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Wanderer Mar 2012
I wash my hair
The dirt is stripped away

Wet.

Rinsed down the drain into the sewer
Stinking sludge water waste
A homeless man leans down
Filling up his intellectual cup
Gutter filth rot glory
No wonder bums are crazy
Talking to mattresses, having imaginary riches
Someday

Makes me wonder what it's like deep inside
I could be imaginary
More than just one
Do I get the crazy out on paper?
Or down the drain when I wash my hair?
Where Shelter Apr 2019
the unthinkable is our specialty

~

there are special periods of varying length
when we are given grants of capability
where solutions transferable like shared salt drops
and red gummy bears

you need, I believe, and the
no contract is signed and commissioned,
belief is suspended,
for the eyes have the evidence,
the ayes win the nomination,
the shaken but unbreakable longest kiss
secures the deal,
and the local island newspaper banners a headline,

“miracles on the island expand contagiously!”

this is when
this is where
one walks the streets and the dirt roads
sing song smiling,
the tide always incoming,
the peeks of sun
perfectly strong,
installing a feeling
of safe and home and not alone

where is shelter?

here here,
here is shelter,
hear is shelter,
in words and deeds and on our
embracing fingertips



9:45am

April 11, 2019
Where Shelter Jul 2023
Where Is Shelter?

depends on the location of the storm…

so oft have I queried the gods and you?

Where is Shelter?

to which, my response, while surrounded so well (!)
within
my moated island circumferences redoubt,
always was a simple:

“Here, Here is shelter!

But so human, thus so prone to delimited vision,
always, we scan the skies outward, fearful of
the hurricane and storm that approach,
from without, appearing, and the brewing
sky’s danger is visceral~visible to the naked eyes,
when,
it is disguised within the chambers of the
body, festering, until it is pestering, and
shelter, sadly, is not injectable, transferable,
easy remedial, and the hunkering down
with four walls not the solution, for the walls
themselves are damaged by decades of
waves of innocuous gently lapping that
still
erode igneous granite(1) and fissure the self,
this secretive, enemy insidious…


so it comes to be, that my own daggers have
pivoted, the pointy dangers pointed outwards,
well entrenched in their own defenses, now targeting
the whole of me, my outer walls breached, and
fired upon by cannons of cells, a treacherous
attack, bombardement par l'artillerie et les drones,
of the Fifth Column (2)…

so once more, say no more, but ask the brief of demand,

Where is Shelter?

the answer is as of yet to be decided,
but the forces
arrayed for and against
are equally determined!

W.S.
https://hellopoetry.com/poem/3094276/the-unthinkable-is-our-specialty/

(1)
Granite is hard enough to resist abrasion, strong enough to bear significant weight, inert enough to resist weathering,

(2)
Clandestine fifth column activities can involve acts of sabotage, disinformation, espionage, and/or terrorism executed within defense lines by secret sympathizers with an external force
the wrong atmospherics of transmission
move in uninvestigated chaotic archives
red and pink turbulent storms swarm across
deep space frequencies in imaginative
currents of pulsars
that are translated into phases
each represented in diverse
conflicting modes of expression
in obsessive grooves of consciousness
cut up components of recycled narratives
audibly fixating on vibrations
that sound across the universe
in diffused spirals of manic fluctuations
converting archaic symbols into equivalents
of dust surfaces that oxidise in intermittent epochs
and deposit a rediscovered earth
an expansive transferable construction
of accidental providence
that allows for expression in artificially generated realities
hallucinated images that float
across the consciousness of the cosmos
producing visions that punctuate rational thought
become preoccupied with the conception
of  interplanetary transpeciation
counting the chronological diversity
of those that occupy the black, blank
vacuum of space
i have been introduced to a fragmented universe
blue and silver
amid temporal ruins
oxidized epochs extract from me
thought processes and aural distillations
of a catatonic rage, that discards all trivia
in its scrutiny of minds
in a chronological diversity of words and images
it is a kinetic fluency of gestures
in an ****** calligraphy of expansive
transferable threads of thought
it is the real and the imagined
one that precludes inquiry
which leaves me infused
with a compulsion of composed complications
in episodic inspired delirium
Julius Nov 2013
i listen to Dubstep music and sip tea
i am the Post-Mark
Pondering Gender politics and finishing my tea
i am non violent, a pacifist
But don't put it past me that i won't clench a fist
With righteous grist
If you make me feel alone in my considerations temporarily

i'm not a weak soul am hardy folk
Hardly lost faith when i realised God was a joke
Like a big fat egg yolk splattered all over paper
Christmas hogging 3 months of calendar
A Consumerist campaign, but tell me i'm the miser

Police tend to pass me in the streets, i think smart
Skin colour ain't the first part
One of the mainly white audience at the Public Enemy show
The system as it stands fears me though
If you stop and searched my heart you'd **** me though

i Listen to Deep House and sip Lucozade
Lost deep in this house
i've never worked hard at a job
So **** lucky at birth to have wealth
But that's my parents money (and I'm not in any way responsible for slavery)
Kanye West with his Confederate Flag ****
"I'ts mine now, what you gonna do?"
Little did we know that we were the 'New Slaves'

Contemporary thinker, i read the game cover to cover
After all they taught me from birth how to study
i'm too uninterested in ticking boxes to earn money
To satisy the transferable skills that you want from me
I'll Enjoy a nights alcoholism instead of getting high and writing an essay

Am I getting too wordy?
i'm trying to spit now, can i? can I?
The gender politics on my mind at inappropriate times
i told the guy at the door i wasn't thinking about race
Most people are thinking about 'the race'
White Middle Class kid picked up a mic and tried to rap again...

