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"nattering" poems
oh yes, I remember when I was just a lad, I was really quite bad. I remember this one fall, I drove my parents up the wall. Up in the air the conversation flew, And to annoy them more I answered with a "mew". As I climbed the stairs and up into my room, I slammed the door with a loud 'boom!'. I stomped so loud on the floor, And thought "oh, what a boor!'. And up the stairs my parents sprung, Their nattering in my ears rung. I kicked and lashed out, not knowing what would happen next, As I looked down, I thought I was hexed! For if you stomp and kick, You will be changed quite a bit... Long grey ears grew high above my head, "Help, help me!" I plead. Hooves grew down to the floor, And I gasped as I saw... The little boy was no more. Frantically I looked to my parents who said, "I thought this would happen, I guess you need a new bed." Now the boy is no more, My parents bought a farm with a large moor. And I help out more now, As my job is pulling a plough!
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Mar 1, 2016
Mar 1, 2016 at 11:14 AM UTC
Don't be naughty children
Yes, everything stabbed me in the heart, gut core Everywhere. It's so ****** painful I'm not nattering away No I will not and am not a nuisance who talks tosh. You killed me. It killed me. A bunch of scrawled numbers killed me. Everything every ****** thing is killing me. Did I not try? Did I not place my full brain and heart into it? And why am I getting ready to get my brain chopped off under the falling axe? Why, oh why the sullen faces blood-sworn glares the rising temperatures in my body the cold tears that pierce the very layer of my cheek What did I do to deserve **** like this? Came Monday. Monday blues with the very lovely scores indeed ?!! that kicked me out of the list. Came Tuesday. Far worse sight. More numbers. Numbers determining my barren life And so will tomorrow come with much angst And so do I now cry or die?
0
Oct 22, 2013
Oct 22, 2013 at 9:10 AM UTC
Backstabbers
An army of plastic fellows shelter from the pouring rain. Hiding under shrubs and trees. Guarding the garden insidiously. They're on patrol again. Sat by the pond, musing. Nattering in their lingo gnome. Unheard by ears of men. They watch nature in balance. Peeping at the trees. Guarding their mothers security. Mother Nature gives them trees, and grass and bumble bees. Go out for a while, come back and smile. They carried out with precision all the garden chores. Come rain or shine, they live out doors. Those gnomes took control of the garden their home. They leave you a job, you come out with your mower. They are a touch to small. They can however, *** and **** When they're in your garden, they are, they sow the seeds. They natter to each other in their own sweet dulcet tones. After carrying out security. They're still just garden gnomes! (c) Livvi
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Apr 18, 2014
Apr 18, 2014 at 4:52 AM UTC
Gardening!
Wi yer eyes stingin n wet wi tears N muk bungin up tha nose n ears N a white rimmed ed where thi's ad thi hat Up tha floats on't lift like a drownded rat After twelve hours tha's pretty dun in Whilst t'other folks as been kippin n dreamin Tha's bin diggin n drillin like summart daft Now up tha floats on't hydraulic raft The cold morn air meks tha lungs urt Cause tha's bin breathin muk n dirt Fer nigh on forty years or more That most folks wudn't ave on't floor N as tha washes all't muk away Tha knows thas sum that'll allus stay N whilst outside tha luks nice n clean Tha's stuff inside thi th't'll never be seen Until o course tha's gon n died N them docter fellers tek a look inside N in amazement they'll stand n stare At all that muk th't shudn't be there N wen tha's ded it'll be nowt new Not too a bloke what's lived like you Fer now tha's on'y six feet under Wen undreds is what thas bin used to N't Crowner'll say thi ad a natural death Not like them th't had their last breath At sixteen, seventeen, twenty or more When sum big explosions brought ceiling t floor But a doubt if tha'll think it wer thi turn As tha lays there nattering t worm Crawlin in n out o yer ears Not much t show fer sixtyodd years Still what else cud you ave dun, that's it But follow yer old man down pit A mean even his dad was a facer tha knows Kem out at thirty wi' ands like claws Ah well it's time fer sum grub Then half-a-dozen pints't pub Wi an hour or two o noonday sun Then back t wife fer an hour o fun N be six next morning I'll be feelin well As I teks yon raft t bowels of 'ell Thirty shillin a week be summer the reckonin Ah but then they can't see yon worm beckonin Remember this is a 'Performance Poem' and the style of writing acts as a speech prompt. The accent is loosely Yorkshire. A 'Crowner 'is an old word for a Coroner. I hope you enjoy it. © David Irwin Phillips 2008
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Mar 31, 2010
Mar 31, 2010 at 2:03 AM UTC
coalface blues
