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I.

Thou aged unreluctant earth who dost
with quivering continual thighs invite
the thrilling rain the slender paramour
to toy with thy extraordinary lust,
(the sinuous rain which rising from thy bed
steals to his wife the sky and hour by hour
wholly renews her pale flesh with delight)
—immortally whence are the high gods fled?

Speak elm eloquent pandar with thy nod
significant to the ecstatic earth
in token of his coming whom her soul
burns to embrace—and didst thou know the god
from but the imprint of whose cloven feet
the shrieking dryad sought her leafy goal,
at the mere echo of whose shining mirth
the furious hearts of mountains ceased to beat?

Wind beautifully who wanderest
over smooth pages of forgotten joy
proving the peaceful theorems of the flowers
—didst e’er depart upon more exquisite quest?
and did thy fortunate fingers sometime dwell
(within a greener shadow of secret bowers)
among the curves of that delicious boy
whose serious grace one goddess loved too well?

Chryselephantine Zeus Olympian
sceptred colossus of the Pheidian soul
whose eagle frights creation,in whose palm
Nike presents the crown sweetest to man,
whose lilied robe the sun’s white hands emboss,
betwixt whose absolute feet anoint with calm
of intent stars circling the acerb pole
poises,smiling,the diadumenos

in whose young chiseled eyes the people saw
their once again victorious Pantarkes
(whose grace the prince of artists made him bold
to imitate between the feet of awe),
thunderer whose omnipotent brow showers
its curls of unendured eternal gold
over the infinite breast in bright degrees,
whose pillow is the graces and the hours,

father of gods and men whose subtle throne
twain sphinxes bear each with a writhing youth
caught to her brazen *******,whose foot-stool tells
how fought the looser of the warlike zone
of her that brought forth tall Hippolytus,
lord on whose pedestal the deep expels
(over Selene’s car closing uncouth)
of Helios the sweet wheels tremulous—

are there no kings in Argos,that the song
is silent,of the steep unspeaking tower
within whose brightening strictness Danae
saw the night severed and the glowing throng
descend,felt on her flesh the amorous strain
of gradual hands and yielding to that fee
her eager body’s unimmortal flower
knew in the darkness a more burning rain?

                    2.

And still the mad magnificent herald Spring
assembles beauty from forgetfulness
with the wild trump of April:witchery
of sound and odour drives the wingless thing
man forth in the bright air,for now the red
leaps in the maple’s cheek,and suddenly
by shining hordes in sweet unserious dress
ascends the golden crocus from the dead.

On dappled dawn forth rides the pungent sun
with hooded day preening upon his hand
followed by gay untimid final flowers
(which dressed in various tremulous armor stun
the eyes of ragged earth who sees them pass)
while hunted from his kingdom winter cowers,
seeing green armies steadily expand
hearing the spear-song of the marching grass.

A silver sudden parody of snow
tickles the air to golden tears,and hark!
the flicker’s laughing yet,while on the hills
the pines deepen to whispers primeval and throw
backward their foreheads to the barbarous bright
sky,and suddenly from the valley thrills
the unimaginable upward lark
and drowns the earth and passes into light

(slowly in life’s serene perpetual round
a pale world gathers comfort to her soul,
hope richly scattered by the abundant sun
invades the new mosaic of the ground
—let but the incurious curtaining dusk be drawn
surpassing nets are sedulously spun
to snare the brutal dew,—the authentic scroll
of fairie hands and vanishing with the dawn).

Spring,that omits no mention of desire
in every curved and curling thing,yet holds
continuous *******—through skies and trees
the lilac’s smoke the poppy’s pompous fire
the *****’s purple patience and the grave
frailty of daises—by what rare unease
revealed of teasingly transparent folds—
with man’s poor soul superlatively brave.

Surely from robes of particoloured peace
with mouth flower-faint and undiscovered eyes
and dim slow perfect body amorous
(whiter than lilies which are born and cease
for being whiter than this world)exhales
the hovering high perfume curious
of that one month for whom the whole years dies,
risen at length from palpitating veils.

O still miraculous May!O shining girl
of time untarnished!O small intimate
gently primeval hands,frivolous feet
divine!O singular and breathless pearl!
O indefinable frail ultimate pose!
O visible beatitude sweet sweet
intolerable!silence immaculate
of god’s evasive audible great rose!

                    3.

Lover,lead forth thy love unto that bed
prepared by whitest hands of waiting years,
curtained with wordless worship absolute,
unto the certain altar at whose head
stands that clear candle whose expecting breath
exults upon the tongue of flame half-mute,
(haste ere some thrush with silver several tears
complete the perfumed paraphrase of death).

Now is the time when all occasional things
close into silence,only one tree,one
svelte translation of eternity
unto the pale meaning of heaven clings,
(whose million leaves in winsome indolence
simmer upon thinking twilight momently)
as down the oblivious west’s numerous dun
magnificence conquers magnificence.

In heaven’s intolerable athanor
inimitably tortured the base day
utters at length her soft intrinsic hour,
and from those tenuous fires which more and more
sink and are lost the divine alchemist,
the magus of creation,lifts a flower—
whence is the world’s insufferable clay
clothed with incognizable amethyst.

Lady at whose imperishable smile
the amazed doves flicker upon sunny wings
as if in terror of eternity,
(or seeming that they would mistrust a while
the moving of beauteous dead mouths throughout
that very proud transparent company
of quivering ghosts-of-love which scarcely sings
drifting in slow diaphanous faint rout),

queen in the inconceivable embrace
of whose tremendous hair that blossom stands
whereof is most desire,yet less than those
twain perfect roses whose ambrosial grace,
goddess,thy crippled thunder-forging groom
or the loud lord of skipping maenads knows,—
having Discordia’s apple in thy hands,
which the scared shepherd gave thee for his doom—

O thou within the chancel of whose charms
the tall boy god of everlasting war
received the shuddering sacrament of sleep,
betwixt whose cool incorrigible arms
impaled upon delicious mystery,
with gaunt limbs reeking of the whispered deep,
deliberate groping ocean fondled o’er
the warm long flower of unchastity,

imperial Cytherea,from frail foam
sprung with irrevocable nakedness
to strike the young world into smoking song—
as the first star perfects the sensual dome
of darkness,and the sweet strong final bird
transcends the sight,O thou to whom belong
th ehearts of lovers!—I beseech thee bless
thy suppliant singer and his wandering word.
Marisa Bordeaux Feb 2013
Do not spoon feed me,

with your fleshy hand


Love has no palate

He's pompous and bland



My belly is tumid

your cream is too thick



You blaze with the fire

our flame has no wick



You burn me to ash

say, "I don't feel a thing"



Light a few matches

your heart doesn't sting



Smoke like a chimney

see if I care



Go on, get wasted

you've minutes to spare



Why not let liquor,

dictate your life?