I listen to Hip Hop and drink water
Hardly faded I'm perfectly sober
I'm energised naturally, words seem to strengthen me
I am the grassroots, I have been wrongly righted
My Parent's deserve this so want me to sit tight
But I'm jumping right into the middle of hip hop (and feminism)
And theres nothing you can do about it.
[For All My ****** and All My *******]
It is a replicable dialectic

that swirls in my mind

like a spiral of cigarette smoke

covering fluctuations

of diffused expanses

of transferable hallucinated images

relying on an artificial artificiality

to generate a reality

one that amplifies a calisthenics

of maximized reduction

in the blank vacuum of space

allows those sophistication’s

where there is a scrutiny

of exclusions

that may perhaps betray

the concepts of others

those correlatives

of our own creative interirority

where a mind may repeal a transgression

for it is breakfast in the time

of the Wizard Pig
Left Foot Poet Apr 2017
“I can calculate the movement of stars, but not the madness of men.”   Sir Isaac Newton**

I can, but only of my own,
the orbits of the stars
within my envisioned mind,
this anti-expanding universe
this black hole of anti-matter
collapsing inward, the gravitational pull calculable
where I, madman creator,
am the sole witness mine self-destruction

I summon fate, luck, random numbers to the dock,
but all pleadingly state it wasn't me,
"I was somewhere else, had to be,
you cannot see my mathematical probability,
ergo i am definitionally
not capable of being guilty-
my orbit of madness
non transferable to you-mans"

who then can I blame?

for-seen poems every where,
upon on every face lay dime store words of bad novellas,
awake to work in dread,
return from it more deadened
and the piety pointy poetry pills
refusing to cooperate,
and the madness equation
has too many answers viable

what shall I title this poem?
James Crofts Apr 2015
Hire me, hire me,
I have four A-levels and an Arts degree.
I have little experience or transferable skills,
but i'll gladly complain for free.

I'm educated. EH-DUE-KATE-ED! I'll scream in my head,
as I make your coffees and your teas.
My intelligence is far to great,
your menial work is just not for me.

I belong to greater things, I believe.
an author, a politician, a diplomat maybe?
or even, only if I'm lucky
this twenty-five a year scheme in marketing!

So please hire me, oh please!
I'm poor, desperate and my love-life is in decline.
The streets are no place for a graduate,
with a face, quite like mine.
There is a lot of sad stuff on here tonight, so I thought I'd write something tongue-in-cheek to hopefully cheer at least someone up tonight.
Yenson Aug 2018
Is there a place somewhere known and yet unknown
where humans keep or lose their guilts
Is there a dumping hole or a snug
or a fierce incinerator blazing
That destroys or obliterates
human guilts

Is it a known some guilts carry comfortably and alone
just another thing for the holdall satchel bag or arm
Someday its worryingly heavy on the shoulders
other times it's just small and weightless
An accessory as any others
imperceptibly light

Is the heavy guilt or tons heavy ones like granite stone
a weary toil left in a storage or thrown over a cliff
What ever done guilts come with a personal receipt
bearing owners name time and number
Attached to owner and carried 24/7
marked as 'Non-Transferable'

Is your guilt or guilts  bearable or carry-able like your phone
have you stored, hidden it or pushed down a crevice
What about the indelible receipt on your person
that which is there and rests on you
Does it flare like an incindaries
or just simmer quietly

Is your guilt a bedfellow that clings to your chest in a zone
whispering in tone foreboding and chills persistent
Or one that wades in and recedes like shore waves
perhaps it's a type like a central rigid statue
An unmovable edifice of horror
coated in fear and alarm

Is your guilt light and niggly, a Bonsai with no tall grown
did you amend paying a due and penanced did leave
And though the attached receipt still haunts you
least you know it will gradually fade away
Leaving truly tutoring imprints
Never to be repeated

Is your guilt a stranger yet unmet and your spirit happy flown
do you walk in salient steps with no recourse to remorse
And greet each morn with pleasantries to I, me and self
enthralled no rent paid for secret storage or a crevice
Just the one that stands before man and Creation
Held aloof by a Conscience unstained



Copyright@Laurence14th Aug2018.all rights reserved.
Mike Essig Mar 2017
I am often asked this question in comments, private notes and emails.

The short answer is: I don’t know.

I don’t know if there is an answer or if I’m the man to even try.

First, there are probably as many ways to write poetry as there are poets. I can’t imagine any one size fits all template. That is too horrible to contemplate.

Second, my method is actually a non-method. I will describe it, but I doubt it will be useful or transferable.

I have been a fanatical reader all my life. I still am. I probably read an average of three books per week. This has been going on for decades.

I have been reading poetry seriously for perhaps 43 years, including being taught how to read closely by some brilliant professors as an undergraduate and graduate student.

This has deposited an enormous mishmash of poems, sentences, images, phrases and fragments in my brain. Add to that mishmash decades of reading across disciplines, especially history, philosophy, religion and novels. Imagine that mishmash slowly marinading and fermenting.

From that random accumulation, without provocation on my part, poems emerge. There is no order to this and not much effort. I just channel what shows up. I do some retouching, but little serious rewriting.

And there you have it: my non-method. It should be obvious why I doubt it will be of much help to anyone else.

I can give a bit of advice, but only based on my experience.

Love words. Love to learn them. Love to play with them. Delight in them.

Read as much poetry as you possibly can. I doubt anyone can become a poet without doing this.

Be patient. It takes a while for the marinade to work. I’m 65 and I only began writing seriously eight years ago.

Find your own method and your own voice. You’ll know when that voice is authentic.

And then, sing out.
Werdna Feb 2019
1
today on the radio, the voice of british engineer
kenneth bigly,
shackled in a chicken wire cage in iraq, is crying and
begging his prime minister
“please don't leave me here...”

the sound of his desperation rises like black smoke,
takes a solid
form, lodges itself in our hearts, non-transferable as
we continue to
invent as we go, what to do next.  this evening,  a
televised debate
about homeland security and foreign policy...

life has spilled out of its channels.

