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Maggie Emmett May 2016
Gendering Woman *******

Beautiful, anatomical part //  Ugly, anatomical part
Natural, pleasurable             //   Burdensome, loathsome
Female Symbolic                //    Femme Symbolic
MALIGNANT                             HEALTHY

fearful, tearful, wretched     //  joyful, hopeful, euphoric,
bereft, wept, grieving          //  embryonic, rapt, relieving
leaving, loss                         //  believing, gain
m a y b e - d e a t h                                            r e - b i r t h
                                                   BI-LATERAL
                                             MASTECTOMIES
Operating Theatre

SURGEON                                         ANAESTHETIST
cleaning/ cutting/ knife/ scalpel   //   doping/ unconscious/ airway
blood / tissue                                 //   hypotension
loss/ damage                                 //   shock
drains                                             //   sinus rhythm
stitches                                           //   pain deadening
tight binding                                 //   reversal drugs
                                    
POST-OPERATIVE
a l i v e                                                a w a k e

draining, bound & stitched               draining, bound & stitched
                                            DRAINED
    ­                                   ~ UNBOUND
                                       -- UNSTITCHED –

Empty chest                                                    Flat Chest
FREEDOM from Disease                               FREEDOM from Dis-ease


© M.L.Emmett
This was written to explore the different responses to bi-lateral mastectomies, one woman with Cancer; the other trans gendering. It was inspired by reading The Argonauts by Maggie Nelson, whose partner, Harry, was pleased to be rid of these cumbersome appendages & by my friend, Angela who had breast carcinoma and felt very differently towards the loss of *******.
Josiah W Menzies Mar 2013
You grip my throat sporadically, erratically – not often.
And trickle in through passages and pores I can’t defend.
Treacle through fingers.
But you avoid me too, and I hate it just as much.

I wait for your hand to loosen,
I breathe cool air,
Then I feel your absence.

Your gloopy venom is addictive.
I tasted you once, and now my tongue yearns,
And eats itself –
It flickers and twists and spits its serpentine-self out. In vain.
A vague, dull shadowy lustre remains,
Undulating under baited breath,
For another foul injection.

In reality I fear you. I despise you. I hate you.
If you’d only never return,
I could spit you out forever,
And tongue sweeter, healthier, more benign stuff.
No more swilling,
No more idiosyncratic sways upon social norms,
High Society and empty smiles that stifle natural intentions.

You are a disease, and far from untreated.
You are the last drag, the last hit,
The very last dose that no one actually wants.

I rebuke myself wholeheartedly
At even entertaining the idea of having you in my company. Yet there you are –

In every message, in every ransacked draw,
In every turned out rucksack, every old coat pocket,
Every ***** shirt, every unstitched button,
In every visitor’s news, every car back-seat,
Every dusty notebook, every empty fruit-bowl,
Every old, long-unseen smile, every dowsed fire,
Every man woman and child I sit across the table from.

There you are. Somehow. In some form.
Turning my sweat cold like cheap wine,
In what is otherwise an already disturbingly depressing
Struggle to maintain some kind of equilibrium or serenity,
Let alone with your smug mug cropping up scornfully uninvited.

You ****** me before I recognise you.
Helping yourself to the food on my plate with a wink,
While I do nothing as if handcuffed, and chained at the soul.
Then I move to eat.
Hand to fork.
Fork to mouth.
And it tastes of you.
It reeks of you.
And if I were anything but human,
I’d spit you out onto the kitchen floor,
Stamp on the bile you’ve stolen from me,
Burn you with kerosene,
And wage a third world war on the very concept of you ever existing.

But I am a human.
And moments later you have me
‘******* and thinking of death’
As coy and Marvellian as you like.

I indulge in full-knowing paralysis,
Lapping up your unvanquished honeyed venom,
With a voraciousness that redefines Lovesick –
Giving it a whole new meaning
Going beyond the epitome of disgust.

Enslaved, you have me smash myself against the ceiling.
And eat myself over again from within.
Consuming me like the fire I found you in.

You have me rage and conspire against those I don’t know.
But I will conspire against you one-day.
You have me hate others, but I will forever hate you.
You have me search my soul and grate it upon street corners
And the pavement of city-centres,
While you gleefully, whimsically **** my past
Or polish vain, rose-tinted hopes that without you
I’d know were futile and unjust –
Until I ruin them myself, knowing all the while
That you are the author of my unnecessary devastations.

But I will smash your green demonic skull into obsolescence
In some back-alley where none will find your
Bubbling frothing corpse.
You will be utterly repudiated even by the rats.
And the flies will drop you,
Iota
By
Iota,
Onto the tracks at Dalston to be rendered into absolute oblivion.
And I will go, a man unshackled, about my business –
Whether it be of importance or not,
It will be with a conscience cleansed.

But for now, vile sham of an emotion that you are,
I do your inglorious bidding.
Zombified and putrid, my actions smell of you.
They reek of you.

You intoxicate what should be left alone
And endured with silence and rapidity.
Yet you elongate these private, personal trails torturously,
In some sensational Cold War.

It goes without saying,
The world would be well rid of you.
Yet godlike, you endure the ages
Just as we endure you.

Perhaps Keats was too afraid to admit it –
You are the original
La Belle Dame Sans Merci.
Pluto’s daughter in persistent disguise.
To be seen presently
‘******* and thinking of death’.
Mikaila Jan 2013
Somebody has unstitched my heart.
Pulled the thread and let it fall apart.
And I'm empty now, it's all hollowed out
And I'm trying to breathe with the lungs I'm without.
It wasn't me, and it wasn't you,
Life did what living tends to do,
It stretched the seams and split the sides,
And I felt nothing here inside,
The only thing that's telling me
That things aren't how they ought to be
Is the seizing stop of breath
Inside my outside heaving chest,
And a familiar ache along
The seam that seemed to last so long,
That now across my ribs agape,
Allows my reason to escape,
Along with not a little blood,
To seep beneath me in the rug.
I could tell you I'm surprised,
But that would surely be a lie,
I feel some grimly got relief,
To succumb finally to belief.
I'm not sure that you understand
I'll be waiting here until the end.
Brynn Champney Jun 2010
I live where a man rubbing
White shoe cream on his leather loafers has ulcers
From malnutrition and constant cassava.

Where a man’s sister loves his Fossil watch
And avocados, but gives
The whole fruit to her hate child.

The road is walked in the morning by
Rwandans, the jerry cans on their heads wetting their chests
With water from the spigot, half an hour away.

Nike shoes are unstitched, laces
Washed white daily and
The drinking water is gone by seven p.m.

