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mt Oct 2013
Deadbeat
Smelly feet
Walking across its own callouses
Creator of worlds
Perfect inscriber of nameless wonders beyond mere
Conception and discrimination
That permeates the minds of men
Misguided across the arc of ages
Leading only to cycles of
Hollow pain repeating itself
Lacking substance but appearing
Like unmovable boulders perched
Atop greener mountains
That whisper using their voice,
The wind
Carrying its message in its form
Disappearing but never gone
The homeless,
Not content to trap two sided
Ideas of being in overflowing
Homes filled with the true
Forms of out sourcing
The spirit, torn for
Perfect packages to be sent
To faceless names to further
The collection of vessels
Unused.
The wanderer,
Unhappy with goals
Moving towards the never ending
Journey of perfection
That ends nowhere but travels
Everywhere leaving no quarter
Uninvaded and sadly ringing
In transcendental ears
The lonely,
Unwilling to spread their
Personal pain
From personal failures
To any one but themselves
Using the compressed aggregate
Sickness in scientific lobes, only
Representations, to create faucets through which representations
Of the unrepresentative
Eek out an existence
Among glaring, modern edgy
Movements in endless circles
That sear images into retinas
Working their way to ******
Thoughts, deflowering the only
Worthwhile virginity in the sad reflections of experience
Called man.
The ******,
Never fulfilled from false conceptions
Or the self materializing aspect as
The passage of time
Looking to capture the eternal moment and ****** of the Now
Lasting forever but done long
Ago
Chasing the end of self
And forgetting the body for
Higher realms untouched by lazy
Thoughts and repetitive notions
Creating the mundane
The un-mundane is furthur up than most of us can see
Even if touching it is
The experience
Not different from the life you will
Live for a million regressions
The contemporaries
Never travel the
Path of the Mountain
First camels, then lions
Finally to turn into godly offspring of
Flowering being at the peak
Standing above ubiquitous faces
But contact on level planes
The mountain of self
To create a new identity divorced from the diseased blockage
Flowing through humanity's veins
Only to tumble down
Into the pulsating
Heart filling, disintegrating
All in one undiscriminating
Destruction unborn from the
Young universe only
To lose the conception
And absorb the absorber
Forgetting that once,
A young man carried all the
Pain he had handed to himself
In shiny packages
Pretending that the others
Ever even existed.
Third Eye Candy Mar 2013
Barbarians At The Bill Gates

Kings in a Nutshell of Plots,
Machiavellian; made Lords Of Infinite Beige.
a Workspace now a  Dead-Space in The Heart of an Artist... Scaling, Mount Dew, at a snail's pace.
Behemoth Logarithms,
Jammed in a hot box. with cigarette soot blocking die-cut vents
The cousin with the soft-spot.
Hair, Nobly Re-Disheveled  by Hit and Miss ads, like
crow's feet dancing on insomniac spines, in and around, the Yawning Cathode D-Rez
Of all Villages, M. Night. Ramadan, forged, into Code Soldiers
With No Code to reverse Schrodinger's Black Cat, Back in The Bag...
The Genie, from a corner apartment in Manhattan, to a bedroom in a Bottle of Lightning.
Only Reactive Jazz
Cosmonauts, embedding feathers in " White Hats "
A Moral Avatar.

Hack Lads in The Boonies of Way Ahead of The Curve.
An Unsound lack of Judgment, echoing by Proxy, like Mr. Hyde;
Passing for a binary Schizophrenic. Swallowing Blackberries, Seeds of Anarchy and All.
Crowd-Sourcing the wisdom of Crowds of People
With cup-holders, the Elite call CD-Rom
Stand-by.
A Quest For Firewire. A billion portals,, huddled in chaos.
In the lens of  The Camera-Obscura, hidden in the USB Port
In the Fuzzy Logic of Our Narcissism.
SQL that Ends Well \ with a Backlash To Pi Charts
Of Privileged  Information,
Cooling, only in The Windows, Facing a Social Network
Resting, on a sill of Approval by Market Share and -
Ad *******

An eye of  a needle, peeling onions in a brave new world, weeping for the pure, post-ironic
Joy, Of Threading a Nano-Camel
Through The Eye of a Needles' Parable.  To Aesop the gravy of grave doubt
and reasonable suspicions off
Teutonic Plates

To an Atheist. The Heavyside Layer of Bricked Phones
and Dissonance,
May Find a Contract, 'Comes with Astroglide.
And a toaster.

