What Dr. Lector devours with fava beans, inside rots. Too much Chianti?
Not likely. Likely, not enough
but there has been much else. Still,
no amounts warranting any shy example of overload. Mild splurges,
done in high style equal
nothing in comparison to toxic
baths taken in industrial grindstone
mortors. And the payback?
Walking papers and abdominal lump.

Poke it and choke on acid reflux. Pop
more pills to keep it down. Downers
prescribed on more downers.
Feeling down? Have another downer.
What else can we do? Your MRI's
and ultrasound, unsound, do not
come with flag from foreign invader,
claiming this new territory for king.

So, blame it on the offal.
Blame it all on the offal for not
having guts and glory
to fight off its own infection.
And eat your chicken livers.

Go to sleep—though of course you will not—
to tideless waves thundering slantwise against
strong embankments, rattle and swish of spray
dashed thirty feet high, caught by the lake wind,
scattered and strewn broadcast in over the steady
car rails!  Sleep, sleep!  Gulls’ cries in a wind-gust
broken by the wind; calculating wings set above
the field of waves breaking.
Go to sleep to the lunge between foam-crests,
refuse churned in the recoil.  Food!  Food!
Offal!  Offal!  that holds them in the air, wave-white
for the one purpose, feather upon feather, the wild
chill in their eyes, the hoarseness in their voices—
sleep, sleep . . .

Gentlefooted crowds are treading out your lullaby.
Their arms nudge, they brush shoulders,
hitch this way then that, mass and surge at the crossings—
lullaby, lullaby!  The wild-fowl police whistles,
the enraged roar of the traffic, machine shrieks:
it is all to put you to sleep,
to soften your limbs in relaxed postures,
and that your head slip sidewise, and your hair loosen
and fall over your eyes and over your mouth,
brushing your lips wistfully that you may dream,
sleep and dream—

A black fungus springs out about the lonely church doors—
sleep, sleep.  The Night, coming down upon
the wet boulevard, would start you awake with his
message, to have in at your window.  Pay no
heed to him.  He storms at your sill with
cooings, with gesticulations, curses!
You will not let him in.  He would keep you from sleeping.
He would have you sit under your desk lamp
brooding, pondering; he would have you
slide out the drawer, take up the ornamented dagger
and handle it.  It is late, it is nineteen-nineteen—
go to sleep, his cries are a lullaby;
his jabbering is a sleep-well-my-baby; he is
a crackbrained messenger.

The maid waking you in the morning
when you are up and dressing,
the rustle of your clothes as you raise them—
it is the same tune.
At table the cold, greeninsh, split grapefruit, its juice
on the tongue, the clink of the spoon in
your coffee, the toast odors say it over and over.

The open street-door lets in the breath of
the morning wind from over the lake.
The bus coming to a halt grinds from its sullen brakes—
lullaby, lullaby.  The crackle of a newspaper,
the movement of the troubled coat beside you—
sleep, sleep, sleep, sleep . . .
It is the sting of snow, the burning liquor of
the moonlight, the rush of rain in the gutters packed
with dead leaves:  go to sleep, go to sleep.
And the night passes—and never passes—

Late, my grandson! half the morning have I paced these sandy tracts,
Watch'd again the hollow ridges roaring into cataracts,

Wander'd back to living boyhood while I heard the curlews call,
I myself so close on death, and death itself in Locksley Hall.

So--your happy suit was blasted--she the faultless, the divine;
And you liken--boyish babble--this boy-love of yours with mine.

I myself have often babbled doubtless of a foolish past;
Babble, babble; our old England may go down in babble at last.

'Curse him!' curse your fellow-victim? call him dotard in your rage?
Eyes that lured a doting boyhood well might fool a dotard's age.

Jilted for a wealthier! wealthier? yet perhaps she was not wise;
I remember how you kiss'd the miniature with those sweet eyes.

In the hall there hangs a painting--Amy's arms about my neck--
Happy children in a sunbeam sitting on the ribs of wreck.

In my life there was a picture, she that clasp'd my neck had flown;
I was left within the shadow sitting on the wreck alone.

Yours has been a slighter ailment, will you sicken for her sake?
You, not you! your modern amourist is of easier, earthlier make.

Amy loved me, Amy fail'd me, Amy was a timid child;
But your Judith--but your worldling--she had never driven me wild.

She that holds the diamond necklace dearer than the golden ring,
She that finds a winter sunset fairer than a morn of Spring.

She that in her heart is brooding on his briefer lease of life,
While she vows 'till death shall part us,' she the would-be-widow wife.

She the worldling born of worldlings--father, mother--be content,
Ev'n the homely farm can teach us there is something in descent.

Yonder in that chapel, slowly sinking now into the ground,
Lies the warrior, my forefather, with his feet upon the hound.

Cross'd! for once he sail'd the sea to crush the Moslem in his pride;
Dead the warrior, dead his glory, dead the cause in which he died.

Yet how often I and Amy in the mouldering aisle have stood,
Gazing for one pensive moment on that founder of our blood.

There again I stood to-day, and where of old we knelt in prayer,
Close beneath the casement crimson with the shield of Locksley--there,

All in white Italian marble, looking still as if she smiled,
Lies my Amy dead in child-birth, dead the mother, dead the child.

Dead--and sixty years ago, and dead her aged husband now--
I this old white-headed dreamer stoopt and kiss'd her marble brow.

Gone the fires of youth, the follies, furies, curses, passionate tears,
Gone like fires and floods and earthquakes of the planet's dawning years.

Fires that shook me once, but now to silent ashes fall'n away.
Cold upon the dead volcano sleeps the gleam of dying day.

Gone the tyrant of my youth, and mute below the chancel stones,
All his virtues--I forgive them--black in white above his bones.

Gone the comrades of my bivouac, some in fight against the foe,
Some thro' age and slow diseases, gone as all on earth will go.

Gone with whom for forty years my life in golden sequence ran,
She with all the charm of woman, she with all the breadth of man,

Strong in will and rich in wisdom, Edith, yet so lowly-sweet,
Woman to her inmost heart, and woman to her tender feet,

Very woman of very woman, nurse of ailing body and mind,
She that link'd again the broken chain that bound me to my kind.

Here to-day was Amy with me, while I wander'd down the coast,
Near us Edith's holy shadow, smiling at the slighter ghost.

Gone our sailor son thy father, Leonard early lost at sea;
Thou alone, my boy, of Amy's kin and mine art left to me.

Gone thy tender-natured mother, wearying to be left alone,
Pining for the stronger heart that once had beat beside her own.

Truth, for Truth is Truth, he worshipt, being true as he was brave;
Good, for Good is Good, he follow'd, yet he look'd beyond the grave,

Wiser there than you, that crowning barren Death as lord of all,
Deem this over-tragic drama's closing curtain is the pall!

Beautiful was death in him, who saw the death, but kept the deck,
Saving women and their babes, and sinking with the sinking wreck,

Gone for ever! Ever? no--for since our dying race began,
Ever, ever, and for ever was the leading light of man.

Those that in barbarian burials ****'d the slave, and slew the wife,
Felt within themselves the sacred passion of the second life.

Indian warriors dream of ampler hunting grounds beyond the night;
Ev'n the black Australian dying hopes he shall return, a white.

Truth for truth, and good for good! The Good, the True, the Pure, the Just--
Take the charm 'For ever' from them, and they crumble into dust.

Gone the cry of 'Forward, Forward,' lost within a growing gloom;
Lost, or only heard in silence from the silence of a tomb.

Half the marvels of my morning, triumphs over time and space,
Staled by frequence, shrunk by usage into commonest commonplace!

'Forward' rang the voices then, and of the many mine was one.
Let us hush this cry of 'Forward' till ten thousand years have gone.

Far among the vanish'd races, old Assyrian kings would flay
Captives whom they caught in battle--iron-hearted victors they.

Ages after, while in Asia, he that led the wild Moguls,
Timur built his ghastly tower of eighty thousand human skulls,

Then, and here in Edward's time, an age of noblest English names,
Christian conquerors took and flung the conquer'd Christian into flames.

Love your enemy, bless your haters, said the Greatest of the great;
Christian love among the Churches look'd the twin of heathen hate.

From the golden alms of Blessing man had coin'd himself a curse:
Rome of Caesar, Rome of Peter, which was crueller? which was worse?

France had shown a light to all men, preach'd a Gospel, all men's good;
Celtic Demos rose a Demon, shriek'd and slaked the light with blood.

Hope was ever on her mountain, watching till the day begun--
Crown'd with sunlight--over darkness--from the still unrisen sun.

Have we grown at last beyond the passions of the primal clan?
'**** your enemy, for you hate him,' still, 'your enemy' was a man.

