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PoetWhoKnowIt Sep 2013
(Notes at the bottom to explain all this nonsense)

Eggman, oh Eggman
quite a driver you've become-
And an army man (in 3D)
in battleships we understood none

And Eggman, oh Eggman
we'd laugh until we died!
And when dark night came
from the tickle monster we'd hide

Thus Eggman, oh Eggman
we planted the ethereal seed.
A seed that grows forever on;
a friendship that I need

...

Jphel, oh Jphel
Please avoid the horrid stench-
of being peed on in the army,
or hit by a (freaking) bench!

And Jphel, oh Jphel
I think Max Renga laughed last-
or maybe thus did the tree.
still have pieces of my cast?

Thus Jphel, oh Jphel
I know I paid you close to none-
but carrying all of my books
still really means a ton.

...

J-man, oh J-man
athletes go down the trial,
and rats laugh a hell of a lot!
...yet somehow Campbell never smiled
              (and his many wives)

And J-man, oh J-man
I know you learned a lot;
like, 'Don't move your hands in art',
and- 'Don't talk of bad burritos' Kaneda taught

Thus J-man, oh J-man
my vacancy began...
oh how I wish to make it up
with every chance I can.

...

Phelpsy-boy, oh Phelpsy-boy
what psychotic schedules we kept!
with so many things to do
we hardly ever slept.

and Phelpsy-boy, oh Phelpsy-boy
I enjoyed nothing more than the Gov games we made-
... but perhaps the poker nights
and (endless) SC Poker D we played.

Thus Phelpsy-boy, oh Phelpsy-boy
I should have been a better friend-
to one who is always there for me
but I know it's not the end!

...

Jordan, oh Jordan
You've been my inspiration;
in work, in act, in play, in sense-
my deepest admiration.

And Jordan, oh Jordan
find that girl of yours and lift her!
but you better... BETTER!...
remember your secret admiffer.

Thus Jordan, oh Jordan
Remember that I'm near
if you ever need a hand, a hug,
or just a listening ear.

...

So Mr. Phelps, oh Mr. Phelps
march forward and make your mark-
with a mind and drive such as yours
you'll fly like Kent, Clark.

And Mr. Phelps, oh Mr. Phelps
I'll never seriously call you that
I could not stop without a Spongebob quote-
Cause we're like twins in Squidward's egg sac

Thus Mr. Phelps, oh Mr. Phelps
No matter who's got the biggest yacht in the end
you best remember now and always
Captains are Captains and _ ___
A poem I intend to give to my best friend of many many years who leaves for a 2 year missionary trip soon. Each triplet's stanza's beginning's are a name I called him throughout the years, the following lines are strong memories.

Eggman I called him because we played a Playstation 1 game called destruction derby and he picked the sunny side up egg decal for his car- and the name followed and stuck. We also played Army Men 3D and a battleships game that was SUPER confusing.

We'd laugh as we played anything- and still do, and at night my step-dad would play a game called Tickle-monster (basically hide in seek in the dark but when caught you'd be tickled relentlessly) with us. The best of times I tell you.

The horrid stench and bench are stories from our favorite teacher- our fifth grade teacher- who told us of stories when he was in Germany in the army someone peed on him and someone knocked him out by hitting him with a bench.

Max Renga was a ****** kid who knocked me out and the tree broke my leg in 6 places and  I was in a long leg cast and physical therapy for two years. The entire time I was in that cast he carried my books for me, EVERYDAY :). I paid him $6 and some odd cents.

Athletes go down the trial and rats laughing are two hilarious stories about our middle school teachers and campbell was out favorite middle school teacher- he never smiled and always complained about his five ex-wives.

He got his first (and only) detention in school for moving his hands- we had a crazy art teacher- and we played a little mmorpg and the admin hated him because he said "I do like burritos but they sure don't like me".

The vacancy is when I started hanging out with other folks due to stuff going on at home I was too ashamed to hang out with him- so I got sub-decent friends.

In high school we both took two years of college and I did two sports while he stayed heavily active in church. We made these board games for our government class and it took us like 48 hours straight labor  and they turned out awesome.

I have poker nights often with 10-20 people where we dress up in nice clothes like the 40's and play for like 7 hours. We also played Starcraft on a map called Poker Defense for HOURS.

We watched spongebob and quote him daily. And the yacht refers to him saying that he feels like he always works harder than me but gets much less return so he joked saying he's going to work his whole life and be out on the ocean in his nice yacht and I'll roll up next to him in a yacht twice as big having done near nothing :). Since then I referred to eachother as captains... and  I always say to him "Captains are captains and captains are friends".

I love this kid endlessly, he's played an immense role in my life. Let me know what you think and read some of my other stuff if you'd like. This is the only personal one I've posted. :)
zebra Oct 2017
Here is a primer on the history of poetry

Features of Modernism

To varying extents, writing of the Modernist period exhibits these features:

1. experimentation

belief that previous writing was stereotyped and inadequate
ceaseless technical innovation, sometimes for its own sake
originality: deviation from the norm, or from usual reader expectations
ruthless rejection of the past, even iconoclasm

2. anti-realism

sacralisation of art, which must represent itself, not something beyond preference for allusion (often private) rather than description
world seen through the artist's inner feelings and mental states
themes and vantage points chosen to question the conventional view
use of myth and unconscious forces rather than motivations of conventional plot

3. individualism

promotion of the artist's viewpoint, at the expense of the communal
cultivation of an individual consciousness, which alone is the final arbiter
estrangement from religion, nature, science, economy or social mechanisms
maintenance of a wary intellectual independence
artists and not society should judge the arts: extreme self-consciousness
search for the primary image, devoid of comment: stream of consciousness
exclusiveness, an aristocracy of the avant-garde

4. intellectualism

writing more cerebral than emotional
work is tentative, analytical and fragmentary, more posing questions more than answering them
cool observation: viewpoints and characters detached and depersonalized
open-ended work, not finished, nor aiming at formal perfection
involuted: the subject is often act of writing itself and not the ostensible referent

............
Expressionism

Expressionism was a phase of twentieth-century writing that rejected naturalism and romanticism to express important inner truths. The style was generally declamatory or even apocalyptic, endeavoring to awaken the fears and aspirations that belong to all men, and which European civilization had rendered effete or inauthentic. The movement drew on Rimbaud and Nietzsche, and was best represented by German poetry of the 1910-20 period. Benn, Becher, Heym, Lasker-Schüler, Stadler, Stramm, Schnack and Werfel are its characteristic proponents, {1} though Trakl is the best known to English readers. {2} {3}

Like most movements, there was little of a manifesto, or consensus of beliefs and programmes. Many German poets were distrustful of contemporary society — particularly its commercial and capitalist attitudes — though others again saw technology as the escape from a perceived "crisis in the old order". Expressionism was very heterogeneous, touching base with Imagism, Vorticism, Futurism, Dadaism and early Surrealism, many of which crop up in English, French, Russian and Italian poetry of the period. Political attitudes tended to the revolutionary, and technique was overtly experimental. Nonetheless, for all the images of death and destruction, sometimes mixed with messianic utopianism, there was also a tone of resignation, a sadness of "the evening lands" as Spengler called them.