Floppy Disc-Figurements of Our Right To Privacy.  
Resurfaced By The Naivete
Of a Target Audience, With a Heads-up Display,
A 4D Hologram  
Of Steve Jobs,  
Exported over dark fiber optics;  
Silicons of Prosaic non-Existence
Overclocking the Swatch
On  a wrist

Banning Calligraphy

Ward of the State
Of the Economy
With a Cult
Following


A Hologram of Steve Jobs
To sharpen the bleeding edge
with a moon rock from The OtherSide of Billions of Dollars.
The After-Accolades with the Spanish moss From Taiwan
Where Dragons Of  Technology
Shed limits, that metastasize rapid growth
Of Personal Stock by -
adding a Touch Screen Feature to an App For Clout.
To Out-Monopoly with a Walled-Garden
Designed by Stanley Kubrick's 2001 [ Available Space Odyssey  ]
A Terabyte
leaving Half a Worm
In your Apple.

A Difference Engine, differently Desired

Dumped
On a Corner in
Your Circle
Of Confirmed
Friends.


rocking XP like an OG on Food Stamps and The Fringe.
Centered Better And Re-Posted.
Nat Lipstadt Apr 2024
Dig deep poet;
You too reader;

Commandment One:

Both must obsess to possess,
Air the curvature of each line
shape with two hands, creasing and
no ceasing not till the air waves have filled
your flushed face with compressed comprehensions

You weep as you compose!
Good!
The well of tears where hid
the pool of emotions
in cavernous reservoirs
in the center of your
gravity,
needs a daily tapping,
a draining, a purification,
a quenching sweet and
raucous

where you dig, salted water will come

in the soiled, imperial but imperfect body/mind cappuccino,
there are swirls of treasures, sins and histrionics
that need discovery, expiation, expulsion,
when~then, object is surgically removed,
accept surging water will desoil,
and you can revel
in the revelation
of honest effort

Debate Commencement:

reveal, which, what and how
much, how much? how much?
(this reverbs)
what must be shared,
what must be reburied,
what must be refuted,
what must be reconstructed,
refurbished,
and what must be
demolished & deconstructed

ah, but as soul judge,
you hold yourself to a higher standard,
but in all of this but two constraints rule:

the quality of the recalled data,
the quantity of storage space delimitation

do not tease us with rivulets, nor bury
us under thunderous rushes of memories
spilling and cresting with a reek of abandon,
unless, you’re abandoning the memory en tout,
giving us your newly orphaned all innermost,
then, we must accept the product of your labor,
whether it be spoiled fruit or glorious
                            truth

Tuesday Apr 16
8:32AM
(the year of pollard, a/k/a 2024)
inspired by dancers and choreographers speaking about the sources of creativity @Guggenheim New York
jeffrey conyers Apr 2016
Strange how politicians gets elected change their format and agenda?
Eliminating jobs for a common cause.
But out sourcing jobs to meet a budget.
Than be exposed having an investment in that firm.

****!
We all should be a politician.
Than again, maybe we shouldn't go to that measure.
When out sourcing love holds more to cherish.
It's a feeling forever treasure.

Held close and adored.
Who could request for anything more?

Out sourcing love is sanction by GOD above.
judy smith Aug 2016
As an avid golfer, Nashville resident Victoria Kopyar couldn’t find fashionable-but-functional clothing she wanted to sport on the fairway.

Tapping into her background in retail merchandising, product development and sourcing, Kopyar decided to take the matter into her own hands and launched women’s golf and activewear label VK Sport.

“When I was looking at the market, I saw there were a lot of men’s pink shirts, not a lot of print and pattern and not a lot of styling to it. …I really felt nothing was flattering the female figure and I wanted something that fit me well,” Kopyar said.

The first collection launched in August 2015 with golf retailer Golfsmith.com. Kopyar expects sales will be 10 times higher in the first full year in business as she zeroes in on growing VK Sport’s e-commerce website, expanding the collection at independent golf pro shops across the country and reaching new demographics such as the collegiate market. Locally, VK Sport is sold at Belle Meade Country Club and Hillwood Country Club.

Launching VK Sport marked a career switch for Kopyar, whose resume includes corporate positions with U.S. Bank, Target, Dollar General and Gibson Guitar. She didn’t pick up golf as a hobby until she had a summer off work in between jobs at U.S. Bank and Target.

“My dad told me (golf is) a great up-and-coming place for women to do business, there is a lot of opportunity and it’s a lifetime sport," Kopyar said. "So I went out and bought clubs, took some lessons and I fell in love with golf."

In 2014, Kopyar started developing the VK Sport brand on weekends and nights. The following year, she decided to leave the corporate world behind to work full-time on the clothing line. The launch of VK Sport coincided with Nashville's rising reputation as a fashion hub for everything from custom dresses to high-end denim and handmade leather goods.

