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Richie Vincent Jul 2018
We are all in one way or another, bugs on a windshield,
Some of us are the bugs, some of us are the windshield, some of us are the car, some of us are all of these

We tattoo each other’s names in Braille on our chests to see how bumpy the roads are going to look, and how painful it’s actually all going to be,
We keep them there forever, or, long enough for our mothers to see

How much beauty and life comes to an abrupt end when we are flying fast and relentless, hitting a windshield,
I wonder how long the driver of the car will even bother to worry about it,
Just turn on the wipers and get the guts off of the view of the sunrises and sunsets

We are all in one way or another just, bugs on a windshield,
I am the windshield,
When I get ***** from someone else, I like to imagine that I can just turn my wipers on and wipe away everything they carried around with them for all of that time,
On my body, you can find stains left from all of the bugs that have killed themselves on my skin,
Their blood and juices, permanently a home in my creases, I stay awake trying to paint a better picture of the sunrises and sunsets for the people driving me

We are all in one way or another just, bugs on a windshield,
Other times, I am the car,
A soulless machine built to carry luggage from one point to another,
A hard shell built to protect everyone who finds solace in me,
Do not worry,
The bugs mean nothing,
That is what my windshield is for

Just keep listening to the radio,
I can turn my wipers on
1969 Hartford art school is magnet for exceedingly intelligent over-sensitive under-achievers alluring freaks congenital creeps and anyone who cannot cut it in straight world it is about loners dreamers stoners clowns cliques of posers competing to dress draw act most outrageous weird wonderful classrooms clash in diversity of needs some students get it right off while others require so much individual attention one girl constantly raises her hand calls for everything to be repeated explained creativity is treated as trouble and compliance to instruction rewarded most of faculty are of opinion kids are not capable of making original artwork teachers discourage students from dream of becoming well-known until they are older more experienced only practiced skilled artists are competent to create ‘real art’ defined by how much struggle or multiple meanings weave through the work Odysseus wants to make magic boxes without knowing or being informed of Joseph Cornell one teacher tells him you think you’re going to invent some new color the world has never seen? you’re just some rowdy brat from the midwest with a lot of crazy ideas and no evidence of authenticity another teacher warns you’re nothing more than a bricoleur! Odysseus questions what’s a bricoleur teacher informs a rogue handyman who haphazardly constructs from whatever is immediately available Odysseus questions what’s wrong with that? teacher answers it’s low-class folk junk  possessing no real intellectual value independently he reads Marshall McLuhan’s “The Medium Is The Message” and “The Notebooks of Leonardo da Vinci” he memorizes introductory remark of Leonardo’s “i must do like one who comes last to the fair and can find no other way of providing for himself than by taking all the things already seen by others and not taken by reason of their lesser value” Odysseus dreams of becoming accomplished important artist like Robert Rauschenberg Jasper Johns Andy Warhol he dreams of being in eye of hurricane New York art scene he works for university newspaper and is nicknamed crashkiss the newspaper editor is leader in student movement and folk singer who croons “45 caliber man, you’re so much more than our 22, but there’s so many more of us than you” Odysseus grows mustache wears flower printed pants vintage 1940’s leather jacket g.i. surplus clothes he makes many friends his gift for hooking up with girls is uncanny he is long haired drug-crazed hippie enjoying popularity previously unknown to him rock bands play at art openings everyone flirts dances gets ****** lots of activism on campus New York Times dubs university of Hartford “Berkeley of the east coast” holding up ******* in peace sign is subversive in 1969 symbol of rebellion youth solidarity gesture against war hawks rednecks corporate America acknowledgment of potential beyond materialistic self-righteous values of status quo sign of what could be in universe filled with incredible possibilities he moves in with  painting student one year advanced named Todd Whitman Todd has curly blond hair sturdy build wire rimmed glasses impish smile gemini superb draftsman amazing artist Todd emulates Francisco de Goya and Albrecht Durer Todd’s talent overshadows Odysseus’s Todd’s dad is accomplished professor at distinguished college in Massachusetts to celebrate Odysseus’s arrival Todd cooks all day preparing spaghetti dinner when Odysseus arrives home tripping on acid without appetite Todd is disappointed Odysseus runs down to corner store buys large bottle of wine returns to house Todd is eating spaghetti alone they get drunk together then pierce each other’s ears with needles ice wine cork pierced ears are outlaw style of bad *** bikers like Hell’s Angels Todd says you are a real original Odys and funny too Odysseus asks funny, how? Todd answers you are one crazy ******* drop acid whenever you want smoke **** then go to class this is fun tonight Odys getting drunk and piercing our ears Odysseus says yup i’m having a good time too Todd and Odysseus become best friends Odysseus turns Todd on to Sylvia Plath’s “The Bell Jar” and “Ariel” then they both read Ted Hughes “Crow” illustrated with Leonard Baskin prints Todd turns Odysseus on to German Expressionist painting art movement of garish colors emotionally violent imagery from 1905-1925 later infuriating Third ***** who deemed the work “degenerate” Odysseus dives into works of Max Beckmann Otto Dix Conrad Felixmulller Barthel Gilles George Grosz Erich Heckel Ernst Ludwig Kirchner Felix Nussbaum Karl *******Rottluff Carl Hofer August Macke Max Peckstein Elfriede Lohse-Wachtler Egon Shiele list goes on in 1969 most parents don’t have money to buy their children cars most kids living off campus either ride bikes or hitchhike to school then back home on weekends often without a penny in their pockets Odysseus and Todd randomly select a highway and hitch rides to Putney Vermont Brattleboro Boston Cape Cod New York City or D.C. in search of adventure there is always trouble to be found curious girls to assist in Georgetown Odysseus sleeps with skinny girl with webbed toes who believes he is Jesus he tries to dissuade her but she is convinced

Toby Mantis is visiting New York City artist at Hartford art school he looks like huskier handsomer version of Ringo Starr and women dig him he builds stretchers and stretches canvases for Warhol lives in huge loft in Soho on Broadway and Bleeker invites Odysseus to come down on weekends hang out Toby takes him to Max’s Kansas City Warhol’s Electric Circus they wander all night into morning there are printing companies longshoremen gays in Chelsea Italians in West Village hippies playing guitars protesting the war in Washington Square all kinds of hollering crazies passing out fliers pins in Union Square Toby is hard drinker Odysseus has trouble keeping up  he pukes his guts out number of times Odysseus is *** head not drinker he explores 42nd Street stumbles across strange exotic place named Peep Show World upstairs is large with many **** cubicles creepy dudes hanging around downstairs is astonishing there are many clusters of booths with live **** girls inside girls shout out hey boys come on now pick me come on boys there are hundreds of girls from all over the world in every conceivable size shape race he enters dark stall  puts fifty cents in coin box window screen lifts inside each cluster are 6 to 10 girls either parading or glued to a window for $1 he is allowed to caress kiss their ******* for $2 he is permitted to probe their ****** or *** for $10 girl reaches hand into darkened stall jerks him off tall slender British girl thrills him the most she says let me have another go at your dickey Odysseus spends all his money ******* 5 times departing he notices men from every walk of life passing through wall street stockbrokers executives rednecks mobsters frat boys tourists fat old bald guys smoking thick smelly cigars Toby Mantis has good-looking girlfriend named Lorraine with long brown hair Toby Lorraine and Odysseus sit around kitchen table Odysseus doodles with pencil on paper Toby spreads open Lorraine’s thighs exposing her ****** to Odysseus Lorraine blushes yet permits Toby to finger her Odysseus thinks she has the most beautiful ****** he has ever seen bulging pelvic bone brown distinctive bush symmetric lips Toby and Lorraine watch in amusement as Odysseus gazes intently Tony mischievously remarks you like looking at that ***** don’t you? Odysseus stares silently begins pencil drawing Lorraine’s ****** his eyes darting back and forth following day Lorraine seduces Odysseus while Toby is away walks out **** from shower she is few years older her body lean with high ******* she directs his hands mouth while she talks with someone on telephone it is strange yet quite exciting Odysseus is in awe of New York City every culture in the world intermingling democracy functioning in an uncontrollable managed breath millions of people in motion stories unraveling on every street 24 hour spectacle with no limits every conceivable variety of humanity ******* in same air Odysseus is bedazzled yet intimidated

Odysseus spends summer of 1970 at art colony in Cummington Massachusetts it is magical time extraordinary place many talented eccentric characters all kinds of happenings stage plays poetry readings community meals volleyball after dinner volleyball games are hilarious fun he lives alone in isolated studio amidst wild raspberries in woods shares toilet with field mouse no shower he reads Jerzy Kosinski’s “Painted Bird” then “Being There” then “Steps” attractive long haired girl named Pam visits community for weekend meets Odysseus they talk realize they were in first grade together at Harper amazing coincidence automatic ground for “we need to have *** because neither of us has seen each other since first grade” she inquires where do you sleep? Todd hitches up from Hartford to satisfy curiosity everyone sleeps around good-looking blue-eyed poet named Shannon Banks from South Boston tells Odysseus his ******* is not big enough for kind of ******* she wants but she will **** him off that’s fine with him 32 year old poet named Ellen Morrissey from Massachusetts reassures him ******* is fine Ellen is beginning to find her way out from suffocating marriage she has little daughter named Nina Ellen admires Odysseus’s free spirit sees both his possibilities and naïveté she realizes he has crippling family baggage he has no idea he is carrying thing about trauma is as it is occurring victim shrugs laughs to repel shock yet years later pain horror sink in turned-on with new ideas he returns to Hartford art school classes are fun yet confusing he strives to be best drawer most innovative competition sidetracks him Odysseus uses power drill to carve pumpkin on Halloween teachers warn him to stick to fundamentals too much creativity is suspect Todd and he are invited to holiday party Odysseus shows up with Ellen Morrissey driving in her father’s station wagon 2 exceptionally pretty girls flirt with him he is live wire they sneak upstairs he fingers both at same time while they laugh to each other one of the girls Laura invites him outside to do more he follows they walk through falling snow until they find hidden area near some trees Laura lies down lifts her skirt she spreads her legs dense ***** mound he is about to explore her there when Laura looks up sees figure with flashlight following their tracks in snow she warns it’s Bill my husband run for your life! Odysseus runs around long way back inside party grabs a beer pretending he has been there next to Ellen all night few minutes later he sees Laura and Bill return through front door Bill has dark mustache angry eyes Odysseus tells Ellen it is late maybe they should leave soon suddenly Bill walks up to him with beer in hand cracks bottle over his head glass and beer splatter Odysseus jumps up runs out to station wagon Ellen hurriedly follows snow coming down hard car is wedged among many guest vehicles he starts engine locks doors maneuvers vehicle back and forth trying to inch way out of spot Bill appears from party walks to his van disappears from out of darkness swirling snow Bill comes at them wielding large crowbar smashes car’s headlights taillights side mirrors windshield covered in broken glass Ellen ducks on floor beneath glove compartment sobs cries he’s going to **** us! we’re going to die! Odysseus steers station wagon free floors gas pedal drives on back country roads through furious snowstorm in dark of night no lights Odysseus contorts crouches forward in order to see through hole in shattered windshield Ellen sees headlights behind them coming up fast it is Bill in van Bill banging their bumper follows them all the way back to Hartford to Odysseus’s place they run inside call police Bill sits parked van outside across street as police arrive half hour later Bill pulls away next day Odysseus and Ellen drive to Boston to explain to Ellen’s dad what has happened to his station wagon Odysseus stays with Ellen in Brookline for several nights another holiday party she wants to take him along to meet her friends her social circles are older he thinks to challenge their values be outrageous paints face Ellen is horrified cries you can’t possibly do this to me these are my close friends what will they think? he defiantly answers my face is a mask who cares what i look like? man woman creature what does it matter? if your friends really want to know me they’ll need to look beyond the make-up tonight i am your sluttish girlfriend! sometimes Odysseus can be a thoughtless fool

Laura Rousseau Shane files for divorce from Bill she is exceptionally lovely models at art school she is of French descent her figure possessing exotic traits she stands like ballerina with thick pointed ******* copious ***** hair Odysseus is infatuated she frequently dances pursues him Laura says i had the opportunity to meet Bob Dylan once amazed Odysseus questions what did you do? she replies what could i possibly have in common with Bob Dylan? Laura teases Odysseus about being a preppy then lustfully gropes him grabs holds his ***** they devote many hours to ****** intimacy during ******* she routinely reaches her hand from under her buns grasps his testicles squeezing as he pumps he likes that Laura is quite eccentric fetishes over Odysseus she even thrills to pick zits on his back he is not sure if it is truly a desire of hers proof of earthiness or simply expression of mothering Laura has two daughters by Bill Odysseus is in over his head Laura tells Odysseus myth of Medea smitten with love for Jason Jason needs Medea’s help to find Golden Fleece Medea agrees with promise of marriage murders her brother arranges ****** of king who has deprived Jason his inheritance couple is forced into exile Medea bears Jason 2 sons then Jason falls in love with King Creon’s daughter deserts Medea is furious she makes shawl for King Creon’s daughter to wear at her wedding to Jason  shawl turns to flames killing bride Medea murders her own sons by Jason Odysseus goes along with story for a while but Laura wants husband Odysseus is merely scruffy boy with roving eyes Laura becomes galled by Odysseus leaves him for one of his roommates whom she marries then several years later divorces there is scene when Laura tells Odysseus she is dropping him for his roommate he is standing in living room of her house space is painted deep renaissance burgundy there are framed photographs on walls in one photo he is hugging Laura and her daughters under big oak tree in room Laura’s friend Bettina other girl he fingered first night he met Laura at party is watching with arms crossed he drops to floor curls body sobs i miss you so much Laura turns to Bettina remarks look at him men are such big babies he’s pitiful Bettina nods

following summer he works installing displays at G. Fox Department Store besides one woman gay men staff display department for as long as he can remember homosexuals have always been attracted to him this misconception is probably how he got job his tenor voice suggesting not entirely mature man instead more like tentative young boy this ambiguous manifestation sometimes also evidences gestures thoroughly misleading after sidestepping several ****** advances one of his co-workers bewilderingly remarks you really are straight manager staff are fussy chirpy catty group consequently certain he is not gay they discriminate against him stick him with break down clean up slop jobs at outdoor weekend rock concert in Constitution Plaza he meets 2 younger blond girls who consent to go back to his place mess around both girls are quite dazzling yet one is somewhat physically undeveloped they undress and model for Odysseus radio plays Roberta Flack’s “Killing Me Softly With His Song” both girls move to rhythm sing along he thinks to orchestrate direct decides instead to let them lead lies on bed while curvaceous girl rides his ******* slender girl sits on his face they switch all 3 alternate giggle laughter each girl reaches ****** on his stiffness later both assist with hands mouths his ****** is so intense it leaves him paralyzed for a moment

in fall he is cast as Claudius in production of Hamlet Odysseus rehearses diligently on nights o
Keith J Collard Jun 2013
The Quest for the Damsel Fish  by Keith Collard

Author's  Atmosphere

On the bow of the boat, with the cold cloud of the dismal day brushing your back conjuring goose bumped flesh you hold an anchor.  For the first time, you can pick this silver anchor up with only one hand and hold it over your head. It resembles the Morning Star, a brutal medieval weapon that bludgeons and impales its victims.  Drop it into the dark world beyond the security of your boat--watch the anchor descend.
        Watch this silver anchor--this Morning Star--descend away from the boat and you, it becomes swarmed over with darkness.  It forms a ******-metallic grin at first as it sinks, then the sinking silver anchor takes its last shape at its last visible glimpse.  It is so small now as if it could be hung from a necklace.  It is a silver sword.  
Peering over the side of the boat, the depths collectively look like the mouth of a Cannibalistic Crab, throwing the shadows of its mandibles over everything that sinks down into it--black mandibles that have joints with the same angle of a Reaper's Scythe.  

