned into *******
fluorescent
      telepathic / telekinetic Chernobyll
monkey sorts...
and the fat "stigmata" is a what?
                  
  this world is gagging for something tragic...
this world is gagging for a world war III...
but... it probably will not...
"advise" itself to experience such a disatrous take
on prospect...
nuance in language can go **** itself...
application of misnomers for added fluidity can:
go **** itself...
you ever come across a choir...
and a great wind...
see a ******* shrink...

don't look at me for inspiration:
perhaps some jokes...
i've been more honest these past two minutes than
i ever was in the passing of a decade...

death the limbo of "sanity"...
esp. when someone memorable has taken off...
who am i left with? "perspectivelly accountable"?
grey-matter fiddle-through middle-man
*******... no?
i'm not sifting through that, murk?
perhaps i'm sieving... sifting... sieving...
sifting... sieving... get a dog! she says, mother, dear...
i tell her: it's legal in Belgium...
her father already cited his complaints...
i'm tired of the ******* optimism...
i'm tired of this "adventure" some cling to when
deciphering "life"...
an overrated statement of too many facts:
that's life...
it's not a ******* frank sinatra:
come as we are... would be: mea culpa...

troublesome sufferings of a tired brain...
too many pop ref. points worth of closure...
i bought a vinyl today...
i walked it down a market place
like it was a puppy...
in a rucksack...

that there's a hope... my mother is crying
this silent agony of truth...
i tell her: it's sensibly legal in the Benelux...
England is ****** by all accounts...
a dog will save me?
i'm becoming rigid... brick-esque...
tide-prone...
moon is the mother of my skies...
i might might what?
fall in love: to fall in love is to allow
oneself to be weak; to be... dependent on
someone: the concept of "other"... no?
recurrrency is pricing on how many times
that's... sensible to try out?
before it fails?

i fall asleep listening to horror movie music...
i'm best coupled to a ******* hyena than
i am to a woman...
to live under a false sense of hope
is a: welcome bypass to otherwisse living
under a truancy of truth...
as the life around me shrinks...
the abounding shadow of me grows...
and not as a patriarch...

oh ****... "i simply, somehow...
just so it happens... fowgot to... encapsulate this
offload whiff a wyme".

You answered with a synapse
Startling my resolve with unrest
As I felt the change in the make-up of our ties
To each other. We'd built our nest
With texts and forgotten half-smiles -
Layered them with shadows unkempt
Leaking from our darkest sides.
It was an approximation to love, an attempt
By unwilling donors with unhurt prides,
To win the privilege of touch
Without losing sight of the lines.
Gossip didn't bother us much
We'd focus instead on the sighs,
Beats for our particular choreography.
But you've cut short our supply
With this silence, and now, awkwardly,
We fumble words, waiting for each other's turn.
In synapses like these, I ask myself what are we
When the memory of your skin still burns
And I miss your shadow on me.

A systematic endeavor, fevered by a passion.
Each problem, an expedition, an exaction
Of effort, time and will
In the search for knowledge - an unimaginable thrill

Newton’s discovery, my continuation:
Formulaic substance for every situation.
Seeking an answer, no approximation;
Making up for lackluster information.

We derive and we discover
One approach to solve another
Number lines, number theory,
Partial fractions and Taylor Series’.

Natural patterns give inspiration
To new problem sets and exhortation
Of genius minds globally impressed
Continuously working, forgetting rest.

Limited by time, we take shortcuts
Setting functions is a must.
e, theta, sigma, pi
delta, lambda, (m)u and phi.

Theorems and laws aid in the discovery
Of problems unsolved, answers a mystery.
New methods used almost “unpredictably”
As thought by leighmen, to scientists quite reasonably.

Forgetting what was once thought
Simply observing what is taught.
The applications of arithmetic
Endless, when you sit with it.

From counting up a child’s toys
To describing the bounds of ellipsoids.
A vital piece of money supply
It gives us reason for color of the sky.