Her goal for VK Sport is to target fashion-forward women with her key demographic between the ages of 25 to 60 years old. According to the National Golf Foundation, 24 percent of the 24.1 million golfers in the U.S. were women in 2015. Millennials represented the largest group among the 2.2 million beginner golfers last year.

The VK Sport apparel, which is made from technical fabrics with anti-wick and sun-protective properties, includes colorful and printed dresses, skorts, pants, shorts, polos, tank tops and more. Features include anti-slip bands in the skirts and shorts, cutaway sleeves, nine-inch deep pockets, zipper details, mandarin collars, ruched fabric at the buttons and lace features.

Kopyar described it as a high-end brand with price points ranging from $90 for a skort to $110 for pants and $85 for polos.

“We’re a fashion brand," Kopyar said. "We take what’s happening on the runways in New York and Milan and take that and bring it into the functionality of golf wear and/or regular street wear."

VK Sport has been self-funded so far, but Kopyar plans to take on investors as she grows the business. She hopes to capture a piece of the multi-billion dollar athleisure market by positioning the brand as activewear for both golfers and non-golfers.

“I see us as a lifestyle brand," Kopyar said. "Not only are you functional in golf but you can wear it in your everyday lifestyle, whether you’re at the nineteenth hole having lunch with the girls or out picking up your kids at school or running to Target or a coffee meeting."Read more at:http://www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
CharlesC Aug 2012
a timely arrival..
welcome refuge
a gathering storm..
sheltered somewhat
from the arriving flash
and pelting
downpour..

rain rivulets
quickly formed
on a miniature scale
tiny rivers and streams
branchings and splittings..
the storm's rapid creation
all at once seemed whole..

lightening and thunder
light and sound
their separate reports..
all creation is splitting..
the thunderstorm's gift
instant reminder of
separation in
interwoven whole..

with the storm's passing
a bright light in the west
painted a rainbow on
a now darkened east..
a sourcing of
bowed colors out east..
though very soon
curved colors
took flight..
fading fast in
their birthing light...
for accompanying photos, see polarityinplay.blogspot.com
vircapio gale Aug 2012
like some jealous future self,
my writer's clock balks at this moment with you,
i can't explain, so i give up listening. (i have an app for that)

the writing only stops as degustation ends ~
thank you, though ~ i'd like you to hear
regardless of the meanings lent ~
the gymnolexical fear
appearing ornamental far and near.

google files us away, omniscient
acumen of o's and ones ~
words sing to me their luring promise of a lasting hold,
but less and less
as plastic griming fingers sync
with what it seems to be,
a new world search-
-engine culling info freely
do i still    believe    in order?
striving for the fitted words,
a love imprinted input thus on crystal pixel page,
your effect on me distilled--
refracted throng associational
fantastic server metacomfort
for an audience
                     swimming past into this,
now always
ever-new you appear, bursting
at the seams my vision churning
...effluent sourcing, blurry self of others ~
heart-charming river-nymphs!
bolt-hurling sky-satyrs! reeling nations are subtended by your words
that walk, trod, swim across what poetry,
dance with this ever-blooming techne-earth
as i mark your plasmic eyes
we flow and let flow,
we dance our farmer's mud
into the beryl-winding paths
of othernets and cyberplay,
the restful ends reborn bright white
lacing lattice-scopic fibrous
scatters of another wi-fi interlife ~
we stream and let stream,
river-tress girl, your eyes summon
a great coalescence in me,
we dance into the channeled
delta of spring beauty here across the keyboard;
it cascades a slow attentive phosphene
striking pointed notes of color,
ring beneath and through the
green, sylvan silicon throw of mossy html
so that even rocks and sprawling
tree-trunks sing within the disembodied
vortexes of arrowed imagery to browse
my virtual belongings to you,
alone in your sorrow-joy fighting
free love in an all-world-breath
before the screen
gymnolexical  - words that denude, or words themselves denuded
techne - craftsmanship, craft, or art
html  -  Hypertext Markup Language
phosphene - a phenomenon characterized by the experience of seeing light without light actually entering the eye
judy smith May 2016
WHILE many little girls grow up fantasising about their weddings, Amber Tan Sze Min was always dreaming about designing bridal gowns. Many also grow up letting go of their childhood ambitions, but Tan was strongwilled, although it meant momentarily giving in to her parents' wishes.

She dropped out halfway through her pre-university course, and ended up studying graphic design. It was only after graduating that she could pursue a two-year diploma in fashion design at Kuala Lumpur's Raffles College of Higher Education, and thereafter flew to the UK to major in womenswear at the University of the Arts London.