Expressionism also applies to painting, and here the characteristics are more illuminating. The label refers to painting that uses visual gestures to transmit emotions and emotionally charged messages. In the expressive work of Michelangelo and El Greco, for example, the content remains of first importance, but content is overshadowed by technique in such later artists as van Gogh, Ensor and Munch. By the mid twentieth-century even this attenuated content had been replaced by abstract painterly qualities — by the sheer scale and dimensions of the work, by colour and shape, by the verve of the brushwork and other effects.

Expressionism often coincided with rapid social change. Germany, after suffering the horrors of the First World War, and ineffectual governments afterwards, fragmented into violently opposed political movements, each with their antagonistic coteries and milieu. The painting of these groups was very variable, but often showed a mixture of aggression and naivety. Understandably unpopular with the establishment  — denounced as degenerate by the Nazis — the style also met with mixed reactions from the picture-buying public. It seemed to question what the middle classes stood for: convention, decency, professional expertise. A great sobbing child had been let loose in the artist's studio, and the results seemed elementally challenging. Perhaps German painting was returning to its Nordic roots, to small communities, apocalyptic visions, monotone starkness and anguished introspection.

What could poetry achieve in its turn? Could it use some equivalent to visual gestures, i.e. concentrate on aspects of the craft of poetry, and to the exclusion of content? Poetry can never be wholly abstract, a pure poetry bereft of content. But clearly there would be a rejection of naturalism. To represent anything faithfully requires considerable skill, and such skill was what the Expressionists were determined to avoid. That would call on traditions that were not Nordic, and that were not sufficiently opposed to bourgeois values for the writer's individuality to escape subversion. Raw power had to tap something deeper and more universal.

Hence the turn inward to private torments. Poets became the judges of poetry, since only they knew the value of originating emotions. Intensity was essential.  Artists had to believe passionately in their responses, and find ways of purifying and deepening those responses — through working practices, lifestyles, and philosophies. Freud was becoming popular, and his investigations into dreams, hallucinations and paranoia offered a rich field of exploration. Artists would have to glory in their isolation, moreover, and turn their anger and frustration at being overlooked into a belief in their own genius. Finally, there would be a need to pull down and start afresh, even though that contributed to a gradual breakdown in the social fabric and the apocalypse of the Second World War.

Expressionism is still with us. Commerce has invaded bohemia, and created an elaborate body of theory to justify, support and overtake what might otherwise appear infantile and irrational. And if traditional art cannot be pure emotional expression, then a new art would have to be forged. Such poetry would not be an intoxication of life (Nietzsche's phrase) and still less its sanctification.  Great strains on the creative process were inevitable, moreover, as they were in Georg Trakl's case, who committed suicide shortly after writing the haunting and beautiful piece given below

................
SYMBOLIST POETS
symbolism in poetry

Symbolism in literature was a complex movement that deliberately extended the evocative power of words to express the feelings, sensations and states of mind that lie beyond everyday awareness. The open-ended symbols created by Charles Baudelaire (1821-67) brought the invisible into being through the visible, and linked the invisible through other sensory perceptions, notably smell and sound. Stéphane Mallarmé (1842-98), the high priest of the French movement, theorized that symbols were of two types. One was created by the projection of inner feelings onto the world outside. The other existed as nascent words that slowly permeated the consciousness and expressed a state of mind initially unknown to their originator.

None of this came about without cultivation, and indeed dedication. Poets focused on the inner life. They explored strange cults and countries. They wrote in allusive, enigmatic, musical and ambiguous styles. Rimbaud deranged his senses and declared "Je est un autre". Von Hofmannstahl created his own language. Valéry retired from the world as a private secretary, before returning to a mastery of traditional French verse. Rilke renounced wife and human society to be attentive to the message when it came.

Not all were great theoreticians or technicians, but the two interests tended to go together, in Mallarmé most of all. He painstakingly developed his art of suggestion, what he called his "fictions". Rare words were introduced, syntactical intricacies, private associations and baffling images. Metonymy replaced metaphor as symbol, and was in turn replaced by single words which opened in imagination to multiple levels of signification. Time was suspended, and the usual supports of plot and narrative removed. Even the implied poet faded away, and there were then only objects, enigmatically introduced but somehow made right and necessary by verse skill. Music indeed was the condition to which poetry aspired, and Verlaine, Jimenez and Valéry were among many who concentrated efforts to that end.

So appeared a dichotomy between the inner and outer lives. In actuality, poets led humdrum existences, but what they described was rich and often illicit: the festering beauties of courtesans and dance-hall entertainers; far away countries and their native peoples; a world-weariness that came with drugs, isolation, alcohol and bought ***. Much was mixed up in this movement — decadence, aestheticism, romanticism, and the occult — but its isms had a rational purpose, which is still pertinent. In what way are these poets different from our own sixties generation? Or from the young today: clubbing, experimenting with relationships and drugs, backpacking to distant parts? And was the mixing of sensory perceptions so very novel or irrational? Synaesthesia was used by the Greek poets, and indeed has a properly documented basis in brain physiology.

What of the intellectual bases, which are not commonly presented as matters that should engage the contemporary mind, still less the writing poet? Symbolism was built on nebulous and somewhat dubious notions: it inspired beautiful and historically important work: it is now dead: that might be the blunt summary. But Symbolist poetry was not empty of content, indeed expressed matters of great interest to continental philosophers, then and now. The contents of consciousness were the concern of Edmund Husserl (1859-1938), and he developed a terminology later employed by Heidegger (1889-1976), the Existentialists and hermeneutics. Current theories on metaphor and brain functioning extend these concepts, and offer a rapprochement between impersonal science and irrational literary theory.

So why has the Symbolism legacy dwindled into its current narrow concepts? Denied influence in the everyday world, poets turned inward, to private thoughts, associations and the unconscious. Like good Marxist intellectuals they policed the area they arrogated to themselves, and sought to correct and purify the language that would evoke its powers. Syntax was rearranged by Mallarmé. Rhythm, rhyme and stanza patterning were loosened or rejected. Words were purged of past associations (Modernism), of non-visual associations (Imagism), of histories of usage (Futurism), of social restraint (Dadaism) and of practical purpose (Surrealism). By a sort of belated Romanticism, poetry was returned to the exploration of the inner lands of the irrational. Even Postmodernism, with its bric-a-brac of received media images and current vulgarisms, ensures that gaps are left for the emerging unconscious to engage our interest

......................

.
IMAGIST POETRY
imagist poetry

Even by twentieth-century standards, Imagism was soon over. In 1912 Ezra Pound published the Complete Poetical Works of its founder, T.E. Hulme (five short poems) and by 1917 the movement, then overseen by Amy Lowell, had run its course. {1} {2} {3} {4} {5} The output in all amounted to a few score poems, and none of these captured the public's heart. Why the importance?