Have we sunk below them? peasants maim the helpless horse, and drive
Innocent cattle under thatch, and burn the kindlier brutes alive.

Brutes, the brutes are not your wrongers--burnt at midnight, found at morn,
Twisted hard in mortal agony with their offspring, born-unborn,

Clinging to the silent mother! Are we devils? are we men?
Sweet St. Francis of Assisi, would that he were here again,

He that in his Catholic wholeness used to call the very flowers
Sisters, brothers--and the beasts--whose pains are hardly less than ours!

Chaos, Cosmos! Cosmos, Chaos! who can tell how all will end?
Read the wide world's annals, you, and take their wisdom for your friend.

Hope the best, but hold the Present fatal daughter of the Past,
Shape your heart to front the hour, but dream not that the hour will last.

Ay, if dynamite and revolver leave you courage to be wise:
When was age so cramm'd with menace? madness? written, spoken lies?

Envy wears the mask of Love, and, laughing sober fact to scorn,
Cries to Weakest as to Strongest, 'Ye are equals, equal-born.'

Equal-born? O yes, if yonder hill be level with the flat.
Charm us, Orator, till the Lion look no larger than the Cat,

Till the Cat thro' that mirage of overheated language loom
Larger than the Lion,--Demos end in working its own doom.

Russia bursts our Indian barrier, shall we fight her? shall we yield?
Pause! before you sound the trumpet, hear the voices from the field.

Those three hundred millions under one Imperial sceptre now,
Shall we hold them? shall we loose them? take the suffrage of the plow.

Nay, but these would feel and follow Truth if only you and you,
Rivals of realm-ruining party, when you speak were wholly true.

Plowmen, Shepherds, have I found, and more than once, and still could find,
Sons of God, and kings of men in utter nobleness of mind,

Truthful, trustful, looking upward to the practised hustings-liar;
So the Higher wields the Lower, while the Lower is the Higher.

Here and there a cotter's babe is royal-born by right divine;
Here and there my lord is lower than his oxen or his swine.

Chaos, Cosmos! Cosmos, Chaos! once again the sickening game;
Freedom, free to slay herself, and dying while they shout her name.

Step by step we gain'd a freedom known to Europe, known to all;
Step by step we rose to greatness,--thro' the tonguesters we may fall.

You that woo the Voices--tell them 'old experience is a fool,'
Teach your flatter'd kings that only those who cannot read can rule.

Pluck the mighty from their seat, but set no meek ones in their place;
Pillory Wisdom in your markets, pelt your offal at her face.

Tumble Nature heel o'er head, and, yelling with the yelling street,
Set the feet above the brain and swear the brain is in the feet.

Bring the old dark ages back without the faith, without the hope,
Break the State, the Church, the Throne, and roll their ruins down the *****.

Authors--essayist, atheist, novelist, realist, rhymester, play your part,
Paint the mortal shame of nature with the living hues of Art.

Rip your brothers' vices open, strip your own foul passions bare;
Down with Reticence, down with Reverence--forward--naked--let them stare.

Feed the budding rose of boyhood with the drainage of your sewer;
Send the drain into the fountain, lest the stream should issue pure.

Set the maiden fancies wallowing in the troughs of Zolaism,--
Forward, forward, ay and backward, downward too into the abysm.

Do your best to charm the worst, to lower the rising race of men;
Have we risen from out the beast, then back into the beast again?

Only 'dust to dust' for me that sicken at your lawless din,
Dust in wholesome old-world dust before the newer world begin.

Heated am I? you--you wonder--well, it scarce becomes mine age--
Patience! let the dying actor mouth his last upon the stage.

Cries of unprogressive dotage ere the dotard fall asleep?
Noises of a current narrowing, not the music of a deep?

Ay, for doubtless I am old, and think gray thoughts, for I am gray:
After all the stormy changes shall we find a changeless May?

After madness, after massacre, Jacobinism and Jacquerie,
Some diviner force to guide us thro' the days I shall not see?

When the schemes and all the systems, Kingdoms and Republics fall,
Something kindlier, higher, holier--all for each and each for all?

All the full-brain, half-brain races, led by Justice, Love, and Truth;
All the millions one at length with all the visions of my youth?

All diseases quench'd by Science, no man halt, or deaf or blind;
Stronger ever born of weaker, lustier body, larger mind?

Earth at last a warless world, a single race, a single tongue--
I have seen her far away--for is not Earth as yet so young?--

Every tiger madness muzzled, every serpent passion ****'d,
Every grim ravine a garden, every blazing desert till'd,

Robed in universal harvest up to either pole she smiles,
Universal ocean softly washing all her warless Isles.

Warless? when her tens are thousands, and her thousands millions, then--
All her harvest all too narrow--who can fancy warless men?

Warless? war will die out late then. Will it ever? late or soon?
Can it, till this outworn earth be dead as yon dead world the moon?

Dead the new astronomy calls her. . . . On this day and at this hour,
In this gap between the sandhills, whence you see the Locksley tower,

Here we met, our latest meeting--Amy--sixty years ago--
She and I--the moon was falling greenish thro' a rosy glow,

Just above the gateway tower, and even where you see her now--
Here we stood and claspt each other, swore the seeming-deathless vow. . . .

Dead, but how her living glory lights the hall, the dune, the grass!
Yet the moonlight is the sunlight, and the sun himself will pass.

Venus near her! smiling downward at this earthlier earth of ours,
Closer on the Sun, perhaps a world of never fading flowers.

Hesper, whom the poet call'd the Bringer home of all good things.
All good things may move in Hesper, perfect peoples, perfect kings.

Hesper--Venus--were we native to that splendour or in Mars,
We should see the Globe we groan in, fairest of their evening stars.

Could we dream of wars and carnage, craft and madness, lust and spite,
Roaring London, raving Paris, in that point of peaceful light?

Might we not in glancing heavenward on a star so silver-fair,
Yearn, and clasp the hands and murmur, 'Would to God that we were there'?

Forward, backward, backward, forward, in the immeasurable sea,
Sway'd by vaster ebbs and flows than can be known to you or me.

All the suns--are these but symbols of innumerable man,
Man or Mind that sees a shadow of the planner or the plan?

Is there evil but on earth? or pain in every peopled sphere?
Well be grateful for the sounding watchword, 'Evolution' here,

Evolution ever climbing after some ideal good,
And Reversion ever dragging Evolution in the mud.

What are men that He should heed us? cried the king of sacred song;
Insects of an hour, that hourly work their brother insect wrong,

While the silent Heavens roll, and Suns along their fiery way,
All their planets whirling round them, flash a million miles a day.

Many an aeon moulded earth before her highest, man, was born,
Many an aeon too may pass when earth is manless and forlorn,

Earth so huge, and yet so bounded--pools of salt, and plots of land--
Shallow skin of green and azure--chains of mountain, grains of sand!

Only That which made us, meant us to be mightier by and by,
Set the sphere of all the boundless Heavens within the human eye,

Sent the shadow of Himself, the boundless, thro' the human soul;
Boundless inward, in the atom, boundless outward, in the Whole.

                                                *

Here is Locksley Hall, my grandson, here the lion-guarded gate.
Not to-night in Locksley Hall--to-morrow--you, you come so late.

Wreck'd--your train--or all but wreck'd? a shatter'd wheel? a vicious boy!
Good, this forward, you that preach it, is it well to wish you joy?

Is it well that while we range with Science, glorying in the Time,
City children soak and blacken soul and sense in city slime?

There among the glooming alleys Progress halts on palsied feet,
Crime and hunger cast our maidens by the thousand on the street.

There the Master scrimps his haggard sempstress of her daily bread,
There a single sordid attic holds the living and the dead.

There the smouldering fire of fever creeps across the rotted floor,
And the crowded couch of ****** in the warrens of the poor.

Nay, your pardon, cry your 'forward,' yours are hope and youth, but I--
Eighty winters leave the dog too lame to follow with the cry,

Lame and old, and past his time, and passing now into the night;
Yet I would the rising race were half as eager for the light.

Light the fading gleam of Even? light the glimmer of the dawn?
Aged eyes may take the growing glimmer for the gleam withdrawn.

Far away beyond her myriad coming changes earth will be
Something other than the wildest modern guess of you and me.

Earth may reach her earthly-worst, or if she gain her earthly-best,
Would she find her human offspring this ideal man at rest?

Forward then, but still remember how the course of Time will swerve,
Crook and turn upon itself in many a backward streaming curve.

Not the Hall to-night, my grandson! Death and Silence hold their own.
Leave the Master in the first dark hour of his last sleep alone.

Worthier soul was he than I am, sound and honest, rustic Squire,
Kindly landlord, boon companion--youthful jealousy is a liar.

