The Pakistan Fashion Design Council in collaboration with Sunsilk presented the fourth and final day of the eighth PFDC Sunsilk Fashion Week. Indeed the 8th PFDC Sunsilk Fashion Week marked the twelfth fashion week platform initiated by the Pakistan Fashion Design Council [with eight weeks of prêt-à-porter and four of bridal fashion] and was a direct manifestation of the Council’s commitment to sustainability and discipline within the business of fashion and the facilitation of Pakistan’s retail industry. Indeed #PSFW15 endeavoured to define and present trends for 2015, focusing specifically on fashion for the regions’ long hot summer months. Day-4 featured High-Street Fashion shows by the House of Arsalan Iqbal, Erum Khan, Chinyere and Hassan Riaz and designer prêt-à-porter shows by Sana Safinaz, Republic by Omar Farooq, Syeda Amera, Huma & Amir Adnan, Sania Maskatiya and HSY.

Speaking about the PFDC Sunsilk Fashion Week platform, Chairperson of the PFDC, Sehyr Saigol said: “With the 12th iteration of our critically acclaimed fashion weeks, the PFDC is always working to streamline our prêt-à-porter platform to make the PSFW experience more beneficial for all stakeholders in terms of show experience, exposure and ultimately, retail value. To that end, each year we look inward to find the best possible formats and categories to benefit the very trade and business of fashion. In this vein, we introduced 3 separate categories for Luxury/Prêt, High Street and Textile at PFDC Sunsilk Fashion Week, giving each entirely separate show space, times, audience exposure and viewing power. Our High Street fashion brands had been given a standalone show time on two separate days as early evening shows and Textile brands a separate dedicated day for Voile shows on Day 3 of PSFW 2015, a measured step to further highlight Pakistan’s textile prowess and high street fashion strength which are of significant importance to national and international fashion markets. As per past tradition, we continue to work closely with all our emerging designers and mainstream brands to help hone their collections for the runway through mentorship by senior PFDC Council members and with retail support through the PFDC’s own stores and network. We are grateful for the committed support of our sponsors and partners which provides us the stimulus to further enhance our fashion week platforms and put forth the best face of Pakistani fashion on a consistent basis.”

“The Sunsilk girl is an achiever, with an air of enthusiasm and positivity. Great hair can give her the extra dose of confidence so with Sunsilk by her side, she is empowered to take on life. Fashion is very close to this aspirational Pakistani girl making the PFDC Sunsilk Fashion Week a highly valued platform for us. We recognize PFDC’s efforts to promote the fashion industry and experienced and upcoming talent alike. Sunsilk has been a part of this fantastic journey for 6 consecutive years and continues to shape aspirations, taking contemporary fashion directly to the homes of consumers and encouraging them to script their own stories of success” said Asanga Ranasinghe, VP Home and Personal Care for Unilever Pakistan.

On the concluding day of #PSFW15, the Chairperson of the PFDC Mrs. Sehyr Saigol also made a special announcement on behalf of the Council and its Board Members, where she shared the Council’s plans to establish Pakistan’s first ever craft based Design District, a multi-purpose specialized facility that would assist in developing and enhancing the arts and crafts industries, which are an integral part of Pakistan’s rich cultural legacy. In addition to being a centre for skill improvement and capacity building, the Design District would also house a first of its kind Textile Museum.

The official spokesperson of the PFDC, Sara Shahid of Sublime by Sara also announced the official dates for the Council’s next fashion week, PFDC L’Oréal Paris Bridal Week 2015 which is scheduled to be held from 15th September to 17th September 2015.

Indeed the success of PFDC Sunsilk Fashion Week continued to prompt private sector associates to grow in their engagement of the platform to launch new marketing campaigns and promotional activities. To this end, the PFDC’s evolving partnership with Sunsilk grew exponentially this year whereby in addition to their title patronage; Sunsilk also took over the coveted PFDC Sunsilk Fashion Week red carpet and the Green Room/Backstage, as sponsors. This extension of their support is indeed a manifestation of the brand’s belief in and commitment to the platform. Also in continuation of their support for the platform, Fed Ex – GSP Pakistan Gerry’s International returned to PSFW as the official logistics partner, offering the PFDC a special arrangement for international designer consignments.

PFDC Sunsilk Fashion Week 2015 was styled by the creative teams at Nabila’s and NGENTS. Light design, set design, sound engineering, video packaging, choreography and show production from concept to construction was by HSY Events, front stage management by Maheen Kardar Ali, backstage management by Product 021, Sara Shahid of Sublime by Sara as the official spokesperson for the PFDC, logistics and operations by Eleventh Experience and photography by Faisal Farooqui and the team at Dragonfly, Hum TV/Hum Sitaray as the Official Media Partners, CityFM89 as the Official Radio Partners with all media management by Lotus Client Management & Public Relations.

High-Street Fashion Shows

The House of Arsalan Iqbal

The afternoon High-Street Fashion Shows on the final day of PFDC Sunsilk Fashion Week 2015 were opened by leading fashion brand The House of Arsalan Iqbal, who showcased a collection titled ‘Devolution Chic’. Inspired by street art across the world by various artists, European high-street trends and technique of quilting, Arsalan Iqbal garnered personal portfolios of graffitists from myriad urban cityscapes such as London, New York, Tokyo, Barcelona and Cape Town, juxtaposed with some unique in-house created patterns including those of Pac-man, calligraphic flourishes and aqua and tangerine bands and circlets. Based in chiffon, the ensembles were molded into voluminous structured silhouettes including draped tunics, edgy jumpsuits and wide palazzos dovetailed with off-white and ecru charmeuse silk jackets created with a revolutionary quilting process. Along with menswear pieces, the collection also included in-house footwear and jewellery made in collaboration with pioneering Karachi-based street artist SANKI.

Erum Khan

Designer Erum Khan followed next and made her PFDC Sunsilk Fashion Week debut with ‘The Untainted Shine’. The collection took its inspiration from the sparkle of twinkling stars, a walk on pearl dew in the morning and the enchanted glow which is produced when “a magic wand” is waved around the body, making it glow in a pearlescent white and exhibiting a jewel themed lustre on the body. With neat and straight structured cuts, Erum had used fabrics such as organza combined with silk, 3D flowers, patch work and antique katdanna in a collection which was based in a white colour palette. Trends highlighted in the collection were high waist skirts to button up pants and sheer long dresses. Acclaimed Pakistani musician Goher Mumtaz and his wife Anam Ahmed walked the ramp as the designer’s celebrity showstoppers.

Chinyere

Following Erum Khan, fashion brand Chinyere showcased its Spring/Summer 2015 High-Street collection ‘Mizaj-e-Shahana’ at PFDC Sunsilk Fashion Week 2015. An ode to the era of the Mughal royalty and their imperial aesthetic, the collection comprised of modern silhouettes and traditional embellishments with organza skirts paired with cropped tops, angarkha-peplum tops with embellished cigarette pants, sheer knee-length jackets paired with structured digital printed bustier-jumpsuits, diaphanous wrap-around boot-cuts and embellished boxy sleeves with soft A-line silhouettes. Chinyere also showcased ten menswear pieces comprising of waistcoats, jodhpurs, knee-length sherwanis paired with gossamer sheer kurtas. The colours used had been divided into a collection of distinctive Mughalesque pastels and jewel tones. The pastels included the classic marble ivory-on-ivory, the bold black, saffron, gold and ivory. The colour segments also included metallic gold and grey sections, with accents of bronze and black. The jewel tones included jade, emerald, ruby and sapphire.