I am scared looking at this sinking phantasm.  I see something from my youth down there in this dark cold Atlantic.  I see the silver Morning Star again, now in golden armor.  I remember a magnificent kingdom, in a saltwater fish tank I had once and never had again.  A tropical paradise that I see again as I stare down into the depths.  This fish tank was so beautiful with the most beautiful inhabitants who I miss.  Before I could lift the silver anchor--the Morning Star--over my head with only one hand, turning gold in that morning sun-- I was a boy who sat indian style, cross legged--peering into this brilliant spectacle of light I thought awesome.  I thought all the darkness of home and the world was kept at bay by this kingdom of light...

Chapter  1 Begins the Story

The Grey Skies of Mass is the Name of This Chapter.

                                                      ­­                        
    
 Air, in bubbles--it was a world beauty of darkness revealed in slashes of light from dashing fluorescent bulbs overhead this fish tank.
Silver swords of fluorescent energy daring to the bottom, every slash revealing every color of the zodiac--from the Gold of Scorpio to the purple of Libra combining into the jade of the Gemini. 
In the center, like a dark Stonehenge were rocks. The exterior rocks had tropical colors like that of cotton candy, but the interior shadows of the rocks that was the Stonehenge, did not possess one photon of light. The silver messengers of the florescent energy from above would tire and die at their base.  The shadows of the Stonehenge rocks would stand over them as they died.

 
          When the boy named Sake climbed the rickety wood stairs of the house, he did so in fear of making noise, as if to not wake each step.
   Until he could see the glowing aura of his fish tank then he would start down that eerie hall, With pictures of ghosts and ghosts of pictures staring down at him as he walked down that rickety hallway of this towering old colonial home.  He hurried to the glowing tank to escape the black and white gazing picture frames.
                    The faint gurgling, bubbling of the saltwater tank became stronger in his ear, and that sound guided him from the last haunt of the hallway-- the empty room that was perpendicular to  his room.   He only looked to his bright tank as soon as he entered the hallway from the creaky wooden steps.  Then he proceeded to sit in front of this great tropical fish tank in Indian style with his legs folded over one another as children so often would sit.
  The sun was setting.  The reflections from the tank were beginning to send ripples down the dark walls. Increasing  wave after wave reflecting down his dark walls.  He thought they to be seagulls flapping into the darkness until they were overcome as he was listening to the bubbling water of his tank.
                " Hello my fish, hello Angel, hello Tang, hello  Hoomah, hello Clown and hello Damsel … and hello to you Crab...even though I do not like you," he said in half jest not looking at the crab in the entrance of the rocks.  The rocks were the color of cotton candy, but the interior shadows did not possess a photon of luminescence.  All other shadows not caused by the rocks--but by bright swaying ornament--were like the glaze on a candy apple--dark but delicious.  Besides the crab's layer in the rock jumble at the center of the tank which was a Stonehenge within a Stonehenge--the tank was a world of bright inviting light.
                The crab was in its routine,  motionless in the entrance to his foyer, with his scythe-like claws in the air, in expectation of catching one of the bright fish someday.  For that reason the boy tried to remove the crab in the past, but even though the boy was fast with his hand, the optical illusion of the tank would always send his hand where the crab no longer was.  He did not know how to use two hands to rid the crab in the future by trapping and destroying the Cannibal Crab ;  his father, on a weekend visit, gave the Crab to the boy to put into the bright world of the saltwater tank, which Sake quickly regretted.  His father promised him that the Crab would not be able to catch any of the fish he said " ...***** only eat anything that has fallen to the bottom or each other..."

         A scream from the living room downstairs ran up the rickety wood and down the long hall and startled the boy.  His mother sent her shrieks out to grab the boy, allowing her to not have to waste any time nor calorie on her son; for she would tire from the stairs, but her screams would not, allowing her to stay curled up on the couch.  If she was not screaming for Sake, she was talking as loud as screams on the phone with her girlfriends.  The decibels from her laugh was torture for all in the silent house.   A haughty laugh in a gossipy conversation, that overpowered the sound of the bright tropical fish tank in Sake's room that was above and far opposite her in the living room.
               " Sake you have to get a paper-route to pay for the tank, the electricity bill is outrageous," she said while not taking her eyes off the TV and her legs curled up beside her.  He would glad fully get a paper-route even if it was for a made up reason.  He turned to go, and looked back at his mother, and a shudder ran through him with a new thought:  someday her appearance will match her voice.  

              Upon reaching his tank,  Hoomah was trying to get his attention as always.  Taking up pebbles in his big pouty pursed lips and spitting them out of his lips like a weak musket.  The Hoomah was a very silly fish, it looked like one of Sake’s aunts, with too much make up on, slightly overweight, and hovering on two little fins that looked incapable of keeping it afloat, but they did.  The fins reminded him of the legs of his aunt--skinny under not so skinny.’

               The Tang was doing his usual aquanautics , darting and sailing was his trick.  He was fast, the fastest with his bright yellow triangular sail cutting the water.  Next was the aggressive Clown fish, the boy thought she was always aggresive because she didn't have an anemone to sleep on.  The Clown was strong and sleek with an orange jaw and body that was built like a tigress.
  Sake thought something tragic about the body if the  orange Clown and the three silver traces that clawed her body as decoration -they reminded him of the incandescent orange glow of a street lamp being viewed through the rainy back windshield of a car.   The Clown fish was a distraction that craved attention.
The Clown would chase around some of the other fish and jump out of the water to catch the boy's eye. 
                 Next is the Queen Angel fish, she is the queen of the tank, she sits in back all alone, waving like a marvelous banner, iridescent purple and golden jade.  Her forehead slopes back in a French braid style that streams over her back like a kings standard waving before battle, but her standard is of a house of beauty, and that of royal purple.

                    Lastly is the Damsel Fish, the smallest and most vulnerable in the tank.  She has royal purple also, rivaling the queen. Her eyes are lashed but not lidded like the Hoomah.  Her eyes are elliptical, and perhaps the most human, or in the boy’s opinion, she is the most lady like, the Hoomah and the Queen Angel come to her defence if she is chased around by the Clown.  Her eyes penetrate the boys, to the point of him looking away.  

                      Before the tank, in its place in the corner was a painting, an oil painting of another type of Clown donning a hat with orange partial make-up on his face (only around eyes nose and mouth there was ghost white paint) and it  had two tears coming down from its right eye.  The Clown painting was given to him by his mother, it seems he could not be rid of them, but Sake at first was taken in by the brightness of the Clown, and the smooth salacious wet look of the painting. it looked dripping, or submerged, like another alternate reality.  The wet surreal glaze of the painting seemed a portal, especially the orange glow of the Clown's skin without make-up.  .  If he tried to remember of times  before the Clown painting that preceded the Clown fish, he thought of the orange saffron twilight of sunset, and watching it from the high window from his room in the towering house.  How that light changed everything that it touched, from the tree tops and the clouds, to even the dark hallway leading up to his room.  The painting and the Clown fish did not feel the same as those distant memories of sunset, especially the summer sunset when his mother would put him to bed long before the sun had set.  
Sake did not voice opposition to the Clown.
Then he was once again trapped by the Clown.  
            The boy was extremely afraid of this painting that replaced the sunsets , being confined alone with it by all those early bedtimes.
Sake once asked his mother if he could take it down, whereas she said " No."  That clown would follow him into his dreams, always he would be down the hill from the tall house on the hill, trying to walk back to the house, but to walk away or run in a dream was like walking underwater or in black space, and he would make no distance as the ground opened up and the clown came out of the ground hugging him with the pryless grip of eight arms.  He would then wake up amid screams and a tearful hatted clown staring somberly down at him from the wall where it was hung.  Night made him fear the Clown painting more;  that ghost white make-up decorating around the eyes and mouth seeming to form another painting in entirety.  He could only look at the painting after a while when the lights were on, and the wet looking painting was mostly orange from the skin, neck, and forearms of the hat wearing clown.  But the painting is gone now, and the magnificent light display of the tank is there now.  

                Sake pulled out the fish food, all the fish bestirred in anticipation of being fed.  The only time they would all come together; and that was to mumble the bits of falling flakes: a chomp from the Clown, a pucker from the Hoomah, the fast mumble of the Tang, and the dainty chew of the Damsel.  The Queen Angelfish would stay near the bottom, and kiss a flake over and over.   She would not deign herself to go into a friendly frenzy like the other fish; she stayed calm, yet alluring like a flag dancing rhythmically in the breeze, but never repeating the same move as the wind never repeats the same breeze.  She is the only fish to change colors.  When the grey skies of Mass emit through every portal in the house at the height of its bleakness, her colors would turn more fantastic, perhaps why she is queen.

                 He put his finger in the top of the watery world; the warmth was felt all the way up his arm.  After feeding, his favorite thing to do was to trace his finger on the top of the warm water and have the Damsel follow it. She loved it, it was her only time to dance, for the Clown would descend down in somewhat fear ( or annoyance) of the boys finger, and the Damsel and he would dance.  The boy, thought that extraordinary.

                     Sake bedded down that night, to his usual watery world of his room.  The reflective waves running down the walls like seagulls of light, with the rhythmic gurgling sound and it's occasional splash of the Clown, or the Hoomah swooping into the pebbly bottom to scoop up some pebbles for spitting making the sound "ccchhhhh" --cachinging  like a distant underwater register.  The tank’s nocturne sound was therapeutic to the boy.

                      Among waking up, and being greeted by his sparkling treasure tank--that was always of the faintest light in the morning due to the grey skies of Mass coming through every portal to lessen the tropical spectrum-- the boy would render his salutations " Good morning my Hoomah.....good morning Tang, my Damsel, and your majesty Queen Angel.....and so forth.  Until the scream would come to get him, and he would walk briskly past the empty room and the looming family pictures of strangers.  His mother put him to work that day, to "pay for the fish tank" but really to buy her a new cocktail dress for her nightly forays.  The boy did not care, the tank was his sun, emitting through the bleak skies of Mass, and even if the tank was reduced to a haze by the overcast of his life, it only added a log to the fire that was the tropical world at night, in turn making him welcome the dismal day.
                  On a day, when the overcast was so thick, he felt he could not picture his rectangular orb waiting for him at night. He had trouble remembering what houses to deliver the paper.  He delivered to the same house three times.  Newspapers seemed to disappear in his hands, due to their color relation to the sky.   Leaves were falling from the trees—butterfly like—he went to catch one, he missed--a first. For Sake could walk through dense thorned brambles and avoid every barb, as a knight in combat or someone’s whose heart felt the painful sting of the barb before.  He would stand under a tree in late fall, and roll around to avoid every falling leaf, and pierce them to the ground deftly with a stick fashioned as a sword.  He could slither between snow flakes, almost like a fish nimbly avoiding small flakes.  
                  After he finished his paper-route , he went to his usual spot under an oak tree to fence with falling leaves.  As the other boys walked by and poked fun he would stall his imagination, and look to the brown landscape of the dry fall.  The crisp brown leaves of the trees were sword shapes to him.  He held the battle ax shape of the oak leaf over his eye held up by the stick it was pierced through, and spied the woodline through the sinus of the oak leaf lobe.  The brown white speckled scenery, were all trying to hide behind eachother by blending in bleakfully; he pretended the leaf was Hector’s helmet from the Illiad—donned over his eyes.
“ Whatchya doing Sake?” asked a young girl named Summer.  Sake only mumbled something nervously and stood there.  And a pretty Summer passed on after Sake once again denied himself of her pretty company.  He looked to the woodline again, a mist was now concealing the tall apical trees.  It now looked like the brown woodland was not trying to retreat behind eachother in fall concealment, but trying to emerge forth out of the greyness to say "save us."

“ Damgf” he uttered, and could not even grasp a word correctly.  His head lifted to the sky repeatedly, there was no orb, and the shadows were looming larger than ever; fractioned shadows from tree branches were forming scythes all over the ground.
             He entered the large shadow that was his front door, into the house that rose high into the sky, with the simplicity of Stonehenge.  He climbed the rickety petrified stairs and went down the hall.  Grey light had spotlighted every frame on the wall.  He looked into the empty room, nothingness, then his room, the tank seemed at its faintest, and it was nearing twilight.  He walked past the tank to look out the w
Mitchell Sep 2013
The retainer where she was put
Was made of concrete. My father told me they had
Dug the grave first, then poured the concrete in, waited for
It to dry and harden, then hammered in six
Circular spikes in the four corners, two on either side
Of the middle. They lifted the concrete cast out with a crane.
My dad was going to be charged 300 dollars a day for the rental,
But because of the circumstances, Home Depot let us have it for free.

-

Where was she?
Where had she gone?
Would I see her face again?
Would she want me to
Meet her on the other side of the river?

-

I answered my cell phone.

"Make sure to bring flower's."
She had been crying. Her voice wavered the way sun light
Does on moving water.

"Make sure to bring flowers," she repeated, "And
That you wear what your father and I bought you."

I nodded my head with the receiver pressed up against my ear.
We both let out a sigh. My mom hung up. I put my phone in my back pocket.

-

Lately, I had been seeing a shrink about repetition. He liked to use the word cycle.

"Everything is repeated," I would tell him.

"Life is a cycle," he'd disagree so to get me talking.

"Can cycles be identical?"

"Technically not. Some cycles are extremely similar, but no two cycles are
Completely the same. Are two people's lives ever exactly the same?"

"I wouldn't know. I don't know that many people. Maybe."

"You know lots of people, Camden. You have told me about many of your friends."

"Are we talking about the seasons?" I asked, changing the subject, "Like fall, winter, spring, summer? We are born, we live, we die, and we are born again?"

"That's a very natural way of looking at it."

"I know it is." I inhaled deeply, swallowing air and wondered what time it was.

"If you are so sure, why look for validation from me?" He liked this one, I could
tell. I imagined him shopping for clothes and then exploding in aisle 16 because of a sale on jeans.

"The word cycle is used by people too afraid to use the word repetition. Everything is
Repeated for the next generation, the next group, the next of the next of the next. We shift things
Around, give things to one another to shift life to make it look different, but, things remain the same. Everything contains the primal function we were all doing and living from the very beginning, only now, there is more of a separation. Music is still music, words are still words, paintings are still paintings, love is still love, death is still death, only done differently and more intensely."

"We are talking about man furthering technology because we, as people and creatures, are
Statistically more prone to flee than fight?"