Wi yer eyes stingin n wet wi tears N muk bungin up tha nose n ears N a white rimmed ed where thi's ad thi hat Up tha floats on't lift like a drownded rat After twelve hours tha's pretty dun in Whilst t'other folks as been kippin n dreamin Tha's bin diggin n drillin like summart daft Now up tha floats on't hydraulic raft The cold morn air meks tha lungs urt Cause tha's bin breathin muk n dirt Fer nigh on forty years or more That most folks wudn't ave on't floor N as tha washes all't muk away Tha knows thas sum that'll allus stay N whilst outside tha luks nice n clean Tha's stuff inside thi th't'll never be seen Until o course tha's gon n died N them docter fellers tek a look inside N in amazement they'll stand n stare At all that muk th't shudn't be there N wen tha's ded it'll be nowt new Not too a bloke what's lived like you Fer now tha's on'y six feet under Wen undreds is what thas bin used to N't Crowner'll say thi ad a natural death Not like them th't had their last breath At sixteen, seventeen, twenty or more When sum big explosions brought ceiling t floor But a doubt if tha'll think it wer thi turn As tha lays there nattering t worm Crawlin in n out o yer ears Not much t show fer sixtyodd years Still what else cud you ave dun, that's it But follow yer old man down pit A mean even his dad was a facer tha knows Kem out at thirty wi' ands like claws Ah well it's time fer sum grub Then half-a-dozen pints't pub Wi an hour or two o noonday sun Then back t wife fer an hour o fun N be six next morning I'll be feelin well As I teks yon raft t bowels of 'ell Thirty shillin a week be summer the reckonin Ah but then they can't see yon worm beckonin Remember this is a 'Performance Poem' and the style of writing acts as a speech prompt. The accent is loosely Yorkshire. A 'Crowner 'is an old word for a Coroner. I hope you enjoy it. © David Irwin Phillips 2008
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51
without the humans pedaling along like ants following paths the redwoods still stand still and mighty and feeling the faintest breeze and dampest touch of the birds nestled between branches never moving unprovoked or uncaused they wait for nothing because there is nothing to a redwood but the earth and the sun and the rain and the ants still pedaling between grooves in her hardened flesh, no wringer so efficient and wise ******* fallen water and moist air through the tips of toes and out into the world above the wood ceiling so green and full and bourgeoning life into the lungs of the moving types unable to stand still and breathe and watch their god turn miracles by unspoken stories of growth and sheltering persistence and resolve to manufacture life and color from dirt and water and air so quietly respired
0
Dec 8, 2014
Dec 8, 2014 at 1:17 AM UTC
nattering with time and tree rings
without the humans pedaling along like ants following paths the redwoods still stand still and mighty and feeling the faintest breeze and dampest touch of the birds nestled between branches never moving unprovoked or uncaused they wait for nothing because there is nothing to a redwood but the earth and the sun and the rain and the ants pedaling between grooves in her hardened flesh, no wringer so efficient and wise ******* fallen water and moist air through the tips of toes and out into the world above the wood ceiling so green and full and bourgeoning life into the lungs of the moving types unable to stand still and breathe and watch their god turn miracles by unspoken stories of growth and sheltering persistence and resolve to manufacture life and color from dirt and water and air so quietly respired
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Nov 30, 2014
Nov 30, 2014 at 3:22 AM UTC
nattering with time and tree rings
Hie Yamaha Wegman ****** voyager, voted vonage valuable, unrepentant TIME Magazine subscriber. Spotify sportsman Snapchat smartly. Sleuth slenderman silences Shutterfly schvitzing. Saxby sassy Santander sais sage rues rudimentary router rotorooter. Royale Rococco rigged remarkably regular referee reefers red reddit reeder recuperating. Reconnaissance recluse really rabid. QVC quotient quoting, quo quoi quivering quite quirky. Quisling quipped. Quintuplets quintessentially quiet. Quids Quicken questions. Quartermaster qualified quaint quaffing quadrilateral Pythons. Pyrex pylons put purdy purposeful puny punsters punching. Pumpkin pumice publicized prudential protean pros properly pronouncing prolific prodigies. Proletariats professors' problematic. Pro privileges prioritized. Principle primates prevaricate. Preppy pregnant, praying prattler possibly Porgie. Poseidon pooping poodle ponders poppycock. Plum? Polite poison pods ply pitiful pinterest. Pinhead Pillsbury pillager Pi. Pigskin pierce petsmart pests permanently. Perdition percolates peppered PennState pedigreed PearlJam Patagonian. Pastor pastes passion passably. Papas' paginated orbitz okayed. Nutty node needs money. Next netzero nee naugahyde. Nattering nationwide nabob Moxie Molly McGee. Monosodium livingsocial joyus je kickstarter. Identityguard Huffington GMO. Gluten Glutamate footloose fancy free footlocker. Fingerhut fetishistic fabrication Cingular.