"I wanted to prove to my family how much I wanted to design. It's not something that you'd get just because you say you want it. So I stood firm throughout the years, and showed my passion for it," recalled Tan.

Last February, the pint-sized lass introduced her bridal wear label AMBERSZE to the public for the first time at The Wedding 2016, a bridal fashion event by model and event management company Andrewsmodels.

It was never in her plan to debut as a bridal designer though – it lingered but only in the back of her mind as an eventual project – but her innate interest inevitably unveiled itself. "I have loved bridal gowns for a long time so I was making them before AMBERSZE even existed, and posting behind-the-scenes photos on social media. And that led people to identify me as a bridal designer.

"I wasn't planning to do it this soon but the opportunities knocked on my door, so one year ago, I decided to bring alive all my ideas and sketches," shared the 29-year-old.

Thankfully and finally, Tan's family recognised her resolution and embraced her penchant for designing. The Klang local considered herself lucky that she was able to kick off her start-up with her family's financial support.

"They always say fashion is a rich man's world. I couldn't understand this until I started the business, and saw a lot of truth in that statement. Everything involves money," said Tan.

She added that much of the capital was channeled towards building the brand and getting it out via media coverage and advertisements.

Another chunk of the money went into producing the dresses – all hand-made, by the way.

"Whether they sell or not, that's another story," she noted.

DRESS DNA

For the next eight months, Tan set off on a lonely journey of blood, sweat and tears. With only an assistant to help sew and embroider the garments by hand, Tan was dabbling in everything from designing, material sourcing, running the business, to doing public relations and accounting work.

Now that she has a team – including three assistant designers – behind her, Tan can take a step back and take the helm as a creative director, still designing but more focused on furnish-ing concepts and ideas – that never stray far from the company's philosophy of self-representation.

"I believe everyone likes Vera ****. I admire that she has her own thought behind everything. Likewise, my collections have to have their own thoughts and research to back them up.

As a designer, you have to stay true to yourself and not copy from existing designer pieces," opined Tan, who's also an avid reader.

AMBERSZE marries the essence of haute couture with new trends, by which Tan simplifies and demonstrates the former using translucent fabrics, for instance.

"So you can see the skeleton of the corset," she highlighted.

The play of sheer fabrics and coordinates (crop tops and skirts) may sit on the less traditional, or even risqué side of the spectrum, but Tan is confident that the personal tastes and styles of today's brides are shifting towards modern pieces that epitomise their true selves – as compared to the popular princess gown offered by most bridal boutiques.

"Nowadays, people want something new that show off their taste, fashion sense or status. Something to represent themselves, I would say.

That's where AMBERSZE comes in to serve," said the eldest of three siblings.

BEYOND BRIDAL

Of course, customising one of the most important dresses of a woman's lifetime can come with the occasional odd requests and a mountain of pressure.

Especially with a clientele that varies from pregnant to offbeat brides, as well as celebrities.

AMBERSZE's track record is a week for designing, and two to three weeks for production, but Tan recommends that brides make an appointment at least three months before D-Day.

"I usually get to know the bride's interests and taste, whether they prefer urban or classic designs. Whether the wedding's going to be indoors or outdoors; at the garden, beach or zoo!

Some brides may want certain fabrics which require a bit of sourcing too.

"To me, design is not just something pretty. You have to solve problems for your customers," said Tan, who also designs bridal veils, headbands and waistbands.

Besides tailoring her clients' dream wedding dresses, Tan has plenty to juggle in the meantime.

AMBERSZE boutique-***-studio is in the midst of moving to Sunway city, and alongside an evening wear collection due to launch in September, the label is also rolling out a ready-to-wear (RTW) line at the same time.

"The RTW line is going to be resortstyle to complement our hot climate, carrying 20 to 30 womenswear pieces. They're simple and modern, yet will not lack of nice detailing," she hinted with a smile.Read more at:www.marieaustralia.com/formal-dresses-perth | www.marieaustralia.com/plus-size-formal-dresses
Nat Lipstadt Jan 2016
I recently came across my first journal of poetry,
written in my early forties.  A tumultous time in my life, I kept a hand-written journal and the poems flowed.  It began on a (recovery) escape~vacation to Mykonos and many other Greek islands.  Unable to sail, (stuck on Mykonos by fierce winds that grounded even super tankers),  I wrote to pass the time.   Even then, I dated my poems, noting when & where the poem was composed. Themes were employed, that twenty years later, reappear (to my surprise) frequently, in my poems of today (by example, "The Wind of Correction").  Even then, I wrote long, way too long poems, some good and some awful ones. Judge this, one not too harshly, judge it as a first endeavor, simplistic, crude and heartfelt.