She's done it before

she'll make a good wife



She won't let you drive

she won't let you speak



She sounds like most women

what more do you seek?



Your blunt and your flask,

they make a good pair



The flask omits me

the blunt omits air



I often bite

I'm like the wind



'Forgive me father?

I have sinned'



Of the seven deadly,

is pride the worst?



Shall I speak with God

or Satan first?



If I ask for God,

I find a queue



If I ask for Satan,

I find you



Is God the devil

when he's drunk?



Has he fits of rage?

Has his liver shrunk?



I love God

you are him, my fiend



Though you've never been handsome

Though you've never been kind



I bleed darkness

down a rusty drain



God, you are my darkness

God, you are my pain
honey May 2017
Off on a tangent
My fingers in transient
Clasping and clutching
sensing and touching-
While they still can,
Before our crossroads split
And exigency omits
That peculiar feeling of familiarity
And all absconds that impression of clarity
Then it is goodbye
With all relics of that high
All remnants of our contingence
Because our futility is insistent
Mateuš Conrad Jan 2022
promise me! promise me to get me out of this hell-hole i put myself in! promise me! i don't know why i put myself through, several days of transcribing a snippet, this was merely a snippet from Kierkegaard's oeuvre, but, how unbelievable! each word was a labour, prop up the book in the right place, read, don't look at the keyboard, let the devil find work for idle hands... look for the devil who would be able to write like he might read Braille! my god, the punctuation, ****** an elephant's ***...the essential Kierkegaard - edited by howard v. hong & edna h. hong: hurt my sensibilities, or, rather, my pedantry, when it comes to punctuation... transcribing is not plagiarism... its brick-layer toils... one word, after another... if i were translating from Danish, i think i'd punctuate the text better: to give it some... panache! some: oomph! you know? this is my dedication, i'm supposed to be awake at 7am... i already shined my shoes, i've already prepped my white shirt, black trousers, black clip on tie, i have my papers (credentials) in order... tomorrow i'll be at the London Stadium overlooking West Ham take on Leeds United in the FA cup... like always, i'll be more interested in the crowd... spotting a pretty girl among the "yobs"... because i truly care about football when it's on the t.v.: in real life... i once stood with three cans of beer and watched a non-league / non-professional match compromising of enthusiasts in a park, at a distance... i couldn't see much... i still don't see much difference... unless it's on the t.v.: the stadium doesnt really "frighten" me... but this one time in the park, i sort of looked the Michael Myers part... headphones in... one young woman was trying to... communicate to this older woman: also walking her dog... about confronting me... i think i "said": gaze... i looked at them... the younger woman was trying to tell the older woman about confronting me... the older woman told the younger woman: YOU, HAVE, NOTHING, TO TALK ABOUT, WITH THIS, MAN! i was drinking a beer, standing... a decent distance from the football match: but i also remember that... that 1995 Charity Shield game at the Old Wembley between Manchester United & Newcastle: ants kicking a grain of sand... obviously i didn't understand why i might pretend to be a *****... my new favorite word... *****... alias for paedohpile... if i don't look menacing and some woman can "think" she stands a chance against me: merely posturing... then we have issues... oh **** me... transcribing... that's worse than plagiarism.... i once did the most pristine plagiarism job on some... social-science course up in Edinburgh... i was having to make up credit scores, being the romantic idiot... losing my virginity to Isabella of Grenoble... oh, get a French girlfriend, take up French... i hate the language... they write what they don't speak: phonetically... which is sort of in line with my prior ambition for the plunge - to transcribe some Kierkegaard, but also translate some SZYMON STAROWOLSKI observations... circa... 1650... the Polish-Lithuanian Commonwealth... sorry.. it's not going to happen... i've done enough transcribing enough *******'s worth of: this punctuation needs to... "go"... to better understand myself... through this iron maiden of: someone else wrote: what someone else wrote... i'll leave ol' SIMON for another take... given... transcribing is a labour... writing, freely... idiosyncratically: appealing to my, appeal...  how, why, when... oh i can deal with that, these days... it's not even concerning what sort of thesaurus peacocking exfoliation is being used / abused by the writer... i'm... more allured... by... punctuation... since i don't bother to rhyme, since i find all lyricism a tad bit... crass... what else is there? the measure of: how to stop... how to begin... how to "objectify" the conjunction-intermediacy of... punctuation... no manner of human speech can be / could be encapsulated by comparing it to a river... point being... i'd rather write as freely as i can, about the most mundane events in my own life: prop up my subjectivity than... somehow... "somehow"... succumb to some sensible objective reality... objectivity does not give me a drive... it does not equip me with a manly persevence... it's antithetical to what i understand as human nature simply because... ha ha... objectivity has been owned by the English... it's their lot of being sensible... like watching would-be journalists looking at what's currently happening in Kazakhstan... then trying to compare it to... the posturing: the civilian security of protests in Ham-Ham-H'America... and it's like... so what? the people are simply, expected to, take it?! the liberty's of the individual that believes himself to be outside the collective will... sure... well... sounds nice... unless of course... the hive really does come after you... i'm all for individual liberties, after all... i own a private library that could put the public library where i live to shame... although... i'll give them a sly one: Thomas Mann's Dr. Faustus... they owned it, i simply loaned it... fair enough... but i'd rather write about women... i was having my haircut done... closed my eyes... because... hell... the mirror and ****... with my eyes closed i was stroked by this blonde bombshell... we talked about owning dogs, about owning cats... Alsatians? oh, i really have a hard-on for them... i used to own a dobberman... prior to it being illegal to snip their ears and cut their tails... she was a cat that does that to her? like she looks to be self-harming? perhaps she should nickname him Freddy Krueger?! my maine ****? oh... it's rainy, he just sleeps in my bed... he usually sleeps with me.. what?! the bed's big enough for the both of us... i'd love to own a boxer... i'd love to own a rottweiler... i'd also love to own a Triumph bike...

one of my replies... you know, a liter of whiskey can go down well... i get double drunk from good conversation, i rarely encounter what i'd consider a good conversation... that's why... i much prefer to drink alone, of note... i had more fun pretending to talk to myself than expecting "talking" to be an anti-canvas with some, living, breathing: might have kidney failure, etc. punk or, sociopathic? here's the script:

see you now,, i'm just about to rewrite a Kierkegaard transcript.... i can't imagine it being much fun... the whole process is so unoriginal... but oh, oh so necessary... that i sort of don't want to live without it... bonus points... i''ve drank enough to make it... bearable... trans-scripting....i danced a little in my bedroom, donned my cat with a pair of sunglasses.... thank god i'm not kind of a sort of H'american version of a... "winner"... so much of life can be tolerated when it's not being competed for!...