2
the rain has finally stopped, the puddle in my
basement is
deep enough for minnows.  dawn wrings itself out
before the
sun comes up, and trees shake off their heavy wet
skirts and
move on in the wind.

outside the back door, a large spider, the colour of
sand looks like a
crab walking on air, weaving, weaving the repairs of
her lair.

this airy space, this life, holds everything in place.  do
not pluck or cut
or name what you find hanging – it's only time
rearranging itself.

a sense of the invisible in the corner of my vision, a
glint of gold, a
secret life is moving between the trees; they are
always whispering.
in the solitude, behind the rocks, in the tall grass, and
below the
surface of the water, meaning passes silently.

this is not daydreaming. it's watching yourself dream.
the way children
play.  draw the curtains.  open the curtains.  vanishing
or fusing?  what
course will this take?  when the time comes that I can't
feed myself or
get up from where I lay?

3
thoughts are throwing themselves like discarded
clothing inside my
head.  i pick up a few and make some notes, but the
rest, strewn
about, disappear when i turn on the lamp.  sometimes
the very word
i need goes dark.  i want to get on my hands and
knees and look for it

4
the trees have entered the house.  they are on the
stairs and in the
hallways between the rooms.  i can hardly see you
anymore.

you stay, you go.  you will be someone who will always
remember
sounding the hurting horn at the wrong time.  you
catch your plane.
my body wants to fold forward like a suitcase locking
in the pain.

i begin giving things away.  a long time resident of my
head, I tidy up,
fold the past away, and gather what feels like a new
method of
thought – to admit that we just don't know, never knew,
where we are
going.  passengers waiting for departure.

5
tonight i pull on a cloak full of the moon that won't come
off.  i begin to
dance around a hole in the world where love once
thrived.  i hear the
trees applaud.  whirling in the shining light, i float.  i
fall.  i learn to fly.

healing without, healing with
Breeze-Mist Oct 2016
The question seems to lie in

Wether we are
We are the physical computer drive
Or the transferable background programs

Wether we are
Tied together in networks or an internet
Or wether we are a lone, disconnected monitor

Wether this place
Was created intentionally by an experimenting programmer
Or wether it is just a bug, a byproduct of natural binary

And if we
Have the computing power and memory storage to download the truth
Or if we'd simply overheat our circuitry
Poetic Eagle May 2022
They said, thoughts are transferable
So, are you thinking about me too?
Random thoughts
Jared Eli Aug 2013
The Vague Hope is the substance that gets me through the day
That unassured thing that tells me, "Don't worry; it's okay"
It never tells me how the things that seem bad will be alright
So I cannot quite refute it, and with me it spends the night
It nestles in my heart and head, and I like child, hold it close
It's always perfectly designed to be a saving dose
It fills my heart, much like the feel of Love, both pure and true
But Vague Hope's non-transferable, so I can't give mine to you
All I can say is that you must request it from the world
And from the blackened heavens an answer might be hurled
Like a spear thrown from the hands of Romans into boars
Vague Hope may be presented to be kept; forever yours
The Bug
Is Love a compulsion, the sudden idea that this person,
no others, will meet all your need and make you happy.
It is a moment, falling in love only happens once when
you are among the blessed and anointed by the gods.
For some, the illusion lasts a lifetime for others it falls
at the first hurdle of familial tediousness.
Luckily love is transferable you meet someone else who
will make you happy but it will not be the same as first
time, no matter how many times you try love is a gift
only given once, the rest is repetition
Nat Lipstadt Dec 2021
T.S. Eliot: "Last year's words belong to last year's languages and next year's words await another voice.”


<>

exactly.  

the old words are salty, unexpectedly coarse, unrefined and unsuitable for staying and surely not for going. The words are stamped with an expiration date.  

the evening is calendar-redlined, wobbly but outlined & finite, but the words are resisted, non- transferable. Stale.  

and I drink and wonder whose voice, with  artifice of a new vocabulary, all next year’s words, will bid me farewell and will I understand the spoken sounds of a new long division






Dec 31, 2021 4:07 PM
Makenzie Marie Apr 2018
I know it’s daunting
And the road seems long
But this demon you’re facing,
It’s not just you that it’s haunting.
It’s not just you that it’s chasing.

I know you’re strong
But my belief in strength is fading.


Is it enough
To want to try?
To tell me you didn’t mean
to break my heart
Console me just enough
To keep me from crying?
(Thanks for trying)

But then turn to distract
From the reality of your loveless acts?
Meanwhile...
I can act tough
Until I crack
(Not tough enough)
And the demon of yours
that I’ve absorbed
comes pouring out
In full force.

I would lift you
If I could
And carry you far away from this world.
I love you.
Vernarth in the evening of his life is called again to raise his sword, perhaps following the paths of Paul of Tarsus, precisely here his Word would begin in the figure of a Hoplite who will redeem the oppressed, who will reinforce the growth of the seeds, that will give hope to those deprived of Faith when they have to face their own Apokálypsis that would allow them to take with them when embarking on this adventurous daring in pages of life that follow that for many will be unknown. The seer's paranormal experience in Patmos will vivify his commendable virtue of confessing himself as a defender of Life and Death from the same intermediate final point, to then reach the nexus of gratitude that compensates that leads to make amends when leaving his abode naked and return every six months to Sudpichi in Solstice, and Equinox in Spring to Patmos explaining the premiere of this final event.

