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"snowmelt" poems
a little boy sits on the top of a staircase his laden, waterlogged eyelashes droop his vision fogs with salt his heart pulses hot/cool snowmelt throughout the body there are missing people no mother no father no brother only boy locked in house too scared to sleep while snowflakes fall in unfettered air *there is joy in storm if one can see it through the tears there is comfort to be had once the emotion cools and tree branches are unburdened from the weight of ice* movement happens up the stairs dear sister who the boy forgot was there places her hand upon the boy’s quivering back *"We call it snow when the parts of God, too small to bear, contest our bodies"* and angels tell us to taste the tears before they freeze on our red-rubbed noses here, taste your tears says sister. they’re salty, aren’t they?
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Sep 4, 2017
Sep 4, 2017 at 12:13 PM UTC
a taste of tears
Western Sources Mist, rain and snowmelt gather And soak the Montana crests. A trio of rivulets carves the slopes, Grow to rivers that braid into a single course And the Missouri is born at Three Forks. Shoshone and Hidatsu rest from the hunt, Kneel and cup their hands To raise life giving liquid to their lips While horses bow beside them Bellies filled with the refreshing waters. The river flows north dividing the tall grasslands, Plunges over the cataracts at Great Falls, Churns on the rocks below And drives inexorably toward the sea. Mandan and Sioux Soft flute sounds drift from the Mandan village Intertwining with the riffling music of the river. By its banks a coarse French trapper roasts a rabbit To share with his Shoshone child-bride. Sacagawea sings softly beside him - Charboneau's son stirring in her womb. Sioux warriors on horseback Stand guard by the shores. How many travelers have passed? How many are yet to come? Beyond the rolling hills A buffalo stumbles and falls Pierced by Lakota arrows and spears. Boats in the Water At River du Bois where the Missouri Collides with the Mississippi, Forty men slip into boats and take to the oars To interpret Jefferson’s continental dream - Their keelboat laden with sustenance, Herbs, weapons and powder. They carry trinkets to dazzle the natives And cast bronze medals to give them Bearing images of their "Father in Washington" That none had asked to have. May,  2004
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Aug 3, 2013
Aug 3, 2013 at 5:42 AM UTC
Missouri Triptych
**"His mind would never romp again like the mind of God." The Great Gatsby** Does he fret, Does he sweat, Does he pay his bills On Time, Even tho his personal stash Of anything, Inexhaustible and He bills himself? Is he lonely, So when he romps, His greatest pleasure is Inventing new kinds of pain? Does he like to watch butter Snowmelt, Does he turn the honey jar Upside down Because viscosity is A turn on? Is he lonely? Of course he is, Is that why he endlessly Tinkers with creative destruction? Does he put strawberry jam On his watermelon? Salt on his wounds, Caramelized onions in his Cologne and parfumes? Does he watch reruns? The bombing of Dresden, Hiroshima? The shaving of the heads of the French women? What's his fav. late night host, When he can't sleep And. his damaged dreams Become our unfortunate realities? Acting childish, a métier, So he can scold himself? Does he keep score, Ever say no more, Contemplate suicide, Or just murdering his sons? Did he kiss Shakespeare's lips, Or just his fingertips? Does he sing a Capella With Holly and Cooke, Let Beethoven play rock n' roll? What is he best excuse For playing with Tormented souls, Making so many wonderful things Forbidden fruit? Does he worship regularly at the altar? Irony his faith and skin his vestments? Are his twisted straight, His late, early? His order disordered and when bored, Does he just close his eyes and Let us live in peace?
