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"unlovely" poems
All things that pass Are woman's looking-glass; They show her how her bloom must fade, And she herself be laid With withered roses in the shade; With withered roses and the fallen peach, Unlovely, out of reach Of summer joy that was. All things that pass Are woman's tiring-glass; The faded lavender is sweet, Sweet the dead violet Culled and laid by and cared for yet; The dried-up violets and dried lavender Still sweet, may comfort her, Nor need she cry Alas! All things that pass Are wisdom's looking-glass; Being full of hope and fear, and still Brimful of good or ill, According to our work and will; For there is nothing new beneath the sun; Our doings have been done, And that which shall be was.
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Passing And Glassing
Wintry boughs against a wintry sky; Yet the sky is partly blue And the clouds are partly bright:-- Who can tell but sap is mounting high Out of sight, Ready to burst through? Winter is the mother-nurse of Spring, Lovely for her daughter's sake, Not unlovely for her own : For a future buds in everything; Grown, or blown, Or about to break.
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There Is A Budding Morrow In Midnight
Where are the songs I used to know, Where are the notes I used to sing? I have forgotten everything I used to know so long ago; Summer has followed after Spring; Now Autumn is so shrunk and sere, I scarcely think a sadder thing Can be the Winter of my year. Yet Robin sings thro' Winter's rest, When bushes put their berries on; While they their ruddy jewels don, He sings out of a ruddy breast; The hips and haws and ruddy breast Make one spot warm where snowflakes lie, They break and cheer the unlovely rest Of Winter's pause--and why not I?
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The Key-Note
I'm not Cinderella, who came to the party and met the prince because I didn't have those glass shoes or being Ariel, exchanging the beautiful tail with feet for a man from another world Aurora fell asleep long enough, then love came from a prince with a kiss, could it be? then, should I become Snow White who was poisoned by an apple then fell asleep and the prince came just to be able to see me every day. No could I have to meet an unlovely and cursed prince like Belle, and love him sincerely? but I can't like Elsa that freezes the human heart because I am still need love like Jasmine from Aladdin, but I don't want to be a present I might have to venture out across the vast ocean to find the lost, yes it's Moana so I have to be brave and tough like Mulan about anything that will happen in reaching the dreams and love that might not be easy
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Nov 29, 2018
Nov 29, 2018 at 9:41 AM UTC
find a thing called love
horns squawk    rainforest avenues      exoskeleton of cars    arteries clogged with unlovely   taxi cabs fat  green  fruit for sale      five languages merge into a knot hisses    kiss    vowels    kiwis apples pears    black guys   basketball debt rises like      blood pressure stocks tumble     but we walk brogues clop on concrete count  brick after  brick sun cascades    over roof slates mind cracks in slabs    (you say Monroe      stood here)    heat quivers men are dominoes suits    for the office    a funeral designer sneakers    daddy paid for pigtails   cheap thrills   violet octagons   on a stranger’s neck (behind the closed doors) today I drink purple water      aubergine lips remind me of a Tuscany Superb    list the names Houston   Charlton Leroy   Sullivan Perry   Cornelia Dominick and Jane (ladders lead                 away from me                 close to you) and back again
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Jun 21, 2014
Jun 21, 2014 at 12:24 PM UTC
Tuscany Superb
To smile at the unlovely To duet with undue harmony To run when a walk would do To lift the face of the broken To put aside the important To concentrate completely To take interest in the dull To laugh with the miserable To see past the tough exterior To crawl with those that crawl To walk with the unrighteous To sprint for those that cannot stop To stop To listen To keep silent To hold To do all this And not ask, or boast, or criticise
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Aug 27, 2010
Aug 27, 2010 at 7:34 AM UTC
Dignity
Unloved I live an Unlovely life, treated Unloving by people I'm Unable to love Unlovable I am treating people Unlovingly myself Unlovable in the literal sense: the impossibility of being loved
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Nov 6, 2014
Nov 6, 2014 at 8:55 AM UTC
Unlovable
oh the perverse desire to tear off my skin to slice my tender flesh to carve and chop oh to feel the cool air against my bones to be fully exposed to be grotesque and unlovely oh to rip my chest open to be unrestrained by ****** borders and finally free oh sweet freedom! see me as i am; vile and dying, in constant pain a broken slice of hell amen.
