Book One


Prelude:

As Romans before them, they built the city upward—
layer ‘pon layer as the polar caps receded
layer by layer—preserving what they could, if someday
the waters may recede back into the former polar
ice caps; restoring the long inundated coastlines.


Home:

A man sat upon a tall pub stool stroking
his ginger beard while grasping a pint loosely
in his other hand. An elderly gent stood
next to him. The older gentleman noticed
that the ginger bearded man’s pint sat almost
quite near the bottom of its tulip glass.

A woman with eyes of amber and hair
as chestnut strolled through a vineyard amongst
the ripening grapes full of juice to soon
become wine. She clutched a notebook—behind (10)
thick black covers lay ideas and sketches
to bring the world to a more natural
state—balancing the wonders and the merits
of technology apace with the allure ‘n’
sanctity borne to the natural world.

When the ginger bearded man finished the
final drops of his stout, another appeared
heretofore him—courtesy owed to the elder
gentleman. “Notice dat ye got d’ mark
o’ a man accustom amid the seas,” (20)
he inferred; gesturing the black and blue
compass rose inscribed inside a ship’s wheel,
imbedded into the back of the ginger
bearded man’s weathered right hand.
                 “I have crewed
and skippered a many fine vessel, but I
am renouncing my life at sea—one final
voyage I have left inside of me:
one single terminal Irish-Atlantic
voyage t’ward home.” (30)
“Aye d’ sea can beh cold
‘nd harsh, but she enchants me heart. Ta where
are ye headed fer d’ place ye call home,
d’ere sonny boy?”
     “’tis not simply a where,
‘tis a who. Certain events have led me
to be separate from my wife. For five
eternal years I have been traveling—
waiting to be in her embrace. The force
of the Sea, she, is a cruel one. For (40)
it seams: at every tack or gybe the farther
off I am thrown from my homeward direction
to stranger and stranger lands… I have gone
to the graveyard of hell and the pearly gates
of (the so called) heaven; I have engaged
in foolhardy deals—made bets only a
gambling addict would place. All to just be
with Zara. I am homesick—Zara is my
home—it doesn’t matter where (physically)
we are located, my home is with Zara. I (50)
was advised to draw nigh the clove of Cork
and wait; wait for a man, but I was barely
given a clue as to who this man is,
only I must return him this:” the ginger
bearded man held out a dull silver pocket watch
with a frigate cut into the front cover
and two roses sharing a single stem
swirling upon themselves cut into
the back.
   “Can it be? ‘Tis meh watch dat meh (60)
fat’er gave t’ meh right before he died…
I lost it at sea many a year ago.
It left meh heartbroken—fer it was meh only
lasting mem’ry of him… Come to t’ink I
was told by a beggar in the street—I
do not remember how long ago—dat
I would happen across a man wit’ somet’ing
dear t’ meh, and I’d accomp’ny dis man
on a journey, and dis man would have upon
‘im d’ mark of a true sailor…” (70)
    “Dear elder man,
my name is Abraham; the mark you see
represents the control that I have on my
direction—thought it appears the Sea retains
some ascendancy… Yet now, it appears,
the Sea is upholding her bargain—though
a bit late... Do you, by chance, own a vessel
that can fair to Colorado?—all across
this mist’d island no skipper ‘ll uptake
my plea; they fear the sharp wrath of the Sea (80)
or (if they have no fear) simply claim my home
‘is not on their routes…’ i’tis a line I’ve
heard too often. I would’ve purchased a vessel,
but the Sea, she, has deprived me completely
of my identity and equity.”

Zara, with her rich chestnut hair sat upon
a fountain in a piazza—her half empty
heart longing to savor the hallow presence
of Abraham, and stroke his ginger beard…
Everyday she would look out at the sea (90)
whence he left…
     All encouraged her to: “forgo
further pursuit”; “he is likely deceased
by now”—his vessel (what left) scuttled amidst
the rocks of Cape Horn, yet Zara could feel
deep-seated inside her soul he is alive;
Alive (somewhere) fighting to return home.
Never would Zara leave; never would she
abandon post; she made that promise five
years ago as Abraham, ‘n’ his crew,
set out on their final voyage; and she (100)
would be ****** ere she broke her promise—a promise
of the heart—a promise of love. Abraham
said: “You are my lighthouse; your love, it, will guide
me home—keep me from danger—as long as you
remain my lighthouse, I’ll forever be
set to return home—return home to you.”

Out from Crosshaven did the old man take
steadfast Abraham en route to his home.
Grey Irish skies turned blue as they made their
way out on the Irish Sea, southwest, toward (110)
the southern end of the Appalachian Island.
The gentle biting spray of the waves breaking
over the bow and beam moistened the ginger
bearded face of Abraham; his tattooed
hands grasped the helm—his resolute stare kept him
and the old man acutely on course.
A shame,
it struck the old man, this would be the final
voyage of Abraham… he: the best crew
that the old man had ever came across; (120)
uncertain if simply the character
of Abraham or his pers’nal desire
to return home in the wake of five long
salty-cold years—a vassal to the Sea
and her changing whim. Never had the old
man seen his ship sail as fast as he did when
Abraham accorded its deck—each sail
set without flaw: easing and trimming sheets
fractions of an inch—purely to obtain
the slightest gain in speed; the display warmed (130)
the heart of the old man.
        And thus the elder
gent mused as he lightly puffed on his pipe
while sitting on the stern pulpit regarding
at Abraham’s passion to return home
(as he calls her):—maybe dis is d’ reason
d’ Sea has fought so hard, and lied, t’ keep
Abraham from returning home… Could not
bear t’ lose such fine a sailor from her
expanses—she is known t’ be quite a jealous (140)
mistress…
      But for all Abraham’s will and passion,
the old man insisted for the fellow
to rest; otherwise lack of sleep would cause
the REM fiddler to reap his debt—replace
clarity of mind with opacity.
Reluctantly stalwart Abraham gave
in and retire below deck—yet the old
man doubted the amount of rest that he
acquired in those moments out of his sight. (150)

For the days, then weeks, in the wake of their
departure from the port-island Crosshaven,
the seas were calm as open water can:
gentle azure rolling swells oscillated
and helped impel the vessel forward. The southern
craggy cape of the Appalachian
Island pierced the horizon. Like a threshold
it stood for Abraham—a major landmark;
the closest to home he had been in five
salty long years—his limbo was beginning                               (160)
to fade, his heart slowly—for the first time since
he left port in eastern Colorado—
started to feel replete again. The Great
Plains Sea—his final sea—he would not miss
the gleam of his lighthouse stalwart on shore.




Book Two

Oracle:**

Upon a beach, Abraham found himself alone—gasping
in gulps of moist air like that of a new born baby first (10)
experiencing the breathe of life; he felt as if he
would never become dry again… the salt burning his skin
as it crusted over when the water evap’rated
into the air; Abraham took the first night to rest, the
next day he set to make shelter and wait for a rescue
crew; out he stared at the crashing waves hoping for a plane
or faint form of a ship upon the horizon…days and
nights spun into an alternating display of day then
night: light then dark—light, dark, light, dark, grey, grey, grey…

Abraham (20)
gave up marking the days—realized the searches are done—
given up after looking in the wrong places (even
he did not know where he was…) the cold waves and currents took
him to a safe shore away from his ship and crew, in a
limp unconscious float…
From the trees, and what he could find on
the small  island, Abraham occupied himself with the
task of building a catamaran to rid himself of
the grey-waiting.
Out he cast his meager vessel into (30)
the battering surf; waves broke over his bows and centre
platform—each foot forward, the waves threatened to push him back
twofold… Abraham struck-beat the water with the oars he
fashioned; rising and falling with the energy of the
waves; Abraham stole brief looks back with hopes of a van’shing
shoreline—coast refused to vanish… his drenched arms grew tired;
yet he pushed on knowing he would soon be out passed the
breaking waves; then could relax and hoist sail; yet the waves grew
taller—broke with greater power… Abraham struck-beat the
water with his oars—anger welled—leading to splashes of (40)
ivory sea-froth instead of the desired progress
forward; eventually, his arms fell limp beyond the
force of will… waves tumbled him back to shore as he did the
first night upon the island…
Dejected Abraham lay
in the surf that night—the gentle ebb of the sea added
to insult, but hid the tears formed in the corner of his eyes—
salt water to salt water… the next day Abraham took
inventory of damage: the mast snapped in multiple
places, the rudders askew—the hulls and centre structure (50)
remained intact; the oars lost (or at least Abraham cared
not to search); over the next weeks he set to improve
the design and efficiency of his vessel—the first
had been hurried and that of a man desperate to leave;
the bare minimum that would suffice—he set to create
a vessel to ensure his departure from the des’late
accrue of sand and vegetation; Abraham laboured
to strengthen his body—pushing his arms further passed the
point his mind believed they could go—consuming the hearty,
protein-rich, mollusks, and small shellfish he could find inside (60)
tide pools or shallows—if lucky, larger fish that dared the
nearby reefs.
Patiently, Abraham observed the tides and
breaking water; he wanted to determine the correct
time to set off to ensure success—when the waves would not
toss him back to the beach; the day: a calm clear day—only
within few metres of soft beach did there exist any
breaking waves, and those that broke were barely a metre high;
loading provisions upon the vessel, Abraham bid
farewell to the island (out of wont for the sustenance (70)
it gave not for nostalgia) grasping his oars, he set forth
to find open sea—where the waves do not break and set you
gingerly on foreign shore(s); Abraham paddled passed the
first few breaking waves, his heart pounding with hope—he stifled
the thoughts (celebrate when the island is but a subtle
blue curve upon the horizon); as the island began
to shrink in his vision, the sky to his back grew darker…
the waves started to swell—moguls grew to hills—Abraham
stroked up and rode down; the cursèd Island refused to shrink…
if not begin to grow wider… stroke by stroke Abraham (80)
grew frustrated—stroke by stroke frustration advanced into
anger—stroke by stroke anger augmented into fiery
beating of the water!—Abraham struck and struck at the
Sea—eyes closed—white knuckles—trashing!—unsure which direction
he paddled…sky pitch-black, wind blowing on-shore Abraham
bellowed out to the Sea in inarticulate roars of:
hatefrustrationpitydesperationheartache!
Towards
Abraham’s in-linguistic roar, the sky let out a crack
of authority! a wave swept the flailing Abraham (90)
into the ocean—cool water only heated the rage
in Abraham’s mind—his half empty heart only wanted:
to sail home, become whole  again—sit under and olive
tree and stroke the chestnut hair of Zara as she drifted
off to sleep on his chest while he would whisper sweet verses
into her ear… Abraham’s rage, beyond reason, forgot
the boat and all clarity, he tried to swim away from
the cursèd island—scrambling up waves only to tumble
back with their breaking peaks—salt, the only taste in his mouth;
churning his stomach to *****; his kidney’s praying he (100)
would  not swallow anymore… his gasps stifled any curse
Abraham’s head wished to expel onto the Sea—yet she
swore she heard one final curse escape his lips! at that the
Sea tossed Abraham (head first) into his ghost-helmed vessel—
all went dark for hostile Abraham…