First there are the personalities involved — notably Ezra Pound, James Joyce, William Carlos Williams {6} {7} {8} {9} — who became famous later. If ever the (continuing) importance to poets of networking, of being involved in movements from their inception, is attested, it is in these early days of post-Victorian revolt.

Then there are the manifestos of the movement, which became the cornerstones of Modernism, responsible for a much taught in universities until recently, and for the difficulties poets still find themselves in. The Imagists stressed clarity, exactness and concreteness of detail. Their aims, briefly set out, were that:

1. Content should be presented directly, through specific images where possible.
2. Every word should be functional, with nothing included that was not essential to the effect intended.
3. Rhythm should be composed by the musical phrase rather than the metronome.

Also understood — if not spelled out, or perhaps fully recognized at the time — was the hope that poems could intensify a sense of objective reality through the immediacy of images.

Imagism itself gave rise to fairly negligible lines like:

You crash over the trees,
You crack the live branch…  (Storm by H.D.)

Nonetheless, the reliance on images provided poets with these types of freedom:

1. Poems could dispense with classical rhetoric, emotion being generated much more directly through what Eliot called an objective correlate: "The only way of expressing emotion in the form of art is by finding an 'objective correlative'; in other words, a set of objects, a situation, a chain of events which shall be the formula of that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked." {10}

2. By being shorn of context or supporting argument, images could appear with fresh interest and power.

3. Thoughts could be treated as images, i.e. as non-discursive elements that added emotional colouring without issues of truth or relevance intruding too mu
...............
PROSE BASED POETRY
prose based poetry

When free verse lacks rhythmic patterning, appearing as a lineated prose stripped of unnecessary ornament and rhetoric, it becomes the staple of much contemporary work. The focus is on what the words are being used to say, and their authenticity. The language is not heightened, and the poem differs from prose only by being more self-aware, innovative and/or cogent in its exposition.

Nonetheless, what looks normal at first becomes challenging on closer reading — thwarting expectations, and turning back on itself to make us think more deeply about the seemingly innocuous words used. And from there we are compelled to look at the world with sharper eyes, unprotected by commonplace phrases or easy assumptions. Often an awkward and fighting poetry, therefore, not indulging in ceremony or outmoded traditions.
What is Prose?

If we say that contemporary free verse is often built from what was once regarded as mere prose, then we shall have to distinguish prose from poetry, which is not so easy now. Prose was once the lesser vehicle, the medium of everyday thought and conversation, what we used to express facts, opinions, humour, arguments, feelings and the like. And while the better writers developed individual styles, and styles varied according to their purpose and social occasion, prose of some sort could be written by anyone. Beauty was not a requirement, and prose articles could be rephrased without great loss in meaning or effectiveness.

Poetry, though, had grander aims. William Lyon Phelps on Thomas Hardy's work: {1}

"The greatest poetry always transports us, and although I read and reread the Wessex poet with never-lagging attention — I find even the drawings in "Wessex Poems" so fascinating that I wish he had illustrated all his books — I am always conscious of the time and the place. I never get the unmistakable spinal chill. He has too thorough a command of his thoughts; they never possess him, and they never soar away with him. Prose may be controlled, but poetry is a possession. Mr. Hardy is too keenly aware of what he is about. In spite of the fact that he has written verse all his life, he seldom writes unwrinkled song. He is, in the last analysis, a master of prose who has learned the technique of verse, and who now chooses to express his thoughts and his observations in rime and rhythm."

.............
OPEN FORMS IN POETRY
open forms in poetry

Poets who write in open forms usually insist on the form growing out of the writing process, i.e. the poems follow what the words and phrase suggest during the composition
My technology nightmare
Leaves me euphoric this morning.
Addicted, like drug trials,
I knew the risks going in,
Got hooked in The Cloud &
Now it always seems easier,
With diminished psychic chafing
Whenever I go with the flow, as the
Hipsters are saying again.
Yes, the hipsters:
Finally, some kids I can relate to.
At least on some level, their music e.g.
The first thing I did this morning,
Waiting for my laptop to boot,
Was put a CD on the stereo:
Matrix Reloaded: The Album.
I set the shuffle function,
Looping back between
Linkin Park’s Session &
Team Sleep’s Passportal.
You can tell a lot about
What kind of day it will be
By the soundtrack you choose,
Your infinite play list,
Don’t ever say these kids have no culture,
Or nothing to share with us old farts.
Old Farts: an apt, Baby Boomer term in 2015.
Kids’ music, some of it quite good,
Quite 60s-worthy if you catch my drift,
As we used to say while grazing in the grass with
Hugh Masekela & his Naai Mongoe-Swazi red,
Surfrikan homeboys & band mates, & that
ANC Kwa-Guqa Township posse,
Shadowing him since Sharpeville.
That’s right, Babaloo,
Go with the flow.
Don’t fight it. You’ve been spared the unintended
Consequences of government shenanigans &
Free market meltdowns.
Consider this a CEASE & DESIST NOTICE:
Cease swimming upstream Mr. Phelps.
Desist fighting tide & current, Michael.
A mariner’s distinction, yet serviceable &
Purposed for this narrative.
“And away we go,” croons a Gleason levitation;
Aloft we go into the wild blue yonder.
The Cloud: an exalted playground.
You are atop the slide,
Kindergarten lord of all you survey,
Sultan, Chinese Emperor & Venetian Doge,
A 90-caliber Duke of Earl,
You are euphoric, Mike.

The descent into the humanoid condition
(See Paddy Chayefsky’s Howard Beale),
Is slick and precipitous.
It begins when you first finger ****
A pocket calculator or touchtone phone,
Or use a Xerox machine.
From there it’s a quick slide down
The technology ****-shoot: video games,
Spreadsheets & word processors,
Emails, texts & tweets,
Laser projection keyboards,
Wi-Fi amplifiers,
GPS navigators, &
Apps for No-Strings *** . . .
By “****-shoot” I editorialize, of course,
In a state of future shock,
Resenting planned obsolescence,
Contemptuous of shrewd **** kids,
Wharton School sharpies,
Scoping out price curves & flowcharts,
Colluding at industry trade shows,
Powwows & confabs,
Releasing newer, more versatile
Models & spinoffs, according to a
Scheme planned three years in advance.