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Aug 15, 2013
Aug 15, 2013 at 4:46 PM UTC
The Mind of God, Romping
I had forgotten the way to the hut that I had traveled to so many times, so many days. So many moons, I would say. But no one marks moons anymore, except hunters. And I am not one of them. Nor a gatherer. I listen to old men tell how they felled the stags. I do not believe them. I am a wayfarer, to use the archaic words I used to love, the words I had forgotten, the words of time in eternity, the words of orange leaves on towering pin oaks, the words of circles of shadows settling on Gavarnie, of snowfall in the Pyrénées. Sever Spain from the Continent. I had lost the language of the ***** spray-painted sheep scampering over gray-bouldered cirques on mountaintops, boulders turning into mountains in the shadows, in the fog, in drifts of snow. There are no words for this now. Bleating sheep drown them out, and yapping dogs. There are no words for the radiance of transcendence. “Climb higher,” I hear them say. Higher into the haze of clouds. Cirque: circle, circus. Acrobatics on hillsides, balancing acts on rockslides, skimming streams in hard-toed boots. I had forgotten the way to the words, far behind me. I have come to a gate, a steep stile in shadow. No sheep can pass. Nothing looks familiar; nothing looks strange. I saunter in a cloud of unknowing. I had known the words: worn, smooth as stone unscuffed by hard-toed boots, slick as snowmelt. Slide from France into Spain. This is the path of Santiago de Compostela, the route of St. James, who said, “Do not be double-minded, brethren.” I cannot remember if I have been double-minded in my travels. I had forgotten the way. If the words do not come, which mind sees the threshold; which mind circles the fog? What passes, what begins when we travel? I do not look backward. The way lies ahead, waiting, wandering away from the words. Splotches of lichen sprout orange and green. “Go no higher for safety.” No higher. They do not mention exile or ecstasy or the straight path of radiance. The cirque circles my words in mountain shadows. I must unlearn the art of travel, adrift in broken fields of stone. I had forgotten the way to the hut. Rocks obscure the path. Light ensures the path leads upward. Nothing is lost. Words hold their weight. Stags dance above me in fog.
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Aug 14, 2018
Aug 14, 2018 at 3:19 PM UTC
Pyrénées
I had forgotten the way to the hut that I had traveled to so many times, so many days. So many moons, I would say. But no one marks moons anymore, except hunters. And I am not one of them. Nor a gatherer. I listen to old men tell how they felled the stags. I do not believe them. I am a wayfarer, to use the archaic words I used to love, the words I had forgotten, the words of time in eternity, the words of orange leaves on towering pin oaks, the words of circles of shadows settling on Gavarnie, of snowfall in the Pyrénées. Sever Spain from the Continent. I had lost the language of the ***** spray-painted sheep scampering over gray-bouldered cirques on mountaintops, boulders turning into mountains in the shadows, in the fog, in drifts of snow. There are no words for this now. Bleating sheep drown them out, and yapping dogs. There are no words for the radiance of transcendence. “Climb higher,” I hear them say. Higher into the haze of clouds. Cirque: circle, circus. Acrobatics on hillsides, balancing acts on rockslides, skimming streams in hard-toed boots. I had forgotten the way to the words, far behind me. I have come to a gate, a steep stile in shadow. No sheep can pass. Nothing looks familiar; nothing looks strange. I saunter in a cloud of unknowing. I had known the words: worn, smooth as stone unscuffed by hard-toed boots, slick as snowmelt. Slide from France into Spain. This is the path of Santiago de Compostela, the route of St. James, who said, “Do not be double-minded, brethren.” I cannot remember if I have been double-minded in my travels. I had forgotten the way. If the words do not come, which mind sees the threshold; which mind circles the fog? What passes, what begins when we travel? I do not look backward. The way lies ahead, waiting, wandering away from the words. Splotches of lichen sprout orange and green. “Go no higher for safety.” No higher. They do not mention exile or ecstasy or the straight path of radiance. The cirque circles my words in mountain shadows. I must unlearn the art of travel, adrift in broken fields of stone. I had forgotten the way to the hut. Rocks obscure the path. Light ensures the path leads upward. Nothing is lost. Words hold their weight. Stags dance above me in fog.
Continue reading...
