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Mr X Jun 2014
Your selfless love
makes me feel guilty.
Amitav Radiance Jun 2014
The word ‘MORE’ grows exponentially based on the intensity of ‘GREED’*~Amitav
She'd swooshed by on her skates.
He'd seen her in her reflection that day
On his car’s rear view mirror,
For the first time ever.
The new neighbour, was she?

That very night, for the first time ever,
Both happened to be on their respective rooftops.
The clock had just scaled eleven.
Now that they’d seen each other,
Tonight's coincidence sufficed to make way
For a rendezvous every night, thereafter.

He’d often be smiling his sheepish smile,
Panting for breath as he’d reach the terrace
While the clock would strike eleven,
A few heartbeats later.
Oh, but she would often already be there,
A teasing laughter on her lips,
A childlike smile in her eyes.
Relief followed by exultation in his heart.

And so, they’d be standing a lane's length apart,
United under the zoetic starry sky, every night hence.

You’d wonder, how both were somehow convinced,
That the other still believed
This nightly tryst
Under the sky's roof to be a coincidence.

She'd light cigarette after another.
He'd pretend
To be caressing his pet,
Fast asleep.
Or some such silly thing.

How he’d wish the whiff of smoke from her cigarette
Would drift across to his terrace.
He’d imagine the wafting smoke
That’d emanate as she’d part her lips
To be a peek into her coy desires.
And many such cheesy things.

They hadn't exchanged a word till date.
Oh but they'd exchanged hearts that very first night.
She didn't even know his name yet
She'd wonder if he knew hers’?
'Has it ever mattered?' she'd think.
'I'm better off not knowing her name!'
Thinking a name could define her
Is to be silly', he’d think.

She was at his door one evening,
To hand over a letter,
Mistakenly delivered at her home.
Or so she said. Something he'd happily believed.
She'd slipped her heart along with the letter,
She later happily realized.

The ensuing night lingered
Six and a half cigarettes longer,
The first time ever.

Fifteen evenings gone by since
She wouldn’t be seen.
He stayed for a brief bit on the sixteenth night.
Disappointed less, worried more.
Did she feel this silent encounter
Of their worlds had stayed silent too long?
Words could never suffice, didn't she know?
He went down to his room ruefully.
Oh but she’d reached just the terrace at that instant.

And they thought coincidences could only always favor them.

A few evenings later he saw her.
Not veiled by the sepia-tinted street lights this time.
Nor in the crimson blush of that evening.
Decked in bridal finery
The vermilion vows on her forehead
Staring starkly at him like an exclamation mark.

And you thought coincidences could only always favor us,
Seemed to be the rhetoric she was throwing at him.

That night, his tattered heart
Writhed in dead wakefulness on the rooftop.
Even now, he looks across
At her absence, a presence in itself.
P.S - Two neighbours, who can't keep feeling that it's too soon to meet, to engage in the language of words, and dates. They're too happy, knowing they will see each other across the roof, every night, after the first coincident meet one night. This goes on for months, till she doesn't turn up for a few days, and the day she does muster up the courage to convey to him, that she would be married soon, is the day he turns up too, only to leave a tad bit early. A happy coincidence that they thought they continue turns tragic. Does he know she meant to tell? Does she still think, he'd forgotten her in that fifteen day span, so as to not up on the sixteenth? After all, they'd never exchanged words.
lost girl May 2014
"You have such a bright future ahead of you young lady."
Yeah, college then working until you die is just great!

"A young girl like you has nothing to be sad about."
Am I not supposed to feel?

"You're such a beautiful young lady."
Yeah, but the scars on my wrists aren't.

(a.d)
You're welcoming the future with open arms
As you shrink from your own reflection.
Lost in creating that Utopian vision
Of the future
Which you think is waiting to walk up to you,
When all you have done
Is to run to the past for solace,
And away from it when you were you realised
You'd bore enough.

Before you soar off on the flight of dreams,
Dreams you're afraid to call your own yet,
Watch where to your thoughts sway
Amidst the sands of time.
Amitav Radiance May 2014
If the world’s a stage, we are the poorly rehearsed actors, who are expected to, always play to the gallery.*- Amitav
Smiles May 2014
I walk into this containment cell of lost souls
Groping around hoping to succeed towards their parent'a goals
We are all just playing another role
A building block under their control
But when you're the block that causes Jenga, heads start to roll
They'll throw you into a hole
Where you'll live your life like a mole
An animal in a cage, a box, a cell, that's the tole
Their real goal
To lock you up and maintain control
Expectations, society, and daily school life. Oh and of course me to **** all over it
Amitav Radiance May 2014
Expectations are the baggage we carry
Getting cumbersome, with each passing day
We always get the unexpected from it
Our back seems to be crumbling under the burden
Weaving a web of expectations, and getting entangled
Unable to ameliorate the obfuscated mind
Reciprocating, with the intention of fulfilling expectations
Our steps become heavily laden, unable to walk
Even though a life beckons without the paraphernalia
We have already walked away from it, with our expectations**




© Amitav (Radiance)
Dhaye Margaux May 2014
Oh, man you are so wise, you’re always right;
You always speak the truth and what is right.

You taught me your culture, I have to blend,
I’m scared but tried to live for what is right.

You sang the oldest songs I hate to hear,
My ears are wanting bad for what is right.

You pulled me and asked me to dance with you,
You knew that music’s off, it is not right.

You held me close to you, I have no chance,
To see, to hear, to speak for what is right…
Ghazal
A Ghazal is a poem that is made up like an odd numbered chain of couplets, where each couplet is an independent poem. It should be natural to put a comma at the end of the first line. The Ghazal has a refrain of one to three words that repeat, and an inline rhyme that preceedes the refrain. Lines 1 and 2, then every second line, has this refrain and inline rhyme, and the last couplet should refer to the authors pen-name... The rhyming scheme is AA bA cA dA eA etc.
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