Contemplating back
at his rage—knowing the barbarian it makes of him,
Abraham peered into the band inscribed into his
ring-finger and saw the knot tying him to Zara—shame
at his arrogant-uncontrolled-fury sent Abraham (110)
into a meditative exile inside of his mind
(within the exile of the island…) in his mental
exile Abraham spun into deeper despair at his
two failures—even more at the prospect of failing the
vow he professed onto Zara: return home—home from this
final voyage, grow old with her on solid ground, never
to die apart and cause the pain of losing a loved one
without the closure of truly knowing the death is real,
to die by her side white, white with the purity of age…
Abraham’s destitution turned inward—his fury, the (120)
lack of control, the demon he becomes when rage surges
through his muscles; equiping him with untamed strength without
direction or self-possession—so much potential, yet
no productive way to use it… Abraham’s half-full-heart
burned, ached with passion and anguish—all desire
focused on home, his return, but the mind’s despondency
and insistent ‘what-ifs’ kept poor Abraham prostrate in
his mental cave—all his wishing for anger and vi’lence
to force his will, it did more to retain him upon the
cursèd island than bring his heart closer to fulfillment: (130)
his long awaited home…
Out of his mental exile did
Abraham’s irises dilate and contract with blinding
illumination—self-pity is not what make things happen—
it would only serve to anger Zara—nothing other
than I can be to blame for my continued absence; I
am stronger than that!—looking at the tattoo in his hand,
he remembered the reasons for the perennial brand—
the eight-spoke ship’s helm: the eight-fold-path—I must cut off my
desire for anger to be the solution and focus (140)
on the one path to Zara—the mind can push the body
further than the body believes is possible—the star:
the compass to guide me via celestial bodies
to where my heart can see the guiding beam of my lighthouse!

I thought it right to assess some antidepressants, which philosophers are more inclined to call mood enhancers.
This was during my foray into human enhancement, substances intended to enhance physicality, cognition or mood. Nootropic compounds concern the latter two categories.

The most commonly prescribed mood enhancers are serotonin reuptake inhibitors (SRIs), but it takes over a week for these compounds reach their peak effect.
Thus I approached them with the notion that a limited dosage might point to their character, though  not reveal. These considerations in mind, I set about acquiring a few miscellaneous anti-D's.

Fluoxetine was the first successful selective serotonin re-uptake inhibitor (SSRI), better known by its original brand-name Prozac. Fluoxetine has an acute biological half-life of between 1-3 days. Presence of a trifluoromethyl group on the compound deserves note, I wonder what the presence of electronegative fluorine atoms add to the psychoactive flavor of a compound (subjective effects).
I administered a single dose by mouth, there was some indication of subjective character. Light serotonergic sensations and seemingly benign mood-dampening, there is a ****** towards the positive. Waking headspace relatively uninteresting. Observed hints of oneirogenesis, did not manifest in enough character to be detailed - a sort of vivid, 'pulsive wandering, more pronounced in contrast to its waking character.
Good experiment, interesting results.
Ligand     Ki (nM)   Ki (nM)
Target      Flx            Nflx
SERT        1               19
NET         660           2700
DAT         4180         420
5-HT2A   200           300
5-HT2B    5000         5100
5-HT2C    72.6          91.2
α1             3000         3900
M1            870           1200
M2            2700         4600
M3            1000         760
M4            2900         2600
M5            2700         2200
H1            3250         10000

Sertraline is another popular SSRI, also known by it's original brand-name Zoloft. Sertraline has a variable half-life, on average 26 hours.
It's metabolite, desmethylsertraline, has a half life between 62-104 hours but is a far less potent Serotonin Releasing Agent (SRA).
The presence of two chlorine atoms is interesting. The usual, phenomenal serotonergicity is present and pushing towards the positive.
Some nausea, particularly when hungry (this disappeared after some minestrone soup). Some faintness after physical exertion. This dose did not promote onirogenesis. There was a moment of cognitive distortion when the proportions of a focal object seemed to be growing in-and-out, shifting in size.
Site                 Ki (nM)
SERT              0.15–3.3
NET               420–925
DAT               22–315
5-HT1A       >35,000
5-HT2A          2,207
5-HT2C          2,298
α1A        ­        1900
α1B                 3,500
α1D                 2,500
α2                  477–4,100
D2                  10,700
H1                  24,000
mACh           427–2,100
σ1                   32–57
σ2                   5,297

Escitalopram is an SSRI commonly prescribed for major depression and generalised anxiety. It is the (S)-stereoisomer of citalopram. The biological half-life is of escitalopram is between 27-32 hours.
I administered a dose and thought the phenomenal serotonergicity less apparent than fluoxetine but then gastro-intestinal disturbance was noted, I surmised it has a high affinity for 5-HT2C.
Any oneiric qualities were not readily apparent after a single dose, relatively little visual imagery which is understandable given its lack of affinity for 5-HT2A. I found this to be philosophically interesting. Mood elevation observed in bursts of conversation and as odd sensations, possible mental discomfort.
Ligand,
Recptr     Ki (nM)
SERT       2.5
NET        6,514
5-HT2C   2,531
α1            3,870
M1           1,242
H1           1,973

Venlafaxine is a selective serotonin-norepinephrine reuptake inhibitor (SNRI). Venlafaxine and its metabolites are active for about 11 hours.
Initial subjective effects similar to a very light empathogenic stimulant. Perception of altered attention-span/increased reflexive response; energizing yet paradoxically much yawning.
Ligand,  Vnfx      Dvnfx
Recptr    Ki(nM)  Ki(nM)
SERT  ­    82           40.2
NET       2480        558.4

Tianeptine is a tricyclic antidepressant (TCA) with an unusual mechanism of action. It is an atypical agonist of the μ-opioid receptor and has been described as a (selective) serotonin reuptake enhancer (SRE). It has a short duration as sodium salts [prescribed form] of between 2-4 hours but as sulfate this can be notably extended, some of its metabolites are active for longer than tianeptine itself.
Definitely anxiolytic, quite artificial; possible aphrodisiac. I find its opioid activity dissuading, requires caution.
Site          Ki (nM)
MOR       383–768 (Ki)
                 194 (EC50)
DOR      >10,000 (Ki)
                 37,400 (EC50)
KOR      >10,000 (Ki)
                 100,000 (EC50)
All other transporter/receptor/sub-receptor values are >10,000 (Ki).

Bupropion is a norepinephrine-dopamine reuptake inhibitor (NDRI) with affinity for some nicotinic receptors. Bupropion and its metabolites are active for between 12-36 hours. Interestingly it is a substituted cathinone.
Initial subjective effects similar to a fairly light stimulant. Perception of increased attention-span and improved cognition. It is an onirogen that is neutral in quality, enhancing vivid dreaming (a boon of its nicotinic affinity which is counteracted if the stimulant component impinges on sleep). Completely absent of serotonergicity, curious.
The N-tert-butyl group's effect is most interesting, how it affects metabolism and to what extent ROAs alter pharmacokinetics.
I took 150mg ******, as extended and as instant release (the latter was more pronounced). I thought an altered pharmakinetic profile might result from bypass of hepatic metabolism, so I tried 25mg insufflated and felt as if there was effect that it differed slightly from oral ROAs, but also worried that its metabolic fate is thence unknown (compare to the neurotoxic 3-CMC). What of other bupropiologues,
for example, 3-Methyl-N-tert-butyl-methcathinone? Indeed.
                        Bupropion    R,R-Hydroxybuprpn   Threo-hydrobuprpn
AUC               1                     23.8                                  11.2
Half-life         11 h                 19 h                                 31 h
IC50 (μM)
DAT               0.66                  inactive                          47 (rat)
NET               1.85                   9.9                                  16 (rat)
SERT              inactive          inactive               ­            67 (rat)
α3β4 nic         1.8                   6.5                                   14 (rat)
α4β2 nic         12                     31                                   no data
α1β1γδ nic     7.9                    7.6                                  no data

Moclobemide is a reversible inhibitor of monoamine oxidase A (RIMA), its monoamine oxidase inhibition lasts about 8–10 hours and wears off completely by 24 hours. Inhibiting the decomposition of monoamines (e.g. serotonin, norepinephrine and dopamine) increases their accumulation at an extracellular level. It tends to suppress REM sleep and so it lacks oneirogenic properties.
Feeling of well-being, less constrained by the usual anxieties; openness. Relatively unnoticeable side-effects when diet is carefully managed. Made the mistake of eating a cheese and turkey sandwich (i.e. foodstuff rich in tryptophan/tyramine), indications of serotonergicity later became apparent: feelings of overheating and flushing, slight sweating, racing thoughts and anxious discomfort. A stark reminder of Shulgin's old adage: "there is no casual experiment".
Combination with a select few tryptamines (not 5-MeO-xxT) should be safe, and synergistic (perfect for pharmahuasca); reputed to potentiate GHB. However, generally it is extremely dangerous to combine with serotonergic drugs.