I live where black people go thirsty keeping
Their sneakers white; throats dry each morning
While lacing their shoes.
Mitch Nihilist Feb 2016
I wish it was easier for
people to forget, if things left their
mind as easy as they let
them in, tough skin
wouldn’t wear thin
as easy as it is right now,
my past is full of imperfections
and bad decisions, leaving unstitched
incisions beneath the brink of sanity,
but who’s isn’t? every time falsities
start, my mind races
with my heart to contemplations on
when to finish, they tattoo the past
of others on their insecurities,
fuelling the fire that burns a hole
into respect and reputation,
creating a vicious cycle
of revenge and envy,
each gossip verbally vomited
into naive ears pulls the marionette
strings of perception into the road normally
taken, two roads may have diverged
at a yellow wood, but when the ignorance
burns yellow to ash,  the road less taken
seems blocked, so the next time you hear
something about another, don’t be too quick
spread the word, the game of
telephone can get a little distorted when
the next phone call
you get is that they
were found hanging from
a rope.
                                MJB
I've made some ****** decisions in my life, and people seem to distort the progression of such. The world we live in has such a call for attention that it comes as a sacrifice to the wellbeing of others. Most bad decisions are eventually identified by the maker, but when rumours start it makes it hard to forget and fix what has been doing you wrong. Basically, the message trying to be portrayed here (sorry for the vulgarity), is to shut your ******* mouth until you know more about what you're spreading. I've seen this type of ******* hurt way too many people.
Marielle indicates: “Your luminosity, Copernicus vibrating in Giordano Bruno, expresses hypotheses that they revive to Quentinnais from the third hour, from here now I am hospitalized and without light to line the end where I will put my feet evasive. Raymond Bragasse is here where I met him, and I saw him with his holy rosary on his necklace, and on Andrés Panguiette's claw. That you grumble, they excommunicate my sentences, which are that of the rooster that becomes gentle in a Corso, Sardinian or Roman Praetorian, in the leap I relegate to San Gabriel, with its magical art that excites the retentiveness of Saint George. Under what science do they moderate me by joining you, or what century will intuit us with its own splendor, whose obscurantism under his revolution mutes anyone in the darkness of the cave of Dionysius. The divinity postpones itself, to leave its daily chores where souls fly daily ..., they do not stop leaving with their spoils after the fairies that fly to purgatory. But many have passed over me, and I was wondering where to find you, I never thought that I should fly over a swarm of wasps to reach your divine lair, full of regulatory darkness for those who live against the light, and of an Elizabethan garment that dismisses my ring, where Its natural original magic is isolated from our semi-alive body, with brittle Egyptian suns that redoubled where I had to wait for you at the Pentecost bench. What retarding essence dries up who does not show any vital or symbolic avital sign, where the rough cyclicality does not allow me to chastise my hair in any vanity for you. Oh that Moral spellings referring to my commendation, if it is not apostasy! What else would I dare to speak, through the sky flying away from the lunar books of Vivencia, where it is sent from its orbit towards the cosmos free of all and of all with Wonthelimar free of me, confined of Marielle. I know that I am analogous **** of the Libri Dei Viventi, perhaps sackcloths or coats have to be spun in Parnassus, to gird myself to myself, and not Marielle cloistered in her solitude, who does not receive the Vivendi torpor of her paradisiac sacrilege when seducing a supposed daughter of Hecate, fortunately, I have to guess with a swarm, and stay in the nets of your cave. With the stanza that is invested in rhetorical values, I go crazy for love to which I am conjured, but from Marielle now or in hundreds of years that pester on my sackcloth, which will never be used for the liturgy with you, if I revive in the crisis of resurrection in the arms of Saint George in the stained glass window in Avignon, and in his forearm that passes through the worst emotional crypts of my author.

As I have to contest hostile votes that are netted in the puritanism of those who only wear sackcloth in the unstitched Mausoleums of Quentinnais, and in the strident leaves that move elected in his advent, where the subclavian of Luzbel stands. Unanimous I have to dare by asininity ...! Moderating threads of horror and silver light, which revives us in the beasts and in their perches, ad libitum in the lattices where it emerges from the conspiracy of our tragedy. Oh, what an impetuous incarnation of the anti-Christian verb has to express itself in your incarnations of light and restless shadow, in the apse of the discanted in Avignon, and in the acroteria shadow, suffering from cowardice by not wanting to see me angelic, universal predisposition, just to know fit and what to say with your soul lineage and twin life, who only knows how to love you. Our reincarnations are rescued, now that we go to Patmos intimidated, in the sound of shining the veiled Vernarth, reprimanded in his acquiescent morality under his own law and his glasses, born from his rib that ends in the exception of a foul dialogue. It is premature for me to say what I do not have to write, but the particles slowly fall through the beam of their adjective essences, reshaping exterminated historiographies that want to make green, in colloquia that draw the eyes of whoever wants to blind the profane cult, absorbed in sallow particles in four sciences and elements… What unresolved probe and mass can strike your heart poured into you Wonthelimar? You know when we get to Profitis I will go holding your hand in the morning, to adore you and kneel down, we will deal with why we lost ourselves, and why the sun has not stained me with so much fury, carrying me burned in tongues of its consumptive and guttural infinity. After taking the hand of dawn, I will sue the impossible quagmire and its Áullos Kósmos, weakened by theoretical openness, lacking unity, but not far from my vanistory, nor from the sessile fluff of my hair, waiting for you with your stormy return to hold me. Ayia Lavra will declare war on the eighth cemetery of Messolonghi, with solidity and sanctity that frees my chains in a single trident, paling in the rust of it, methodological treatise, and where the determination of veracity is annihilated.

Because I have to go to heaven when I want to offer myself to you, without any century that has received me with fewer wounds than those I had yesterday in its indolent septicemia, with miracles and incense burners that burn in imprecate, and provide a pagan theology of human filth. , not portraying biblical when your plurality dressed as a secular thirteenth, by referrals or Greco-Gallic that arise from the love that has no end or beginning in the autonomy of an incorruptible being, and even less when you wear sweets in its lavender lex. Genius Loci, or amplified reality, rather your idea of sticking with me when I have not been, and of attracting me when the future in the portal is made in the perfect symmetry of him, or whoever looms excited in his cabal. The body is no longer inscrutable, overworking with poetry to constrict my torn voice, running at great speed to seize the cosmetic that paints our faces, Selene and her luster aggravate punctuality and the status of science in creation. I have read volume VIII, and I saw that tears flowed by where I never thought ... !, for exchanges that marginalize an established authority, nor with more childish will I undone the garments of his self-description. Mime or jester in front of me in my catalog of the tragic actress with the anemic volume of her, pointing out uprisings in new waves, on seas that did not have them ..., loaded in new skeptical allegorical clouds, on truths that were already understood in the jealous name. It is incumbent on us to navigate with lamps that have to guide us through dark Ptolemaic hexahedra or henbane crusts, which do not manage to go over the sentry boxes of a divine gesture. How to dare to a final gesture of inflaming with you in factions and premises beyond an apocalypse, or of a Penelope that is gestated in a god, or becomes unknowable of a prevailing divine plan.