I salt the inevitable wounds of technology,
Taking my fight to the streets, realizing too late
My sole means of alerting the flash mob
Is by so-called smart phone,
*******!
Even the revolution has gone digital.
Poor Gil Scott Heron, dead last year at 62,
Poor Scott Heron, channeled into the
Harlem Renaissance by that loyal Chicago Defender,
Subscriber & reader, to wit: his Grandma,
A “Rainbow Conspiracy” co-conspirator,
Cooking ham hocks & collard greens for that
Mythical coalition of Young Lords,
Black Panthers & SDS.
Heron’s prognostication was wrong:
“The Revolution Will (In Fact) Be Televised!”
We’ve witnessed quite a bit of it,
Lately, prime time lately,
Live by satellite from once exotic places,
Places like Tunisia, Egypt, Libya, Syria & Ferguson, MO.
I say “once exotic” because it’s hard to be
Visually intoxicated by images of screaming brown men
Sporting New York Yankee ball caps,
“Vote for Pedro” T-shirts and
$200.00 Air Jordan footwear.
Admittedly, the production values of
Revolutionary journalism have improved,
Action reported Hollywood-style,
Narrative arcs, scripted episodes,
Drive-by Potemkin villages & battle scenes,
30 or 60 or 90 day shooting schedules.
Spontaneous proletarian uprisings as Reality TV,
Riveting dramas,
High Nielsen ratings & $500K
Per minute corporate sponsors.
Let’s view the new fall line-up:
(1) “Mustafa Behaving Badly!”
(2) “Tunisian Tear Gas Talent!”
(3) “Gaddafi Gets Sodomized!”
Victor Thorn Mar 2014
Libera me, Domine,
de morte aeterna
in die illa tremenda
quando coeli movendi sunt et terra

dum veneris judicare
saeculum per ignem.
Tremens factus sum
ego et timeo,
dum discussion venerit atque venture ira:
quando coeli movendi sunt et terra.

November 21, 1976. 11:00 P.M.

With nothing
he packs his suitcase, turns
to his own personal prophet
and watches and waits
and waits, he will wait
for an hour.

And finally
the prophet speaks
in monotone, three short syllables.

He opens the door, careful
not to wake dad.
Turning the corner,
the suitcase jars the door ajar.

A stirring from upstairs.

Remembering the face of madness
behind the pulpit
behind the door,
he races out, fearful
of footsteps drawing louder
and with them, promises
of pain.
Inspired by the corresponding text in Verdi's Messa da Requiem (movement 2) and the story of Nathan Phelps' escape from the Westboro Baptist Church at midnight on his 18th birthday.
anessa breanne Oct 2013
Written by: David & Sherri Phelps**

She was like the roses in the garden,
a timeless work of art in crimson shade.
But like each bud that opens up to wither,
her perfume ebbs away, her scarlet color fades.

He was like wildflowers in the springtime.
He never cared too much about where he grew,
his time was brief, but filled with vibrant passion.
Then he rode a breeze away,
as wild flowers often do.

And I remember,
I remember,
I remember, cause I still have days
their fragrance drifts to me on Jordan's tide.
So I won't forget,
I won't forget their never gone their just
blooming on the other side.

She was like a daisy in the meadow,
a welcome smile that's shared between two friends.
Kisses hugs and laughter were her petals,
and she have them all away,
until her seasons end.

And I remember,
I remember,
I remember, cause I still have days
their fragrance drifts to me on Jordan's tide.
So I won't forget,
I won't forget their never gone their just
blooming on the other side.

One day I will see, in that garden fair,
those who wait for me over there.

I remember,
I remember,
I remember, cause I still have days
their fragrance drifts to me on Jordan's tide.
So I won't forget,
I won't forget their never gone their just
blooming on the other side.
Blooming on the other side.
This is a song I'd heard after my grandpa's death. The lyrics are rare and thought I'd share them here.
Joseph Childress Sep 2010
The root
Of ambition
Is ambivalent

There's no “one cause”
No one causes
A man
To make life decisions
In a day

It takes
Much more
For
A man to be successful
And real
With his inner-self
Accepting
The cards dealt
With the stamina
To play through
Exercising his will
With the feel
Lingering in every pore

Unsure
Of obstacles ahead
Headstrong
Through barricades
Bearing the bruises
Trampling
Over your own
Feet
Defeat
Seen in battle
But the war’s on

And the war zone
Isn’t limited
To a few
Years
Like ages 19-22
Whose to do
Worse
Who has more

Money
CARS
Clothes
And hoes

And whose vision
Is so small
To tack them
with success
All in all

And attack those
Who lack the
Wills
To move forward
And ignorantly
Attach it
With a phenomena
Of
Your unknowing

Root of ambition
Can spread
Like weeds

And weeds
Can **** ambition
Or spread
Like seeds

How many men
Dive
Head first under the influence
Or rise above
High
From the same drug

Barack Obama
Michael Phelps
William Shakespeare
Bill Clinton
Lebron James
Pablo Picasso
The Beatles
Jay-Z
Bob Marley
Conan O’Brien
Dr Francis Crick. (Nobel Prize Winner)
Samuel Taylor Coleridge
Salvador Dali
Victor Hugo
Kareem Abdul-Jabar
Snoop Dogg
Dr. Dre
Stephen King

Just to name a few
Maybe
Just maybe
It has nothing to do
With success

Or you.
Yasmin Nooren Feb 2015
What if I told you God is gay?
Do you think belligerent bible-belters
Would still holler hate speech to the hilltops
In His name?
Or do you think they would reread the scriptures
They say they swear and survive by
See, I've been reading the Bible again lately
And I think I've taken a leaf from my old holy book,
Picking passages for my purpose
Which is in short
To show you it's very possible God is gay.
I mean think about the book of Genesis
In the beginning God created the heavens and the earth
And it wasn't just good, it was fabulous.
I mean what else is our planet but the pinnacle
Of exterior design, and I don't mean to generalize
But it certainly seems like that the Garden of Eden
Was designed by queer, I mean divine eye for the straight guy
But some Christians would go as far as to call
God's creations abominations
Heretics calling themselves faithful
When their faith is full of belief that only God may pass judgment
Matthew 7:1 Judge and you too shall be judged
Luke 6: 37 Condemn not and you shall not be condemned
Fred Phelps 2006: You're going to hell! God hates ****!
A history lesson: A ****** is a bundle of sticks
Originally used as kindling for fires that engulfed gays
When they were burned at the stake, people were firewood
But Moses came across wood on fire and saw God in it,
What is a burning bush but bundles of branches
On fire, isn't it funny how ******* and God can look the same sometimes?
Keep in mind Jesus had two dads and turned out just fine
In fact, Jesus had two dads and a surrogate mother
That never had *** with either of them,
Maybe Mary was a lesbian
And I remember the prayer going
"Hail Mary, full of grace"
Not full of sin,
"Pray for us sinners"
For we have become blinded by bigotry.
And forgotten that God gave us the rainbow
As a promise that we will never be flooded again
Either with rain or ignorance
And now all the homosexual **** sapiens
Stand more united under God's rainbow
Than all of his denominations do around the cross.
I was brought up believing that my Savior loved us all
And never had to specify "no ****"
But if you have hate in your heart
Say it don't pray it
Don't teach it and for the love of God don't preach it
Because I am tired of these fire and brimstone sermons
Slinging slurs when they're not firing brimstones
From voices that should be filled with love and praise
Instead of raised with hate and rage
I am a Christian, and I believe in saying the Christian thing.
Which used to sound like "Love thy neighbor as thyself"
But now sounds more like hate at the top of your picket signs
The closest thing to God being "Hell, is waiting for you"
They're passing out damnation pamphlets
Filled with out-of-context Bible verses
Trying to define God
When his meaning is clear.
He is acceptance, He is pride, He is humility, He is just,
God is perfection, God is protection, God is love,
But most importantly
God is gay
This is not my own poem, The writer of this poem is Elliot Darrow
https://www.youtube.com/watch?v=V6AQyBEN5fM
Trevon Haywood Dec 2016
This past year was a ******
Looking back, it kinda makes me wonder
How it came and went and **** near took everyone under
Its crazy out here and even though it was tough
I'ma run it back, this is 2016 Rap Up