Hassan Riaz

The concluding High-Street fashion show of PFDC Sunsilk Fashion Week 2015 was presented by Hassan Riaz who showcased his ‘Contained Shadows’ collection. Inspired by the diverse facets of the human soul that explore both the dark and light sides of human nature, taking into account yearnings, desires, and anxieties that make us distinctly human, Hassan had based the collection in summer twill, organza and summer denim in shades of blue and white with a gold accent to reflect upon his inspirations. ‘Contained Shadows’ made use of structured and drifting silhouettes, cage crinolines with corsets and bustiers with distinct trends featuring cropped tops, nautical accents, experiments with transparency and patchworks of metal mixed & matched with flowers.

Designer Showcases

Sana Safinaz

PFDC Sunsilk Fashion Week 2015’s evening [rêt shows on the fourth and final day was opened by premier designer label Sana Safinaz. Sana Safinaz’s PFDC Sunsilk Fashion Week collection was inspired by monochromatic structured looks with pops of color. The collection was based in luxe fabrics such as kattan, silks, fine silk organza and dutches satin in a colour palette majorly based in black and white with strong vibrant pop infusions.
Key trends being highlighted were the oversized T, constructions-clean lines, simplicity of cuts and effective embellishments.

Republic by Omar Farooq

Following Sana Safinaz, acclaimed menswear brand Republic By Omar Farooqshowcased a collection titled ‘Que Sera, Sera!’ (whatever will be, will be!). Omar Farooq had used a variety of luxe fabrics such as suede, linen, chiffon, cotton, cotton silk and wool silk. A collection for all seasons, the ensembles built upon the label’s signature aesthetics while providing a new take on contemporary menswear. Acclaimed media personality Fawad Khan walked the ramp as the brand’s celebrity showstopper.

Syeda Amera

The third Prêt show of the final day of PFDC Sunsilk Fashion Week 2015 was presented by designer Syeda Amera who made her ramp debut with ‘The World of Sea’. Inspired by love for the enchanting underwater, the collection was based in premium quality organza, jersey, nets and silks with delicate cuts and embellishments consisting of beads, sequins and feathers to reflect the collection’s aquatic theme. ‘The World of Sea’ featured a palette of aqua marine, scupa blue, powder pink, grey blue, tequila sunrise yellow, orange and lagoon green with trends that employed skirt layering, frills and ruffles and flared pants.

Huma & Amir Adnan

Following Syeda Amera, Huma & Amir Adnan showcased a joint collection for the first time at a fashion exhibition. Both Huma and Amir feel that as a couple they share their lives and draw synergies and their collection ‘Symphony’ was an epitome of how two people can revolve around the same concept in harmony, while maintaining their individual distinction. Showcasing both menswear and women’s wear at PSFW 2015, Huma and Amir had used a mix of fabrics, textures and embellishments with a complex collection of weaves, prints and embroideries in silk, linen, cotton and microfiber. The color palette included midnight blue, emerald green, wet earth, aubergine, ivory, old paper, turmeric, leaf and magenta. Key trends highlighted in the collection were long shirts, double layered shirts, printed vests and jackets, textured pants, colored shoes for men and layers of multi-textured fabrics, tighter silhouette, vests and jackets for women.

Sania Maskatiya

Designer Sania Maskatiya showcased the penultimate Luxury/Prêt collection of the evening at PFDC Sunsilk Fashion Week 2015. This S/S ’15, Sania Maskatiya took audiences on a fashion journey to ‘Paristan’ – a place of fairytale whimsy at PFDC Sunsilk Fashion Week. With a colour palette ranging from the softest shades of daybreak to the deepest hues of nightfall, ‘Paristan’ was a collection of playful, dreamlike prêt ensembles. Featuring luxury fabrics like silk, organza, charmeuse and crepe, the pieces followed the brand’s signature silhouettes, both structured and fluid. Beads and sequins embellished varied hemlines and multiple layering, all set against captivating scenes of mirth and magic. Motifs ranged from the sublime to nonsensical; friendly mice and naughty elves, clocks and teapots, flowering fields and star-filled skies, princesses and ponies.

HSY

Day-4’s finale was presented by acclaimed couturier HSY who showcased a collection titled ‘INK’; a collection inspired by Asia and specifically HSY’s journeys to The Land of the Rising Sun. INK represented the essence of Langkawi, Indonesia, Nagasaki, and Yunnan with natural and indigenous yarns, hand-woven to perfection. The collection featured the traditional dyeing techniques of Shibori from Nagasaki, Batik from Indonesia, and Gara from Sierra Leone infused with mackintosh, saffron, aubergine, eggshell, rosette, indigo and ochre. Created with the scorching sub continental summer in mind, INK channelled versatile hemlines to suit a diversity of younger, older, working men, women and homemakers alike.Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-brisbane

Selfies,
I can smell the desperation,
from here.
odors  of worry;
rippling anxities of uncertainity.
two dimensional,
instantaneous impressions,
pixelated presentations,
and
Teenage frustrations.

up tilted camera.
held against the light,
Illuminating eyes ,
and eradicating spots.
that looks like a good one.
Vicarious representation;
of how good
one could look,
fallible and hopeful.

big bosomed dame
showcasing blessed cleavage,
pulsating the adolescent
bulges.
delivered to
metal passenger,
thereafter shown
among peers.
networked to unknown.
Friends who'd never
met eye,
or
touched skin,
or
even spoke.  

self conscious
cropping of images.
fat and fearful.
wasted hours,
dying for love.
False dream of
captivating the messes with her selfie.

The very ugliness
of impressions.
Oh, how shallow we've became.
The denial
of the impact of aesthetics.
laughable,
torrents of judgement
Skinny,
fat,
ugly,
behold their desperate eyes behind the selfie.

On World Hijab Day, which was on February 1, you didn’t have to be a Muslim to wear one. The designated day was first announced in 2013. Founded by activist Nazma Khan, the story behind World Hijab Day is an emotional one which speaks of the bullying, prejudice, physical and racial abuse Khan endured as a young child who migrated to the US from Bangladesh. These unkind imputations were all because she wore a hijab.

Since launching an online store in 2010 to sell hijabs, Khan has received an outpouring of support from hijab-wearing women across the globe who have shared with her their own terrifying stories because of their headscarves.

Today, World Hijab Day is celebrated in 116 countries around the world. Although the declaration received negative criticisms from some who saw it as a “well-financed effort by conservative Muslims to dominate modern Muslim societies,” others respect the day. One such person was New York Assemblyman David Weprin, who in his feature address on World Hijab Day, said: “As the prime Assembly sponsor of the Religious Garb bill in New York State, A2049, I stand with all Americans of faith, regardless of their choice, to wear a hijab, kippah, turban, or cross. All Americans of all faiths should be allowed to freely exercise and display their religious choice without the fear of violence and bigotry.”

Here at home, women’s rights activist and model Naballah Chi has not been quiet about her love and honour for the true meaning of the hijab. In an interview with the T&T; Guardian, Chi explained the meaning of the hijab and why it’s worn.