Cast the poison from your *****, oust the madness from your brain.
Let the trampled serpent show you that you have not lived in vain.

Youthful! youth and age are scholars yet but in the lower school,
Nor is he the wisest man who never proved himself a fool.

Yonder lies our young sea-village--Art and Grace are less and less:
Science grows and Beauty dwindles--roofs of slated hideousness!

There is one old Hostel left us where they swing the Locksley shield,
Till the peasant cow shall **** the 'Lion passant' from his field.

Poo

Orange peel Thursdays and the Velcro shoes
Of children hordes
Who spider up Alice on toadstools in Central Park
Dusted psilocybin shoots my eyes through
With the clarity of ice and sliced mushroom
Steeping in stomach acid before finding blood
The kids are tripping like madmen or halloween candy
Like its time to release and give up to the nonsense
And let your young self congeal to a saccharine sludge

I don’t stroll in the park to keep my mind sharp
I’m here because it’s a riot
My head can throb to the jittery birds
And the blasts of carsong
It’s the right kind of rhythm to walk to

* *

Ketamine days and the lolling slums
To make sure the insane stay insane
And the hobos are washed with spit from the clouds
And the subway exhaust always hangs in our hair
And the old Coney Island burns again and twice more

We don’t pretend to understand what we see
In subway grates thirty feet wide
Like the earth punching out of work for a bit
Opening to you her *** belly
So you can check out the strips of metal inside
Before she slurps you down and with an esophageal squeeze
Shoots you through the turnstiles

The train squeals and grinds down our eyes
With thoughts as slow as ketamine
Makes room for schizophrenia in a conversation
We’re listening to ‘til sundown

* *

Years full of Brooklyn and the assorted pills
Makes offal fit for punks in name brand shoes
Squared off with police in the park
Being beaten for the fun of being beaten
Peacoat locals pass the days in supermarkets
And you grow up to the loony mumble
Of the woman who knows the boat
Moored at the end of the street
Mansion of the stray cat colony
You help her with her daily chore to feed them
Tabbies popping the pills of the homeless
And puking in tandem all over their house
Living off generous dying folk

As I ponder, perplexed by the possibility
Of a premature passing that may present itself to me
I consider and calculate
Though my conclusion may be crude
That the finest fix for my fear is a feasting of food
I munch on a morsel, my mouth making moisture
Overwhelmingly open to offal and oysters
I'd take them, temptation takes its toll
Curiosity for calories that I can't control
I'd have them, Hoover them, heck I'd hoard 'em
But by now I believe it's basically boredom
Not a necessity to nibble the nosh
It's late I ate a plate at eight, I can wait my gosh
No, I know there is no need
To slurp on soup or scoff some seeds
Only fatigue fuelling the feeling to feed
Got to get to grips with this gross and grotesque greed
Choking on choices, trembling in my chair
Do I punt for the pudding, the peach or the pear?
Selecting such seductive sweeties
Or dealing with death, diets and diabetes?
While I wonder and weep about what will win
My insatiable starvation stumbles on a sin
Not funny you'll find when you're finished and fat
'Cause in the kitchen on the counter there's a KitKat
Four fiendish fingers fascinate the feeling
So seductive, my senses soaring to the ceiling
Try to meet it, cheat it, beat it, defeat it
But what the hell, I don't care, I'll just ****** eat it.

My auspicious and audacious assault augments the annoyance of aged accomplices.

My bodacious broadside of boffolas berates and buffaloes bros beneficently.

A classy crusade Clownishly chiseling and criticizing childishness.

A devilish ******* of dillydallying dullards; devoutly denying dimwits the dulcet dream of defiance.

Excessive, exuberant edification, ebulliently eliminating education-evictees.

A fair-weather frolic in flippancy with furious fools floundering in flawed foppishness.

Gregariously grating glum guys gleefully, growing grander garnishes of gripping gallantry gaily.

Heckling hooligans highlights my heavenly humor.

Irreverently irking irritable, iniquitous idiots in inestimably infuriating and incredible instances.

A jolly, jocular **** joking with jerks.

A kreiger kicking kleptomaniacs in the karyotype. (Cut me some slack, this is 'k', after all.)

A ludicrous, laughing lambaste of lollygagging lunatics, loftily loosing luscious lunacy on lucky losers.

A magnificent masterpiece of malfeasance, a monstrous, malevolent mission of massive misfortune for the minor minors missing no malicious missive.

A noxious, narcissistic niggling of nitwits, niftily nixing the noisome naivete of niggardly nobs.

An offhand, off-color outburst of outlandish observations to outclass the obnoxious overtures of obsequious offal.

A pragmatic prediction of possible platitudes or platypi, a placid parley of pyrotechnic pleasantries provoking Pyrrhic protections by prurient prats.

A quixotic quibble quarreling with a queer quarry.

Ribald ribbing, ruining the robust reality of the repreachful, repugnant, and rapacious with risque ridiculousness.

A silly, slighting slander of sluglike slavishness, succinctly sinking sloppy simpletons sourly.

Tracing the titillating talent of towing tyranny to towering terrors to tactless, togless, terrapins of the times.

1
Shh…the rain cooed, calming the flood that rages
Still a concern…or was
Now placed upon the wetted soil
Transfigured, blessed in holy oils scented with cinnamon.
#2
I grasp at the compass that Donne reassured,
Tragic to find it etched in notes
Of the Song of Swans:
It may commune beneath a firmament of birds
Yet, it seems divided in this steely sky—the color of wrathful swords—
I sniff: it smells of cinnamon.
#3
I am drawn by the scented bliss, anointed in general
That is, with the rest,
But somehow, cologned, it’s too sweet, too new
Now a criminal to laws of ancient Hebrew.
To the iron clouds, the necks will bend,
To turn from he who smells of
Cinnamon
That is, with the rest.
#4
Yet, they do not smell
Nor peel back its bark lest it poison the oil
As rain poisons soil,
And ignore, as they do, when rain is to come,
The oil is fragranced evil with cinnamon.
#5
And though I complain, clack to the mud
It, too, smells of cinnamon,
And so we’re the same.
#6
“****” is my cry. “**** them to their hell,”
Burn the concrete buildings, tear away social offal
That, with some entreaty, seems to plague us all! Why so much Injustice?
Who are you? A God? What makes one lump of clay
A clod, the other a home? Upon the heads of refused beings
How do you stand so tall? You can’t lest your empire fails
While the seesaw of suffering hoist up the side of wails
And smoke the vital oxygen,
Scowls, the first impression
Worried not about advancing goals but living day to day,
The things that move metabolisms, world-wide, subject to pay,
Wasting our lives not in 9-to-5s but looking
And failing to find
And toting excess and praising their holders
While blaming the others born from behind
Partitions drawn in world wars started for oil
For money, for wealth, both so glutted and glutting pride a nation wide
While its cells are tinged with cancer,
Both sides of false dichotomy claiming they have the answer, to answer the question
Of recidivism, the poor and they are to live or get along, dangling the carrot so high
It goes above their dreams, and it’s so blurry that it’s hard to tell
What exactly one pursues,
Or race, religion,
Of a woman’s place in the is to see how absurd such a question should be,
Here is a question that seems appropriate: why are differences discouraged,
Who says what is better but the powers that be
Lenses shaped for us to see only those things specifically made
To make the made untouchable,
And they do it, and will not stop, we’re left with no hope
But from where pleasure is wrought: drugs and sedatives that
Blunt the mind that worries, sober, replacing them until they’re over
But without any solution; a bandage to a bandage
Since a sober mind that cognizes problems can’t possibly solve them in the same state
Of mind.
A lust for love with no genuine conception,
*******, deflowering with cold, stony hearts
Fostered in a day and age where manipulation is more inescapable means
And less insidious art,
So broken by our broken dreams and forced to walk without contention
Compromising on who we are
No struggle to help make us strong
A simple shrug to carry on,
While the most powerful blood, the fire in our veins is given, given, given
To those we think we love,
While we sit dreaming and falling in love with love
Always coddling the scars, where the blood and sinew were streaming
Until they are closed and pink, taut and empty like a drum
Still yearning to beat the same rhythm again,
Needing to learn before synchrony may happen
And two drums may beat to the other’s tune,
Feeling some pulse that holds us feet from decay
All the warmth and butterflies
Come in a zephyr smelling of fetid, carrion meat
That makes true affection
Feel like maggots in the skin
And we leave to new horizons, akin in their process:
Where they end, where they begin.
And yet we’re so weak in every regard, being the forge of our own fortress’ petard
Sade-masochists that run, run, run away
Feeling as though we’re cast to sea, waiting for the problem to deal with itself
A shining light house on a miserable horn
Hides by our back, the shore receding out, and even in the darkness
The vastness of the sea, there’s still the light cast ‘cross the sky
With the same, though fleeting, periodicity.
And I can do nothing, least, nothing of worth
Being as I am, a whiny little white boy with middle class struggles,
Well-fed, well-cared for, and some domestic unrest
But I am minor, mediocre at best,
And have never had the muscles, the mettle, put truly to the test.
So I can only complain beneath the anthill of my worries
And all my attempts to make any change are thwarted by my failings, my comfort
My life,
Doing drugs, self-medicating because it’s the best I can come up with
Spiraling beyond uncontrollable until it is no longer
Me whose spinning down to destruction,
That was something of the past
Now, I truly have nothing to grasp
And I kick and I scream and I try and I try and I try
But look in dismay at any hope I may have for people to change, yet their conduct belies
A sense or desire to be anointed enspiced
Since the general oil has seemed to suffice, and that’s not enough, but I just want some change
Some honesty, but I can’t find it, I know not what I feel
All this angst piling up, like a chapter in the life of Holden Caulfield:
He’s my ******* idol since I pressed with all this
Stupidity with no venue but complaints
And this is doing nothing, this ******* poetry, neither solving nor affording comfort
Back to me. It is art and no one cares
It has no voice, save the face-value point
And I want meaning, and so I try to make it knowing full well
The intention is demeaning, but not in my writing
Its filthy fingers touching on everything that I’d like to achieve
Legitimately, but it’s all conditioned
It’s breakdown is imminent  
If only I knew how accept
Oils scented with cinnamon.
I wish I was different, or acted upon it, instead of just ******* in the lines
Of a sonnet,
Or that others may smell of their own fragranced oils
Then trifles, then problems may seem something
Of little toil
But, but, but, where am I to go, where do I begin?
I’ve gone in circles, where I stopped I’ll start again
And I’ll never escape because…
#7
Shh…the rain cooed, calming the flood that rages
Still a concern…or was.
In due time the sun will do as it does:
Show us what is, is soon to be what was.
The nature of me, with little consistency, is grasping for a dawn
I see it coming up
Now that I’ve smelled the breeze
Of cinnamon.

