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"ploughed" poems
*In memory of, and with respect to the victims of the 2011 terrorist acts in Norway. As the weather resembles, one remembers...* Perhaps if you went to my school, You'd have gotten beaten up for your egocentricity Long before it grew to such deranged preportions. As misplaced as the runes you carved into Glock and rifle; You'd have been not only estranged, but broken. Disarmed decades before detonation. Alas. A distorted berserker you ploughed through Establishments and hearts; an armed teenager fuelled on Video games, soft candy and steroids. Pity the nation that nurses such an unpoetic national enemy. We forgot your name and face, as you never knew ours. The symbol we chose was an ocean of roses, Like torches held to our love unharmed. Norwegian leap year two-thousand-eleven; Only twenty-two days in July.
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Apr 14, 2014
Apr 14, 2014 at 4:25 PM UTC
Norwegian Leap Year
He is that fallen lance that lies as hurled, That lies unlifted now, come dew, come rust, But still lies pointed as it ploughed the dust. If we who sight along it round the world, See nothing worthy to have been its mark, It is because like men we look too near, Forgetting that as fitted to the sphere, Our missiles always make too short an arc. They fall, they rip the grass, they intersect The curve of earth, and striking, break their own; They make us cringe for metal-point on stone. But this we know, the obstacle that checked And tripped the body, shot the spirit on Further than target ever showed or shone.
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The Soldier
A reticent fox slinks by beneath the trees that still have leaves conversing for now the change in colors sleeps still, unannounced the rain smells of ploughed earth & freshly hung-out clouds & wellington boots Autumn's child cries it's first word & inside a low-lit pub a crisp old cider's poured September's dreams fermenting
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Sep 3, 2015
Sep 3, 2015 at 3:20 PM UTC
September in the Country
September's ploughed earth sows the rains it is something like D.H Lawrence's ' The Rainbow', that you love the Polish cleaning lady so my Soul's countryman, dear poet of the North for now, Persephone still walks the earth fair Kore, soon to descend to the underworld back to an aged God in love were I thus loved by a man as to become his queen as to be kidnapped by him instead, all I have is you, a woman's love unrequited for a boy & growing stale as far off winter calls like a theatre scene too much rehearsed
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Sep 3, 2015
Sep 3, 2015 at 9:24 PM UTC
In vino veritas
Trapped in a ***** world a world of old gold. Wrinkled creases needing ironing on faces of the old. Arms caked in drawings of roses and steel Scorched fields ploughed to death in lines on rusty old farms. Clenched and clasped Tight collars at the throat Fat bellies in laps Buckles on horses Belts on chaps Held tight in a vice Braces on women with feet in straps Buckles and braces laces and *****
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Apr 29, 2014
Apr 29, 2014 at 8:11 AM UTC
Buckles and Braces
In the barren bowl Of the local park There is more brown Than green And naked trees Rest like tired moths Upon grass That has been lacerated By studded shoes And knees and toes And elbows That have ploughed it Bare. The edges of the path Look like eyebrows Scant Poorly plucked And rats-tail Mongrels Scatter and shred Across the carpet Sodden Sinewy. Jarring teenage love Letters Sit upon February The fourteenth Like it is a mantelpiece of Glass Tip blue hair to grey sky Beiged fingers Intertwine Black fingernails Fumble They watch their childhood haunts Through the frosted panes Of spectacle windows And wonder why Nostalgia dies so bitter Today. *Kiss my empty skin Waiting.* I find myself a love affair In the sky Clouds form a coastline A single dribble of peach Taints the ash Like careless words And I tilt my chin towards it Already the spindle of my mind Turns And begins to weave Gold from straw.
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Feb 14, 2015
Feb 14, 2015 at 1:09 PM UTC
Rumpelstiltskin
I am a landscape of hills and valleys and some jagged edges where the world stops. I have clean springs and caverns on my face and small peninsulas that sense and feel on my hands. I have changed this landscape and ploughed it to find the red soil that lies underneath the pale surface. And the people have told me it is destroyed. But from there inside the pain grows a garden and a planet continues living.