i've just filled out an induction form for the West Ham stadium, played niceties with my supervisor, sent her an emoticon, LOLz back... i'm pumped up, ready to smack a few teenage boys into shape, what, could possibly go wrong? speaking below the depth of breath / audibility, watching the birds... i want, i want to give them a second, a third, a fourth... chance... let me give these people a chance... i know their failures... but... the possibility of being loved by one of them, whether man, or woman, whether pseudo-woman... i'll go as far as to say... i wouldn't mind a "Thai surprise"... i know they're capable of it... give me this already acquired heart of stone... and i'll show you... that they'll bleed rivers of honesty... just a little while... that is all i ask...

this is all, of course, before the plunge begins...
wait...l of course there's more, there have to be constellations
involved!

it was originally titled: Private Library Allure...
now, i'm "thinking": two ripe mangoes...
a mango curry or a mango chutney,
or perhaps, both?!

i have this one particular constellation in mind, that's visible to the naked eye, don't worry about - wait... let me take a second look:


                  •


                    •
      •



           •


    

            •          (circa)... the big wheel...
the grizzly she... in terms of gods & men...
there's an replica: much smaller...
so i guess this is the microscope: since it is enlarged
while the identical constellation
is a telescope...
       no matter... i'm thinking of this constellation

                                 •
                          
                          •
      
                   •
                       •
                    

                          •
                             •
                                •



              •
          ­                                            •

the scorpion constellation, it only appeared once
(to my knowledge) in pop culture,
in Dreamworks' the Prince of Egypt...

now wouldn't that be a waste... me simply drinking,
not allowing alcohol to be the extra calorie intake
that might require me to scribble...
waste of a good whiskey: should i simply drink it
and not focus on scribbling...

point being, i'm about to undertake something
i'm not very keen on, to prove a point,
i'm about to transcript two of the most profound pieces
of writing that recently caught my attention...

not to mention i'm reserving bragging rights...
my private library is... richer...
than the public library of the town of Romford...
i might be an alcoholic,
but i'm also a bibliophile...
there's nothing more precious thank a book...
perhaps a tonne of bricks...

why did i decide to cycle in these temperatures...
****'s sake... i'm old school,
i don't "trust" wi-fi cordless earphones...
the temperature dipped so low that
now the wires are performing at sub-optimal standards...
sort of hushed...
mind you... i love the cold of the January nights...
******* get such a hard-on for the wind
that they almost feel like they've been pierced...

none of the following will be original content,
but i just have to transcript it...
maybe a whiskey refill... a cigarette...
i need to get into the groove of typing up
someone else's work...
oh ****, there are two of them...
well... at least one of them i will not have to translate...
however: do i want to include the original...
all those diacritical markers (ctrl + c / ctrl + p)
will be rather fiddly... do i have the time?

- oh, right... i'm here... the above was...
"somewhere" / "sometime" else...
a sort of... quantum-dasein...
past-participle... black hole... blah blah...
i'm still gearing up for the transcript
of Kierkegaard...
the translation of that ****** equivalent
of the Czech: YAN HUß

-------------------------------------- (pending line)

the pending line is not moving... i've already
written a pre-scriptum a day "late"...
i think i'll manage the Kierkegaard...
but none of the ****** "crap": since...
i'm not about to translate...

once more, please refer to the essential Kierkegaard...
edited by howard. v. hong...
& edna h. hong...
            hong? i too have a terrible surname...
a bit like ******, or Stalin...
people see Elert... they immediately prompt me
with: so... you're AH-LERT?!
i never hit them back with with...
you sort of missed this zeppelin...
it's etymologically german...
in earnest... it's missing: SCH...
that's... ESCHLERT...
          but i have no trouble with people
who like... low hanging fruit...
pedestrian interactions...
         a peasant among among peasants...
a peasant who can discriminate against
peasants...
my given surname at birth was no much better...
fellow countrymen...
oh... i remember it... this one time...
tricked me...
open your mouth...
so i opened my mouth...
then quickly closed it...
i was spat at... a fellow countryman spat
in my face...
although he was aiming at my mouth...
i hold... not allegiance to the English...
1997... why was i deported?
for being an economical migrant?!
oh... the world is now, somehow, ******* welcome?!
i hold not allegiance to the English:
to the tongue: all...
but i also hold not allegiance to my inherent
****** reference... i'd rather just call it
a "reference"...

i abhor both parties... one for sort of telling me to
******* because:
they're now the church-going party of people
and my grandfather was conflated with being
a communist party member:
sure... since... socialism in a soviet
satellite was very much the same sort of shin-dig
as it was in RaSHa... ROSIYA...
*******... wanking me off a little...
**** Poland... **** England...
both can sink... to... whatever they deem
to be acceptable by their standards of...
oh... in England... peer Lord Ahmed... *****...
Rotherham... fun times!
i don't even want to know anything about
Poland.... my ethnic class by birth...
i'd rather ******* and create trans-ethnic mongrel
gremlins with a a girl from Kenya...
in Kenya...
yeah... me... in Kenya... creating a pseudo-Brazillian
republic of... copper-skinned polymaths &
multilingual freaks!
sign me up!
                  
i really didn't expect to mind much of me...
it's nice that... they read so little nd watch so much regurgitation
of a t.v...

like i once pointed out: objectivity is...
overrated... hell... it's more than that...
by now it has been hijacked by fake-news and
anti-science pseudo-narratives...

which tells you a lot about a people who
seemingly tolerate Muslims...
tolerating Muslims that don't tolerate Sufism...
i'm good with the Turkish barbers...
anything else... you better ask a Hindu...
how do Hindus "tolerate" Islam... if, at all?

these are not my words... they are a verbatim
transcript that most public libraries will not own,
but i own... ergo...

the subjective existing thinker is aware of the dialectic of communication. whereas objective thinking is indifferent to the thinking subject and his existence, the subjective thinker as existing is essentially interested in his own thinking, is existing in it.

