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Windshields hide Him from me.
The touch of man; the sin is mine.
The accident left me buried at fifteen.
Death came from me then.
Again.
I thought death could not reach me
through these ***** windshields.
IT can though, the death that lives.
JoJo Nguyen May 2013
it’s not old style, old school plain glass. it
may look old, but it’s new, stressed new;
glass soaked in molten cation.
ensnared in furnace, one cat is exchanged for
another making glass super strong.
this is good.
what doesn't **** makes you stronger.
yes and no Pink.
if you soak your heart in molten cation.
you will come out shining and new,
strong like a ******?
you have to understand the alchemy.
you see, in a headout collision with
new Stressed glass, it
breaks into a thousand tiny
safe pieces.
you won't have sharp shards, or
receding hairline fractures,
cracks and fissures spreading across
fatty deposited windshield.
the new heart is stress tested.
no spreading wave depression,
across your fiber glass network.
The crack is localized.
When the collision is big enough
the entire windshields shatters.
I guess you have to replaced it with
a new  stress, molten dipped, cation exchanged
heart.
Asphyxiophilia Sep 2013
You shouldn't kiss guardrails
Because they have chapped lips
And the jagged edges
Will slice your tongue
Whenever you touch them

You shouldn't kiss guardrails
Because metal on metal
Isn't a forgiving sound
But you already know that
From when you had your first kiss
And you were each wearing braces

You shouldn't kiss telephone poles
Because they are sensitive
And will bite your lip with an electric current
But not in the way that you were hoping

And rear view mirrors aren't for decoration
But you never bothered to look at them
When you were desperately switching lanes
And speedometers aren't for your entertainment
But you always enjoyed watching the needle fluctuate
As though your life depended on it
(It did)

And the high beams of oncoming cars
Aren't Christmas lights in restaurant windows
And crashing through the windshields
Won't bring you any closer
To the apple pie the bakery down the street made
That always reminded you of home

And even though you no longer recognize
The town you grew up in
Or the boy you fell in love with
You shouldn't kiss guardrails
Because they might kiss you back
But not in the way that you were hoping.
If I were a cup of black coffee you take me just the way I am.
If this were a thanksgiving dinner you'd be the turkey and I'd be the ham.

I'm the water and you're the sea
I'm the sailor and what I really mean is; you complete me. 

If this were a battery you'd be the positives and I'd be the negatives.
If I were a holiday you'd be the festive's.

If this were space you'd be the stars that form my galaxy.
If I were a driver in New York, you'd be my taxi.
If I a flower and you the bee, then it's clear to see that what I really mean is; you complete me.

One ways, u-turns, dead ends and yields, green lights, left lane merge and a squashed bug on my windshields.

If I were a Bic ballpoint pen then you would write out every sin.
If this were it, it would be the greatest love there has ever been.

Road signs and paper, fantasies and nature cannot help to say in such a little way that all I try to convey that what I really mean is; you complete me.

If I were a song you'd memorize my lyrics 
If this were February 1990 it would be Hold On by Wilson Phillips

If I were a comic book, you'd be my nerd.
If you were a photographer I'd be your bird. 

If I a cold night and you the book by a fire, then I'd be the Hobbit and you'd be my Shire.
If I a cup and you the tea then all there is left to say is...
Would a blue ballpen without ink just lie
To die, like the children of our past needs,
The mouths of their thinning souls leeching
Our piety, our profanity, our tendency to build society
Off faces and masks,
                              Individual fragments of ourselves.

Would one give a thousand pesos to he who smears
Windshields with soap to take a few coins hostage
Or to she who exhibits a gaunt infant, an offspring
Of want, not wanted, the wear and tear of a rough
World manifest on emaciating juvenile skin. Would one
Give a thousand?
                              Would one commit a kiss?

When mere change can buy a pen with its full blood,
What then is the worth of the bleeding, the bearded
Blind on the somber sidewalks of forgetfulness where
Without ink, it ceases to be blue, and unable to write,
            He has no need for a pen.
The world is writing his story,
            He is only there to punctuate with his blood.
Many of the images embedded in the poem are deeply rooted in contemporary Philippine social realities.
Walls and gates kept her away
from what she needed
but didn't want
Beds of white cotton
submerged in what she
thought she didn't feel
Dusty pens in a dusty cup
on a dusty desk
She hammered at armor
that she had been hammering at
for years
since she was a young child
binding the pieces but
secretly
looking for cracks
to break out of
Kicking *** and taking names
but throwing the names away
Ripping keys out of the
typewriter

Every fifth letter
scratched into porcelain skin
Soap stripping her of what
made her normal
But there is no normal
She was still abnormal
Trying to open herself
to let the oxygen-free blood
stain her outline
so she could be seen
for a moment
Just one moment
and then get erased by
everyone
else
like always
She wanted to fly and shine
but there were others already
shining
and flying
Sun flashing and illuminating her
skeleton
Her skin transparent while lit
by the sun

Her heartbeat
skipped
and
stopped
and faltered
She tried to lose herself in everything she could
You could say she was selfish
but
you could say she just wanted to
be found, though,
by the right person
There is no right person
because anyone can break a shell
but nobody cares enough
to see what kind
of radiance
will light up the
universe
Nobody cares
that with every
single word
she is thrown
through windshields
Shards of glass
scathing her
inside
and
out

Drowning in pristine lakes
of beautiful love and
joy
How painful to not be able
to inhale
while drowning in
pristine lakes of lovely happiness
She could feel the
currents rushing past her fingers
but couldnt hold on
But she wanted to
She wanted to
hold
on
The title doesn't go with the poem, but I'm not too concerned about it.
Joshua Haines Jun 2014
She said people were seasons,
and when I first met her, I couldn't agree more.  
After getting to know her, I wished that I didn't.
Her ex-lovers were Winter, and her eyes were a shade of Spring.
I could see the vulnerability of a car crash
swimming in each fountain trapped behind her emeralds.
She was beautiful in the way that could cause suicides,
and fix spider-webbed windshields after each collision of,
“Are you okay,” and, “I’m fine; I promise.”

Every story was Winter, and she was always left alone in the snow.
Mauve lips mouthed words that silently whispered,
"When is this too much? When are you going to leave?"

People are patterns,
and all she knew was the tessellation of temporary love and permanent loss.
Her hands trembled as she looked down.
She was in transit; moving after each hope of home fell apart.
And I wanted to kiss her like the world was falling apart.
laura Oct 2018
Lazy sundays with the sad glow
there’s nothing to be sad about
except that it is all over
of course, my one day off vanished

outside blowing meager paychecks
emerald hillsides topped with leaves
abutting, climbing the city
plunged into histories soon gone

like the cold, gold sun gleaming off
the ribbon of the tarmacked road
we returned to from our escape
peering back through the car’s windshields
okay that last one was too pretentious and came off way wrong, so i deleted it. it’s dead now
Joshua Haines Jun 2014
Dear Talia,


I found you.

Have you ever lain in your bed, after a night of restlessness and tears that tessellate on your face as you dream of a new place where crying isn't a thing, and where beautiful girls in dark dresses and black Keds are?