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Apr 5, 2014
Apr 5, 2014 at 6:42 PM UTC
From The Earth
Oft have we trod the vales of Castaly And heard sweet notes of sylvan music blown From antique reeds to common folk unknown: And often launched our bark upon that sea Which the nine Muses hold in empery, And ploughed free furrows through the wave and foam, Nor spread reluctant sail for more safe home Till we had freighted well our argosy. Of which despoiled treasures these remain, Sordello’s passion, and the honeyed line Of young Endymion, lordly Tamburlaine Driving his pampered jades, and more than these, The seven-fold vision of the Florentine, And grave-browed Milton’s solemn harmonies.
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Amor Intellectualis
My soul is a dark ploughed field In the cold rain; My soul is a broken field Ploughed by pain. Where grass and bending flowers Were growing, The field lies broken now For another sowing. Great Sower when you tread My field again, Scatter the furrows there With better grain.
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2.1k
The Broken Field
Life's Better When You're Dreaming Of a Transcendental World With Deliverance and Freedom Under a Sky of Neon Pearls, Where the Populace are Former Loves All Gathered in the Clouds And Lend an Ear, for Bygone Cheer So Memoirs can be Ploughed. Life's Better When You're Dreaming Of Archaic Silver Screen Parading Lavish Garments And Conversing with James Dean, Where Bowler Hats are Stock Attire And Pea-coats Line the Hall And Champagne Flutes, Say 'Fill your Boots' To an Infinite Curtain Call. Life's Better When You're Dreaming Of a Ride on the Good Ship Hope With Secret Codes and Yellow-bricked Roads And ***** with the Pope, Where Lotus-eaters Man The Decks And White Rabbits Scale the Mast We'll Sail Away, On a Tranquil Day And Pervade the Ocean Vast. Life's Better When You're Dreaming Of Unblemished Skin and Bone On a Bed of Fragrant Petals On which Countless Seeds are Sewn, Where Laborious Figures Embrace as One Compelling Magnets to Concede And Music will, Amuse them 'till They Repeat the Final Scene. Life's Better When You're Dreaming That all the World's a Stage And that Pair are a Distant Footnote On the Thirty Thousandth Page, Where the Cast are Poised in Waiting And the Finale is About to Start They Take a Bow, And this Tells Me How I Came to Play this Part. December 2010 (Completed April 2011)
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Apr 20, 2011
Apr 20, 2011 at 9:18 AM UTC
Life's Better When You're Dreaming
There were three kings into the east, Three kings both great and high, An’ they hae sworn a solemn oath John Barleycorn should die. They took a plough and ploughed him down, Put clods upon his head; An’ they hae sworn a solemn oath John Barleycorn was dead. But the cheerfu’ spring came kindly on, And show’rs began to fall; John Barleycorn got up again, And sore surprised them all. The sultry suns of summer came, And he grew thick and strong; His head weel armed wi’ pointed spears, That no one should him wrong. The sober autumn entered mild, When he grew wan and pale; His bending joints and drooping head Showed he began to fail. His colour sickened more and more, He faded into age; And then his enemies began To show their deadly rage. They’ve ta’en a weapon long and sharp, And cut him by the knee; Then tied him fast upon a cart, Like a rogue for forgerie. They laid him down upon his back, And cudgelled him full sore; They hung him up before the storm, And turned him o’er and o’er. They filled up a darksome pit With water to the brim; They heaved in John Barleycorn, There let him sink or swim. They laid him out upon the floor, To work him farther woe, And still, as signs of life appeared, They tossed him to and fro. They wasted, o’er a scorching flame, The marrow of his bones; But a miller used him worst of all, For he crushed him ‘tween two stones. And they hae ta’en his very heart’s blood, And drank it round and round; And still the more and more they drank, Their joy did more abound. John Barleycorn was a hero bold, Of noble enterprise; For if you do but taste his blood, ’Twill make your courage rise; ’Twill make a man forget his woe; ’Twill heighten all his joy: ’Twill make the widow’s heart to sing, Tho’ the tear were in her eye. Then let us toast John Barleycorn, Each man a glass in hand; And may his great posterity Ne’er fail in old Scotland!