(insert: my own questioning furthered from the genesis of this 19th century Danish thinker... point aside... i am... the queen's subject... i am not, the queen's object... the queen is not forcing me to be subjectively objectionable to... say... building a new wing for Windsor Castle... i can't be, regarded as the queen's object... constitutional monarchy doesn't work through the expedience of extension... i am the queen's subject, i am not her object... i am subjected to the queen... the monarch... but i'm not... "objected"? i'm not objecting to the hierarchy she presupposes, predisposes with... it's almost a "paradox"... but as a subject... in the most immediacy... as a subject... i am not her object... i am not her servant! that some people, within her immediacy are her objects, by regal extension, her guards, her... ******* tea nannies... sure... but... i am beyond her claim for being objectified... i am "subjectified"... how? i can fester... concern for the monarch, i can adorn her with "dasein": care... but her regal extension dilutes itself... her regal power... the cut-off point... is... when she can no longer objectify me... i can be no more her ******* tea-*****-nanny... her soldier... hell... a police officer is not made a police officer by some royal decree.... a police officer is a subject of the regal authority... a soldier? an object of the regal authority... why? the soldier serves the crown... the police officer? serves the public: the subject of the subject(s)... not... like the solider: the object of the object... to be subjected to "something": is hardly demeaning when otherwise the supposed stance of being "demeaned" is to be: objectified... counter to any sort of "argument": to be objectified... is to be spared... the experience of being: subjected to... i.e. / e.g. to objectify a woman... is a synonymous expression for... not subjecting a woman to... what objectifying her in the first place might... entail... by objectifying a woman... you're at least not subjecting her to... the undercurrents of objectification per se...

even i am thinking to myself: this sounds stupid...
the fox is currently having an asthmatic fit of giggles
come 2:20am...
if i am objectifying a woman as a "thinking thing"...
then... i'll be less likely to subject her to: think...
if i am objectifying a woman as a hammer...
then... i'll be less likely to ask her to:
also bring some nails along...
that's the positive on the micro-scale...
because on the macro-scale?
i'd rather be the queen's subject than...
be her... well... the extension of the queen:
her object... her tea-*****-nanny...
her soldier... her... prime minister...
it's a ******* weird dynamic... but...
it's the most pristine that has ever existed... period...

constitutional monarchy ought to be
the envy of the world, for some of the bad apples...
it still i... it should never be undermined...
should it ever be... i'd call that... treason!
to the very fabric of reality!
and as someone who was diagnosed as schizophrenic?!
go figure... but don't come cryuig to me...
make, sure...
you have some "ice-cream" **** readily available
to sa e you, some Rotherham **** heart-throb...
why oh why... having lived n these Isles...
for as long as i have...
the would me mothers of my would be children...
i'm not even going to beg to, ask...
low i.q. breeds low i.q.:
naive... people(s)...
           genius is an aberration...
it's a  mutation...better stuid and reproductive...
work along: plenty for the ants..
*******, ants...
and once they age?
darts?! football matches?

i can't blame them!
i have yet to cite them proper...
although: thank god the filter
of having to invest in having to read...
in people actually reading

therefore, his thinking has another kind of reflection, specifically, that of inwardness, of possession, whereby it belongs to the subject and to no one else. whereas objective thinking invests everything in the result and assists all humankind  to cheat by copying and reeling off the results and answers, subjective thinking invests everything in the process of becoming and omits the result, partly because this belongs to him, since he possesses the way, partly because he as existing is continually in the process of becoming, as is every human being who has not permitted himself to be tricked into becoming objective, into inhumanly becoming speculative thought.

the reflection of inwardness is the subjective thinker's double-reflection. in thinking, he thinks the universal, but, as existing in this thinking, as acquiring this in his inwardness, he becomes more and more subjectively isolated.

the difference between subjective and objective thinking must also manifest itself in the form of communication ˣ. this means that the subjective thinker must promptly become aware that the form of communication must artistically possess just as much reflection as he himself, existing in his thinking, possesses. artistically, please note, for the secret does not consist in his enunciating the double-reflection directly, since such an enunciation is a direct contradiction.

ordinary communication between one human being and another is entirely immediate, because people ordinarily exist in immediacy. when one person sttes something and another acknowledges the same thing verbatim, they are assumed to be in agreement and to have understood each other. yet because the one making the statement is unware of the duplexity (dobbelthed) of thought-existence, he is also unable to be aware of the double-reflection of communication. therefore, he has no intimation that this kind of agreement can be the greatest misunderstanding and naturally has no intimation that, just as the subjective existing thinker has set himself free by the duplexity, so the secret of communication specifically hinges on setting the other free, and for that very reason he must not communicate himself directly; indeed, it is even irreligious to do so. this latter applies in proportion to the essentiality of the subjective and consequently applies first and foremost within the religious domain, that is, if the communicator is not god himself or does not presume to appeal to the miraculous authority of an apostle but is just a human being and also cares to have meaning in what he says and what he does.

objective thinking is completely indifferent to subjectivity and thereby to inwardness and appropriation; its communication is therefore direct. it is obvious that it does not therefore have to be easy. but it is direct, it does not have the illusiveness and the art of double-reflection. it does not have that god-fearing and humane soliciude of subjective thinking in communicating itself; it can be understood directly; it can be reeled off. objective thinking is therefore aware only of itself and is therefore no communication, at least no artistic communication, inasmuch as it would always be required to think of the receiver and to pay attention to the form of communication in relation to the receiver's misunderstanding. objective thinking is, like most people, so fervently kind and communicative; it communicates right away and at most resorts to assurances about its truth, to recommendations and promises about how all people someday will accept this truth - so sure is it. or perhaps rather so unsure, because the assurances are recommendations are the promises, which are indeed for the sake of those others who are supposed to accept this truth, might also be for the sake of the teacher, who needs the security and dependability of a majority vote. if his contemporaries deny him this, he will draw on posterity - so sure is he. this security has something in common with the independence that, independent of the world, needs the world as witness to one's independenceso as to be certain of being independent.