Denver won the Super Bowl, Cam came up short
Leo got his Oscar and El Chapo got caught
They got mosquitoes with the Zika, so don't get bit
Peyton and Kobe Bryant both called it quits
I gotta admit, Fam, I get mad as ****
When I swipe my card and they say "No, You gotta use your chip"
**** Daniel, "Hamilton" was lit
Who let Kanye West get 53 million in debt?
And Rihanna went to work without taking a pause
ISIS popping and y'all worried about bathroom laws?!?
Come on, fam
How that sound?
So we out here standing up
Just so y'all can sit down?
Warriors went on a streak and then they got served
Panda was a hit and we couldn't understand the words
Huh, and Khaled kept snapping
These youngins keep mumbling
I guess y'all call that rapping
I've seen "Stranger Things", come on dude
Y'all out here shooting gorillas and punching kangaroos
Janet Jackson pregnant at 50, dog
So for you ol' broads, there might be some hope for y'all
I ain't throwing shade, it ain't that deep
**** I don't want nobody out here ******* with me in these streets
Then Birdman ran up on Charlamagne
And Lil' Wayne still not 'puttin' respect on his name'
Michael left Kelly trying to get paid
But the world stopped when Beyonce dropped Lemonade
She slayed, and over-shared
And ya'll still trying to find out about 'Becky with the good hair.'
As far as questions, I got one
"Hey Hov and B, is y'all finished or is y'all done?"
Son, I don't know if it was fake
I know KD did the running man challenge all the way to Golden State
The whole year made no sense
Dog, we live in a world without Muhammad Ali and no Prince
Then Gucci came home
And he looked so different y'all was like, "naw, that's got to be a clone"
Y'all was glued to y'all phones
And LeBron got it done for the Cavs and brought the chip back home
Snapchatting all over the place
I swear to God, if I see one more girl with a dog on her face
It was a sad year for sure
Instead of being woke though
Y'all wanted to play Pokemon Go!
And rap got weird, should we be concerned?
Young **** in a dress, Yung Joc got a perm
And everybody was in the Presidential race
Ryan Lochte, Oh he gets the Michael Phelps' face
Game and Meek beefing, Hillary and Trump
Kap took a knee, T.I., Brad Pitt got dumped
And Trump said he going to build a wall on the border
Ya'll will probably go to flip bottles water
The snow storm had the East underground
The kept shooting black men but wouldn't shoot killer clowns
They kept telling us to use our voices
Knowing **** well they ain't really give us no choices
Get an iPhone with no headphone cord
Or get a Galaxy and go and meet the Lord
See they go low, and we go high
You only got two friends. Why you trying to go Live?
I'ma miss the Obamas, I don't wanna see them go
My prayers to everyone that we lost in Orlando
The Oscars were so white they had to get Chris Rock
And the album of the year had to be Anderson.Paak
Cubs finally Won, Usain was on fire
Melania Trump hired the wrong ghostwriter
I'm petty with the manners
'Cuz I think Kim K. got robbed by Joanne the Scammer
Ooouuu
Biters keep testin' me
They making rappers, but they ain't got the recipe
Huh, Yeah that's facts
Shout to Young M.A. for bringing New York back
And I hear y'all talking about "Kanye is fine"
Well to us it look like Kanye done lost his mind
Cowboys kept ballin', them boys in the zone
Bryson Tiller came along, kept telling us "Don't"
I'm highly favored
I clap back on my haters
I be the beans, greens, potatoes, tomatoes
The mannequin challenge, oh, that's how y'all feel?
The World moving dog, we can't just stand still
Beyonce made sure y'all got in formation
One time for Phife Dawg from the Zulu Nation
Did Drake bag J.Lo? I say kinda
But y'all was all up in arms over Rob and Chyna
And that's a new level of female pimping
Biggest L of the year goes to Hillary Clinton
You ask me, man, I thought she had it made
You ask me now, ****, I think we all got played
Another sign of the times
And now the whole World laughing at us, sounding like ChewbaccaMom
2016 was a bully and a punk
On top of that, now we gotta deal with Donald Trump?
Pardon me, as I vent
Bro, we made a reality star the President
And that just makes me sick
Talking about, "We gotta give him a chance." Naw
I ain't got to give him ****
It's going to be hard to cope
Because you can't have progress, dog, if you don't have hope
More pros, less rookies
And if America's ours, how we let it get grabbed by the *****?
They say I sound mad, off the cuff
Oh, I sound mad? Y'all don't sound mad enough
So from here on out, we gotta set the tone
Y'all protect yourself and protect your own
And way too many people got called back home
2016 you can go, and I'm glad you're gone
Felt like a long bad dream
I'm wishing you love and life, Welcome to 2017.

Skillz 12/31/2016.
david badgerow Nov 2011
i smoke cigarettees too **** much.
this is how you know nothing original will be said in this poem.

i use cigarettes as a social crutch.

i don't know about you
but when i'm in the mood to be honest
i'll tell you
i smoke cigarettes because
i want to be 'cool'.

because let's be honest:
i can't think of
a poet
a musician
an actor
an olympic swimmer
a hockey player
a president
a priest
a ****
a serial killer
or a psychiatrist
that's worth mentioning
that did not smoke

yes, i know you can
and go ahead,
but let me first
make a point instead

let me be honest,
if i can smoke a cigarette
and maybe be alone for
5.75 minutes
then maybe
a thought will occur to me
something outside this ******* world
and it will be good enough to write down,
just maybe.

let me be honest
i don't need you
with your judgemental eyes
and your cursory glances
walk away from me
at a party
i don't miss you
i am with her.

i garauntee if you asked
Whitman
Hemmingway
Freud
Phelps
Obama
about their actual relationship with smoking tobacco
they would have similiar descriptions.

but go ahead, tell me
about the hazardous effects of cigarettes
let's talk about the cancer
and the tar
and the disgusting phlem
that i will constantly have to eject
from my throat-hole
when i'm fifty.