"Why do you think it has caught on so quick?" I touched both
Corners of my lips with my tongue and suddenly realized I hadn't eaten breakfast.

"It is a theory," the psych nodded, "A theory with, I am sure, many
Palpable facts you could make a very nice report with to prove...something." He
Was at a lost for words and I felt guilty that my mom was paying him $75 an hour.

"We are very split. There are too many of us. Too many hands spinning the china."

"Who is we Harry?" The psych hadn't looked up from his pen and pad of paper, until now. I could
Tell he was annoyed with me either because he was making no progress or because the session
Had just begun and I was already digging into him.

"Culture. The government. You, me, my dad, my mom, the taco bell cashier, the geniuses at Apple computers, a paper weight, my dead sister. We're all apart of these shifts, all putting in a certain amount of energy and lies to keep the protection of the projection going. The question I keep asking myself is: do I want to use my strengths to be apart of this cycle or not?"

His eyes flared open for a moment like he'd swallowed a firefly, not at the question I had posed for myself, but from what I would soon see was from the mention of my sister. He had something.

"I was notified by your mother that you may not want to talk about your recently deceased sister. Is It O.K. if I ask you some questions about her?"

I was leaning forward on the couch with my hands clasped in between my legs. The psych had looked up at me now. He was sweating at the top of his thin hairline. Observing that I was staring at his building perspiration, he, trying to be nonchalant, took out a thin, white napkin from his grey shirt pocket and dabbed the top of his head. The napkin looked like cheap toilet paper. I'd have offered him some water, but I had no water to give and I didn't know where the sink and cups were to give him any. I figured he did - it was his office - so I asked him for some. He pointed me in the direction of the bathroom. I got up and found a stack of paper cups. I poured myself a cup and went back to the couch, but instead of leaning forward, I sat back, relaxed, and let the expensive leather couch take the weight I had been carrying away.

"So," the psych maintained cooly, "Would it be alright if we were able to discuss your sister?"

I lifted the paper cup over my head and the psych's eyes, after I poured the water over my hair, my face, and clothes, was a mixture of what my mom's eyes looked at the funeral, defeated, confused, and with a loss of faith and hope. My father's eyes had only held hate, anger and the need to lash out at someone, but the only someone that would have fit the bill would have been God.

"Sure," I answered, "Let's talk about my sister."

-

I finished drying myself in the car. The psych had let me keep the towel.
I leaned out the window to look at myself in the side mirror. I looked fine.
Presentable. Accountable. Like I had been through something where I had
Faced my soul. Like I had used and abused my emotions. There was comb in my glove compartment, so I took it out and rushed it through my damp hair. Slicked back. The sun
Was out, no clouds, burning up the inside of my car. That taste that comes after
Finishing something that's supposed to do you good didn't come. I was left with an unsure hand.
Putting my keys in the ignition, I turned them, and felt the engine rumble in front of my legs.
The sun sat in the sky like a lazy hand and I had nowhere else to go but home.

-

"Let's go to the river today," my dad said over coffee and two over easy eggs on top
Of burnt wheat toast. "I'll drive and you and your sister can sit in the back and sing."

I looked over at Ally. She was gazing into her fruit bowl she had prepared for
herself because dad didn't understand the concept or how to make it. The lamp light above us
reflected in the smooth apricot yogurt and the flecks of granola scattered on top
looked like beige, jagged rocks. My dad's offer hung in the air and neither
of us bit the lure. I had just woken up and was unable to speak clearly, a decent
excuse. Ally was simply choosing to ignore him.

"What you think there Ally?" I asked her. I sipped my coffee. It needed more cream. I got
U, got it and brought the carton to the table.

"We can take the truck down there and load the back with the fishing poles and tackle
And inner tubes. We haven't...done that...in a long time," he said, chewing his food as he spoke.

Ally poked her fruit bowl with her spoon, silent.

"What you think, Cam?" My dad was desperate. He knew I'd say yes.

"Sure. I've got no plans this weekend."

"No schoolwork?"

"It can wait till Sunday. Only math and some reading."

"Ally, what do you think?" my dad asked, leaning over to her. I could see he was
Trying to be as courteous and gentle with her as he knew how to. I felt bad for him.

"Sure," she muttered, "That sounds like fun." I could barely hear her, but somehow,
I could tell she sounded happy.

"Perfect," my dad smiled, "We'll pack the car up Friday,
Drive up Saturday morning early, camp one night, then get back Sunday afternoon." He
Took a long sip of his coffee and swished it around in his mouth, then dug
His fork into the dry toast and ran his small steak knife over the eggs. A silent pop came from
The egg and the light orange yolk spilled out. "Perfect," he repeated, "Just great."

Ally poked a grape from her fruit bowl and dipped it into the yogurt.
I took another sip of my coffee and looked up into the fan, spinning above us.
We were going to the river.

-

"Your sister turns five today," my mom told me, "And that means
I want you to be on your best behavior."

I nodded, unsure what the point of a birthday was. I had had one before, or at
least I thought I did, and all I remembered was that I got presents and the colorful balloons
and the cake we all ate with fire kind of floating and burning above it. Somewhere
in that moment I remember thinking that the cake was going to catch on fire, then they, everyone,
some that I knew and some people I had never seen before, yelled and shouted to
blow the fire out, so I quickly did, but not because it was for a wish, which I later found out it was supposed to be for, but because I truly thought the cake was going to catch fire and they wanted me to take care of it. At that point, I was unsure what it meant to be alive or why to celebrate it all.

"This is her day, Camden," my father told me, "So I want you to be happy for your sister."

"I am," I said. I was wearing my favorite white and blue striped t-shirt and
New shoes that my mom had bought me for the party.

"Sometimes you have to think of other people," my mother continued, "And today is one
of those days. I don't want any crying because you didn't get any presents or that none of your
friends are at the party. There are going to be a lot of Ally's friends there, but not many
of your's...do you understand?"

"Yes, Mom."

"Do you understand, Cam?" My father repeated. His skin was the color of a burnt
pancake and he smelt like stale sugar and sun tan lotion. He was in front of me and was
holding a thin magazine with a man in a boat holding up a fish on a line on the cover.  

"Yes, Dad," I said again. I was hungry. I wanted mac n' cheese, my favorite food.

I had been on the floor, laying on my stomach watching Ren and Stimpy. They were standing in front of the television and I remember trying to wish them out of the way. Behind them were two, large bay windows where three palm trees stood in a row like tropical soldiers. I could see there was no wind because the three of them stood still, as if posing for someone. Their leaves were bright green, a mixture of the neon green Jello I used to love to eat and the orange Jolly Rancher my dad would always have in a tiny tray in the middle of the dining table. My mother hated having them there because it always tempted Ally and I, but he never moved it until he moved out.

"Do you like your show?" my mom asked, turning to see what I was watching.

I nodded, absently. Ren was licking Stimpy's eye because he was complaining about having
an eyelash in there. Stimpy was completely still and smiling like he does - dumb and content.

"Interesting..." my mother trailed off. She walked to the kitchen behind the couch and
Opened up the pantry for something. "You hungry, Camden?"

"I'm starving," my dad said, "Let me go check on Ally in the bedroom. She should be up
from her nap."

I got up from my stomach and sat back on my legs, "Do we have mac n' cheese?" I asked.

"Let me check."

She reached up for the cabinet over the stove where I could never reach and
Opened it. I rose slightly up from where I was sitting to see if I could see the glorious dark blue and orange package, but wasn't able to see over couch. I hovered there, still like a humming bird.

"You're in luck," I heard her say, "We've got one box left."

"Yay!" I screamed and got up, running into the kitchen.

"But," she smiled, stopping me, "You'll have to share it with your sister."

"No! I don't want to! I always have to share."

"What did we just talk about Camden?" she said, lightly stamping her foot.

I tried to remember, but couldn't. I shrugged.

"You need to learn to share, Camden. You also need to listen better when your father and I are talking to you. You and your sister are going to know each other a very long time and I want you to learn how to share now, so you two can be happy in the future."

"The future," I asked, "What's that?"

She paused, then said, "It's a time," she paused again, "Ahead of us."

"Do we know where it is?"

"Not exactly," she sighed.

"What's it look like?"

"No one really knows. People can only imagine it."

"Is it very far away?"

She opened the top of the blue and orange mac n' cheese box and poured the dry macaroni into a large silver ***, lifted the faucet, and let it run inside for five or seven seconds. She placed the *** on an unlit burner and turned to look at me. Her eyes looked far away and right there with me.  

"Closer then you think," she said and turned the burner on.

-

I turned into the taco bell parking lot. There was something I was trying to remember that was in my trunk, but I couldn't recall the picture. A haze blew over the windshield that was a mix of heat and wind; I wished to be somewhere else, someone else, someplace else, but, there I was, sitting there underneath the sun, like everyone else. If I was able, I would have unlocked the door to my car and opened the door and walked out - but - there was something else lingering underneath my fingernails, something I couldn't name.

"Two tacos," I said into my hand, "And a water."

"Pull to the window," the voice buzzed over the muffled speaker.

"Yes," I said through my split fingers.

In front of me, over a patch of clean cut green grass and a yellow, red, and orange Taco Bell signature sign, was a fresh gas station with a willow tree *** near the front entrance. He had a sign that hung around his neck that read Juice Please - Very Thirsty. How I knew this was because I had seen it every time I had been asked to fill up my dad's car every other Sunday. I had never given the tree a dollar, yet, I felt that I owed him something. I tried to pull up to the window, but my clutch was grinding and a cloud slunk overhead. I was tired and only wanted to eat.

"That'll be a two twenty-five," the voice said through the thick, clear glass.

"Yes," I said to myself, digging into my wallet for three dollars.

I ****** the three onto the thick plastic platform. A quick sweeping plastic brush pushed the bills toward the asker, and the bills were gone. I had no food. I had nothing. My money was gone and all I had was a gurgling car in front of me and an empty front seat beside me. A pair of clouds waded by my front shield window. A shadow drew itself out in front of me like a **** model. A beep. Sudden and behind me. There was sound. I looked over my shoulder and a black  2013 Cadillac was sitting there, windshield tinted grey, the driver a shadow. I was unsure what to do...so I pulled forward six inches, hoping the offer would be enough. I wasn't in the best neighborhood.

The window to the left of me slid open. An arm erupted forward with a plastic bag,
"75 cents is your change."

The hand dropped three quarters next to the plastic bag. I grabbed the bag with the two tacos and three quarters and quickly wound up my window. The face in front of me was a dangerous blur: smiling, frowning, not caring either way what happened to me next. The hands had gobbled up the three dollars and I was happy to see it go. Who needed money? I tossed the plastic bag onto the passenger seat and sped off two blocks for my grandma's house. Salvation. The holy land. A place with free hot sauce and two dog's that were stolen without paper's. Eden.

-

"What are you learning right now?" I asked Ally.

She hesitated, then said, "Something to do with science." She paused," Lot's to do with rock's."

"Rocks?" I stammered, not remembering a time when I learned about rocks in school, "What kind of rocks?"

"I don't know," she grinned, looking up at me, "All kinds."

I laughed and kicked a stone into the river. The sun was out and reflected on the water like an unpolished diamond. We had grown up a quarter mile away, but still, it felt foreign to us.

"I like it. There's some things you could see that you would never think to read about it in books."

I had read plenty off books. Most, I took little from, but Ally, I could see, had taken plenty.

"What are you doing in school?" Ally asked me.

"What do you mean?" I
Nathan Box Jul 2016
For my 2016 writing project, I’ve decided to write a single line of poetry every day for an entire year. Below, is June’s poem. Enjoy!


A crack runs through the windshield.

This is how life goes.

Perhaps, a metaphor for something bigger.



We move down the road;

Drinking in the scenery like quiet passengers.

Our view is obstructed though.



A crack runs through the windshield.

A tear cuts across me too.

Perhaps, neither shall be repaired.



Travel provides life lessons.

These vistas seen at 70 MPH matter.

Who is sitting next to you matters more.



A crack runs through the windshield.

No break found in the rearview;

Future and past boldly symbolic.



I grab his hand.

In the safety of this car, there is no one to judge.

Our love is left alone.



A crack runs through the windshield.

I don’t belong to this fate.

This wasn’t meant to be my life.



The highway won’t claim me.

It will set me free.

Unbound, hovering over yellow stripes.



A crack runs through the windshield.

We are defined by the optical illusion.

Things could be worse.



We are finally free.

He will forever be mine.

Cracks can be repaired.
Dauphin Dolphin Dec 2016
He still lives with demons
that once held him tenderly
when no one would
be able to find the words
to say that fill the glass
as it is tipped back
and slowly emptied
of the liquor that stirs
memories from the headwind
that blew the lovers' hair back
on the drive through autumn
windy, windy mountain paths
as another Queen song plays
on the radio and the raindrops
on the windshield tap along
with fingertips against the steering wheel
to Freddy Mercury and shared heartbeats.

The truth is he is lying
there like an open wound
as he begins to measure self-worth
with texting tempo and memories
of last summer being too hot
to cuddle with one another
though it was more than enough
to hold feet under the thin sheets
that remember the glass
once again filling with words
as another drink is emptied
and his head burst through clouds
leaving him to hydroplane
through windy, windy mountain paths
as the raindrops on the windshield
applaud with the demons
that beckon tenderly for his return.
Lawrence Hall Dec 2016
December Through the Windshield

The windshield wipers hiss-scratch-thunk, scratch-thunk
Scratch-thunk against the pre-dawn wind and rain
Thick sodden leaves protest against their fall
And cling forlornly until swept away

To disappear into the autumn night
Their loss unseen by two frail beams of light
Patrolling in advance, into the cold
Ignoring the casualties left behind

December hastens to the year’s end while
The windshield wipers hiss-scratch-thunk, scratch-thunk
What happens when the good girl goes bad
like the spoiled milk she left out?
Because I couldn't seem to get up.
I think it was something about acknowledging that I'm alive, I'm here.
Wouldn't it all be easier if I wasn't?

When the good girl goes bad
because she worked her *** off on that paper and only got a C.

When the good girl goes bad
because the world doesn't treat her right,
but I guess it must because that's
how come I'm the good girl.
Not my depressed sister sitting in her room;
not my other sister running around, destroying everything I had to work for;
most definitely
not my other sister who always seemed to be your favorite but is now smashing plates in our backyard,
'cause I guess that's what happens if you get too close to you.

When the good girl goes bad,
you get angry because
I'm supposed to be your perfect child
not supposed to be
your ***** up child
your lonely child
your lazy child
your anxious child
not supposed to be
your good for nothing child
your dysfunctional child
your doesn't give a **** about anything anymore child.
why don't I ******* give a **** about anything anymore?

When the good girl goes bad
your life falls apart,
because clearly
you had enough to deal with already,
because clearly
this is all my fault,
because clearly
you don't have the time to face your good girl
and
because clearly
that's all on me.