ˣ double-reflection is already implicit in the ideas of communication itself: that the subjective individual (why by inwardness wants to express the life of the eternal, in which all sociality and all companionship are inconceivable because the existence-category, movement, is inconceivable here, and hence essential communication is also inconceivable because everyone must be assumed to possess everything essentially), existing in the isolation of inwardness, wants to communicate himself, consequently that he simultaneously wants to keep his thinking in the inwardness of his subjective existence and yet wants to communicate himself. it is not possible (except for thoughtlessness, for which ll things are indeed possible) for this contradiction to become manifest in a direct form. - it is not so difficult, however, to understand that a subject existing in this way may want to communicate himself. a person in love, for instance, to whom his ****** love is his very inwardness, may well want to communicate himself, but not directly, just because the inwardness of ****** love is the main thing for him. essentially occupied with continually acquiring the inwardness of ****** love, he has no result and is never finished, but he may nevertheless want to communicate; yet for that very reason he can never use a direct form, since that presupposes results and completion. so it is also in a god-relationship. just because he himself is continually in the process of becoming in an inward direction, that is, in inwardness, he can never communicate himself directly, since the movement is here the very opposite. direct communication requires certainty, but certainty is impossible for a person in the process of becoming, and it is indeed a deception. thus, to employ an ****** relationship, if a maiden in love yearns for the wedding day because this would give her assured certainty, if she wanted to make herself comfortable in legal security as a spouse, if she preferred marital yawning to maidenly yearning, then the man would rightfully deplore her unfaithfulness, although she indeed did not love anyone else, because she would have lost the idea and actually did not love him. and this, after all, is the essential unfaithfulness in an ****** relationship, the incidental unfaithfulness is to love someone else.


as a side-note... these impossible, to my mind:
imaginary "problems"...
say, for example...
the racist... the non-racist... and the... anti-racist...
do i use racial slurs, sure, but i always tend
to "translate" them to by implicitly urban scenario
tokens... i'm a "******" if i don't get on time,
i'm supposed to work for free...
i think of racism along the lines...
well... you, know... that Pakistani grooming
gang in Rotherham...
it doesn't affect me personally,
i'm a bachelor, i don't have a daughter...
but... even on my level, since i'm so far away
from the issue... i start to get affected...
**** is the lowest of the low...
i once ****** a *******... all giggly and drunk
at first... but then... she started crying during *******...
a burn-out moment on her behalf...
i had to stop... o.k. you're selling yourself... willingly...
but... i'm not going to... whatever...
if she might have claimed p.t.s.d.
i could also claim the same...

*** is ugly... just before perching myself on the windowsill
once the night arrived...
i heard a voice in the darkness... thanking me...
at the end of my garden... i wasn't exactly listening:
i never listen... but these words of: thank you
sort of penetrated me...
where is the supposed "Ummah"
when it comes to the Uyghurs?!
the fond fellows of Arabia... would rather send
their suicide virgins to the western land
with prospect of conquest, with prospect of seeking
our proselytes... than...
keep their Ummah intact... do the Arabs really think
that their Chinese believers are...
worth so little to them?
           where are the attacks on China?!
eh... Pakistani uncle said grandma
then decided to **** some cousin...
  sorry... low... hanging... fruit...
   i need a drink...
                            
        i can understand racism... esp. given the attempt
at a multicultural society...
i rather think of myself as a non-racist...
****** a black girl, ****** a Thai girl...
****** an Indian girl...
but... this... white, female, anti-racism stance?
i don't get it... daddy issues?
they must be daddy issues... parental issues...
you have to purposively make yourself anti-racist...
affirmative action buzzwords...
you can never be: the highest pinnacle of negation:
not-racist... you have to be actively: anti-racist...
you can never be passively: non-racist...
you have to... do... "x, y & z"...

these words shouldn't even see the light of day...
so much *******...
all of it... crass...
as much as the Brazil-Project of interracial
new-Arab interbreeding sounds great...
newly tanned "Spaniards"... "Arabs"...
"Indians"... if you've ever visited Kenya...
i remember being approached by these three gorgeous
Kenyan girls working the pandering circuit...
black skin glistening in the moonlight...
as if someone rubbed them with butter...
plump... one of the local Kenyan boys asked whether
i'd like to visit a local bar... i declined...
i forgot myself... took to the hammock...
slept the whole night in the open...
some ****** stole my cognac while i was asleep...
me? we best interact...
but... interracial breeding sort of disrespects...
the seeming aeons of... what allowed black people
to be black... what allowed white people to be
white...
it's no good, like... black girls are not angry
when the white girls are giving up so much ***
to their male counterparts?

if i'm supposed to "think" about race... sure... i'll give
it a short shot... because i'm expected...
i have a furry river and.. by now:
i'm more res vanus than res cogitans...
i don't think i need to think on the basis of
narration... i'll just be reactionary...
not because it's easier... it just seems rather...
necessary...

anti-racist: tropes! they are just that... people try
so hard to not-be... X... that they almost forget that...
they are X... because they are compensating for
the environment they were brought up in...
daddy's sins... mother's opinions...
by now a racist is better suited for conversation
than an anti-racist... who the ****** bleached "us"?
it's like: i can't the difference between people...
like... Somalis don't look more ancient than the rest
of the Africans?! maybe i should find more Ethiopians...

i sometimes think of "existing" in a way that...
elevates the posit of: exiting...
sure... cogito, ergo... blah blah...
but that's not enough... to exist is also readying
yourself to exit... existing is a pseudo-continuum
of rented... time, body... in order to...
make the banal finalities of / for an exit...
GloriouslyFlawed Jan 2013
You will often find me dreaming
Here on my lonesome, lying in bed
In my darkened room and wondering
What will become of me. Whether
The days shall pass by without
Me seeing a smile or the gleaming sun.

For there is nothing but the sun
To make you enjoy life, enjoy dreaming.
Who could go every other day without
The lovely thoughts you think in bed.
I imagine it being unnerving, whether
Or not your dreams are full of wondering.

I have vivid thoughts, often wondering
Why I’m free of nightmares which hide the sun
From many others. My question is whether
My mind omits such terrible dreaming
Immediately as I awake safe in bed.
Why must I be the one to go without?

There is no harm in I going without
Though it does provide me with the wondering
Of how such a thing can be, my bed
Is where I can escape to, escape the sun
And what comes with it. No dreaming
Can be done with such blinding weather

I often think to myself and question whether
Or not I can truly say that I go without
Having a single nightmare. The dreaming
That I do is so bizarre and leaves me wondering
How it would feel to fear the burning sun,
To fear falling asleep, to fear lying in bed.

How would it feel to fear lying in bed?!
Not wishing to allow yourself sleep. Whether
Or not you could fear such a thing when the sun
Is such a beautiful thing, and the moon, without
Them both our world would be left wondering,
Asking this question to themselves ‘Am I dreaming?’

So make your bed now, or go without.
Whether you choose to remain wondering
About the sun, about the moon, you’re dreaming.
This was my first, and so far only, attempt at writing a sestina. It is certainly an interesting form and one that I quite enjoyed the challenge of.
ICN Oct 2015
The first time you asked me if I trusted you, I said "yes"
The second time you asked, I said "it depends"
But when the third time came around I answered with a "no"
Because after all this time, how could I trust someone who lies, and omits, and only speaks with half-truths?
Someone who hides their feelings deep inside never to be revealed?
It's not that I don't want to trust you, but you don't trust me
And I can't risk another one of your betrayals, because it would **** me
it wouldn't matter anyways, i'm already dead on the inside
Westley Barnes Apr 2016
Lovely thoughts are shackles.
They invoke what even the microscope
omits from the commentary
Well-prepared cups of tea on Sunday afternoons
The dragging of fountain pens retracing ornate loops.