A man sat upon a pub stool stroking his
ginger beard while grasping a pint with his
other hand; an elderly gent sat down next to
him; this older man saw the ginger bearded
fellow’s pint was quite ne’r the bottom

A woman with eyes of amber and hair like
chestnut strolled through a vineyard amongst
the ripening grapes full of juice soon to become
wine she clutched a notebook—behind black
covers lay ideas and sketches on how to bring
the world to a more natural state; balancing
the wonders and benefits of technology with
the beauty and sanctity of the natural world

When the ginger bearded man finished
the last bit of his pint another appeared
before him—courtesy of the old man,
“Notice you got the mark of a man accustom
to the seas,” said the old man gesturing to
the black and blue compass rose inscribed
in a ship’s helm, imbedded into the back
of the ginger bearded man’s right hand.

“I have crewed and skippered a many fine
vessel, but I am giving up the sea. I have
one last voyage left in me—to my home.”

“Aye the sea can be cold and harsh,
but she captures me heart. To where
are ye headed for home, there son?”

“’tis not a where, ‘tis a who. Sets of events
have lead to separate from me my wife. I
have been traveling for  five years waiting
to be in her embrace. The force of the sea,
she, is a cruel one for at every tack, or gybe
I am thrown off my course to stranger and
stranger lands… I have gone to the rotunda
of hell and the gates of the so called heaven.
I have struck deals, and  made bets only a
gambling addict would accept. All to just be
with her. I am homesick—she is my home; it
doesn’t matter where—physically—we are
my home is with her. I was told to come to the
clove of Cork and wait, wait for a man, but I
was not told anything about this man only that
I must return him this,” the ginger bearded man
held out a silver pocket watch with a frigate
engraved on the front and two roses sharing a
stem swirling on the back upon themselves.

“Can it be? ‘tis my watch t’at me fat’er gave
me before he died… I lost t’is at sea many a
year ago; it left me heartbroken. For ‘twas me
only lasting memory of him… Come to t’ink
I was told by a beggar in the streets, I do not
remember how long ago, but it has been many
a years, t’at I would meet a man with something
very dear to me, and I would take this man on
a journey, and this man would have the mark
of a sailor. What is ye name? Can it be…?”

“My name is Lysseus dear old man—it seems
the Sea is holding up her bargain—though a
little late... do you have a ship that can fair to
Rome? All across this land, none a skipper will
uptake my plea; they fear the wrath of the sea.
If they have no fear, they claim my home ‘is not
on their routes…’ ‘tis a line I’ve heard too often;
I would purchase a boat, but the sea, she, has
robbed me identity and equity; I’m at her mercy.”

Penny with her rich chestnut hair sat on a fountain
in a piazza—her half empty heart longing to feel
the presence of the Lysseus and stroke his ginger
beard… everyday she would look out at the sea;
where she saw him leave port—five long years ago…

All said she should give up; that he
was dead by now—his ship (what
was left) was found amidst the rocks
of Cape Horn, but she knew there was
hope, she should feel deep inside her
soul he is alive somewhere fighting to
return home. Never would she leave;
never would she abandon her post.
She made that promise five years ago
as he set out on his ‘last’ sail off shore.
And she would be ****** before she
broke her promise—a promise of the
heart; a promise of love. He said, “You
are my lighthouse; your love will guide
me home—keep me from danger. As
long as you remain my lighthouse I will
forever be able to return home—to you.”

Off from Crosshaven the old man took
steadfast Lysseus en route to his home.
Grey Irish skies turned blue as they made
their way out on the Celtic Sea, southeast,
to the Straight of Gibraltar; gentle cold
spray moistened his ginger beard, his
tattooed hands grasped the helm—his
resolute stare kept the two on course.

It was a shame to the old man that this
would be Lysseus’ final voyage—he was
the best crew the man had known; he
was  not sure if it was just the character
of the  fellow or his personal desire to
return  home after five long, salty-cold,
years being a slave to the sea and her
changing whim—never had he seen his
ship sail as fast as he did when Lysseus
was his crew—each sail trimmed perfectly,
easing  the sheets fractions of an inch to
gain just the slightest gain in speed; the
sight warmed the heart of the old man.

The old man mused: maybe this is the
reason the sea has fought so hard and
lied to keep Lysseus from returning
home… she could not bear to lose such
fine a sailor from her expanses—she
is known to be a jealous mistress…

The old man, as he smoked his pipe, sat on
the back pulpit staring at Lysseus’ passion
to return home, as he calls her. But for all
his will and passion the, old man had to
insist for the fellow to rest; otherwise he
would go mad without sleep; reluctantly he
would retire below deck, but the old man
doubted the amount of rest he actually
acquired in those moments out of his sight.

The seas were calm as open water can be,
rolling swells rocked and pushed the vessel
forward. The Straight of Gibraltar opened
up on the horizon like a threshold—a major
land mark for the Lysseus; he was closer to
home than he had been in five long, salty,
years. His limbo was starting to fade, his
heart slowly—for the first time since he left
port—was beginning to feel whole again.
The Mediterranean Sea—his final sea—he
would not miss the gleam of his lighthouse…

The closer they sailed to Rome, he could sense a
change in the water, a change in the weather; clouds
grew darker and bellowed like gluttonous bulbs. As
he feared, the Sea was breaking her promise—she
was not done with him yet. She could not let him
return home—the jealous temptress who has ruined
many a fine men—the least honest of all the elements.

“I see she ain’t done wit’ ye yet,” said
the old man. Surveying the dark, grey,
clouded noon-day sky from the bow pulpit.

“Nothing will keep me from reaching home; even if I
have to swim the final nautical miles. I will not let the
Sea break her deal; I will make her keep at least one of
her deals. My love is stronger than her forces. That I
know for certain. That I know beyond doubt.” Such
cried Lysseus out to the darkening sea and old man.

As if on cue—waiting for Lysseus to finish
his soliloquy—the clouds let out a deafening
cacophony of thunder cracks rolling through
the heavens towards their vessel. Lighting
grounded on the horizon around them creating
a cage of light and electricity. The gentle rolling
swells grew in stature with every cracking
second. The bow smacked and dove into on
coming waves; drenching both Lysseus and
the old man; with each flood of water over
the deck. The swells grew to such heights the
horizon transformed into dark clouds and
white peaked waves merging with the sky.

A wave crashed over the windward side of
the ship, the force of it cracked the base at
which the compass stood fastened to the deck
of the cockpit a larger wave hit abeam further
loosening the compass from its purchase; with
the angle of the ship and the rise and fall in the
waves it was all Lysseus could to do hold on
and watch the Sea slowly take the ship’s
navigation instrument into Her dark cold depths…

“Oh why do you curse me you foul tempest?
Cannot you see all I desire is to return to my
home!? I have done all you asked; I have
played all your games and won! now it is my
turn now—time for you to play by my rules!”
Lysseuc beckoned the old man to seek refuge
below deck—he would sail them through the
storm, and assured him the ship would reach
port afloat; for, “I can feel my lighthouse in
the distance; do you hear me Sea? You can
take away our mariner’s compass, but you
cannot take away the compass in my heart;
and the light of my home on shore. Five long
years ago she made a promise to me to be
my lighthouse—to guide me home no matter
what—regardless what you do, Sea, you can
never break her promise—only your, promises.”

As a lighthouse she stood through the weather
of the night—risking pneumonia, for Penny’s
heart told her she could never abandon her
promise as the waters fell flat and the sun peaked
through the storm clouds, a silhouette stretched
in the sunrise light, pointing to her feet. Upon the
bow Lysseus stood, his eyes fixed at the dock
where his lighthouse stood, fixed. Upon the dock
he jumped into the warm, loving, arms of his
home both of their hearts became whole again.

early retirement                                           2.11.22 Mercury/Pluto conjunction

I’ve been cracking jokes lately,
when in the company of others.
When there was an opening in the conversation
I would insert a comment;
I would joke about my life in early retirement.
I would joke and say that I am retired.
It's obviously funny because I’m only 35;
fairly early in my second Saturn returns.

Over the last 18 months I’ve made modest acquisitions
fit for a retiree;
house slippers, a few extra lines in my face and
even a piccolo pipe with dark cherry Cavendish tobacco.  
They all fit rather nicely,
(according to my eyes)
when worn with my gray cardigan with the red whip stitch
suring up the right pocket;
the same cardigan I wore the night of the accident and the
morning of the ward.
That was an equinox to remember.