Have you ever looked at the stars and say to yourself, "Wow, some of these are dead, but the person I could love, and who could love me, may be looking at them and is still alive?"

When in our darkest places, when the hurt can't escape our bodies, when we think we'll never recover, have you ever thought of a person that you don't know yet, but you know that they're part of the answer? I think you're the person I've been thinking about.

Do you want to be my Alexa Chung?

Do you want to be the soft song in my room, as we slow dance on a carpet covered in removed clothes and removed fear?

Can I be the one to show you how you could save lives with your presence and that your presence is a present?

Can I be yours?

I want to wipe off the lipstick on your lips with my lips. I want to paint my face with your mauve and laugh about it in bed, over a bowl of ice cream and teeth showing as we smile. You're a nice dream. You're the only dream I have right now.

If I die, I want you to know that you are one the most beautiful people I've ever encountered.

"I'm so ****** whenever it comes to this final," were my first eloquent words to you as we trudged out of Cerbone's, and pushed double doors that opened the opportunity of ourselves to one another.

When I think about it, I could have said something a little less Sid Vicious-esque than, "I'm so ****** whenever it comes to this final," but you can be my Nancy Spungen, sans stabbing you in the stomach. I'd rather you be my Alexa Chung, though. Plus, Nancy Spungen was kind of *****, inside and out, and you're cleaner than a rain-kissed afternoon.  

Is this weird? I'm writing a letter to someone that I spent five and a half hours with in a cafe. Then again, I think it may be warranted.

We left his classroom and avoided bumping into each other until we were at The Daily Grind. You were beside me, attached to my hip, or was I attached to yours? Your hair is dark and has a quasi-bronze streak in one part. It's unique, like parental guidance. I think your eyes could break hearts and fix spider-webbed windshields after a collision with, "Are you okay," and, "I'm fine; I'm not going anywhere."

I find it unusual that whenever I was walking with you, that I felt calm. I haven't felt that way in a long time, when walking with someone. Then again, I've only been walking with my shadow, as of late. Usually, my nerves seep out of my pores and my hair spins in my scalp, as I breathe heavily and think about long ways to say goodbye and quick ways to die. But with you, the ocean softens the shore inside.  

Entering through the weathered door of The Daily Grind, you were still there. Ryan was there, but he doesn't know who I am. To be fair, no one really knows me. It's mutual, but I only know of him because of his questionable but interesting opinions. Actually, his opinions aren't that interesting, I just think his confidence is interesting. He reminds me of a bee stinging someone and confidently allowing the lower half of his body to be ripped out, as he bleeds out with insides hanging like cooked spaghetti noodles, with wings sputtering, as he talks about Bad Faith, with a smile on his face. Wow, that was a run-on sentence. That was the type of run-on sentence you could lose faith over.

I'm afraid that you may think that the way I perceive the world is weird. It's okay, though. I think I annoy my friends whenever I tell them about my problems, so I don't want to do that to you. I only tell them about a quarter of my problems, but you're the type of person I could tell everything to. It's not their faults, though. They have their own issues and lives to handle, as do you. I'd hate to be the cut in your mouth.

You ordered a ***** chai, I believe it's called. You're a regular. I'm only a regular to lonely nights. People know you and love you. I can see why, and I'm glad they do. You're the type of person that inspires books and to be yours would to be everything.

I ordered a Sierra Mist, because I'm about as cool as a pyromaniac's paradise. I like your eyebrows and your voice. We swept each other to a table by the window.

Your eyes are green. Your hair is black. And after meeting you, there's no turning back.

We were supposed to study, but I didn't come there to learn about Sartre. Existentialism did come into play as I tried to figure out if you could add purpose to my life. You did.

I think you were a little surprised that I didn't want to study, and I think you were even more surprised when I wanted to talk about you.

My God, Talia, I don't think you're aware of how beautiful you are.

We spoke for five hours and thirty minutes. I thought it'd only last half an hour. We bled ideas, stories, and questions. You told me the story about yourself. That was my favorite story.

After these five and a half hours, I had to go to therapy. You said it was four. This was the second or third time you checked your phone in almost six hours; I was flattered that I had your attention. The first time, out of probable nervousness, and the second time whenever your friend came in to talk to you.

I wanted to say so much more to you, but I bit my lip so I wouldn't and so my jaw wouldn't drop.

When you said it was four, I was sad. I didn't want to leave you, or for you to leave me.

Do blood and thoughts hold a race whenever we're afraid of losing someone?

We walked out of the cafe, and found the sidewalk. As we walked, I was wondering what was next. I didn't know what you'd think of my having a therapist. I'm not crazy, just scared.

I should have held your hand.

When we arrived to our destination, the lair, I told you that I had a therapist and an appointment. I asked you if you wanted to sit with me in the lobby. You said yes. I felt the words, "Thank you."

I don't think the elevator we stood in was big enough for our hearts, and I'd like to think that love seat was our sanctuary. You looked at me and understood, as we talked about our childhoods, our mothers, my father, and our worlds.

I wanted to kiss eternity into you.

My therapist came out, and I said bye. I got up, quickly. I would have said goodbye slower, but my heart was too fast. I'm supposed to see you tomorrow, so I can work on my goodbye.

If I die, I want you to know that you've given me the greatest six hours I could have asked for.

You deserve to be happy and I hope that you are, no matter with who. Despite all of that, I feel like you and I are supposed to happen.

I wrote a poem whenever I got home:

Move your hands with mine.
You're the current of the ocean.
I whisper your name, and I'm not afraid.
You are my emotion.

It's you, isn't it?


I want to be yours,

Josh
Coop Lee Oct 2015
mom betrays us.
headlights into the night
& up the breakneck boulevard bluff overlooking town and terminus.
she brings his heart in a ziploc bag,
an offering
to that old burnt-out oak.

                     [husband\father\corpse]

front porch blood trails forever. she
claims self-defense and the camera-eyes caramelize her
fame & fortune & stepdaddies & book deals & ziploc pb&js & dead dog omens.
when did the heartache begin?

heir\son\brother\body
racing car ****** and fluxed up the boulevard in a ritual reach for daddy and the oak.
the girls are waiting. one two three, seeds.
brakes sabotaged. he
bursts into death, a molten ball of mazda.
father and son laugh there on the brim of here and hereafter.
apparitions uncoiled.

                    [home movies]

where mercury avenue ends
the woods begin.
& those woods are evil, an eldritch place, she laughs.
even the indians wouldn’t bury their dead there.

america.
caught between the whir of spokes and windshields reflecting
sky and skin, the blue hue
of television flickering on the hands of a family.

grandsons conjure grandmaster demons
on the ply of their treefort high.
the heart of grandma in a ziploc bag.
jupiter and saturn are in conjunction,
twelve past midnight on a tuesday in september.
a school night.