0
Feb 3, 2018
Feb 3, 2018 at 9:47 PM UTC
Just Mien Pap Smeared Vapid Yawping
Took mother in law to do the weekly shop this morning Nothing unusual about that Did mine in 20 minutes Waited over an hour for Mary but she is 83 Anyway, I love people watching Going up the aisle, two mature ladies Blocking the way nattering as ladies do But what a subject The menopause!!!! Now I'm an old man, thought I had heard it all But boy Such graphic details when you're buying a pack of lambs liver Anyway aisle blocked so turned round In the veg aisle now Young woman buying loose potatoes Can't be that difficult OR CAN IT? Every single potatoes minutely examined Every minor blemish checked Nearly 10 minutes for a few potatoes WOW, it must take her 4 hours to do her weekly shop Its great being a man
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Nov 27, 2014
Nov 27, 2014 at 7:54 AM UTC
Just Shopping
She is the living embodiment of the cliché, The song where the male sub-lead Returns from some second shift, some third drink To find she has gone, leaving some scrap-paper note, Hastily scribbled and wholly incomplete, Some variation upon Don’t try and find me, And so she is suitably unfound herself, As she has given great thought to her froms, But rather short shrift to her tos, Finding herself north of the Thruway, Looking for somewhere to spend the night (The twin motors of adrenaline and anxiety running on fumes) Happening upon, as if almost by some beneficent magic, A Travelodge bordered by an expanse of cornfield (Long since gone to seed, the stalks bowed and spent, Waiting for the patently overdue cob harvester) And after she is checked in and somewhat unpacked (The bored, bemused woman who slumps about the front desk Mercifully sparing with the small talk) The skies, which had been late-October slate blur-gray, Slightly malevolent but only implicit in their threats, Open up in a cold and unwelcome drizzle, And, whys and wherefores being things for a later date, She runs outside and begins dancing in the parking lot, Unseen and unremarked upon, And even though the rain is cold, soaking, grim in portent (The forecast dourly noting the possibility of wet snow, Nattering that accumulation is possible at higher elevations.) She is seemingly unaware and unconcerned As to the upshot of this drenching, Any whispers of the two or three other occupants of the motel, Any judgments passed upon her mad danse pour un, As she has passed beyond any notion of admonition.
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Nov 2, 2017
Nov 2, 2017 at 12:34 PM UTC
woman, jumping
She is the living embodiment of the cliché, The song where the male sub-lead Returns from some second shift, some third drink To find she has gone, leaving some scrap-paper note, Hastily scribbled and wholly incomplete, Some variation upon Don’t try and find me, And so she is suitably unfound herself, As she has given great thought to her froms, But rather short shrift to her tos, Finding herself north of the Thruway, Looking for somewhere to spend the night (The twin motors of adrenaline and anxiety running on fumes) Happening upon, as if almost by some beneficent magic, A Travelodge bordered by an expanse of cornfield (Long since gone to seed, the stalks bowed and spent, Waiting for the patently overdue cob harvester) And after she is checked in and somewhat unpacked (The bored, bemused woman who slumps about the front desk Mercifully sparing with the small talk) The skies, which had been late-October slate blur-gray, Slightly malevolent but only implicit in their threats, Open up in a cold and unwelcome drizzle, And, whys and wherefores being things for a later date, She runs outside and begins dancing in the parking lot, Unseen and unremarked upon, And even though the rain is cold, soaking, grim in portent (The forecast dourly noting the possibility of wet snow, Nattering that accumulation is possible at higher elevations.) She is seemingly unaware and unconcerned As to the upshot of this drenching, Any whispers of the two or three other occupants of the motel, Any judgments passed upon her mad danse pour un, As she has passed beyond any notion of admonition.
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33
I’d heard a story in that proverbial once upon a time (Though its origins are hazy, at best, to me now: Perhaps something my son heard at Sunday school, Or part of the never-ending nattering From the marketing guy at lunchtime, Maybe cackled by the crazy, toothless blind guy on the 16A bus) Concerning the programmers who’d worked on a project In the earliest days of nano-technology, Creating software for their relative monoliths, Australopitchecuses of artificial intelligence, Serving as prototypes for some envisioned universe Where tiny drones served the whims of some doctor or researcher Operating unseen and omnipotent behind some microscope or monitor. The trials went quite smoothly, almost flawlessly, The models impeccably doing what binary switches And if-then-else statements decreed, But the researches noticed that Just before they executed the final bit of code, The models would invariably exhibit A slight hesitation--almost imperceptible, infinitesimal even, But clearly occurring, nonetheless. They’d assumed, quite naturally, it was a mere matter of de-bugging, Some misplaced comma or parentheses among the thousands, But they reviewed the code any number of dozens of time, Only to find it was clean as a whistle. What’s more, they’d found that while the vacillation appeared At the same point in the process, It didn’t happen at exactly the same time; Indeed, they cropped up, relatively speaking, months, even years apart. One of the white coats jokingly referred to the pause As the machines “Peggy Lee moment” (You know, ‘Is that all there is?’) But no one else involved the project saw the humor. They’d decided to ignore or accept the quirk, though it was rumored That it drove a few of the programmers to near-madness, With one or two of their number bolting the project without notice, Entering monasteries with the intent Of shutting themselves off from the outside world For the rest of their days, and its existence was buried In reams of footnotes at the end of their final report (Though as I said, the tale’s source is unclear, And I am inclined to regard it as apocryphal.)
