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Cecil Miller Dec 2015
It was All Hollow's Eve.  

From all around people were coming to the south eastern seaboard to pay homage to the full moon, and beseech the moon to bless them in the upcoming harvest season.

As was customary, the people brought their bongos to attract the attention of the moon. The drummers settled across the length of the beach in many little groups and began drumming their rituals. They drummed for many reasons.

To this ceremony came a young boy.
He was a quiet boy from a tribe of very meager means. He did not have with him a bongo, ornate and with a bold resounding rhythmic thump. All he had to bring to the ceremony was a single tiny bell and a sounding rod with which to strike it. The bell, when struck, would render a soft, high pitched ring.

The boy knew it was a drum circle and not a bell circle, but he wanted to be a part of the evenings events.

The sun was beginning to set and the drummers had begun.

The boy with the bell joined a group of drummers who drummed to ask the moon that the breeze would be cool and gentle, instead of savage and destructive. The boy was feeling the rhythm, and when he felt he was found the place, struck the bell with the sounding rod.

The drummers stopped drumming. One of the drummers, an older boy around the outside of the circle shooed the young boy with the bell away from the group.

The young boy felt sorry. He hoped he had not been to much of a disturbance to the circle. He walked down the beach a little way. The faintest sparkling of a few stars could begin to be noticed in the sky. The sun had nearly set.

Another circle of drummers drummed so that the moon would intercede with the vast ocean and ask that the tide be gentle instead of large and destructive to the crops in the field.

The small boy liked the rhythm made by the various hands rapping on the tight skins and the sides of the bongos. He could hear in his mind how his bell might fit in with this rhythm. He was patient. He waited. When he felt it was just the right place, the boy struck his bell with the sounding rod.

The drumming ceased. Many drummers scowled at the young boy with the bell from a far off village. One of the drummers waved for the boy to go away from this circle. He pouted a little and left.

The boy did not mean to cause a disturbance. He had only wanted to join the ceremony.

The sun had long since set. The moon and stars illuminated the sky like a silvery blanket. The boy felt the love that was on the beach deep in his chest. He began to smile.

The boy was drawn in by the rhythms of another circle of drummers who were drumming to ask the moon that the crops be plentiful with fruit, the goats to yield plenty of milk, and the chickens many eggs.

The boy thought he might try one last time to find a place for his soft, highly pitched bell tone. He was hopeful because a few of the drummers were rapping and shaking beaded pottery. Surely this circle would be open enough to allow the boy with the bell to join in and help beseech the moon.

He waited and listened. When he felt that he had found the right place in this rhythm, the young boy struck the bell with the sounding rod.

Once again, the drummers stopped. A man wearing a frown pointed sternly with an outstretched muscled arm and sent the boy further down the beach where there were no more circles of drummers.

His head hung low, and with nobody around to see, the young boy with the bell who had been sent away from all the drumming circles on the beach let heavy and hot tears roll down his face and drip from his round cheeks.

"Do not cry, Young One, " the boy heard a soft voice say.

The boy took a breath and the raised his head. Standing before him was a woman in silver robes fettered with strands of fiber shimmered like stardust. A soft mist surrounded her.

"The tone of your bell was most pleasing to me because it was possessed of a sincere gentleness and simplicity that was unique among a multitude of sounds that all bore a similarity to each other. By the time they reach the heavens, they are all the same.

Because your bell was different, it got my attention.

Because you rang your bell with the first circle of drummers, the wind will be gentle. Because you rang your bell with the second circle of drummers, the ocean will be calm. Because you rang your bell at the third circle of drummers, the crops and livestock will produce a plentitude."

The young boy could barely believe what the beautiful woman had said. She seemed to be cloudy through his lingering tears. The boy brought his palms to his face to wipe them from his eyes. When he looked back up to see her clearly, she was gone.

The round full moon was brightly shining in the midnight sky.
This is an original short story. I got the idea on my first night I moved to Miami on South Beach in 1999. There was a young adult latin male who kept going to the different circles and sounding a bell, trying to find his place in the various rhythms ,but getting scowled at by some people, so that part is mostly true. The rest is from my imagination. The bell and the sounding rod are metaphores for the boy's love and hope. It is prose, rather than verse. I wanted to capture a feel kind of like The Velveteen Rabbit, my favorite children's story. I hope you enjoy it. Many of the elements are mystical and poetic. I retain the ownership and all legal rights to this story. Written on 12-15-2015
ryn Dec 2015
.
O
•i found truth
in a saying i read•that we
start dying the day we were born
•not from life inflicted wounds from
which we've bled•not from illness or
disease that would have us torn •we
only live and breathe upon borrowed
sand•because we age; because we are
but mortal•it's only up to ourselves to
be mediocre or grand• what we'll be at
the end is consequential• it'll matter not
if we won popularity polls• or what riches
over which we covet and fuss•when asked, "for
whom does the bell toll?"
•look in the mirror for it tolls
••••••••
•••••


                                          ­    for no one...
                                                          ­            but for us
.
Concrete Poem 26 of 30

Inspired by Metallica's "For Whom the Bell Tolls".