19
No poem came to me this morning as I walked for an hour in the snowmelt mist threading my boots through the brown salt muck and flotsam winter's junk food wrappers the city just stared at its own face in the ice as uninspired as me
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Feb 4, 2019
Feb 4, 2019 at 11:12 PM UTC
No Poem Came to Me This Morning
Although I hardly gave it a thought I didn't really doubt our miniature juniper, a bonsai, would survive our desert vacation.                                                           It likes the dry air of our home, needs water once a week at most and seems meditative and active, both. While away I rediscovered my love of agaves -                                                           sotol and century plant - met Mortonia and became reacquainted with squawbush, its citrus drupe which makes traveling the long horizon of the desert uplands endurable.                                                           Live oaks - emory, wavyleaf - dominant and regally spaced giving ground to mesquite only on the sere sand flats. I counted and drew inflorescenses, spikelets, florets, awns but grasses                                                            remain a mystery their microscopic parts. This year I'll study, give them serious thought before our Spring starts. The cactus wren was the one bird I could be certain about. Sunsets                                                            made me sorry the desert is not my home. But the ocotilloes flowered before we left and that made up for the vicious attack of a hedgehog cactus. Impressive, ponderosa pine and Arizona cypress                                                            the canyon canopy watered with snowmelt and along the high cliffs limestone formations predating our arrival by ten million years of weather. Newspapers kept us aware humanity had not accomplished yet                                                            the end of history and that was fair. The planes were full of citizens who no longer applaud upon landing. Snow flew, not a pinyon pine or manzanita within two moons walking. On the dining room sideboard, waiting,                                                            our miniature juniper.
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Aug 10, 2015
Aug 10, 2015 at 12:00 PM UTC
Miniature Juniper
Although I hardly gave it a thought I didn't really doubt our miniature juniper, a bonsai, would survive our desert vacation.                                                           It likes the dry air of our home, needs water once a week at most and seems meditative and active, both. While away I rediscovered my love of agaves -                                                           sotol and century plant - met Mortonia and became reacquainted with squawbush, its citrus drupe which makes traveling the long horizon of the desert uplands endurable.                                                           Live oaks - emory, wavyleaf - dominant and regally spaced giving ground to mesquite only on the sere sand flats. I counted and drew inflorescenses, spikelets, florets, awns but grasses                                                            remain a mystery their microscopic parts. This year I'll study, give them serious thought before our Spring starts. The cactus wren was the one bird I could be certain about. Sunsets                                                            made me sorry the desert is not my home. But the ocotilloes flowered before we left and that made up for the vicious attack of a hedgehog cactus. Impressive, ponderosa pine and Arizona cypress                                                            the canyon canopy watered with snowmelt and along the high cliffs limestone formations predating our arrival by ten million years of weather. Newspapers kept us aware humanity had not accomplished yet                                                            the end of history and that was fair. The planes were full of citizens who no longer applaud upon landing. Snow flew, not a pinyon pine or manzanita within two moons walking. On the dining room sideboard, waiting,                                                            our miniature juniper.
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40
Lips became rock face wounds, chapped and sore and high and heavenly and I’d still kiss them breathlessly. And though you walk among the fields and fences of my heady acre, I’ll run the risk of failure with all my devotion and hand-woven, written emotion. *It was last year when the snowmelt came, that your tarpaulin skin grew tighter around your peg pin bones. And it was then that your coat zipper split and broke; let me take you home.*
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Apr 14, 2013
Apr 14, 2013 at 9:43 AM UTC
LIPS BECAME ROCK FACE WOUNDS
silence is listening to your star's snowmelt... tremulously visible droplets. descend as prayers struck between the eyes. envisioning. to life.
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Nov 30, 2018
Nov 30, 2018 at 2:02 PM UTC
Star's Snowmelt
why hadn't i thought of this before? why are children hidden in the floor? why is our mother missing and why is carbon four hundred parts per human? historical doubts, unusual droughts, i thought i'd never say it but **** canada. **** budweiser, **** saint valentine and his pagan oppression, bless my blood for being dark. there is consciousness in the pores of corals, a strong mind in the **** at the polar regions of this table. i am not an arctic hare, i am not a vector for your raging codependence, four meters into the thermosphere i am not vulnerable to methane, early snowmelt, or severe wildfires but you are.