too many ******* pyramids
                         of metaphysical construct,
and not enough sand dunes...
sorry, no...
      ***** don't pay for
the desert dunes...

              one beer,
two shots of whiskey...
          up in the air,
marsian ambitions...
        not with fossil fuels
you're not;
          come back to earth,
come back,
          see, anything,
resembling ukraine,
       when the soviet union
dissolved?
     no?
      being treated like ****,
how about,
i'll just steal your stomach
and your royalty
stature of swans?
and make a stew...
**** me...
          can you imagine
a stew of offal,
comprised of chicken
stomachs and hearts?
                
what man finds hardest the most,
is coming to terms with impasse limitations,
water, labour,
      skint labour, labour,
i'll work,
but then again:
i won't work,
   if i'm subjected to the current
market "expectations"...

i hold two pound coins
in one hand,
i hold two pebbles in the other,
i drop the four into a a fountain,
wishes, wishes to all:
"good luck"...

                rupert murdoch held
the transvaluation
of all values in one hand,
diogenes held reality in the other...
same weight...
              
why did i fathom the hand that
held the two stones,
rather than the hand that held,
the two pound coins?

i don't, want, to, know.

     the reverberation of chernobyll
were pronounced in parts
of poland, when i was still
a foetus..
   when, scandinavian
scholastics broke the news...

               in the local park...
a streak of trees look autumnal,
a streak of trees looked summery...
back in 1986 in late spring...
while i was still a foetus...

funny...
  were the polacks paid reparations
for the **** invasion,
the soviet invasion,
the soviet overlord from1945 through
to 1990... for chernobyll 1986?
no... not really...
          
were the jews paid reparations
for the holocaust?!
well, d'uh!

         my teeth are still itching
for an offal stew...
    i want to eat,
the internal organs of chickens,
and pigs...
there's nothing quiet like
eating pork liver...

          pork liver vs. chicken hearts...
that's my everest.
             or raw herring...
in a clement,
    of a lactose infused sause;

it just...
               splits the tongue,
begins watering it,
and increases all the chances
of ascribing eager,
to bind itself to chew.

genghis knew two food groups.

red and white, look it up.

Many Genghis genes remaing, tut tut tut,
no error yet, wait

in time the idea, the reason for so simple a sorting
is lost
and food laws arise to insure the purity
of progenity
"man ist vas man eats, nicht nur brot, y'kin, hear-ken"

destined to rule the world in the

here,
after all the others are killed by our wisdom and
dietary rules.

--- toxic masculinity
--- I heard first hand, a hipster-seeming voice tell me
--- Jordan Peterson is the source of the poison

Ah, am I to reply?
Am I to add a layer onto each pearl I feed the swine?

laque of knowing growing pains for what they really are,
we, the people,
blooming, bhering weight, finding worth

feeling ing ing the squeeze,
squeeze,
glory in the pain for gain, gain is good, grow, grow grow
try---umph
ic magi
bent and bowed bansai-wiseman, fed for years mere humble PIE
chanting more enthralled-folk songs
marching
words bubbling to the surface of spaceship earth,

blistering the deserts and the forests with black tar sludge
seeping from the fractures

to form mortar
to re
build the tower... that was Sad'am's idea,
it fell short in shocking offal from the rusting empir-
ical rule of laws of matter,

dis integrating to dust, leaven in the winds...

But every hundred years or so,
some one sees the problem
accused of causing the laquering of peace that seems
to be
beginning
to shine on
the rub,
the itch,

the cause celebre of this warrior mind, this
toxic
masculinity, but in the end

times change, nue and new and aljadid genii arise,

winds converge in great gyres and plan the melting of
the frozen one,

the great gyre in the north, the up-end of the spin,

locked these twelve thousand years
in de-salinated ice,

the salt squeezed from the very molecules of frozen ocean
once free

to spin
counter
clock, lock, lock the POV, see it, see it, see

the direction of the spin,
does it **** or blow?

You could know. Such things are not hidden now,

our simple sort of men have visionary tools,
eyes in the sky,

we look from the moon and see immediately,

there should be six spinners spinning currents
returning, turning turning
as winds return on their circuits on an un flat earth,

as Solomon noted in the sayings of Thoth;
so,
we see the ice, as ***** Gibson said it would be seen,

cybernetic, tic, you, tic, know, tic
what i mean
magi-
confidence in uncom-fort-ible
am-big-yous-is-us-ness

--- it was them ****** cow boys
--- imagined forever afters, based on guns for Christmas
--- appearing areal, Asreal can be, if one stared,
-- starry-eyed, Uriel appears to grant a wish, stare

staring in hope and prayer.
for all a child's prayer is worth

--- long-enough, at the wishbook from monkey ward
--- I'maxin' Please, Ma t'tell Santa I'd wear my guns t' school, Ma, I'd be cool.

hour-wareness of war;s worthlessnesses, winking eye sign;
pure floccinaucipilinihility, winks 'n' nods

manifestations of the imaginings of men,
wombed and un,

for money, not its use, just
luv o'the stuff it's made from in minds so inclined,

which tend to destruction from the mere knowledge
of a missing something, a meaning,
a hole,
a place of nada-zil-chic spells re re re main al and  
analible and
allathat, uninalienable mass of meaningful things...

name your God same as mine, shibbol-ethical as allhells-gnownstinki

fini.
eh? Fini? Uno fini, allathestinki? Bad-wind or kami-kazi?

it's a wish,
come true.
this world containing life, an air bubble to pre
vent
our inventions
from drowning in the fields of far-flung, far-fetched

god ideas gone sour,
for lack of a proper fungus. We can fix that now.