What seems to have triggered poetry to be the outlet for my emotional upset, as a father of young children, in the midst of a bitter divorce, was a Greek poet, Cavafy,  that I must have stumbled on during my visit
and a particular poem he wrote in 1908.  I include it the notes in shock and awe, for it unconsciously informed my "style" and seemingly, or unseemingly, still does.


The Geometery of Greece
(His Very First Poem)

~~~

the geometry of Greece
is the perfect intersection
of clear blue sky,
right-angled to azure waters,
with puffs of white clouds
to mark off distances

only
the wind is non-linear,
like feelings,
the wind,
it washes and caresses you,
envelopes and wraps you in
its totality

what it all means is this:

all that I know,
all that I love,
have, got and given,
is leaking and pouring and leaking
from the rectangular shape
what I
now know as,
now call,
my previous life

so now,
the winds of my true self
direct me on a course
that can be plotted
but one day,
one island ahead

no long range planning
on the sailing waters of Greek isles,
the wind does not permit it

the perfect line of the horizon
is not anymore a limiting
boundary

rather,  
the sourcing place from which
the wind comes,
that buffets,
to and fro
throws,
carries me forward,
and ever backwards too

this horizon line
that I sail towards,
neither marks nor closes in,
it is always there,
to be sailed to,
ever anew,
to renew

~~~

August 6, 1993
Noon
the Isle of Mykonos
As Much As You Can
by C. P. Cavafy

1908

And if you can’t shape your life the way you want,
at least try as much as you can
not to degrade it
by too much contact with the world,
by too much activity and talk.

Try not to degrade it by dragging it along,
taking it around and exposing it so often
to the daily silliness
of social events and parties,
until it comes to seem a boring hanger-on.
Jake Spacey Dec 2013
deep within the black shirt
are chamelion hands making mocks
of string
when they should've been
digit deep in a bowling ball
or around the handle of a sauce pan
or on the arm of the couch...
sometimes they'd be cupped
amplifying yells around the mouth,
sourcing the tooth obsession along with a slew of other medical problems,
another bushel of ******* for the stew in the ***
maybe her foreign claws
could rub the knots out of your shoulders
but she is suspected of dropping the world,
and, as with many other things,
would garner your reluctance
to hold risk for,
your red hot fear of hatred
your red hot ******* hatred
those shoulders hold your house
your saxophone
those shoulders hold your experience
your lack thereof, your anxiety
your ******* hatred
your black shirt
analyzing my dad
Timothy H Jun 2016
happening upon
a sacred sandstone scene
not seen coming
not intended
now illuminated
through blindness of modernity
mother nature's sweat lodge
floating and fleeting
soaring to sourcing
consciously sharp to the present
each sweatdrop, each heartbeat,
each wisdom
there are one, then two
then ten thousand
not passingly noticed
but known intimately
petroglyphs etched into
mind body soul
Wes Noneya Feb 2017
My Words I weave to be just a whispers’ lingering caress
Tormenting, Bitter Sweet thoughts that make you burn at feeling such
The wishes cast, but not granted that make you shiver over less
The briefest touch

Words, that speak of all unspoken desires
oft what a Heart's Hopes and the Mind rightly Fears
That nightmare in the making, speaking truth amongst avid Liars
That Healer, Sinner and Saint, who wounds you deep but dries your tears

For a vision of thy sweet face compels my pen, my deeds
Still that vision leads my words to fall upon thy screen
Before thine eyes, to serve thy needs
Yet still for but my minds eye you remain unseen

Between Breath & Touch
Strides a whispered Caress
Across endless plains Of Dream not much
Past the blind denial of less

Beyond the seasons of a thousand dreams and desires
My words fall seen and felt but unheard
Bitter sweet they may be and easily kindle passion's fires
They torment and delight, caressing your heart, mind and soul with each word

Subtle song, resonating rhythm unclear intent
Desire a sourcing fire as the words serenade the heart
For the bitter sweet seduction of words the body will lament
They are but a start

-Wes Noneya-
Emanuel Martinez Aug 2011
A lost love incapable of being found
****** into air, rain is washing it away

Chained to a world of final fantasy
Reality is mad trying to liberate it

To dispel love of this world
Sourcing all the happiness
From a vessel that is destined to be full

Life is scaring it away
Every time only capturing an essence
But losing its lasting presence

Errors constructed by fears of emotions
One which will take you
To the depths of the ocean
Where love has shed its skin
And taken on a new beginning

Falling down fast to the surface of the heart
Love is searching through the darkness

The bottom of the ocean tries
To will its pressure to shatter its quest

But love has friends
The journey never ends
August 8, 2011
In collaboration with Saul Grullon
www.endorsinglife.blogspot.com
Francie Lynch Feb 2016
He held some Romantic notion
His years of love and devotion,
The exposition of emotion
Could overcome the troubles.