When the good girl goes bad
because you left her out on the counter all those years, sitting there to rot.
And though I know that you can't waste your time putting it away, 'cause you never cared for it anyway,
maybe you shouldn't have bought the milk if you didn't want to drink it.
And I know the milk should take care of itself
but I tried and that only works for a couple of years
before the good girl gone bad falls far off the counter, spills across the floor,
and the only thing left is to throw that nasty old milk away
because your bread, eggs, oil, etc. need your attention
and it's just too late for the good girl.

When the good girl goes bad
because she never asked to be the good girl
or maybe I did, I don't really remember,
but not like this.
I just wanted to be loved
but little did I know that
the good girl just sits there
keeping herself afloat,
but the boat can't guide itself if it wasn't given eyes.
The boat can't patch itself if you keep telling it its still brand new
when its really old, broken, and covered in holes.
You shouldn't put a boat in the water if you know its going to sink,
but I guess you only really need a couple good boats
so you can just toss the good girl.

When mama's little good girl goes bad,
she feels guilty
because she was told she'd always be
the good girl.
Though, its hard being the good girl when you don't have any windshield wipers for your tears at night.
But the tears at night aren't supposed to exist
because
I'm still mama's mother ******' good girl,
just...
please pretend I haven't gone bad.
I added to what was originally posted. I was having some technical issues and decided to just post what I had before, but this is the full poem (5/16/18)
Dan Filcek Apr 2015
standing at the top
bleary-eyed and nauseated
holding on to stomachs,
glumly watching rain splatter the windshield.
dawn was breaking .
it was freezing and gray;
There was no sunrise.
beaten by fierce wind gusts,
Were we going to ride
that winding wet road?
the most tricky parts
feeling like an idiot
I was up all night,
somber meditation on mortality
we approached the summit,
passing through the gates
how am I going to know my limits?
The volcano had conquered me
how have I lived this long?
watch the sunset.
we made it to the top
passing through lush forests
up the arid moon-like summit,
I descended into the crater,
a rocky path of rugged lava.
this otherworldly place
black, orange, red and silver
Vents emitted plumes
the air is crystalline and still.
I heard no sounds
I posed for pictures
in the background Romeo was waiting.
We watched the sunset
It was sublime
This year for Poetry Month, I decided to post a "found poem" every day. If writing a poem is like painting, a "found poem" is like sculpting. - source - https://www.nytimes.com/2014/05/18/travel/forgoing-sunrise-for-sunset-on-mauis-volcano.html
L B Sep 2016
Route 84 would not lend me
the light of a star last night
Radio blazing at 75 mph
nonsense noise to chew gum by
Crackling political commentary
Static of distance and thick clouds
Invisible mountains blocking
Memories seeping through the cracks
coating the music in a film
I rub my eyes
watch myself punch alert buttons
But it’s the angels’ jukebox tonight

Roll down the window
Watch the heat escape

Summer again

I am building a castle of ancient stones
pulverized by relentless tides
Dragged across maps by mastodons
and mammoth glaciers
The scouring hiss
the ocean sighs
Time has lulled these smoothly
rolling them in the softest hands of sand
and gels of life’s comings and goings
tenderly tumbling
in the millionth moonrise—
Time deposits them here
wet and glistening

For the girl with the plaid two-piece to gather
Shoulders sun-burnt barely say
one week only,
one week of the fifty two
“It’s the time of the season…”
and daddies on the beach are watching….

She has chosen yet another stone
And the castle continues—
in oblivion to all but her legend…

     The queen will be safe here
     from the rabble
     The disgraced Tristan will surely seek her
     Among these lofty cliffs
     Between the raging circuit of the tide
     Here winds forbid the vengeful mob
     Here lovers learn
     the debt of love’s bad timing
     “Drink ye all of it!”
     --the potion that assigns our sorrow….
     She will not sleep—
     while I chew this gum--  GUM?

Roll down the window!

Angels escape with the heat
Waking me with the brush of their wings

As that eighteen-wheeler hugs my flank
And leans on the horn
Lights flashing
Rude rumbling under right tires
Tantrum of snow
In the draft of mass and velocity

…and the angels?
They’ve chosen another good one!
They must’ve liked the 80’s
Their wings slapping the windshield madly  
Their hands steady the wheel
As a fourteen-year old, I picked up a book to read at the beach about the legend of the lovers, Tristan and Iseult.  I was so captivated by their story that it ruled my imagination that summer.  

Anyway, I still think of it when I think of the ocean-- as I did on this cold dark occasion when I should have pulled off somewhere for a coffee, but I was trying to beat the snow storm home.
Route 84, also known as Dead Bambi Highway, has a desolate, treacherous section going over the mountains between NY and Pennsylvania.  Didn't have much option for music at the time, so I leaned heavily on the radio pushing the search button to find anything bearable-- not too much static.
Song reference in this: "Time of the Season" by the Zombies-- all time favorite beach song that happened to be on the radio that night.

https://www.youtube.com/watch?v=RBxK3CcOQD8
CharlesC Oct 2012
she asked:
are there words
hiding in raindrops
waiting to be born..?

their life expectation
was really quite short
awaiting only
the swipe of
a windshield wiper..
Some special drops
her camera captured
in one of those
dissolving moments..

one small drop
glimmered with
a pure white light
others angled with
curved prism color..
white and colors
created
but soon destroyed
by those ever
persistent and ruthless  
blades..

this play of light
we might reflect
paints our portrait
on a canvas of glass
those colors with white
body and soul
together
life and death
so temporary
yet so significant..
because of awareness
our awareness makes
it so...
bc moon raven Oct 2018
Growling and hissing, a storm formed along the road, portending the merging of the chaos that had been gripping our minds for months.  This day, this type of day, we could have dreamed up in the novel of our love affair.  The conversation along our drive into the country was as full and ***** as all other tête-à-têtes shared in our two months together.  We were never at a loss for words and his conversation had been more educated than the older men I had dated since the divorce.  I was forever astonished at him and with him.  

The first time I met him, I was sitting behind my desk and planning for another monotonous day of office politics and all the drama connected.  Lost in thought, I sipped coffee and read emails until, there was - him.  He opened my office door with such fervor and drama, I knew someone had just entered into my life that would leave me forever changed, and I welcomed it.  A mess of auburn hair, neither combed nor styled and yet quite fitting, haloed around his head and gave the visage of an angel.  He had a freckled nose and cheeks with blue eyes staring from behind all that wildness and they were the only calming feature about him.  I turned my head and grimaced a bit, “how dare someone charge into my office as if to own it”.  “How can I help you?” made its way from my lips with a bit of a sigh.  And he smiled, that smile which would make his face even younger and more deceptively angelic.  

“Hello” danced off his lips and in two syllables was able to sound singsong and my anger soon turned to anticipation.  He introduced himself as Parker and explained his new position as Junior Editor.  He went on to say someone instructed him to introduce himself to me since I was Senior Project Manager for the organization.  His fervent entrance into my office had sent a gush of wind that disheveled my tidy desk and his wide blue eyes looked around at the chaos he had rendered.  He seemed unable to offer apologies, and I soon learned this was his way.  His confident facade prevented admission of mistakes and the word “sorry” could not escape the tightness of his will to be correct.  This was my lover’s way and it was the structure built that only wrecking ***** could destroy.

As is expected of me, I extended my hand to welcome him, overmuch aware of my grip and strength in presenting my hand, I felt the need to dominate the grip.  I was a woman in a senior position inside the male dominated echelon of upper management.  I took his hand and with rehearsed quickness attempted to demonstrate my dominance, my superiority.   It was then, the first time I saw a devil behind his angelic face and I remember my expression churned up my secret thoughts.  He saw my eyes searching those thoughts and delight shone from his blue eyes like cold fire and I was burned.   Our hands soon contorted into a dance of dominance with fingers twisting as if in a finger shadow play.  No time for games or plays for control, I simply took the shake he offered and turned towards my coffee, my drama, my emails and without looking at him welcomed him again and gave a wave of dismissal.  He greeted my brush-off with a laugh and made his way to the chair in front of my desk.  He was tall and the light from behind silhouetted his broad shoulders and upright posture.  He was confident and sure.  His clothes were expensive, well-tailored and not at all the measure for his age.  He had a style about him and I believe it came as naturally to him as did the confidence in which he clothed himself.

I wanted to be angry at his overconfidence, his interruption, his disregard.  I was, instead, amused but annoyed.  He sensed he was beginning to irritate me and it seemed to delight him.  He would speak without taking a breath, eager to finish his thoughts, aware perhaps that time could steal the moment away and he would forever wonder.  He spoke with an accent I did not fully recognize and attempted to invite me to lunch or even coffee.  My lover was bold.  

I was succeeding in this corporate world, my world.  I was not ready to lose my focus for a moment alone with the delightful creature staring back at me, awaiting the “yes” he expected would be my answer.  He was a man who did not accept the “no’s”.    He would get what he wanted and would wait in predator mode until his prey was wounded, weak, ready.  He was not a predator in the malevolent sense, more in the need for survival mentality.  He would lift the wounded and weak above the limits of their afflictions and a “yes” would flow from their lips in fond gratitude.  Today I was not a “yes” and it did not feel like a final answer.  Somehow, I knew one day I would be naked with this man, my lover.  I knew I would take him inside me, and he would show me how to love in ways I had never known.  The “no’ and the explanations of the “no” exuded from my lips, and I could see him grow even more eager to know me.  He would learn the stories of my life from rumors and talk.  He would learn of my divorce, of the men I dated with expensive homes and cars.  He would hear about the occasional woman who would occupy my bed.   I had wished all of it to be true but only the divorce was correct.  I was not exceptional or exciting.  I was driven and focused.  

He stood there hearing my “no” with the sun behind him igniting the fire in his hair with his shoulders pinned back exposing his sculpted chest.  He stood there and allowed the silence after my rejection to hover the room, and there it was.  We locked eyes, and neither could emancipate from the other.  I wondered who he was and what he looked like naked in the morning with his disheveled hair, and we stared, locked in our gaze until my phone rang signaling the end of round one.  

Wrapped in my shawl, I moved between sipping coffee, as was my usual, and typing on my laptop.  He was behind me in the cabin.  I felt him approaching and knew he would quickly whisk me away from the overwhelming din of office emails and calls.  His presence behind me now was no longer disquieting but natural.  

The cabin had been his grandfathers and he had a noticeable pride about it when showing me through the door and gateway to his childhood memories.  He had a smile on his face I had never seen.  I delighted in how young it made his face appear, almost as if the childhood memories possessed him and he became the blithe youth here with his grandfather.  


It was fall at the cabin and the smell of musk and rotting leaves and ozone from the storm, filled the cabin and each deep breath was taking in a memory from my youth.   I was happy to be here with him and yet afraid.  Two months we flirted and touched over our shared lunches, eager to get inside each other physically, mentally.  The office was replete with stories of the happenings between the older woman executive and the younger up and coming man, how he must be using her to advance his career and how she was using him to heal the wounds of her recent divorce.  We heard these stories and watched them grow to the point we ended our touching, our flirting.  Soon the denial of our feelings and time apart turned to foreplay.  Soon there were stares across conference rooms, perceptive smiles as we crossed paths.  The total of it led us to this moment, to time alone together for the first time, this time.  

Fall in the country was the vangaurd to a glorious death.  The earth would explode with color announcing its final breath and moment upon the stage and we had arrived during the final bow and curtain call.  Trees draped in gold - and red - and orange heralded the fire to come and we too were ready to pour forth in glorious blaze and inferno.  During the entire ride into the country an ironical mist of dew and rain dotted the windshield as if nature attempted to douse the desires clawing to escape in each other’s arms.  There was a devil sitting next to me and I had to smile as his auburn hair blended so naturally with the landscape.  I was obviously lost in thought and he looked at me and asked if I was okay.  Him next to me, him crookedly smiling at me.  

“It’s nothing.  It’s just nice to see you in your element.”  My replay was short but my heart was beating so hard I was almost afraid he could see it bouncing behind my blouse, so I began to cover up but was met with his hand before I even reached the edge of my coat.  

“No.  I want to see you.”  His voice was soft but demanding and strong.  Often there were hints of a struggle for power between us.  His youth and position within the company prevented me from accepting his seriousness and his face would ***** into a grimace.  I never gave it much thought other than a bit of a nuisance.  His hand led mine to my lap, and I expected him to hold it, but he let go with a smile.  I enjoyed his show of power but refused to reveal a glint of it for fear I would lose the respect and control necessary over a subordinate.

Soon the cabin filled with the sounds of rain and thunder and as I stared out the window jealous of the drops of rain and their randomness, he touched my shoulder and looked down at me with his eyes bluer than wild lupine.  I smiled a painful smile and he knew I was overthinking the moment.  Taking my hand, he brought me to his chest and into his arms, arms that would embrace all of me and at times felt as if they could wrap around me twice.  I placed my head on his chest and began to reach for his belt.  The *** I had known was always routine.  This was expected, that was not allowed.  I fell into that routine naturally and was happy to oblige his needs in order to meet mine.  He kissed my forehead and still holding one hand, led me to the door of the cabin.  “What are we do…”  He stopped me with a single “shhh” from his lips.  I followed him and felt myself shiver.  I was not sure if I was shivering in fear or from the nip of fall air.  

“Don’t be afraid.  You have nothing to fear from me.  There’s no need to shiver my little poppet.”  He stepped back from me and stared as if I were a tiny bird in need of nestling back into its home.  “I’ve never seen you afraid.”  He touched my cheek and I felt so small and helpless, lost from home, and he was the only way back.  With a smile he took my hand and led me outside to the rain, lifting his face and savoring the drops bouncing off his cheeks.  

“W..w..what are you doing?”  I was trembling now and wondered if I had misjudged this man and he was in fact a lunatic ready to strangle me to my death.  My silk blouse, now drenched, clung to my ******* exposing an imprint of lace from my bra.  He reached for my shawl and pulled it off my shoulders.  He was looking at me so lovingly my body and mind calmed and I was once again in the moment.  Our moment.  This moment.  

His face, stern now, official, his mouth opening with such deliberateness that I was sure he had been in this situation before.  Once again my mind wanted to race to thoughts of not being good enough or that I was too old or too plain.  His voice pierced my thoughts and brought me to attention.  “There will be no talking unless I tell you to.  Nod if you understand”

My mind wanted to slap him with reminders of my superiority to him at work, how he was MY subordinate and how dare he.  My mouth would not open and my head began to nod in understanding.  My body and mind were bending to his will and acting upon his orders.  Shivering gave way to shaking now and I wanted to run to the warmth of the cabin and watch the fire burn the logs to a black crisp and wake up in his arms naked and giggling.  

Having seen my compliant nod, he began to speak.  “Undress.”  One word.  One word in response to the shaking mess of a woman standing in the rain, cold and afraid.  My hands were barely able to form the necessary movements to reach for the top button of my blouse.  I did not want to fail him or appear as if I were unfamiliar with tales of ***** men overpowering and having their way with a willing lover.  My fingers moved quickly now, wanting to end the scene and move on to the *******.  He stared.  He did not blink.  He did not nod or move.  He was enjoying every subtlety of me.  He was pleased.   I was a willing participant in his fantasy.  Nothing made me happier than to please him.  I began to feel hot and something inside me broke.  Was it my will, my pride, my fears?  I was not sure, but I felt alive.  Every thirsty pore of my skin opened up and lapped at the rain so very eager to feel it on my skin and the randomness of the drops was no longer something I envied but something in which I participated.  