go ahead, tell me about
******* people over
and ripping their minds out
and the sickness
and the disease
and how it's all so wrong.
it's as amusing to me as it is to you.
Mcdonald's will **** you.
Pall Mall will **** me.
Micheal Wolf Mar 2014
Silence said so much, a roaring din, a cacophony of nothing. It's point deliverd with expert precision. Fire in a void, snow in sunshine all improbable none impossible, all imposition. Yet predisposed in every aspect. Then came sound. Quiet at first, then loud hollow and empty. Emotionless and final.
it's ridiculous that we say "bless you" when you sneeze and not when you cough.  i'm pretty sure coughing is a sign of a much more grave illness.  when is the last time someone died from sneezing?  (june 24th, 2006 -- anthony dean rice)  it's ridiculous that dock ellis pitched his one and only career no-hitter while under the influence of LSD.  i wonder how often he dosed before games.  it's ridiculous that being hit by my father has turned me into more of a pacifist than i ever thought possible.  it's ridiculous how much someone can love a man that made him or her feel more physical pain than anyone ever has.  it's ridiculous that being family allows you this nearly unconditional love.  it's ridiculous that my goal has been to love everyone unconditionally.  it's ridiculous how hard this truly is.  it's ridiculous that people cite the holy bible as evidence for why homosexuality is "unnatural" and yet fail to recall that eating shellfish is an abomination.  it's ridiculous that anyone can be against the marriage of two loving people of the same gender while having no problem with laws that allow marriage between a convicted child molester and a person who cheated on his or her first three spouses.  it's ridiculous that i even have to point that out.  it's ridiculous that michael phelps lost more endorsements after being photographed smoking marijuana than he did after pleading guilty to driving while impaired.  it's ridiculous that driving drunk, hopping a curb, and hitting a mother walking home can earn you 20 years in prison while driving drunk, hopping a curb, and hitting a mailbox will only earn you 2 days in jail, 3 years probation, and a fine.  the only difference is one person had better luck -- both were still driving while intoxicated.  it's ridiculous that i was born into such a loving family.  why do i deserve such favorable moral luck?  it's ridiculous that people don't seem to understand that borders on a map are just lines...not  lines indicating some moral difference; not lines indicating you are worth more than the person in the country across the globe; not lines indicating that we matter and they don't...they're just lines.  it's ridiculous that i walk around with my eyes closed for no apparent reason.  it's ridiculous that i fell and got a concussion while trying to jump over a sign.  it's ridiculous that this hasn't stopped me from continuing to jump over almost anything in my path.  it's ridiculous that i was so confused after hitting my head that i cried and had to sit still and wait for my friends to find me because i didn't know what day it was or where i was.  it's ridiculous that the last time i cried out of confusion was when i was four and the elevator doors closed before my mom realized that i hadn't followed her out of the elevator.  it's ridiculous that i can fall in love with your smell...even when you haven't showered for a few days.  it's ridiculous that i feel a strange sensation in my right hand when i am exposed to a beauty i know i can't have.  it's ridiculous that i feel that when i am around you.  it's ridiculous that you are so beautiful it makes my heart feel like it just might explode.  it's ridiculous that i have no doubt that giving you everything would be the best decision i ever made.  it's an easy gamble to make because i know you would give me more than i ever started with.  it's ridiculous that you move my heart more than anyone ever has.  it's ridiculous that you become infused into every aspect of my life.  it's ridiculous that this began as a letter to anyone and turned into a letter to only one.  it's ridiculous that some people reading this still think i am listing things worthy of ridicule.  perhaps these things are all still absurd...but i have stopped laughing.  it's ridiculous that even with a broken heart, i will never stop loving people.  it's ridiculous that anyone would even think i could.
katie waker May 2016
Good morning, good afternoon
Dear teacher I wish to see you soon,
You are like the shine of a star,
You are like a lemon but never sour,
You are bright with a unique spark,
Without you everything is dark,
Without your sunshine and your helps,
There wouldn't even be Michael phelps ,
In you there rests a soul,
Hot and cozy like a delicious soup bowl,
Your scolding is a clue of care,
You aren't partial but are totally fair,
You are better than superman,
You are a youth he's a gran,
Dear teacher love you most,
For you with respect I raise a toast.
Syreena Phelps Jan 2021
Hi, you have reached the voicemail box of Syreena Phelps. I am either working, sleeping, or too depressed to answer the phone. Leave your name, number, and a reason for me to live, and I'll get back to you as soon as I am mentally able. Thanks!
I'm trying to come up with a voicemail right now, & I can't seem to do it.
Bills bills and more bills!!! Can I escape this liquidic abyss riddled with electrical flows that strangled my woes?

Californicating in high gas prices and rent that drives me deeper into saving my soul rather than my account...

These prices strike louder and brighter than Zeus' thunderbolt, like Greek gods can only be summoned at the shear sight of monetary value, leaving an impression greater than Mother Goose...

Sell my assets or sell my soul..? I struggle to comprehend what will consume the consumer only to pretend...

Tesla couldn't fight the good fight Edison tried to contend...

Yet I remain firm, like the Rock of Jabralter I stand proud between two islands...of insanity and genius, yet the two intertwine so elequently...

Am I oblivious to pretentiousness...? Or caught in the net of Poisiden...helpless, flapping so daintily....

The world eyes are green, yet I see blue...
Filled with innocence and bliss so true...

Bartender, allow me to take a dive in your shots filled with sympathy and obliviously pain triangles can't slew...

On a parallel of happiness and plains of joy, certain dimension can't destroy...

I continue to swim in debt like Phelps, no coy.
B Young Aug 2015
Like the portrait by John Singer Sargent,
of two helplessly hopelessly wedded souls.
The portrait was dim, even in 1897.
The couple grimly seeking searching reaching towards heaven,
timeless romantic.
Mr. and Mrs. Isaac Newton Phelps, who are you?
Starring through a century of fading oils, all my emotions become,
revoked. I sit and stare in repose.
What's left but to stoke the flame; the burning desire, love, and addiction.
Mr. Sargent did you understand my affliction?
Lest I travel back to the Rocky Mountains, those billowing rocks so beautifully captured by your contemporaries, by Albert Bierstadt.
I am a lost wandering critic, traveling through time using paint as my medium, to form these rhymes.
Ridding myself of a life that has become full of all things labeled tedium.
From the French to the Austrian to the English to the American, a new world unfurls.
All cultures aiming to capture the intrinsically fleeting moments of life, nature, and the beautiful, as they curl.
In and out, a dance of colors, a pageantry of light yet again is unfurled.
Only then does my soul feel full and bright.
The fog clears as my headlights part the mist, and I realize, as these masters before me, I do have something to offer...
Love!
Forgiveness!
Hope!
                               ...for a new tomorrow...
A new heaven.
A new Earth.