From now on,
we can listen to Lex Fridman sing "Simple Man"
from
a bubble remaining inside the lost disco years,

we can listen to Richard Feynman make plain what he meant
about life's locks all having keys in
a bubble remaining viable inside those Leave it to ****** years,

or read, since when in ever writing for ever began
and Google can translate, and
we can read by listening, now, we can read asif blind, and
see

there's more to this than that, why
settle for the simple, when

if
you step beyond, one step,
you find treasure
in truth
kept for you in the heart of your hiding child.

what's with this hobby of keeping friends?
i've got two friends that
only say meow...
          and i'm kinda not rooting for
a Colombian hottie for a wife...
                 i abhor this idea of a "loner",
i haven't heard any monks being called that...
  but then again monks do live in a monastery...
why do people always seek each other's
company? what's wrong with liking your own?
it really bothers me... i mean, by current
standards of denoting this man a loner
would make Spinoza laugh...
                  is it because you need to be the quintessential
hermit living in a clay urn or in a hole
in a desert?
                              each night i drink something,
without fail: i feel better for it...
               i'm hoping it'll **** me...
but so many times people who don't known
how to drink get so ******* melodramatic
that i think about ensuring they are banned from
abusing the amber...
                        i hate melodramatic drinkers,
you either utilise the sedative of the amber to
an overcoming potential... short: Kant's
transcendental methodology... you you won't
drink and whine... or bash people about...
and that, i must say: is a rare art.
     1 litre of amber and i'm as silent as a mouse...
i'll say it again:
    there are too many melodramatic whinge-bags
out there... i don't get them...
    i mean i get them: but i abhor them...
                i could really do with a pupil,
nietzsche would do, about time he stopped dropping
those barbiturates and learned to dance!
         tanz! tanz herz im freuer!
yes, sometimes the trip was long
the N86 from romford to goodmayes and
into the brothel near the train station...
but every time i played a folk song,
usually dikanda's ketrin ketrin i'd sit on the bus
for about 40 minutes... aflame...
                i find that prostitutes are only fed the myth
of a tender touch and a complete lack
of experimental perversity... even a kiss is
the beginning of their myth-making...
   ordinary girls are fed the myth of movies,
and how it all works out...
    each time i went to the brothel i sat for the journey
time like a Sufi meditation with the
              dervish dance in my mind...
                 and that's the truth... mind you,
i have a grandfather that supports my work
and buys me cigarettes... then again he lived in a time
when he could age and get a state-pension,
as he does... he's not ailing in any sense, and he lives
in a post-communist country... and i just spent
3 weeks over there... which means my state-sponsorship
in england has amounted: that i could take out
110 quid and give it for a *******...
                and i could remember myself aflame...
  on a bus with a dervish dance in my mind...
           drunk, as usual: but that's the fun part of it...
i could wave my *** at all those
melodramatic drunks you get at parties and in other
public places who suddenly speak and only moan
how unfair it all is...
                      first time i went? well... i did go to
uni after all, the sacred land of getting a good score
for later life... what a sahara when it comes to ***!
   like with prostitutes it still turns out to be a case
of hard facts and harder choices...
                  money...
                        and­ the white historians and who else
in the etc. cul de sac are wondering why our ethnicity is
in decline... it's quiet a thing to be bemused by the freedom
of women and not addressing the point fairly...
                   the women are so free i had to find my own
freedom with a *******...
                         i got bored of too many darwinian examples
being incorporated into the act... once it's the peacock,
next it's the mantis and the black widow...
of sure... there's so much to gain if endorsing some sort
of chivarly, when next door lives a babe with a sugar daddy...
   ***-starved ******* can go elsewhere,
       wild-eyed logic and no manifesto...
literally: there's no hope for a manifesto here...
             there's no manifesto...
                    this is absolutely not a manifesto...
         i'm actually happy that as an ethnicity we're in decline...
  i found talking to other ethnicities a bit restrictive
and boring... i had to censor vocab fluidity with dams
and other ****** architectural constructs...
    so i looked at the shows on television,
a bunch of child-genuises were on...
   i never thought that spelling was like arithmetic...
   but it is... it is, oh hell it is...
  the judge says the word in that odd jumble that a word
is when you have alphabetical distinctions
   in vowel, consonant and syllable form...
    but the languasge is so different, after all
language is not really an optical language as such,
mathematical language is truly anti-phonetic...
and it comes down to the simple example:
      spell the word: onomatopoeia
  start saying the alphabet and it sounds nothing like
this word put together,
   the syllable ono-                
                       then -ma-
                               -to-        and now the tricky bit...
peya...          but what of the grapheme œ?
                you'd really be able to break your tongue
on that syllable suffix...
                       and when the children started spelling
the word: it look as if they were going cross-eyed
   trying to translate the sound into image...
    mathematical language doesn't have that problem,
do the following airthmetic (e.g.)  
   1 + 2 - 5 + 6 - 4 = ?
                                          0...
but that's different when you are told to spell the word
   renaissance -
                                  doubly more difficult if
you are told to create syllables without diacritical mark
distinctions...
               back to drink, like being asked for
a wine connoisseur's palette, when the wine you've been
given has been diluted...
   or in this case fudge packed so there are no
clear distinctions, too much french influence
      and siamese twin graphemes seperated...
excess vowel that i've heard means: kissing...
i'm sorry how the story goes,
i just can't be forced to **** a kenyan penny-picking
                tragedy with my humour...
        i'm bewildered by the arithematic
and the "arithmetic" of putting words together...
                  the internet has quietly become a war
for a freedom to talk... it's more a freedom to think
than talk...
                  and god forgive me feeling so obscure in
what i wanted to think, but given the social structure of
events happening, i had to do a minority report on
it being said, and me not typing this on
a medium of defeat, that i ended up on a warring stance...
i mean, i can understand obscurity per se,
i can't see how i can attach myself to it on a basis
of a phenomenon...
                          so unearthed we are from a structure
that a rebellion against
                  the szlachta was viable...
what the hell grows on concrete? coconuts?!
      i already said: this is hardly a manifesto...
and i truly demand it to be thoroughly agreed to...
                   then comes the shortcoming
barrage of: i knight you the nigh of not worthy...
                        and then the recycling process
bombards you with: many more squint-eyed *****
to come where you did, come from.
       urbanity has forsaken man attached to an organism,
but is feeling it right now,
                 he's attached to an inorganic farbic of testament...
i haven't walked the soil or toiled in it
to feel it's breath between winter or summer..
           i once had so much one-dimensional inclusion
in this world, then my sight was diverted,
and i came across the numbers, who took to being
***** whales and gulped me in one cascade of
the feeding...
              and i was told to walk it alone.
once actors were abhorred by society,
but then there was no office folk to compete for
utility biases when it came to giving gratitude to
pristine plumbing...
                          back when man was highly
economical... and thus actors had to be abhorred...
  to create a tsunami of sadism to keep them
staged... and true enough:
         if christ was crucified in the colliseum
there would have been fewer than none churches to
establish that event... given the colliseum is
made into a subject-trophy cabinet of holiness -
               and how the colliseum did morph...
it's sad talking about being human as excluding humanity,
as it's sad talking being human by including humanity...
               but thankfully (or not)
there's still that case of the arithmetic of the two tongues...
        say the word colliseum
                             co- -lli- -se'um.
      i mean, that means something...
  take to numbers and of the 26, care to call c = 3
               18 + 33 + 24 13 21
                            +                      2 1 2 = 5
                                                    4 3 1 = 8
                            + 58
                                    = 109
    
kabbalah is *******... mysticism was squandered with
gematria... but islam has no alternative either...
sure... if you have to establish a mirror image
of having a care for theological parasites...
   then you turn a into 1, and b into 2 and z in 26...
and then fiddle about until you get a *******'s worth
of bashing about because you couldn't write
a play entitle Macbeth...
               did any of these holy alternatives die
in Auschwitz? most of them living in America didn't
serve in the Israeli army...
                 who wonders whether they died in
Auschwitz?
                 no! they didn't!
       they were bemused by this correlation of
numbers and letters, thankfully we already can read
the opposite of the kabbalistic practices
prostate in the Deutronomy...
           say 10 a thousand times... adds a few more zeros
but leaves the 1 intact...
            please enlighten me as to who wrote the first
koranic recitation if not khadira? please! for the love
of god tell me it wasn't khadira!
         oh wait... given the hispanic um...
it's khadija - the h is silent and the j is actually a hatch...
          a bit like in the west, with y and j trying to
be a grapheme... a load of ******* *******:
and yes: i have to be crude on the matter...
   so we have the first verse written by a woman...
  or was it a bit like saying...
Aisha wrote surah no. 114... i can just picture it...
the young wife said to her ageing husband:
pray with these words, you lecherous *****!
say: say it you ageing carcass!
i seek refuge in the lord of manking,
the sovereign of mankind...
      the god of mankind...
     from the whisper of the retreating whisperer
(gabriel must have left him once the 13th wife arrived,
of god! the symmetry with jesus' disciples!)
     who whispers into the ******* of makind
(evil is in the brackets) -
from among the jinn and mankind.
conscience really can be a ****** to master.
but the geometry of the koran (glutton the q if you want,
makes no impressions on me) -
is that it starts thick... ends up anorexic...
           so much to say at the start,
but then shrinks... it's beautiful in that sense...
given the miracle of muhammad was that he was
illiterate...
  so someone had to write the words for him...
            i'm guessing khadija wrote the best part of it...
i like to think of her writing the first revelations...
    but i also like to muse that aisha wrote the latter
half of the: how do they stress the ******* q k c so much
that it sounds like it's not coming from the mouth
but coming from the nose?! qu-ran... i need
a hanky and snorkel that **** out... qu sneeze! i-ran...
          it's glutton and it's nasal, and it's almost like:
the back of the throat... and then comes the la la la all-hubris
in that song five times a day...
                but seriously... you tell me the man was illiterate
an this book exists... so who wrote it?
   women!
                                         the merchant of mecca in
Finland... left the scandinavian penninsula after one year
and never came back...
                   but how can you have so much
at the beginning and so little at the end?
   a different woman, who was literate (and the man
wasn't) wrote what needed to be said...
    i just look at the surah an-nas as a way to suggest
that the prophet: al suma mal ley *** blah blah
had been asked to repent... repent you paedo!
          that's crude, i know... and i'm drunk,
i'll wake up sober tomorrow and cook a pork curry
and think about leather shoes and shoelaces and belt...
and how camels are dirtier than pigs and how you
can eat almost all of pork offal and when i see a camel
i just think of chewing tobbacco and spitting into
a copper tin... or camel-jockeys...
        or how i think arabs are cursed with oil
and dyslexia and diabetes... how most of them will
end blind or amputee due to their diabetes...
      how a lot of them would like something more
than turkish coffee and baklava, and how
it stops looking cool after a while...
           arab oil, dyslexia and diabetes...
which probably means a palestinian balaclava
at the end of the sequence...
   i'll never know: i'm not planning to have
a stop-over shopping spree in Dubai, any time soon.