My hands began to tug my blouse free from my skirt and the wet silk now draped over my hips like curtains, revealing the curves I was so painfully aware of hiding to keep anyone from noticing my *** and concentrate upon my words and actions.  I knew now I had one button remaining before I would, for the first time, display myself to him.  He did not flinch, rather, he maintained his stare and for a second I pleaded to him with my eyes not to expect me to do this.  He was resolute.  I spread open the soft, wet cloth and began to drape it off my shoulders.  I let it slide from my wrists, then fingertips, then to the ground blissfully unconcerned that my Hermes blouse was now draped over wet grass and mud.  

I looked down at my skin dripping and alive with goosebumps.  I had bought this bra in anticipation of this moment, in fear of this moment.  White lace bra and perfectly matched ******* were demonstrative of my control over even the small details.  My skirt was loose and heavy with the rain.  It was low on my waist and lay just below the navel leaving me the most exposed I had ever been with him.  I reached to touch the button on the back of my skirt.  Undone, I slipped my fingers along with the zipper feeling each click of the tiny teeth holding together the disguise of a powerful woman.  My hands traced the banded edge of the skirt pushing it over my hips allowing it to fall to the ground.  

His face looked stern but pleased, stoic and fixed.  I was in my bra, ******* and stilettos now.  I began to reach for the hinged part of my bra when he stopped me.  “No.  Stop.” He walked over to me.  He was close now and I was so cold I could feel heat from his body.  I wanted to kiss his lips, his full lips, but I did not move.  I knew now the rules and I would do only what was asked of me.  I stood rigid with no flinching.  I waited for any words that would pass from lips to ear.  He did not speak but leaned into me and reached over my right shoulder undoing the chignon in my hair.  He draped my shoulders with strands of liquid filament.  He took his time there, placing each strand in the exact order in which he was pleased.  With two steps back, he looked at my wet hair with the deliberate strands, as if he had created a masterpiece and for a moment I was unsure if the artwork he saw was me or his work.  

“Now be still.  Allow me to touch you, to admire you, my beautiful Moira.”  When he said my name even after these two months, he had the ability of saying it as if he were speaking it in serenade and for the first time.  He moved his hands to my back and unlinked my bra, one hook at a time with such dexterity I knew he must be a professional at *******.  He, who was to be my first professional lover.  He slid both straps off my shoulders, then taking my hands towards my abdomen, he slid the straps forward on my arms.  Lifting my hands, he demanded I keep them out and straight.  Me, the student to the professional, complied without question.  He bound my wrists with the lace bra, the bra I had bought just to please him, then lifted my arms above my head.  “You will keep your hands up until I tell you to move.”

I had become his toy.  I knew in this moment, I no longer existed for me, I was his, completely and entirely, and I abandoned myself to the rain, to the cold, to his gaze, realizing that surrendering to his urges strengthened me.  He turned and walked away.  He took a seat in an Adirondack chair and even it looked small in his presence.  “On your elbows and knees,” he spoke matter-of-factly.  Just five minutes ago, the struggle inside me to have the appearance of strength, would have denied me this happiness, this happiness to be free in his command.  “Now crawl to me, please.  Slowly.”

I did not care to be in the mud.  I wanted it.  I wanted to please him.  First to my knees, leaving an indention in the clay, then awkwardly at first, onto my elbows with my hands still tied at the wrist.  Crawling on my elbows, my back was arched with my waist higher than my head, giving him a view of the thong I had chosen only for this moment, my succeeding moment.  My position felt ungainly.  I looked to his face for approval.  “No.  You cannot look at me”, he commanded.  For a moment I felt I had lost his approval and self-doubt harried my brain.  My will to please was resolute.  I faced the ground, once again aware of the randomness of nature, the power of nature, how things in nature will do as they are told.  The reed is told to bend.  It does.  It does not question why but responds in its way.  Rivers do not question why they are shaped.  They just continue with powerful current.  I was the reed.  I was the river.  I did not question.

Face towards the ground, I could see the mud forming on my body, molding to my shape then rinsing with the rain.  It repeated.  Mud.  Rain.  Mud.  Rain.  This was the cadence to my crawl.  I arrived at his knees and waited there, a dog eager for a command from its master.  I was content to watch the rain beat ripples around his feet, splashing and shining his shoes with glossy drops.  “I cannot love you”, I thought to myself, “this is forbidden”.  “Being here in this moment, is forbidden.” We would have this moment.  Yes.  We could create this memory and think back on it in fondness and with both heaviness and happiness.  I would remember my young lover, my professional lover.  He would remember the obedient executive on her knees.  I would not regret our moment.  I would some day write it all down in my journal and press the pen deep into the paper.  It had to be etched, those words, my words, this memory.

His hand below my chin, lifted my gaze to his and he smiled, that smile, his smile, the smile that was like nature to my body, and I did not ask why.  I was a river being formed.  “You are so beautiful.  All of you.  Your skin so soft and pale.  Your eyes moving from fear to acceptance.  I see now you want to please me and I want you to know that I want to make you happy.  I want to be your lover.  I want to taste your lips kissed with rain and feel your shivering body pulled against me.  You are safe.  I will not hurt you.  Poppet.  I love you.  I have for awhile now, and I think you know it.  You, my wise, wise Moira.”  He lifted me up and for a moment pulled my body towards him burying his face in my abdomen.  He lingered there.  I felt how soft his red tufts of hair were and how soft his words were against my ears.  I loved him too.  Genuinely.  Profoundly.  I was afraid.

He inhaled deeply, there against my stomach, as if he were breathing in my essence.  I felt his breath turn from warm to cold against me as it mixed with rain.  He stretched his arms and moved my body backwards as he extended until I was a foot away from him.  “I would very much like to undress you, poppet.  I’ve been imagining it, aching for it.  I want to see all of you, naked and on display.”  He touched my abdomen with the tips of his fingers, as if afraid the pale china of my skin would disintegrate into a misty dream.  I relished it, the touch of him against parts of me he had not known.  I was always able to keep him at a distance, physically.  His hands traced the edge of my *******.  He moved slowly, and I knew he was wanting to etch this memory into his journal.  Nothing less than ink pressed hard to paper would release this memory to time.  His placed his hands on my hips and spun me around, my thong lining up with his gaze.  “Bend over.”  His voice from sweet to demanding again.

My hands were still bound, and I stumbled at first.  He seemed not to notice or to care, so I arched my back and pushed myself outward and into his view.  I felt his hands move from my thighs to my hips as gentle as summer winds that in their seductiveness turn our faces towards the impact.  I was in my forties and unsure how I would compare to the twenty-year-old’s he was known to date.  The gossip left nothing to imagination and everything to speculation.  My mind had conjured images of him, this professional lover, inside the firm thighs of a youthful companion.  Thoughts transformed to pleasure as the nature that was his hands took dominance over the thin lace that hid the only piece of me left unseen.  I became art in his hands, marble statue, exquisite with textures and curves wanting to be touched.  

The lace scraped my skin as he slid the *******, wet and splashed with earth, over the expanse of my hips and down to the ground at my ankles.  “Step out of them.”  He helped free my ankles, and I saw the delicate lace become one with the earth as the rain beat it into the mud.  This was freedom.  This was me with nature, me with my lover.  I was the reed and he was the wind.  

I was keenly aware of his eyes fixated on the valley of my mound, how my cheeks spread just enough to give hints of the pinkest of my flesh, now swollen and ripe.  “Turn around.”  I heard his voice and could tell the bombardment of rain was making it difficult to speak.  

I turned and began to ***** my body when I felt his hand on my back.  “No, poppet.  You must stay this way until I say stand.”  My body ached to be touched by him, by more than fingers and hands, but this, the anticipation, the wanting of it all, this was the skill of a professional lover.  I saw the earth drowned with a thick layer of rain now, and my shoes made splatters and ripples as I turned towards him.  I was cold now, too cold, unaware cold, numb in my cold.  I was happy to feel it.  I had for too long hid from rain, this glorious rain.  Now, I was one with the rain.  I was the river coursing its path as commanded by nature.  

He took my hands and untied them.  I watched the entire progression of it and I felt his presence now even more.  My hands were free, and I stared at my shoes and his shoes.  I was so small in his presence.  “Stand for me, poppet.”  His voice diffused through the rain and seemed softer now.  I stood there in my nakedness and he delighted in it.  My lover was not afraid and moved his head along with his eyes.  It was easy to know where upon my body his gaze had landed.  He seemed to linger the most on my face, and I thought how odd it was as most men concentrated on my ******* or mound.  My lover was different.  My lover was professional.

“Poppet, I want you to remove my shirt, but you will not toss it to the ground.  You will place it on the chair.  Nod if you understand me.”  He knew I understood but was confirming I was still in the moment and willing.  I obliged him with a nod and without looking at his face, began to unbutton each dot from its hole until he was shirtless before me.  His chest was firm and hairless and dotted with unobtrusive freckles as random as the rain.  I was delighted.  He was beautiful.  My lover was beautiful.

He placed one hand on my head, the other on my shoulder.  “On your knees for me, poppet.”  My knees once again bent for him, and I knelt in the rain, the thick rain and saw my knees again molded in the mud and earth.  I was unsure now.  Years had passed since I had taken a man inside my mouth.  I felt panic, like the river, run a course through me and I started to turn away.  But I was resolute.  “I will make him happy in all things this day” rang in my ears like a mantra.  I watched as he undid his belt and felt it as he wrapped it around my neck two times and pulled the loose end until it was taut but not constricted against my skin.  I was his.  I was the pet and he was the master.  It was official to me now in this symbol.  I was leashed and about to be tamed.  My lover was going to teach me his skill.  I was delighted.

I watched him free the one button on his pants and move to the patterned teeth of the zipper.  He rested his pants on his hips and pulled free the thing, that thing, the thing I was craving.  The thing I would take inside me, deep inside wherever my master wanted it.  I was the river.  

He was not large, not small, but thick, surprisingly thick, he was swollen and vascular.  I studied the curve of it.  The tip, the head.  I watched his hand grip it and move it towards my lips.  I opened my mouth and took him inside me.  He moved his hands to the sides of my head and began to direct me in the movement he needed from me.  I studied the thrusts and followed.  I moved my tongue, my eager tongue, in unison with the rain and percussion of the drops.  I slid him deep inside me devouring and savoring the taste of him.  The taste of my lover was satisfying, and I wanted to bring him to completion there in that moment.

We stayed in the rhythm, with the rain, both lost to the moment.  He stopped his ****** and lifted my chin.  “Moira.  My poppet.”  He led me to my feet and gave his crooked smile to me.  He gave me his smile in that moment, in that second, his smile was mine.  

“I love you”, I whispered, unsure he heard me.  He lifted me like a child and carried my nakedness to the bed.  He placed me there, like a doll.  He contemplated my skin in the light of the fire.  My lover the wind.  My lover the water.  

He was soon naked and drops of rain lit up on his body like little mirrors and I could see images of the room and myself reflected in them.  He removed the belt from my neck.  “We won’t need this.  In this moment, you know you are mine.  You know I am yours.”  We both wrapped our arms around the other, and I felt his skin on mine.  His body was hard and moved in perfect form with each muscle flinching the way it should, each squeeze and release in harmony with the other.  My pale, soft skin was beautiful contrast to his and was yin and yang.  He felt hard and long inside me, so engorged each vein touched the inside of me in a different fashion.  We each sealed our mouth on the other unable to drink as deeply as we wanted.  We were in our moment, this moment.  Alive in the seconds that passed to hours.  We were ready to etch ink on the pages telling of how I was the reed and he was the wind and on this day, I did not ask why, I only did as was I was told.
JJ Hutton Feb 2012
Anna and I leave Jesus on the cross, on the jumbotron.
The blood pooled. The blood cooled. The bloodbath cleansed the flock.
I watch Anna from the passenger seat.
She's silent and salvation.
Rain falls in diamonds on the windshield,
bouquets of streetlights turn the transparents
to rubies, to emeralds.
She turns off the headlights.
Running half-blind on abandoned interstate,
Anna's silent, Anna's grace, Anna's forgiveness.
No more lamps overhead.
No more exits to be found.
Only Anna and I at peace in the void.
Corvus Mar 2018
Some things don't end smoothly.
It's not the slow braking of a car,
A seamless transition from driving to a standstill.
Sometimes you need to slam on.
And it never happens silently,
There's always a screech or a thud or a gasp,
It takes you by surprise and it lurches you forward.
You have to hold on for dear life.
The unexpected nature of it wreaks havoc on your insides;
Butterflies are woken up from your stomach and become nausea.
You check to see if all your limbs are intact, or in fragments.
Then you do the same for your heart,
Searching to see if it went through the windshield
Or if it managed to stay held inside by your unyielding ribs,
Only ever collapsing under the strain of breaths,
Hyperventilating into an airbag.
Some things don't end smoothly.
It's not the steady sigh of relief,
It's the jagged, shaky breaths that never fully extend
In or out, and there's no calming halt afterwards,
Just a process of continuously hitting the brakes.
Kathleen Jan 2012
If someone's going to write me a novel I think we should title it 'Girl Crashes Into Windshield'
Then everyone would be intrigued by the violence of the whole thing.
Then maybe, also, you can use that old photo of me as a reference point.
With a dramatic asterisk next to it that says before.

That will get 'em going.

The first line would be something like, "Death is such an ugly word."
Then we could detail the effects of having your face smashed in at 70 miles per hour.
Make some remarks in scientific terms about trajectory and blunt force.
Get some of those good 'like an egg on a sidewalk' analogies too.
End it with 'had she only stepped into the street two seconds later'.

Now we're gettin' somewhere.

The whispers of bestseller start to breed in the aisles of Barnes and Nobles' everywhere.

Because everyone loves a good car crash.
Raeann Burkey Oct 2013
The other day it rained and while I was driving all I could thing about is how you never used your windshield wipers.
I remembered how I would sit in the passenger seat like a little kid watching the drops race each other to the bottom of the window.
They always knew exactly where they were going. They always had a purpose so it didn’t matter that they had an end.
I used to wish I was the windshield so I could feel the reflected red lights rolling down my cheeks knowing that they had a destination.
And it was with that simple little thought that my eyes became clouds filled with pointless precipitation. And I knew it was because of you.
See every time I think I can breathe freely memories escape like stoppers from my wrapped up heart just to make it bleed some more and remind me the dangers of driving through a downpour.
And every time I try to make sure that my tears have purpose otherwise they will never come to an end.
So I try to bleed you something beautiful with each and every blood cell pumping from my heart.
I try to tell you I love you. That I have from the start.
And I know that’s not what you want to hear, but I can’t get you out of my head and I’m beginning to fear I never will.
It doesn’t matter how many hands I hold or faces I touch something keeps telling me I’ll never love them as much.
I can try to pretend. I can try to move on, but I have never heard nature play such a sweet love song.
I want to know what else there is for me to trust when the pitter-patter of the rain is playing just for us.
It keeps telling me that it was all right to fall. That after all is said and done my tears will have won the race down my windshield face.
Then I’ll smile without hesitation like a child who gives you no other indication of what they have just learned.
But right now all I can feel is the pain as I trace a million blood red drops off the horizon wishing I could find your eyes on me because I don’t want to know that’s something you’ve forgotten.
I refuse to believe that your heart has rotten.
So the other day when I turned off my windshield wipers in the midst of a storm I told people I just wanted to feel the rush, when really I only wanted to remember us.
Date Written: 3/6/2012
am i ee Sep 2015
out on the road,
driving right along,
comin' to a stop,
at the head of the line,
right at the light.

i look up,
and what do i see,
but a
Big Fat Yellow face
starin' back at me.

taken aback,
reminds me,
you see,
of one
big fat bus
with a big fat yellow bootay,
only just slightly differently.

i start lookin' around
and what do i see
but a whole
bunch
of big fat yellow faces
starin' back at me.

studyin'  big fat yellow face
of bus number
eight five nine,
i begin see a difference
or two.