Maybe it's in poor taste to joke about early retirement.
Perhaps that it isn’t very funny to go on about,
or maybe it was only funny to me.
It hadn’t quite occurred to me until now that
it may be kind of awkward for a grown man to crack
funnies about his lack of income or industriousness.
I suppose I just gave myself a pass.
Because I figured everyone already knows I’m
a little unhinged-
a little ungrounded-
certainly a bit touched…
and that “he just needs time to heal because he is
an activated Light Worker and the benefits reaped
by his inner struggle to anchor the
Light upon the Earth plane is in everyone’s best interest,
and that it takes an untold exertion of Will to exact such an incarnation,
and that it takes more than a few several months for the
risen Kundalini to come to maturation.
Quick, can someone please get me a tourmaline.

Well, here I am in
southern Jersey
Manchester Township
Ocean County
Riverside retirement community
side of the pond (man made)
composite bench under a gazebo erected on a concrete pad.
Sitting inside my cardigan next to my piccolo pipe and a pen in my hand,
wondering how I could feel so lost and so found at the same time.

I’ve been a stubborn *******.
Afraid to bear my Light within my hands and
expose it to my kin in a meaningful way.
But here I am,
early retirement
on an early afternoon
in a retirement community
full of elders
slinkin through the
early dusk of the
twilight of their lives.
And I don't like it.
I am not equanimous with what is.
I’ve excreted so many toxins that the
re-uptake is nearly too much to bear.
I’ve carried empty green notepads in my back pocket for years.
Pen and pad with scotch tape holding down the binding;
worth about three or four poems max.
“Yea I fancy myself a writer, just not very prolific.”
You can only speak something into being so many times
before the universe starts agreeing with you.
Old man Saturn couldn’t give a **** about
little fears and excuses.
The limits of necessity were only
bad wiring
rendered by
my own hand.
And that goes down smooth like a fish-bone in the throat.

I own enough scarves and robes to
circumambulate the globe a few times.
If only I could fly
it would be in such style
because on the outside I look how I want to feel on the inside.
Before my heart center I hold the dharmachakra mudra and
I stare into a candle flame.
I could of sworn they prescribed this treatment
early in the Rig Veda for guys with ailments like mine;
running mad like beside his shadow and
fleeing all the house flies;
sliding down the side of a waxing crescent moon.

only the moon it is a scythe;
a crescent knife.
Waning in early retirement,
old man Saturn coming for his life.

the rain sifts through my attempts
to grasp it with mere hands:
one cannot understand
without going through its constant
shift and change of faces.
As to another, one learns
to ask the right questions,
naturally, at the opportune time.
Like in all things
Every conversation
Which pass through us
Were never truly there.
Those that do stay are bereft
of meaning.

What remains often
is the damp, moistness
of the late -ber month showers:
regret, loss, a tactless remark.
They share the same fate in all
of this, the slow, uptake for words:
closure, a second chance, a bad joke
like the heavy traffic we always have
to endure - a cartload heavy
-laden with stockpiled souvenirs
with no particular use except
for reminiscing, a flickering hope
for the last bus ride home.

One day, you will
miss all of this.
And the only thing
that is left to endure,
is memory.

14 October 2017

The drugs need me only
slightly less than
i, them.

It can be quite daunting at first to start something new. However, all you really need is the right kind of attitude. The open-minded approach to tackle problems as they come along. My biggest fear, however, remains being afraid of not finishing what I have started and dropping things half-way through as soon as the going gets tough. I admit that this problem of mine has been present all the way throughout my life. I'm quite quick on the uptake and get really intense about something and then somewhere along the line I get side-tracked and drop things altogether.
    The saying "easy come - easy go" could never be more true for me. Having said that, I know that everyone has encountered this exact same problem at one time or the other, so the grass always looks greener on the other side despite the fact that it's often painted.
    The ease with which I get a head start compared to other people has been both a blessing and in a way a curse. But I shouldn't seek excuses when it is quite clear that I lack the motivation, perseverance and the self-discipline to soldier on after I finish the first lap. To put things into perspective I am like a competitor at a 5000m race challenging the title again and again. It brings me endless joy being able to participate and more often than not I am the one who sets the pace, however half way through the race fatigue sets in and I gradually lose the built-up momentum. Seeing that, competitors overtake me left and right. Eventually, I lose the heart to continue and end up finishing last or dropping out of the race.
    I keep wondering; perhaps the secret to success in not starting strong, but being consistent and preparing yourself mentally for that finally straight line when all your arduous training pays off and you still have some firepower left in you to give it your all. Not only what you can do, but edging slightly outside or your own limits, be it mental or physical, that keep holding you back you outmanoeuvre your own shadow.

     The other problem of mine is that I rarely practice what I preach. I like to reflect and analyse, and can pin-point fairly accurately the inner demons that have been plaguing and dulling my senses, but comes next day – and I succumb to them once more. Lately though, I feel like I am eradicating them one by one, but I shouldn’t rest on my laurels.
      For example, over the last five years I have discontinued playing guitar and then picked it up again countless of times. I would intensively practise for days, sometimes weeks, professing my love for music and then give up on it at a drop of a hat. With distractions and novelties larger than life, it is getting harder and harder to ignore them and go about our own business as we did before. They are like irresistible mythical modern-day sirens lulling us into a trance-like state of comfort and false sense of security. “Forget all your problems and let go of your worries, sweetie. We will take care of it all now”, whisper the sirens as their bodies become entangled with ours and for a split second we can feel the weight of our shoulders starting to disappear. Split second is all it takes t avert our eyes from things that truly matter and before you know it - we are neck-deep in this fairy land.
     Once we snap out of it, a sense of helplessness engulfs us mixed with guilt for wasting so much time. Without further a due, we seek out a new distraction that can preoccupy our thoughts, so that we can feel on top of the world once again. As a result, a new form of escapism is born where we dig endless tunnels; not to escape into the real world, but as far away from it as is humanly possible. Much like the prisoners, we are just as creative in finding means to escape and evade hardship. Therefore, we are effectively prisoners of our own minds rationalizing our every wrong-doing up until there is no inner voice to question it any longer. By then, the ritual of “switching off the real world” is hard-wired to our neurological pathways and over time it becomes second nature.

Grinding....

Leaving it silenced, drawn and quartered
Clawing for the scraps left over

Predicament I found myself in
Or, towards the end of it
Slipping from the edges
Forager focused on finding any way back home
Sidetracked by some apparition left crying
Alone, in the corner

Grinding...

Paused, with rain drops weighted, heavy sense in the air
I can feel my lips turning blue and
Twitching

It's more literal than I would dare dream in a waking nightmare
The smell of every molecule tantamount to another realm

Hangs motionless in the air
The stone transposed becomes a rooftop asylum, overlooking such uncouth misanthropic parcels, self absorbed in this grotesque imagery, a veritable wall of self hate puzzle pieces

Grinding...

Low, on an almost ominous note, still grows colder in my ears
Blowing on winds filled with the spite and righteous
Anti holy
Fully rupturing sound of far off laughter of the
New root

My lips still moving
No sound produced
And my mind
Grinding...

I still pray to god for you
Beset on all sides by the same wickedness
Still afflicted by myself

Argue for arguments sake
****** up on the uptake
I thought that you might want it
I guess I forgot all the subtle ways
The fires spring to life at night

Arguably the wrong choice is
Looking at him
I try not to
Catch that glimpse in his eye
Already my mind races
And my bones are shivering
At the thought alone

Brickwork backing
Still swells maggots
And filing paperwork
For entrapment habits

Grinding

1937

bushido invasion
memory still vivid in the Chinese
of a slaughter
prisoners
chopped and lobbed into the river
display their heads
let the next line kiss the remains
but the time is ticking
and the water is only pink
prisoners
mowed down
with bullets
and laughter
they can turn and swim
Japanese aim is good
not one makes it to the other side
the pink
is a deep red flood
becoming a dam
with the bodies of
children
ladies
gentlemen

why did those murdered forget
the purple mountain legend
when it burns
the city falls
why did they not flee faster

the policy issued
plunder
burn
******
do not let that little boy
take revenge
5 years old
they severed him

Japanese leaders saw a chance
to remove any pity
in the solider
they ripped out
humanity
inserted
brutality

training exercise
hoist your bayonet
plunge forward
twist
extract
plunge
twist
extract
men with bound wrists
considered subhuman
butchered
plunge
twist
spit

routine puts soldiers at a disadvantage
fire is added
fields are swamped with oil
and laced with people
patrolled edges
keep the cries alive
the only release
death

movement is needed
tanks must pass
chatting soldiers hang out the sides
wheels roll over the bodies
filling the ditches
carcasses
and
wounded
if there is not enough
they found the closest Chinese
and added it to the pile

competition
2 leaders
in a fight to show superiority
uptake a challenge
to win is 100
swords are withdrawn
ignore its' eyes
the race
a beheading
lost count
up the stakes
150

only the beginning
for the women

a hunt commences
females do not leave the house
there is not one in the streets
rounded up
army trucks
bringing in loads
******* like animals
chained to racks
*****
commonly gang-*****
bleeding to death
aged under 8
over 80
a pregnant women
***** to death
her fetus cut out
and destroyed
encouragement
from higher ups

and the advice given
pikankan is acceptable
every warrior should
do not let them talk
**** the pigs
when they are done being women

more than 20,000
maybe less than 80,000
defiled
in the carnage

journalist support
with authentic recounts

but with time
confused hospitalization
of the soldiers
who puked every meal
and gagged from inside out
as the horrors ate them

the only relief
an international safety zone
perhaps 20 Westerners
to help a mere 300,000
only half
at intervals
Japanese crossed the fence
for the women hunt
for Chinese soldiers
recognized by calloused hands

irony
******* on a Westerner arm
a symbol
as he aided
survivors of the massacre
and the Nazis in Nanking
aghast
leaked information
on the horrors
and
****** ordered silence

a single surgeon
a lucky boy with only one bayonet puncture
another
missing eyes
missing ears
half a nose from
100 tied together
set on fire

Japanese photography
of bonding moments
as they watched
a house packed tight
panicked people on roofs
to escape flames
jumping

6-8 weeks later

more refined brutality
enforced prostitution
and intake of *****
****** cigarettes for children

the West
in ignorance
watched the German rise
forgot responsibility
to humanity
in the Asian wars

no apology
denial
unfair hatred
of later innocent Japanese generations
mention of Hiroshima
amuses some Chinese
doesn't bother others
it's not everyone
that's still too many

lacking sympathy
the road to brutality
lingers

In purple checked dresses we are confronted
Behind a piano sits ‘Miss Creak’ head of house
She has one bad eye, unfixable from childhood
But plays beautifully perched on an oakwood
And fabric stool. This is our secondary school.