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2.1k
John Barleycorn
There were three kings into the east, Three kings both great and high, An’ they hae sworn a solemn oath John Barleycorn should die. They took a plough and ploughed him down, Put clods upon his head; An’ they hae sworn a solemn oath John Barleycorn was dead. But the cheerfu’ spring came kindly on, And show’rs began to fall; John Barleycorn got up again, And sore surprised them all. The sultry suns of summer came, And he grew thick and strong; His head weel armed wi’ pointed spears, That no one should him wrong. The sober autumn entered mild, When he grew wan and pale; His bending joints and drooping head Showed he began to fail. His colour sickened more and more, He faded into age; And then his enemies began To show their deadly rage. They’ve ta’en a weapon long and sharp, And cut him by the knee; Then tied him fast upon a cart, Like a rogue for forgerie. They laid him down upon his back, And cudgelled him full sore; They hung him up before the storm, And turned him o’er and o’er. They filled up a darksome pit With water to the brim; They heaved in John Barleycorn, There let him sink or swim. They laid him out upon the floor, To work him farther woe, And still, as signs of life appeared, They tossed him to and fro. They wasted, o’er a scorching flame, The marrow of his bones; But a miller used him worst of all, For he crushed him ‘tween two stones. And they hae ta’en his very heart’s blood, And drank it round and round; And still the more and more they drank, Their joy did more abound. John Barleycorn was a hero bold, Of noble enterprise; For if you do but taste his blood, ’Twill make your courage rise; ’Twill make a man forget his woe; ’Twill heighten all his joy: ’Twill make the widow’s heart to sing, Tho’ the tear were in her eye. Then let us toast John Barleycorn, Each man a glass in hand; And may his great posterity Ne’er fail in old Scotland!
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60
The boat ploughed on. Now Alcatraz was past And all the grey waves flamed to red again At the dead sun's last glimmer. Far and vast The Sausalito lights burned suddenly In little dots and clumps, as if a pen Had scrawled vague lines of gold across the hills; The sky was like a cup some rare wine fills, And stars came as he watched -- and he was free One splendid instant -- back in the great room, Curled in a chair with all of them beside And the whole world a rush of happy voices, With laughter beating in a clamorous tide. . . . Saw once again the heat of harvest fume Up to the empty sky in threads like glass, And ran, and was a part of what rejoices In thunderous nights of rain; lay in the grass Sun-baked and tired, looking through a maze Of tiny stems into a new green world; Once more knew eves of perfume, days ablaze With clear, dry heat on the brown, rolling fields; Shuddered with fearful ecstasy in bed Over a book of knights and ****** shields . . . The ship slowed, jarred and stopped. There, straight ahead, Were dock and fellows. Stumbling, he was whirled Out and away to meet them -- and his back Slumped to the old half-cringe, his hands fell slack; A big boy's arm went round him -- and a twist Sent shattering pain along his tortured wrist, As a voice cried, a bloated voice and fat, "Why it's Miss Nancy! Come along, you rat!"
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2k
Going Back to School
Love thou mind love and love For,love is the binding Will of God. Dip thy nib in live and gently draw Draw sweet,sweet scenes around. Honour blush as Ego's Pride Upon thy cheeks flash rosy. Body jerked,hinges shake,Oh! Lord! As emotional volcanoes erupt lava of anger. Creator interlace creatues to depend Hence,repent on,own-made calamities. Love! give and take as much as you need- Only that much you need not be greedy. Lust is rust of love a desert fruit. Being deserted,I once ran and ran Searching mirage of human- love With Tsunamis in eyes 'nd feeble feet. Love is not selfish lust: It is candle light for service. Light:brightening darkened corners Shows us: all are creatures equal. As we do violate the Nature's Laws Laws of Nature will violate ours. Walls will be demolished,Hills and valleys Ploughed with thunder and quakes. Love,thou, mind! love and love For, Love is the binding Will of God.
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Dec 22, 2011
Dec 22, 2011 at 10:47 PM UTC
LOVE IS NOT LUST
Freckles make your back a map Seabirds circle but they lack Grasp of what youth endures Vacating summer shores Carrying their lives to sea. Mechanically they return For bright months they did not yearn- Only their homecoming retells Of warmth and hope in summer spells Of ploughed soil, banked country roads And feathers bent not under loads; Put-to-side partners reconcile, Their lives measured in sea miles Time comfortably slipping away, Together living easy days Until they fly on.
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Dec 22, 2012
Dec 22, 2012 at 12:47 PM UTC
The State of Nature
I ploughed the field Back and forth, I was good at it Till that time, It hit the stone I nearly broke it. Nearly bend it, The pain It would have caused. But I carried on, And  the field was ploughed. Then I slept As I had finished the job, The satisfaction On my face lasted The night As I slept sound All night.