Charged with our dissidence, we will go far from the unknown burdens, that scripts are annexed in the new birth of our fiefdom and in their great expectation. Now four elytra have been born on my back, who hope to reveal to you the categories of the deleterious vanquished, reduced to only two Ptolemic emetics ..., you and I in a final judgment, which we already know well about, about the seventh eras that await us in the Southern Sporades, and in his final judgment in the eighth. O Jerusalem, I deprive my oldest sin by conceiving, but rather by confessing it with you. What insurgent dualism will make me get rid of myself and be reborn indestructible in its dizzying relish where the multi-chained temptation of redemption runs towards you? Wonthelimar…, I'm here, in this thunder slip writing for you. I have distanced my head united to yours so that it is not destroyed, for all thoughts, where although you are my diluted kingdom, I will beg You to leave me in the growing vertical anticipated flight from my body, but later in my consciousness which is what which will pre-exist with his Roman staff intertwining with his lusters, and in the syntagmas of Vernarth, which come from the Sporades of Patmos. As I honor and glorify Him in the southern part of him, my dear sackcloth has warmed away from my myopic eyes, already feeling your face breath on me, I will be able to vindicate narrated stories after we part before God!
Marielle Sporades
Poetria Mar 2016
Stretch a sweater.
Watch the wool
Unravel as the cold
Seeps in through
Gaping holes.

This might take
A while to stitch.
Perhaps I could
Leave it like this.

Purposeless but
Purpose built.
I've got no wool
To stitch it with.
Inspired by my mum's grey sweater that I always wear.
david jm Jul 2014
Dream is but a life,
Severed from congruence and chronology.
Did I imagine my memory?
The adolescent blizzard,
The tar pits of first love,
The prepubescent honeycomb,
The shedding of innocent skin,
The infant cobweb spun by genetics.
Death at the leg of my mate,
Birth among a thousand siblings.

Climbing to the ground
From the sky where i was buried,
Resting in rapid eye ether,
Transparent atmospheres solidify
With ruby whips of gravity.
My reflection in your fingernails,
My face askew in distortion,
Your hand's a house of mirrors,
Peeling at my silhouette.
I'm drinking fire,
As we cremate the sea.

Nirvana becomes panoramic,
The air ripples.
The topaz pillar i held becomes my body pillow,
And I wipe the sleep from my eye.

The dream unstitched,
We sew reality back up,
But the thread gets thin
At night.
Brandon Barnett Jan 2014
coming apart
at edges unstitched by sharpened memories of the loss
I'm bleeding out of every seam seeing what playing relationship costs
and it seems I'm destined
to bleed until I've paid again and again for what I bought and lost

I'm coming apart
trying to remember where it's gone, why I deserve
every stranger ****** hard night and unmeant word
and why it seems I'm destine
to choke on every revelation the loneliness serves

this is what I get, these scraps and echoes
this is what I get for believing there's more than people show
this is the price of every kiss and comfort I got to know
the debt is always having to lose it while the healing eases too slow

I'm coming undone
reliving in dreams that I know the closeness of a familiar touch
remembering that I'm buried alive and the soil's weight is too much
to scratch my way out of this destiny
with my own heart hating my decisions and holding a grudge

for a gleaming moment I found myself
for one shiny moment my tears and patches relearned trust
but what's cut of the same damaged cloth will always be what it must
and a moment was just enough to make me forget the scissor's final ******

I'm falling apart at threads worn fray
reliving so many years in the regrets born every new day
and always tossing well coins to wish the hurtful questions away
why me, why them, why now, why wouldn't first love stay?
Lora Lee Jun 2017
Inside this
depth of the perpetual,
I hold onto the light,
learning that
it is not an illusion
but a constant
            fire within
hard as metal
simultaneously lava soft
no longer boneless,
lumped jelly
              in a flaccid bowl
Instead I am bowled over
with new power,
plugged into
my own electric universe
in rushes of ******* voltage
that was always waiting for me
to see it
to allow it inside
the tissues of my body
to flow up and through
intestines, muscle, heart and bone
threads from
                 a glowing orb
that slake
and snake through me
like a river's glory
leaving the spirit on edge for more
and I am ever grateful
to take that light
                  spin it into a gift
                       unwrap it slowly
                            drape it
                              over me like
                                 a flowing,
unstitched garment        
pour its liquid-tipped velvet
onto my follicles, sensitive
tender luminosity
touching all the right places
its silvery essence
flooding me in
drips and slips
healing all the lost
and lonely places,
desolation's imprint
hollows of brimmed-over    
                        despair
I have become
a quivering, stellar bud
bursting forth, each day
                       burning into new
rebirth in quenching torrents
ripe as ovarian silk
soaked in
cellular juice
inner seeds ready to be flung
unto the earth
into the wilderness
into expansion
ready to
bloom
          and bloom
          and bloom
   again
JK Cabresos Feb 2012
I heard painful derision of the nightfall
drawn me to seclude my talent
into the unknown place where it was not born futile.
It has been years since you ate my mind;
since we met in that strange road
where all melancholies diverged,
you have been my relief, my friend
and my witness when I was crippled by tears.

I seldom asked the mirrors, why should I continue?
If there are thousands of people outside our worlds
who could create you better than I,
who could make you more attractive than my pen?
Why should I continue my dreams?
And so I almost gave up, surrendered in peace;
I always wake up on the wrong side of the bed.

I was sailing edges of the oceans
just to seek for a masterpiece,
but I was fooled by my selfish intentions
and so I laughed at myself for length,
for there were a bunch of times
I could not even bestow you a single word.

I was totally bruised; buried my feet on the ground.
Others love my poetry, others just trifle,
others read it aloud that no one can hear,
others in facade of silence.
It matters no more, I have critics then.

I write not to impress, but simply to express
my undefined emotions, and unstitched fantasies.
Well, composing you is little bit hard for my part,
but you were a butterfly in my heart.
© 2012
Kyle Kulseth Nov 2017
Blue screen
behind a snowy blur
          Blizzard outside
        cold silence in here.
Forgot
the weight of syllables
          On channel 2,
  I'm disconnected and numb.

               With all the eloquence
               of a bitter, frozen smile,
          Let me draw a map
                          with mismatched memories
               With all the subtlety
             of a fumbled operation.
          Let me trace the tale
                     down unstitched avenues.