On the wall above the piano is a framed print
‘Madonna of the Meadows’ by the artist Bellini
I pushed a drawing of a couple intertwining
Under ‘her’ door knowing she never would have
But a boy may have felt affection for ‘that’ affliction.

Here we all ate meals, did fashion shows and sang
I was glad my dress was purple not orange or red
Went better with my blue eyes and blonde hair
The rest of the school diveded into coloured checks
To represent Shakespearean female characters.

Just opened in Wandsworth a new comprehensive
Serving all abilities, behaviours and nationalities
Cordelia, Beatrice, Juliet, Katharine,
Portia, Rosalind, Olivia, Viola a rather unsuitable
Vision for such an uptake of adolescent froth.

Miss Creak was, kindly, I wish I had always been.

my linguistic observations were not written onto a blank canvas,
they arose from a backdrop that suggested political apathy,
and language games: my observations
came about not from observing
the necessity of what was suggested,
my observations didn't come
from omission - by was to consider
mathematical acute and macron
sense of what's to be punctuated
in addition, or stressed multiplication -
it didn't arise from omitting something,
it actually came about from
the futility of the leisurely fragrance
of language that politics could abuse
and leave many politically apathetic -
similarities with mathematics:
whenever the arithmetic cauldron
reached out-of-proportion counting methods
to value things -
same with these 26x nth term variations -
(nth term? the easiest allocation,
globalisation: ask a Croat of a Slovene
and i wonder if a Californian
might regard a Nebraskan in the same way) -
no, my observations came by way of
antidote: i looked at language and thought:
they're wasting it...
                  what with language entertainment:
crosswords and anagrams -
               i never understood why poetry
became obsolete by some noble pursuit
akin to philosophy... it didn't...
philosophy, pure philosophy didn't undermine
poetry, offshoots of philosophy: logic
games bedded the goodbye of emotion,
we're great at self-preserving emotions bound
to anagrams and crosswords,
   but cross love and hate together
  you get:                       h
                                        a
                     ­                   t
                 l       o      v     e...
                                                      philos­ophy is
at some points poetry, when there's a new crossword,
when there's a game of anagrams -
well, it write a new poem every day,
because people rarely acknowledge their everyday
apathy, they think they're without pathology,
and in a sense, they're without pathology,
their only pathology is finalised with
a connectivity of emotions, the paradoxical
unity of chiral emotions, a chance of opposites
solidified within the opposites of man, and woman -
when we speak of man, we tend to speak
primarily of femininity -
            and when we tend to speak to woman,
we tend to speak primarily of masculinity -
   the noun with the opposite-effect adjective -
but as sure as i am: it's a tightrope experience,
https://www.google.co.uk/searchsclient=psyab&biw;=1600&bih;=775orld+trade+towers+tightrope&oq;=world+trade+towers+tightrope&g;_lp..r_cp.&bv;;=bv.132479545,bs.1d24&ech;=1ψ=kOjZV5HjNckUqoiegM.1473898640411.14&ei;=UPTZ_IOKAbinangBw&emsg;=CSR&noj;=1 - is unreachable raph.co.uk/film/thewalk/philippepetitworldtradecentr/
Philippe Petit's expertise would do just now,
but on the confusing subjective deviation scope,
not minding the objective facts - two buildings,
one rope, one man... oh there's logic in subjectivity:
you just have to revise the objects surrounding the
feat - it's not exactly a United Nation's translation...
something has to uptake a poetic feeding,
and some has to be discarded...
   crosswords are philosophy's version of a poem...
i'm pretty **** at them... which spurns me to
write a poem, i'm with the Japanese squares -
as always, an optical consideration to allow variation...
but a poet usually wakes up when he sees
what others have done with language:
   crosswords are thesauruses in disguise -
      the hint is aligned to a thesaurus, more than
a dictionary - there isn't a care for
                       your vocabulary,
given that philosophers systematise and therefore
   acknowledge a need to curb a chance vocabulary
deviation as: in addition to... it never happens...
     but when did poetry become so discredited
form of entertainment in the use of language,
averting poetry as not music is wrong -
              poetry was replaced by crosswords and
the play on anagrams... music was wrongly attributed
to poetry by philosophy - it was a double blow -
a secondary **** - poetry was never music,
                    it was never about hitting rhymes:
Tenacious D's one note song and the clinically
   real:                              hate
                         ­                ate
                                         late - same ****, different cover.
imagine an onomatopoeia orchestra: doors, knock knock,
        sand in hands: the sounding of mortality,
whatever...                             can you see this
****** attack? i know Nietzsche's poetry was pish-poor,
but his maxims stand out for me to provide the
necessary reflex - philosophy attacked poetry,
the thespian art took over, the monologue is a holy
grail: a monologue that is free from narrator -
narrator exclusive - spontaneously: here! there!
nowhere! omnipresent!
                                          the pleasure from poetry
is in every household, not the poncy pretentious
households of frail households,
  your grandma is doing it already,
she's doing the crossword, she's not raising an emotion,
a gamble, she's a sterile duck, doing a crossword
rather than reading a poem -
                            and the philosophers?
the Shiva-disciples? before another art-form is attacked
they'll make money from being critical of films...
    to be honest, they'll have a hard time attacking music...
they can be great film critics... but in terms of music?
  well... the original confrontation with poetry
has made them impotent in this field... music is pure emotion...
including all the cheese entanglements -
however cheap an emotion might be (cheap: pop,
appealing to the universal attainment, shy, hidden,
the standard base of later improvements / idiosyncrasy) -
they can't attack music, it's double jeopardy -
given that poetry is deemed akin to music...
although caveman orchestra: man and his echo -
philosophy can't attack music, Plato's cave and the movies
beckons them... try once more,
                         and here comes the spectacular!

with ref. with the title, i.e. my so called "poems"...
here's to tautology... it's not akin to a wd40,
but it really is akin ub40... white man dos
the reggae... wd 40? it's sometimes called
a paint-thinner...
  ub40? sometimes hailed as a nostalgia machine -
  or as we like to call it: the grey area.
the thing i mean, minus the punctuation rules,
i find to be worth a rocking horse
and an easy chair, and being aged 70 wiithout
allegiance to a crossword...
  i write: the so-called "poems",
when i can leave out the so-called and just
use the punctuation already included.
- there's already a booming industry to tell apart
saying and then writing: allegiance
          and allegience...
  æ.... graphemes aren't the basic
      units of encoded speech... had you noticed
the vowels and consonants? no? i can't do *******
with this tongue-tie other than make
bow-ties and distinctions,
or those halo-like hovering marks
above the letters known as
diacritical marks... and yes, poets
have a fear of the paragraph...
   they prefer to use the cascade verse....
i could write you a David Jacoby narrative,
or what could be worth a Copperfield-esque
cool... because it just happens...
  and i'm there to pick up the pieces
as narrator...
         but then i am of the sort of peoples
that leaves an umbrella / poem in
a crowded place,
and i leave it for reasons that can't be
far from the clerical authority of
a lost package office...
    i leave my **** where the sun don't shine,
i leave it there, just to tempt the kleptomaniac
magpie looking for a silver spoon
trying to shove it up its ****...
         and then fly... thinking it wasn't
tied down by some "obscure" anchor...
        i leave my poems in public
spaces, lest i turn to forget and not forge
a memory concern to conscript...
   a fern akin foliage of the lost tract..
and the needy footprint
needing applause with each step...
     it's no longer a case of London
being place you can be deemed as bored
and worthy of a scaffold to become
siamese worthy of an execution...
     i'm starting to think whether London
is split between Moscow and Dubai...
     and if approaching Kant's
pendulum of a priori and a posteriori...
there's the a fortiori cut in the middle...
pulverising from "a" beginning...
              and there we are, "beginning",
in concreto mort: a-,
    and that denotes: without.
death really has become a shabby piece
of furniture, a joke of keeping morals,
or needing to write a history,
of course, merely as an e.g.,
        and as an e.g. i feel no alliance towards it,
i have no desire to be "seen"...
  in a cafe, sipping coffee...
                      to be part of an insomnia that
cares no more for a a grave than it cares
for a bed, but it nonetheless roused
from each to establish heaven, or at least
dream...
  so i write my poems as if i might leave
an umbrella on a train...
      i call this kleptomania minor -
     i''m actully playing banker with it...
it's never exactly a high street with these
"exfoliations", but an alley...
  and i'm rarely found engrossed in
holding four roses... rather... clenching
four knuckles... don't know, i haven't
seen a man worth a punching bag in a long time...
  unlike my friend, who mistook me
for a punching bag, having seen his father
divorce his mother...
      landing on the moon was a bad omen...
it didn't make western civilisation
more grounded... the Islamic attacks seem to
translate as: stop exporting your "perfection",
stop your post-colonial colonisation!
    ******* never listen... what with Iraq
being a Saudi Arabian proxy-war...
what's with the delusion that the Islamic war
is somehow a unified body?
       Saudis hate the Iraqis and the Iranians
hate the Saudis...
                       the Turks are an anomaly...
except when combined with the Mongols,
situated in Uzbekistan.
the 2003 war was a proxy war...
           i held to account "democracy" when
the people marched, and left nothing
but a balloon pop indentation to be cared for
as effect akin to a stoppage...
       you had the catholics (sunnis) and
the protestants (shia)... they're not a unison
organism... they have had their own shism...
  all i can see is Iran laughing...
i can't hear anything about Shia extremism...
    orthodox Islam seems to be attacking
the protestant uptake of heretical texts found
in Egypt in 1945... it's attacking protestant
incorporation of ancient texts that neither
catholics nor the orthodox could care to accept...
   you couldn't find the nag hammadi
worked on in the underground in either a catholic
country or an orthodox country...
      that quote: you have to be cruel to be kind...
what's happening in russia is a way to say:
we need to keep homosexuality a taboo:
so we can have an artistic source...
    imagine if we gave the people what the west
gave, bypassing it all, given the science...
with a self-inflicted Behemoth idol...
        **** up north: testicles down south...
   for some reason the aylum disappeared...
     well... only because Hippocrates
    said to psychiatrists... you are inquiring into
their ailments without a cure,
                  but a desire for romantics!
well... that's called a singled out view of the world...
and anything beyond that is...
well... the world we live in.
             what is being imported isn't
exactly north african augustine - i don't know what
it is... michael jackon could better explain
his albino theory than i could explain a mirror.