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Dec 22, 2016
Dec 22, 2016 at 10:00 AM UTC
but where would all the calculators go?
I’d heard a story in that proverbial once upon a time (Though its origins are hazy, at best, to me now: Perhaps something my son heard at Sunday school, Or part of the never-ending nattering From the marketing guy at lunchtime, Maybe cackled by the crazy, toothless blind guy on the 16A bus) Concerning the programmers who’d worked on a project In the earliest days of nano-technology, Creating software for their relative monoliths, Australopitchecuses of artificial intelligence, Serving as prototypes for some envisioned universe Where tiny drones served the whims of some doctor or researcher Operating unseen and omnipotent behind some microscope or monitor. The trials went quite smoothly, almost flawlessly, The models impeccably doing what binary switches And if-then-else statements decreed, But the researches noticed that Just before they executed the final bit of code, The models would invariably exhibit A slight hesitation--almost imperceptible, infinitesimal even, But clearly occurring, nonetheless. They’d assumed, quite naturally, it was a mere matter of de-bugging, Some misplaced comma or parentheses among the thousands, But they reviewed the code any number of dozens of time, Only to find it was clean as a whistle. What’s more, they’d found that while the vacillation appeared At the same point in the process, It didn’t happen at exactly the same time; Indeed, they cropped up, relatively speaking, months, even years apart. One of the white coats jokingly referred to the pause As the machines “Peggy Lee moment” (You know, ‘Is that all there is?’) But no one else involved the project saw the humor. They’d decided to ignore or accept the quirk, though it was rumored That it drove a few of the programmers to near-madness, With one or two of their number bolting the project without notice, Entering monasteries with the intent Of shutting themselves off from the outside world For the rest of their days, and its existence was buried In reams of footnotes at the end of their final report (Though as I said, the tale’s source is unclear, And I am inclined to regard it as apocryphal.)
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42
All that nattering And existential ennui Please shut up, Shut Up! And take a look around you Everyday is precious
0
Jan 16, 2015
Jan 16, 2015 at 3:14 PM UTC
Wake Up
My heart's distressed, Emotions vexed, Images can't escape. I'm perplexed, My text is hexed, I can't explain What I feel. My hands are dyslexic, I'm swirled in the vortex Of unwritten lines to read. The words are trapped, My message is clapped In perceptions That can't be freed. I try to release them, Catch and cage them, And arrange with diversity; Then in a while, And using guile, I'll fashion Some fine poetry. (Such is the state Of me). I've heard the quip, I've been advised: Just write how you feel. For me, That's blathering, Bothersome nattering, Void of poetic appeal. I need a someone, Like an Anne Sullivan, To teach me how To feel; Not with sentience, But rather with senses, Alive, And writhing in me.
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Dec 1, 2014
Dec 1, 2014 at 9:09 AM UTC
I Need an Anne Sullivan
I am a man, In search of a woman. Musically talented and open of heart. Someone whom i can sing with. All i bring is a voice sometimes toneless, but always true. A person who brings the music nestled in their soul. Who with the children running and screaming , And the flowers lilting in the yard . Brings rhythm to the home... Thats whats makes a home is the music that love brings . We could sing to each other in all tones. Of love and loss, When the tears stream, as the smiles radiate . From a glance only momentary malaise , .yet even in that darkness or voices fill the void. The one we where born with , The one that in life we feared there was no escape. Never knowIng wholeness till we found our song. We dance.... we dance,d. The tune we made in us with our voice as one, Sang light into the dark places. Through the years AS drops of rain and as life comes with pain i gave you gently to the earth With tears i sang to your earth And left the sweet treasure that warmed you in life Days.             Filled with silence. No more waking to the sound of risen voice. Sound , sweet melody. Days of silence... Turned as the green of leaves to years. No song only tears from the dreams. Of green fields, your sweet hand grasping me, And your lips as roses. Sweeter melodies then ever sung. Waking only with tear stained cheeks, And a Feeling a diminisheing distance. Days have passed now my cane is only a memory, Wheels and withering legs have been reality. No song. Only nattering of young people that don't believe they'll die. Sitting quietly in my cell, Apartment to those not incarcerated. Almost a year since those formerly screaming children showed. Let alone i feel my darkness coming. And for some reason all i hear is our song, your voice. As the lights go down our song swirls into everything, Or nothing depending your view. I do hope that we dance in death... As we did in Life.