Vernarth's distinctive and codes will swell an intertestamental Biblical event, made up of crude abstract and demonstrative images that from so much decanting could be assimilated to what the Mashiach did in the Siloam Cistern, more than water being the same Hydor that is born from the origin and reaches the end of the erudition. The desperate desire to limit the spirit of a soldier is clouded within his own microclimate, wishing for a possibility that lies in the impossibility and fruits of the fan that separates the Universe from the Earth. From here the Faith is professed by the reflections of all those who have lived in a body of Flint, as were their parents freed by Vernarth, letting rest the readings of the sunset to those who from Flint have become meteorites that wander through the universe. As possible Christians to re-convert after a pre-tribulation or a new order, separated from what deprives us of new incursions. The Apokálypsis according to Vernarth does not diverge from Saint John; rather it tends to seclude itself from all the windstorms of divinities that are intermingled in its mysteries from all the exuberances of an endless gospel, which moves the hair of the Yahweh with the scent of lavender even within the pantheon itself after three days. The mystery of not understanding that a common man bears stamped on his body all the signs that give observance of a Passionate John that is in all of us having to share his silence within us, as suggested by the silence of which we are fertilized by clairvoyance’s of Patmos more than the consequences of some supra desire of Vernarth to cover some hint of autobiography, but more generously than the doors of his Megarón or Dypilon, be clairvoyance that shows us that the doors are the unknown within what is and we cannot Observe, V.G. as is illustrative in Spinalonga when Marie des Vallées settles at the point of the salvation of Theus and Vikentios all behind the transom as a consistent metaphysics of the unfulfilled desires due to burdens of other souls in salvation entrusted to resplendent beings. This is testimony to buried or invariable enemies such as Edomites with the affinities of the Seleucids or Pharisees with the Primitive Christians in the channel of each word that interprets the opposite diameter adaptable to a prayer that circulates the course of what an exegete does well If the original word of Vernarth's testimony of never perishes to aspire to do as the manah on the flowers that well deserve to perch on the Xiphos, where the central nerve of its shoe is the Baldric, many times it turned only in the battlefield when Vernarth used both hands, what a mystery! Here is the glossary of what is double-edged and double-handed metal when its length is pointed to the edge of the world where the Sun at its tip let the Light penetrates. Each unknown hemisphere will be possible to slice with both edges of each Xiphos as interpenetrated bronze and iron until it dissolves in the light of the Spring Sun.

All the causes were weighted to a grandeur where the messages of recomposing all the patrimonial legacies that would be the influence that everything could decline in the grandeur of bloodcurdling screams from the temples, which remained in the dark because they did not know who to unbind from the co-responsibility of seven churches of the Hellenic Elegies; from Ephesus to Laodicea trying to remove from the jaws atrocious empires that sentenced policies with more than a thousand years without having any more than a macular century. Vernarth in the depth in which nothing bothers him incites his sensitivity with what reduces the pain in his compassion of the 1st century, which will never stop passing through the well-deserved waking time in all the streets of Greece in which all his traces are they shuddered in challenges that deserved to be from a great classroom that is oversized more than any possible Odeon to fill with spectators from a well-to-do society and satisfied as it seems today with a high price paid for an unworthy degree.

Also, his apocalyptic metaphysics flees by whole perverted societies, and not half due to points of tension of his overwhelming immorality, and defense of all nature that does not corrupt itself, perhaps from an echo locked up when converting from Laodicea to Ephesus as if he were to remake Vernarth's Inverted "V" as the initial contact point of these seven derivations of his decline. The barbarians are at the foot of the very door that enters rather by inertia, and decline from the extinction of the Sun to later redefine it through cycles from spring to winter as we will see that it will emerge with the Duoverse manifested, after trampling on the beast that feeds on of pain and ingenuity from which all our destinies are focused to be swallowed by the snout of a battalion of enemies that migrate from the beast, but they do not realize that this is how calls should be made to all the empires that leave to his abandoned combatants, left on burning pyres immune, punished by flames that will never consume him, who were dazed and with their temper will come out alive with bodies that do not belong to us, annoyed at not prospering because of this anti-divine ****, understanding that the harshness of our tears will not make us neutral or worthy of the joys of suffering together what belongs to us in a body already sacrificed, this is the Apocalypse of flourishing images that are directed in processes of slaughtering the lamb that I cannot and will not be able to identify with the apparent strength of knowing how to be forgiven or undermine the riches of a leadership that for long millennia hoarded riches and never delegated its feigned goodness to us where the grass grows and twists from its root, rethinking days to count and increasing the agony of counting the simulated strengths that never let us enjoy.

It must be understood that all the opposing forces merged with the numbered days of a new rebirth, with the cries of Vernarth from Hyperborea, the pre-tribulation from Erebus or Sheol, from the anguish of the pectoral or Lynothorax from which the days counted in the same distance of traveling in the Purgation or Katartirio of the total confinement of which could be mentioned shouting in the acoustics of the Valley where the last word will remain. We place ourselves in the extravagance of which the rays of luminance deliver us the entire body of credibility to reach the step of happiness that will flow from the first and inaugural vision that confirms the first of the first of the alchemy that has been positivist, even of what paradoxically resurrects not expecting to be who we expected it to be, but despair is cast down in an act in which Vernarth dares to let go of the Mashiach's hand, to go help his parents from being petrified by the Flint that It would be provided for the end of the world with the prompt assistance of St. Jerome of Estridon as it was for an act where the Dragon calmed down, and stopped moving its tail, perhaps from the Green Dragon of Slovenia or its offspring for spreading within the world expelling fire with scales, horns that could be trusted from the Ibex of Valdaine, the Dragon of the Stained Glass of the Cathedral of Avignon hitting with its tail the Portals of Saint George, stating that such time the Nibelung Ring Cycle with Siegfried or secular specimen of the Draconian descent of the Merovingians, of the very Greek Drakon that began to subjugate Patmos in the year 76 AD. C. in between and badly wounded between the rocks of the Wind Tunnel of Profitis Ilias or as the dragon could be welcome, and if it were Lohikäärme Finnish descent stopping Soviets on their borders of blood that roars fire from the deepest corner of their land. The Greek serpents were born in the seas for several miles around where there were no other species but them, because if they had they would have been devoured by the great Ha-Shatan with ten horns and seven heads, much of the literary inspiration of San John is in Greek, but it is more likely that he originally came through the Near East. In the embryonic Roman Empire, each military cohort had a particular identification Signum (military standard), after Trajan's Dacian wars in the east, the military standard of the Dacian dragon entered the legion with the Sarmatian and Dacian cohorts: a large fixed dragon at the end of a spear with large open jaws of silver and with the rest of the body formed of colored silk. With its jaws facing the wind, the silky body was inflated and undulating, resembling a windsock, the Dragon continues to travel along roads that are the marks of the chariots without any mercy to those who awaited them at their destination with legions throwing hot breath that only Saint Jerome of Stridon knew how to mitigate. This huge lizard will continue to lay siege to the evil that cannot contain it, just like the basilisk in the Raedus Codex to imbue the never-burning blades of fire from the Apocalypse of Saint John, by chance with the fiery semblance of a Wyvern in the dome of the cathedral of Saint Nicholas in Slovenia, swallowing his own fire. With a fateful language of birds that would codify Siegfried that the end of everything comes from the seas of Patmos with heated water.