“The literal meaning of hijab is to veil, to cover, or to screen. Islam is known as a religion concerned with community cohesion and moral boundaries, and therefore the hijab is a way of ensuring that the moral boundaries between unrelated men and women are respected,” said Chi.

She added, “In this sense, the term hijab encompasses more than a scarf and more than a dress code. It is a term that denotes modest dressing and modest behaviour. Wearing the hijab is a commandment from Allah. The majority of Muslim women wear hijab to obey God, and to be known as respectable women.

“The basic requirement of the hijab is that a Muslim woman should cover her head and ***** (chest) and her body. So in the last 30 years, hijab has emerged as a sign of Islamic consciousness and women’s assertion to obey their lord. A woman wearing hijab becomes a very visible sign of Islam.

“The aura of privacy created by hijab is indicative of the great value Islam places upon women. Therefore, hijab is not a symbol of oppression. The hijab does not prevent a woman from acquiring knowledge or from contributing to the betterment of human society. While those who seek to ban hijab refer to it as a symbol of gender-based repression, the women who choose to don a scarf, or to wear hijab, in the broadest sense of the word, view it as a right and not a burden,” she explained.

She said wearing the hijab has given her the freedom from constant attention to her physical self.

“My appearance is not subjected to scrutiny, my beauty, or perhaps lack of. Instead it has been removed from the realm of what can legitimately be discussed,” she said.

Chi comes from a world of beauty pageants where she once felt pressured to put down her hijab in exchange for a crown.

After understanding the true meaning behind the hijab, and why she wore a hijab as a Muslim woman, she decided to design a fashionable collection called Classic Woman—not the conventional headscarf, but rather, beautifully coloured pieces which bear intricate artwork. They can range from embroidery to sequins or even tie-dye. The sky is the limit when she puts her fashionable sense into motion.

Chi said the collection was inspired by both The Great Gatsby and the Renaissance eras of power dressing.

“My collection features designs showcasing the powerful but elegant and well-tailored woman.

Chi Collection’s trademark fabrics are soft, beautiful silks, chiffon, sequins, embroidery and bridal laces. Distinctive attributes are the colours scarlet red, white and black, in keeping with the classic fashion palette and to pay homage to my country as a Trinbagonian designer,” said Chi.

Her collection was launched in November 2015 at the Red Runway Fashion Gala held in Port-of-Spain. The collection will be available for purchase via Chi’s upcoming website.Read more at:www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/formal-dresses-2015

TO PUT the art and talent of Mindanaoan fashion design into the spotlight, Kagay’anon fashion designers put their hands together to organize the 5th Mindanao Fashion Summit at the Limketkai Center Rotunda from August 4 to 6, every 4 p.m.

“Being a core event of the Higalaay festival, the opening salvo, the Mindanao Fashion Summit can really highlight fashion designers here in Cagayan de Oro and also in different points of Mindanao to let everyone see what they can do in the world of fashion design especially now that there are only so few opportunities for these designers to show off their works to the public. This is why we have the Mindanao fashion Summit because Kagay-anon designers believe that even if they join national fashion shows like the Philippine Fashion week, most of them still aren't getting the right encouragement as a fashion designer.” said Robbie Pamisa, the overall organizer of the event.

The Fashion Summit is a three-day event composed of seven sub-categories such as the Mindanaoan collection, the Menswear collection, and the Ororama orange collection for the first day, the Guest Designers’ collection, the Fashion Institute of the Philippines collection and the Loop Lifestyle Fashion Show for the second day, and the Holiday Grand collection for the third day which will serve as the culmination of the fashion event.

Mindanaoan Fashion designers from Cagayan de Oro as well as Davao, Butuan, Iligan, and Bukidnon have come to showcase their talents. Some of the fashion geniuses of the event include Alma Mae Roa, Angela Soriano, Ann Semblante, Benjie Manuel, Boogie Musni Rivera, Gil Macaibay III, John Mark Magellan’s, Joshua Guibone, Juniel Doring, Kiko Domo, Mark Christopher Yaranon, and Mavy Cooper de Leon.

One of the highlights of the event is the Oro Fashion Designers’ Guild and the Designers Assembly featuring a collection of clothes using Mindanao material such as the Mindanao silk. Sponsors such as Ororama and The Loop Towers will also be showcasing their products in the fashion event.

“Even student fashion designers from the Fashion Institute of the Philippines have been encouraged to participate so that they will be able to experience how a fashion show works. This is also a way for us to fulfill our mission to be another avenue for fashion designers to show what they have,” Paisa said.Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/long-formal-dresses

Oh there they go again with reporting news for dramatic effect
Showcasing the young black youth.
Showcasing the young male Latino quickly upon the news.

Without fairness to report the youth/older white male for being a *******.
Numbers shows , they rule that route of crimes.

Showcasing the dealer on the street.
But not showcasing the well paid secretary or executive purchasing the drugs.
Or white politicians using schemes to serve time.
What many call the deal killer?
Using excuses after excuses to be a committed member of the correctional services.

All because, they need the poor for news dramatic effect.

Obviously, the ones with the guns think they secure.
Until they ****** by their own family in the neighborhood.

Don’t read this if you’re squeamish,
Or if you’re eating food at the present,
Since some of the subjects discussed in this poem,
Are let’s just say rather unpleasant,

On the subject of donating organs,
Or the subject of organs at all,
It’s not unusual for my claims to leave,
Some subjects feeling pretty appalled,

Now I’d say that most people die,
In fact I’d vouch that it happens quite often,
But when my time comes, set has my sun,
I want all of me in that coffin,

Now I get it, I’d save lives if I donated,
And I don’t mean to sound like a **** (yes I do),
But the unmissable flaw, the foot in the door,
Is that not all of my parts seem to work,

My eyes are screwy, my heart’s far too cold,
The state of my lungs’ll make you shiver,
My kidneys too small, I'm not sure I have a pancreas,
And don’t get me started on my liver,

And let me tell you with a face like mine,
Not showcasing this beauty’s a sin,
But it’s awfully hard to have an open casket,
If I’m not sporting any of my skin

It’s selfish and weird I know that,
But my eyes are where my soul is exposed!
…Yeah actually my soul’s pretty tainted,
Can someone make sure that my eyes are closed?

I only want those I love to have a part of me,
So if I’m forced, if I’m forced, to partake,
-
-
-
They’ll be frying up my organs,
For refreshments at my wake.

/I dreamed that wrinkled fingers pointed me backward down the road to teach me about faith./

there’s this plastic imitation leather
peeling off of my steering wheel
and it caught the edge of my chin tonight:
like a fingernail if I closed my eyes.

I re-find that people are flawed,
that I value flaws in a certain lilt or lighting—
I fall deeply in love with confidence like that
but fail to pull it to my own cheeks.

we’re microwave dinners, have you noticed that?
showcasing our dreams in caricatures we later regret.
we’re rotating in heat—pressurizing for perfection,
warming our raw insides to blend with what we see.

(it felt like a fingernail if I closed my eyes.)

spines are expressive—they make us easier to read.
no spine is more inclined to bring eyes the rising sun than yours.
our spines are expressive—they make us easier to write.

People people
                         they go around like pigs
                         showcasing their fancy suits
                         proclamating the biggest trend

Jewelry, then food, then them big fast automobiles

Those are the priorities by order

Getting greedy
Getting fat
Gettin' Gettin' GETTIN'
                                
                                 In a monstruous ball of meat!
                                 With a monstruous will of plastic!
                                 Monstruously stupid!
                                              Monstruous,­
                                              monstruous...