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Oct 1, 2017
Oct 1, 2017 at 11:49 PM UTC
Looking for my melody
I am a man, In search of a woman. Musically talented and open of heart. Someone whom i can sing with. All i bring is a voice sometimes toneless, but always true. A person who brings the music nestled in their soul. Who with the children running and screaming , And the flowers lilting in the yard . Brings rhythm to the home... Thats whats makes a home is the music that love brings . We could sing to each other in all tones. Of love and loss, When the tears stream, as the smiles radiate . From a glance only momentary malaise , .yet even in that darkness or voices fill the void. The one we where born with , The one that in life we feared there was no escape. Never knowIng wholeness till we found our song. We dance.... we dance,d. The tune we made in us with our voice as one, Sang light into the dark places. Through the years AS drops of rain and as life comes with pain i gave you gently to the earth With tears i sang to your earth And left the sweet treasure that warmed you in life Days.             Filled with silence. No more waking to the sound of risen voice. Sound , sweet melody. Days of silence... Turned as the green of leaves to years. No song only tears from the dreams. Of green fields, your sweet hand grasping me, And your lips as roses. Sweeter melodies then ever sung. Waking only with tear stained cheeks, And a Feeling a diminisheing distance. Days have passed now my cane is only a memory, Wheels and withering legs have been reality. No song. Only nattering of young people that don't believe they'll die. Sitting quietly in my cell, Apartment to those not incarcerated. Almost a year since those formerly screaming children showed. Let alone i feel my darkness coming. And for some reason all i hear is our song, your voice. As the lights go down our song swirls into everything, Or nothing depending your view. I do hope that we dance in death... As we did in Life.
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52
On Cabbage Mound the birds tweet gold, So says the porridge eating man, The spontaneous trek up that grassy reserve (To see the flocks and frolics of finches conversing) It’s a matter of season he said, In joyous spring they produce song of glitter, but Catch them under the wave of a solemn winter And you shall only hear a dull twitter. Often he leaves bowls of porridge upon that place, Abandoned to absorb the view, Wilting amoungst the bush and flora, Like a planted trap for the lurking fauna, Their ceramic bodies sit unnoticed and unaware, Soaking in the sunrises and Mourning the day’s ending When the sun crawls under the horizon. Early dawn conversations leak From the finches’ rookeries, Where they dwell cooped up Amoungst feather and trinket, Their endless nattering awakens the sun, Coercing it to rise, and Bleaching the ground in tints of orange. A breakfast awaits them Outside their homes Of woven branches and loose fur; Berries and scattered delicacies (From the Sunday morning ramblers), And perhaps a touch of porridge too. They bury their beaks into the thick pools Of weathered oatmeal, And perpetually pick at plastic wrappings Until their brandished beaks begin to go blunt and sore, A monotonous task even for an eager flock, But they never end their labour without reward. After breakfast, The porridge eating man (With porridge in hand) arrives, He approaches with a staggered limp, Perhaps a scar from some late night disagreement, He approaches holding his lower left limb, The finches have come to learn his routine. First he stops (whether to take in the view Or to rest from the trudge up Cabbage Mound, The birds have not yet asked), Second he takes out a package From his right pocket, He undresses the wrapping And produces a small pad of paper, A pen follows, signifying The start of settled concentration: Strings of ink, Intertwining lines and shapes, Letters touching letters, Forming meaning and breeding words, A sharp coo startles the man, Breaking his focus, and anchoring Him back to sobriety, Finally he disembarks from Cabbage Mound, Turning his back to feathered insight And slowly sinking behind the hill, A bowl of porridge takes his place, And so, it shall stay Until the finches start to natter And their hunger begins to ache.
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Oct 1, 2020
Oct 1, 2020 at 7:00 AM UTC
Breakfast on Cabbage Mound.
On Cabbage Mound the birds tweet gold, So says the porridge eating man, The spontaneous trek up that grassy reserve (To see the flocks and frolics of finches conversing) It’s a matter of season he said, In joyous spring they produce song of glitter, but Catch them under the wave of a solemn winter And you shall only hear a dull twitter. Often he leaves bowls of porridge upon that place, Abandoned to absorb the view, Wilting amoungst the bush and flora, Like a planted trap for the lurking fauna, Their ceramic bodies sit unnoticed and unaware, Soaking in the sunrises and Mourning the day’s ending When the sun crawls under the horizon. Early dawn conversations leak From the finches’ rookeries, Where they dwell cooped up Amoungst feather and trinket, Their endless nattering awakens the sun, Coercing it to rise, and Bleaching the ground in tints of orange. A breakfast awaits them Outside their homes Of woven branches and loose fur; Berries and scattered delicacies (From the Sunday morning ramblers), And perhaps a touch of porridge too. They bury their beaks into the thick pools Of weathered oatmeal, And perpetually pick at plastic wrappings Until their brandished beaks begin to go blunt and sore, A monotonous task even for an eager flock, But they never end their labour without reward. After breakfast, The porridge eating man (With porridge in hand) arrives, He approaches with a staggered limp, Perhaps a scar from some late night disagreement, He approaches holding his lower left limb, The finches have come to learn his routine. First he stops (whether to take in the view Or to rest from the trudge up Cabbage Mound, The birds have not yet asked), Second he takes out a package From his right pocket, He undresses the wrapping And produces a small pad of paper, A pen follows, signifying The start of settled concentration: Strings of ink, Intertwining lines and shapes, Letters touching letters, Forming meaning and breeding words, A sharp coo startles the man, Breaking his focus, and anchoring Him back to sobriety, Finally he disembarks from Cabbage Mound, Turning his back to feathered insight And slowly sinking behind the hill, A bowl of porridge takes his place, And so, it shall stay Until the finches start to natter And their hunger begins to ache.