Each a relief from the threat of whatever crisis interred
by the quiet of a room
The practical, the indulgent, without progression.

The contemporary pastoral
is to be found
Amongst old boxes
of  boy's adventure paperbacks
and girl's glitterworn and broken hairbrushes
Shooting the mind off to tragedies
whirring still away at even further distances.

Memories, like sentiments
when copacetic
Provoking always the invasive link
the dependent, the pathetic.

A picture of a doomed ship in storm
Hung on the red carpeted wall of a restaurant

A jar of olives
left untouched
for decorative purposes
in the old grain store
which now serves unfiltered coffee
and plays loud but pleasing music
'til 6 p.m.

What I have spoken of are McGuffins.
The mind distracts.
Yes, the mind encounters,
we discover, we make lists.
But if you can remember
minutiae, try then to remember
History is the repetition of revelations.
The reel does not cut off.

In short,
don't congratulate
Yourself about life
until you've at least seen the nursing home.
Well Intentioned Glossary
Pastoral-a work of literature portraying an idealised version of country life.
Copacetic-in excellent order, pleasingly consensual.
McGuffins-In fiction, a McGuffin (sometimes MacGuffin or maguffin) is a plot device in the form of some goal, desired object, or other motivator that the protagonist pursues, often with little or no narrative explanation.
I want to write a poem that smells like perfume
that flits and that flips through a rose-tinted room
all wispy and wet and cosmic and cool

I want to write a poem that omits all the grease
the fierce firing squad, pimps, perverts, police
to tickle your fancy and make you go guuguu

I want to write a poem that moves through your veins
like sweet fairy dust not shackles and chains
be part of the pop cult, feel the pulse, feel the pulse

I want to write a poem that travels lit-up highways
with no broken bulbs, no sirens nor slipped gears
without red-danger zones nor emergency phones

I want to write a poem with soft cuddly toys
and trinkets and things that make no loud noise
to nibble your chin and that sort of thing

I want to write a poem with an innocent face
that softens your edges and slows down your pace
'til you're won and you're one and you purr and you hum

I wanted to I really did
2015
I often write stuff that's calls attention to serious human conundrum. I wanted to write something lighter and a bit silly
Michael Kusi Feb 2018
In life I wear a mask, in death a grave
This mask is kingly borne to fit the great.
To place remains in grounds with nothing to save.
The mask after my life is just my fate.

To say to smile futile, I have no eyes
They ask why don’t you wear a hat.
I scream disguise is pain to hide my cries
A cap inadequate, I have no use for that.

The parts of life I need to keep today
Will go below as people say their last
The epitaph omits my private ways
The skeleton is still in closets, past.

Headstone is speaking from beyond my death.
To search for truth until not one is left.
helena alexis Sep 2017
the smoke from his lips
quietly omits into the dark

he turns to face me with
his bloodshot, glossy eyes

"i want you" the drugs said

the substance in his system
had complete control over him.

- you never wanted me
Roberta Day Apr 2012
A poet doesn't lie,
       a poet omits
the suppressed thoughts and sensations
she will never forget
The painful memories she hopes to create,
       The ill-tempered words
       tied to strings of hate that
L o o p--
             a reoccurring
             pattern of
              maladjusted
             thinking

  A sense of dread churns in your gut,
writhing behind your chest cavity,
invading your consciousness,
shutting it down

       Perspiration begins,
and the rattling in your bones
Nausea sets in,
    reeling your blood
   It's happening again,
            this you know,
but time will not tell
when this attack will go

Your throat constricts
                   while time afflicts
everything you've kept inside--
the emotions you've kept alive
       when you should have set them free
captives of your debauchery
they've transformed into something ugly,
           the wretch of scorn and self-pity
and have unleashed their vengeance
for smothering them with poisons
       depriving them of breath,
and of their destiny

They're doing unto you,
what you did unto them,
       killing you tediously,
disrupting your mind with
   irrational fear
and depleting the dopamine
transmitted through your system
to plague you with indifference
towards reality
          The symptoms it carries
manipulate your thought-process,
restarting the l o o p--
                     a reoccurring
                     pattern of
                      maladjusted
                     thinking
Tried something different with the formatting. Feedback appreciated :}
JR Rhine Mar 2016
I cradled the unfurling shed snakeskin delicately
admiring the imprint of faces and places
swallowed up in time.

An ancient amative light sat patiently
on the blank sheet
before the electric medium;
the electric medium sitting buzzing
eager to tell another silent story.

I wrapped the skin around its spindle;
and from its den I extracted slowly and cautiously,
urging the skin into the hungry buzzing medium--

And minute punctures in the skin,
where the projector's teeth sink in,
whose teeth chatter like plastic wind up dentures
as the skin passes snake-like through its dusty plastic entrails.

The tattooed skin is illuminated at the heart of the vessel--
where the countenance of a single solitary bulb
omits a radiance, brilliant and magnificent--
powerful enough to cast the skin like a shooting star
across the darkened room

onto the patient white sheet
where my eyes await the tattooed memories
to dance before me.

I sit in my torn and weathered leather chair
echoing the silence of the screen--
(hypnotized by the hum of the projector--
an incessant electrical drone accompanied by the bombinate
incantations of chattering crickets.)

The stories are shielded from my inquisition
by layers of translucent grain
that leave textures gritty--
and a soft focus that leaves faces obscure
and expressions ambiguous.

(How clever you are to stay silent,
and leave me in such tempestuous musings!)

Vast pores pop up excitedly burned and scabbed intrusions
and if you linger for too long
the brilliance of the glare will burn into you--

Like the shaman who dances too close to the holy fire.
Like Apollo flying too close to the sun.

I must be careful,
and fully aware--
of your transience.

These ambulant hieroglyphs
speak volumes in their silence--
and I find myself drawn
to the blurry smiling faces
as they peer into my soul.

History breathes.
and History repeats.
but lies silent
in the sands of Time.
Becoming muddled,
but waiting.
for its story to be told;
for the mediums to rise from the grave.