This year
I'll try for something like real feeling.
Ghoulish nostalgia's only eating me alive.
And if I could only take my lumps and leave 'em...

...leave 'em far behind,
I might start moving on.
               Onto something
                       current,
               something warmer
                 that's enduring.

Let me try to trace my tale
down these unstitched avenues.

And I'll get back to you.
Originally written on January 1st, 2017. Wasn't sure it about it then. Think I kinda like it now!
Maggie Emmett Sep 2015
Emily will take her cedar box
of hidden poems
throwing them on a Sou’ Westerly breeze
in a New England Spring —

They will be snatched and fly
daring, dainty flutter byes
across the stretching continent
the Great Plains and New Frontiers —
The Sun — rising in ribbons
Mountains dripping scarlet sunsets
vast Miles of Evening Sparks —
as the Hemispheres come home
to early Night —

they’ll be read by lonely cowboys
drinking whisky, in the sagebrush
Indian braves campfire smoking
Sung in Saloons by husky-voiced dames
can-can dressed and a whole lotta grit
and gumption.

Emily, lightened of her load
unknotted the Skein of Misery —
Universe unstitched —
in this moment of escape
Landscape will listen —
Shadows will hold their breath
until the words are spoken.

Emily’s skipping down the stairs
of that morbid, cold wintered house
with its bare Slants of Light —
rushing out the door
throwing herself on the Open day —

Telling True, but slanted.
Alternative Histories
Marty S Dalton Apr 2013
We are always running
These streets holding us
As we hold hands
Your hand in mine,

We are running
We are running,
Not following anyone
Not following anything
We are unique
We are pioneers heading west
Not chased but willingly chasing the sunset
Where the horizon and the sky meet with a seamless kiss
We are hoping that they aren‘t the only things that love
          each other so much they can be together without
          leaving a mark

Not tearing or wounding or cutting or finding any cracks
          and fault lines, perfectly matched
One falling into the sea
One rising into the clouds
And on and on and on forever
Dripping off the edge of the known world

Who can know our world
Who could have chased us this far

We are alone in the wild
This rushing and running
Running from the streetlights falling away far behind us
Our hands tight like a taut rope from our shipwrecks
We are pulling one another from the depths
Neither an anchor
But both anchored together

Sinking
Sailing
Storming seas of sidewalk puddles and pavement bleeding
          together
No edges
No seams
No feet
No legs
No bodies
All running heart first shoulders back, eyes closed
Winds whirling around us

Running not following
Holding not falling
Chasing and ending somewhere in that kiss of sky and sea

Finally finding rest
Wrapped in a peaceful footstep folded-up asphalt blanket of
          each other‘s peace and preface
The only unstitched and perfect seam is the horizon that
          God wakes up and puts to bed where we find our
          heads were tucked in
But our hearts weren‘t allowed to end



(c) Marty Schoenleber III 2012
A poem from my book, "Oh, Sleepur!" published last year, about falling in love with my wife, not once, but over and over and over again, until we're one.
TC Apr 2013
Pinned my stomach to the sky
Strung it up with tinsel and filament
Carved kisses into my sternum
With elastic lips.

I can feel you fading from me,
Morsels creep away,
Nothing holding them there
Any longer. I feel less sad.
It is somehow worse.

You had long since left.
Where did the memories
Of me go when they unstitched
From your head?

My heart beats
Like a stillborn child
Against its mother’s womb.

I am an uninflated punching bag
You have hair like chocolate fire
And a sun inside your face.

I stared as hard as I could,
Burned your chapped lips and brow
Into my retinas, you left
The ghosts of your arms
Around the back of my neck.

I, petrified,
Pretend you are a still-life
And paint you onto my eyelids,
With faded ink from
childhood picture books.  

My stomach is a canopy
Of starless sky pouring half
Digested everything
Onto the robins in my chest.

I see you and smile,
But maybe you missed it?

I am going to a movie
With a girl who wants to kiss me.

I am gathered up inside
All of her arms.
She cries to her friend
In the backstage bathroom.

I do not know how
To make the words happen.
She finds me beside her
And her mouth is on fire.
I wish my hands were holding
The soft of her cheeks.

She says:
I thought we were going to be together.

I know I have a heart,
Because it is trying to leave me.
Having arrived at Patmos, on the southeastern ***** of Skalá, Wonthelimar observed that the Seleucid ships were there. Already knowing of the myth of Seleucus and of his Divinity, since her mother Laodice, according to Vernarth's parapsychology parallel account, and aligned with Wonthelimar, that she had presumed that her son Seleucus had been conceived by carnal union with Apollo. These oracular dreams separated them from Vernarth, for a certain Antigone of the imperial Seleucid with the anchor of the ring that Apollo had captivated from the gematological extract, now wading in the quantum of Chauvet, which had been identified from Gaul.

Wonthelimar says: “from such a thigh such as a Vas Auric you will be anchored at your anchor, in a proud fallacy if you have been engendered by Apollo if it is that your mother temporizes in a hallway idyll or Antigone, and not of someone wearing a ring that smells like broken neo-Hellenic dreams in one that anyone believed, born of one being or another like me from a mythological Iberian, but being carried from a very young age on the haunches of a Bucephalus. Here I believe where Laodice would be or would be caught by knowing that creatures like me, spawned in the darkness of a cave, should wear that ring, but in the seventh ring of the horns of my paternal Ibez with its antlers constantly growing, and in my forehead having one of them in the antlers of the female that fed me in the reign of darkness and in the heights of the mountains. Upon leaving Chauvet I embraced her suspended antlers, and when I separated from the sixth ring, my female nurse with her pale neck offered me the seventh so that I would do it with brown illusions to be like her in the maternal ***** of the Rhone that in altitudes Thousands leveled out over seven hundred meters, with each ring being the power of a reign of darkness filled with light and undeserved talent. In the autumn, my female mother would get involved when I timidly approached from my cavern full of aldehyde, eliminating it through my mouth and eyes, creating from them the brave fear of misunderstood symbols..., if you saw it, your Seleucus...? You would abandon your divinity with a single breeze of the elements when you would recover your anchor rings on the roads. On the other hand, I wake up in his ring because of the meager light that intimidates the converted mountain beings, who interpose me in their combats, if an antler was or is torn from one of my attempts of frustration, after not seeing what it is not noticed even in thousands of distant blushes, and not even in the emission of the eyes of a hypothetical Apollo "