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Feb 14, 2014
Feb 14, 2014 at 12:35 PM UTC
major findings: link between spatial and temporal dynamics
(for Glynn) Singing breeze Singing breeze Carrying nothing Kissed by sunlight Carry my wishes Scatter my troubles Leave the grey highway Slip through the forest Birch and pine Needle and catkin Shutting the sky out Speckles of sunlight Evening sky How many colours How many colours Woodsmoke and silence Unsleeping river Silence and river Wanting to share this Beautifully lonely Only I saw it Only I held it Stop this stone rolling Let the moss gather Living as leaf-fall Living as boulder Keener than snowmelt Fuller than August Cradle of tree roots Mantle of mountain Granite horizon Breezes will soothe you Whispering breezes Will you be listening Do you hear singing Do you hear forests
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Apr 1, 2011
Apr 1, 2011 at 11:20 AM UTC
An Laoigh
Aspen, ponderosa pine, blue spruce pink glacier-cut rock, scree, ravens gray jay, peregrine falcon, hawk. We climb to 11,000 feet in three days, camp at Lawn Lake for three days. Alpine tundra. Elk, bighorn sheep, marmot. Tileston Meadows, ticks in grass, rock face of Mummy Mountain. Binoculars show pink cracks in gray rock. Stoke gas stoves, play cards. Boil water, set up tarps, lay out sleeping bags, hang bear bag. Watch crescent moon slice into Fairchild Mountain. Moonlight makes a mosque of the rocks. Yellow aspen splash in dark green spruce and pine. Gullies where streams slash during spring snowmelt. One rock, feather or flower worth more than money. Need no wallet, keys. Just clothes for fur. All day climb toward saddle to see what's on other side. One hawk floating among bare peaks and over valleys. Wind at 13,000 feet turns to sleet. Turn back from peak, take boulders two at a time down. Winter moves into mountains. Then we fly from Denver to New York where it's still summer.
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Aug 9, 2015
Aug 9, 2015 at 1:04 PM UTC
Under Mummy Mountain
Eros Someone who tastes like Ramune and Faygo, smells Like Shenandoah Mania Waiting for six months Only to find that you are Eighteen and fourteen Philia Eyes just like snowmelt Soft, cool, and fresh in the spring Small signs of some hope Ludus A homecoming dance Bumping bodies in a crowd When your date ditches Agape The news surrounds us Against suburban ap'thy We are fighting back Storge Speaking of the sea Advanced chemistry, and of Secrets kept from mom Pragma One year of dating But the sun and earth go back Farther than we do Philautia Maybe we'll see it Like a rose blooming forth from Torrential blizzards
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Feb 25, 2018
Feb 25, 2018 at 5:31 PM UTC
Haikus on Love
The world around us gets bigger when the snow melts. Suddenly there are new plains of the earth that our life has been deprived of. It’s not necessarily a happy thing. At least not at night when the spring winds are blowing strong and my mind is wandering to places darker than the retreating winter.
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Apr 22, 2015
Apr 22, 2015 at 8:54 PM UTC
April Snowmelt
Gimme the dregs the sludge at the bottom of the coffee *** in a twelve-ounce paper cup Give me snowmelt Give me the bile in the belly of the earth Give me good, clean american dirt and half-remembered dreams and I'll show you what it means to live honestly. Gimme the sun up on high on the other side of nightfall to tighten the bags under my eyes Give me dandelions Give me a candle for warmth and light Give me the mist in the sky and a spoonful of rice and I'll show you what it feels like to move a molehill.
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Nov 1, 2016
Nov 1, 2016 at 1:45 PM UTC
the dregs.
I can't see. There is nothing to see behind the blackness of my eyes. I can hear... hear the sound of the faraway sea... the twitter of a bird somewhere overhead and a voice... rumbling gently, soothingly beside me. I can touch... your hands, rough with callouses, scarred with work; the fabric of your cotton shirt as it loosely hangs on your strong frame. I can smell... the rugged nearness of you, the sweetness of the trees and the coolness of the air. I can taste... the snowmelt on my tongue, the remnants of honey from your lips. Your hands touch my tired eyes... and of a sudden I can see.
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Jul 4, 2010
Jul 4, 2010 at 10:39 AM UTC
Picture
. Needles and tears jab At my window, breakouts Of sky rip through clouds And mountains shout, drain From beyond, dark snowmelt Like cold wind on the ground, Spatters of my heart shadows, Loneliness here is warmly kept By a window I refuse to know, The sky is old, patching dread, From my window are new tears Attached to blur, smoky panes, In the distance small white birds Are sailing, stripping what is left.