That winged creatures will come copiously to quiet the world to the world of Miðgarðsormurinn perhaps in Jämtland, besieging the Soviets like a serpent more than winged in vigor that shakes the Celtic tree with its Birch and Beech in Solstice or a dragon that was not with wings glued with wax that crashed when falling before reaching Sicily as is the case of Daedalus and Icarus, or the Lindworm dragons that expelled fire from the Mörser 16 howitzers of the Second World War. All these wealthy treasures are fundamental pieces of all the paradigms that form the prelude to a History that has blinded us without giving rest to everything that surrounds us, not even lavishing Christian burial with evil eyes that are characteristic of the dragons that they spit fire from your back, stalking a Britannia Pendragon.

Much of the banners, heraldry, and heraldry bear this emblem of beings made up of male and female offspring to form as a family the antigen of Slavic Bulgarian humanity, as a dissident figure that was torn from the edges of the Apocalypse to protect the crops where probably Rains of gold would come for his crops if he were male, and female if it were a prophecy of bad deeds to denigrate the farmer's seeds. Strong-blooded dragon would be Zmiy, Ukrainian carrying a four-legged beast, and on each leg a Cornucopia for golden petals that are collected from other maidens who will never stop being lush, protecting the arteries that rain healthy blood from Ukrainian maidens like the Zmei. From Zsablas that carry the Polish Smok on their backs that will be reborn from this apology of the Dragon of the Apocalypse that freed them from the Katyn Forest, on the banks of the Vistula where Bogdan drank water with his Zsablas to go free the Heroes of Smolensk and each Polish officer who had a Dragon stamped on his forehead, and also on the Coat of Arms of the Cracovians in Piasts of Czersk, fleeing from the cellars of some Warsaw revolt.

The climbing of the Basilisks of the Profitis Ilías Wind Tunnel will reign throughout Hispania as a prophetic emanation from the mouth of San Juan in Asturias and Cantabria with the magnificent silhouettes of the mountains in the Dragon Saw, followed by gargoyles that come to life in the peaks as a young Hoplite who wears his Áspis Koilé polished to annoy the dragon, which is nothing more than the basilisk when he was tricked by the Raedus Codex by mistaking them for his own offspring, thus allowing those who went to the Investiture of the Himation. It will be the eponym of Sugar, a Basque masculine god, who is often associated with a serpent or a dragon, but can also take other forms. His name can be read as "male snake".

Marielle de Quentinnais shows us in Saint George and the Dragon in the era of the Antipopes in Avignon, of which Saints and Blesseds would fight with the powers of the Dragon as in this sub-sequence that was released from Forli, with great similarity to the Mercurial Ambrosia due to Saint Mercurial as the laurel of Christianity over the idolatry in which terrified people did not sleep because of the frightful tremors of Forli and Forlimpopoli. Possibly, Saint John, the Apostle helps them put the stoles around the cornered Dragon's neck. Every evil force that is not defeated is a postponement of that moment in which it will fall surrendered, as it was from the original of the Dragon Hunters like Saint John of Patmos styling in the acroteras, and ledges of the Megarón that points to the Aegean seas to see if some of them are coming regurgitating the intact body of Margarita de Antioquia, that burst from the black belly of the Dragon saying "Draco vivit in Homine, non in Legendis" "The dragon lives in Man, not in Legends"

Having established Draco Vernarth Apocalypsis liturgy "Apocalypse of the Liturgy of the Dragon of Vernarth" the message continued along the path of Hydor where precisely the defenseless doors will be protected towards the enthronement of Silence with the ardent hope of Salvation as evidenced by the Pauline message "Marana Tha” building the coming of the Eternal that with all its dimensions will transform the collapsed world, tearing the senses that can reach the trade that transforms the ritual that is entrenched in the genetics of eternity in the tail of the Dragons that have formed classes and subclasses of heraldry of the Black Templar Knights, who roam on the run, creating the confusion that the medieval feudal mysteries were the continuation of an antiquity even if hostilities did not exist unless the tails of the basilisk of Patmos are crossed with some science from Ephesus to Pergamon , with the providence of a god in extinction that s ea disobeyed by his troops, and is bloodily decimated by the suffered trances of evil from which the ill-fated Knight is transformed into his own Dragon bled and immolated.

The end is not made with a mere vision of a Draconian Liturgy, from the year 72 AD. the Roman legions of Palestine were uncrossing where voices were heard like an occupied face of land but free of religious authority, which in one way or another saw the contemplative passage of half kindness or benevolence of a Caesar that would later be followed by the chins of fire of the Dragon, always escorted by Vernarth who lived and heard everything succumbing to imperial systems that were attached to filings of Hebrews that burned on their backs, to corners not sharpened by Greek spears to corner the frequency of a detractor of symbols of the Apocalypse, that was embodied in Vernarth with sumptuous flint that adhered to the Áspis Koilé or smaller Peltas that became prosaic to arrows that adhered to the tin shaft to vindicate itself in the foliage, as a recurring expression of the apocalyptic mentality assumed by recognizing that the Apocalypse is lived inside, and nothing on the outside that corrodes more than its own entrails. Indeed, everything private and non-transferable exhorts us to the end of the melodrama from where we must share hearts for those who keep their manners, and make the opening of the Kassotides a tiny possibility of change after Vernarth realizes that he has the furthest possible the dung of the Human Dragon, creating a dominant culture that recovers what enables us to preserve in its own Identity, illuminated and reinforced by conviction.