            [the babysitter brings over an unlabeled video tape, says its scary]

the children watch.
slumber party screams and pb&js.
ghouls blunted by pungent neighborhood inertia.
son, a ghost returned in rhythm and electronics,
hungry for pizza and pure vengeance.
previously published in Deluge Magazine, by Radioactive Moat Press http://www.radioactivemoat.com/deluge-issue-three.html
Its 8:30 in the AM
The Corn Moon
is being routed by a
Manassas cloud bank

NPR be barking
Irma this, Irma that
my tremblin Rav4
stuck in the rush
is idling behind
a pair of gray hairs
spewing
leaded premium
out the back
of a big old black Buick
sportin Florida tags

inching north up I95
I’m relieved to be
a thousand miles
ahead of the
monstrous *****
denuding Barbuda
deflowering the
****** Islands
and threatening to topple
the last vestiges of
Castro’s Dynasty
by disrupting upscale
bourgeois markets
for cafe Cubanos,
cool Cohibas and
bold Bolivars

she’s a CAT 5
counterclockwise
spinning catastrophe
churning through
the Florida straits
bending steel framed
Golden Arches
shaking the tiki shacks
gobbling lives
defiling tropical dreams

the best
meteorological minds
on the Weather Channel
plug the Euro model
to plot a choreography
of Irma’s cyclonic sashay

they predict she’ll
strut her stuff
up a runway  
that perfectly
dissects the  
Sunshine State
ransacking
the topography
venting carnage
like battalions of
badly behaved frat boys,
schools of guys gone wild
sophomores, wreaking havoc
during a Daytona Beach
spring break
droolin over *******
popping woodies at
wet tee shirt contests
urinating on doorstoops
puking into Igloo Coolers
and breaking their necks
from ill advised
second floor leaps
into the shallow end
of Motel 6 pools

but I’m rolling north
into the secure
arms of a benign
Mid Atlantic Summer
like other refugees,
my trunk is
filled with baggage
of fear and worry
wondering
if there’re be anything
left to return to
once Irma
has spent herself
with one last
furious ****
against the
Chattanooga Bluffs of
Lookout Mountain

Morning Edition
Is yodeling a common
seasonal refrain
the gubmint is
just about outta cash
congress needs to
increase the debt limit

My oh my,
has the worm turned
during the Obama years
the GOP put us through a
Teabag inspired nightmare
gubmint shutdowns
and sequestration
shaved 15 points
off every war profiteers vig
it gave a well earned
long overdue
take the rest of the week off
unpaid vacation
to non essential
gubmint workers
while a cadre of
wheelchair bound
Greatest Generation
military vets get
locked out of the
WWII Memorial on the
National Mall

this time around
its different
we have an Orange Hair
in the office and there's
some hyper sensitivity
to raise the debt ceiling
given that Harvey
has yet to fully
drain from the
Houston bayous

the colossal cleanup
from that thrice in a
Millennial lifetime storm
has garnered bipartisan support
to  clean up the wreckage
left behind by a
badly behaved
one star BnB lodger
who took a week
long leak into the
delicate bayous of
Southeast Texas

yet we are infused
with optimism that our
Caucasian president
and his GOP grovelers
now mustered
to the Oval Office
will slow tango
with the flummoxed
no answer Dems
to get the job done

pigs do fly in DC
Ryan and McConnell
double date with
Pelosi and Schumer
get to heavy pettin
from front row seats
beholding droll  
Celebrity Apprentice
reruns

The Donald, Nancy and Chuck
slip the room for a little
menage au trois side action
transforming Mitch and Paul
into vacillating voyeurs
who start jerking their dongs
while POTUS, and his
new found friends
get busy workin
the art of a deal

rush hour peaks
static traffic grows
in concert with
a swelling  
frenetic angst
driving drivers
to madness
terrified
they won't
get paid if
the debt ceiling
don't rise
they honk horns
rev engines
thumb iPhones
and sing out
primal screams

unmindful drivers
piloting Little Hondas
bump cheap Beamers
start a game of
bumper cars
dartin in and out
of temporary gaps
uncovered by the
spastic fits and starts
of temporary
decongested
ebbs and flows

A $12 EZ Pass
gambit is offered
the fast lane
on ramp
has few takers
just another
pick your pocket
gubmint scheme
two express lanes
lie vacant
while three lanes of
non premium roadway
boast bumper to bumper
inertness
wasted fuel
declining productivity
skyrockets
the  wisdom of
the invisible hand doesn't
seem to be working

DOJ bureaucrats
In Camrys and Focuses
dial the office
to let somebody
know they’ll
be tardy

gubmint contractors in
silver Mercedes begin
jubilantly honking horns
NPR has just announced that
Pelosi and Schumer
joined the Orange team
the rise in the debt ceiling
will nullify their 15%
sequestration pay cut

NPR reports the
National Cathedral will
deconsecrate two hallowed
stained glass windows of
rebel generals R E Lee
and Stonewall Jackson
it's a terrible shame that
the Episcopal Church
will turn its back on the
rich Dixie WASPS
who commissioned these
installations to commemorate
the church's complicity
in sanctifying the
institution of slavery,
WWJD?

as I ponder
this Anglican
conundrum another
object arrests my
streaming consciousness
upsetting an attention span
shorter and less deep
than the patch of oil  
disappearing under the front
of the RAV as I thunder by
at 5 MPH

to the left I eye a
funny looking building
standing at attention
next to a Bob Evans

I’m convinced
Its gotta be CIA
a 15 story
gubmint minaret
a listening post
wired to intercept
mobile digital
confabulations
from crawling traffic
inching along
beneath its feet

this thinking node
pulsing with
intelligence
reeking with
counterintelligence
the tautological
contradiction
guarantees the
stasis of our
confused
national consciousness

strategically positioned to
tune into the
intractable Zeitgeist
culling meta code
planting data points
In Big Data
data farms
running algos
to discern bits
of intelligence
endeavoring to reveal
future shock trends
knows nothing
reveals less

the buildings cover
is its acute
conspicuousness
gray steel frame
silver tinted glass
multiple wireless antennas
black rimmed windows
boldly proclaim
any data entering
this cheerless edifice
must abandon all hope
of ever being framed
in a non duplicitous
non self serving sentence

the gray obelisk a
national security citidel
refracts the
fear and loathing
the sprawling
global anxiety
our civilization's
discontent
playing out
in the captive
soft parade
ambling along
the freeway jam
imobilized
at its stoop

Moning Edition jingle
follows urgent report of
FEMA scamblin assets
arbitraging Harvey and Irma
triaging two
tropical storm tragedies
and a third girl
just named Maria
pushed off the Canaries
and is on its way to a
Puerto Rico
homecoming

while
gubmint  bureaucrats
anxiously push on
to their soulless offices
the rush hour jam
has peaked
my WAZE
is having a
nervous breakdown

next lane over
a guy in a gold PT Cruiser
is banging on his steering wheel
don’t think this unessential worker
will win September's
civil servant of the month award

Ex Military
K Street defectors
slamming big civie
Hummers
getting six mpg
lobby for a larger
apportionment
of mercenary dollars
for Blackwater's
global war on terror

Prius Hybrids
silently roll on
politely driven by
EPA Hangers On
hoping to save
a bit of the planet
from an Agency Director
intent on the agency's
deconstruction
the third 500 year hurricane
of the season
is of no consequence

obsolete
GMC Jimmy’s
are manned by
Steve Mnunchin
wannabes
the frugal
treasury dept
ledger keepers
pour good money after bad
to keep the national debt
and there clanking
jalopies working

driving Malibus
DOL stalwarts
stickin with the Union
give biz to GMC

nice lookin chicks
young coed interns
with big daddy doners
fix their faces and
come to work
whenever they want

my *** is killing me
I squirm in my seat
to relieve my aching sacroiliac
and begin to wonder if my name
will appear on some
computer printout today?
can’t afford an IRS audit
maybe my house will
be claimed by some
eminent domaine landgrab?
Perhaps NSA
may come calling,
why did I sign that
Save The Whales
Facebook Petition?