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65
I asked the Unabomber if he had ever been in love. You know--before Montana-- before wandering the unforgiving winter woods holding a frozen tulip and a rolled up poem nestled inside a pipe as if you were a minstrel. I asked him if anyone had ever inhabited the slow-cooking smoker of his heart. Was there ever the very emblem of desirability in the formula of anyone's eyes? In your Harvard classes full of second-week quitters and callow nattering plebes was there never any elevated romantic who might have solved for the impossible equation of your isolation and your need? Oh Teddy, you coward, you murderous nutjob, if the one whose heart could have stopped you were to speak at last to your wobbling soul, could you still be fixed even now, or are you already ****** Perhaps my question itself is like postage on a parcel that can carry your remainder softly out of shame or suddenly into Hell?
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Aug 19, 2025
Aug 19, 2025 at 11:43 PM UTC
My Question For the Unabomber
See Yiska the snow is falling a tractor pushes its way through the snow on the field gulls and rooks follow in its wake the sky a dull grey the sun wiped out or nearly so hear Yiska the wind through the trees the birds calling hear the snowflakes silently falling hear our breath expressing as we speak or remain silent feel Yiska the snowflakes on our faces on our noses hold out your slim hand let the palms hold the snow feel my closeness sense me drawing near the nurses are talking they talk of their love lives of the *** they've had hear their words how they tease us their words of ********** and freedom and normality feel the emptiness bite us our nerves taut as wire as we walk see Yiska how they walk the nurses behind us and before us see how their heavy coats hold them their black boots marching like troopers hear the nattering of their lips and tongues sense my mental fatigue and yours and ours wait Yiska they will take us back to the hospital soon and lock us up once more in the white ward with the dull water coloured prints and photographs of yesteryears be near Yiska let our fingers touch let us feel too little or sense too much.
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Nov 13, 2014
Nov 13, 2014 at 3:17 AM UTC
SENSE TOO MUCH.
Viva la morning sun Midnight, dark night, no light, can’t go. So dark, so quiet, so I guess the neighbours are not home. Waiting for sleep to arrive, but it never does on time. Still waiting to permanently close my eyes; But match sticks under baggy eye lids, Will not show me the peaceful dreams I need to find. Brain storms while outside it is silent. Not a raindrop in the air. Sun will rise shortly, as will the neighbours; They all arise without a care. I will hear their alarms and the beeping of their cars And each and every door they all slam, God **** Muffled music drives away and I am left with clinking milk bottles. How I hate to hear the milk man moving in full throttle. The bin men arrive flashing their ‘vehicle is reversing’ lights. I close my eyes, but they peek around the curtain…sigh. People are busy nattering and I am left sinking; There is no calling for the postman singing. The birds have not even got their song books out yet, Because there is too much noise, for all their rehearsing. Now I arise from the deep pit in which I dwell. The zombie arisen, the power button pressed, another day of Hell. In a state of half-dress the violins begin, Quietly at first, but soon a full orchestra of noise; A cup of tea is soon ready to drink. This symphony would wake the whole neighbourhood, If it wasn’t for all the toys and work, which mean they are already up. The din would be said to be deafening, ironic, If I cared to hear those muggles out there, but today is supersonic And the strings are rising up to the top of the planet, And I am drifting within the music’s magic. I am taken away to a classical age, Where maidens play while in-waiting in castles. The beer is served in tankards, Meat ripped with fists and soldiers prepare for battle. This warrior mind has no strength for a Queen, The zenith passed, the air up here is so clean And now the end of the song approaches And with a whimper, I remember, the line of forgotten roaches… I raise to my height, now at full length, a citizen. Viva la revolution! I am at one with creation. Hello Earth and morning sun! Let me feel your warmth…my morning divine, my elation. (C)2018 Aa Harvey. All Rights Reserved.
