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**** journalists <
**** truth-seeking avidity, inquisitiveness, open-mindedness, awareness >
**** children.
I see young old skin
Fearing to feel
Paint wearing thin
Truth in a ring-pull

Deliberate distraction does what it must to retract us from us
But none of this has stuck

The privileged pretend, the poor attend
And stringed ones will strive for their view of amends

So shoot off their judge wig as fast as they send it
Use humour to poke, laugh like a blanket

Lie between the meadow and the edge
And wink at clowns with the mask of death...
Shawls of dead child meat
Wielded like salami
His person excited
In deadness and army

Big long ****** **** just speared through a child’s cot....

There’s nothing to say...
In lullaby trauma
They dance like boulders
An avalanche of gracelessness
Bob their own children on their shoulders

The dust the poor breathe in reluctantly
That this systematic, cinematic dentistry leaves...

... chokes to the core
An ocean of innocence strives to be pure
But the big bulldozer bullies
Won’t stop dealing this misery
And moving around dead pieces in their glee

You see... this is it. No discussion, no big debate– no “it’s ****...”                                          
- the truth - no words could ever account for this.
Arii 1d
How do I cross
a line that hasn’t been drawn,
How do I hold
the might of a thundering storm,
How do I kiss
the sea until it withdraws?

How do I break
A wall that hasn’t been built,
How do I pick
the flowers without letting them wilt,

How do I kiss
The sea until it withdraws?

How do I
Kiss
The sky

Until it withdraws?

The prophets wore it,
woven of thorns and laughter..
the jeering crown,
the mark of those
who dared to name the truth.

Kierkegaard wore it,
penned as insane,
pushed to the margins
by voices too clever
to risk listening.

The fool’s crown
is given freely
to any who refuse silence,
to any who lift their voice
against the beast,
against the fortress,

  against the lie.

It weighs heavy;
not of gold
but of ridicule,
a diadem of mockery,
a garland of exile.

Yet it fits more honestly
than all the jeweled circlets
worn by the deceivers,

for it is fashioned
from truth spoken aloud.

If the crown is madness,
let it rest heavy.
For it is made of truth,

and truth is the only jewel
worth bearing.


In every age there are voices that attempt to confuse liberation with license, or ******* with freedom. Erich Fromm named this distortion with surgical precision:
the flight from freedom is not into responsibility but into its counterfeit—submission to external idols or the exaltation of an isolated, empty self. To have without being, to enthrone pathology over love, is the mark of an age that has lost sight of its own humanity.

Kierkegaard, long before, had already discerned this same danger. His warning was not abstract but painfully exact:
when the crowd forsakes truth, when reason itself is inverted, what should be called sickness is exalted as health, and the very house of care becomes an asylum of unreason.

It is here we remember his words: “People demand freedom of speech as a compensation for the freedom of thought which they seldom use. And when reason is banished from the asylum, madness passes for wisdom, and truth is left to cry in the wilderness.”

History brands its truth-tellers as fools, its prophets as madmen. Kierkegaard bore that crown. So did the prophets before him. To be mocked, dismissed, and pushed aside is the inheritance of all who dare speak truth against silence. This piece embraces the crown of madness—not as shame, but as the only crown worth wearing.

And if the crown feels unbearable, take heart.. others have worn it, others have staggered beneath its weight, and even in their anguish they saw it as the strange seal of truth. Kierkegaard himself, mocked and maligned, turned his scorn into a confession of holy madness. His words remind us what it means to bear such a crown…

"No, I won't leave the world--I'll enter a lunatic asylum and see if the profundity of insanity reveals to me the riddles of life. Idiot, why didn't I do that long ago, why has it taken me so long to understand what it means when the Indians honour the insane, step aside for them?
Yes, a lunatic asylum--don't you think I may end up there?"
~S.K.
.
Arii 2d
Tell it to my face,
No more hiding
Behind

My back.

Is this the life I’ve
Chosen
Or just the one
I’m forced to

Stand?

No matter how many
Seas I conquer,
No matter how many
Skies I paint,

I still feel this gnawing
Emptiness
In my heart

And

In my brain.

So,

Tell it to my face,
No more hiding
Behind

My hands.
Are the words that

Come out of

My mouth
The truth or
A desperate
Back-up plan?

Do you stand me
For a reason,
Or ‘cause you,
Too,

Can’t bear to

Run?

Do you swear
With more than
Your tongue,

That
It’s

Less than

What’s begun?
Everyone always says that time heals wounds, but are wound ever really healed if they healed why do I still see the scars, why do I still feel the pain time does not heal wound it only buries it, but it will be dug up again.
Healing has no time
I am no-one. Yet I feel everything.
I do everything. I am rewarded by no-one.
Tragedy? Nothing. I am owed nothing
but a fitting death.

To fish for dreams on the scales of my life,
weighing all options—faults already exposed,
a past made of glass: reflective. Fragile. And so
unforgiving.

To be credited as a modern writer, despite
my financial pressures. Swiping left on bait
too absurd to bite. My ID card? A license
to exist— plastic proof I belong to a world
that never asked for me.

Fate. Destiny. Whatever it is— tilts the odds.
I tilt back. Desperately balancing: one side,
my bank account. The other, my place. Truly
my full worth. Every moment I must make count.
And if the world won’t remember me, then let
my balance sheet of scars be the proof I existed.
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