Vernarth, a few steps from falling from the abyss, makes his prophecy to ask the sky, the Mashiach, and Spílaiaus to release the chains of Kairós, so that the genre of granting life revives the system of the flame of the omega point, which then is reversed in celestial spasm, strongly grasping the tail of the dragon that will transport him with three lightning bolts and trumpets with the seven trumpets that will leave them in Delphi according to the nature of the Cassiotis or Kassotides moat, as a praiseworthy insurrection of being reached by a metaphorical being in Daniel as an apocalypse that will indicate that rain of light and fire will flow from on high, but they will all be directed from Patmos to Delphi.

Vernarth joins the Maccabees to obstruct the Seleucids, as the two books of the Maccabees tell, who start a ****** guerrilla war against the oppressor, and the prophet Daniel chooses a totally alternative and non-violent path. This shows that the worst militia of an armed man is to break with the sovereignty of his oppressed soul, and then be batoned in literary artifice like books from the present to a past with leaders buried in the ruins of lost civilizations, as in the case of the Seleucids and Edomites in open bread on themselves by Mikaiyáh, Archangel Saint Michael. Behold Vernarth where each gloss of contracted episodes never disengaged from the muscular tail of the Dragon that evidenced his vision of St. John, in such expectation that it resolutely rose from the heights of the Iridescent Nimbus, subduing all empires in the tail of the Dragon. The dragon that shakes the resistance of the ungovernable walls, but not the law of the powerful who makes himself believe, but the muscle piece that is rooted in Tel Gomel, is nothing more than the Holy Scripture of the duality of Saint John the Apostle / Vernarth; both as a monosemic (uni-meaning) and univocal lexicon that penetrated with all the desire of the heart moving them together, to decipher after the year 96 AD, towards the unveiling of Sardis to Laodicea with the Iscaton that is subtracted from the Dragon's Tail.
Cauda Draconis
Chapter XIII
Ekadashi, Nix in the Dark

From all the districts they came to witness the material effects of Gaugmela. Three days before, the Falangists under Vernarth were hit by the Ekadashi. They fasted three days before and gave themselves over to the radiations of Zeus, imposing the radiosities of the lunar movements. It is the penultimate step, there were already hours to walk through the dust that shook the heels of the Falanges. All the accoutrements and animals given over to the devotion of his soul and to his disputable faithful.

Already in the immediate circle of Gaugamela's possessions. Darius then came to cross the Tigris, organizing his troops and his harem. The Macedonians arranged the army that numbered 7,000 horsemen and 40,000 infantry. Alexander's elite heavy cavalry were the Hetairoi (Companions) and were made up of the Macedonian nobility, who accompanied Alexander in this battle and were the deciding factor in the battle. Vernarth commands the more than 40,000 infants, keeping a close relationship with the Hetairoi, with his arms twinned with divine caste. And Greek Hoplites who intervened to cover the rear of the phalanx, which Vernarth sponsored in the farthest reaches of thought of this moving stain of thousands of Macedonians singing institutional war poetry.

From the Dodecanese, Kalidona and all the central Greek archipelagoes came to pay tribute to Vernarth, accompanied by Etréstles de Kalavrita, great hero and defender along with Markos Botsaris (Chapter 6, page 36 Koumeterium Messolonghi / Palibrio USA) in this great epic. Raeder also joined his Petrobus Pelicanos, Brisehal and Strigoi from the Transylvanian transverse valleys, soon arrived from the Reign of Horcondising, after boarding his Frigate in Valparaíso. Adding the nine elements of the Megatons reviving in case they are ratified of a new Era.

They all camped five kilometers from the Rio Bumodos, on the north ***** where the moon shadows favored them of a new lunar phase, movements, ebb and flow, the influence of energy. The devotees of the clan did not attach any particular importance to it, they attach importance to these days for one reason only because these days it can enhance their devotion, so they are engaged in service. They are waiting for these days to have the opportunity to further strengthen their devotion, in order to accept the procedures at their right hand with the astrological or cosmic interpretations of the Ekadashi that can be explained by the people of the material world.

Concept infringed upon the devotees is that Ekadashi is the day when the Lord strives for greater enjoyment, to challenge incessant pain from the imbalance of the collective emotions of the attendees. And the others as an ingredient of souls that are destined for their enjoyment should try to give more energy to Vernarth and his regression parapsychological. But we must also understand that we are in the margin of life, so we should not think that Zeus extremely needs our service. He is completely self-sufficient and is in the transcendental world. But he does not leave us alone with his vague glimpses of company.

Ekadashi is a Sanskrit word that means "the eleventh first." The holiday refers to the eleventh day of the fortnight belonging to the lunar month. The moon has two fortnights in a month - The waxing phase of the moon and the waning phase of the moon, so Ekadashi falls twice a month. If we count the contest it was the first of October 1, the ekadashi is biweekly. Is worth to say; that the lunar flows would scrub their triple lunar circles from September 20 331 a. C., which is cyclically corresponding to the eleventh day of self-generation of the phenomenon. That would be crucial in the moldy veil of consecration of the Macedonian Holiness and their immortal souls.

The Falangists' minds will tend to ask millions of circular questions one after another, but it is not their great task to be busy and deal with a lot of various questions in the cold of the night. Our task is to learn to chant the Holy Name without committing ineffective offenses. And in a certain state of mind this will appear in our hearts, rather than in the concentric circle of our Hoplite shield in the defensive Hellenic rear.