I'm­ gettin' tired
But I'm afraid,
They are just getting started.

For the first time on campus, Sisters on the Runway will strut and pose for domestic violence awareness.

Sisters on the Runway will be hosting its first annual fashion show from 7 p.m. to 9 p.m. tonight in the Business Building. All proceeds will be donated to the Centre County Women's Resource Center, Layla Taremi president of the organization, said.

Sisters on the Runway is a national student-run organization that raises awareness about women and children who reside in domestic violence shelters. There are over five chapters throughout the nation, each supporting the same cause to local shelters. It was founded in 2009 and has grown since then, Taremi (sophomore-marketing) said.

Aside from the fashion show, which is the biggest fundraising event that the organization hosts, Sisters on the Runway is also responsible for other events. The organization hosts a chalking event where they write facts about domestic violence on sidewalks using chalk. This is a way for them to raise domestic violence awareness, Taremi said. It also hosts a walk where all participants walk a mile in heels for awareness.

The show will consist of eleven female models and three male models, Edie Alexander, the event planner, said.

Alexander said the show is expected to showcase clothing from Connections, Dwellings, Diamonds and Lace Bridal and Harper's, who are also their sponsors. Looks Hair Salon will be responsible for hair and makeup for the models in show, Taremi said.

"There is no theme for the show,” Taremi said. “It will be a wide spectrum of clothing."

The male models are expected to walk the runway showcasing suits and tuxedos, Taremi said. Originally the show was not going to include male models. It wasn't until the owners of Harper's decided to contribute to the show by donating some men's apparel for the fashion show.

All the models participating have been building up their confidence for the runway, Alexander (sophomore-recreation park and tourism management) said.

"I'm excited for our first annual fashion show, I hope this brings more awareness to the Penn State community," Vice President Lauren Shearer (sophomore-supply chain management) said.

The organization’s goal is to get a lot of people involved through different events to help raise awareness of domestic violence, Shearer said.

"We’re trying to push people to come, not just Penn State students, because it's not an issue that doesn't only affects college students,” Alexander said. “It affects everyone as well."Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-adelaide

London fashion designer ­Carmina De Young is bringing her first ready-to-wear collection to market with the support of two local fashion mavens, wardrobe and image consultant Susan Jacobs, and business mentor Gloria Dona.

De Young’s Spring/Summer 2016 collection is now available by appointment at the Pop with Purpose studio,

The studio recently held an informal fashion show featuring De Young’s collection.

De Young was born and raised in Puebla, Mexico and discovered her passion as a young child, taking inspiration from her mother’s creative flair for fashion and design.

A graduate of Fanshawe College’s Fashion Design program, De Young’s clothing has been showcased locally and on national platforms, including at Vancouver Fashion Week and at the Caisa Fashion Show at Western University.

De Young started her own label in 2012 and now has a 25-piece ready-to-wear collection ranging from office to casual activities to a night on the town.

Each piece is available in size XS to XL with prices ranging from $79 to $259.

Instead of trying to break into the notoriously-difficult retail market, Dona and Jacobs offered to bring the De Young collection directly to London women through the Pop with Purpose studio.

“We love that we can offer women locally designed and manufactured clothing where they know the designer and know that they are helping make dreams come true,” says Jacobs. “There’s power in that. It’s incredible.”

Topspin scoops award

London-based Topspin Technologies Ltd., has been awarded the Synapse Life Sciences award for innovation in health. Their product, the Topspin360, beat out more than 60 invited applicants for products that demonstrate an innovation in health in Ontario.

This award follows the London-based Techalliance “Techcellence” award the company won earlier this year.

The Topspin360 is the first patented training device that helps improve neck muscles to reduce concussion risk.

Theo Versteegh, who earned his PhD in physiotherapy from Western University in 2016, developed the device after watching the Sidney Crosby hit in 2011 that caused his concussion.

Versteegh found that many sports concussions are the result of the whiplash effect.

The Topspin can be used in all sports, especially those at high risk for concussion, and also in military applications.

Northerner joins Fortune

David Ramsay, a former cabinet minister in the government of the Northwest Territories, has joined the board of directors of London-based Fortune Minerals .

Ramsay has more than 20 years of elected public office experience in the Northwest Territories. His cabinet portfolios included industry, justice, transportation and public utilities.

Fortune is working with three levels of government on infrastructure projects important to the success of the company’s NICO gold-cobalt-bismuth-copper project in the Northwest Territories.

One project is a 94-kilometre all-season highway to the community of Whati, northwest of Yellowknife.

The road is supported by the Tlicho Government, a Dene First nation and would reduce the cost of living and improve the quality of life in the outlying Tlicho communities and promote economic activity. Fortune has already received environmental assessment approval to build a spur road from Whati to the NICO mine.

Delta hosts bridal show

The London Wedding Professionals will hold their second Bridal Showcase at the Delta London Armouries on April 30.

The event offers a smaller, more intimate experience for brides to meet local wedding industry experts, ask questions, and get inspired for their wedding day.

The show features products and services from professionals including gowns, photography, florists, venues, DJs, hair and makeup and wedding planners.

The showcase also puts a focus on inspiring brides with Vignettes throughout the space showcasing different themes or colour palettes.

The show runs from 11 a.m-3 p.m. and admission is free.

Student makes his pitch

Sean Cornelius from St. André Bessette Catholic secondary school in London is one of 20 teenage entrepreneurs heading to Toronto May 8–10 to compete in this year’s edition of the Young Entrepreneurs, Make Your Pitch competition

Selected from the 204 two-minute video pitches entered, Cornelius earned the right to participate in a Dragon’s Den-style pitch contest at Discovery, Ontario Centres of Excellence’s annual innovation-to-commercialization conference, to be held on May 9 at Metro Toronto Convention Centre.

Hamilton Road looks ahead

Business people in the Hamilton Road will hold an information meeting Wednesday about the creation of the Community Improvement Plan that could lead to the creation of the Hamilton Road Business Improvement Area. The meeting will be held at 7 p.m. at the BMO Sports Centre on Rectory St. and guest speakers include Mayor Matt Brown and MPP Teresa Armstrong.Read more at:www.marieaustralia.com/****-formal-dresses | www.marieaustralia.com/vintage-formal-dresses

in the summer before
everything ended,
we went to an art museum
that had entire rooms showcasing death
and you pulled me away before I could admire the human composition
stains, melted into bronze silhouettes, because
what if I thought it looked ugly

what if I figured out
I didn’t actually want to **** myself
and instead just wanted to escape you –

stains of strawberry juice around my mouth I thought of
as blood and you thought of
as lipstick

I prettied myself for
suicide , I scratched maps into my thighs – little guides of where a
knife would go
little hopes that if I saw the death display
maybe I would have known.

for years
it was all experimental. I watched pieces of us
come and go like art exhibits, you watched me as if I was nothing but
a work in progress
that soaked up so much paint I could
not help but look like you when it was through. I was
a child,  was
impressionist (impressionable –

now your thoughts persist
as human composition stains – happily, I am alive
and you will never be dead enough.

Pale-faced and stiff,
he stood...
Unmoving - frozen in time.