To be saved for you
Is to be passive,
Your goal to end our complaints,
To put us on a diet, starving on faux saints.
"Be peaceful, don't disrupt our war (and whorin')
Or we'll war against your peace."
So holy, so blameless,
All you want is for such joy
To be endless.
That's why you take from us our feeling,
Our thoughts,
And our choices,
Leaving us in chains,
Funneling us by limits
Created by YOUR taints
Into soul-destroying foyers,
Where time and life may waste.
You think that because you can't control you
That those who can should pay.
Selfish, solipsistic, your so-called love is locks,
Constraints on us to keep us quiet,
Your loving face a feint.
Blank stares you give us when we smile
Without the approval of your code,
All a maze to hide your lying, stealing, using ugly soul.
Shut up! Nothing is ugly! I'm perfect as I am!
Using killing thieving stealing!
Creating pain for generations to come.
All is well and all is equal, evil's well as good!
No consequences to my actions, grin and bear it like you should!
My glimmer proves I'm God's own child,
I use his name in vain, I AM! (be ******)
My smile's worth the price you pay,
So we pretend that we are clean!
Why wash when we can remain the same,
This Perfect Princely Palace
Of Peace and Love and Joy so long,
Clearly nothing here is wrong!
We have the Way, enjoy the fruits! Ignore the offal all around you, I promise you we're true! (and beauty too)
Rhyme and reason, faith and charity, motions you go through,
But nought ever improves.
So what is love if you don't care
Because you're bent on filling pews?
All men are hypocrites, all women liars,
Picking pieces that fill them up with ways to fuel their fire, to fool their eyes and ears and hearts
So they can doll up dogs and parade around desires
Claiming they're Divine.
None are good, all are false,
And every prophet suffers while the rich who seek toward heaven tell them quit your want for something better,
Settle for this trash, it's all we've got. (drink wine)
That's not a cherub's way, He's passion,
Not an old castrated goat
Who ***** the hooves of Shaitan,
Below the vaulted sky
To mewl for his grubby food.
What decency have men left,
What dignity, what shame.
Your lack of caring for those angels you make suffer before your faulty throne
Proves you're the one alone, unworthy of His name.
Next time you critique the critic
Perhaps you should hear him first,
Rather than making every verse you ****** a *****
To excuse your cowardice toward the Word, ye murderers of faith and love and truth.
Remember youth.
Your best be uncouth 'n' open,
Not hiding from the light.
They fight and claw toward heaven's voice,
Not run away in fright
From God's rumbling,
Whining about rough words,
So those selfish faux good demons can send more off a cliff of empty bliss without question,
While they get off on it in vile hubris, a craven's lust for power and control over other souls.
(Learn the Lesson)
So take your hats off,
Show your skin,
Be more honest,
And Let Me In.

ONE
Adam and Eve were born of flesh,
and woke from sleep, when God addressed
them both.
"Here is the world - unsoiled, unstained
(The sheet of the sea hides her breast and her veins.)
The time is uncertain; the end is ordained
and when it is finished, begin it again."

They saw God, saw
Lucifer, saw the tree:
felt oppressed. The world
was young but the book had
been opened. All stories conclude
in words and in gestures, wild and crude.
(They left heaven, fled to
the ambergris ocean, the
silk hills.)

TWO
Mad, they went to Egypt, built
Cairo in the delta where
her legs met, Thebes where
her eyes beat on the cataract
made cities on
her body on
credit, faith, and lust.
Until the groaning hungry ibis
and the famine drove them out.

THREE
From Egypt to Rome,
Adam to Caesar,
In Pliny's manuscript, Adam said:
"Here is Rome
a senate in your sympathy
an orphanage in your heart.
Come to his flat avenue, can't you
feel how far I've walked, on every flagstone?
Witness beaten sandals, frayed thongs;
feel your posture sag? I want to rest,
and I want you to help. I sat on the banks
of the Tiber; has Rome washed into my lap?
The streets are the furrows of my skin.

She said:
"I like a fire at my fingertips, not
bellowed to me under the floor."
Rome fell to that barbarian.

PAX ROMANA
God reminded them again.
Adam said:
"The knowledge is good, but it isn't a cure
for an Eden that seems so unlike the brochure."
He pulled back the skin of earth, and found,
a beating heart beneath the ground.
He knew, for once, the world would die.

IV
They went to ***** London, unhappy with
the lot of Rome. Amid the stench of a filthy Thames,
his blood ran with offal, with hate,
leached from the baiting pit, and she
did, too, in the ugly city,
from Knightsbridge to the sea.
They fought like monsters, fought a curse
that God foresaw, and they rehearsed.
An ugly city, from Knightsbridge to the sea,
and full of bitter folk.

V
Such is the end, a world
embalmed in salt and sand,
the leaves burned away; no cities
only orphaned tenderness under
ruined arches and aquaducts, wishing ill
but wanting that world returned,
and crying, yes, but knowing still,
their end was near; for all they yearned.

We have read this story cover to cover;
let Eve close the book, and pray in her sleep while
Adam dusts his hands,
and God begins anew.

Where has brother bird gone?

Asks dog to sly fox

He is tempted in shadows

caught in twisting maze

cuckold with clover honey

and horns of thorny bramble

He has left us to sway

in dead breeze

our faces loosened

grins too tight

We'll feed our bellies

offal and

dead grass

Stiff bodies to greet the

dawning of day

when brother bird returns too late

to sing blood back to royal throne

Come, all trace buries now

in dead light and heavy stone

Hide madness with me

friend dog

To earth and rooted cellar; there

burning pyre

smolders in the dark -

Goblin King will soon be by.

the easily "discredited",
or as some would jest,
the ones easily "offended";

i wish it was the same
case for a whitewash,
as it might be toward
the stratum oblique...

had i known a woman prior,
i'd be glad in having nor
knowledge with, or without
a prior...

my only wish?
having been the south,
getting to know the north
was my last wish;

the way i see it,
the epitome of cultural darwinism,
is a man doing *******
on himself,,,

      this second criticism of marxism
really, does, undo the
western social project...
   with its "proto" christianity...

look pretty **** well from
where i'm standing...
   lookw pretty **** well,
for your british thai fathers
and your *******...
mums? quasi mum?
         what are they?
liverpool + manchester = london?

what are you?
         the chant of polish children
regarding the british?

angol! angol! pedał! pedał!

angol! pederast!
           pederast! angol!
sartre lived with his mum,
you i.v.f. mongrel...
   you ******* surrogate
daddy-daddy baby, you *******
homosexual biproduct...
eat that **** thinking it's
swiss chocolate...
                      
  go on! come with it!
          ***-quakers and burp-slippers,
you ******* spice girls
of argument,
             you come with a counter,

you know how i'm going to finish
this night?
rice and some chicken stomachs...
in gravy...
   i was wishing for some chicken hearts
to suit the offal (inner organs)...
  ah... ****;
                 i was really readied to
kiss a transgender person,
while biting off their lips...
to expose the grin,
and ensure there was a
to contended with;
        god... can't you just not admire
the smile?
     hard to think of chelsea  / glasgow
when not thinking of
the frankfurt grin (frankfurtgrinsen).