Some big fat yellow faces
are flat,
hardly a nose
on 'em.

Some big fat yellow faces
have quite the
shnoz on 'em,
wouldn't Jimmy Durante
be oh, so, proud.

quite an education
in just the cycle of
only one light.

it turns green,
to left i turn.

one big fat yellow face
one big fat yellow bootay

two big fat yellow faces
two big fat yellow bootays

three big fat yellow faces
three big fat yellow bootays

four big fat yellow faces
four big fat yellow bootays.

racing by so quick,
lickety split.

so how do i know,
know for sure,
that God really exists,
and even more,
that she really loves me?

if there were no God
and if she didn't love me,
i'd be starin' at all these
big fat yellow bootays
through the
front of the windshield,

instead of seeing 'em
flying into the distance
when take i a quick glance
into my REAR view mirror!

i do love the look,
of a,
Big Fat Yellow Bootay
starin' at me
from my rear view mirror,
in the mornin'!

hey, hey, hey,
just another fine day!
whadda say!
I have been going to the track for so
long that
all the employees know
me,
and now with winter here
it's dark before the last
race.
as I walk to the parking lot
the valet recognizes my
slouching gait
and before I reach him
my car is waiting for me,
lights on, engine warm.
the other patrons
(still waiting)
ask,
"who the hell is that
guy?"

I slip the valet a
tip, the size depending upon the
luck of the
day (and my luck has been amazingly
good lately)
and I then am in the machine and out on
the street
as the horses break
from the gate.

I drive east down Century Blvd.
turning on the radio to get the result of that
last race.

at first the announcer is concerned only with
bad weather and poor freeway
conditions.
we are old friends: I have listened to his
voice for decades but,
of course, the time will finally come
when neither one of us will need to
clip our toenails or
heed the complaints of our
women any longer.

meanwhile, there is a certain rhythm
to the essentials that now need
attending to.
I light my cigarette
check the dashboard
adjust the seat and
weave between a Volks and a Fiat.
as flecks of rain spatter the
windshield
I decide not to die just
yet:
this good life just smells too
sweet.
r Aug 2016
There was a girl
I used to swap paperbacks
and spit with, once
I fixed her wiper blades,
I remember the soft dead wings
on the windshield,  pretty
as you please

She was alone in her shoes
listening to something
that kept getting darker
and glowing like morning
on the oil spilled under her truck,
she was drifting through
the rosewater of her soft red hair

She only wanted to be rolling
off a swollen river, sliding
out of a clean slip, turning
over in a deep sleep, trailing
a shimmering thread, hiding
under a pile of wet leaves

Then there she was sailing
in her river of blood,  going
white and smelling like smoke
from a struck match behind
closed blinds on a ceramic floor,
a white blouse red as a sharp knife
collecting the light of mourning.
Nicholas Snell Oct 2013
it’s as if you were in an endless (and beginning-less) traffic jam. The road is cramped and narrow; there are tanker trucks slowly pouring black smoke into your car’s vents, you can’t hear your radio or car stereo because of the low RPM rumbling of cars and trucks and semis all around you; any act of kindness you commit, such as leaving space for some dented, banged-up machinething trying to merge, is immediately ruined by someone else, scampering into the space you had left, foreclosing the chance you had of feeling you were being kind? noble? anyway, no; you are both starving and nauseated at the same time, and your stomach hurts from both; there are no exits where you can get off escape this, even temporarily, even shabbily; there are just jersey barriers and grey vehicles covered with grime, it’s drizzling now, and your windshield wipers don’t really work, they scratch and smear the grime across your windshield with a piercing, repetitive shriek, and when you try to look to your left or your right to see something besides damp, gritty, gray, fumy highway, the most you can see are the oblique outlines of institutions that could be factories covered in graffiti and litter and ragged advertisements for products not even sold any more, but you do realize that the space between you and the car in front of you seems a little greater, now, how? and you look in your rearview mirror and see that the car behind you is no longer looming, but instead is a spacing back, is not filling the view of the mirror, and as you cautiously press down on the accelerator, glancing to the left and right, afraid of what you might see, the cars move faster and are now farther apart; you press the WASH button and you’re going fast enough that the blue fluid sprays delightfully across the windshield, and the wiper blades automatically activate and clear it all, smooth and clean and fast, and is that sun? you now see greater distances, you see before you a world full of light and shadow, the sedan purring smoothly at the right speed. Things flash delightfully by, the car thrums, you can feel, in the center of you, that moving-forward feeling of progress, progress, progress. How could it be that just moments ago you were in a trench of grime and shuffling? Those trucks that were so sinister are now shinybright and obligingly staying to the right, their engines working better too, the sun glinting off their carefully custom-machined grilles; there are some curves and dips in the road that you follow with precision; there are grass and trees and the possibility of exits; even the paint on the road is whiter, and the road itself is blacker, and as you fly along you remember why you took this trip in the first place.

That's what it's like :')
Parnate, an antidepressant, began working after 6 weeks.  I am indebted to the late Jane Kenyon and her series "Having It Out With Melancholy" for many reasons.
Where Shelter May 2018
trigger warning:
Hate long poems?  move on.
Love words?  pleasure your self

<=>

drought and famine of the spirit,
over-staying summer
house guests in an overly sun blanched,
voided, white outed, mental abode.

faculties parched,
overly starched,
compositions lost in transition,
why can't they make it ashore?

It's after 2 AM, and though
ferries have stopped running,
mainland hangover hangerons are
working overtime to prevent
"author"izations, so all I get
when I press send is a whole lot of
"permission to cross," denied!

causes of vexation undisguised,
dual natured and manifold,
luxuriating and drowning in home grown,
city organic insipid,
makes one quick to blame
nobody in particular,
but yourself, repeatedly.

reasons many, the distractions of
rustling contradictions populate,
another life road fork looming,
a track record for choosing badly,
colors the blacktop even blacker and
ramps up desires for a janitorial,
but first do no harm, status quo.

Need a beer.
Need a distraction.
Need a homework assignment,
which I buy at the IGA market:

obey the eleventh commandment
which every writer knows;
you think you're Mr. Bigshot,
so pudding prove it,
write it,
one true sentence,
let it be a constitution for all,
with the lengthy consistency,
of a Hemingwayesque,
one true sentence.

dearth to riches occurs
as fast as a basketball
three second violation,
inspiration dripping like
windshield condensation,
got so many true sentences,
how ya gonna choose,

O sinner man?

sadly you don't hear or feel
my background music,
stringed surf sounds playing
Perlman's Mozart low to
the thunderous, sweltering,
swells of applause of
90+ degree heat
w/o a Crescent Beach breeze
to console the disowned

these superheated thoughts
now focused,
emerges a bill of sight,
lading my heart's many heresies,
staccato thoughts now,
rapid fire rebel,
a pre-discourse insurrection,
voices of words lash out -

pick me - immortalize me,
I wanna be,
a constitution for one,
one true sentence.

The Moment of Ownership.

Hillel did it,
standing on one leg,
a Sanskrit mantra,
not by me,
not for me,
not through me,
even more succinct.

full clarity unobtainable,
begin when fighting thru
the static of each nerve,
knowing that
each thought,
each emotion,
is a constitution
of sorts,
recognizing life is a series of
moments of ownership,
but that are truly ours
only when relinquished.

each one, a true sentence
when writ, spoke,
but only when disabused
of notions of possession
only true, when gifted away.

Lucian Freud painted those whom
he knew best, their portraits,
fully clothed but wholly naked,
a painter of revelation
thru the skin tones of the flesh.

exposeur of skins interior
displayer of old and ungainly,
left us eyesight more true
than an honest mirror,
with poetic brushstrokes overlay,
gained entry to what his
grandfather named id and ego,
artist's superego, his reflections,
a continuous judgment
on a pool of stretched canvas
that makes me despair that:

I will ere succeed
to cross the borderline
that modernity insists upon,
self preservation, neurotic fears,
impositions on my psyche and
that my moments of ownership
will be n'ere be stamped "transferred."

I take back my life,
by giving it away
this alphabetized self portrait,
a wrinkled sketch of me,
my ownings, undertakings
needs taking by you
so I can disown it.

these words are my own,
their conjunction is a
junction to you,
and a constitution for me.

once this expiation
is in your purview by the voted
election of Send,
bonded by a mutual
Moment of Ownership?

so net net,
bottom line,
these are my
one true sentences,
summarized, constitutionalized:
I am yours, for the taking,        
so come by, for and through me,
in many moments of ownership.


p.s. let us shelter together in place, an island growing
lost for many years; for Mary Winslow
Poetic T Aug 2020
I was there floating, collapsing in every direction.
Couldn't gather my barning's. I was a compass lost
                    in the waves of eternities disorientation.

I saw her burn, a billion souls screaming in devouring
regrets that spread like a silent blanket.
Smoothing, asphyxiating every blossom, there life
                            expelled to the wind of  meaningless
teardrops that drenched every corner of this apple.

Now glazed in a hue of ill tasting caramel dust..
      We looked down in disturbance.
But a friend who i'd called a friend, mate.

                Looked at us all, a compass of many
lands who worked together for a better after.
This wasn't a time, a tomorrow. to them it was
Already a shockwave of repercussions..

     This egg shell, cracked silently..
In in this vacuum nothing is collected only vacated
at a velocity of collapsed colours petrified.

I was the last human, in the universe that never heard
        a light blown out by the wind of a billion suns..

We were bright for a moment,
            but we faded just as fast.
           My windshield was cracked,
and my oxygen was leaking like
                    flat tire.

Looking down I pondered if we survived
                 our stupidity...

And just like that, I was in a head on with
                 reality and space...
        My windshield was gone,

I was on the bonnet of purgatory..
Fred Schrott Aug 2014
It is nestled deep inside the fertile
Shenandoah Valley.
There is a river that runs amok
like a rabid, winded wildcat in
the shadows of temptation.
And then there’s a back-country
woman that just won’t leave my
hesitated mind.
Taking time
to worry all about her,
risking heartache
to forever go
without her—
it seems like such an unfair penance,
like the result of prison’s popular
undeserved sentences.
Getting by without a proper windshield,
it’s starting to look as if my drummer
really is too far off the mark.
Wishes to again cross that princess on
that old and dusty road.
In the end it’s a crime that, quite
simply, has no motive.
And I’m paying my sentence daily for
being a prince—and not the most
handsome toad in the land.
From, "The Transitive Nightfall Of Diamonds" - available at Amazon, BarnesandNoble, iUniverse and Google ebooks - @badboypoet
Hadley Oct 2013
I think about your stupid face
all the ******* time
I wish I knew how it felt
to have your lips on mine
But who would choose a clump of dirt
in a bowl of chocolate chips
I smell like cigarettes
look like death
**** like an animal
I'm a complete degenerate loser
I don't have the confidence to tell you how I feel
So I guess I'll stick to putting love letters
under your windshield wipers
I really like you okay
but I don't have feelings cause feelings are gay
There is no need to dwell on the exterior cliche of an injured soldier, the propaganda is superficial. Civilians have only plastic green men, heavy dusty movie set costumes, and Army-of-One heroes to populate stereotypes. Keep your images larger than life, no use touching up a paint-by-number. Mine was banal, foolish, and 19; enough said.

One fence is the fraternity itself, the next is brain injury. No other way to understand but be there. A Solid-American-Made-Dashboard cracked my forehead at 45mph.
Crumpling into the footwell,
unaware that the flatbed's rear bumper
was smashing thru the passenger windshield above me
the frame stopped just shy of decapitating my luckily unoccupied seat.
Our vehicle's monstrous hood had attempted to murderously bury us under,
but the axle stopped momentum's fate and ended the carnage under dark iron.
Shards of my identity joined the slow, pulverized, airborn chaos.
Back, Deep, Gone.

Unconsciousness is the brain's frantic attempt to re-wire neurons, jury rig broken connections, the doctor's desperate attempt to re-attach, stand back and say, good enough. Essential systems limply functioned, but unessential ones were ditched. Years later a military doctor diagnosed an eventual triage: Hypothalimus disconnected from the Pituitary Gland, Executive Function damaged, long pathways for emotional regulation interrupted.

I woke up still kinda bleeding, crusty blood in my hair, a line of frankenstein stitches wandering across my forehead.   My sense of self had literally dissolved into morning dust floating in a sterile hospital sunbeam.  My name was down the hall, words and the desire to speak were on a different floor.  Life became me and also a separate me under constant renovation, a wrecking ball on one half, scaffolding and raw 2x4's the other.

Waking up in the hospital, I realized I needed help to get the blood cleaned up.   A nurse came in, largely glared at me in disregard, and quickly left… for an hour.   She returned and brusquely dropped a useless ace comb and gauze on the blanket over my feet and abandoned me again.  This was my introduction to the shame of a VA hospital.  I minced my way to the bathroom, objectively examined my face in the mirror with shocking stitches above one swollen eye.  Gingerly rinsing my hair, the water ran pink in white porcelain.  I remembered the sound in my skull between my ears when a doctor scraped a metal tool across my skull, cleaning debris before stitching.  I recalled that in the ER I was asking Is he ok, repeating it like a broken record, knowing I should stop but I couldn’t.  There was also perhaps a joke about an Excedrin headache.

It was morning, and since there was no such thing as time or purpose or feelings anymore, I wandered to the hall with my only companion, the IV pole. One side was a wall of windows, and I was, what, 10 or 12 stories up from the streets of a much larger city than where I crashed.  The hall was warm and sunny.  I wheeled my companion to a blocky square vinyl chair to sit next to a pay phone.  I didn’t have any thoughts at all, or care about it.   After about an hour my first name floated up from the void, then with some effort my last name.  It took the rest of the morning to remember I had a brother.  After lunch we resumed our post, and I spent the afternoon in concentration piecing together his phone number.  God had pushed the reset button.

Thirty years ago the doctors didn't understand head injuries; they only recognized the physical symptoms. At first there was good reason to be permanently admitted to the hospital.  My blood pressure was unstable, sometimes so low that drawing blood for tests caused my veins to collapse even with baby needles.  My thyroid had shut down completely, only jump-started again with six months of Synthroid.  I had to learn to live with crashing blood sugar and fluctuating appetite.  For years afterwards, any stress would cause arrhythmias, my heart filling and skipping out of sync, blood pressure popping my skull.  Will the clock stop this time?  