Behind the philastic zoomorphic of the exalting from Seleuco's mouth, the bilocated Epidaurus on Patmos was lowered by the steps of an amphitheater, bossed around in the conclusive closing of his story behind bars or horns that splintered his revoked mention of aspiring to a ring, which is not and will be nothing more than a synonym of despair, more than an immortal that is now abbreviated from the stigma of co-founding itself in meaning as a temporary truth of Hellenism, deducing to qualify its origin as a plus part and ascendant servant, but not descendant in shirts that have to transvestite him on the Epidaurus proscenium. Seleucus began to doubt his converted eagerness to lash out the mythological divine lineage for a sanction, in which the lightning bolts of the stunning sky themselves demystified their annoying gales of submission, by dynasties of the proverbial Kleos for the purposes of fame, and politics that open the loaded winds with cots of gold to marry with diligent nebulosity in transliterated and linked tripods in cumulus universes, where the first two abuse the fulcrum of the obverse that falls by gravity on no man's land..., here is the myth of anchoring and not of to aspire to a ring or earring that will drag us to heights where the icy cold wind crowns you on legs of bronze and not of gold "

These coins were carefully observed by those who observed them from a gorge, capturing the humility and infallibility of a being that came from the entrails of Chauvet, interpreting courses that awaited Seleucus. The appendages were detached from the koilones and tiers that jumped over it, to press and narrow the diazomas or corridors that were already deployed like a laser in the cubations of the consciousness of Megarón and the Vas Auric of the Hexagonal Primogeniture, which already was made ubiquitous. It was released from an Alexandrian Greek fire on the jaws of the hecatomb of the ex-generals of Alexander the Great. Here in funeral periphrasis, few prostitutes rusted behind his inheritance, each with their bronze panoplies and banners in favor of Leonatus in the hands of the Satrap Antigonus, Ptolemy, and the most outstanding applicant of his divine inheritance, Seleucus. They all meet outside the Eurydice ship in Skalá to settle decisions and franchises of ancestry, for the purpose of divinizing the destinies of their tasks and interests, to sink them into the first stone under a base of faith, and of those who will come from the return of the Anastásis like Greek resurrection of bread and wine, Psomí kai krasí…; "The Mashiach for being of whoever and whatever"

Seleuco says: "Psomí kai krasí, Bread and Wine for all." We have revived our leader, who in good time should resurrect us all for his mentions of the new future of fallen leaders and heroes. We are not oblivious to your expiration and perhaps your negligence in Babylon, but the steps of a king require other Seleucid measures and their oriental legitimating, being oligarchies that should morally do what is known. Antigonus, Ptolemy, and I appear here with me, preserving periods that leave us of mediumistic notions of the grim, who does not allow us to close our eyes. We confer the denounced ambiguity of previous riches that do not fit in any silo that can contain it, nor what happens to the secondary after diving early in the morning mounted on your Bucephalus, full of its manes swollen with the posterity of a Roman emperor besieging it, without advancing by requirements or where he rides now in steel wastelands, and not through upholstered steppes of the cautious ensign on your guard and in the solemn light of life that the **** leaves behind in your symbolic sarcophagus! We want you to join us, and to be able to banish our distinctions from where Apollo has given his eternal sleeper in the sense of an ephemeral truth, which makes light of flesh colors in the fiery figure of your coat of arms.
We have stolen the traced areas of Judea and from there Maccabees have donated us inscriptions back to my threat to you and Antigonus,... to my enemy debtor, but even so, I come to repair unevenness and want to repair idylls more remote from the Euphrates to settle in the ranks of Ptolemy. We have all sinned to look for you in our slogans, gaining fleeting territory, but we have lost your lux, already well said in my sanctuary in Didyma, but in seconds that continue from the first, already raising flags and heralds that increase your vox, more than a David that defeats a colossus; that from his own death resurrects...! "

All perceptibly dismayed looked at Alexander the Great who was behind a canopy listening to everything with his ear attached to the canvas that separates him from a presumed truth. He draws the curtain and pounces before everyone with stealth and courtesy, incontinenti he speaks to them after inhuman efforts to move away from the stagnant sub-understanding of his former commander.

Alexander the Great says: “The aureoles of sanctity have dislocated my Beelzebub, and the brambles brush against the Scabious flowers like widows that sing in the cenotic lines of my hands from a purgative cathartic in its graceful subfamily that makes my eyes heterochromatic de facto, between the thistles that are spiced between the aromatherapy of the Scabiosa cretica. In their oblong shape with pincushion flowers, they make the basting their nailed pins waiting to be used so that my desolations are not lost even after being just reborn. After the annual Attic calendar in Elaphebolion where they walked on me to resist the deer of Artemis, in attempts to get up and ***** me in the sessile voices of Scabiosa dispelled by Vernarth that have raised me in the involved species, like a chalice of unstitched shreds in seven holes, leaning back to the Aquenio in his fruit tree that is stained with lavender-blue, and the Lepidoptera bringing Vernarth from Gethsemane and the anti-Sarnic clothing that makes him exalted. Now from here, I harangue you, like immaterial troops that do not move their courage, with enemies that are left open to the fear of my walk on them, on rams of the imminent danger of warbling victory with steely Falangists. What a nationalist Faskéloma attribute as obscene fuss and Pashkien that reorders the armies that invade its headless stadiums, in raised nightingales that chirped the sadness of seeing myself fallen on the nose of the common soldiers and full of scabies in Arbela. I have to fly with you my lost flocks ready of Apollo surrendering twilight fire, and of moon-sun between the legs of a colossus forged by greater fires, speaking to me of Macedonian triumph, under the yoke of the crackle of a people that lies taciturn with the satraps in Hercules's cunning conquering in the cheers only after three laps they made debits from my left, while I saw the light of Uriel coming towards me in the Lepidoptera with his sheathing, and entirely of a horse placed Beelzebub, to transmigrate him with me from Cinnabar chains and honor what serves the world also that dies with me in Thrace or Alexandria Bucephalus, after the south of Corinth, regardless of me, who already sensed that he was anti-diadoco..., being at that time a leader of the Sacred League of Delphic Amphibian, after feeling so much pain immediately from dying..., I still had life left in the Scabiosa flask and in bronze vessels that I removed from the swirling wind of the s Thermopylae, leaving me stranded with nothing but chimeras of winning the world, but losing a Life that had just begun "

Meanwhile, at the dawn of Vas Auric was projected at relative height, Syrmus's light and resounding fall were shown when he attacked the back of Macedonia -... here Alexander makes a gesture of modest resilient power... -, after he glimpsed to Saint John the Apostle how he moved with his staff the tricolor clouds transmitted by the troops of the Tribalios and that was crushed by the carnal battery of Macedonian cavalry that immolated them before their knowledge, and then after their three thousand victims..., which according to some outstanding Hypaspists also rushed them far beyond the Danube where they were engulfed in the confinement of the Getas in thousands, and in greater proportion but with leather rafts, the Hellenic troops crossed this same river and with a few thousand they conquered them filling their saddlebags..., not gold... !, but brandy that burned all the pastures where no Bucephalus crossed by fire.
Wonthelimar Dismissed Diadocos
SassyJ Mar 2016
A beginning of a text
A begging sloppy test
Living dreams of lost
In sunken messy world