He tried to be meta-physical,
Raised his crucible to the celestial,
Prayed to move the unchangeable
To overcome the troubles.

For years he toiled in his realism,
The jobs, debts and persistent requiems,
The slugging burdens of their tediums,
To overcome the troubles.

He was Dada, then Grand-dada.
She was Mama, then Grand-mama.
Once an in-law, now an outlaw,
Yet always there was trouble.

Now he's lost his generation,
Learned the cost of retribution;
Still sourcing out his frustration,
Considering the final solution
For dealing with his troubles.
judy smith Jul 2016
The story is told in Eleganza: Italian Fashion from 1945 to Today, an installation at Montreal’s McCord Museum, which was created by London’s Victoria and Albert Museum two years ago. In addition to the display of some truly fabulous duds, the exhibition shows how Italian fashion benefitted from one man’s realization that it could become a national brand with global reach.

That man was Giovanni Battista Giorgini, a Florentine buyer’s agent who, in the early 1950s, organized fashion shows at lavish locations such as thePalazzo Pitti. Giorgini flew in influential U.S. buyers, correctly predicting that the splendour of the clothes and locale were just what the newly flush American public wanted after its release from wartime austerity.

The cause was helped by films such as Roman Holiday, in which Audrey Hepburn – wardrobed by Edith Head – personified the American fantasy of carefree-yet-elegant Italian style. It also didn’t hurt that Simonetta and several other young designers were genuine Italian aristocrats.

Eleganza features several knockout creations from this period, including a lavish feather-adorned gown by Simonetta that might well have influenced Jean Paul Gaultier; and a wildly elegant silk evening dress commissioned by a wealthy American from the sartoria of Maria Grimaldi. There’s also a red dress by Germana Marucelli that shows an almost sculptural approach to garment structure.

The exhibition includes some playful designs from the 1960s, including the shimmering Mila Schon evening dress and coat worn by Lee Radziwill to Truman Capote’s Black and White Ball in 1966. There’s also a pair of the silk “palazzo pyjamas” that became a jet-set sensation for Irene Galitzine.

Even after the development of designer ready-to-wear, the Italians emphasized high quality in manufacturing and materials, sourcing mainly from long-established Italian mills. This became even more essential as the bulk of low-end production shifted to China, which in turn has become a huge market for Italian fashion ($22-billion in sales in 2015).

The last and best room in the show is filled with a stunning array of more recent designs laid out along a T-shaped catwalk, including pieces by RobertoCapucci, Valentino, Gucci and Prada, as well as an ornate and playful sequined dress from Prada’s Miu Miu line. Almost all of these pieces were donated by the houses themselves, and at least one came in since the show’s London opening. Successful as they are, these designers know what cachet can come from being included in a museum exhibition.

The related book of illustrated essays, The Glamour of Italian Fashion Since 1945, is low on photos of the outfits on display, but rich in information collected by curator Sonnet Stanfill and nearly two dozen other contributors. They take a panoramic view of their subject, analyzing the materials, makers and presentation of Italian fashion through marketing and media. The book makes an outstanding companion to a beautiful show.Read more at: www.marieaustralia.com/formal-dresses | http://www.marieaustralia.com
ConnectHook Feb 2017
OR: Benchmarks for Bench-Warming

The author, after recently publishing
Working to Frame Approaches Towards Approaching Frameworks: Contextualizing Systemic Interventions as an Interventional System in Context
collaborated with himself and co-wrote
Granting Greater Rights to Grant-Writers:
Turning Down the Echo in an Eco-Downturn.

Both papers were well-received and build on the strength of the author's initial work, published in 2018, entitled:
Speed-Dating the Data: Progressive Measures towards Measurable Progress

The author's third paper examined day-by-day data deterrence as a strategy to enhance documentation of impact towards tracking the implementation of benchmarks. The main thesis of the author's 78-page analysis was that out-dated data, when out on a date, flirts with obsolescence by trying to ford the current affordability when instead, it could be out-sourcing data while invoicing clients in adolescence—rather than dragging the river for dead data. All three publications are recommended and underwritten by overwhelmed authorized ghost writers.
Duck the Fata !
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Jacobe Loman Oct 2016
Violent waves crash ashore;
in this dream I cannot tell what is real anymore.
I see a figure standing ten feet tall;
the moon obstructed by a beastly maw.

Murmuring questions with a sleepy tongue;
answers haunted me in grim return.

Lobotomizing the entirety of my mind,
the feral creature only spoke with shapes and rhyme.