An eclipse before battle
Let's go back in time momentarily to October 1, 331 B.C. That day the battle of Gaugamela took place, one of the most important in antiquity. The setting was the banks of the Bumodos River, just over twenty kilometers from Mosul (Iraq). There the Macedonian troops of Alexander the Great (356 BC-323 BC) and the Persian army of Darius III (380 BC-330 BC) faced each other. Vernarth was close to the leader, and they were playing the Dorius with the hoofs of the Steeds and they were vibrating the Sarissas spears with the dark spots falling from the top of the tinted sky, more than the foot-tapping of the sandals of their Thessalonic infants filling their glasses with greater wine Cretense not to tarnish your upstairs fears cosmological.

Eleven days before the battle, under the gaze of thousands of Mesopotamian and Macedonian soldiers, the Moon hid. Not even her benevolent lady sphinx managed to express stunned, almost disheveled before the stars that looked at her. The camp was suddenly plunged into the deepest darkness. Far from marveling and enjoying this astronomical event, the undaunted human troops of both armies interpreted it as a sign of bad omen, sensing an imminent defeat. The panic was greater among the Macedonian ranks that at that time forded the Tigris River in search of Darius III's troops. The soldiery interpreted the Dark Moon as symbolizing the advent chaos against the celestial order, so there was a marked reluctance to continue. This gesture was about to destroy the empire of Alexander the Great.

Fortunately, the Greek strategist managed to change their minds by making a very different reading of the lunar phenomenon: the divine message had to be translated as that the sun, a Macedonian symbol, was going to eclipse the moon a symbol of the Persians.

Alexander Magnus says to them:
I know that your tracks will leave visible traces of the high sky for those who do not go unnoticed. I know that your bellies will empty all your viscera to the sheer Death that is decked out by scaring its docile and nascent hair, like seeds germinated without the freshness of the unruly Sun, yet atoned for in the bowels of the prophecies of the augur.

In spite of everything, the arrogant Macedonian must not have them all with him because he summoned Aristandro, his personal necromancer, in his tent, and asked him to make a sacrifice to the god Phobo, the god of fear and horror. The augur inspected the entrails of the slaughtered animals and assured Alexander that fortune was on his side and he would achieve victory. The prophecy had to reassure the bulk of the army, since the next day they set off, moving away from the bank of the Tigris River, looking for the confrontation against the Achaemenid hosts.
In the Battle of Gaugamela the Macedonian army showed its teeth and twitched the profiles of the Persian temples and their lodge. The cavalry enveloped the Persian troops on their right, penetrating to the heart of the army creating the devastating effluvium that frozen the impression of the eternity of an empire and its empty policy. Darius III intuited that his life was at risk in the face of this contingency, and he fled a horrifying flight, which created a greater confusion among his troops, definitively unbalancing the result of the fight against Alexander the Great. Vernarth, their main commander, before Darius was filled with the worst fear, stormed his own scythe carts and shot the troops head-on, many of the scattered victims being severed. He sprinkled first-degree alcohol on their heads to leave them out in the open and posterity would come the Goddess of the night Nix, spilling sour macerated petals on all of them to bury us in the imprecations of the God Erebus in the deep light devoid of the calm margin of redeeming them of chaos.

Over the sea of crushed earth, beneath the surface of Gaugamela, their floods of elusive phlegm ran through the catacombs, the hurried insectaries of the underworld of the god Tartarus fled. Nix is usually depicted as a winged woman dressed in a black cloak covered in stars. She drives a cart drawn by two horses and normally, her twin sons Hipnos and Thanatos accompany her, here they ran everywhere, to attest the regrets of the Hoplite Phalangists, after being invaded by mythological forces of the Achaemenides. His powers were believed to be superior to those of any other god (believed to even arouse the fear of Zeus) and his worship occurred throughout Ancient Greece. Normally, consecration rituals were performed with roosters and black sheep since it was believed that their singing disturbed the stillness of the nights. Its sacred animal was the owl and its symbolic plant, the ****** poppy. Greek myths believed that when Nix emerged from Tartarus to the surface of the earth, night took place while day suffered from shyness.

Saint Corinth night
The Acrocorintus was a citadel with a triple line of walls, which according to mythology would have corresponded to the sun god Helium, in the dispute it had with Poseidon (god of the seas), who was assigned the Corinth isthmus. of the referee of the contest, Briareo, who was a Hecatónquiro (giant that had fifty heads and a hundred arms) according to the story of the Greek historian Pausanias. The Acrorintus was located on the steep mountains in the south of the city, where the temple of the goddess Aphrodite and the fountain of Pyrene were, and which was larger than Corinth itself, so it could serve as a refuge for the inhabitants if were invaded. It was also the target of the destruction of the Roman consul Mumio, and later rebuilt.

Laus Iulia Corinthiensis, colony of that time in one night under the maroon influence of the blizzard of millions of Fireflies, invaded all the fields of Macedonia. Some of these super noctulizing species migrated from the poles fainting before the Dodona oracle in the twilight that espouses the night of the day in vicious reconciliation. They entered the oracle sworn by civilizations 650 B.C.

The night of Saint Corinth is the vision that a Chrysalis had when observing a Firefly in the center of the barley fields. The oracles at Dodona were performed by interpreting the sounds of the sacred oak and the flight of pigeons. In the middle of the 4th century BC., the athenian Demón mentions another tradition on the oracle of Dodona: he related that from the ceiling of the temple of Zeus hung a series of cauldrons or tripods closely together. Since the temple lacked walls, the wind beat the cauldrons and its sound was what had to be interpreted by the priests or priestesses who appropriated their non-transferable powers, creating a cosmogony of appropriation of illegitimate powers, aggressively changing the destiny of those who came closer to the oracle. Event that was marked in the last minute of the dogma, when everything leaned towards the omen of overcoming an entire almost subdued civilization of mythology turned into an imminent reality, which vividly demonstrated an environment of tangible and prosperity in Gaugamela having made a myth reality like the Dodona and its chrysalis.