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Jun 21, 2014
Jun 21, 2014 at 3:18 AM UTC
Ploughing The Field
© 2011 (Jim Sularz) I will walk through fields of chrysanthemums, with giant dragonflies in gloried hues. In a curved space-time continuum, I’ll stand in wonder, they’ll peer and zoom. I will reap, from deep treasures ploughed, when love’s full measure is weighed in me. Where far flung coalescing spirit clouds, conceive their stardust progeny. With bright candle lights, melt my waxen wings, rekindle my spirit shadow to set me free. Then, within my soul, I’ll rejoice and let the Heavens sing, that it be Earth, I’ve come back to see!
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Jun 24, 2012
Jun 24, 2012 at 5:04 PM UTC
Let The Heavens Sing
A laugh is not a pretense I wanted to tell you that, Urooj And maybe to myself too Because I know you saw peeps Of the vacancy Nestled in my skin And I too was acquainted With your queer sorrow That rises and falls With a schedule of its own We saw the jolly winds flirt with greyed trees And heard many a strange talks In golden fields of youthful wheat And mustard flowers alive But we ran too, didn’t we? I pointed to the slender tree far, far away Count as I go, I said And count you did as I rushed Rushed clumsily on My feet twisting in troughs Eye-lashes fighting dust Twenty, you shouted, as the tree grew But I barely heard my body singing a battlefield You stumbled through the ploughed soil Hardened through suns Crushing the remnants of harvested wheat beneath the flat soles of your sandals (who wears those to a field?) Then more Through soft, chestnut soils Trying not to damage the baby onions And I laughed through my burning lungs A smoke piled up in me Yearning to gnaw all away And we licked the gusts singing gossips Of sour, raw mangoes Then relished the cool water that You forced the earth to puke (I still don’t get how that hand-pump worked) And I know you sneaked along a wilted rose From your sister’s grave And wept, quietly sniffing Seeing her in all the birds I pointed out All the leaves dried to immortality In my notebook I too treaded through rows of childish guava trees And struggled to will my ghosts away I too got stranded in the insolent rays of the dusty sun But we joked still, didn’t we? And when, on the way home, I reminded you stories Of the silly children we once lived Your laugh glimmered all around And mine mimicked And the radio was **** So we swam in our own private silences Got lost in the rowing birds And I know, at some point, All the dead days And all the rotten mangoes Seated themselves in the car Along with us and our shackled beasts And the villages and the stalls and empty fields Ran past in silence But we had laughed When the restless winds nearly sent me Tumbling down the tree And we had laughed when The freshly-watered soil tried To **** us under And a laugh is not a pretense Urooj, a laugh is not a pretense. I wonder if we know.
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May 13, 2021
May 13, 2021 at 10:55 AM UTC
And mustard flowers alive
A laugh is not a pretense I wanted to tell you that, Urooj And maybe to myself too Because I know you saw peeps Of the vacancy Nestled in my skin And I too was acquainted With your queer sorrow That rises and falls With a schedule of its own We saw the jolly winds flirt with greyed trees And heard many a strange talks In golden fields of youthful wheat And mustard flowers alive But we ran too, didn’t we? I pointed to the slender tree far, far away Count as I go, I said And count you did as I rushed Rushed clumsily on My feet twisting in troughs Eye-lashes fighting dust Twenty, you shouted, as the tree grew But I barely heard my body singing a battlefield You stumbled through the ploughed soil Hardened through suns Crushing the remnants of harvested wheat beneath the flat soles of your sandals (who wears those to a field?) Then more Through soft, chestnut soils Trying not to damage the baby onions And I laughed through my burning lungs A smoke piled up in me Yearning to gnaw all away And we licked the gusts singing gossips Of sour, raw mangoes Then relished the cool water that You forced the earth to puke (I still don’t get how that hand-pump worked) And I know you sneaked along a wilted rose From your sister’s grave And wept, quietly sniffing Seeing her in all the birds I pointed out All the leaves dried to immortality In my notebook I too treaded through rows of childish guava trees And struggled to will my ghosts away I too got stranded in the insolent rays of the dusty sun But we joked still, didn’t we? And when, on the way home, I reminded you stories Of the silly children we once lived Your laugh glimmered all around And mine mimicked And the radio was **** So we swam in our own private silences Got lost in the rowing birds And I know, at some point, All the dead days And all the rotten mangoes Seated themselves in the car Along with us and our shackled beasts And the villages and the stalls and empty fields Ran past in silence But we had laughed When the restless winds nearly sent me Tumbling down the tree And we had laughed when The freshly-watered soil tried To **** us under And a laugh is not a pretense Urooj, a laugh is not a pretense. I wonder if we know.