There is always at least one momentous event in every person’s life that becomes punctuation, before and after.  The other side of Before the accident truly was a different me.  I have a vague recollection of who that person may have been, and occasionally get reminders.   Before, I was getting recruiting letters from Ivy League colleges and MIT, a high school senior at sixteen.  After, I couldn’t balance a checkbook or even care about a savings account in the first place.  Before, I had aced the military entrance exam only missing one question, even including the speed math section.  They told me I could chose any rating I wanted, so I chose Air Traffic Control.  Twenty years later, I thumbed through old high school yearbooks at a reunion.   I saw a picture of me in the Shakespeare Club, not recalling what that could have been about.   On finding a picture of me in the Ski Club I thought, Wow, I guess I know how to ski.   A yellowed small-town newspaper article noted I was one of two National Merit Scholars; and in another there’s a mention of a part in the High School Musical.  

This side of After, I kept mixing right with left, was dyslexic with numbers, and occasionally stuttered with word soup.  Focus became separated from willpower, concentration was like herding cats.  The world had become intense.

(chapter 1 continues in memoir)
Leah Rae Oct 2012
They Are Lost Love Letters. Written & Sculpted, Imprinted On The Palms Of Praying Children.

They Are Hauntingly Beautiful.

They Are The Silence Of The Storm, They Are The Emptiness Of Shallow Graves.

All She Left Was “I'm Sorry” On The Bathroom Mirror In Red Lipstick, She's Said It So Many Times Her Body Is Now Bent Into A Permanent Benediction Of Regret.

He Wrote Five Drafts Of His Suicide Note Crossed Every T, Dotted Every I.

Now They Wear Self Inflicted Scars, Like Road Maps To Their Own Insanity.

It Was Her Palm Across The Diner Table At 3am. Her Skin Like Rose Petals Pressed In Submission, Smiling, Teeth Pulled Taunt Across Her Chapped Lips, Smiling, Telling Me She Hasn't Eaten In Three Days, Says The Sounds Of Her Body Eating Her Alive Helps Her Sleep At Night.

His Eyes, Angry And Blue, Told Me He Put A Down Payment On His Coffin Today. He'd Been Saving His Pennies For Five Years Now, Don't Tell Me This Wasn't Premeditated.

It Was The Way Her Body Vibrated Aching In Every Joint, Throbbing, Screaming Into Herself So Loudly Her Palms Shook. On The Way To Work In The Morning, Says Sometimes She Can Hear The Wind Whispering To Step In Front Of That Train, Says She Can Lick Her Lips And Taste Heaven.

The Way He Wore A Crooked Half Smile, Pouring GunShot After Gunshot Down His Throat. The Sting Reminded Him Of Wintertime In The Midwest, Told Me Could Feel The Tubes Clawing Their Way Down His Throat. Someday He'll Met A Heart Monitor With The Guts To Tell His Mother Sorry For Him, Because He Never Could.

She Filled Her Bathtub With Ice, She Fantasizes About The Layers Of Flesh Shes Been Suffocating In For So Long, Finally Being Numb.

The Way He Begged The Stars To Call Him Home, Closed His Eyes, As His Right Foot Craved The Gas Pedal, Screaming Through This Red Light, So He Can Finally Come Face To Face With The Angry God So Many People Pray To.

She Wanted To Trace The Lineage Of Her Family Tree Deep Into Her Veins, Up The Length Of Her Riverbed Skin, Until She Can Kiss The Underside Of Her Own Touch.

In The Early Hours Of The Morning, He Finds Himself Crawling On Bruised Hands & Scraped Knees, Cradled Against Train Tracks, He Liked The Constant Thunder In His Ribcage, The Promise Of Something So Much Bigger Than Him Dwelling Inside The Body He Has Been Calling Home.

She Wanted To Wrap The Tether Of Regret Around Her Throat, Ring Her Lungs Breathless, Tighter, Tighter, Until The Time Between The Rise And Fall Of Her Chest Felt Like Centuries.

He Stood Face To Face With A Motionless Sky, A Shade Of Grey So Empty He Could Feel It Ache Inside Of Him. It Begged Him To Step Forward, Just Inches, The Call Of The Void, Bridge Jumper, Harlequin Lost Lover, So Close, So Close.

She Held The Barrel Of Life Between Her Lips, A Fine Line Between Here And There. Shes Walking A Boundary Built In Her Blood. It Doesn't Hurt Yet. A Trigger Happy Hand, Palms Sweating, Shes Counting Down In Her Head, 3, 2, 1,

He's Got “Wide Awake” Written All Over Him, The Bottle Says Take One, But He's Got 53 In The Palm Of His Hand, She's Got Gasoline Seeping Into Her Skin, The Smell Of Smoke Has Never Been This Strong.

They've Been Journaling Their Lives Deep Into Leather-bound Notebooks For Someone To Remember, They've Swallowed Their Own Self Pity, Call It Poison.

She  Never Knew I Would Have Used My Fingertips As Windshield Wipers For Her Tears. I Would Have Placed My Open Palms Against His Chest, And Told Him He Mattered, At Least To Me, In This Moment, Brash And Reckless Healing,

They Told Me They Found A Muse In The Lost. Hopeless Melodies, Kurt Cobain. Sylvia Path With Stones In Her Pockets. ****** With Cyanide Tablets And Silver Born Bullets. Anne Sexton With Carbon-Monoxide Lungs And A Padlocked Volkswagen. Marilyn Monroe Silver Studded In Sedatives, Pulled Down Deep, Until There Was Nothing Left. Hemingway With Shotgun Shells Littering His Skull.

To Them It Seemed Like A Right Of Passage. A Last Attempt To Leave This Planet Screaming. A Better Than Goodbye. Something Poetic To Carve Into Your Skin, Or Flip Top Wooden Desk, So Someone Somewhere Would Remember The Name, Because They Were Told Legends Never Die.
This one is real personal. Hope it resonates with you, like it does with me.
vinny Apr 2016
You told me the story
When you first met your Dad
You were 18
There was a note on a windshield
and a friend in between
It was the most intimate moment
You had ever shared with me
A moment to behold
I felt like I was there
watching it unfold
It is such an honor
to be a part of that
through your
eyes and
heart
holyoak Aug 2014
i'm stuck in traffic
during a rain storm
in the middle of the night 
and i'm subtly reminded 
of when you stopped 
holding my hand 
as much as you used to
the cracks in the windshield
remind me of us
i cross another county line
and i think it's just like you
same place
new name
my veins are power lines
running through this ghost town
i'm so full of electricity 
but no one taps into it
i guess i'm useless
it's been a long time
since i've seen anything special
in the shapes of the clouds 
i don't think hurricanes
know that they destroy so much
maybe that's why you don't know
that i'm in this kind of pain
the cracks in my windshield 
are getting bigger
i think it's going to shatter soon 
could you imagine
the window shattering
and the glass coming at me
as i'm speeding
down this dark and rainy road
i don't have to imagine
i've already met you

[holyoak]
There’s a crack in my windshield growing bigger by the day
It’s like a manifestation of the words I want to say
Your calm demeanor disrupts my flow
There’s more to you; there’s more to know

Of all the people I never would have guessed
And I’ve never been good at the marshmallow test
This change of pace I don’t quite get
Please kind sir, are you in love with me yet?
daniella Jul 2014
“You’re the elephant in every room now. I used to think you were the monster under the bed, but you’re not supposed to fall in love with the monsters. Not even when they kiss you like they mean it. I’m lying down in a field of apologies for you, and they all sound the same. I’m sorry this felt like a flying through a windshield. I’m sorry I didn’t stay to clean up the mess. I’m sorry all we had to show for this was a crime scene love affair. I’m sorry you stopped touching me. You’re living in my head for now, and we treat each other better this time. On the bad days, I think I see you in the supermarket or strolling down the sidewalk or in a car speeding by, and then I realize for a second that it’s still about you. Even when it isn’t, it is. Even when I’m not thinking about your name, everything around me is still singing it. Like a song I can’t get rid of. Like a song I want to unlearn. Like a song that will always belong to my voice no matter how hard I try to burn it away.”
~ d.***
spysgrandson Jan 2013
The origin of spiritual sustenance is defined differently by each person. Most attribute it to a divine power or some God incarnate that helps us, limited corporeal beings that we are, relate to a deity or to the infinite. Like billions of other sentient souls, this is a way of "seeing" or believing that I have embraced on some level. However, when I ask myself what sustains me beyond this, I am taken down another path.

That path leads me to the crumbling adobe dwellings or sometimes to the freshly painted stucco buildings scattered across the great southwest. That path leads me to something more tangible or palpable than I can glean from traditional halls of worship. I am led instead to a simple yet profound vision--the sight of a hot plate of Mexican food.

Here is where a slight or perhaps dramatic shift in the way one thinks about the spirit is required. This is not necessarily a new concept but merely my take on it. You have all heard of "Soul Food" as it applies to the cuisine of the African American community or more generically in recent years, "comfort food". Also, some of you may recall me saying at one time or another, truly good junk food bypasses all vital organs and goes straight to the spirit. Let me clarify that last line--it is not that I believe the physical laws of the universe are suspended when one eats certain kinds of food—calories will still be consumed, the food digested and metabolized, etc. Instead, I believe, like so many things spiritual, eating Mexican Food transcends the natural laws of the universe as we know them.

This begs the question, why Mexican food as opposed to some other fare like Chinese or good old fried catfish, a southern favorite? The answer is simple. Some people, because of where they were, who they were, and when they were, are Christians, some are Hindus, some are Muslims and some are witches. I am a worshipper of Mexican food.

My sustenance, therefore, comes not from those in polished marble and stone palaces, clad in clerical garb and carrying holy texts. Instead, it comes from humble servants scurrying about hot kitchens doing what they do perhaps simply to feed their families—from my point of view, a noble endeavor in and of itself.

From the time I see a Mexican eatery through a bug-splattered windshield, I notice its energy or aura. When I open the door and see the gaudy but somehow authentic colors on sombrero covered walls, and hear playful Mariachi, and smell the frying tortillas, I know I have entered one of the houses of the holy. Truly, the colors, the sounds, the sights and the smell all take me to a higher place.

This sounds strange to most readers I am sure, but if I were speaking of a nature walk in dew covered grass among the scent of lofty pines, listening to the sound of songbirds, all could relate to its transcendent quality. We somehow place pristine nature above nature sculpted in a way for human benefit. I do this myself, except when it comes to Mexican food or perhaps a beautifully restored VW van, but that is another story.

To return to my original premise, the spiritual value of Mexican food—when the hot oblong platter is placed in front of me, I first notice its colorful array on the plate. Imagine a platter with red and blue corn chips, gray/brown frijoles covered with white cheese, orange rice, chili verde (green), a golden cheese covered enchilada, olive green guacamole, red ripe tomatoes with rich green cilantro and snow white onions, and last of all deep green jalapenos, forming a colorful tapestry and visual feast. (Contrast this with a hunk of brown steak, pale green peas, and a white glob of mashed potatoes.)

The scent of this feast immediately attacks my olfactory bulb and like so many smells, has the power to evoke startlingly clear memories. For me, I am taken to a place where the door opens to a moonless starry sky. I am in the desert, perhaps for the first time. I am in the desert, being courted by the dark desert lady who still haunts my soul in the night. I go back there so many nights, when all is quiet and my long day’s journey into night is finished. This vast, dark and inhospitable land that has called holy men to it through the ages calls me, a man as common as the cook whose labors unwittingly took me there. I huddle among the cacti, creatures who ask the earth for so little. I feel the endless winds that carry the remnants of a thousand ancient souls across the black Sonoran sky and rattle the door from where I came, as if still asking for entrance to a place where they can no longer dwell. Long ago, they returned to the desert for a final time, and now, a thousand nights and a thousand miles away, they mix with the holy night air as only desert dust can, and for a moment tempt the living, but then return to the black night. I do not yet join them—the door still opens to me. I can still see the colors, hear the sounds and place earthly but heavenly morsels in my mouth, and ask for more salsa.

Outside, in the dark desert, the night waits for me, but I have a few more bites to take, and a few more words to write, and to borrow a line from another, a few more miles to go before I sleep—thus, the spiritual value of Mexican food.
In my profile here at HP, I mentioned that I had written this--it was probably three years ago.
c rogan Dec 2018
I cant remember my dream.
I cant breathe.

Her thin painter hands open the door to the stairwell, the smell of fresh paint replaces that of a spring rain.  Skipping the clean stairs two at a time, she reaches the studio.  Walls of glass flank the empty white hallways that weave in and out, remains of torn masking tape shrivel on the walls like dying flowers.  The door looks like it belongs to a prison, too familiar.  

The sun barely moved, if at all, outside the window.
Tracing the outline of his body, she let the colors tell the story.


A stroke of shadow

Walking to the center of the room, limbic resonance.  A vaguely masculine figure melts into the painting.  It's silent as he dies.  

Her feet hit the pavement.  From the familiar soft dirt path through the woods, she crosses the courtyard to the doorway of the stairwell.  Memories flood her mind under the dull lamplight amidst the rustling dead leaves.  

Moving a stone from the crumbling wall of the school, she places her letters to you beneath the rubble.

Blinding white

I'm holding the keys but I can't find the right one
and the sun burned itself down,
the rain receded into the clouds

nothing is the same


He lies down in the stream
water rushing over him
relaxing, water replaces air

everything is different now.

Blistering Blue

I can't remember my last dream.
Out of space, out of time.  Unnatural surroundings.  
Muffled screams float in from the hallway.
Golden seam of light from the doorway saturates illuminated stitches.
He couldn't remember the last time this had happened.   When he almost lost himself in the pain---
It's like seeing her for the first time, over and over.

Suddenly his hands were covered in their blood.

But I remember them,
telling me to be quiet, not to fight it.  


Blush of Crimson

I've lost concept of time,
time to be quiet
I need to schedule my time
need to go away
Ophelia covered in glass
veins like kite string
he breathed in the water
I never said goodbye.

You know that feeling like everything's the end of the world
Next to the campfire, stars carved into her upper thighs
crossed like constellations as she moved closer to the flame,
gaze drawn up
The flight before the fall

He hasn't yet hit the ground, green flannel still in suspension.  Dew collecting on the leaves slide down to the earth and surround his body.
His eyes are already closed, a moment of vulnerability.  Still on the surface, cold blue water saturates his cuts and seams.

For the touch of a vanished thought caressed the back of her mind, like birds balanced on a live power line.  Digital ripped walls, lights leading to the intervention of the other side of the ghost city, building brick school, and infinite nowhere.  She lit her candle in the studio, watching the wick burn down and melt the wax, a ring of liquid growing from the center.  Strange to drown in heat.  It seems there's a wall of glass between her mind and this supposed reality, without any sound but her breathing and the occasional crack from the slowly burning candle.  She mixes her paint and doesn't think about anything.  The sun sets and rises and sets and rises again.  Sitting in the same place, the candle frozen in perpetual burning.  The room was clean.  And she was painting.  And the birds on the wire gently cawed against a white sky.  The echo returned to the blank room.