Today
Don Brenner Oct 2010
Seven slugs ******* beer
from a bowl in their garden of Eden
rocking out to Miley Cyrus.
XM top 20 on 20
radio and gardening and slugs
swim like Phelps
but opposite
like life rafts
shriveling drunks
contorted and slimy
old school nickelodeon
green slime on your head
washing off in water
crossing bridges
entering temples

where the **** is the shrine of the silver monkey?
2009
Pauper of Prose Jul 2018
If I’ve ever known truth it just chaffed at the neck
I’ve been suffering all the symptoms of a lack of respect
So I must reflect then deflect all the gloomy flecks I see
Then reflect again on the lifestyle,
Of the wild life inside the childish side of me
All in effort to be free
Not free falling
Not roaming from a new ideal, to new ideal like a new calling
I 'd rather have a grand New Deal like Mr. Roosevelt's
And swim easily in this sea of changes like Michael Phelps
Another straggler striding through society's slopes, in search of serenity
Rich Dec 2021
Agitation, despair and its winged variations, you name it
all repressed but still rise to test me

What is my recourse?
I tread lightly on this Escheresque concourse
It’s repeated often, I know
but the pen and keys are my most cathartic release
they’re magma to emerging flames
they’re sedatives for demons and angels alike
that reside on corners of this clavicle

How many steps could you take through my lens, my concave mirror?
Have you felt what I felt?
The brimming, cerebral cauldron bursting, putting volcanic geysers to shame
the questions outnumbering seconds spent since Earth’s nativity
the emotions ripping a rift through which rationality deep dives
it becomes Phelps in unknown depths
your body becomes both a Vatican and a Colosseum,
place of worship and place of war
and you walk the tightropes your vocal chords have morphed into
careful to seem like another replica, don’t wanna upset the blades they all balance on
don’t wanna scare the rest hollow, no,
best to follow and best to follow the regimen:

coffee beans and spice of delusion in the hazelnut syrup,
sip slow
follow the same cycle because change is a cocoon and cocoons ache like the past
keep on pretending to love the workplace
love the norms held over you
puppet strings bring warmth after all
in this solitary world cold as winter missile silos
and just as destructive

So I ask again, have you felt what I felt?

Do the few days in utopia offset the majority on rodent wheels?
Have you risen so high, to satellite peaks, to the best you’ve ever been
only to have the worst waiting on the coin’s parallel?

We flip like saltwater fins and backstroke till a back is left broke
I’m learning to discard hope but breathe in the alternative
I believe in better days, I will carve them from local stone
and build a home upon their surfaces
I now know paradise is a set of blueprints
happiness is no state of mind, it’s a direction to me
you may not notice when you arrive
but you keep going

and that’s the beauty of it
you let it be the wind
It’ll find you on your journey

Tell me again,
have you felt what I felt?
The Japanese Current
Flows through my veins-
Father of undertow
Feeder of the clam beds
Grinding away
The smooth edges
Of Summer and Autumn

Stranger to Southern beaches
The current creates
Weather of it’s own
And plays rough at it’s mildest.

I watch as the tow
Sweeps away my sandy footing.
How fast I can move
Is how fast I survive.

Don’t turn your back
On the Japanese Current
Mercy isn’t floating in that tide
And it will knock you down.

You can wade into the freezing waves
But only a fool would try to swim.
Nothing for Michael Phelps here
Unless he excels with a shovel.

From little motor court cabins
With linoleum floors
And sand in the corners
We’d pile out in the dark

At four A.M. low tides
Slender shovels in our hands
We braved the gales
That would be banned in Maui
Gifting us with glorious misery.

Wind whipping scarves and hair
And sneaking through the jackets
That didn’t really shield us
From the sideways blowing rain
That couldn’t wash away our smiles.


We’d stomp the sand and look for bubbles
Dig for all we’re worth - plunge a hand
Into the hole collapsing
To ***** for the illusive razor clam -
Treasure of the Northwest beaches.

Special treat for seafood lovers
Fried, or ground or cooked in stew
They seemed like sliced up innertubes to me
My fun was in the finding and the digging
The cleaning was my dad, the frying was my mom
And not eating them was me.

LONG BEACH WASHINGTON

World’s longest unbroken sandy beach
Twenty-eight miles of solid sand
Bring your car, ride your horse or bike
Cut christies in the hard packed sand.
Splash along the edges of the waves
Race with no red lights behind you.

Just watch the turning of the tide
Or boys with jeeps will have to pull you out
(Impossibly heroic idols of
My childhood beach adventures.)

And yet sometimes the sun came out-
Oh rarest gift from Mother Nature
We wandered below the kite filled skies
And sandy castle festivals.

We hid both sorrows and often and joys
And sometime hanky panky
Among the sea grass covered hillocks
That roll like the boil of a bubbling kettle
Between the sand and civilization.

It’s still there, almost unmarred
By glitzy boardwalks and sunglass shacks
Just as I remember it, what seems an eon later
Familiar things at every turn
Small thing tell me that my world abides
And I’m not really home until I’m there.
ljm
I see it beginning to change and become more commerical.  Beard's Hollow, where we used to camp with our tent is now inaccessible from the road.  Clams  have been over dug and now there is a season and a limit.  The little motor ourts have been replaced with multistory hotels, but the little town is virtually unchanged. I cannot go to Southwest Washington without a day at the beach.
Arcassin B May 2015
By Arcassin Burnham

You Soul is somewhere else,
Swimming across seas to find you like Michael Phelps,
Of course I need no help,
I see no differences in color or wealth,

The milky way has you,
no texting from night to day,
I'm sitting right next to you,
I need to clarify,
do I really need to ask
when your memories are gone in a flash,
so far gone,
and your feet gets colder,
Can't believe that you are,
Disconnected,
Highly Neglected,
Souly disrespected,
I can feel your presence,
But you should be here....

....not in the sky.
SESSIONS Chapter 1 Ep
Robert Jackson Dec 2009
There I was
Drunk on the move
talkin' it up
gettin into my groove

and along they came
four seasons in all
but who I met first
I can't seem to recall

summer was sweet
fall and winter were chill
but not until spring came
did I feel the thrill

we talked for awhile
she told me "wait here"
so that's where I sat
alone with my beer

it's all up to chance now
I can't do a thing
I could just be sitting here
waiting for spring

but shortly I saw her
come in through the door
stepping over a pirate
and "Micheal Phelps" on the floor

she sat with me there
I'd not waited in vain
I hope that this girl
lets me see her again

But a glassy eyed vampire
burst in wearing flip-flops
and said to the crowd
"better split, its the cops!"

and split we all did
had to make wing
now she's gone again
and I'm waiting for spring

days later on campus
I saw her once more
no costume or liquor
feet firm on the floor

we laughed for awhile
but she had to split
I asked all cool
and she gave me her digits

we kicked it again
now I wait for the ring
and once more I find myself
waiting for spring
Zulu Samperfas Jun 2013
and sore and explode
and heavy load
and I make it into a powerpoint
and I look at a zillion lol cats
and how to make a perfect flip turn
and Michael Phelps perfect stroke and whale length body
and sweat seeps into the couch
and it is still not done
my work is not done
Babatunde Raimi Feb 2020
Exercise like Billy Blanks
Then punch it like Anthony Joshua
Meander like Lionel Messi
Drive it like Chrisriano Ronaldo
Play around like Neymar da Silver Santos
Swim a d swim like Michael Phelps
Whatever you do?
Never loose your mojo like Zlatan Ibrahimovic
Eyes on the ball like Serena Williams
Hit it hard like Rafael Nadal
Or do you prefer Tiger woods?
Until you hear her sing like Beyonce Giselle Knowles
Twerk like Cardi B
Don't stop cruising like Michael Shumacher
Except you are in a hurry to meet your ancestors
No need for aphrodisiacs
When you have natural smoothies
Above is how to keep her
Repeat these lines over again
And she'll love you forever
Arcassin B Oct 2014
AB:
So when the last time did you get a call from him,
He must really want you in his follows that Requiem,
I can it make better , if you wanna talk,
If anything I wanna be one you should stalk
Invading all my privacy,
And telling me you love me,
Erase,
The facts,
Clarity,
And lucid memory.