The EZ Pass lane
is movin real easy
mocking the gridlock
that goes all the way
to Baltimore
a bifurcated Amerika
is an exhaust spewing
standing condemnation
to small “R”
republicanism  

glint from windshields
is blinding
my **** is hurtin and
gettin back to Jersey
gunna take a while
GPS recalcs arrival time

an intrepid Lyft driver
feints and dodges
into the traffic gaps
drivin the shoulder
urging his way to the
Ronnie Reagan International
I'm sure
gettin heat from
a backseat fare
that shoulda pinged
an hour earlier

Irma creeps
toward the Florida Keys
faster then the
glacial jam
befuddling congress

I think I just spotted
Teabag Patriot
Grover Norquist
manning a rampart
bestriding a highway overpass
he’s got a clipboard in hand
checking the boxes
counting cars
taking names
who’s late?
who’s unessential?

man
whatta jam we're in

Music Selection:
Jeff Beck: Freeway Jam

Orlando
9/21/17
jbm
written as im stuck in jam headin back to jersey
Kayla Hollatz Feb 2014
The tangerine stained race track
spread across our **** carpet, a turn
by the wooden bed frame, a loop
near the five piece drum set.
My brother’s fingertips gripped a Hot Wheel
by its rear end, its rubber wheels
greeting the track, propelling it forward,
launching it into another plastic vehicle,
and Crash.

I nursed the toy cars through emergencies,
playing doctor to replace cracked windshields
and torn plastic bumpers, victims
of one too many collisions. It alarmed me
how easily the 1976 Mustang could lose its wheel,
sending it spinning like a dreidel while my brother grinned
with splintered teeth, feeling nothing.
The car survived the impact, but people
don’t always walk away from accidents. They can’t be raised
on jack stands and tinkered with. The operation table,
home to drivers with fluttering heartbeats,
can hum to the deafening beat of a flat-line monitor.
A persona poem I wrote for class that it is still a work in progress. Any notes + opinions would be greatly appreciated.
Charles Barnett May 2014
1) 12 thousand tweets and none of them are substantial. They're becoming less and less about you though. Maybe that's what is substantial about them.

2) Something in the way you wrap sin in worship.

3) I'm an arson waiting to happen, is the funeral pyre really necessary?

4) Writing about you angrily isn't doing it anymore. I want to smash bricks through windshields that used to hold flowers I bought you.

5) Looks like you're not at the bottom of this one either. ****.

6) My love has always been leprosy.

7) You're the interlude, not the chorus. But, that's okay I'm a terrible vocalist anyway.

8) She wants to date boys that are self aware and boy did she hit the jackpot.

9) You smile with the grace of grandmothers and I'm a bad boy like your grandpa after the War.

10) Can I cut out your grin and put in on the wall next to my framed poster of Bob Dylan and Charles Bukowski?

11) Trace my outline in chalk when I finally drink myself to sleep. I'm euthanizing the pieces of me that belong to you.

12) If I find you in Heaven won't you be in his arms? If I find you in Hell won't you be my torment?

13) You make me feel as insignificant as God does and I think that says something about prayer.

14) I quit paying my phone bill so I'd quit dialing your number like a suicide hotline.

15) My teeth are rotten like the lies that spill out of my teeth. You find me beautiful and I've never been more self-conscious.

16) Your silence fills my abdomen like daggers and words clot where crimson should flow.

17) Loving you is *******.

18) My heart is at a crossroads and you're drowning in dust in the rearview mirror.

19) You prefer the subtle burns. The flames so hot they sever nerve endings when they lick your fingers the way I imagine I would.

20) She sings the body electric and I'm forced to worship her through computer screens and the scratch of needle on vinyl.
Owen Phillips Mar 2013
Going crazy in the normalest way
So jealous, so alone
The world doesn't open up to me
Because I press my face against glass doors
The windshields are fogging as I focus in on my disgusting and shameful acts of mutual *******
Waiting till life comes knocking at the window with a flashlight
Asking me to touch my nose,
Walk a straight line

You make me wanna **** myself
But I don't wanna die
I've just run out of ways to make you
Look into my eyes
I'm standing at a crossroads with nothing on all sides
No matter where I walk the future's always past the sunrise

I get up late each morning
Forget what I was dreaming
The memory of my eternal self
Floating through infinite kaleidoscopic
Worlds of pure imagination
Fades as easily as the lurid detail
Of the *** dreams I wake from in paranoid self-delusion

The church marquees say the skies open soon
But they lie
How could the answer to my woes be shining at me on the roadside
Between home and community college?
Everything is everywhere
But thus far NOTHING is here
There's an invisible dome over our heads
And none crane their necks to see beyond
The social order needs tending to
The community garden can wait
We'll always be able to survive on
Just-in-time produce deliveries
To our nearest grocery store
We have more important concerns
Like the meaningless jobs devised
By an unthinking static regime
To grow the economy and keep us from every questioning this way of life
The American way, the baby boomer's dream
Hidden within a shaded alcove
Of the barren wasteland we decided would suit the planet better
Than an unlimited, self-regulating biosphere
Powered by solar energy and God's will

We really did eat the fruit of the tree
But we didn't let it **** our egos
We didn't break on through
Adam and Eve didn't know the machine elves
And if they did the Vatican will have no mention of it
We must no longer be individuated consciousness
But we fail to see that we are ALREADY ONE
With each other
And everything
Even I cannot see it
When I spite my own flesh and blood
For a little bit of sensual grokking
Drinking in green eyes and pink lips

No jealousy!
I am you!
We are me!
Where does this jealousy come from?
The inability to SEE
OPEN YOUR EYES
OPEN MY EYES
Korey Miller Jan 2015
i.
caren forgot about her morning.  caren forgot it was wednesday.  caren had an event and she was not there.

caren is a shadow.  caren is an absence of space.  caren is a gap that people shy away from, women in black dresses sidestepping past her memory.

caren is a woman with a streetcar.  caren is a woman with an office job.  caren is a woman with a social network.  caren goes to functions.  caren is no longer a function, but a product of her own actions.

caren forgot herself.

ii.
shattered windshields. broken glass like triangle teeth. more monsters lurk in mirrors than in the recesses of the closet.  behemoths wait by water coolers, demons sit in sweaty three-by-fours.  the devil wears a motorcycle helmet and caren hasn't learned from her mistakes.