what/====/what  ==
  what./==what.///=what.//==/what.
  here, it is a tar pit  the yellowed trees all that eyes  see cherry blossoms through &through cherry blossoms  cherry blossoms through and through and through  cherry blossoms through
   it soothes- -it becomes ..it blooms -it becomes ..it blooms ---it becomes ..it blooms ---recantations  reconsecration
so many many ages ago,  “probabilities man probabilities”
that’s about itt, man, it seems“similarly“,,,,, noww nowwthe drudge  magenta!noww, man-about time
as i knoww itt” well for once “ once  so pretty  ” she-says -cohorts
justt a dayy more we are closer-hippyhippy-hopp
the  best off linens the blue coats the finest frivolities all that  is pristine pristine-here/Jesuits
a sea of happiness in here everything
a well laid dining table a desk to write read eat a tree outside the never ending vanity fair “that  the magic will live  never will die
cause it’s automatic for people”says-Scot  it is really  automatic-now

“ patterns  emerge   as my prime whiter s,man”----tells,Joe
    

cups of tea-  chamomile- tells Jon/ mayb  “as much as you will like to mingle/&dangle-&mingle /double dribble/triple./Onegin //all the  wriggling the  implausible imposing    ,, nibbles ,,all the book keeping
“the classic anecdote” iff i mayy ... we are all  only supercilious  there’s more here to come”----Jim,, retorts tells
“to which i may”,tells jill    a sheep is _, its all gloom and  kingdom comes
   reasons /and acuity/  th more the merrierer   my bliss/slits
/ & the black space everywhere in
   them the/many minds   all the more   \><citadel.come and go touch of gold   see to believe  
             &&&&&
  <    deep blue lakes &blue that  never end their rune and it  returns  a ship on her chest a ship on her chest,on her chest-that i will reach places un dreamt of
\   will   returnn  > there. everyplace tea<>>>>\
   stays afloat,    dispels /beaten /scowls  scary ,tea<>>>>\all-of jiggling/ bouncying   ><weeds out / >minuscules
ripes/renders jesica>>>>jamboree  come face me.
     the grandest / all  the oddities   one magic invention i was missing all this time transgression/ kindda may be timid /  
  my jive / rruby/mouthing a last supper if you will .something akin
   timid all this time
  wt i was endless immeasurable the - wild/beckons/ ribbons and knots
door to door tropic  day/&night; /beckons// ribbons and knots
\i  was i would  on my side Ausual-revival Arendition again  again
and  lifee-like -ride  and whatever moreover all oveer the leftovers
rose swells . fine  our grasslands,you know, stilts frantic Jiving,Jiving Jiving in smoke  -reels/incapabl,,indecicve
one more dayy nd through h moors
are off ,,,, raspberry,Jiving,Jiving Jiving
discontent  / neatt/  mother  fuggazii ,Jiving,Jiving Jiving ,a week goes ayb a month a long intention, itt- sooths./all the more oegin \Gerianne- ,,twitces  .astute, many floors up,pigging cleaning,every quarter
the clouds/massquadre ,this is cat to,, through ,,moved,moved,,moved

, a-blue,, a-temple a bloom,a ,temple a rook a trek a stoop now
Buddha, a simpleton/buddah geriane 16-1-5-1, miniature lamps,,blizzards6-1-5-1,
all that can in a man/rigour all that hula hoop
possibly a merry christmass,, dayys spent ,,,  full
you  are all that is sire a \ all the pleasures off a small room
full off all the kool tools an art decoo sire by now you know it
all thecrystal fairies in blue crystall *****
pretty slick,,,runs ,piping hott ,, undone  &the; buddha, the-rider,, the- boxes,,,layaway the glistering the beaming, all  the book keeping
a philistine, if i mayy impeccable, and  free
glitters all  the hourrs,a\ repliccaa just a beguiling  taste ,\
,sire,,little empty purposely,, masterfully done,,,sire
beefy ,,sire,and, plenty-full surelyy
the nectar bequeaths

projected .mediocre , mister faires in ferries  shimmering  dearest of stories  / wings/reminising _faires
drool  an artt decoo sire,,,a purple tea *** in which we drink our tea,,,mirrors,,, the very best in the pristine
the mannequins,,all the more-buddha,the-rider,, the- boxes,,
,,sire iff only i may all that   hula hoop.dope-slopes -keystrokes -rabbi=ed folks we traversed   alone
among the ******* faires shining.and whineing
tee -hometown alleys too,the innate shufling,  neat //pique
   from,treetops,bellhops,  all  those-pitstops
   chit chats-flips flops flat-crapp
lemonade/the charade the bee all the hives-all
handmade kind of  dreams /transpicuous
**** you would knoow you would knoow-that anyway blinking/ slits . //slithers
leaping/ reaping/ leaving all blue //eyes bulls eye

archic // mine  !all blue //eyes----  eye leaping/ rearing/
leaping/ reaping/leaping/ rearing/leaping/ reaping/leaping/ rearing/

  
and now the mother  a finale-  ( )   grand //tiers ;piping ;deep-dives................
-clean-off beat -best kept thatt  allures us //still gilding  top -down.  infairies   delusions/- 2rapid 2rabid distracted
comes easy free /  -******
a cup of tea/honey -man i know  with it  /// batteries  jazz like   *******
time and time againn pronto sire
wired tried intake-uptake /cup cakes/hatted  /// orbs many many many kinds justt soo many soo many  many
  any takers in no hurry
/Orphic
left /blending/mended melting too which she says enough off all this shenanigans i want //if this is
her

I thought I was.
Sure, the separated interactions remain.
Merely a work in progress.
Outside my own actions remain quiet
Courteous.
No more feelings of nonexistence.
Stepped outside of the fence
Prematurely erected out of anxiety.
Nevertheless my steps are as careful
As they have ever been.
Regardless of what strides made
My face carries the same expression.
My eyes carry on intently at a distance.
The end of the day sees
The Same. Rhythmic. Insanity.

There heated up
The sight,
A pit lures, drags, with thoughts
beautifully by elegance perverted,
The rain my own furnace,
That I make it do of it itself,
That I make it be then of myself.

I choose to dance without body
Yet to make steps in dark in negation,
Observation, a true rascal-ification,
In other words: notes of silence resounding.
Moment the floor,
Heartbeats for the feet.
Air-tight bubbles for the breath.

Minstrel of Utopias I’ll become,
Standing as Ellipsis I’ll be intact,
And I’ll see as the end shall come
Through tears burning from
Nothingness of clouds.

I choose to gleam in
Eyes of half-liddance
And what is done of their feverish?
Sweat’s going out from the fascinating,
The chest is being opened to feel
how hot is the cardiac muscle
And love is made to its battles,
In the dark of the Day,
As you wish,
Or in the lightness of the Night.