It is interpreted by the priestesses, as a harbinger of the common preservation of the Egyptian and Greek theological bastions. But above all of the Dodona, who anticipated the facts, come to reappear according to the forces of nature in Guagamela, which he would risk in 331 BC. C. In all those faithful to Vernarth, presuming to be always loyal in the first and last line, when the oracle entered them by the temples and stole their entrails with doves, later it deposited panting to all equally in the tops of the oaks getting ready to enunciate to the same oracle what was going to happen one day, that year in Gaugamela. Chrysalis hotbeds bathed in a field humor of St. Corinth were always seen fluttering when the Oracle was invoked to the one who came in the name of Vernarth coming from Sudpichi.

To be continued… / under edition.
THIS IS THE LAST SECOND CHAPTER
Mikaila Dec 2014
Just like these silly little gifts, my love can gather dust in a drawer,
Or it can be yours
But it cannot be made use of any other way.
It cannot be given to another.
THIS love, this here,
It is for you.
It is not transferable.
If I am forced I will love again, some other way, some other person,
But YOUR LOVE
Will never leave me.
This gorgeous, precious feeling...
It will sit abandoned on some dust covered shelf,
A beautiful thing never touched because of its worth.
That is why your guilt puzzles me.
You are not taking anything from me,
Not putting my adoration to unworthy use-
It is for no one else but you.
It could not even reach another.
It is ONLY yours,
And so,
Like your gifts, like your flowers, like everything I try to give you
You may take it and let it rejoice at its entire purpose of existence,
Or you may let it gather dust
And become heavy with grief.
The only note I took from yesterdays class was “the western governments failed to do anything about it” and that really drove home for me how transferable and different yet identical ongoing war is. WW1, WW2, Iraq, the syrian war.

I don’t know where poetry sits in all this. I think poetry without action is like theory without praxis so I to an extent I don’t really care what poetry is or should be in regards to war. There is a limit to what the written word can do in terms of changes the course of things and influencing people, it’s not nothing but it’s also not enough. The recognition of the limitation or inadequacy of the written or spoken word is demonstrated in how many poets are activists, they know speaking or writing alone is not enough.

I think poetry can be fuel, nourishing, provoking but then it’s like what are you gunna do about it? Western politics, particularly liberalism seems to have gotten it’s wires crossed somewhere along the line and some people seem to believe that talking about and reading about things is enough, that think pieces can actually change things and help people in of themselves.

I think the most poetry can be is a starting point, a seed, but what are you gonna do to grow it further?

I think poetry can be a call to action, and a call to action shouldn’t be read as a metaphor, take it literally and answer the call.
did this poem just write itself, is more needed?

every day is holy, you just need to reason why!

could it be:

laundry day, a fresh starting, a new cleansing sparking

stroking her face, squeezing her apple cheekbones, smile extracting

making kissing her forehead, caressing her thumb knuckle, into a weapon of holy war

early to rise, coffee maker man, a saint she declares, from night risen

tracing her heart’s shape with a memorizing fingertip, transferable
to your own graying forested chest

happy new day, an everyday celebration; Happy Lockdown Day!
'Melia Aug 2019
Am I your home,
or your happy place?

I’ll spell it out.

Home is a place you feel comfortable.
It’s a natural
Habitual location
Of which to return.
                It’s full of
Memorable marble in
Every direction,
it’s halls having been tread through
countless times.

step
        by
             step

The walls have been a gradual work of art
stacked on with tangible squares
of people and places you care
about so much you wish them to be
in your peripheral daily routine.
Hand-held history.

A happy place

is what you think of
anywhere,
a transferable escape,
a geographical area,
an influential individual,
a conjuring of a fantasy,
of a sweet past pure point in time
that grounds you.

I don’t know if I’m either for you,
but I know
I’m not both.
Perhaps,
I’m snippets.

I’m comfortable, familiar, full of moments
of shared audible joys
tastes and touches.

I'm a fantasy,
an imagined form of who
you
wish me to be.
you
return to me
time and time again.
I'm familiar.
I feel right at home.

So kick your feet up
r  e  l  a  x,
loosen.
Now, sweetheart,
tell me about your day.
Tell me about
what you think of
to escape me.
Alfredo Ron Sep 2018
Pardon me sir, may I have a drink
from the well where the honest man's thirst's quenched?

Pardon me ma'm, may I have some bread?
I sure hate to beg but I ain't been fed.

I'm only going places I ain't been before
and it's fine if I don't return anymore.
I am on a mission to contend with fate
till she yields her riches and loads my plate.

Pardon me boy, could you spare one gold?
Can't you see I'm shivering? The night is cold.

Pardon me girl, here's a little silver.
Could you warm me up and in my ear whisper?

I am only circling these same old miles.
How can you expect that I'd still smile?
A cynic when he hears that guilt is transferable,
grins ear to ear, all nice and culpable.

But love is the medicine of the sick.
It's beyond those hills about thirty clicks.
If it's taken in it will start to rid
your cells of the cancer your passions hid.

So let' us start walking till we drink from that fountain.
We yet desire mercy but our campfire's going out.
The transferable tourist

The old ship striped like a rusty zebra
one, that has survived the big storms and attacked
by sea monsters how she still floated was a mystery.
From one obscure port to another, her captain had
forgotten how it felt to be sober.

She was like an old horse that knew its way by instinct.
Offloading clandestine crates, rats in the cargo hold.
When did the vermin come, and what was their destiny?
Morning in La Plata, tonight we will go ashore
in Buenos Aires eat fresh meat and dance the tango
A foreign program accessed my brain last night.
It morphed me
the whole of me
into a malleable
dreamy virtual world of  my choosing.
I am no longer me as me
I am uploaded.
my consciousness is one with the network.
I am data.
Wondering around as a program
I am no longer me as me
I am an imposter of me.

My subjective reality ended
ended the moment my consciousness
was extracted.

A foreign program accessed my brain last night.
It replicated my human hull
I am trapped in my own whatsover

I see a calculation inside of what used to be me
it reads
Consciousness is abstract
immaterial and non-transferable.
I wonder is that why we might never be able to overcome death.

— The End —