iii.
run a red light.  it's december and she's egging on the new year.  frosted features and blinkers hide hot flashes.  she's impatient for her age, a businesswoman at her best.  

a shift in gear. a change in mood.  road rage, road rash.  a few words from a dark knight on a whinnying bike.

iv.
lane changes and unintentional nudges. motorcycle launches the devil like a dove to heaven. caren stays earthbound, blood spilled to nourish the ground.  fertilizer runs through her veins, and vampire trees in city parks drink it up. bystanders drink it up.

v.
caren is a casualty.  caren is the victim of her own habits.

caren is a corpse in a coffin. caren is an elephant in the viewing room.  

caren is to blame in eyes and minds. caren is condemned in whispers, but caren is lamented out loud, so caren is proud.

caren got **** done.
i wrote this one when i was fifteen. it jumped out of my pen during a manic phase.
Michael Bauer Feb 2015
walking through the big flea market

off of highway 19 north of Tampa

looking for whatever and something

curious and kitsch or campy



merchants selling in the parking lot

used blenders and old cameras

burnt out or faulty devices

DVD cases and game cartridges



old rednecks shout out opinions

in a cacophony of drawled signifiers

representing visions of despotic rulers

reigning a tyranny of taxes and decline



old glass containers and windshields shine

scattering high afternoon sunlight in the Sunday sky

sitting and resting used and content waiting

waiting for the wear and reduction of time



the market continues into indoor aisles

criss-crossing within a ramshackle structure

plywood walls supporting sheet metal roofing

an aroma of every greasy food wafting into one



people wrapped in worn fashions

whites in Ts and denim

muslim women in headscarves

a black deputy strapped down in uniform



the deputy enforces commerce laws

around the alternative marketplace

a variety of commodities are still available

bongs and e-cigs and incense and **** ****



parakeets cry out down one aisle

a stack of blue aquariums drone a bubbling hum

the stench of cedar and rat **** and hamsters

reptiles basking in the arid glow of heat lamps



all is right in America’s America

the flea market is the floorboard of that promise

an opportunity for anyone to begin

or start again and over and over



a liberal conservatism can be guarded well

with rifles or tazers at bargain rates

a conservative liberalism is applied openly

in the atmosphere of everyone for anything and everything



the dream of the flea market

a black market and a carnival

all of America’s cheap art on display

its people swirled into one



equal in their struggles and desires

reaching for resources and derivatives

buying low and selling higher

stealing and selling short



walking through the big flea market

on a hot and cloudless Sunday afternoon

looking for whatever or something

it’s a fun thing to do


**originally posted to my blog https://sublimeobscenities.wordpress.com on 4/27/2014
rebeccalouise Nov 2012
a daunting bolero sends a shiver through a dream
a forlorn melody haunting a hazy delusion
crooning on a whimsical note
and breaking a melancholy tone
an elusive song opens into an abyss
of mambos and rumbas
that thrill like a superfluity of delicious electricity
strumming at our deepest treasures
buried in woebegone memories
seeping into our cellophane heads
and enveloping our entire being
until we heave our way back to reality
and dissolve into a sea of people
who are only twinkles
in the scudded windshields
of a rococo world
Enigmuse Nov 2014
My friends all think I'm crazy because I stand in the middle of the street and talk to a God that doesn't exist while high-fiving the windshields of passing school buses. I stopped taking my medication again because guilt taste a lot better than artificial happiness, and I stopped wearing that cross you bought me for my eight birthday because it contradicted the sense of uselessness I received for my twelfth. Life seems a lot less precious when you're talking to your parents in the TV room of a psychiatric unit and look them in the eyes while they tell me not to cry and say that 'pain is only temporary'. All I do is write letters to a man on the moon about the time I realized how hard and easy it is to die. Send me to therapy and make me take pills. I'll smile, but I'll always remember how to tie a noose
Raegan Marie May 2012
I used to eat ice cream on a pretty strict and regular schedule.
The anticipation for those designated nights consumed my naive mind.

Now,
on the nights that used to mean sweet, supple mounds of delicious bliss,
however brief,
I drink Missouri water from a thick, old, dusty glass.
As I tip the last drops into my mouth,
I see a mysterious stain (or is it a clump?) on the bottom.

Fortunately, I think to myself,
whatever that was didn't get into me.

Water runs through.
It cleans out.
It leaves nothing behind but undesireable water spots
in sinks and on windshields
mascara lines tracking down cheeks to squeeze between pushed up *****
and dead worms on the sidewalk,
evicted by the flood of this

life-giving,
breath-taking
rain,
waves,
that drink when your lips are cracking and you feel as if your mouth is filled with cotton,
when you look at a ***** puddle and think,
my GOD am I thirsty.

Ice cream melts in the mouth.
It refreshes in the heat of summer,
it teases the tongue with sugar and milk and so many seductive flavors.
It's best on special occasions,
even though it's desired all the time.
Sometimes it can be bought with the change found on a scavenger hunt in a car,
and other times,

it can't.
But even as the frozen delight slides off your tongue and into your stomach,
your tastebuds tremble at the lack of sweet.
They spite you with a bitterness and a dry, sticky feeling,
and your teeth feel coated with a grime you can't seem to lick off.
You keep wiping at your lips,
for you can't shake off the notion that you got some of the experience on your face.
I'm not even going to mention the calorie content of what you just downed.

And sometimes,
if you're like me,
too much can make you choke.
Your throat and lungs seem to be tucked within a terrifyingly tight Chinese finger,
and each spoonful is a desperate attempt to escape
only to fall farther into a trap I like to call

love.
The sun is surrounded by puffy clouds
Wind is blowing leaves around
I smell rain in the air and feel
Tiny drops hit my skin
The rain falls slowly
and the wind picks up
and the rain is now heavy
with rumbles of thunder in the
distance.
The heavy rain smacks the leaves as
it's hurled to the ground.
It's falling fast and the water
plummets into pools of muddy
water making a splash that
smacks the ground.
Rain on the tin roof sounds like
pebbles hitting the metal.
The rain slows down and you
can hear the cars passing by
hitting the water that splashes their
windshields.

(Still working on)
I exist to resist all your heavy-headed hits. Your words in stone, more absolute than death.
The way you glance below your jagged bridge, a grin dried in arrogance.
Your footsteps frighten the earth, but cease to shake my defiance.
Gravels cave, underfires exposed.
But even then I'll swim, in your ocean of shallowness, tigers on my tail,
Paradise Mirages mocking my waterless skin, even then, I said, I will swim to the Revolution's Shore.

Nevermind your ignorance, seeing blue skies and arguing them RED.
Deluded certainty, swearing on a man's soul to prove your point and feed your obsession.
I say "yes", you say "of course",
but no doubt I'm in the wrong.
I say "maybe" you say "perhaps,
and so you've proved your wisdom blind.

Mastered conspiracies, you've convinced your lies true.
In your mind you walk on water, as you strike your soles on mere tar.
Governor's Confetti lay dead on Governor's Ground;
fool's bravery in act, leading souldiers from behind.