I remember that night she stopped answering my calls.  She doesn't pick up anymore.  Curled up in the doorway scrawled with tick marks from when we grew extra inches overnight, phone clutched to my chest.  I looked up and saw old Chinese fortunes folded above the doorway, hot tears spilling down my cheeks.  A feeling of helplessness, guilt.  If she answered I would have driven up there, taken her home.
It was 2am when I left.  I grabbed the keys from the counter, my coat, some chocolate, and a book.  walking to the car, I could see my breath suspended in the air.  Frost coated the sides of the windshield but I didn't stop driving.  I forgot my mittens.  There was a foot more of snow as I ran towards the old door to her dorm, yanking the handle hard enough that the lock slipped and I didn't need an ID to get in.  Warm stale air enveloped me as I gazed over empty security desk under fluorescent light.

Muted Undertones

The painting took up a whole wall of the room.  There wasn' any money to frame it, so it would have to always stay here.
Sunlight leaked in from the window like a steading dripping faucet against a clogged drain.  Her hair was turning blonde again, like when they were younger.
Humming, she was
remembering his hands
as they gripped the wheel loosely
at 5am in the morning
reflective and
coated in glass
in the back of
his black pickup
the sun slowly
bled from behind the clouds
dripping like honey
illuminating blonde
eyelashes,
the dirt on
the windshield.
warm golden
air filled the truck
as he turned the heat on
one hand on
the wheel
the other
reaching backwards to
twisting metal,
broken limbs.
Connected below
the surface
of broken glass.

In between the falling leaves, she whispered 'see you' and kissed his eyelids as he fell asleep.

Neutral Tones

I knocked on her door.  Her roommate answered.  He hadn't seen her at all that day.  I've grown indifferent about my own problems.  So I walked in her room and picked up the scissors from the corner.  Put on her coat for her.  Walked her through the snow to the car.  Cecilia sat between the driver and passenger seat, hand in mine.  I wish I could heal her arm through our layers of jackets, taken some of the sadness away.   We didn't say anything as empty pavement and trees passed in every living moment.

I was thinking about him.

Occasionally we touch, but only in passing.  Shadows, we cover from the heat.  

Ridicule gnaws at these connection, scrapes paint strokes until the threat snaps, the pillars bow
And we take shelter in the cleansing water.  The clashes of flesh.   The segregation of interactions for fear of having ours be known by anyone at all.

(But still they talk, recite the script)
'Cecilia tried to **** herself and her clothes need to be washed'
(Look now, do you see it?)
'It looks like her soul
left her eyes'


Purple Haze

I knew it was a nightmare.  It's stuck to me.  These alien emotions; like a sickness or a burn, interdepartmental rhythms of my brain I'll never fully grasp... not artistic or poetic.  or anything fake and useful.  Just nebular, inhibiting, distressed.
I'm always trapped in something.  A heaviness.  A natural declining, dissipation, entropy.
A brutal and sterile resistance, inviolate and soft to the touch; a lapsing despondency.

He was the sea that he drowned in.  And he was the riverbed in the trees, too.
Swept in whirlpools and ripples and age rings, whispers of fallen leaves in the lucid water.  
Silenced by hushing rage of stone cut rapids.


Ultraviolet Love


He's not seeing normally.  Through the rippling surface her face is reflected into a million moving pieces.
Lines of tape surround his body, they shrivel in the heat of the sun.  This is not natural death.  There are no birds circling overhead, the stream continues to trickle over the rocks.

I drove her home from college started to run a bath.  The hot water faucet turned all the way.  I put my feet in, trying to avoid eye contact with the parallel lines.  Familiar to what i had stitched before.  Pale blue - green water kissed our skin as she closed her eyes.  

We are not creatures of visible light.
Dust Bowl Jan 2015
I carry my backpack, and the addition thirty pounds of stress that goes along with it.
I carry an MP3 player, filled with 1500 songs that make more sense to me than any math lesson ever has.
I carry a necklace from the 1800's that no one in my family cares enough about to remember who it originally belonged to. We both carry the feeling of being passed along.
I carry a notebook with letters I'll never have the nerve to send. I carry a pen that's been through more with me than any of my friends.
I carry my scraped knees and a tendency to fall to the waste side.
I carry my father's temper like a hot coal in the pit of my stomach. I carry his high expectations and my mother's victim complex. All three of which are, apparently, hereditary.
I carry Chapstick, Neosporin, and band-aids. Because things crack, and things break, and some things tend to cut.
I carry the same mindset as an Oxford comma and a worry of being replaced. We both carry the feeling of not really mattering.
I carry my uncle's divorce, & the way we buried him only a year after the papers were signed. I carry the way his ex wife's grudge is stronger than her children's love for their family.
I carry the dream catcher my dad keeps in his room, the one I got rid of years ago when I realized nothing would keep my nightmares away.
I carry the time my hero had his heart broken and spent the next year at the bottom of a bottle.
I carry the headstone that marks the beginning of my abandonment issues.
I carry a .037 fl oz tube of eyeliner in the hopes that no one will mess with a girl who always looks like she has two black eyes.
I carry a pre-med major that will never make me as happy as it will make my parents. I carry my family's hopes on my back & the way I feel like an emergency room with no more room left for patients.
I carry my best friend's name like an obituary I never got to read. I carry the way his head hit his windshield faster than it ever hit my lap, and the way I've hated sitting in the driver's seat ever since. I carry the way I never want to be invited to another funeral & the way each body they've buried makes me feel like I'm already 6 feet under.
I carry the mattress I slept on as a child. Pink flowers & blue satin & cold sweats detergent couldn't fade. The one I spent an entire afternoon scrubbing bloodstains out of, hoping my mother wouldn't notice when she changed the sheets. She never did, or at least she never asked, and sometimes I still wish she had.
I carry how my friend thinks her high school boyfriend breaking up with her is the worst that could happen, and the way I hope she always does.
A response to "The Things They Carried" by Tim O'Brien (a book I HIGHLY recommend).
Nicole Dec 2018
Dear Bri,

I've put this letter off the longest
Because it doesn't come from anger
And although it may resemble it
It does not come from regret either
This letter just comes from my soul
From me
From a place I can finally trust

This letter differs from the rest
Because I want it to be a mix
Between explanation and closure
And the others I didn't want them to read
But part of me hopes you do see this
I just finally think I understand
Why I had to leave

First of all
I never used you
Not one time
You learned that I'm fiercely independent
And I hope you know it was never
Ever
Ever
About money for me
Or about your home town
Or your fathers property
No that relationship was about love
I loved you

See, the thing about love
The thing I didn't know about
Was that it changes over time
There are not always sparks
Even so, those fade eventually
And from there you must create deeper ties
Connect to one another on a new level
That is the point at which I failed

I know you hated how
I always explained my behavior by my past
And for that I am not sorry
What I am sorry for is the fact that
I did not step up
I did not know how to grow with life
How to let go of the pain
How to move forward
Instead I hid the pain behind drugs
Legal and prescribed
And behind other people's affection
I pushed away the pain
Because it hurt way too much
I was not ready to face it
I had no idea how to do that
And by not accepting my real feelings
I not only blunted the unhelpful ones
But the pleasant ones as well

By not dealing with my past
By not allowing myself to heal
I could not have allowed myself
To love you

It's been over a week since
I wrote the first half of this
It's hard to find the right words
It's hard to open my heart
On something so sensitive
As a love that I ended prematurely
I want to let you go though
We both deserve to be happy again
And I am, most days
But I need to acknowledge my heart
Allow myself to be sad one last time
I want to be entirely honest with you

You've been the hardest person
For me to let go of recently
Now that you live in town again
I think about you a lot
When I'm driving through campus
Past the engineering building
When I'm walking back to my car
Memories constantly surface of us
Like when you left that phone number
On the windshield of my car
And it was to some Pizza Hut in DC
Or driving through the town where we lived
Surrounded by white snow
Singing different parts to Pentatonix
Or when we spent Christmas with your family
And we connected through the calm of a place
So far from the city
As we chopped down a tree and
Played video games under warm blankets
Or even when we sat on the edge of a cliff in St. Francis
And I told you I felt nothing when we kissed
So so many memories
Of love
Of pain
Of a connection
Of my best friend

And it's not that I want to be together again
We are very different people and
I really am happy again
And I don't want to make you sad
Or make you feel anything bad
Because no matter what I care about you
I just need to reprocess everything
With the recognition that
That relationship would have lasted
If, back then,
I were the person I am now

See,
We may have been entirely different
And we definitely had our issues
But you were right when you said
That I couldn't commit
Because I couldn't commit to myself either

I couldn't love myself
I couldn't believe in myself
I couldn't process the trauma
I had no idea how to
I didn't know what to do
I felt only pain all of the time
Underneath everything else
I always had a sadness hanging onto me
I was emotionally unavailable
I didn't know how to love
I didn't know what love meant
Because I never loved myself
And I don't believe that line
That you can't love someone else
Until you love yourself first
But it sure makes it easier

Back then,
I didn't trust myself
So I let everyone else lead my life
I never questioned the path either
I just accepted life as it was
Because I didn't believe that I could change it
Which leaked into our relationship
Because if there was something I needed
Or something I was unhappy with
I could have tried to talk about it
I made the choice not to

I used to self-sabotage a lot
Before I realized that I didn't have to
I could feel those urges anytime
But that did not mean I had to carry them out
I lived entirely by my emotions at that time
When I was sad, nothing could be positive
When I was angry, I had to let it out
I did not even consider that
My actions and my emotions
Are two entirely different things

I have grown so much since then
I'd like to hope you'd be proud
Because despite anything I've said or done
I still care about how you feel
And how you see me
I'm always tempted to check your writing
But now I can distinguish between
My helpful and unhelpful urges
So I do not allow myself to try
You deserve your privacy
And I deserve to not let these residual feelings
Interfere with my life now

I just want you to know that
I messed up when I hurt you
I made a choice for us both
Instead of sitting down together
To talk and figure out how we both felt
I don't think I could have figured myself out
If I hadn't left when I did

Because since then
I went through a toxic relationship
That empowered me almost as much as it broke me
And I hurt some people along the way too
I thought I loved people I really didn't
I did acid and developed positive habits as a result
I actually take care of myself now
And most of the time I like myself
Often I even love myself
I stopped doing drugs
I finally trust myself and
I listened to myself for once
And I'm changing my career path now
I learned to be mindful of my feelings
And to not take them out on those I love
I learned what love means
I developed more compassion
I learned to be assertive
And entirely honest and real
I learned who I am

And now I'm here
An entirely different person
Writing a final letter to you
A person who I loved
Who's also entirely different now
But someone who could have been my forever
Once upon a time

But I'd like to believe in fate
And trust that all of this
Is exactly what needed to happen
For both of us to grow into ourselves
And I can't speak for you
But you will always be in my heart
Thank you for the years we spent together
Thank you for teaching me that life isn't all bad
Thank you for being there for me
For being patient and kind and for loving me
Thank you for being you
I truly hope that you find happiness
I wish you peace and love
And everything good
And I wish the same for me
Grizzo Mar 2015
It's hard to say,
You can't really tell.
I hope you have insurance
I wish you well.

When you get this note,
know that I'm an honest guy,
just send me a text
and I'm sure
my insurance will
set you up right.
Austin Heath Jun 2014
I want to get hit by a BMW.
I want to get hit by a Mercedes.
I want to get run over by a Porsche.
Something big.
I want to get smeared against the pavement
by a Cadillac Escalade.
I want to get hit by one of those big *******
who drag gasoline across the continent,
but I want the driver to be a manic psychopath.
I want him to stalk me on the sidewalk
and then run me over slowly.
He's not any coward, not like those bald patriarchal
Corvette drivers in polo shirts tucked into khakis.
No, he's a great fat man, a hairy beast with
a crooked stare that slows the pulse on impact.
I want the police to cringe or get scared interrogating him,
and haul his truck somewhere to be inspected.
I want the price of gas in nearby areas to go up
by at least fifteen cents for two weeks.
I want to get hit by a BMW.
I want to roll over the windshield,
and drag under the bottom for about ten yards.
I want to separate at the middle and leave organs on his
left side view mirror and hanging on his hood ornament.
I want to seep blood deep into his car,
and when he turns on his heat,
he'll smell my blood full blast in his face
burning.
I want to wreck the car inside and out.
I want to get hit by a car with a McCain sticker on the bumper.
I don't want to get hit by some middle class Ford or Honda,
or someone's ****-level Chevy or beat up jalopy.
I want to get hit by a BMW.
I want the driver to make his tires scream like banshees,
and leave four long streaks of rotten burned rubber on the asphalt.
I want him to step out in business attire, and gasp, inwardly.
I want to flip off the sky, because my aim is bad,
and call him a coward for hitting the brakes.
I want him to think,
"What did I do?
Is he Okay?
What am I going to do?
What if I lose my license?
How will I get to work?
How will I pay for this.
Does my insurance cover
vehicular manslaughter?
I'm not alone right?
I'll get through this.
I'll survive.
I'll just be another statistic.
That's all."
Dan Filcek Apr 2015
My sister was born here
yet I know she does not recall the:
streets and sidewalks.
vagrants and beggars
full of history
full of bohemian young people
looking  for stylish bars.
Plenty of music
  and art galleries.
African music and South American shops.
expensive boutiques with impossible prices
Alternatively, you can take the pink,
Tropical garden with a pond full of small turtles
A memorial to the victims  
The roads within are difficult to navigate
junctions underground provide relief from the sun on hot days.
night owls cover the city
a green libre sign in the windshield
far too many cars and not enough space
narrow streets in the old town,
  is the heart of the city
The clock tower marks the Twelve Grapes  
a bear climbing a tree,
ornate iron posts.
the vacant Palace
lavishly decorated
Baroque-style gardens surround a large monument
Dozens of statues
a sculpture of Don Quixote
A massive roundabout
a chariot pulled by two lions.
A tall obelisk sits in the center
a pedestrian walkway full of fountains and trees
The vertical garden can be seen from the street outside,
features fine furniture and porcelain
impressive art collections with paintings, sculptures, and prints.
young hippies play bongos and dance.  
And I have never been there
This year for Poetry Month, I decided to post a "found poem" every day. If writing a poem is like painting, a "found poem" is like sculpting. - source https://wikitravel.org/en/Madrid
"...a frozen memory, like any photo,
where nothing is missing, not even,
and especially, nothingness..."
-- Julio Cortázar, "Blow Up"

Mirror-mad,
he photographed reflections:
sunstorms in puddles,
cities in canals,

double portraits framed
in sunglasses,
the fat phantoms who dance
on the flanks of cars.

Nothing caught his eye
unless it bent
or glistered
over something else.

He trapped clouds in bottles
the way kids
trap grasshoppers.
Then one misty day

he was stopped
by the windshield.
Behind him,
an avenue of trees,

before him,
the mirror of that scene.
He seemed to enter
what, in fact, he left.

— The End —