Tap on the hashtag "30daysofconcrete" below to view more offerings in the series. :)
.
have you tried to count
all these grains?
do not bother; instead
count all the ways you
can put them together.

until then, I will
grab a handful
and a shovel and some
quiet splashes of water
to pass the time.

this one has long spires
pointing above with all its
might, as if showing me
that the only way
to go is up.

another has windows beside
windows and they invite
me to come take a look, yet
I keep distance in fear that
I see something painful.

over there has a drawbridge
a shortcut to go the easy way
in or easy way out; or maybe you
will pull it up when you've
let it more that you can handle.

that farthest one is actually
the same as the home of princes
with towers and balconies where
together they spend their days
watching the flowers bloom.

this right here is my favorite
the youngest one, still a flat
expanse of soft ground that
begs to be held and to be
formed and loved.

choose one. call it by name,
because now you shall own it.
Embrace it, but take care
that your elbows fit the spires
and your shins are at peace.

but sooner that you wish,
the water retreats with the
will of potential; until it
finally roars back with
the bellow of decision.

and alas,
it is clean again.
kelia Sep 2015
the inside of her legs are numb
she spits poetry out like chewing gum
tan thighs - brown eyed
"you're a monster, kiss me goodnight"

spinning lights inside her head
the blind spots come, she'll leave you dead
ask for taco bell and then she runs -
leaving your trousers half undone

black and blue drip from your eyes
"she said she loved me, then she died"
sleep in the backseat to sweat her out
i have no idea what this poem is about
Have you ever seen it rain cats and dogs
How about a dumb bell or dumb waiter
Or a road runner
Have you ever seen a blue whale
Maybe he's just depressed
How about a stool pigeon
Or is it a pigeon stool
I have seen a mocking bird
They are loud , obnoxious , and on my
Mailbox they leave . . . (rhymes with words)
Bobby pin
A temporary permanent
How about a hot plate , yeah me too !
Or a cat on a hot tin roof
A mega phone (probably not portable)
Or walk down the up escalator
A bat out of Hell
Naw , I prefer fried chicken fingers
J M Surgent May 2015
She said there was zero squared chance of reconciliation
That our lives were not the circle she dreamed,
But two separate lines diverging at a point
Arranged in rays, and some other math terms I never understood
Because she finished top of her class, myself a comforting third
Tier, of the last tier, of those who made it through the door.
And the story has stayed the same, regardless of the term change
I was back in school, receiving a bad grade,
Thanking God for the bell curve, which rang
"Some things always stay the same, but keep trying anyway"
And my averages will remain somewhere between middle of the line
And the bottom of the drain.

So
I will raise my hand for hope,
I will raise my hand for shame,
I will raise my hand to look good,
And to never learn
Quite exactly what I should.
Colten White May 2015
The sound of poetry slipping from my tongue
sings the same tune as her dress
slipping from her shoulders,
as the midnight bell rings a sweet goodnight,
although sleep is far from both our minds.
May 2, 2015
yokomolotov May 2015
his heart bled into the ground
he held me and whispered
in ****** liquor sighs

go on guapa
as long as there’s one of us
there’s both of us

and I shook like a rabbit
in twilight’s snare
and begged him

don’t go
don’t go

a chant as old
as old
as my bones

together,
once we felt the
earth move

it shook in the late spring morning
and I he warmed my feet
in the sack
when the night was a vacuum

he spilled his seed
on the ground
like some biblical
walk on

and we lived an entire
life
an entire life
in three days

three days of coughing
and struggling to stay still
in the winters dull
and stingy light
from a pale pale
pane in
Indiana

is it safe to
give my _ to you?

It’s never safe,
I roughly handed it to you
and you felt it’s
shadow every since

with your busted femur
and long trailing stain
resenting the self-made
patricide
bleeding out

on the gray beast
I’m taken
the little rabbit
with a black scar

saving myself from
the tangled
mar that you now
have fallen

If I go on
we both go on
Andrew M Bell Feb 2015
I see you at my door,
huddled against the night
in your Kermit-green jacket
and purple pants
like a refugee from a rainbow.
Patiently waiting
for my enfolding arms,
to spirit you upstairs
for flannelette passion
which makes us feel safer
than the safest ***.
Copyright, Andrew M. Bell. Thanks to the Valley Micropress, an Upper Hutt-based international publication in whose pages this poem first appeared.
Andrew M Bell Feb 2015
Walking home alone on Saturday night,
social sounds spilling around me then
fading in my slipstream,
I round the corner of my street and
an image of your face rises
to combat the cold that searches for
the marrow of my bones.
Hope flutters like a wounded bird into
the pale sky of a vision desperate
with longing.

Forgive my physical hunger.
You were right to deny it
because by morning
you had given me
a far greater nourishment.
Copyright Andrew M. Bell, thanks to Valley Micropress, a Upper Hutt-based international poetry magazine in whose pages this poem first appeared.
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