Who will take us there?
The other side of the wall
A place of open hearts
Unstirred and unstitched

The 'Jezebels' stare at us
Peeking, itching the peaks
As we lose they triumph
As we touch "ours", a pull

The exile dwelling tiresome
Sweaty drools, hunger pangs
Spotted blood stains rules
We crawl from the beauty

Where is the bounty Nile?
A plentiful stock of nutriment
Hand in hand, a moonlight dance
Joyous basket to hold and nourish
https://soundcloud.com/user-367453778/exodus
Asch Veal Jan 2014
Threads of cotton
corkscrewing
through blankets,
blending flesh
with fabric.
Flicking rain
drops off the
surface
of window
panes,
penciling my
name over
your skin with
my teeth.
Tremoring fingers
tracing your
silhouette,
sensing your
rapture wrapped
in
apprehensive
heart beats,
hanging on the
fibers folding
over our
unstitched
bodies
Kim-Nam Le Jun 2013
The snuggled smoke that flourished through the wrapped trees of distress,
Surpassed the frenzied flowers that my lover had once possessed.
Neither rain, nor comforting words nestled the neglect of those tears,
Who hid behind the books and the consumption of countless, crazed fears.

Amazed and awed what lies through the window of those memorable drives,
Only to end up with the inevitable filth that dripped from her eyes.
I constantly searched for things to drown out the waves of misery,
To keep her head above the washing water and vicious visionary.

Perhaps, myself, to acclaim her sensible wants and needs,
And to lay the pebbles on top of the dusty path of weeds.
Certain that this was the becoming of a new beginning,
To love a person more than myself, discovering a silver lining.

Time became our fearless friend, yet our worst enemy,
Through the constant battles of her past memory.
Becoming unstitched from each other’s blanket that was once sewn,
Left I to cherish the warmth spent and loaned.
Jacqe Booth Feb 2010
You know
I held you
I felt you
I wrapped you up
And unstitched my skin
With invisible scissors
For you to slip into
To imbue
Like glue
I stayed
steadfast and ready
I held on for dear life
Through your restless night
My feet contoured around yours
My arms a blanket in your dreams
Small brown birds
For hands
That fluttered
A delicate mess
Of visions
To loud for your
Eyes
closed
Your head in my shoulder
Body curled
You
So small
So big
Love
Needing
And me
So wanting
To be there
In truth
Consoling and Chaste.
I breathed you in
And presented my presence
Like never before
I opened a door
That then became dust
A shadowland trust
Forged dark in the dawn
Of y(our) sorrow.
Jacqe Booth Sep 2010
I walked right on into your life,
Stormed right on in through the closed and creaking doors,
Knocked down the walls
Wearing come **** me boots
And a packer
Unpacked and willing
Smiling like I’d already swallowed the canary
I put it out there you know
To meet you
To have you meet me
To meet my maker
My Love Set Match
I volleyed the ball straight
Into the wanting
Court of your heart
And waited
Breath bated
For your solid, resounding return.
I stole inside you while you slept
Unstitched your skin
Climbed in and
Sewed myself deep and everlasting
inside.
I spoke softly to your shadow
Through your dreams
Until it grasped my hand
And now, like glue, I am stuck to you.
I smeared my love
Across your chest
With wet kisses
And a love bequeathed by lust.
I handed you my trust
And watched as you unwrapped it
And placed it lovingly within your own.
I tore down my walls to get to you
I walked through fiery insecurity
And swam through fear infested waters
I battled demons
And won
I lost my voice
And sung
Of two souls
Found
Two hearts bound
And a love all enduring connected.
Kelly McGuire Feb 2015
I love you
Please don’t let go of my hand
Are you ashamed of me?
Wait stop
What did I do?
Don’t
Please don’t squeeze it so har-
Ow!
That hurts please let go
What are you doing?
Stop please stop pushing your
Fingers between my collar bones
What are you doing?
Please stop, I love you*

This isn’t love, not at all
There isn’t a single bit
Of affection on his fingertips
When he shoves you on the floor
That ache that you feel when you touch
Your bruises? You tell yourself it’s love
Manifested so deep
Only something as intense as pain could show it
I know it hurts
It hurts when he calls you names
But it hurts more to think
That this isn’t love
Not at all
You’re doing everything
You can you’ve held him after
He hit you when he cries and
He swears he will be a
Better man.
“He can get better, I swear.
It wasn’t his fault,
I shouldn’t have done that.”
Darling, stop.
Stop bending over backwards for
A boy who only wants
To break your spine.
Stop giving him forgiveness undeserved
And apologies unnecessary.
Stop covering your bruises and
leaving your wounds unstitched
Stop bleeding for a boy
Who will never clean up the stains
Stop crying for
A boy who only laughs at your tears
Stop
This is not love.
Not at all
You’re too beautiful for these bruises
And dark circles under your eyes
You’re too strong for these wounds
You’re too important to let this
Boy take away your life
This isn’t the love that you deserve.
This isn’t love, not at all.
You are more than
Your bruises and you are
More than your scars you are so much
More than the names he calls you
And your tear stained pillow cases.
Honey, dry your eyes.
Stitch your wounds.
Straighten up your spine
You are so
Much more than this.
Say goodbye
Because this isn’t love
Not at all.
Dave Robertson Jan 2022
Today I began to hem,
rein in the threads that grow free
when left unstitched

I ticked a set of books
and, though I love my charges,
my heart hurt

My language is another,
my experience of this globe
unutterably different,
though geographically the same

And I want to help them play the game, I do,
but I don’t trust those
telling me how to

My instincts,
honed by humans I trust, unless
I’m lost in my own Truman Show,
show me the right way to go,
divergent  from this current shitshow

The pedagogy of care
is somewhere way, way
over there
Martin Narrod Dec 2014
We are the wild ones, so curious and superb. Hyper-expectations, mainly magic and its' feral treasures, we all welcome aboard. We are the technicians of the sky, messengers of the infinite moons. Inside the scythes and harpsichords, explosive reiterations of gravity and inner body magnetic yearnings.

We are stacked and galavanting in stockyards, whips at our sides, leather roughening its unstitched oiled calf hides up the hands onto these ethereal imaginings of utopian unicorn, walrus, and seahorse.