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May 19, 2018
May 19, 2018 at 9:08 PM UTC
Hymn To Freedom
Dark house, by which once more I stand Here in the long unlovely street, Doors, where my heart was used to beat So quickly, waiting for a hand, A hand that can be clasp'd no more-- Behold me, for I cannot sleep, And like a guilty thing I creep At earliest morning to the door. He is not here; but far away The noise of life begins again, And ghastly thro' the drizzling rain On the bald street breaks the blank day.
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In Memoriam A. H. H. OBIIT MDCCCXXXIII: 7
“How important it is to walk along, not in haste but slowly, looking at everything and calling out Yes! No!” –Mary Oliver, “Yes! No!” 1. The coils of this labyrinth remind me of the small intestine. This vexes me. Walking the labyrinth is supposed to be a spiritual experience, isn’t it? Neither time nor place for unlovely images of the body. The truth is that I dislike the labyrinth. I find it too constraining, too tedious—all these looping, repetitive coils. The truth is that I hate the labyrinth because it is pale and remote, and silently indifferent to me. If I am going to engage with something, I’d like for it to talk back, please. I have questions, you know. I have some concerns. And perhaps just one or two small issues with control, and delayed gratification. 2. “I think serenity is not something you just find in the world, like a plum tree, holding up its white petals” (Mary Oliver, “Yes! No!”). 3. “Watch how we encounter each other,” you say, and we walk, slowly, separately. Around one turn we meet, and you kiss me, and your tongue is muscular and wet. Around another turn you say, over your shoulder, “Hello,” and continue walking. It is hard for me to keep my balance even though the path is smooth and flat. I feel like we are in a Magritte painting. Your white shirt glows softly somewhere to the left of my awareness. A voice not connected to your body says, “Do you like my hat?” We are walking. We are together. We are not together. 4. “Imagination is better than a sharp instrument. To pay attention, this is our endless and proper work” (Mary Oliver, “Yes! No!”). 5. So now: Quiet, quiet—the darkness is full. Your skin is listening to the night air. In the center of the labyrinth, someone has placed a gift. Quiet, quiet—someone is telling you a story. The oldest story in the world, and his body hums and pulses under your fingers. In the center, there is a gift. Quiet, quiet—this is not walking. This is surrendering to the path, your body long and outstretched against the stones. In the center, someone has placed a gift.
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Feb 15, 2010
Feb 15, 2010 at 12:02 PM UTC
Labyrinth
“How important it is to walk along, not in haste but slowly, looking at everything and calling out Yes! No!” –Mary Oliver, “Yes! No!” 1. The coils of this labyrinth remind me of the small intestine. This vexes me. Walking the labyrinth is supposed to be a spiritual experience, isn’t it? Neither time nor place for unlovely images of the body. The truth is that I dislike the labyrinth. I find it too constraining, too tedious—all these looping, repetitive coils. The truth is that I hate the labyrinth because it is pale and remote, and silently indifferent to me. If I am going to engage with something, I’d like for it to talk back, please. I have questions, you know. I have some concerns. And perhaps just one or two small issues with control, and delayed gratification. 2. “I think serenity is not something you just find in the world, like a plum tree, holding up its white petals” (Mary Oliver, “Yes! No!”). 3. “Watch how we encounter each other,” you say, and we walk, slowly, separately. Around one turn we meet, and you kiss me, and your tongue is muscular and wet. Around another turn you say, over your shoulder, “Hello,” and continue walking. It is hard for me to keep my balance even though the path is smooth and flat. I feel like we are in a Magritte painting. Your white shirt glows softly somewhere to the left of my awareness. A voice not connected to your body says, “Do you like my hat?” We are walking. We are together. We are not together. 4. “Imagination is better than a sharp instrument. To pay attention, this is our endless and proper work” (Mary Oliver, “Yes! No!”). 5. So now: Quiet, quiet—the darkness is full. Your skin is listening to the night air. In the center of the labyrinth, someone has placed a gift. Quiet, quiet—someone is telling you a story. The oldest story in the world, and his body hums and pulses under your fingers. In the center, there is a gift. Quiet, quiet—this is not walking. This is surrendering to the path, your body long and outstretched against the stones. In the center, someone has placed a gift.