I suddenly agnize myself as the last generation
to have its memories and histories burned onto tape.
and as I sit here I wonder
of the Society
whose soul I will peer into--
when I am unearthed
out of the sands of Time.
Working with 8mm film.
Ginamarie Engels Jan 2013
This is what life is, we don't really know where we're going, it is an every second exploration and observation of the time that passes us by. This is what it is to live.
We take part in making choices for ourselves which sometimes affect those around us, we have energy that the earth omits and energy, we emit.
Movement.
Our brains are like pieces of granola in a big bag, not one piece is exactly the same.
So we watch life, take part in it, to try and form into a "person", we make this game of living worth while.
But some of us, wonder, what is our purpose? How did we end up here? How did the earth form itself and progress into such a technologic, crime-infested, polluted, whirly world.
Non-Utopia.
This place can be such a wreck, everything can be seen different throughout each of our pair of eyes, or we may just have one eye or colorblind eyes.
Perceptions.
I don't really ever pay attention or even look at every part of my body and study it. It's amazing to me how intricate each ***** and our entire body is, how our body is such a team. Everything works together and if one thing goes wrong, we have our blood cells and other things inside of us that will back us up. It's incredible, but do we ever really wonder how we were made, what the real roots are, not just our mothers and fathers, but way back when....
Kate Deter Mar 2014
The glossy raven-crow perches on the wire,
Its carefully-preened wings glistening
With perfect drops of moisture.
It surveys its domain with coal-black eyes—
Coal-black, but not void, not empty—
Black with all the absorbed knowledge,
The deep black of knowing too much,
The tacit black of the extraterrestrial skies.
The raven-crow omits a sound into the air,
Silent to some, but volumes to others.
The raven-crow spoke directly to the air,
And the air understood the message.
The two share the deeply-seated secret,
So it’s not as much a burden as before.
The sun falls into the embrace
Of the curvature of the Earth.
The raven-crow, having received its cue,
***** its obsidian wings once more,
Sending crystal tears to shatter midflight.
JB Mar 2012
A tremor, an empty cup of tea,
next to my veinous hands,
there is a cat sitting at the table.
Large as a bear, fat and bulging,
With whiskers as long as the wings of an albatross
and a tail that knocked over a lamp.

Cat flourishes his claws and says:
"Midnight has passed, why where you imagining me before I was?"
Rain enters the room,
pulls his thick, heavy coat around him and omits an
odour of nightly summer pavement.

What a gang, the three of us!
Collected to outlive the night.
When Sun rises and wipes away all that Rain has accomplished,
when Morning comes and clears the fog and ideas,
Cat is yet to be imagined.
JP Mantler Jan 2017
There is no such thing as freedom because you can play God
because he only pretends to sit in his sofa castle
laughing at your foolishness
eating your baby noodles

Anyone can play this game but I won't stand for it
because spilling their guts makes it criminal
because it makes me liberal
like it's all okay

Their cynical smirks and superior rationale
burn me alive into a ******* Charleston
I curse them all and **** them all
and I am ****** for it

Words of evil percieved only as evil by the weak
because killing and ****** is a neccessity
a demand for destiny which the world stages
it's freedom for all but the just

I know I know nothing unlike all the other pigs
they can cheer and chortle because they're boxed in their world
epileptic to my hare-ful truth that means nothing
because I am an ignoramus who is free

To the glamour dressed diesel alcoholic
to the giraffe-wearing radicalist
to the artistocratic plum-picking *******
to the uneducated, ****-smoking secretary
to the briefless, cold-handed ******
to the green-spiked punk with a polarized attitude
to the one who sent nukes overseas to G**bless other countries
I pity your concealment; your pathetic, two-dimensional box

For I know nothing, so when you find me
Sit me down, and shoot me in the ******* head
Because you wish you had nothing like me

So find me and burn me on the stake
Huff the audacity my smoking flesh omits
Breed your Reptilian filth over my dead body
Evan Backward Apr 2015
Heaven whispers peace in my
Ears, it rings so
Loudly, so all encompassing, too
Long has it been since its toll.

Ice freezes balefully on the borders,
Smooth lines drawn on the edge.

Careful grace,
Omits and voids any fears, any
Malicious shadows of a doubt.
I walk among these clouds,
Not seeing that it is all
Going so well.
I have come to memorize the simple things like, your face or the way you look at me when I laugh
it's your voice I'm trying to find
I see your lips moving
and your sculpted teeth
and the way your eyes crinkle up into a smile
but your mouth omits those sounds of a stranger
a blend of noises I have heard before
but where's your voice? I can't hear it but
I can see it
                                                              ­             [you are lovely]
allison Jul 2014
Even from across the room
Violet crescent moons age her youthful face
Black makeup smudged under her eyelashes
And hair in a messy bun but still slightly curled
The only remnants of the night before
Evidence of a snoozed alarm and
Lack of sleep

Exhausted
Both mentally and physically
She tries desperately to grasp full consciousness
As she begins her work

Earbuds submerged in her ears
Leaving the world around her behind
Engulfing her into a world of art
Both visual and musical
Where sonnets become songs
And bars of notes start to form beauty

Eraser shavings everywhere
Either on the paper or pushed aside
Her hands move swiftly to the beat
For once just let me lose myself
And she does
In her art

She glances back and forth between papers
One a model and one her masterpiece
Not fully formed
Precision is key
Perfection
Ruler to ensure exactness
Eraser to rid of mistakes

She draws one line perfectly straight
And leans back
She contemplates and shakes her head
Then omits it
Goes back again to draw another
A twin to the first

The process is endless
Striving for impossible perfection
When true imperfect goodness is there

Underneath the frustration and complexity
Is simple and utter beauty
What is perfection
When you can have art?

*December 2013
Worthless stories from the drunken source, Create the hovel and this curse.
What lies ahead in despair,
As laughter and scoffs fill the air.
Oh, could it be my dignity or maybe even shame?
All that's left is stale *** breathe and tears from everyday.

These puddles grow into a lifestyle,
I can't let time stay for a while.
Noone is going to be sorry,
Blood omits the story.
So carry out the rest of luck with help from the abandoned.
And let this problem be the first of many to be done with.
PoETE Poet-Pete May 2015
Traveling by sea, as the darkness omits light onto thy tide, I have no place to run, and no place to hide, my fear is cold and my strength can't die, I've kept head above water for so long, and now with my deepest and darkness cry, as I stare at the sky, and ask; why try, why cry, wait I don't deserve to die, while I cry my final sigh.......
Sometimes you feel as if you're out in the coldest of the darkness nights, searching for just a crack of light, to allow for a perfect sight.