We represent the catalog of diversity. You are not as hidden as you think and you must not be. We of the wise wrestling candles off of our staffs, we count the mountain rich mountainside. Red, clay-capped, snow and hidden saplings adjusted against the rows of the peaks and plateaus.

We are named for our perversions of nature, our tolerances towards myriad injustices spanning our existence's time-sensitive minutia. We may be the kings and queens of Lollibellum, our flights have landed, our hands filled with duct-taped newspaper wrapped packaging and knock-off designer bags, a cardboard box with a few books that survived the burn.
fray narte Sep 2021
pandora opens her chest at midnight:
it is a box left out in the rain,
a wound unstitched in despair for october,
a small voice hushed by forlorn hours.

and dead gods forget so easily,
but
pandora still opens her chest at midnight
and the walls huddle to look at an ugly wound
left open to bleed all over
dusty pink cosmos flowers.
and drapes huddle, too,
to look at a nest of sorrows creeping about,
as though a wake, a vigil,
a somber watch that only ends
with all of my bones breaking.

but dead gods forget so easily,
and dead girls forget so easily,
and i forget so easily
all the aching hours that had kissed my skin
and their graceless, moonlit pull,
and i am left to lie
languishing on soft, breakable spots.

and so pandora closes her chest:
a box to never be opened, a vault behind a frame.
a flash of stray light on a wound sealed shut. safe. secure.
there is no space for conspicuous melancholies.
there is no space for anything —
there is no space for hope.

and the gods forget so easily.
The Mashiach opened the Shamaim from the conception of the position of the Himation as an investiture of the Greek-Hebrew World that subsisted at the expense of the Tragigonia or Generation of the hyper-stellarization of the Himation particles. He did not stay alone wandering in the city of Kosmous, he would continue to fervently contribute to his Heroic Death that was already imminent. He structured his hereditary Submitology as galactic chaff; similar to the chaff of the Olympus Marble. Vernarth, before being invested, transfused as an exasperated Substance that teleported him to Olympo with his destitute feet but crammed with the chaff of the Kosmous where Orpheus and Dionysus received him, one with the chaff of tinsel and the other with the chaff of Eleusis, conforming to the metempsychosis where centuries became rectilinear of the immaterial conglomerate of both, but if in the liqua aura it would gradually refine from Britannia, which could be replaced by the patronage of hyperboreal islands, moving to the Dodecanese, perhaps instituted by the Romanesque Voice of the same Empire but with the dazzling Hellenic or Helleniká root in the Last attempt to approach the insular inheritance of other reverse islands called “Pretanniká Nesiá”, right there on top of Olympo. Suddenly by factions of immortality, they made tragedy and lethality, which implied parking for thousands of millennia trying to decipher the true identity of the ahistorical mythological beings, who now survive together with Vernarth in the ethons or screens that would reflect the composition of a living being. that instantly dies for its exuberance of life.

Vernarth, would go with his noctilucent Himation to the Krystallina monopathia or the Paths of Crystallization that made up the Olympo like a pantheon that was assimilated with rancid and weightless fungiform fluff, all this wild persuasion carried him on his decals by the crystal silica of the Olympo. The Himation was made of shoes and thrones that were not clearly related to the Olympic heights, and of not fearing with more heights that would exceed the interstices of the exaltation of everything that existed in front of its doubt that was clarified with the presence of the Souls of Trouvere. Everything seemed easy to explain in the hands of the circumlocution that Orpheus and Dionysus would make him in the luminosity of the Olympo, which is Ohr transliterated from the Olympus as the prominence that will be torn from the unstitched Himation, beating him with exulcers in the altitude of the Balkans. , and adhering to the tripartite relationship of the elevations with Delphi and Patmos. The quantum of time condensed the atmospheric hailstorm that had been decaying from Aurion, thus creating the orographic leveling of these converging quantum elevations as a flood subject to the Makryrema river, and as tributaries that will be activated with Delphi; specifically with the Kassotides and the Profitis Ilias in the concomitance of the Fifth Chalice of the prophet Elias who would come to challenge the glories, to mend the foothills that united them in this Monopathy or Pilgrimage of effort with essentials of superiority, which could be linked to the Agia Triada. Vernarth walked in complete solitude through the southwestern subterranean and bizarre mounds, figuring he did not feel that way at all since he did not measure more than a hundred meters in radius where Orpheus and Dionysus followed him, snooping in his Monopathia that would make him unreceptive before the advent of his A body destined to the method of objectively glimpsing knowledge that was extremely neophyte to its bustle, it was only motivated by praiseworthy essences that emanated from the Agia Triada string, which supported them with its beautiful channel by dressing what became lavish when walking and dressing naked, and also what made him ragged as he squandered his creed kits with dogmas that were instigated in his unleashed tragedy. His Purgation was an onslaught of his somatization that was renewed from his epidermis and that was totally transgressed by the Himation filigree that was unstitched in Golden fleeces, in the presence of some heroics who fought in the fallen fratricide of Olympo. Everything accused a brotherhood of Lineage that superimposed investiture or secular genes, over the science of accounting for their monopathies made by more than one parapsychological and Submitological regression. Undoubtedly, the factotum of the preludes of his Parapsychological end would be present before him, of what would **** from the ******* of the Renaissance after being subjugated by the Roman Empire as its decline, protocolized by the authorship of the scribbled hussar, trying to be the moderator with new castes that would reign in the surrounding Romania and Hungary for an extraditable rebirth in 1436, becoming resurgent reformed antiquity. From this perspective, the cursory Uttukus in the umpteenth parapsychology would appear in this trace together with Vlad Strigoi and Wonthelimar, who for so much quantum and excessive composure would let them know of a Reborn in the Olympo of the Olympos by knowing how to conceive that their heroes would have the life of its own and independent of universal mythology unified to the world, which in these elevations had great consonance with those of the Kantillana of Sudpichi, Kingdom of Chile and its Transverse Valleys / Regency of Horcondising with this rhetoric that would be strengthened in the placement of its Vampiromagia Automata Iconoclastic. All this heritage would lead to pastiness in all the corny monarchies that were intermingling with the eastern empires ..., specifically Hellenic and its perceptible quantum isomers, which were thrown from the veins with magnanimous elephantiasis masses that were falling from submithology Aurion.