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Sep 10, 2018
Sep 10, 2018 at 9:51 AM UTC
Viva la morning sun
Viva la morning sun Midnight, dark night, no light, can’t go. So dark, so quiet, so I guess the neighbours are not home. Waiting for sleep to arrive, but it never does on time. Still waiting to permanently close my eyes; But match sticks under baggy eye lids, Will not show me the peaceful dreams I need to find. Brain storms while outside it is silent. Not a raindrop in the air. Sun will rise shortly, as will the neighbours; They all arise without a care. I will hear their alarms and the beeping of their cars And each and every door they all slam, God **** Muffled music drives away and I am left with clinking milk bottles. How I hate to hear the milk man moving in full throttle. The bin men arrive flashing their ‘vehicle is reversing’ lights. I close my eyes, but they peek around the curtain…sigh. People are busy nattering and I am left sinking; There is no calling for the postman singing. The birds have not even got their song books out yet, Because there is too much noise, for all their rehearsing. Now I arise from the deep pit in which I dwell. The zombie arisen, the power button pressed, another day of Hell. In a state of half-dress the violins begin, Quietly at first, but soon a full orchestra of noise; A cup of tea is soon ready to drink. This symphony would wake the whole neighbourhood, If it wasn’t for all the toys and work, which mean they are already up. The din would be said to be deafening, ironic, If I cared to hear those muggles out there, but today is supersonic And the strings are rising up to the top of the planet, And I am drifting within the music’s magic. I am taken away to a classical age, Where maidens play while in-waiting in castles. The beer is served in tankards, Meat ripped with fists and soldiers prepare for battle. This warrior mind has no strength for a Queen, The zenith passed, the air up here is so clean And now the end of the song approaches And with a whimper, I remember, the line of forgotten roaches… I raise to my height, now at full length, a citizen. Viva la revolution! I am at one with creation. Hello Earth and morning sun! Let me feel your warmth…my morning divine, my elation. (C)2018 Aa Harvey. All Rights Reserved.
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45
The sun rises every morning, Sometimes, I think, it's role is just to cheese me off. As from behind it's hazy autumnal sky, with falling mist, It wakes me early, before the **** begins to crow, always beats my alarm clock at letting me know. The time has come once again to move on, to face a newborn week, One day, I shall not awaken to the light of the morning sun, not just yet however, I shall be drenched in the realms of once just passed lost breaths, And internally to myself I shall smile, In the belief that I shall not die in the minds of my mattering ones, the nattering ones. Who matter so much, in the past tense of emotions immense, of sons, grandsons and daughters, of maybe one day having grand-daughters, and brothers long lost. At the setting of the sun today, I will reflect, as evening folds around me, on marriage and families and sisters -in -law, I'll take a deep breath, smile, so much, at the peace that was drawn from a wedding hat box. (C) Livvi
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Aug 24, 2014
Aug 24, 2014 at 2:54 PM UTC
HAZY MORNING RELECTION
I may be a mess but that’s ok I’m just a rough draft My stanzas may be uneven My rhyme scheme nonexistent But I carry the seeds of a masterpiece These scattered scribblings will someday mature into defined and refined lines My tiny wriggling tadpoles of thought will grow legs and a voice They will explore territory they never dreamed existed This writer’s block will topple off the edge of my desk and fall to the floor with a clatter My words will burst through the dam, First in awkward little leaks But then in strong, steady streams That leap forward into unfamiliar territory With a laugh and a gleeful scream These nattering notes will resolve themselves into chords and phrases A motif will leap out of the disordered madness Stumbling steps will lead to confident strides And the audience will be satisfied But for now I remain unfinished
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Jul 25, 2019
Jul 25, 2019 at 11:04 PM UTC
Unfinished
this Democratic Party affiliated member i.e. considered (with an eye blink) positing the following blurb for a very short while asper the "FAKE" trumpeting oaf fish shill offal continuous, indecorous, and poisonous barbs doth re vile me, an anonymous middle aged concerned citizen at thee...reptile no...no...that, would unfairly debase creatures such as    snakes, lizards, turtles, or alligators,     whose aggressive acceptable modes,     one expects tubby non servile thus in my mind hiss non diss incriminating cruel, fiendish, gallingly jawboning mawkish philistine (YES, I MEAN YOU DONALD Quisling TRUMP) figuratively roasting respectable people analogous to rake them over hot coals then, burn them at the stake, which witch trial characters assassination with point blank expletives found an introspective chap (yours truly) responds to broadcast unflattering sentiments, albeit swiftly tailored harried, yup, yar...obnoxious fulminations rile, said brief explanation motive enough (occurred within a split second) after gleaning most recent denigrating, hurtful, lambasting puerile verbal and/ or twittering outbursts (MOST DEFINITELY) unstatesmanlike at least to me: a circumspect enlightened genteel individual kind nattering nabob of nativity, who feels alarmed at venal wickedness by thee -> President Trump spluttering, smoldering, slandering gallimaufry predicated predictable awfully banal, cringeworthy diurnal, and fiercely hurt locker ful invective bile perhaps indicative of dementia praecox or smother mental illness, ye would immediately refute, and be in din aisle.