Poised before me was a legendary hunter.
A ghastly dire-beast, who could tear the world asunder.

Sporting a melancholic expression;
he opens the sealed mouth with a deadly suggestion.
His gums bleeding from pale infection.
Sourcing the problem I ache with poor digestion.

Unable to sniff out sustenance,
his own life-force is leading him astray.
In this nightmare; guilt turns night to day.
Lost in the dark the hunter cannot pray.

Mustering the strength, I mend his pain.
Reaching into the gnarly abyss;  
pulling out something of a shame.
Rapturing open wounds; I am fearful of blame.

Crying with a grisly howl.
I am becoming apart of the beast;
and the hunter becomes infused within.
A ritual complete.

The fabric of reality dissipates as the moon weeps.
I rejoice with newly kindled vigor as I exit this plane of existence.
Exalted I am, now I rest my troubled mind.
May this prolific dream endure all of time.
when suffering's luster loses glow,
when overcoming is never known,
what dreams may come from fire below,
lonesome moments, ever-boding,
misery imposed, for evermore,
glorious warnings from sordid war,
of freedom imploring,
indifference ignoring,
and discontent exploring our stratosphere...
measly metamorphs,
wearily forcing inaction forward,
desperately sourcing mortality,
fallacy after fallacy fall to their knees,
umpteen deviations,
outlandish iterations, exhausted,
accost me no more, mister consciousness,
for I've already given in,
just when my sin uncovers itself,
befuddled and bereft, at the gates of hell,
the self dispenses its painful beliefs:
that nothing comes without leaving,
remains we bequeath only provide what's conceded,
so seek what is needed,
impede not the other,
and love will muster from such healthy souls.
Kind of rambled on this one, but the pens just kept going.
Hopefully not too convoluted!
Thanks to anyone with the patience to read this :)
Happy writings
brandon nagley Aug 2015
i

Afore there was an astrobleme, deep within me
Though now an astral queen, serenadeth gleamed;
Canorous and splendorous, her cantillate I repeat
I mimic her dancing step's, jumping on mine feet.

ii

She's sad when the past awakens, crying dreading tear's
Though tis what she don't knoweth, her king is all right here;
And through the year's, the catoptromancy shalt tell it's fortune
Chiliad timespan, her body to be mine land, water flow sourcing.

iii

I wilt constellate all her worries, and collect them on mine head
Her Burden's I shalt maketh as mine, and taketh all her's instead;
And the cyanic water's shalt we swim through, sail to the glass
The brokenness shalt leaveth her, as no time exist's, nor our past.




©Brandon nagley
©Lonesome poets poetry
©あある じぇえん
Miss C Apr 2015
When the director calls cut
“That’s not how it should be
Those were not the words that
I had planned for thee”
For I have directed your life
In such a way you fear me
Not show compassion and love for your own family
You were mine to control, not to speak or share
You were mine to gently stroke that long golden hair
In the instant I beckon, text or call
You should answer and be grateful no-one one else will love you after all?
For who would want you
With a mind of your own
With love, dreams and a vision and a hand you can hold
You have nothing to offer
For you are not worthy
Don’t you know how many women want me? Tall, thin and curvy?
For when I decide, when I let YOU go
Go forever you shall, for my heart is so cold
I’m the wolf, you’re the sheep and I’ll never swap clothes
You will answer to me and I’m in control
For my heart is black and empty just sourcing the next
To take in my wonderful, god-like righteousness

For I have no compassion, empathy or soul
Always on the look out ……  mmmmm who’s my next goal?
Don’t you see that I am perfect in every shape and form
You should forever be grateful that I ever spoke to you at all
For you see you are my plaything
And I will bathe in your tears
Seeing your weakness gives me the strength that I need
To build my self up
To rid me of my frown
From a blow to my narcissism
In which I frequently drown

No time will I waste, for I am a man on a mission
To abate this dread when I look in the mirror
The man I truly am thrives on deep-rooted pessimism
To feed this yearning but it’s now my hunting season
You see’s it’s Spring and yes I’m a wolf and I need to eat
The heart of a maiden who’s naïve, caring and sweet
I am the greatest, you mere mortals are fakes
You see I am the walking, truth speaking, handsome and great
My age is a lie, my charm on top form
But I am cold and need someone’s heart and house that is warm
Oh I will portray myself as honest, as a good listener and kind
But it will all be lies, and too late will you find
That I have nothing to offer, no emotion, no care
And when it’s too late I turn into your nightmare
So prepare to give all, everything that’s precious
For I will take it all to make myself feel better
You will be left with nothing I’m an emotional vampire
Who will throw your dignity deep into the fire
But don’t be sad, I’m won’t be
Because I will walk free
It’s you who will mourn the loss
You and not me
aurora kastanias Mar 2018
Why is it so arduous
for us to believe we are
beguilingly startling
creatures as none?