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28
Cinnamon-Raisin French Toast. Maple syrple, microwaved hot. Secret ingredient, Secret no more! A splash of vanilla in the batter. We chat about this n' that. About the play, She didn't love it. About the daughter-in-law's cleaning skills, A good housekeeping award, she ain't gonna win. Her grandma from Austria, Seeing ugly would call it Unlovely. I am thinking, Your genetic humanity, betrayed. What a great poem that would make.... She is thinking, boy, You needs haircut bad. But she don't nag, As my hair has drifted to one side, Instead she just calls me Gumby.... There is always a way. There is always a way, To say it softer, Say it easy on the ears, When you can't say nothing. It takes practice. It takes into account, Nobody at this here breakfast table is Perfect exceptin' for the Cinnamon-Raisin French Toast, Which has left the table. It takes a splash of vanilla in your humanity, To say it right, When sometimes, what needs saying is the Unlovely.
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Sep 29, 2013
Sep 29, 2013 at 10:27 AM UTC
Breakfast Poem: The Unlovely (Sept. 2013)
Until tonight they were separate specialties, different stories, the best of their own worst. Riding my warm cabin home, I remember Betsy's laughter; she laughed as you did, Rose, at the first story. Someday, I promised her, I'll be someone going somewhere and we plotted it in the humdrum school for proper girls. The next April the plane bucked me like a horse, my elevators turned and fear blew down my throat, that last profane gauge of a stomach coming up. And then returned to land, as unlovely as any seasick sailor, sincerely eighteen; my first story, my funny failure. Maybe Rose, there is always another story, better unsaid, grim or flat or predatory. Half a mile down the lights of the in-between cities turn up their eyes at me. And I remember Betsy's story, the April night of the civilian air crash and her sudden name misspelled in the evening paper, the interior of shock and the paper gone in the trash ten years now. She used the return ticket I gave her. This was the rude **** of her; two planes cracking in mid-air over Washington, like blind birds. And the picking up afterwards, the morticians tracking bodies in the Potomac and piecing them like boards to make a leg or a face. There is only her miniature photograph left, too long now for fear to remember. Special tonight because I made her into a story that I grew to know and savor. A reason to worry, Rose, when you fix an old death like that, and outliving the impact, to find you've pretended. We bank over Boston. I am safe. I put on my hat. I am almost someone going home. The story has ended.
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A Story For Rose On The Midnight Flight To Boston
Until tonight they were separate specialties, different stories, the best of their own worst. Riding my warm cabin home, I remember Betsy's laughter; she laughed as you did, Rose, at the first story. Someday, I promised her, I'll be someone going somewhere and we plotted it in the humdrum school for proper girls. The next April the plane bucked me like a horse, my elevators turned and fear blew down my throat, that last profane gauge of a stomach coming up. And then returned to land, as unlovely as any seasick sailor, sincerely eighteen; my first story, my funny failure. Maybe Rose, there is always another story, better unsaid, grim or flat or predatory. Half a mile down the lights of the in-between cities turn up their eyes at me. And I remember Betsy's story, the April night of the civilian air crash and her sudden name misspelled in the evening paper, the interior of shock and the paper gone in the trash ten years now. She used the return ticket I gave her. This was the rude **** of her; two planes cracking in mid-air over Washington, like blind birds. And the picking up afterwards, the morticians tracking bodies in the Potomac and piecing them like boards to make a leg or a face. There is only her miniature photograph left, too long now for fear to remember. Special tonight because I made her into a story that I grew to know and savor. A reason to worry, Rose, when you fix an old death like that, and outliving the impact, to find you've pretended. We bank over Boston. I am safe. I put on my hat. I am almost someone going home. The story has ended.