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75
The end begins, not with the first stain of red sputum on a white handkerchief. Nor by fingers grown numb with seizure from the heart’s decay. But, with an act that leaves a toy discarded in the nursery of early choice, reviving for abandoned deeds the doppel-gangers of dead youths, clothed with reproach and unfleshed figments of the mind’s high hopes of futures fenced in a child’s green field, that now is hedged; and ploughed, and grown bitter with a named and known crop. © James Rainsford 2010
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Dec 4, 2010
Dec 4, 2010 at 12:38 PM UTC
The End Begins
An old man in a lodge within a park; The chamber walls depicted all around With portraitures of huntsman, hawk, and hound, And the hurt deer. He listeneth to the lark, Whose song comes with the sunshine through the dark Of painted glass in leaden lattice bound; He listeneth and he laugheth at the sound, Then writeth in a book like any clerk. He is the poet of the dawn, who wrote The Canterbury Tales, and his old age Made beautiful with song; and as I read I hear the crowing **** I hear the note Of lark and linnet, and from every page Rise odors of ploughed field or flowery mead.
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1.6k
Chaucer
November shakes the wet from Her wings and stretches them to Their full reach; tips touching The death and birth of October And December, Feathers the colour of leafless Trees and ploughed fields. A thirty day lifespan of deathbed Lullabies and hardened faces, Bodies crouching to lay themselves Upon their own warmth in Desperation, clouds of breath Escaping layers of Cotton and wool. Winter is as inevetable as dying. I wander between birches and Pinetrees like crooked teeth Protruding from the mist; the Bones of something decomposed Between moss and ***** forest water. Black as old blood. Brown as mud, air like millions Of tiny arrows against any bare Skin. This landscape could be someone's Nightmare, some horror movie Set or a Ted Hughes poem backdrop. But I stand, still and alone, one Palm against a rotten tree trunk, The other upon my Norwegian Heart. It is a time for looking within For strength. To be silent and not think, But feel; a time for building fires. To gather what's dry, and prepare.
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Nov 4, 2015
Nov 4, 2015 at 3:07 PM UTC
...a Time for Building Fires
That year they gave Tess her first typewriter. She’d not need to borrow her brother’s battered old piece or write down her fragile poems in her spiderlike scrawl as her father called it. The promise came while she was getting her mind together in that mental asylum, after the mucky love affair that went no place and left her hanging there, like one crucified for all to see and most to softly mutter and stare. Get yourself mended girl, Father said, and we’ll buy you your own typewriter, so you can stab away on the keys to your heart’s content and bring out those poems of yours. He never read her poems, never read much apart from the back page sport or gawked at page 3 girls with a tut tutting tongue. That year she gazed out of the wide barred window of the asylum at the snow on fields, at the seagulls gathering and feeding behind the faraway tractor as it ploughed, at the grey depressing sky, wondering what it’d be like to not be, wondering what the woman with a cast in her eye, was doing to herself in the toilets, one night when she’d gone in to *** unable to sleep. The typewriter idea and promise kind of got her through the dark hours and the ECT, and the following day headaches and numbness. After slitting her wrists (mildly, a cry for help) she said on the phone to her father, Come get me out of this place, help me get back together. Ok, he said, Miss Humpty Dumpty, and he put down the phone, and she stood in the hall of the asylum with the receiver in her hand, the image of the typewriter before her eyes, those poems banging on the inside of her head, new ones wanting to get out, old ones left for dead.
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May 22, 2012
May 22, 2012 at 2:14 AM UTC
TESS'S TYPEWRITER.