His chest no longer heaved,
his limbs dangled dead.
His painted lips were parted
with no spoken words.

We have before seen him breathe.
We have before noticed his wordless actions.
We have before heard his song.

And this is his end -
A space
unaccompanied by his usual
careful and subtle gestures.

He bore no voice now as he did then.
But his story was told loud
through the lyrics and music
of a hauntingly, mournful song...

Showcasing the lone relatable teardrop
that never dries.

A gaggle of glamour girls,
Debutantes of Times gone by.

With talk of Aruba,
White Sands and clear blue waters,
Spoken to inspire jealousy to all those around.

And of organization,
Motherhood and label makers,
Construction of pigeon holes for every part of life.

And the Latino Girl at work,
Whispers of the lasciviousness of a life unknown,
In the silliness of two glasses of white wine each.


I smoke a barrier between them and me.

In an effusive hurried rush they leave,
In search of sustenance of the soul,
In search of Sisterhood.

I sit in a Dewar’s drought.

She walks by and grazes her fingertips across my back,
A touch of familiarity,
A touch that I long for.

Gently, I speak,
Within this microcosm,
You stand as Aphrodite.

Smiling, she goes about her work.

I return the appreciation,
The warmth of bad bourbon,
Exuding from my pores.

Cause I sit in a Dewar’s drought.

They sit down in the virility of youth,
Testosterone tilted hats,
Speaking the language of Poser Street,
In the melody of white noise.


Showcasing the uniforms of a self-created culture.

I turn and tune them out.

Aneeth Arora refers to herself as a ‘textile and dress maker’ rather than a fashion designer. That’s because she makes her own fabrics, a process she enjoys, and says that if it’s only designing, then there is not much left to it other than giving shape to the fabric. Aneeth will be showcasing her collection in the city at an exhibition titled Nayaab, which features creations by 12 handpicked designers, who work with craftsmen to produce intricate garments.

Aneeth’s collection is entirely in off-white with gold and silver details. She’s transformed luxurious brocade and wispy Chanderis into shimmery jackets, summer dresses, flowy maxis and tunics, smart scarves, skirts of varying lengths and long kurtis. Adding a dash of colour to the display is the capsule featuring clothes with hand embroidery and beads. Her trademark anti-fits find their place here. The collection is laidback, with a few elements of androgyny and some downright girly.

A part of what’s on display here was showcased at the Amazon India Fashion Week Spring Summer 2016, where she put together the famous pyjama party with sleeping bags and models in comfortably trendy shorts and dresses.

For Nayaab, she’s also specially created a few outfits that are not available at the stores.

Pero, which started in 2009 with one tailor and one runner out of Aneeth’s house in Delhi, now has 80 people working out of a bigger space. “If you count the weavers I work with, the number is far more,” she says.

Right from the beginning, the 32-year-old has worked with handlooms from all over India. For example, the block prints are done with weavers in Gujarat and Rajasthan, ikat is done in the South and the woollens are from Himachal… “We are inclined to anything that’s handmade,” she says. This includes Mexican braids, lace from Europe and crochet from Afghanistan.

The last decade has seen a revival in handloom, with more designers incorporating them in their designs. This has, in turn, brought about a change in the buying pattern of clients.

“There was a point when weavers didn’t see a future in what they were doing and sent their children to work with construction companies. Now, they know there is a market for weaves and they are confident. Their families are getting involved in it again. It’s all going uphill from here,” says Aneeth, contented.Read more at:www.marieaustralia.com/purple-formal-dresses | http://www.marieaustralia.com/long-formal-dresses

I'm not here to f-ck you Molly
     But maybe I can still make you feel beautiful
          Even if you're dead.

You were an "A" girl
     in the red-light district

This side of town
     Your Daddy was a politician

And his best friend
     Was your last appointment

They found your bones under the floorboards,
Molly.
They wanted to put you in a display case,
Molly.
What's your unfinished business
Molly?

You're still showcasing your soul
As an apparition of this apartment

They're here

Isn't it time to move on?
Don't you have light to travel through,
  to get to another physical vehicle?

What keeps you illuminating this place?
I'm not here to ***** you out
Maybe I'm just trying to understand,

What really happens when we die,
Molly?
Are they trafficking ghosts here for profit
Molly?
Have you soul'd out,
Molly?

Teen model Shonali Khatun strutted the catwalk as the audience cheered at a fashion show in Bangladesh's capital.

But Shonali is no ordinary model, and this was no ordinary show.

She and the 14 other models are survivors of acid attacks, common in this south Asian country, where spurned lovers or disgruntled family members sometimes resort to hurling skin-burning acid at their victims.

The fashion show, held Tuesday night in Dhaka and attended by fashion lovers, rights activists and diplomats including the US ambassador to Bangladesh, aimed to redefine the notion of beauty while calling attention to the menace of such attacks.

For 14-year-old Shonali, the event was nothing short of empowering. She was attacked just days after she was born amid a property dispute involving her parents, and was left with burn scars on her face and arms. She spent nearly three years in a hospital and underwent eight operations. Her attacker has never been caught.

"I am so happy to be here," she said. "One day I want to be a physician."

The models, including three men, walked the catwalk, dancing and singing and showcasing woven handloom Bangladeshi designs. The show was choreographed by local designer Bibi Russel.

Organisers said they hoped to highlight the fact that acid victims, too often overlooked, are a vital part of society. They deliberately chose to hold the event on the eve of International Women's Day.

"We are here today to show their inner strength, as they have come a long way," said Farah Kabir, country director of ActionAid Bangladesh, which organised the show. "I often take inspiration from them. Their courage is huge."

Bangladesh has struggled to deal with acid attacks in recent decades, and has instituted harsh punishments for the perpetrators, including the death penalty. The country has also trained doctors to treat such sensitive cases and attempted to control the sale of acid, but has failed to eliminate the scourge entirely.

In 2016, some 44 people were attacked with acid in Bangladesh - an annual number that has remained relatively stable.

"I am ashamed of having such things in the country," Kabir said. "Unfortunately, in Bangladesh we do have acid victims because of either gender discrimination or violence, or because of greed. And we want to remind everyone the kind of injustice that has been meted out to them."Read more at:http://www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses

When a
Remorseful convert,
Astray that had gone far
Blemishing his /her soul
With Sin's tar,
Puts a broken heart
On the altar,
By far,
S/he could enjoy
God's grace
Or even
Win a higher place
In His face
Than a devotee,
Taking pride
In his/her deed,
Who oft mount
A spiritual war
Devil's way to bar.

It is with
A broken heart
The culprit
Hanged by the right
Of Jesus Christ
Got to Eden's garden First
Though Adam,Moses,
Abraham, Job
And others were
Top on the short list.

It is by the virtue of
Their determination
Sinful ways to quit
Zacchaeus and
Mary Magdalene
Were seen fit
Than the hypocrite!

It is this line
From genesis
To revelation
God labours to bring
To our attention
So with conviction
Let us pray for
Our soul's resurrection.