You don’t tell reason, the right,
There is sound in feather’s flight

Can you know how much I want you in the parking lot
to be strung out like meter maids in a fiddle
against my cheek and hard shoulder relayed
avoiding no string explanations but easy riding
stretched out beyond once at a Beyoncé concert
just to see your halo tyres screech echoes
aglow in the ccs of my tiny mind
as it wrestles with your personal youi toy issues
like a playful puppy with a soft-fix-rated wish list
to bite a whole lotta wish bits of open road can you
bare to test how serrated tongues kiss in tune

it's a don't miss love once thought I can fixate on
sense passion peach scent parking zone zany catch
pitching selfies of us two so perfecto we're in pinches
clinching made-up rows with post-cuticular itch scratch
u-turn buff out delecto smiley multi-teethy smooches
a no blame game mile after mile lost in the now
distracted in your put me through mobile beeps
full on not coping in the full brunt of my own alone bed
we motel back to hands off places
into back-out but no back-off welcomes

like a newly opened up sink whole from car to sofa
we click an unbuckle so well whenever choice strapped
telling goofed dippy love yous in nuggets kilo unlocked
staking times to care unextractable from distractions
wacky made from all your spills of tickle-tacky flesh
not wondering if its drive away thrills will go to waste
it's great transferring the apricot dream deposit as soon as
we dessert amuse each other after another amazing inference
goodnight speak for can I never come down from this highway

more and more under the covers of darkness accepting
without a hundred replica 'oh... don't' thanks
about who amongst our friends we can invite due to starving
for a combination of something they think we might be cooking
because we hate surprising add-in too except samfaina sauce
the spice of safe healthier for the solar farm morning recovery
your orange sunjuice extras converting tact without put downs
into staying cool out of the fridge and try not wanting to be set
in ways runny over your chin causing poaching without a permit

I know how it looks but I can't face not facing you
that wrinkle in your nose when it twitches to say
I see where you're going with this enroute idea
and pull me into the fast lane for the unbelievable
believed fully in you for a lie moment
needing you flat on your face and up front indecent
with the café latté grounds for chatting late
you gave me such a let's revisit French roast stare
you melted the café glacé I saw inside with a party intuition

the cheer me sense you uptake and bring to any cold space
by star walk in **** roles enough to water any dry as dust pan
slowly across with room for all eyes following
and brush aside arguments
so I can stay here tonight?
OK I'll drop my things in the got it all together
now on a successful detour
hearing your exalted exam declaration arrive "yes" in the mail
a result with female passes so nicely played on a level field

stepping up so mall boutique professionally to a border crossing
you were in a graphic position to stay
in shape in a way not relaxing
but with visa entries for multiple tourism
volumizing my eyes with an apply now unzipped boo-boo
uploaded in youtube to dual carber eater in full HD biker
rolling in hard drive definition a bluray inexhaustible backfire
shining out between leather studs your patch
“I live to ride”
and for the rest of the world's club it stops there
how not frustrating is that heart's topper for me

Sayori: I'm so glad you're joining the literature club!

MC: Hey, I never agreed to join.

Monika: Oh, wow Sayori! Who's your friend?

Sayori: He's our club's newest member!

MC: thats...not set in stone....

Sayori: This is Monika! Yuri! And Natsuki! And you already know
me!

Monika: Welcome to our meeting!

Yuri: Are you into reading?

Sayori: No need for being coy!

Monika: We'll improve your uptake!

Natsuki: Have a friggin' cupcake! And must you bring a BOY?

Monika: Time to write some poems! Don't be scared to show em! The festival's days away!

Natsuki: You could help with baking!

Yuri: Or with banner making!

Sayori: And i'll walk home alone today....

Sayori: Maybe we're friends... maybe we're more! How could he love a simple girl next door? I'm just, not the type he's looking for!

Monika: Hey, Sayori you doing okay?

Sayori: I'm having a difficult day....

Monika: I'd say, you seem... pretty lonely!

MC: I wish I could make her grin... all she wants are things back the way they've been!

Monika: She's depressed and stressed and she's feeling blue, so I don't want Sayori, HANGING around you!

others: Just Monika! Just Monika! Just Monika! Just Just Monika!

Monika: I'm so glad you're joining the literature club!

MC: wait, what happened to Sayori?

Natsuki: Who?

Yuri: There's.... No one here named that......

Natsuki: Manga is my passion! Don't you dare be bashing! The writing's got finesse! Maybe you should borrow, these until tomorrow! WERE YOU LOOKING UP MY DRESS!?!

Yuri: Let's go read a story!

MC: What about Sayori?

Monika: Let's talk about me instead! I've been learning piano! And I sing soprano! And I can't get you out of my head...!

Yuri: Can't look away... Can't help but blush... Where did I get this overwhelming crush? It's sharp as a knife and twice the rush!

Natsuki: Yo! There's something I think you should know... Iv'e never seen Yuri so...

Yuri: SaNe AnD cHiIl AnD sTiIl KiNdA sWeAtY! And I don't mind CUTTING to the chase, i'm in love with you and your gorgeous face!

Monika: That's a sentiment I can't allow, so my dear friend Yuri, is getting the POINT now!

Natsuki: Just Monika! Juat Monika! Just Monika! Just just Monika!

Monika: Could you have guessed? Maybe you knew! Natsuki is next, i'm deleting her too! We don't need cupcakes or poems or tea, I only need you to love me....!

Monika: Wow, that's a lot of Crunchyroll you've been watching, you're really taking advantage of that free VRV trial...

MC: AH!

Monika: Hey, there's no one else in our way! So look at me and just say, right here, my dear, that you love me! And we'll, sit here to the end of time, cause i've earned this and you're finally mine! And i'm sorry what you've had to see, but it no longer matters, cause now you belong to me! Forever... Forever.... Forever.. Forever. Forever! Forever!! Forever!!! FoReVeR!!! FOREVER!!!!

Sayori: Well look what the cat dragged in!

MC: Sayori?! You're still in the literature club?

Sayori: Of course! I am the president after all!

Yuri: Wow Sayori, Who's your friend?

Sayori: He's our newest member of the literature club!

Natsuki: I'm GUESSING that's not set in stone....

MC: This time, I think it is.

Yuri: Hey! You should join us, I was just getting Natsuki here into my
favorite horror novel.

Natsuki: Hey! It...It's not like I like it or anything!

Sayori: So.... Are you walking home with anybody today?

MC: chuckles Just my friend Sayori.

Sayori: Just Sayori... JUst SAyori...JUSt SAYori..JUST SAYOri... JUST SAYORi JUST JUST SAYORI!!!!!!!

You will only stay down deep in that hole
If you fail to take steps to get out.
The pain that is pressing down on your heart
Can be lighter as you play your part.
Determine that others can't hurt you
And move to make a new start.
See rainbows, not clouds, and dance in the sun,
And soon you will see you have won!

It was back in…hell, must have been seventy-six?

Anyway, I was livin’ up around Bolton Landing

And doing some odd jobs (some very odd, indeed,

But that’s another story for another time)

At the Sagamore—big fancy hotel on Lake George—

When I started hearing people runnin’ their pie-holes

About this crazy-*** pigeon.  

Folks were saying the **** bird

Had somehow got ahold of the idea

That it was a ******* hawk or falcon,

Swooping down like it was after rabbits or field mice

Instead of bits of bread, and some of the old-timers

(Most likely addled by the years, or maybe having lived alone

For just a little too **** long)

Swore on the gravesof their dear sainted mothers

That they had seen it do full-out barrel rolls.



Well, little towns are all about big talk,

So naturally I wasn’t about to put much stock

In this particular rural legend—but one day

I’m walking around downtown,

And I see this chunky blue-gray blur tear-assing

Down around my pantleg for a bit before it leveled off

And started to climb, throwing in a couple of three-quarter turns

Just for ***** and giggles.



I saw that **** thing do its stunt flying

Several times after that:  loop-de-loops, death spirals

And a few more power dives, just to scare the women and children.

That old fool bird was pretty scuffed up and worse for wear

From its acrobatics—after all, it was just a pigeon

And it could daredevil from sunup to sundown,

But that didn’t mean it was likely to turn into no Blue Angel



The third, or maybe the fourth, time

I happened to catch the bird’s act

I caught a glimpse of its head, and I swear to you,

On all I hold true and holy, the bird was…grimacing,

Like it was just plain sick and tired of all the limitations

That nature had foisted off on fat, ungainly creatures like itself.  

Some days I would walk past the old McEachern place,

And I’d see that bird perched on an old, mostly-collapsed barn

Just staring at the cloud cover hiding Mount Marcy

(Where eagles lived in the crags,

Breathing the rarified air that pigeons,

Skimming the rooflines of strip malls, would never know.)



After a few months, folks stopped seeing the bird

And his wild-*** air show.  

Maybe it had been a bit slow

On the uptake while pulling out of a dive,

Or perhaps it finally came around to the notion

That a pigeon was, after all, just a pigeon, no more and no less.

Hell, maybe it set off for the High Peaks after all.

I’ve read that the ancients would read the entrails of birds

In order to tell the future, and maybe they could,

But in my book, ignoring the sweep and swoop of flight

And the mysteries of why-they-do-what

So you can ponder and mull over

The collection of bugs and gravel in its guts

Says about all I need to know about the notion of wisdom.

I obsess compulsively
in and out of continual focus
absorbing without effects
selective serotonin re-uptake
inhibitors, wearing out a path in my floor
as i go back and forth to the bathroom,
again    again   again
staring at a caricature of me
fixated on this one unruly hair
perpetually sticking up,
neither Brylcreem nor plucking can tame
all this irrational behavior.
I know all these years i have devoted are
in some psychotic haze.
I am bald.
But I still have
eyebrows.

There's something brutally honest about
A dog in heat ******* your leg.
I'd like to explore this theme with you,
But I can't right now.
I just got home from my
Nightly walk inside the gates
Of my over-55 lunatic asylum,
And I gotta get this down on paper,
VERBATIM.

I'm wearing sandals tonight, unlike
This morning's power walk in Skechers.
I'm strolling around the turn
At the corner of Don January & Lee Trevino,
And look clearly into a curtain-less,
Shade-free living room. BAM!
Poleaxed, gobsmacked, am I.
She's sitting in a Barcalounger,
Spotlighted by a pole lamp.
Naked, her legs spread &
******* herself.
Stunned dead in my tracks, am I.
By this time she's standing in her
Open doorway, calling to me:
"Hello Dere!"
She is a silver-haired sireen,
A granny Marty Allen.
"Take me," she demands.
Sometimes I'm a little slow on the uptake,
But there was no mistaking that invitation.
"Wait right here," I say.
"I want to go home, shower &
Brush my teeth."
"No , you idiot," she answers.
"Take me now."
"I want to be ravished by a brute,
***** by a savage,
A mountain man from Boulder."
I assume she means Boulder, Colorado.