That year they gave Tess her first typewriter. She’d not need to borrow her brother’s battered old piece or write down her fragile poems in her spiderlike scrawl as her father called it. The promise came while she was getting her mind together in that mental asylum, after the mucky love affair that went no place and left her hanging there, like one crucified for all to see and most to softly mutter and stare. Get yourself mended girl, Father said, and we’ll buy you your own typewriter, so you can stab away on the keys to your heart’s content and bring out those poems of yours. He never read her poems, never read much apart from the back page sport or gawked at page 3 girls with a tut tutting tongue. That year she gazed out of the wide barred window of the asylum at the snow on fields, at the seagulls gathering and feeding behind the faraway tractor as it ploughed, at the grey depressing sky, wondering what it’d be like to not be, wondering what the woman with a cast in her eye, was doing to herself in the toilets, one night when she’d gone in to *** unable to sleep. The typewriter idea and promise kind of got her through the dark hours and the ECT, and the following day headaches and numbness. After slitting her wrists (mildly, a cry for help) she said on the phone to her father, Come get me out of this place, help me get back together. Ok, he said, Miss Humpty Dumpty, and he put down the phone, and she stood in the hall of the asylum with the receiver in her hand, the image of the typewriter before her eyes, those poems banging on the inside of her head, new ones wanting to get out, old ones left for dead.
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61
That little thing, carrying acorns hurriedly Across from where the tree had fallen. To many held ones always loose like A bread crumb staying still till growth. Time did move and seasons passed, it Grew as night and day carried onwards Never shifting only vertical towards the Yearning the sky just out of touch. Man tended the wood, where their were many, only once stood tall. Fields ploughed, Acorns fell birthed from above but always Dug up, alone it stood in a field of corn. Then a road passed through progress had Taken this field and cut it in two but still it Stood the test of time, a furry little one climbed Holding onto to much as many did fall. Silent night stars fell into the night sky and In to the darkness did appear two beams of Unnatural light as if pulled towards it two Opposite forces  moving and still became one. Lights flickered as rouge coated bark, under This tree lifeless motion acorns feel like rain Caught by flickering lights faded glow. It was Torn, fallen it had stood tall for so long. An acorn was dropped hurriedly so long Ago in this spot. And it grew to meet this Moment of cause and effect, destined to Be met in a flickering lights end glow.
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Sep 13, 2015
Sep 13, 2015 at 4:14 PM UTC
Light Did Flicker After An Acorn Fell
And Gaza Says," O the Sons of Adam The people of Moses The people of Muhammad Stop Will You? I feel the Tankers on my body They are trampling me I hear the Missiles They pierce through My Soul I see the tearful Widows the cries of the children Fear in the Eyes the Funerals I hear the pleas I hear the screams the cries for help the prayers the curses the complaints to the Almighty Blood is Smeared on to My Face Human blood- a Precious blood The blood of Adam I am ploughed often daily to bury the lifeless the young the old the men the women the infants I see debris,destruction devastation the helplessness I feel the hatred in your hearts your words translated through your actions I wonder Why are the innocents paying the price of this War? O Sons of Adam O the Sons of Abraham Don't Forget O You the People of Moses O You the People of Jesus O You the People of Muhammad Your Lord Your God is but One Fear Him He hates Oppression Did you all forget the Fate of the Pharaoh? the Worst of the Oppressors." ( Peace be Upon All the Prophets)
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Jul 11, 2014
Jul 11, 2014 at 8:03 PM UTC
Gaza