This world,
The Principal's Playroom: clay towers and cars, play moneys and guards.
In the sun, your tin castles smile and glimmer in the shine.
But inside, hollowness reigns and you fail to see.
Eyes and Eyes fall to your sleep,
calamity by the masses as you care not to care.

Seconds linger as misted windshields shield the drunk driver,
and not even the death he brings can break the glass.
Deaf man with hearing ears,
the blind one who can see.
Waverly Nov 2011
The kind of cars
that I like,
are those 87' monte carlos,
subs
big as aircraft carriers
in the back.

Gold spoke
wheels,
able to turn
holes in the sky.

Chameleon
paint jobs,
green
and full
in the sun,
fading to black
and
glossy
in the shadows.

When I was a teenager,
the kings
used to ride by
in the
monte carlos
with open
windows
letting loose
a humbling roar
so loud
that it
put
ubiquitous vapors
into
the air.

The neighborhood smelled
like the thumping
and the hard hum
of their vibrating
windshields.

The kings
always
let the car slide slowly
in neutral,

and as they took
stock of their domain,
Their glossy gold fronts
made you realize
why gold
was
so important
each tooth looked like
a tablet of commandments.

Our wife-beaters
were
stained with ketchup
and other things
that bleach could never
get out,
and we smelled
funny.

But the kings
wore hawaiian shirts
and smoked
cigars.

The kings
were the preachers.


One of the kings
was Luke's brother,

whenever he stopped at a corner
we'd pile around
putting our fingerprints everywhere
until
he told us
to
"*******,
don't you have any
home-training?"

Luke would stand closest,
squinting
as he leaned on the driver-side
window,
all that bass
hammering
his bones.

"How much
did you pay for it?"
Reggie would ask
from the back,
peeking his head over,
trying to see
the king.

The king would smile,
and say
"enough."

we'd all be rapt.

He'd get a call
on his cellphone,
and we
would come up
with crazy numbers.

Luke didn't even know
how much
was
"enough".

The kings held the secret
of god
and power.

I wanted to be as close to god
as they were,
I wanted to know the secret
to contentment.

I wanted to come back home
with money like
the kings with gold teeth.
Amanda Evett Oct 2012
Please come save my body from my soul.
Even my fingernails ache with the weight
Of those thousand wine-induced truths.
Every eyelash carries a lost dream,
Neverlands and rain on windshields
In which I go nowhere in the night in a car
I can’t drive.

And my calloused heels!
Imperfections rendered by faulty directions,
U-Turns,
And Leaps of Faith

I’m surprised when my chest still rises and falls
And that breath still whistles through my nose
When all these bricks lay there,
Heavy and unmoved.

My body will someday reject me,
I fear.
Too many sleepless nights and coffee cups
Will shatter me

So please save me
Kelly Zhang Aug 2010
we can paint this whole city gold like a giant oil spill,
blinding and much much heavy on your tongue
and enlist a gleaming marching band whose buttons are falling off,
the tuba player is a gum chewer, there are mint chunks caught inside, barely playable
all she can do is honk
we’ll get limos with cracked windows and yellow fire trucks,
with flat left tires
acrobats in risqué costumes that little boys will point and giggle at
with sick clown faces, sick clown faces white, 7 or 10 layers of powder
and people from the slums of Uganda/Somalia/Niger or something, poor areas won’t be hard to find,
foreign tenants who live in dirtied-down shacks and
we will release from plastic cages, doves that have lost their pure color
that have been injected with toxic who-knows-what to be captured
hookers with big hair from the streets of large cities, they will blow kisses at the children and
wink at grown men
pigeons will **** on the windshields,
and the air will be so thick with pollution and filth that no one will be able to see
the deflating balloons of Mickey Mouse.

it will be The Biggest Parade the-world-has-ever-seen.
8.1.10
kathryn Jan 2015
**** feelings
Hurt feelings
Good feelings and bad feelings
Feelings about

**** all feelings.

**** crying
Crying can **** the *******
Catch your tears with your tongue
Wiping them away is attention grabbing

It’s ******* crass.

**** shouting
**** screaming
**** pounding windshields
**** putting your fist through a wall
**** your ****** hands

Get a ******* hold of yourself.

Also
**** your joy
**** the light in your eyes
**** your inspiration
**** your wisdom
**** your compassion

**** that ****.

**** burning eyes
**** tender throats

**** holding and hurting and grasping
and missing and dying

Go **** yourself.
Kaitlyn Marie Aug 2014
I don't quite know how I'd describe the taste of your lips, but for now I'll go with the rim of an old porcelain teacup, or soft rain from a bruised sky, or kerosene, you're about to set my tongue on fire with the taste of your love. You're an uprooted tree from a ghost-town-like night, filled with screaming tornado sirens and broken windshields from gulf sized hail. You could carry me quite far, you were damp new leaves weathering from Fall's best storm, and I destroyed you just as completely. With you, I like to forget boundaries, I like to let you dance on my fingers, and let my mouth hang ajar when you punch my jugular, stealing the breath I breathe. You always reach for my hands like they need rescue, they are safe in my pockets, safe by being still, not black and blue knuckle shaking fighting fists. I find you in scalding water, as I wash the past off of my history book hands, my Father has an anger building up in his throat, he knows about our love, the love we never say out loud, the love we don't want anyone to mourn for, he wants to preach a different kind of sermon, a sermon mouthed with cracked sidewalk-like hands, a broken heart, grease stained jeans with worn knees, tired eyes, and an unshaved beard, and chapped lips and a tasteful tongue ready to throw swear words at me like rotten tomatoes, but I can only hear the time bomb in his voice-tone. My teeth are doors, but they only welcome certain types of people in, people like you. You're that abandoned building with a Danger sign hammered to a white chipped painted door, and I'm so happy I judged you for what's inside. Before you, I never experienced any touchy touchy feely feely crap, but you have the veiniest arms, like the roots of a tree cling to you. My hands get all clammy, my palms get soaked, as if I'm holding the ocean in my hands, this is what sweaty palms of nervous love is. I find you in muddy rain puddles, I feel like I'm splashing around in the color of your eyes. I find you on my fingertips, the scent of your favorite food, French fries, lingers in between my fingers. Do I burn your skin with my furnace-like touch? Are my finger tipped fingerprints really trails of left behind scars from a burning match? You make me want to scratch at walls, these walls around me don't feel like home, I'm chipping away wallpaper in hopes I'm chipping my way through your chest, I'm searching for your heart. I've done a lot of thinking, you taste like rusty spigot water, but I can't stop drinking you, it's like I'm living in a drought and you're my only source of water supply. All the words you speak have a certain echo, and echo that lacks reverberation. Your words taste like you learned the hard way. I'm going to hold your hand so long you start to question what's wrong with me, I'm going to stare into your eyes for a long period of time and you're going to nervously smile and say you have to use the restroom. I want to love you so hard the sky explodes into pink and orange jealousy. Autumn is beautiful, much like our love, (the leaves change color), like our cheeks when we blush pink, (then gathered into piles), like you and I picked up each other's broken shattered vase-like hearts, (and then burned), like our love burns more and more passionately day by day.
(k.m.m)
Maybe she sees
Gentle rays of the sun
Glimmer from my face
Just like how I see her:
The light in the darkness
Of life's obscure fog