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somewhere along the way I convinced myself that I am a one time thing, because all of my exes date wispy blondes with blunt bangs and blue eyes, who probably listen to a lot of She & Him or Neutral Milk Hotel and I am the Frida Kahlo of their past, not to say that Frida was bad but I guess you get what I mean.
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Jan 15, 2014
Jan 15, 2014 at 10:12 PM UTC
Unlovely.
Not that I love thy children, whose dull eyes See nothing save their own unlovely woe, Whose minds know nothing, nothing care to know,— But that the roar of thy Democracies, Thy reigns of Terror, thy great Anarchies, Mirror my wildest passions like the sea And give my rage a brother—! Liberty! For this sake only do thy dissonant cries Delight my discreet soul, else might all kings By ****** knout or treacherous cannonades Rob nations of their rights inviolate And I remain unmoved—and yet, and yet, These Christs that die upon the barricades, God knows it I am with them, in some things.
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Sonnet To Liberty
Dark house, by which once more I stand Here in the long unlovely street, Doors, where my heart was used to beat So quickly, waiting for a hand, A hand that can be clasp'd no more-- Behold me, for I cannot sleep, And like a guilty thing I creep At earliest morning to the door. He is not here; but far away The noise of life begins again, And ghastly thro' the drizzling rain On the bald street breaks the blank day.
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In Memoriam A. H. H. OBIIT MDCCCXXXIII: Part 007
for Oscar Wilde If only love came easy. Once exposed to its removal, its terror, the heart grows queasy. How hard it can be To know loving's unlovely Side: The caught breath once the curtain falls, Deadened sanctity when recent calls Turn against self-esteem. "Was it just a dream?"; "Was it a rue, Temporary?"; "Was it true?" Questions amount to nothing. Answers only seem like bluffing. I want to love you, But I know the drill: Two, Then one. One's pain is expectation, One's guilt is association. "Life is short—let them care"; I wait...I dream...I stare...
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Apr 10, 2015
Apr 10, 2015 at 1:04 PM UTC
If only love came easy.
Your moon is waxing, you dwell in radiance, as a vibrant woman in my sight. What remains, partake of it, gorge your senses. To you, my righteous bounty. This delectable day . Leave a window open for me, That ethereal lovers may join in the essencially linked calm, forevermore. "Lover, I enfold you." ---You know who calls, Yes, my voice, it penetrates your walls: Commencement of laughter, for you heard me, My call of certainty and comfort. None are unlovely, None forsake you: even if they do, what are they? These words...you must heed My serene satisfaction, Thirst quenched, fulfilled need, You must breathe in this panacea laden air. "Lover, your hands heal me. I enfold you in my arms." You close your eyes, trouble flees, wailing. You come, from my healing touch, You rise to the summit, and pen me in your arms. "It is everything to me Embracing, I feel you lying in my mind. Merging, as you and I become we. Everyday you remain Your body, and  your spiritual emanation. If you could see me, as I see you. Enfolding you. You would never question , If you are adored and accepted."
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Aug 15, 2012
Aug 15, 2012 at 8:29 AM UTC
Adored And Accepted
In this society, the beautiful is more loved Accepted, Cherished, Adored, Held so dearly. Oh how difficult it is to hide The unlovely and ill favored sight.
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Dec 2, 2019
Dec 2, 2019 at 4:51 AM UTC
Unbeautiful
She's awake, eyes wide, Gazing at everything that surrounds her. Ugly? Someone apprised her no. Loving is the cue to everything beautiful. Skin deep is nothing. They are just words. Magnificent is nothing, And nothing is unlovely, When you see the world in gray, You fail to remeber, There's an other side. From sad to happy, He made her, unknowingly. He showed her, People can be inimical, She said she is aware. Then what was that he did, To make her all so beaming? I guess we'll never know. It's a tale of two seeds, Who were growing into trees. When one was about to die, The angel came to relief.