The sky was a smudge-coloured blue up there When the sailing ship came in, With full top gallants and spinnaker flared Full flight from a world of sin, The mermaid carved on her prow was proud As she breasted the salt-licked spray, Her hair a-stream, as the waves she ploughed And surged to Ascension Bay. I’d watched her approach from the Sailor’s Rest That lay way up on the cliff, ‘It isn’t a question of when,’ he’d said, ‘Nor even a question of if! The ghost of ‘The Falls of Borrowdale’ Comes in with a clear blue sky, It happens but once a year,’ he’d said ‘On the twenty-fifth of July!’ I’d laughed at him in the ‘Admiral’s Arms’ As he swallowed his seventh ale, While others listened with frightened eyes Each face was a shade of pale, ‘You’ll see it best from the Sailor’s Rest, That ruin, up on the cliff, But don’t get caught by the devil’s cohort Swarming up from the ship.’ They’d scaled the cliff to the Sailor’s Rest, I knew the story of old, Had slain the crew of the ‘Captain Teck’, Or so it was always told, They’d left the ‘Rest’ in a sea of flames For the sake of an ancient feud, While ‘The Falls of Borrowdale’ lay wrecked By the mutineers that crewed. They’d seized young Molly, the serving girl Who’d worked at the Sailor’s Rest, Had pulled her hair and had pinned her down, Exposed the girl at the breast, They took their pleasure and dragged her out To the edge of the cliff, and pale, Then flung her screaming down to the deck Of ‘The Falls of Borrowdale’. And so it was that I lay with the glass So firmly fixed to my eye, Up on the cliff by the Sailor’s Rest On the twenty-fifth of July, The ghostly ship flew into the shore Under a mass of sail, No sign of the crew, no lookout stood On watch at the forward rail. The ship ground up on the Daley Rocks Rose shrieking, up in the air, Her timbers creaking and groaning with The mermaid’s look of despair, The crew poured out of the lower decks And flung themselves overboard, These phantoms, straight from the devil’s lair To put good men to the sword. I ran some way from the Sailor’s Rest Lay under a bush, and hid, I didn’t know what to do for the best But watched, to see what they did, They swarmed all over the Sailor’s Rest Put everyone to the sword, Then dragged poor Molly out on the grass And I cried, ‘Please stop them, Lord!’ Then the phantoms stopped as they heard my cry And they turned, each black as sin, Molly let out a quivering sigh And they burst in flames, within, She stood alone at the edge of the cliff And she waved, no longer pale, While the mermaid smiled on the prow of the ship, ‘The Falls of Borrowdale.’ David Lewis Paget
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Dec 22, 2013
Dec 22, 2013 at 12:09 AM UTC
The Falls of Borrowdale
The sky was a smudge-coloured blue up there When the sailing ship came in, With full top gallants and spinnaker flared Full flight from a world of sin, The mermaid carved on her prow was proud As she breasted the salt-licked spray, Her hair a-stream, as the waves she ploughed And surged to Ascension Bay. I’d watched her approach from the Sailor’s Rest That lay way up on the cliff, ‘It isn’t a question of when,’ he’d said, ‘Nor even a question of if! The ghost of ‘The Falls of Borrowdale’ Comes in with a clear blue sky, It happens but once a year,’ he’d said ‘On the twenty-fifth of July!’ I’d laughed at him in the ‘Admiral’s Arms’ As he swallowed his seventh ale, While others listened with frightened eyes Each face was a shade of pale, ‘You’ll see it best from the Sailor’s Rest, That ruin, up on the cliff, But don’t get caught by the devil’s cohort Swarming up from the ship.’ They’d scaled the cliff to the Sailor’s Rest, I knew the story of old, Had slain the crew of the ‘Captain Teck’, Or so it was always told, They’d left the ‘Rest’ in a sea of flames For the sake of an ancient feud, While ‘The Falls of Borrowdale’ lay wrecked By the mutineers that crewed. They’d seized young Molly, the serving girl Who’d worked at the Sailor’s Rest, Had pulled her hair and had pinned her down, Exposed the girl at the breast, They took their pleasure and dragged her out To the edge of the cliff, and pale, Then flung her screaming down to the deck Of ‘The Falls of Borrowdale’. And so it was that I lay with the glass So firmly fixed to my eye, Up on the cliff by the Sailor’s Rest On the twenty-fifth of July, The ghostly ship flew into the shore Under a mass of sail, No sign of the crew, no lookout stood On watch at the forward rail. The ship ground up on the Daley Rocks Rose shrieking, up in the air, Her timbers creaking and groaning with The mermaid’s look of despair, The crew poured out of the lower decks And flung themselves overboard, These phantoms, straight from the devil’s lair To put good men to the sword. I ran some way from the Sailor’s Rest Lay under a bush, and hid, I didn’t know what to do for the best But watched, to see what they did, They swarmed all over the Sailor’s Rest Put everyone to the sword, Then dragged poor Molly out on the grass And I cried, ‘Please stop them, Lord!’ Then the phantoms stopped as they heard my cry And they turned, each black as sin, Molly let out a quivering sigh And they burst in flames, within, She stood alone at the edge of the cliff And she waved, no longer pale, While the mermaid smiled on the prow of the ship, ‘The Falls of Borrowdale.’ David Lewis Paget
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