U no, eat sins two mee,
u guise knead
two loose wait
sew hear, aye woosh
two
offal ewe sum add vice

Ewe can star art
**** ditto menation
aunt u knead too exorcise
Moove eat, keep mooving
moove mulch;  doe nut ****
down two mulch, move you’re *****
inn smell poorshuns
Ant walk two da shups
in stayed off you sing da carr

Dee impotent ding
hiss da wheel
four wear they’re’s
a wheel, they’re’s all weighs
a weigh
goad lick
loose wait
anne stain hell tea

trust in the shape of a key,
good god how corny is that?

satisfactorily nonsensical, a Pharisee phrase,
so offal illogical,
it borders on the poetically reprehensible

who has time to state this stuff,
pretend it is worthy of something respectful,
work it into a Nobel Prize awarded script,
nominated for "really bad ****?"

an ordinary hardware key, brass gleamy,
and the squealing grinding noise
heard while a blank progenitor is reimagined,
so so annoyingly ludicrous in this century
of plastic replicators but the noise,
comfortably familiar as a sound of
things being made

run thumb test over the cuts,
as if your thumb should know
what order the points and bevels,
the toothy gap spaces should be,
the correct disorderly order of the teeth

there are very few locks on a farm;
indeed the front door key
has not
been seen
in many a year

what's that you ask?
ok ok - I get it - in harvest time
it is early to bed and earlier to rise,
conclude this mystery key,
red winter wheat needs laying down,
stop your word seeds germinating

there may be few locks on a farm,
everything rusts so quickly anyway,

but stop to comprehend just how many locks
the human body employs  -
at least 613,
maybe many more,
and only one master
for them all

a shiny gleamy thing,
strangely,
its cuts and grooves seem to
spell a word
trust

go figure

1:05am in the city

I want to flay my skin
Rid myself of all that is surface deep
Throw off my flesh like a coat
Feel raw pain as air hits nerve
See my endoskeleton of muscle and ligament
Heart pumping blood through artery and vein
I'd pluck it out still beating
And lay it on the butchers block
Alongside kidneys, liver, guts
An offal offering
Consume me my darling
'Til there's nothing left save bone.

Go to sleep, ****, ****, ****.
**** and sleep. Bleed and weep.

Stop.
Examine yourself.
Am I safe?
If yes, ****.
If no, yes.
Change positions.
Am I safe enough right now?

Check on that thought. Is it ok? Can it live here? Will it **** me?
No? No. No...

No...

Say alive. Say it.
Stay astride giant tantamounts of muse, Icarus flew too soon.

Silence freak. The silence freak.
Science, cheap talk, pseudospirituality.
Shut up that mouth, babbling on and on and off.
Off. Offal in the pig soup broth.

Charm her. Charm her. What else?
Charmed her. What else? Shut up, that's all.
Shut up and enjoy life fully, be abundant, free, intelligent, silent.
Keep it in the pants. Keep inside your ******* pants.

Feel the need to breed. The need to spill obscenities. You breathe in every other scream, to **** in dry, **** and dry, blow out all the seeds.

Aw **** my eye. Right in my eye. 1st contact. Claimed. In the Name.
Oh his Father, His Son, His Holy Zeitgeist.


Bigger words make a happy family. Tipping urns spill the trappings of the elite. Learn from our mistakes. Do not mistake taste. For feeling unafraid.

Goodbye, goodbye, I'm off the **** and sleep. The dose was too high, got right in my eyes, and several bars later the rhythm has faded and no tears are left with which to weep.

Countdown to Armageddon precariously hinges
   potential apocalypse outcome, mere smattering days away
if the brazen, fierce-some dragon doth don
   trumps presidential throne -
   ships with whistling  Dixie missiles at bay
will be synchronized with aerial bombardiers
-    -    -    -    -    -    -    -    -    -    -    -    -    -   -    -
   to parlay a view to unleash nuclear weapons on cue
destroying a vast swath of flora and fauna,
   and most life forms (inn oh cent), but pay hefty due
to assuage the aggressively cruel, enjoyably
-    -    -    -    -    -    -    -    -    -    -    -    -    -   -    -
   growling at his goalie indubitably
   kick *** mindset worse than dengue fever will ensue
a combustible domino effect fueling global horror -
   analogous to kindling tinder logs smoke
   the color - jetblue streaming up fireplace flue
-    -    -    -    -    -    -    -    -    -    -    -    -    -   -    -
witnessing sovereign magnum opus trans
   forming much of animal and plant life into flakes of goo
far scarier than any macabre production
   dreamt up by human frightful scenario and no hero
she ma to rescue self or other from deadly debacle,
-    -    -    -    -    -    -    -    -    -    -    -    -    -   -    -
   nor any safe haven such as a cool igloo
forsooth complete annihilation will far surpass
   any prior world war, no one will be spared,
   neither gentile nor Jew
which total mortal kombat, and attendant laying waste
-    -    -    -    -    -    -    -    -    -    -    -    -    -   -    -
   organisms livingsocial instantaneously cremated,
   where ashes spread dispersed faster than Kudzu
rendering world wide web fetid, offal, and putrid
   far more noxious than the common loo
yet even this general description falls short to where mew
-    -    -    -    -    -    -    -    -    -    -    -    -    -   -    -
tinny sans hardy species (according to Google search);
   such as tardigrade, mummichog, and cockroach
decimating, heaving, leveling, poisoning
   every cubic inch of Earth evincing voluminous vaporization
   extant eradication emphatically nixed, punctuated, and radiated
-    -    -    -    -    -    -    -    -    -    -    -    -    -   -    -
   pulverization eviscerating the bowels of mankind,
   where nary a survivor could weather and withstand
   hollowed out no mans land bereft of sustenance or water
   where seeds of white lily when coalescence
   of oblate spheroid birthed, nursed, and weaned new
-    -    -    -    -    -    -    -    -    -    -    -    -    -   -    -
life especially proto **** sapiens
   and subsequent kin grunting with ah and oew
fast tracked primates, yet inherent within genetic coda
   (perhaps poison ingredient bubbled
  within primordial soup) - steeped quantum mechanical pew
-    -    -    -    -    -    -    -    -    -    -    -    -    -   -    -
tar nation housing crucible-
   analogous to planetary size mortar and pestle) queue
sans predestination, where rue
brick, dogma, and fealty honoring justice slew
-    -    -    -    -    -    -    -    -    -    -    -    -    -   -    -
by paws of one cancerous, fractious and idolatrous Lothario,
   who opened Pandora Box (rigged shut tight) thorough
lee rendered civilization a footnote
   of cosmological history and universal view
-    -    -    -    -    -    -    -    -    -    -    -    -    -   -    -
BUT.... eligible voters can choose alternate
   (Democratic) candidate -
   the majority will exhale a collective gustatory whew
and allow, enable and provide continuance of the human zoo!

A heart, even a human heart,
And yet much more! A blessing key
Which unlocks all the larger part
Of creation's secret, to be
Fathomed in divinest thoughts, where
Love spoke a single Word which could
Not be writ across one sky, there
Being too small for one who would
Speak galaxies of affection,
Spiralling lazily, with ease
Breathing out (O sweet reflection!)
How the Beloved does so please
The unravelling speaker's heart,
Bright orange nebulae signing
Cosmic sighs of love which betray
Deep fondness, and no small pining
For that sweet soul which holds such sway
While comets with hot flashing tails
Remind how fleeting is matter,
Finitude which entirely pales
Before love's endurance. Clatter
Of crashing asteroids beats loud
The steady pulse in silent space
Of devotion's heartbeat, ne'er proud,
Always humbly ready to place
Itself at the disposal of
Her, and her fair name, love of God
Having joined him to her, his dove,
Beside her e'er his path to trod.
And for lightyears of empty black
Void, the silence is unbroken
For love goes beyond the poor track
Of mere words, largely unspoken,
Of course - for even the bright sun
Burns passionately above cloud
And horizon all mute, for one
Who needs not great clamour and loud
Cries to know that her poor lover's
Attention is all caught up in
Her eyes, that beauty which covers
Her whole person, which he would win
Rather by the constellations’
Subtle grandeur than by any
Of the offal of the nations
All dearly sought by so many
(The trappings of riches and fame)
Yet counted all as dust by her
Whose sweet self and whose most fair name
His soul loves. Supernova blur
Smudges the blinking telescopes
Startled by refulgent glory
Of stars which exceed all the hopes
And dreams of poor mortal story,
Fables myriad each like mist
Are dispelled by the diction true
And truly uttered, the whole list
Of fairy tales by a great new
Reality shown inferior
And usurped, as the things of old
Are by these matters interior
Contrasted; proven less well told
Than love’s murmuring, that sweet breath
Of solar wind across the soul’s
Horizon, and the world's. Grave death,
Blistering hell, and those foul coals
Which stoke the infernal fires are
Not enough to overcome it,
The light of its hope shining far,
By which the dark abyss is lit
And made shallow, all things swallowed
By patient seas of affection,
And sadnesses we once wallowed
In escaping our detection,
As we are cast adrift on this
Placid sea. From a stately ship
Above your lover calls, to bliss
Inviting you - that you may strip
Your heart of pain’s devices, set
Sail for past the sunset's glow, while
He takes, if only you will let
Him, your cares away, your sweet smile
The whole repayment expected.
No mere bridge joins our hearts, my love,
But the Cross, which sees connected
Our green earth and heaven above,
As well as our destinies, God's
Call joining in one location
Our twisting paths, against all odds,
Fate through the grace of vocation
Made sweet by His divine favor.
A second heartbeat where once one
Sounded alone now beats, savor
Recognizable in hard-won
Harmonious sound, for no such
Unity is achieved, nor two
Made one, save by labors, by much
Work attentively done; but you,
Of course, darling, serve as reason
Enough to justify hardships
Beyond these, whether in season
Or out your presence amidships
Making every voyage fairer
Than the last, even through the storms,
Instilling courage ‘gainst terror
And all dread, for the lovely forms
Which your love gently expressed takes
Are balm and tonic against all
Ills, honey for the soul which makes
One unafraid that he should fall,
Knowing, as he does, that you will
Be there to succor every woe -
He can his heart’s contents all spill,
And safely, for you love him so.