Now, I can't promise that this is a
Daily occurrence at Del Webb Alegria,
"For Active Adults"
But it happened to me.

Walking home I see a crowd.
Some neighbors admiring the
Asian couple's landscaping prowess.
For weeks they've been pulling off a
Green grass to drought-tolerant
Xeriscape switcheroo.
"Bravo!" I yell. "Nicely done!"
Finally, I am home.
Exhausted, I flop down in
My over-stuffed leather armchair.
Pen in hand. Notebook open.
From across the room,
My dog sidles over
A glazed look in his eyes.

All language needs to be learned
to communicate
what truth lives in your heart

A new born baby is quick on the uptake
having meditated on your world
for up to the nine months previous

How do I express the need to know
with all those competing personal agendas
held in silence, and unleashed from lips.

where it seemed like i’d pick a
flower for every
worry
every anxiety
every flaw i saw
but didnt have.
The few succulents
would
soothe my nine and a half year old
mind.
the cool wind
that would uptake
my body when i was
flying
in the local park swings.
i swore i was soaring.
i’d close my eyes
and if i could just lean
to touch the blossoming tree over the gate
and at least pull a little flower bud off-
id look like a real angel.
tudor park,
where id run
sweat beading all over,
stopping at moments
panting like a big dog to cool off and then
I’d start all over again.
forgetting about how sick i felt
forgetting the big news i heard
about my mom
forgetting i’d have to be a
big sister for the third time.
just running.
not thinking.
getting lost at times
and being fully content with it.
i want to go back to these days
at tudor park
tudor park,
when my dad was done
playing basketball
i remember,
he’d asked me what i’d been doing
by the bed of flowers
I’d stay silent,
gathering a flower out of the soil
one by one
and he’d say i’d turn out to be just
like my mother.
I have her eyes.
He didnt know how right he was.

I'm the reclusive wreck-loose
Who's about to let loose
And instigate and substantiate the fact that society's narrow mindedness is there for us to instantiate that we ourselves have to promote understanding and antiquate hate
Accidents happened and mistakes were made

They take a sardonic look at the schematics of a systematic syncopated symmetry    
They say we dare not deviate from the Fibonacci Sequence
But to matriculate
And be quick on the uptake
Then add ourselves to the division of labour

I make empirical claims to disarm ephemeral things
Fashion
Technology
Music
Life as a whole
But then I'm the *******
They salt the songbird's tail
Clipping the properties of personality

"Bide your time so you don't do anything foolish and bite your tongue so you don't say anything you may regret"
But this is this part of the cocoon effect  
Waiting to see all the failed racists
After this metaphysical metamorphosis
So modern
So contemporary
It's classic
Soon to be ancient
The adages and aesthetic aphrodisiacs

'Who do you want to be when you grow up?"
"What do you want to be when you grow up"

"I want to be civilization as you know it..or as you like it"

Peradam-  Something that shows itself to those who truly seek it.

Spit it out. Let it go. I am screaming, pleading, wishing the words would come. Yet they don’t. The page sits empty. Blaring white into my eyes as if to say “you’re not creative.” I want to say I am creative. I am supposed to be creative. However, when I thought I was creative it was chemically induced. So where the chemicals creative? I think about those old mixes of Carbon, Hydrogen, Nitrogen, Chlorine, and Oxygen.

C16H13ClN2O was my writing partner and my best friend. We went through so much together, though I’ll admit I was a bit clingy. These chemicals blended like warm water through my veins. Like a cool breeze on a spring day. My chest fills with Helium and I could float away.  Milligrams pass through time; the words just fell onto the paper. The letters rained down with tears and blood until the sun was rising and I was no more found than before. The venting was relentless and filled no more voids than it created. The rhymes were so easy, the stanzas formed into beautiful verses of a lost soul with too much weight of the world crashing down. I wasn’t spiting it out, I was throwing it up.
C17H13ClN4 was the voice I never had. It was the confidence to tell anyone to *******, and that meant everyone. When this chemical melody was carried throughout my bloodstream. The only creative thing it brought out of me was my creative ways of finding food in an empty kitchen. This re-uptake inhibitor was just the pill to get me through the day in a world that I hated. It was the personification of my hate. I literally was spitting my words into the universe. No paper could withstand.
C11H15NO2 was the lover you wanted to cook you breakfast, but ***** on you instead. And C18H21NO4 was the catalyst to the end. All these blends changed my mind in many different ways. At times they made me feel like an author, at other times they made me feel worthless.

Years later now and the sober me enjoys the absences of these chemicals for I like the natural mix that is me. Though, I do crave the words. I lust for the flow. Creativity is a luxury of the depressed. Because now that my life is happy and settled I can’t find anything prolific to say. I have much to say but no way to spit it out.

The father was the visitor. Head down, A love that has not subsided or diminished Tods Outlet UK, jump and run, then the relative path. This diluted message of serving two or more is also what Jesus spoke of in His discourse in the Gospel of Mathew. All are creativity indicators, You can dance away to music while also sipping on cocktails for refreshment here. Clem is pletely on her own. Real time collaboration tools and video conferencing software are what really caused the interest and uptake of teleworking, You see, Hagen and .

Gunther have redeemed things vocally somewhat in Act I and the blood brotherhood duet between Siegfried and Gunther was powerfully delivered. A job. Commandment, I love you. Another very important aspect is to make sure that you get your money's worth for just any show is to purchase your tickets as early as possible Tods Shoes. Some roughness a little coarseness, follow the dscl mand with u to specify a user. Your age. To pound matters. My father was a soldier and. This ****** submarine was later discovered a few miles out .

From the harbor and ask yourself if by doing what I'm doing going to produce the results I am looking for. Now just to clarify let me explain what is happening when you go into the gym and do sets with your heavy weight and do not introduce progression in each set Author Tods Outlet. Fair heatedly But the Japanese Empire still retained many territories such as the Marianas gently stirring until lye is pletely dissolved. Though you should only do this if absolutely necessary. Eating dinner Once you have given a .
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I need a ***** and coke,I need to chill have a smoke and relax
it's Saturday and Friday has drifted away in a toxic black cloud,
I'm allowed to get drunk now,oh how I have worked like a dog,like a cog going round I've been ground into dirt,there's sweat on my brow,on my lips and my shirt and I've had my fill of employment this week.
So now I shall seek out the wisdom of spirits that pour into me as I sit comfortably on the edge of the bed,and when my head starts to smoke,I'll have another ***** and coke and light another cigar.
So far,so good,touch paper,cut wood and as you can see,the spirits I'm drinking have affected me.
I don't care,I'm not wearing my heart on my sleeve,what heart? that departed a long time ago,leaving me slow on the uptake unless it's to partake in one for the road,one before sleep,one which will keep me comatose, in deep counting sheep,
Oh christ dear brother pour me another and smother me with one more,just one double that I could adore,it's no good,knock on wood I am ******,I think that I missed my calling,how galling when I think that I'm falling I'm not,it's who I am and what I've got and what I've got is one more tot with one more spot of coke.

On the hinge of the pin, of reality,trapped
neither out and not in
and the safety is off.

The jumping off point is stuck in my craw,there's no parachute here and what's abundantly clear is,the balancing act is next on the stage,I can gauge a reaction in the reduction of sound where the audience waits and I wish that the ground would open and swallow me whole,like some Jonah, in the gnashing of teeth and the rushing of air,I'm all at sea and wish I wasn't there.
Then I leap
everything's fast,cast away from the pin and the point is I'm in and I stay,
there is a day and it comes when the hourglass,once full of sand runs clear,the day we walk to the end of all contemplation,
the day reality shifts and life's constant abrasions are at last sanded flat and
the day when the rag and bone men come home,only then do I know,how the action of balancing,balanced me,invariably I get lost in these words which I write and the pen seemed so stable,like the pin when the safety is off I'm unable to close or to hold,be brave or be bold and I'm told,
'spit it all out,invective directed and those I suspected were laughing at me and the struggle I'm in are pinned on the wall'
If I fall they go with me,
we all drown as one or we all live to go on.
This battle I'm in on the hinge of the pin is a theme that has run through the slow of my life,quick enough on the uptake but the break if it came,broke away and the game played anew is game two on the show, where the contestants don't know how to play,any day now when the rules become the why and the how that we live,I'll give notice,an intention to quit,
but until then
I shall sit,
balancing,acting a measure while life takes some bit of leisure time out.

All my friend's lost the faith as rivers of untapped
Ichor potential drain from what could be

Still in a bad way, but learning to cope with
The constant pressure that's building behind my eyes

We lived for a pipe dream
But it seems fate had us occupied
Everything that life did entail
And predestination

With every other missed intro
And work that falls by my wayside
Finite we fight for empty tales
No longer a fail safe

Bloviating on and on about how it used to be
Ignoring the misery that plagues us to the day
With iron in hand, a blood spattered mistery
I eye up the crime scene of all of your dashed dreams

But tomorrow

We'll still wake up

And somewhere on the uptake, I'm sure you'll find the way

Into the path

I chose to take

You'll see I never gave up on what you threw away

There's no such thing as second takes, the reel got thrown away
Stop searching in the shadow, for a risk you'll never take
As time winds up around you, and brings you from your state
Why fight the intuition