Stretching our minds to surmise infinity
Hoping not to lose our sanity
Consciously peering into the depths of life
Our battle for survival, an endless strife

I remember meeting the girl behind me
in poetry class.

I remember fingerpainting with Jeremy
and loving her
in the grass
by a stream

I remember hills and cold and wine and you

I remember dim-lit rooms

I remember your sister and your parents and your redone bathroom
The hot tub and your dogs and the bed in your room

I remember the traced hands and writing
Under the drape hanging above your bed

Your things were in boxes
But not you, not you.

I remember the singer in your band,
and the drummer in your band,
and your friend from high school.

I remember taking your benzos.

I remember losing my first apartment and moving back home.

I remember that Panic! at the Disco show:
Shut up and dance with me

Moving back to be close to you

Comics and friends, books and loose ends
Arguments and apartments
And dog sitting weekends

I remember me asking for the beans and you spilling them
And trying to hold the beans down
And getting way too mad over them
And throwing your fish at your house,

and driving to Florida and back,
it haunts me.

I remember what it felt like without you around

I remember sending a picture of you
that you said not to send.

I remember saying things
I'd rather not have said.

I remember being blind to Tara and selling my guitar
And cutting myself and arguing with my parents.

I don't need the perfect summer daze

I don't need that song you played
I don't need the things you said
About me
I don't need going to France

I don't need getting engaged

I don't need holding you up with strong arms

I don't need to dominate your ****** desires

I don't need to get dizzy and dance around beach towns,
I only knew you for a year

I don't need to be your friend but I'd love to be your friend
And I could
But that's never going to happen

I don't need that one last word
before we both are dead

I don't need to envy you anymore,
I don't need you
I don't need to compare everything to you
But I'm not sure if i can stop

?
I don't need your legend
So why did it pierce my heart?

!
A year is not that long.
And fear is not an art.

Cancer.
A word no one wants to hear.
Unless, of course you are talking about the astrological sign where it is said for you to be known for your loyalty, caring, and adapting qualities.
Cancer.
A word I never wanted to hear.
It was August.
My father and I had grown apart, once again.
We could never agree on anything, it didn’t matter what it was.
Gay rights, politics, the existence of God, these were only some of the topics we argued about, constantly.
I remember saying things like, “I hate you!” and “I wish you were out of my life forever.”
“I hope you die.”
I hope you die.
Four simple words. Horrible words.
Words I only said once out of anger.
Add never between you and die and you completely change the meaning.
Later on, I would wish that I had added the never.
I was listening to the song “I’m Gonna Love You Through It” at full volume trying to block out my mother and fathers fight.
Only now do I see the irony.
My parents left the room.
I listened as hard as I possibly could only to make out the words, Malignant Lymphoma.
My world would completely change that August.
They say that when someone is diagnosed with cancer, everyone around them is as well. I never understood that, it wasn’t me that was dying, until I saw him come home from his first cancer treatment.
He was exhausted, my father, the man of steel could barely stand.
My life became morphed into the what ifs. What if he doesn’t make it? What if I lose my dad?
My life became mutated into a twisted picture as I tried to find every answer in text books and statistics.
18,990 people die from this cancer every year.
My dad always joked he would never make it to see 51…he was 49.
My mom broke down, often, gasping in air as if she would never breathe in again.
As if, she had forgotten how.
I stopped breathing. I had no estimation or approximation of when I would breathe in again.
Malignant Lymphoma. Cancer. Dying.
Those three words were all that I could think about.
I wanted to escape. I wanted to pretend like I was clueless. They say that ignorance is bliss.
I think that was about the time I stopped believing in God.
That night, as I tried to bring myself to pray, the words got stuck in my throat.
I couldn’t understand why.
Soon, treatment began, was unsuccessful, and now the cancer is spreading. .
That’s the thing about lymphoma.
It doesn’t go away.