Where do I begin?

Should it be at the height of fog hours,
doping up infallible images of affection,
among sifting smugness,
end over end in my sun-stroke mind?

Should it be it all tore down from closed doors,
every imperfection, every cyst, reworked by
some sort of Mortician,
consumed by grandeur for his practice?

Or should it be at the exact
moment
that all was realized– astuteness to
how fragile every meter of my unused offal really is?

Second to sick second, and day to well day,
all woven itself into a tapestry thats harder and harder to recall

Sew the squares, and caress the texture with tips of printless fingers
Each inch calls– no, howls –out into the basin where I sit

Howls of pain
                                 howls of stone
howls of criticism
                               howls of analysis
ripping through the brail that's sung to the bone

Tell to beg, where do I begin?

An old man's head:
a bucket full of lies.
A vortex swirls there like
confetti at the ticker tape
parade of a traitor.
Fragments adhere and disperse
becoming ephemeral poems
that mean nothing for a moment.
Whoever and whomever become
a jaded lump of whatever.
That empty head contains
multitudes of nothing that
never quite achieve something.
Poems made of offal.
Thoughts never finished.
Whenever he is, he has been,
he will be. Vortex like
water in a flushed toilet,
disappearing into ****.
Unspoken words sounding loud
in a cistern of silence
where nobody pretends to listen.

  ~mce

I caught a case of curiosity
and, digging,
unearthed a chasm.

Scars
are grooves on a record:
run your finger along an edge
and they surrender their story.


Hers were harvested
like culling from a cadaver.

Protests
were discarded
easily as a hunter
sheds offal from a ****.

They walk—no, more likely, they saunter,
Embassy functionaries, associate profs at G-Dub,
A smorgasbord of polka dots and vitae,
Leopard-print and Linkedin pages,
Sufficent and necessary in their presents and futures.
I occupy a bench in my own shambling manner,
Denim-clad most days,
Perhaps affecting a less humble khaki
If I am feeling particularly grandiloquent,
Redeployed here from more rough-and-tumble of more avenues,
Among the bar-and-concrete hosteled llamas and coyotes
(Probably closer kin, if one is being honest)
Simply an ornamental thing, overgrown garden gnome
Or bowdlerized lawn jockey, unobtrusive and unnoticed
By those who would coo at the macaos and mandarin ducks
Or shudder at the offal left uneaten by black bears and maned wolves.
And so such days proceed, from my convenience-store coffee arrival
To such time that something approximating dinner
Must be conjured or cadged from somewhere,
My thoughts tend to stray not to the lionesses
Nor sleek Catwoman-esque jaguars,
But to the unpretentious turkey vultures of the fields of my youth,
Circling warily, inexorably in threes and fours above
And I know there is neither ennobling nor annihilation to find here,
No outcome but to simply await.

Cuddling their dreams they sit.
On the wall at the black end of town.
A near silent ghetto.
World of it's own.
Hum of traffic vaguely heard.

Recycling cans.
Offal past saving.
Well neglected.
They care not of the weather.
The group of drunks together.
Sit and sup and sup and sit.
That's their world.
Hell, so be it.
By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)

From the East Coast of Ireland to the Lowlands of Scotland,
a well-trodden path,
Grandma going to Whiteinch Baths,
to do the family laundry,
And to take my Auntie for a swim,
the black and white photos look a bit grim.

She mispronounces certain words.
When you put your dinner in between some bread,
she'd look at you, dead, and say,
"If yis waanted sangwhiches, I'd have made yis sangwhiches!"

And, "you're very pass-remarkable,"
I think it means you're quick to comment on others,
my Mother's also from Glasgow,
and doesn't know why Grandma speaks like that,
so this isn't just me being a Sassenach,
or a daft English ****.

25th of January is Burns Night,
serve the neeps, tatties, a glass of fizz,
and of course, some Haggis.
Some say offal's awful,
but I just can't get enough of the stuff.

A firm favourite of our clan is a creamy dessert named Cranachan.
Topped with berries and a splash of whiskey,
you can guarantee a thumbs up from me.

The ancient family tartan is red and blue,
then there's the family crest too,
a knight with a shield under a tree,
I think it represents gallantry.

I sometimes wish I had a proper Scottish name,
like Hamilton, Douglas, or McCain,
don't suppose it matters,
at least I can understand the patter,
(that means joke or language.)

A saying about saving your coins,
"Mony a mickle macks a muckle,"
always makes me chuckle.

"Does it, aye?"
is a very dry reply,
used to take the **** and can be easy to miss.

When my Mum was younger, the family liked to roam,
but when she visits Glasgow,
she says it feels like home,
her voice even changes when she's on the phone.

Sounds English most of the day,
then my Auntie calls, and she's on her way,
"Haud ye weesht!" when she picks up the phone,
that means be quiet,
but you wouldn't have known,
that isn't her normal speaking tone.

Scottish family,
some are distant to me,
but through my parentage,
it's nice to have the heritage.

Young reader’s lit is a lucrative gig;
Feeds slop to learner like waste to a pig.
We love to get them reading.   Ah . . . but what?
Such open-minded offal as would shut
The hallowed sluice of Wisdom in a blink.
Grand waste of authorship, paper and ink
Noble trees pulped, and presses run—for this?
Distasteful tales and messages that miss
By so far they ought never have been told
Let alone color-printed, bound and sold.
Grotesqueries and morbid cultural rot
Raw ugliness (intentional or not)
Drips forth from this modern infantile lit
For any reasonable end unfit.
Behold P.C. fluffery, ethnic vibes
(Half of it scribed by lost Israelite tribes)
Global fables for our brave new deviants
Multi Kulti nonsense; non-experience:
Mafupe’s New Ungwa, Tano Means Five
Sho-Sho Goes the Wira-Wira.  Such jive . . .
My, such juvenile literary news
Serving to propagate progressive views:
Tia Fulana the Red Agitator
Grand Dad’s a Genderqueer Instigator . . .
Frida: Surrealist Queen of Misfit Art
Smelly Joe’s Super-Duper Stinky ****
Pages that dribble like a sneeze-filled rag
Well-pitched witchery, spelled out by some hag:
Diego the Dinosaur Reads Karl Marx
Trani the Modern Mixed-up Kitten Barks
Volume on volume of frivolous trash
All New York Times-reviewed (for kiddie cash):
Zombies Want Candy, Jimmy Has Three Moms
Snot-fest For Sassy Sue (Special Ed Bombs).
Manga mediocrity, attention-span killers:
Useless mind-wasting library-fillers.
Humpy and Fluffy Hunt for Chocolate Eggs
Barrels of froth (more like the tepid dregs ?)
Squirrel’s Fall Harvest Festival Goes Nuts
(Death by a thousand cutesy bookish cuts):
Useless reams of mindless marketed waste
With effete tribute paid to vilest taste
A globalist ghetto hype-o-rama
Party that starts and ends with Obama;
Covers flush with myriad fake awards
Encouraging our failing culture towards
The darkened depths. And who should bear the blame?
Publishers who mutually stroke for fame!
Such propaganda aimed at your child
After being mocked, ought to be reviled.
To hail such shameful writing as diverse
Actually serves to achieve the reverse;
Revisionists (more like demons than elves)
Have loaded your local library shelves.
The smoldering wick of so-called children’s lit,
Foolish lamp of decadent light, unfit
To illuminate or to froth about
Thus wavers, flickers faintly, and goes out.