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Feb 6, 2014
Feb 6, 2014 at 2:47 AM UTC
Safeguard
i've a pale carnivore, slaying passively the night in my cotton ember and with velvet detergent she sprays me ***** loose hinges cravenly and pink and disheveled lips i split unmutable vast minute vines snare exactly my naked burning crust an shuck absolutely the dull sheathe of my so unlovely ****
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Nov 19, 2010
Nov 19, 2010 at 1:53 PM UTC
i've a pale carnivore
im unliving. unloving. unlovely, within. my skin buzzes under moonlit nights. my fingers dig in. i ruin myself, over and over. i peel away what makes me imperfect, only to find that my sins always grow back. i am barely living. the night peels back these layers of tentative satisfaction. i find my mind naked underneath the blackness. i lack the ability to hide. my barriers are meaningless, factless, as they really are. where do i go to hide from the truth while under this moonlight? will i ever be perfect? will i ever be great? will i even be good enough? i know the answer. i know the answer. and there's nowhere to burrow away from it, but my fingers find a way. into my scalp, into my lips, into my face, and blood blooms. i can still feel that. i can still love that sharp, stinging, pain.
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Jan 2, 2019
Jan 2, 2019 at 7:17 AM UTC
pain
I am lustration, and the sea is mine! I wash the sands and headlands with my tide; My brow is crowned with branches of the pine; Before my chariot-wheels the fishes glide. By me all things unclean are purified, By me the souls of men washed white again; E’en the unlovely tombs of those who died Without a dirge, I cleanse from every stain.
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The Poet’s Calendar: 02 - February
the jaded bird took his perch in branches thick with voice his song a croak, his beak quite broke a lovely sight, though unlovely noise a plumed up bird, dressed in furs cut into his space she sang quite sweet, high and neat sang right into his face the jaded bird, of course, was hurt by that most spiteful act he moaned in pain, never sang again until a finger tapped his back a timely toad, brown and slowed eyes blinking with slime opened his mouth, north to south and took his merry time he sang a sound that squelched around his throat before release then he bellowed loud, and sore and proud and the bird fell to his knees the toad taught the bird, who listened, who heard who was patient, feathers bristling they sang together, sung for forever and never cared about who was listening
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Nov 27, 2015
Nov 27, 2015 at 11:02 AM UTC
the jaded bird
My feet are in pain From holding my ground But still I remain Enduring the sound Of the enemy’s gain On my position now found The offensive! The mud and dust Swirling about, pining For my dedication to rust Or me to find my cause unjust Though I waver not My feet planted a must I cannot say If it is my Head or my Heart that keeps Them in place Refusing to start The process of retreat My resolve won’t be beat Though I am unsure If I am avoiding or Embracing defeat I must soon make Distinction between Perseverance and deceit As I know eventually My Maker I will meet Am I holding His line Or withholding Him His proper seat? All I know for certain As I endure the wind and sleet Is the acute awareness of the Other. The Same. With True love replete. He loved the lovable And the unlovely What of the pious man’s Calm sleep? The twisted man’s Desperate plea? Though not yet fully forged I know my identity Has garnered The Good Judge’s mercy And though I can’t fathom Why He bows before me complete And I know not the glory or Depravity of my life’s feat I am stilled as a child Before the patience of a creek There are plenty of reasons To wash these feet.
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Aug 23, 2015
Aug 23, 2015 at 9:18 PM UTC
Not Before A Mighty Waterfall
this is the end of all things, where i’m picking my teeth for traces of you and the light goes out in the middle of the night. here is an alternate history: your hands, but with “the end of the world” written on them. because this was the real apocalypse, your bruises implanted in my skin the way they spelled “goodbye.” take care, take care you won’t be seeing me again. but we were just swollen children, you’re thinking, we were just playing with blood like every child does. and you’re right. i was a human canvas and you were painting my childhood onto me. you never did anything any other boy wouldn’t do. so bring me my ending world in hands split and shaking. so tell me i’m unlovely one last time. you know i’ll believe each word you say. tell me something. what colour were my lips by the time we were through? how deep a hole did you choose for me that i could finally fit into once i was all carved up? what kind of child was i? tell me something. what was so wrong with me that you had to keep me?
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Mar 25, 2015
Mar 25, 2015 at 7:58 AM UTC
children