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Jun 2, 2015
Jun 2, 2015 at 2:07 AM UTC
From My Window
ice cracks floes turn back belt loosed, beltway free pavement hit by ten-ton trucks storming past swiftly-growing seed snowmelt sinks into brittle cement iron bars, deep years rusted the bridge might hold another year if weeds don't grow between the cracks a crash of thunder lightning-licked hunger the earth devours cold hard rain slapping the ground like a newly-scorned lover the warmth of her blushed cheeks bright like a hesitating twilight
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Mar 15, 2011
Mar 15, 2011 at 4:48 PM UTC
Spring, Break
Her skin pale ice Her body, winter. My hands smooth Across her flesh, Warmth blooms, Spring blossoms. My kiss is heat, I taste her snowmelt.
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Jul 30, 2013
Jul 30, 2013 at 7:10 PM UTC
Thaw
Grass does grow green in Spring. Snowmelt's been done, drawn out. Aye, how you all feign complacency. (I kiss men at dusk in the street light.) I've been restless all night, goin' on about them rimed hearts and their timely, metered whispers in ears: *O' they say he's got a stellar mind but that his bones carry weights unkind and unknown to the modern man's heart.* *O' they say we'll never know just how hard he fell; he loved you then and now he spends his days aching from rapt thoughts.* *O' they say he's bound to collapse in but what do they know of whisperin' and weights of wanting– So heavy still!* You hold them pages to the flames, what delusions! Hearts be weighted with bells and ringing. You've wrapped thoughts 'round index and thumb, such confusion– Heavy-weighted with iron shavings. You never go far for anything. You're wont to be needin' some more swell. You see the water run from the well. And everyone here is moving a bit too slow. And I'm getting a bit too restless. And every day passes without something to show– And I am feeling rather restless. I was just a'pacin' through them woods. I'm prone to be wantin' some more swell. I have drank the water from the well. No, I was just a'snappin' down on some smoked skin. And everyone since drives me straight moot. No, I was just ponderin' that moment– Some sin! Yea, every day since I've felt clumsy. They'd call it a whoopsy-daisy slip into loose and hazy days and nights. Whip-lashing from nails; scratches down backs. There ain't no more whistlin' nay howlin' in this place. Hush now, until the well runs bone-dry. There ain't no wratch who's been wretch'd out like you– Some chase! Hush'd and still, this well's gone and ran dry.
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Apr 7, 2014
Apr 7, 2014 at 1:41 AM UTC
Restless
Grass does grow green in Spring. Snowmelt's been done, drawn out. Aye, how you all feign complacency. (I kiss men at dusk in the street light.) I've been restless all night, goin' on about them rimed hearts and their timely, metered whispers in ears: *O' they say he's got a stellar mind but that his bones carry weights unkind and unknown to the modern man's heart.* *O' they say we'll never know just how hard he fell; he loved you then and now he spends his days aching from rapt thoughts.* *O' they say he's bound to collapse in but what do they know of whisperin' and weights of wanting– So heavy still!* You hold them pages to the flames, what delusions! Hearts be weighted with bells and ringing. You've wrapped thoughts 'round index and thumb, such confusion– Heavy-weighted with iron shavings. You never go far for anything. You're wont to be needin' some more swell. You see the water run from the well. And everyone here is moving a bit too slow. And I'm getting a bit too restless. And every day passes without something to show– And I am feeling rather restless. I was just a'pacin' through them woods. I'm prone to be wantin' some more swell. I have drank the water from the well. No, I was just a'snappin' down on some smoked skin. And everyone since drives me straight moot. No, I was just ponderin' that moment– Some sin! Yea, every day since I've felt clumsy. They'd call it a whoopsy-daisy slip into loose and hazy days and nights. Whip-lashing from nails; scratches down backs. There ain't no more whistlin' nay howlin' in this place. Hush now, until the well runs bone-dry. There ain't no wratch who's been wretch'd out like you– Some chase! Hush'd and still, this well's gone and ran dry.