All
Content
Written by
PoETEPETE
{2000 ~~ 2015}
~©~ Protected & never neglected.
Mark Nov 2019
If found her beauty, then have found my eyes:
As painter's draw their muse, do mine of hers;
That when in blink her lovely youths apprise
Depicting truth as tho' by glass transfers;
No dreaming brush omits the slightest curve
Nor other light bestow that grace increase;
That artistry does best by mind preserve
So she through time bare not of time's decrease.
Yet could the years by force of cruel age,
Redraw by season's pen what I had drawed?
No! Art's the soldier 'gainst what time can wage;
Whilst skin may crease, by heart is none withdrawn!

But when her portrait's gaze outlasts my time
This canvas shall replace her frame with rhyme.
jeffrey robin Jan 2015
(                                                
                                  )
(                              
                       )
(          
)
\/
/\
/    \


##     ##     ##                          

& the god !



In the cracks and crevices of reality

( frightened eyes )

////                    

The lovely girl !

                        ////

I heard a girl crying

I' M BROKEN !

I' M UNLOVED !

//

( I smiled )

I' M HERE !



WHO WANTS A ******* CREEP LIKE YOU !
( she said )

••

That's a line she omits when writing her poems !

/////

He stepped in some dog **** on the way to school

••

In the quiet of the truth

///

She is such a lovely girl  !

//

We marry each and every day
Mateuš Conrad May 2017
beginning with the circle, for there are three,
    in an "abstract" sense of staging the Δ, i.e.:

                                Ω

                        Υ            O              alternatively:

                        o              υ

                                 ω  

thus in deed... (macron as omega, in greek acute
  accent on upsilon to extract omega, or the p(oo)l sound..
                     acute on the omicron?
      gives you upsilon... omega = macron
                          on the omicron)...

   however the Σ (totality) of this observation?
      how many s      esses      are there, orthodoxically speaking?

s, ś, ß (a german grapheme, variant of the roman æ,
                 æsc, sszett - albeit the latter invoking consonants,
         the former? volwels),
          the greek will now provide the aesthetic twins:
              σ, ς (whereby the latter, created the french
                           ç, which is another form of s... e.g.
     in the word waiter: garçon) -
                  the final s form?     akin to ß... but the germans
   would write it as           -sch-,
                                 east germans say it when writing ich...
           in english the compound is -sh-
                           sharp...
                                   in slavic it's: either -sz- a variant of
the english -sh-,           or with a caron, e.g. š...
  like the car-manufacturer: škoda... which, when said
in adverts... omits the diacritical mark.

      how many "satans" can you see? count:
s, ś, ß, σ, ς, ç, (-sh- / -sz- /) š:
   eins, zwei, drei, vier, fünf, sechs, sieben...
    
            you can site that seven headed hydra in the book of
revelation... right about now.

oh sure... let's go crazy, put an extra head on the beast:
the cyrillic ш...      some sort of rigid omega, or worse still...
   an uptight double-"u"....   it's a V, a ******* V, a double V!
    qui? qui? wee? wee? it's a soft-v!
Aly OMalley Jan 2021
Eenie meenie little souls
How I wonder, be thou cold?
Stay thee in thy secret spot
Stripes of iron, cloth be naught

See we nothing, hear no sound
Sight omits thy tattered gowns
May death be kinder?  Death be quick?
Yes.  Death be gift by candlestick

We’ll send thee bread of molded clay
To save thee from thy wicked ways
Of clashing blood and god and skin
Inhuman made by ink of sin

For church reveals the sacred spot
Of heroes draped in thoughtless thought
Of condemnation, fears and tricks
And bearers of the candlestick
Michael John Oct 2021
doctor, i don´t like
you-
(it is nothing personnel
you understand
you are probably
a decent man
but it is the mountain
of bull-****
that accrues day
by day
that taint´s every
breath i breath
it is the hypocrisy
it is the mean way
it is the beady
little eye
it is the fatal
shrug
nothing´s torpid
hug
in a living hidden
with lie
silence omits
we forgotten
song gone
understanding
sympathy
empathy
peachy
why i don´t
like
it is not really
understanding
why..)

a man walks into
a bar
and slaughters
all
puts a disc on
and makes
breakfast..
Uncrowned King Feb 2023
The light has become dimmer
It feels like it's going away

No. It's going far away.
Away from all the noise

From the dark,
looking for another spark

because this light is smart,
it won't be consumed by nonsense

You're a fool to fall for it's likeness--
It strives beyond darkness

The warmth it omits
will only be given if it permits

I was lucky to have touched
Its ultraviolet C rays

It burned for a while
but the pain was pleasing

Until I felt nothing
because it's gone.

Maybe, the light is pessimistic?
It has its own flaws.

or rather,
damaged from it's own thoughts

Could be from the past?
from other bodies?

It hides a void that has amassed.
Tom Shields Feb 2021
Bring your chin to the edge of the table and roll your tongue out
flat like a dead slug, take a scraping of your taste buds
conventional speech will now be banished, puns vanish,
in conversation, dense condescension, identify by sleeve
trust isn't earned anymore, intercept all personalities as duds,
that's what you rotate in circles for, segregated communities, one cannot always deceive  
cut the scarlet letter for your disorder in the roof of your mouth if the warnings are something you somehow mismanage
don't you realize you're living with everybody's instability?

Before you're down a dead end road,
slow down and process the information overload
there's no privacy in the path of progress,
your secrets better not exist, regress, be meaningless or harmless
literal translations marked in the margins by martyrs
dancing like satyrs on their victorious gravesites, the effort a culmination, they pun-ish  
for all the good their culture does in vindictive service to selective silence, it seems remiss
that essays and humor, misunderstood wit; one misstep all they lash
dyers on hills who recolor the grit and reality of the past
censorship is a dangerous tool
ask any oppressed voice

Censorship changes history's very imagery
omits thought, will, obstacles and triumph and choice!

You are human, your nerves are raw and your heart beats like a drum
when the hand that strikes it stirs your blood, let the outcries come
poetry is unbridled in revolution, furious in chains
a brand that scars the bleary eyes behind all stifled ideas, corked within your brains
the thunder of marches inspired by speeches, the movements and power wielded by wordsmiths
sheer influence that shames Mjolnir or Excalibur, when a million speak as one, cry as one, the tears of one million are torrent rains
within the wildest eyes, brightest minds, purest hearts and kindest souls, waits this now-waning gift
for who can rightly rise in today's vast opera of need?

They call for everything all at once, who can genuinely lead?
All I can say to be honest, not certain, but true
is that thinking different isn't bad;
it's a waste of being an individual to let anyone else do your thinking for you.
write
please read and enjoy

— The End —