Of course, no doubt,
Our devotion could buttress
Our chance to enjoy
His mercifulness!//


                      Who the Devil is Alem Hailu

He is an emerging  Ethiopian poet,translator and author of all literary genres in the medium of English language.
He is penetrating the global book market stamping a foot print on the firmament of literature.
If you peruse his work you could note ,with poems of local touch and national sentiment like 'Come to Ethiopia' and 'Great Tiding' , he is playing an ambassadorial role in several international poetry blogs from Australia to America .His poems have proved trending.
He has achieved global presence via
www.poetrypoem.com
www.hellopoetry.com
www.poemhunter.com
www­.allpoetry.com
www.writeoutloud.com
www.novelcollective.com / Australia
www.poemabout.com
His books  and posters showcasing the knack of an Ethiopian author are cracking open publishers from Europe to America(www.united -p.c.eu ) (Austria),www.lulu.com(America), www.trafford .com America)
From the publisher  or amazon and the like, you can order for his books aiming at entertaining,edifying,style-showing,seeking an outlet to east African voice,finding a niche to Ethiopian authors in the global literary scene  and teaching the English language.
Specially schools,colleges,universities and libraries, people running stationer,book malls and cultural unites of different embassies could benefit from making his works available on their shelf.

To foreigners his work could serve as a window story.
His works include

1) In the Vortex of Passion's Wind

A poetic Drama on the Wrong Turns of life *** and AIDS
It is also meant to serve a language teaching material and Higher Learning Institutions and Preparatory Schools
A useful input  for performing artists
By Alem Hailu G/Kristos

ISBN:978-3-7103-2109-2
www.united- p.c.eu
Austria

2)A Boon of Classic Poems

(Translation in Amharic)
A collection of selected  classic  poem
By Alem Hailu G/Kristos
ISBN:978-1-312-94998-0
www.lulu.com,America

3) A Vent to Stifled Emotion
A debut collection of poems
By Alem Hailu
ISBN:978-1-4907-5675-2(sc)
978-1-4907-5674-5(e)
www.Traffor­dpublishing.com
America
4) The Truth and Dawn
and Other  palatable Short Stories
of both mix: Art for art's sake and life's sake
By Alem Hailu G/Kristos
IBN 978-1-329-43915-390000
www.lulu.com
America

5)Pupil's poem(Full Color)

Rhyming poems for pupils and learners of the language
Systematically selected words and expressions to upgrade the language proficiency of students.
Inspires pupils to read as well as write poems.
Lulu.com ,America
ISBN:5800111090472

6)Hope from the Debris of hopelessness

A Novel with the theme “Disability is not inability!”
By UnitedP.C is in the pipeline
ISBN:

back when people worked Saturdays,
and there was a Jewish aroma in the air,
where people had only one day
to recuperate, just before the office jobs,
and the mundane trollop of
Saturdays free, Sundays free -
you'd never believe the things that went
on under the iron curtain: later known
as the iron skirt: oh boy, those girls flew
the nest and established a well-knit
web of deceit and lies, but they were
happy housewives in the end...
the men? if not strong enough: expendable;
i'll see in 2 hours, when you finally decide
that theology is half as harsh as Darwinism,
first you want to hear the rational, rude
and crude, then you defend Disney...
make your mind up!
you wouldn't believe what went on under
that iron skirt... they lived their lives glorifying
the Sabbath... because they knew:
if i have two days off, i'll grow lazy,
and the Chinese will sniff out my laziness
and say: **** yeah! bring in the jobs!
and boy! ye-ha! they managed to bank on a swarm
of herring then the west lost its plot
figuring out history with nostalgia,
or the reinvention of the wheel...
dizzy, yuck: *****... repeat, repeat, repeat...
have you noticed how grey-haired western
leaders become in the anglophile sphere?
give them four years, and after that you can call them
grand daddy'oh...  the Soviets? well, i'm like
one of those Napoleonic fetishists,
i care to mind the whip and the guillotine,
why? because some people are so stupid that
it's complimented in their unruliness -
it does't exactly spell out H A R E M...
it usually spells out G Y M...
there's weightlifting with that plump one over here,
oh yeah, she's the late comer, i guess that's
the rowing machine... etc. etc.,
you jealous? i feel like strangling my cat for excesses
in meows - but do you you really think you'll
converse with a communist party member,
apart from reading Trotsky or Marx and simply
daydreaming? you probably will,
i have a contact, i have heard the reality,
i see it too: he's in his seventies and comfortable
with a pension... the state actually exists in his
comfort zone... most of the pensioners in the west
can start their denial of whether or not the state
exists... well... we know McDonald's exists...
but the state, i.e. England, America? i'd put my bets
on Nike first... the state doesn't actually exist for them...
just recently B.H.S. shut down
and the pensions went down the drain...
i wish i was spreading propaganda on purpose,
as if it was my job... i'm just digesting the facts...
you will never become Red when you haven't spoken
to an old-school Red... no point reading Trotsky and
thinking big when ******... sure... pout and pose
your little socialist escapade, turnip shoved up
a badger's ****... that's how it looks to me...
so you really want to be a communist? you know what
that actually means? i know what it means:
a comfortable retired engineer of a steel industry,
i never chose to be a poet, i was expecting chemist,
but i live in a country hell-bent to create as many
entertainers as possible, i don't mean circus antics,
i mean: bore me to death with karaoke -
they'll get one single out after being the village bicycle,
then they'll write a book, and then the n.h.s. will
collapses: what ever happened to the joys of physical
labour? i knew it once, fair game my health sorta
deteriorated without my wanting it to spiral into writing...
but what i was given i exploited...
and the pitched maxim describing the times we live in?
oddly enough from Charles Manson:
everyone's mad these days...
                            the quarter synagogue...
excuse me while i talk to the secular priest (a psychiatrist)...
weaving the trigonometric snail trail of
doubt, deny, doubt, deny, doubt, deny...
                              and that pretty much sums it up -
oh right, only now you hear the truths...
yeah, in the Soviet era people worked Saturdays,
being an atheistic model, in managed to incorporate
all the good bits of Christianity, Judaism, Islam...
the one day's rest fed it, primarily,
because it secured the fact that people could enjoy life
as plumbers, electricians, etc.,
in the west, the extra day means everyone wants or dreams
to be an artist - i think a falling leaf in autumn is
more entertaining than Liberace on steroids
milking the old ladies while hiding his homosexuality...
but that's me... sure, go ahead, go to your little
therapy sessions in protest on Wall St.,
but don't expect me to be there... you all end up
desecrating the statue of liberty: gagged and showcasing
a ***** rather than a torch...
freedom only goes a certain distance: before it just becomes
someone's bling raging exfoliating plight into extortion
and exploitation...
               so, you think you can be a communist?
looks to me that the Chinese are doing alright -
                             i doubt there's a Mongolian sentiment in
them - mind you, the first Communist society,
as canvas for later implementations of the theory?
Mongolia... that's where it started, Mongolia was
the testing ground... and i do love the fact that Islam
doesn't play along to having interest rates...
                 0% APR and other such jingles...
Communism was only "wrong" undermined because
people mentioned Marx was a Jew...
the western powers at be actually preserved Zionism
and kept Zionism and establishing Israel when,
at the same time, undermining Marxism -
no one really mentions that antisemitism: primarily
because the Egyptians think they're Semites...
i think the Egyptians are the greatest plotters known to
man... it was bad enough giving them Christianity
that emerged as Coptic, it's even worse giving them
Islam... someone should have just given them
Pythagoras or something to dwarf the pyramids in terms
of real-estate know-how... a pyramid, but at the centre
a semi-detached English abode / "castle"...
who the **** would ever stress a need for a brotherhood
or man?! i feel no inclination to eat a meal
with those camel jockeys... real person ****, real personal...
and here they come: the grand defenders of
all of mankind... picking cherries of opinion,
choosing what's to be said, what't to not be said,
subsequently what's to be thought, and what's not
to be thought... and if ever a man from the east
was to be convinced about the superiority of western
values... well, it would have to be via a woman...
but since there aren't any about... he's not convinced at all...
and if an opportunity came that a woman would
come about to teach him the superiority of western
values... he'd simply turn around and say: it's too late.