I wonder if she feels
The warm summer breeze
That would slowly blow
Upon her soft cheeks
Whenever I speak
The same breeze I feel
When she tells me
Nothings and somethings

I hope she feels
The slight glow
Of white moonlight
When my arms wrap around her
The very same glow
Whenever her arms
Lock themselves behind me
Sending me a message
To never let her go

I wish she forgets seeing
The heavy rains
That flood the roads on my face
Whenever I asked
If I were enough for her
Or if I were too much to handle

I wish she understands
The cyclones in my head
That clap thunder and flash lightning
Whenever the anger in me
Boils the chaotic saltwater
And creates tsunamis
In the vast ocean of my mind

I wish she forgives me
For the hailstorms in my words
That fall to the ground
And break like glass shards
That shatter windows and roofs
And car windshields and windows

I am a force of nature
Tom Spencer Mar 2018
I guess they've adapted
to our debris

the wedge of geese
flying north

over south bound traffic
the hawks perched

on top of
parking lot poles

and the great blue heron
paddling air

with enormous wings
shadowing hissing lawns

and lifeless pools
but what about us

hands clenched
on wheels

weary eyes scanning
mirrors and windshields

wingless and waiting
for red to turn green


Tom Spencer © 2018
Mateuš Conrad Sep 2016
how sensible it all seems, how crew-cut and with enough
anaesthetic to k.o. an elephant - outside the laboratories
the populists in whatever guise march on - as with any
congregation, atheists also muster up enough social muscle:
they too have their bouncers and other
gob-smackers with knuckle dusters -
as long as science is popularised it pushes
the boundaries of insensible chasms elsewhere -
                             but with so futile popularisation:
shortages in respective sectors: mandatory,
or as suggested: no longer rich bachelors and
         private laboratories - a science of regurgitation -
once they burned heretics, now the subtle
        championing of mingy sedatives - and since
Joan of Arc's heart no longer aspires to passion
and its all consuming fire, it turns into a wet
piece of coal - reining in the crowds of pop culture
zombies - said before, said again - but how
dislodged the feelings not ranging into absurdity
or at least nibbling on the zest of Dionysus;
but how things changed from that year, 2006,
everyone is asking, the poncy pope with glamorous
attire, the stiff-necked scientists - the pendulum
of guilt swinging in both directions - half of
the 20th century prescribed a fear magnanimously:
oddly enough - as implying: we forgive your
puny religious swooning and answering with
the easiest answers possible... here's a bomb -
so who are the sacred ones? they too are human -
the magazine dissected into:
a. what is reality? (can we be sure that the world
  we experience is not just a figment of our
    imagination) by roger penrose
     b. do we have free will? (the more we find
out about the brain works, the less room there
  seems to be for personal choice or responsibility)
     by patricia churchland
c. what is life? (if we encounter alien life,
chances are we wouldn't recognise it - not even
if it was here on earth) by robert hazen
d. is the universe deterministic?
   (however you look at it, the answer seems to be "maybe")
       by vlatko vedral
   e. what is consciousness? ("my soul is a hidden
    orchestra... all i hear is the music" - fernando pessoa)
            by paul brooks
f. will we ever have a theory of everything?
    (2000 years of rational inquiry may be approaching
  their crowning glory. just one more push could
   be enough...)
                            by michio kaku
   g. what happens after you die? (we have all
  wondered if there is an afterlife, but only a few are brave -
or foolish - enough to try and find out)
                                by mary roach
  h. what comes after **** sapiens?
  (all species are fated either to die out or to evolve
  into something else. all except humans, that is)
                   by james hughes -
so there we have it - the respective pillars of science,
whereby science replaces core beliefs into
core questions - to not hold firm, but to constantly
sway - the 8 founding questions - no more,
  no less - but how many people can perpetually sway?
   the supposed 8 universals, i.e. that every human
  being might, might not, will or will not ask -
     and for these 8 universals, exponential functions
of particulars: because that's how it's supposed
to be: chaotically democratic -
thus everyone knows the objectivity standard:
at its core is awe, outside the core pathology and
apathy - or let us say: passions and indifference -
then subdivisions of (+) and (-), and in general:
   however it is you feel: compensated or left starving.
in 2006, they congregated at a round table and
spoke god-this, god-that - no minority report,
  cold evidence never went down with women (or
so i'm told), three questions, question 1:
                 should science do away with religion?
oddly enough R. Dawkins said:
               "no doubt there are many people who do need
religion, and far be it from me to pull the rug from
under their feet." - we know that the bestseller
              the god delusion came out shortly after.
a physicist (S. Weinberg) similarly (c me la ri lee):
   "science can't provide a sense of magic about the world,
or a community of fellow-believers. there's a
religious mentality that yearns for that."
  L. Krauss: the success of science does not encompass
the entirety of human intellectual experience.
on and on this goes - i guess they have to debate for
the sake of debate - as i am sure everyone is aware:
   a debate can overpower the point of prayer -
confessions? i treat it more like poetry - but in saying
that... where is the medical profession in all of this?
we have astronomers, ecologists, biologists,
physicists, astrophysicists, planetary scientists,
cosmologists, philosophers... what's the odd one out?
it's a bit suspicious that this magazine does not
cite any chemists... and that's ****** obvious...
they're the ones making pacts with the devil -
whether Goethe's or Marlowe's Faust -
then at least to the more obscure rendition
of Pan Twardowski (Herr Tvardovsky) -
         but how odd it already is that chemists haven't
joined ranks with other scientists in their little
Friday night debating club meetings - seriously?
are those boffins serious about all of this?
            or as one said it:
i came from learning to write CO for carbon monoxide,
   and FeO for ferric oxide - or drawing electron migration
  diagrams when two compounds interact (a nice
playground of symbols) and went my way into
   some form of linguistics - primarily working on
          the tetragrammaton - i have no major interest
beyond this definition: would i debate the most
difficult metaphysical assumption of the omni-variations
in terms of ascribing the variations to a being?
i'd stumble in the metaphysical world on omnipresence,
meaning i would be a pantheist - meaning god
    would be anything and everything from the moon,
a mouse, an ant colony, my **** and what not -
            the all-in-one: for one thing, that's already much
too hellish to comprehend, let alone make comedy from.
but they haven't told you about the painkilling
saliva that beats morphine - catherine rougeo:
proceedings of the national academy of sciences,
vol. 103, p. 17979) - the compound's name? opiorphin,
or the scourge of Afghanistan. they also didn't
tell you about Saracen sabres - their scimitars contained
carbon nanotubes - forged from Indian steel
called wootz - 17th century examples studied by
P. Paufler (Dresden) found the carbon nanotubes
and even nanowires (nature, vol. 444, p. 286) -
or is this becoming to look very much like traffic
on London's M25 during rush-hour? it certainly is,
as was intended -
                   1950s: age of optimism -
influenza wave from the east, the indestructible transistor,
   television without wires, baby computer the size of
  a piano, rubber windshields, genetic chemistry,
atomic aircraft, the neutrino, sputnik 1, strontium-90
(radioactive ash)  used by manufacturers of woven
and knitted fabrics to overcome fog markings,
the coleopter, polypropylene (the remnants of German
word-compounding revealed in chemistry, and
only in chemistry, elsewhere compounding is
replaced by hyphenation, i.e. hyphenating),
                  and so on and so forth until present day -
passing through Sir, Julian, Huxley, who reinvented
****** with "positive" eugenics - oh sure, it was still
alive and kicking - quark hunters draw a blank -
             i could reference all else that was involved
in making the last 60 years - beyond that people are
call it ancient history - or are Virgil and as Horace,
and as Ovid did - turned their back to the world,
         into their poplar groves and jasmine filled gardens,
and said: ta'oh!           ta'oh!                 Tao!
  but not until then, before embarking i'm already
dreading to embark with something to add, to even
voice this -                                     but i guess i might:
  as ever, the freedom of speech is never as grand a
                                      luxury as the freedom to think.
Teen angst poetry
dribbled in red pen.
Well, ideally.
I only have black type.