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40
with their great drooping wings the ospreys returned yesterday to scan the raging snowmelt for churned up meals to set up nest in order to begin the process of egg to chick to selfish fledgling to conspicuous adult it is tempting to apply human traits to the natural world [especially for a poet] but in this case we will work on an unnatural premise reaching the small point of contentment in the form of a fish hawk being putting aside our never ending need for understanding and stop measuring beauty and form
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Apr 13, 2014
Apr 13, 2014 at 11:41 AM UTC
whoa
*Pavement at sundown wears snowmelt sand.. Quiet and empty until one vehicle tires and sand their special crunch cut a crevice in Quiet space.. Then in passing fading in distance Quiet once more swallowed the crunch healed the crevice…*
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Nov 27, 2013
Nov 27, 2013 at 11:50 AM UTC
A healing
To California: You are a land of gold and opportunity the manifest destiny grasped the cradle of many too-distant friends. To Ohio: You are halfway across the country the destination of a poignantly-missed friend the cradle of a new beginning for her the end of our era. To Oregon: Rivers between us, pumping blue blood to the sea in you, I stumbled from girl into woman in you, I woke up and stood up, and made the first memories I treasure. To Canada: You are my parent as much as America a cleaner, calmer shadow of your sister more vast than words can encapsulate, an undiscovered prairie of 100-person towns beautiful and insulated, insects drowning in amber. Oil pumps in canola fields twisted pines from the Dark Ages atop mountains green with August snowmelt impossibly broad skies and midnight suns dancing under the northern lights in my cousin's wedding. You gave me a plastic bag with two passports, cracking open the world. To Washington: You are the ever-green land vibrant and beautiful in my memory and before my eyes the thrumming of Seattle music, the steam of fresh coffee on perfect grey skies warm sweatshirts and jeans that fit just right copper hair curling perfectly on my shoulders poetry reading in cafe basements excitement at discovering my voice. You are the cradle of my closest friends my bitterest regrets sweetening my hang-over coffee. You were my first start and every new beginning after that. You were my first home and you will be my last.
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Apr 21, 2014
Apr 21, 2014 at 10:33 PM UTC
Borders
lights precesses against smoothing-out concrete, dawns like these. red runs down and out my twitching strings, puddles on the brickwork gathering about every footstep. trying to make myself a little more like you. a little further away. a little less dizzy. a small crown of wilted lilies. woke up feelin' somethin' similar, taking a collection of successive moments erasing all wishes my lips could ever graze pastures you stitch between snowmelt watercolour blinks and the sugar in your navel and (well, you get the idea). glacially, i converge to some semblance of divergence. stop wishing a second to next. what good are wishes? what good am i to you, at least yet? with heavy linen, i'll mend. i hope you see me, beautiful as dawn, wide-eyed, mauled by no icicle; and increasingly lament what you could have had, honey
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May 29, 2014
May 29, 2014 at 7:24 PM UTC
30.5
When snowmelt from the highest peaks cascades into valleys below, it rushes down arroyos, leaping over boulders, circling round eddies, and settles into lakes and pools that echo the azure sky Along the way, it finds itself in blades of rising grass, on barren meadow floors and in the roots of ancient trees, that sip no more than they need to fill their budding leaves They emerge slowly, from dormant slumber stretching, like monarch wings unfolding, giving homage to the sun And then they bloom, in vibrant multicolored celebration of the renaissance declaring, the arrival of a new day And they give sustenance to the twigs and branches and the trunks, whose toes reach deep into the soil, and they give themselves to winter's spring And they give themselves to the fleeting wind
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Mar 28, 2014
Mar 28, 2014 at 11:12 AM UTC
The language of leaves
Occurs in Late Winter Releasing water to the earth. Beneath the ground the seedlings Drink deeply this essence This Love Child of The Sun & Air. Yes, celebrate  the  gift of pure Love Freely given to All the Living upon the Earth. It is Creation! Preparing to burst up from the Earth. Joyfully Heaven Bound.
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Feb 20, 2020
Feb 20, 2020 at 12:36 PM UTC
The Snowmelt Season