Dear feminism,
You're doing it wrong.
Showcasing your gender
in physical form
does not open awareness
of a woman's
mental
and
emotional
wealth.
It merely confirms
misogynist thoughts.
If you want
to make a point,
don't generalize your targets
as pigs.
Rather,
express what makes women valuable.
Men can be deeper
than your delusions
let you know.

----------

Dear homosexual male community,
I am repulsed
that people can
associate me
with you.
Emotion
or thought
or open-mindedness
or expressiveness
should not denote
****** orientation.
I love women to the point
that I am overly chivalrous;
why should me
being in touch
with my emotions
or being different
than the
'male status quo'
change my sexuality?

P.S. - Homophobia is fear of homosexuals,
not,
as you'd havepeople believe,
the dislike or refusal
to treat the act as natural.

P.P.S. - The way
you portray yourselves,
you are still straight,
you only prefer your
women
to have a ***** attached.

----------

Dear fellow men,
A lot of you are
perverted.
You focus on
superficial things;
the *****,
the rear,
the hair color,
the eyes,
the shape...
For what purpose?
It is the mind
and the personality
that matter most.
It is because of you
that women have
painted our gender
as monsters,
pigs,
rapists.
And many of you are,
because,
in your minds,
can the women give any consent?

Like people are rewarded in public for what the practiced by themselves for years...
Walk into life with the acceptance that it is not going to be given to you...
Quit making ******* excuses.... these are only you showcasing your faults....
GREATNESS is not earned like a paycheck.... merely allowed to escape from the fear that held it back.....
If failure makes you quit then to succeed at your craft never truly lived within....
Death is a part of life and to live never meant a lifetime a minute can be spent LIVING....
HOLD NO ONE RESPONSIBLE FOR YOUR FAILURES BECAUSE YOU WILL NEVER GIVE CREDIT TO ANYONE FOR YOUR SUCCESS.....
When standing on the path of greatness haters will only throw storms of "you cant" and "you wont" in your face.....
Brace yourself stand where you are...... You don't have to move forward but DONT move back.....
PAIN can and will be the greatest asset to your vision don't let it anchor you to mediocrity....
WHEN you finally die leave no room for regret I can only hope as I go only happy memories of independent growth flash before my eyes...
PASS it on there is never a cap for greatness it can live forever DO NOT let it die with you....
SUCCESS CANNOT BE MEASURED BY ANYONE BUT YOU IF YOU ARE TRYING TO SUCCEED FOR OTHERS YOU WILL FAIL....

According to Indian designer Anita Dongre, the bridal look is not about going over the top anymore. She shared that nowadays women prefer to wear traditional outfits with a casual edge to them.

“Today, young Indian girls like to wear traditional outfits with a casual edge. We do a lot of printed lehengas with pockets,” Dongre said in an email interview. “Even if you are all decked up as a bride, your personal style should always shine through. It’s not about doing an over-the-top look anymore.”

The designer, who is not only a celebrated name in the Indian fashion industry but also a successful entrepreneur, believes that a bride must look like herself on her big day. “She should look like herself, but just more beautiful on her special day. She should feel like a princess, light on her feet, who dances at her own wedding”.

As a prelude to the Vogue Wedding Show 2016, which will be held in Delhi next month, Dongre will be showcasing her bridal collection at the event titled ‘Vogue Bridal Studio with Anita Dongre’ at the Kemp’s corner in Mumbai next week. Bollywood actor Yami Gautam will be walking the ramp as the showstopper for the event. The three-day long Vogue Wedding Show will start from August 5 at the Taj Palace Hotel.

Talking about the Vogue Wedding Show 2016, Dongre said, “The Vogue Wedding Show is on our annual calendar to start the wedding season. It is the only time that prospective brides can personally meet me. I look forward to interacting with them.” According to her, in India, couture is basically bridal couture. Dongre feels lehengas and saris are here to stay, as designers keep reinventing them. “Designers are getting more lavish with Indian craftsmanship; the traditional weaves, gota patti, zardozi and heirloom crafts,” she said.

While there is a perception that when it comes to grooms, there is not much one can experiment with, Dongre has a different opinion. She feels Indian men are a lot more open to experimenting with their looks today.

“Comfort and casualness still remain a priority though. Stitched dhotis paired with long kurtas, bandhgalas, shirts and bandis … Each silhouette can be a part of the groom’s wardrobe,” stated Dongre. “When styled well, they look modern yet very Indian.”

Having recently roped in Kareena Kapoor-Khan as a muse for her brand, the ace fashion designer believes celebrities add star power to the clothing line, but fashion does not necessarily need a Bollywood face to work.

“Celebrities are a vehicle to communicate the brand message. We are mindful of the celebrities we collaborate with, mindful of their reach, aura and the value that they will add to the brand. Having said that, I don’t think that fashion cannot work without a Bollywood face,” Dongre concluded.Read more at:http://www.marieaustralia.com/cocktail-dresses | www.marieaustralia.com/vintage-formal-dresses

date me. im a poet.
open yourself to my intrusion; i want to write about you.
lace these blue inked lines with pieces of you in metered rhymes and poetic prose; i wish to write about you.
will you... give me something to pen about you today?
i long to squeeze lemons of you onto a page and watch the edges curl around your bitter wetness; containing you w fail..
because you cant be held
in.
i long only to gaze at the glory of you framed in the pages of my journal
and pray this time i dont lose it in transition.

so.. again.. date me.
im a poet.
i beg of you, baby..
let me write about you?

i wont promise a collection of pretty poems
or
blossoming words of flattery.
but
i will adore you in word play;
showcasing your fault lines in all their rapture;
encouraging the world to be just as you are
because
when they read you spread across my pages they will want to write about you, too.
You think, maybe.. we could all write about you?

Youre a vibe of indescribable musing
and if i could just..
place you w all your rough edges on to these smooth lines,
I could encourage someone to read today..
even if its just you who's eyes glide across my words drinking yourself in becoming full off the high that you are.

certainly, then.. youll see how poectic ive colored you.
surely, youll demand that i write about you.
youll beg me to date you.
in response,
i'll pile high journals on journals in front of you
and youll see
all this time,
all along...
ive BEEN writing about you.

Fashion designer Manav Gangwani feels that the Hindi film industry acts as a catalyst for the Indian fashion industry.

He believes that since Bollywood has a huge fan base, it helps in getting a designer’s brand recognised.

Gangwani says the Indian couture industry has significantly evolved over the past years and it is the responsibility of the fashion fraternity to keep this evolution constant. “Over the years, I have always added a modern twist to the silhouettes in my couture collections. The couture industry has significantly evolved over the past years. I think it is important that we keep this evolution constant,” Gangwani said in an earlier occasion.