Whilst we look at others
we call animals and remain,
befuddled by the perfection
of a nature we reclaim,

temporary beings
roaming freely a land
of prosperous marvels
releasing an infinity

of colours, delicate those
of uncountable flowers,
green that of trees
erecting forests of auburn,

as we spectate the dance
of stones raising mountains,
following the streams
sourcing from them,

cascading into rivers
torrents pouring into
shimmering oceans
unfolding to the limits

of our sight,
where water touches the sky
and we stare marvelling,
at sunset giving birth

to myriad stars iridescent
on black canvas.

Why is it so arduous
for us to believe we are
beguilingly startling
creatures as none?
On human beings and nature
Josh Cheshier Feb 2019
Luminescence in the dark

She burnt, slowly but with intent, not so much a flickering flame ticking away at an oil soaked wick, but a continuous stream of energy sourcing from her earthly power. Most of the time she carried a faint glow, gently floating, casting the softest hues on things only moments forgotten, things in which she dreamt whilst spinning in creation, or perhaps things needing to be given to a nights ocean wave

She was born as deep as an ocean and many of her feelings reaching ranges unfathomable. Often troubled and tormented by things past, thoughts that burn and then rain tears like ash, a once dormant volcano breaking through the oceanic floor. Resurfacing, revisiting once more. Opening up to be quickly cooled and building upon her growing foundation, a demonstration for the ones she loves. Let her burn and boil, and when she erupts, be with her at her depths as she cools.
as from next year Santa will be
using a new business model
he'll be out sourcing his present making
to a Chinese manufacturer

Santa has found that there will be
cost savings by sending production off shore
for some considerable time
his work-shop has run as a losing straw

and his financial adviser  
has eloquently told him
to fix the balance sheet
which has looked rather slim

Santa is urgently addressing
his per unit labor costs
in an endeavor to curtail
all unnecessary imposts
Tamara Fraser Aug 2016
I have one question.

That’s been digging trenches in my mind.

Hollowing out all the empathy, the faith,

the blind addiction to sourcing a better humanity;

better lovers, stronger fighters,

stunning believers, more tender hearts.

With actual effort to beat on their own.


Your exclamations are false, always.

And I can tell you why

my shell is caked in your muddy, rotting stink of fake facts.

I’m cracked, embittered, roughened edges capable of paper-cut slicing skin

and all my lovely scars can tell you something you hardly believe.

I’m here to tell you why.

And why I hate how you make me feel this way;

a cynical coil of seething, jilted, passion, to fix what I can’t.


For all those who make hearts melt and weep,

shed heat and fire in rapturous thoughts and darkened, tainted dreams;

for all the single words you used as tools to build up walls,

break down my walls,

deceive me into caring about you

who chisels into only getting the gem he wants.

You can collapse a mine on me for all you care

in the end.


For all those who can make devilishly delightful

fantasies for all the vulnerable loners,

like me,

like us all when we shut our eyes,

to hover and circle over, beg for on our backs,

naked and open and bleeding raw beneath you

like ritual sacrifices for some higher purpose, some higher hopes and

goals and unwavering loyalties

to you,

my dearest demon behind every salvation;

You are the emotional abusers that gravitate in my orbit,

and I can’t seem to dislodge your planets from my line.

I admit, you got me high off some stunning ****.

Of yours.


For all those gentle, perpetually unavailable, curious beings

vacationing deep away inside

if only you would let me try and reach you, for you

to bring out all the best in me back;

before you close up like sealing a scar

We are left in a continual loop of back and forth and sideways,

hovering through open, closing doors

elevator rides to the same living routine, breaths, steps,

burdened heavy heart and raw eyelids

bruised red and blue in swollen tears

when you can never emerge from yourself to realise I’m right here

for you.


For those that run around, commanding disciples, throwing the weight of luck,

fortunate coincidences, helping fools sabotage and **** for existence,

perfection,

idealism,

licking off frosting,

dwelling in your own superiority,

I see your ruse.

Painting pristine pictures

with the lift of a finger

selling illicit jealousies and spite

like wildfire

from the back of your 24/7 Facebook page.

You make us understand the reality of one-sided loyalties,

the critical unfair rulings of want and have,

divided and mixed between people,

achievements hard fought for like precious land

and ownerships of better peoples

determined by the infernal number of people you know.


So yes.

I do have one question for you.

Why are you like this?

An why must we all break apart alone in

the boiling pressure of it all?

Forget the next night.

Wait for the return.

— The End —