K:
It has been a while since he sang poetry into my heart,
I knew he would be the end of me, from the start,
Enraptured in desire for his love alone,
Waiting all night by the silent phone,
Could I find in you, the comforting voice I need,
Find the flourishing flower of love's rooted seed,
Rewind,
The heartache,
Regret,
And infatuated greed.

AB:
Silence always says a thousand words,
Painted a picture with your sentences when they occur,
You gotta get in the line or despare like everybody else,
No skips , no hold your place, you won't have any help,
Illusions of having wealth,
I plan to see you I can't help myself,
I never got down, on my knees for you,
I'm swimming for your love like Michael Phelps,
Will we fall in love ? The time will tell,
Calling you on the phone with volume excelled.

K:
I hear what your meaning aloud an clear,
Gotta live my life bold with nothing to fear,
Pining over a fool, not worth holding my breath for,
You walked into my life, I kicked him out the door,
Now I want you to understand what I am saying,
No need to swim for my love,
Or getting down on your knees praying,
All I need is a little of your affection,
and a little of your time,
To know if we come together,
like rhythm and rhyme,
Whatever the future holds,
the two of us will find.
Me and kalypso
Baylee Aug 2016
I never learned how to swim,
And now I'm drowning in my thoughts.

My ears are full of water,
My side is cramping up.
The goggles you gave me are foggy
And my lungs are shriveling up.

I feel the water in my brain,
Swirling around my thoughts.
One moment I think you love me,
The next, you love me not.

And maybe if I learned to swim,
Maybe things would've worked out.
But I guess we'll never know,
My mind is now full of doubt.

But even great swimmers
Sometimes need help.
That's why there's lifeguards at the Olympics
Alongside Michael Phelps.

But I never learned how to swim,
And I'm drowning in my own thoughts.
But you said you would teach me,
It's too late, I'm seeing dark spots.

So let me sink to the bottom of the pool,
Where swimmings not important anyhow.
Vanessa May 2014
She started to walk faster without realizing she was trying to catch up to him
At that moment she lessened her pace but didn't fall too short of his steps
She walked behind him with a safe but still dangerously close distance
He wore the limited edition Olympic head phones on
The ones she bought him for his birthday just last year
He always liked to think of himself has the next Michael Phelps
He could have been had he not doubted himself so much  
She knew he was listening to his own rap music that he wrote
He was arrogant like that
He always liked to think of himself has a musical artist
He could have had he not doubted himself so much
Mildly, she hoped the noise ringing through his ears was about her and not the disaster he's been seeing recently
This story would get more interesting if he had turned around to notice her
Ultimately she knew he wouldn't
And he didn't.
He walked out the door, and she, not too far behind, did the same
He ran through the rain to his car and she walked slowly through the rain, in the opposite direction to hers.
When juiced a spore sized embryo, early in utero; fetus
   evinces atavistic miniaturization,
   where nascent differentiation wrought
physical resemblance to - seek reachers,
   sans Tarzan and Jane forebears,
   or exemplification of religious embodiments writ upon taut
lee helical real to reel strung nano deoxyribonucleic acid,
   where dome min ant
   ander recessive traits pop sic cull, and/or mom genes sought
took comb hing gull, where foxy fiery hander chrome hat tick
   microscopic threads ineluctably
   hired bot to weave warp and woof for naught
heard interpretive soundcloud issue onomatopoetic beat,
   whether as:
   the Marseillaise, muezzin, or reveille blown in the wind
   by alimentary mechanic, *** killed in all manner of ought  
   tow mobile craftsmanship, which possibly inflated and made pregnant,
   when one seem n
thrashes within timed zona pellucida drawbridge,
   hooping an ova to snag,
   though odds stacked against the most basic cell fish competition fought
in the **** z of evolutionary biology informing **** sapiens
   one errant or defiant game gamete perhaps hinting a gamine
tubby wonderfully woven with wisps viz The Idler Wheel Is Wiser
   than the Driver of the ***** and Whipping Cords Will Serve You
   More than Ropes Will Ever Do a ha at last that renegade oocyte
   nabbed, analogously the Michael Phelps re: among the flagellated
   madding crowdsource qua squirming *****-faction caught
thence the commencement when trappings for a newborn bought
   years later reviewing prenatal sonograms with grown son or daughter
   pointing out how he/she editorialized, epitomized, and exemplified
   in miniature (no bigger than any letter of the alphabet),
   and closely resembled many creatures extant throughout the briny deep
   such as an amphibian, reptile or Argonaut.
Invisible chain
Trapped by the hand that feeds me
Weighing me down, slowly pushing the life out of me
Everyday a new chance to leave it all
But I chose to endure and thrive
To break and earn my release from the chains that hold us down
Sink or swim we pick one everyday
I'm not Michael Phelps, but I sure do earn my gold everyday
I take a 9-iron to my problems everyday knock em out the park
Never a straight shot or a hole in one
Always a challenge not so much fun
We have our moment with the hand that feeds us
Let's hope it's not more than we can chew
They say im a bad guy
For noticing all lies
They got us fooled
With fake wise
Open up your eyes
Youll see the sunrise
Shaft of light
For your mind
Shadows of times
Reflectin' off your moves
Which proves
This aint what ya body
Should be used to
News crews breakin' fuse
Open the breaker box
N you'll see all the plots
Darkness works best at opposites
Earth is a mirror of hell
Trapped in a jail
Cell with no bail
When will we yell
Out for a help
Too many swimming in pawns
Like mike phelps
Trying to achieve a
Gold medal
Only to settle
With a broken wing
As the skies sing
A beautiful melody
But we tuned out
Natures sound cuz we
Penitentiary bound
By these evil spirits
Who worship the ground
Moloch to Bohemian
Grove owls appearin on death tolls
Read the scrolls
On tv watch them expose and scold
A world of perfection
But wheni see reality
I see imperfection
Ohhhh....I want you...but I want you to want me too like Marvin Gaye.

Trapped in an abyss of love like a honey bee feeling gay..

Skin tight, hearing your very Essenes that yearns for more..

Bright like a Tiffany diamond you shine,
Thoughts of your inner walls it ain't mine...

I want you.....like Louganis you dive DEEP in my heart...yet you swim less than Phelps..I can't help

**** that's moist...wet with the very action that you can or cannot help with but yelp...

But yep, I want you....like you want me to be wanted...

— The End —