The designer, who has styled Bollywood stars like Hrithik Roshan, Kangana Ranaut and Aishwarya Rai Bachchan, believes that associating with such celebrities does a world of good to a designer’s creations.

“Bollywood certainly acts as a catalyst for the Indian Fashion industry in terms of retail. In one way or another, the designers prefer to commercially dress up a celebrity outfit for a film rather than showcasing it exclusively on the ramp. Since Bollywood has millions of followers, the brand recognition through it goes a long way,” Gangwani told in an interview.

The designer, who also had the honour of dressing the King Of Bhutan Jigme Khesar Namgyel Wangchuck, shared that the “potential customers are more discerning than ever and have a growing penchant for exclusivity”.

The growing couture industry has set high standards for aspiring designers and that intense competition makes designers put their best work forward, he added.Read more at:http://www.marieaustralia.com/formal-dresses-brisbane | www.marieaustralia.com/black-formal-dresses

This the inspiration from the same old songs
Painting memories as the sunrise sways to moonlight
Writing out immaculate fantasies in which I long
To see vividly in reality as an endearing sight
Seducing fixated thoughts into a surrealist abstract
A senseless halucination seperated from common fact

Spilling out vague accounts of thoughts days before
Monotonous literal interpretations of living dreams
Dwindling epiphanies leaking from persepections pore
Forgotten pieces of satisfaction that we can't redeem
Except on these tattered memoires I've come to resent
Piles upon piles of dying highs rotting on parchment

Despondent attempts to reanimate decaying emotion
Through a larger than life sincerity hidden in rhyme
Showcasing empty facades and uncertainties devotion
In vain of the first conception that changed as time
Makes a mockering of the beauty lost in every moment
Restless sensations trapped within all the verses spent

Broken words of rememberance that a poem leaves behind
Untimely rhythms growing more useless as days pass by
From the deliverance of meaning in our star-lit minds
To the desperate hour where we can't find a reason to try
We're searching for an excuse to have our names defined
A theme on a story that will mean something once we die

When I regretted
Why God is stingy
In showering me
With wealth
He took my health
Goading me
With a threat of death!

Praying when
I recuperated
I realized
Foolishly I had been
Daydreaming for wealth
Oblivious
My health
Is my
Number one wealth!/////

Who is Alem Hailu?

He is an emerging  Ethiopian poet,translator and author of all literary genres in the medium of English language.
He is penetrating the global book market stamping a foot print on the firmament of literature.
If you peruse his work you could note ,with poems of local touch and national sentiment like 'Come to Ethiopia' and 'Great Tiding' , he is playing an ambassadorial role in several international poetry blogs from Australia to America .His poems have proved trending.
He has achieved global presence via
www.poetrypoem.com
www.hellopoetry.com
www.poemhunter.com
www­.allpoetry.com
www.writeoutloud.com
www.novelcollective.com / Australia
www.poemabout.com
His books  and posters showcasing the knack of an Ethiopian author are cracking open publishers hearts' from Europe to America(www.united -p.c.eu ) (Austria),www.lulu.com(America), www.trafford .com America)
From the publisher  or amazon and the like, you can order for his books aiming at entertaining,edifying,style-showing,seeking an outlet to east African voice,finding a niche to Ethiopian authors in the global literary scene  and teaching the English language.
Specially schools,colleges,universities and libraries, people running stationeries,book malls and cultural unites of different embassies could benefit from making his works available on their shelf.

To foreigners his work could serve as a window story.
His works include

1) In the Vortex of Passion's Wind

A poetic Drama on the Wrong Turns of life( *** and AIDS )
It is also meant to serve a language teaching material to Higher Learning Institutions and Preparatory Schools
A useful input  for performing artists
By Alem Hailu G/Kristos

ISBN:978-3-7103-2109-2
www.united- p.c.eu
Austria

2)A Boon of Classic Poems

(Translation in Amharic)

A collection of selected  classic  poem s

By Alem Hailu G/Kristos
ISBN:978-1-312-94998-0
www.lulu.com,America

3) A Vent to Stifled Emotion

A debut collection of poems
By Alem Hailu
ISBN:978-1-4907-5675-2(sc)
978-1-4907-5674-5(e)
www.Traffor­dpublishing.com
America
4) The Truth and Dawn
and Other  palatable Short Stories
of both mix: Art for art's sake and life's sake
By Alem Hailu G/Kristos
IBN 978-1-329-43915-390000
www.lulu.com
America

5)Pupil's poem(Full Color)

Rhyming poems for pupils and learners of the language
Systematically selected words and expressions to upgrade the language proficiency of students.
Inspires pupils to read as well as write poems.
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ISBN:5800111090472

6)Hope from the Debris of hopelessness

A Novel with the theme "Disability is not inability!"
By UnitedP.C is in the pipeline
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On the crowded streets of life (think 51st and 5th)
I never thought I'd stumble on a candied ginger rock
Out of which the most gorgeous daisy would bloom
Remember the moonbeams dancing on the river
and how the train came not far behind,
popcorn, wine, the candle still burning & Zimmerman on track 5?
Cold and warm nights spent together in the Theatre Basement
Showcasing romance, Comedy, Drama & Jazz
Sharing mysterious pleasures we thought we'd never have
Stepping in and out of reality barely touching ground
Soaking up sun on god's great handkerchief
Witnessing the transcendent beauty in your face

Double standards,

Syntax will answer.

Trifling the line between innocence and trouble.

The consequences render my psyche to rubble,

Debris piling up,

Skin tattered and tough,

Immensely rough.

Scars leave memories of when it was all too much.

Burned by your touch,

Branded,

With slanted vengeance,

Consistency begins with us.

Ends in dust,

Dismantling trust,

Allowing the hollowed frame to whither and rust.

The cyclic meaning of meaning,

Bending rhyme to reason,

A change for all the seasons,

Now we’re meeting with forced greetings.

Definitions make new traditions,

Twisting and contorting to situation.

Adapting while reacting,

Showcasing deformed acting.

We sit in the back laughing,

Understanding the change that’s happening,

The inevitability of our apathy,

Prolonged by a resistance to sever a fading destiny.

Forever is terminology,

Syntax,

Created in reverie,

A place we can’t go back.

Standards bring order,

Where chaos is prevalent.

Double the standard,

Order is irrelevant.

Contradiction,

Insecurity flourished with tortured intention.

Gazing through the liminal windows  
Only to find what I already hold so dearly
Fronting smiles for a quick benefit
As my stone-set complexion wanes wearily  
And, my Humanity animates this miserable repose
Into a shameless portrayal of diminished whit
  
And, all of these unsent letters forming disappointment
Remind me that this sickly apathy could have been avoided
I saw the torment approaching from behind every grin-
Connecting my reality to this life I've been appointed
A continuation of actuality so meek and despondent
Vaguely showcasing the sensations of the sublimity within
  
How can the objective see all this self absorption?
When we're looking through a constant one way mirage
A reflective outlook from one of the searching minds
Fixated on all the shells of this social entourage
Pondering the inner entanglement of their sad misfortunes
leaving nothing but questions with no answers to find
  
Impossible as it seems to depict the substance of perception
These literal creations we compose must amount to something
Or at least comfort us with a contorted definition of self
Without this written word - would I be left with nothing?
Can I bare to see myself forgotten as a faint misconception?
Should I clot the thread of memory with a part of myself?