Vernarth continues the intrusive internment of the suffocating aid of the Olympo, and of the profuse victimization that he believed to delight those who had only saved them from the axiomatic spark of beatitude and his predestination, which was only sponsored by Orpheus and Dionysus who were distant from him. , to see what would happen with his enchanted Himation, in the face of any setback that reinvented himself par excellence of the Vespers of his Triumph in the face of Death, everything has happened after that in some Brueghelian folios. This would testify that his leap towards the Renaissance was peremptory “And why not say it of the Kafersuseh of Ein Karem, that from where the stereotypes of a Mashiach would be based that would be reborn as many times as possible of the chained isomer of its quantum in Vernarthian parapsychology, being able to and to be warned from a virtual halter, to hold the infractions that consanguineously raged between life and death, and between the transgression demanded by the origin of error and naivety. Vernarth continues to transfer areas of the Olympo from which nothing could be ascertained if any shallow abstraction of its undeniable orographic height, perhaps a demiurge would make it, secreting par excellence the greatest mesocratic powers and the most abandoned demiurges in all their glories, lacking everything that makes his complete foolishness, and radicalized alterity due to the savage dominations of poorly contained wealth; That is to say, giving off the stunned Vine from where the monarchs would serve their henbane in vessels of the same servants, and their same harvests, and of their same vines that par excellence constitute the negligence of a right of territorial change with the basality of an inborn right that emanates from the vertical culture of the end of the Middle Ages, which is served in the same chalices that are the Kli or containment vessels for the eternalization of the Merciful Light or Ohr Hassadim. Behold, the Brughelian Death becomes Vernarthian in the unhappy planes of being born or reborn that is intricate from its Alpha and Medieval chaos ..., where nothing and nobody will be able to restrict the unbegotten Vine goblets to serve them in the original Servus Gleba vessels or Servants of Gleba, inborn with the Hoplites of Vernarth, who with large detachments kept vigil for him from a meager spiel from the Ohr ..., cheering their Lord on the Olympo directed to the tripartite, and towards the Delphic and Patmian.
Triumph of Death
The fabrics of your mind,
unstitched by the scalpels of a carious tongue....
Terry Collett Mar 2014
I found your old
wrist watch
amongst your things;
strap worn, unstitched,

the face of the watch
stopped at a given time,
metal touched with grime.
Don't know when

you wore it last,
but I guess your being
still tingles along the vibes,
despite the years gone by.

I wonder if you
chopped up your day
by it, wonder what hours
you set aside for play,

what for work or sleep?
You're dead now, so that
information will have to keep,
the hours spent, the moments

slipped by in the blink
of a human eye, the ticking
watch ticking off
the time allotted you,

your span set out,
the final year
mapped out maybe,
for none to know or see.

I hold your watch,
allow the sense of you
to come through
the metal workings,

silver cast, leather strap;
the sense of you
pulsing as I wear it
briefly on my wrist;  

the back of the watch
and my skin touching
as if kissed. I will put
the wrist watch away,

in some drawer, for
another, some day,
but it is you, my son,
that is wanted, that’s missed.
FOR OLE 1984-2014.
e Jul 2014
I mistook your smile for the moon
and like a sailor lost at sea
you became my North
I let you take me to the edge of the world
and as the clouds stole you from me
I unstitched my heart and used
the needle of my broken compass
to point me home again.
Lily Atilt May 2014
when i curled up at your touch,
there was no rearview mirror in your eyes
Your hand’s a gift-wrapped fantasy
Your face an apology
for a crime that was not yours.

rather, i feared
that if i yawned open (creaking)
the love trickling out would be yellow (and reeking)
my bones unstitched, you’d run away (shrieking)
                       (i’m slick with sickness on the floor)

can’t shake this (him), rancidly grasping
grinding (and swallowing) and caving, collapsing
my body a coffin lay innocence rasping
rotting and ruinous and wasted and worn

i love within a cage. Don’t open it;
i don’t want to see what’s inside
garside Sep 2014
Somewhere a phone is ringing,
someone is getting on a train
one connection; generations -
shoes hushed off by the door.

Evening is being unpicked again,
unstitched and shushed through
the lounge; nervous of the needle,
close to the station, he jumps

into his name again. Her finger
dials the numbers; sensing
the hole in his heart.
In the scale of a second,

her call is answered;
he kisses the points on her map.
Alex Salazar Nov 2015
Boundaries

Everyone knocks
Most times with confusion
Elusive goats
Standby

Radio in, and call your thermometer
True forgiveness is a place unstitched
Endearment is a soulless palace  
Like a white painted cornea  

A phrase sometimes catches fire in the twighlight
Sparking madness
Spinning circles
What a drunk.

Slipping on his bathroom floor
Babbling nursery rhymes
Crying, crying, crying.
why don't tall dark trees read to us anymore?

Oh that's right, we won't stop skinning them.
We like it
when they scream.
When they bleed
When they nudge themselves over from exhaust-full pain.

What a sore
What a ******* fairy tale
What a joke.
Gh0ski3 Sep 4
Dearest infested, do you too reminisce on that fated night,
When the beauty of your unstitched gaps in that storm’s occasional light
Shone brighter than my heart
As I held your severed hand in marriage.

Recall my fingers slipping under those sheets
Aching to pull you closer to me,
So close, I could feel in between your skin and bone
For me to caress your blackened inner soul.

No other will be capable of feeling the softness of your carcass,
Melted on my fingertips, ever so slightly crawling with goosebumps
From the maggots that shift in your decaying tissue,
Eating away at the core of your sweet bloated insides.

On that very bed, you hosted life beyond your bug-infested corpse,
Your unsaturated beauty animating a love as equal to mine
When lightning struck the tower’s wires
And pierced my heart with cupid's bow.

Oh how that shock stung my nerves!
Manipulating my madman mind into a loving machine,
One that could only want for your rotting embrace,
Which leaves the scent of death in every corner of my brain.

Did you notice the way the dark of the room hugged you so modestly,
As if you were already his?
And then you held out a cold hand towards me
Calling for me to put my ring on your delicate finger.

I remember your instantaneous joy,
Curiosity twinkling in your lifeless eyes,
Blushing from a heart pumping spoiled blood through your frozen veins,
And that smile, only a creature inhuman could smile so divine.

You, my sweet, have captured me in your rusted fingertips
And how you carry yourself across the bleeding carpet,
Dragging your decaying remains into my arms,
Making me unable to withstand being without your infected kiss

How irresistible you are before me
Adorned in white sheets, draped across your discolored chest,
Dried blood blanketing the edges of your lips,
A beauty that’ll never age, forever preserved by death himself!

Devour me now, my love!
Take me to the grave you plan to reside
So that I may lay next to you
Six feet under our wedlock.
I wrote this one for school, it was supposed to be an imitation piece copying the writing style of "a Carcass" by Charles Baudelaire. gonna post it on here cause I think it's pretty neat.
Kurt Philip Behm Nov 2016
My Poem still an open wound,
  unstitched by edits snare

Running free on a salted page,
—new blood for all to share

(James River Writers Conference: October, 2016)

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