In fact, I never have experienced
teen angst. I only have
the perpetual piece of blackandred
corners me alone

The beast beneath my bed ceases
whenever daddy checks
but I never had a daddy
only a mommy valiantly battling the
blackandred demons her daddy
never scared away either.

and in the
end we feel nothing nothing can
touch us. We are the empty rusty
pail crying out from the Dripdripdrip of
our loneliness because no one comes in
because, in the foggy glass, no one can see each other
and coldandclammy jostling elbows
do Not touch- NeverNever

We hope the redhot heart of the
lovers we hold so closely will defrost
our windshields to the world and let in
Lightlovehopejoyhappiness
Contentment

AND THEN
I have hope enough
that the monsterinmycloset
cannot grip my dangling elbow. Hope that the steep
fall of bladeandblood and littleroundpills
Always stays a few feet away

I call and pray for stray sunbeams.

Later- I pull
out the quicksilver shards of glass
from my eyes and under my polluted
fingernails.
I shrug off their sodden coats.
I won't borrow burdens. Anymore.
So that my light may shine encore
Abeaconpillar of radiance
Est deus in nobis
Mike Essig Nov 2015
First gelid dawn
of the dying year.

A crescent moon
shivers above
achromatic frost.

Four crows perch
like fluffy black
lumps of ice
on taut power lines.

Hungry sparrows peck
the severe ground.

The old poet
fears the cold.

Chilled eyes notice
bare ruined trees
and windshields
waiting to be scraped.

The earth has pulled
the covers up
around its neck,
wakes stiff and slow,
but stays in bed.

Cold's bony fingers
probe the old house
like burglars seeking
points of entry.

Still, the chill roads
point toward the
inevitable return
of warmth;
                  spring sits
silent as a cat waiting
for a door to open,
bidding its time
to counterattack.

Even on the most
algid morning
hope slumbers,
but never dies.

  ~mce
Darbi Alise Howe Dec 2012
A barbaric thing, winter’s price
The crude symphony of blood and ice
Through cataract windshields
Behold barren fields
In the grip of evening’s womb
Listen for the hangman’s loom
Forever weaving, weaving
But do not speak of leaving
Towards a melancholy freedom
Liberty to and liberty from
Run towards the sea,
Away from land’s fee—
And know that winter follows
Felt deep in the hollows
Of lung and bone
And in the silent moan
Between each leafless tree
Only winter alone is free
Yates Feb 2014
I remember the first time I said your name,
and I wondered how sounds can roll off tongues like raindrops can roll down windshields and spell out the things I can't say but I can feel, like how kids roll around in fields because it makes them feel good, and how dogs roll around with kids in fields because it makes them feel good, or how cats roll around wherever they want because they're cats and they feel like it,
or how I write really long pointless metaphors because they make me feel good. And the point is, I really like the feeling of your name on my lips.
And I remember the first time I heard your voice,
and how it was sweeter than any symphony I'd ever heard, and how it sometimes reminded me of birds and how they don't always fly in a straight line, because your symphony never played in a straight line unless you were singing. And even then I loved how it felt on my ears, especially when you said you would always be here.
I remember the first time I looked into your eyes,
and I wondered how oceans could fit into such a small space,
and I wondered how oceans didn't always have to be blue,
and I wondered if oceans would always make me think of you.
And even when your oceans were stormy, I knew that the waves would die down and the skies above the oceans in your eyes would hold the most beautiful sunsets I'd ever seen,
and I wondered if sunset would always be my favourite time of day.
I remember the first time you held me in your arms
because I was missing home, and your arms felt like the warmest home I'd ever known. And even now I sometimes miss that home and the way your arms would tell me everything is alright, and the way your oceans would surround me, and I wouldn't feel like I was drowning anymore.
I remember the night you were worlds away when you called me and said that you were afraid.
You didn't have to say it for me to know that you were afraid of yourself.
I remember how I could hear the oceans in your eyes running over, and I could hear your sunset skies getting cloudy.  
I remember how your symphony had off notes because one of the violins was broken and your oceans running over got everyone's music wet.
I remember letting your name roll off my tongue, and how it felt like a tank was rolling over my heart when your broken symphony rolled off
"I'm sorry, I just can't live like this anymore. I love you. Goodbye."
And I remember the oceans in my eyes spilling over until they ran dry, and screaming to a dial tone symphony that you can't leave me like this, because you promised you would always be here.
You promised.
I remember how there wasn't a sunset that night.
How, a year later, I still wish that you were only sleeping the last time I saw you.
A year later, when I pick up the phone I still wish it would be your symphony playing on the other end, because that sound was sweeter than any words I could ever write for you, but I'll write them anyways so maybe you'll know that a year later, when I see oceans I still think of you.
When I'm missing home I still think of you.
When I hear symphonies, I still think of you.
And I hope you know that a year later, sunset is still my favourite time of day.
Slammity slam slam slammy slam. Poem.
yokomolotov Sep 2013
just a nervous swimmer
making threats to capsize
cross legged eaten alive
praying acoustically so you could hear
a ship that plunges
through disaster’s eye
the harrowing digestive pit of the sea
willingly swallowed
lying under the collapsed ceiling
of
the one that crashed all around us

snow heavy on headlights
blanketing windshields with sloppy mounds
the bitter Christmas
and a night ride, cold headlights
a spelunker’s lantern
watching the masturbator on stage
his back facing the crowd
black curls like a blindfold
he smiles like someone in church
but behind his teeth something
seethes

red lipped rosy aloof
(the beautiful drunk who
I’ll write many lines)
I called you the Ouija way
but it was disconnected
Athena poured the milk you made
down your slopes and poisoned the valleys
looking back and tracing photos
wondering if you really existed at
all

walked in the humidity and
only wished I had said
nothing
realized all the time
there was no one I wanted but you,
curious feeling of being
startled awake
boots making me heavy
spent the next few weeks
swimming tirelessly upstream
proud salmon ***** that I am

— The End —