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Mar 4, 2018
Mar 4, 2018 at 11:59 PM UTC
The President Appears Mad As A Hatter
this Democratic Party affiliated member i.e. considered (with an eye blink) positing the following blurb for a very short while asper the "FAKE" trumpeting oaf fish shill offal continuous, indecorous, and poisonous barbs doth re vile me, an anonymous middle aged concerned citizen at thee...reptile no...no...that, would unfairly debase creatures such as    snakes, lizards, turtles, or alligators,     whose aggressive acceptable modes,     one expects tubby non servile thus in my mind hiss non diss incriminating cruel, fiendish, gallingly jawboning mawkish philistine (YES, I MEAN YOU DONALD Quisling TRUMP) figuratively roasting respectable people analogous to rake them over hot coals then, burn them at the stake, which witch trial characters assassination with point blank expletives found an introspective chap (yours truly) responds to broadcast unflattering sentiments, albeit swiftly tailored harried, yup, yar...obnoxious fulminations rile, said brief explanation motive enough (occurred within a split second) after gleaning most recent denigrating, hurtful, lambasting puerile verbal and/ or twittering outbursts (MOST DEFINITELY) unstatesmanlike at least to me: a circumspect enlightened genteel individual kind nattering nabob of nativity, who feels alarmed at venal wickedness by thee -> President Trump spluttering, smoldering, slandering gallimaufry predicated predictable awfully banal, cringeworthy diurnal, and fiercely hurt locker ful invective bile perhaps indicative of dementia praecox or smother mental illness, ye would immediately refute, and be in din aisle.
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49
He is unsure at this point if the soft pings and dings Which inflict themselves upon his ears Are courtesy of the wired-up grotesqueries Stuffed cheek-to-jowl by his bedside Or from the ubiquitous phone perched forlornly next to him (Even at this stage, he has his inevitable newsfeed, And he imagines he will be tagged in Facebook posts Long after he has been exorcised From the concerns of this workaday world) Chronicled nattering of people Tethered to him in the most tenuous of manners, Or the fifteen or so seconds of flashing come-ons Purveyed to capture what passes for our attention On those three-inch billboards Without which our very existence Would have only the most speculative of meanings. As he totters toward the final reckoning, Remaining breaths perhaps few enough To be counted upon his desiccated fingers, He would, though he has nothing left to pawn, No collateral left to barter upon, Give all for just one more trip around the sun, Even though he remains nonplussed by the notion That we leave as we arrive, Bereft of clues or whys and wherefores, Not unlike those came before us, Whose weathered and indecipherable stones Stand as mute sentinels as some staid convoy Brings our pitiable refrain to a full stop.
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Sep 25, 2018
Sep 25, 2018 at 12:20 PM UTC
A Variation Upon Father John Misty's "Ballad Of The Dying Man."
I am often asked, as the inn goes quiet Where is the dignity in a life anchored By the brothel, the public house’s riot. I note—politely—the base of the tankard Provides a grand, if somewhat modulated, Viewing of the so-called unexamined life, A happy one not discombobulated By the constant nattering of priest or wife. It’s not—far from it!—that my heart is not stirred By valiant men performing their valiant deeds, But the urge to take up arms remains deterred By the image of a knight face down in weeds, And my heart’s overruled by the misgiving That the stuff of legend precludes the living.
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Jul 18, 2017
Jul 18, 2017 at 10:51 AM UTC
In Which The Good Knight Falstaff Is Of The Opinion That It's Your Round
Nattering **** head of negativity Birdbrain, half-wit ***** Can’t count on to get on Ever a nerd twerp blockhead Braindead- can’t follow a single thread Instead Dance to the strings of your puppet poodle You’re boring attempts are feudal You’re as appetizing as a ten-day-old strudel Square head, *********** yoyo, bozo Backhoe cargo Exciting as bread dough Rising Not surprising That I’m so despising You’re constant attempts at upstaging Left me Utterly disengaging Your raging Left me Utterly disengaging Your blaming Left me Utterly disengaging Your constant contradictions left me With a drug addiction I’m not blaming Just saying Praying for the end But wait Why all the hate? What hate? Isn’t the mirror Reflecting the interior Can anyone save me from my nightmare? Scared That must be it I mean me.
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Jan 24, 2019
Jan 24, 2019 at 1:24 PM UTC
Scared - or What I Think of You-
She had, to be fair, a rather nice voice, Pleaant in a steamy-shower-and-church-choir sort of way, So it hadn’t been simply empty patter on his part The opportunistic language of courting (Though there was no shortage of that, But she’d recognized it as such, writing it off As something she’d deal with later) And so she would serenade him, Softly if not just simply humming, In one of the common rooms Scattered about the cold cow college they attended, Or some bench on campus During the fleeting bits of summer or spring The land enjoyed before the earth locked-up for the winter, And later still after the requisite preambles Involving showers of rice and self-conscious dancing, Gaily tossed garters and force-fed cake, Her voice retaining its amiability, Though often for her sole enjoyment, As there were late meetings and flat tires, Out of town conferences and overdue notices, And in time those nattering bits and bobs Which required their presence in separate locales Seeped under the same roof, Their dinners together brief gulped-down affairs, The evenings spent in separate rooms Perched in front of separate screens, The chasm only breached by infrequent ********** (The process either perfunctory expressions of guilt Or hopelessly frenetic and ultimately empty) And she would often don a set of headphones, Pulling up playlists of the old songs, Though there seemed to be an emphasis On those tunes of a rather minor key.
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May 20, 2021
May 20, 2021 at 4:12 PM UTC
the girl who sang with the bangles