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Thy trivial harp will never please
Or fill my craving ear;
Its chords should ring as blows the breeze,
Free, peremptory, clear.
No jingling serenader's art,
Nor ****** of piano strings,
Can make the wild blood start
In its mystic springs.
The kingly bard
Must smite the chords rudely and hard,
As with hammer or with mace,
That they may render back
Artful thunder that conveys
Secrets of the solar track,
Sparks of the supersolar blaze.
Merlin's blows are strokes of fate,
Chiming with the forest-tone,
When boughs buffet boughs in the wood;
Chiming with the gasp and moan
Of the ice-imprisoned flood;
With the pulse of manly hearts,
With the voice of orators,
With the din of city arts,
With the cannonade of wars.
With the marches of the brave,
And prayers of might from martyrs' cave.

Great is the art,
Great be the manners of the bard!
He shall not his brain encumber
With the coil of rhythm and number,
But, leaving rule and pale forethought,
He shall aye climb
For his rhyme:
Pass in, pass in, the angels say,
In to the upper doors;
Nor count compartments of the floors,
But mount to Paradise
By the stairway of surprise.

Blameless master of the games,
King of sport that never shames;
He shall daily joy dispense
Hid in song's sweet influence.
Things more cheerly live and go,
What time the subtle mind
Plays aloud the tune whereto
Their pulses beat,
And march their feet,
And their members are combined.

By Sybarites beguiled
He shall no task decline;
Merlin's mighty line,
Extremes of nature reconciled,
Bereaved a tyrant of his will,
And made the lion mild.
Songs can the tempest still,
Scattered on the stormy air,
Mould the year to fair increase,
And bring in poetic peace.

He shall not seek to weave,
In weak unhappy times,
Efficacious rhymes;
Wait his returning strength,
Bird, that from the nadir's floor,
To the zenith's top could soar,
The soaring orbit of the muse exceeds that journey's length!

Nor, profane, affect to hit
Or compass that by meddling wit,
Which only the propitious mind
Publishes when 'tis inclined.
There are open hours
When the god's will sallies free,
And the dull idiot might see
The flowing fortunes of a thousand years;
Sudden, at unawares,
Self-moved fly-to the doors,
Nor sword of angels could reveal
What they conceal.
Amitav Radiance Feb 2015
Seek refuge in the soul
When ousted from all shelters
Life spilled out in the open
For all to make a mockery
The one’s who have enough problems
Laziness to mind one’s own fort
Gathered here to tear down
All the little sanctity you have left
Talking about morals
Spreading the pathetic immorality
Trying to **** you to the nadir
Carrying wide chasms themselves
Standing far apart from heart and soul
Never to meet in this lifetime
They take a plunge into the unknown
To chastise the outer world
Souls are on fire, heart’s chambers locked
Suffocating within
With all the billowing smoke
Creating a haze around the behavior
Anger fuels the raging inferno
Urging everyone around to burn you
Surrounded by an unkind world
Seek refuge in your soul
Safe haven from the raging insensitivities
Mateuš Conrad Jan 2020
.that moment, when you realiße... "it's not yet another garry glitter song"... because quiet frankly... you still haven't seen Joker... you're stuffing raw dough into biscuit shapes in a make-shift Tibet... as a raw-treat... and your body is tombstone stiff... but your eyes are on fire and your soul is dancing... synonym parade... because gary glitter can be excused in the same way that: rob halford... rob halford isn't gay... isn't gay the metalheads would otherwise say... but because the song can exist per se... since... a glaring gary is no... jimmy 'the kid-fiddling dj' savile... and he's... no ian watkins... because... if you asked me... rock & roll part II is a gary glitter song? och! ouch! pinch-punch 1st of April is upon us recoil... hell no! i still read marquis de sade... only because by my standards... he's quiet decent... all he ever did wrong was use the imagery of a crucifix as a ***** when asking a ******* to peform the sado-masochistic act of ******* before him... otherwise his phallus was lost in the niqab of the bastille... his uncle though? ah! that's another matter! although: much aggrieved but somehow agreed... you could still buy marquis de sade's novella ****** in London, once upon a time... perhaps you still can... but does that even matter? i am about to get a primer about the Iranian inherent hate for h'america anytime soon... about how h'americans manage to bundle the Persians into the rag-ah-muffin crowd of camel-jockeys and easily replaced arab donors... and those poor iraqis... doing their bit...  who is to forget the phrase: turbanator? i.e. not referring to sikhs... no one besides moi... welcome to l'inglese... the modern lingua franca... and i do feel so sorry so very so very much for the natives that were beither born in Bratford or the rustbelt fly-over states of h'america... if joe biden says: learn to code! guess what i was but wasn't told being ***** from a ******* that was poland come the drop of the iron curtain of the 1990s... coming to the 2020s... me conjuring up the Silicon Curtain?! really? adverse to learn to code... learn a new language! and globalißation will "win"... internationalism already works on a bilingual basis... there's the established language of commerce... which is english... i'm sorry... i'll be kind... "you" will have to move... if not cognitively... then otherwise... i learned yours... learn mine! that's the motto... this is where linguistic nativism comes in... not borrowed time from places like h'america... not some emblem worship... just ol' lil' england... i hope this doesn't reach a wide audience... i am having to consider learning romanian... du-te dracului! that's a starter...

i've found out that, the only way to truly enjoy
a glass of red wine is...
to have also rolled your own tobacco...
and since we're talking the highest quality rolling
tobacco: golden virginia...
after rolling it... you gentle bask it in a lighter's flame
from top to bottom... to warm it up...
so you don't have to finish it off as if *******
through a straw...

that's of course if you're drinking red wine on its own...
but there's a reason why i hanged around
with a few spaniards in the past...
why i went to paris and met this two catalonian
hot-takes... who i later visited in Barcelona...
drank kalimotxo for a while getting ready
to hit the party scene...
was given my first joint in my life...
and... hello lullaby...

next day we toured the sights...
we never made it to the gothic quarter...
or the el reval...
we went into one of those shops
in a shopping mall that sell everything...
that's when i discovered portishead's debut:
dummy all by myself...
and then onto camp nou...
to be honest... throughout all this time...
i felt like a glove...
no really... i felt my company was being...
tested as to whether it could be well worn
and: worn out at a much later date...
i was, what, 19 then?

what will leave me well versed in travel,
jumping continents?
i should really add prague along the line somewhere...
the days when i would solo for a weekend
and never bother with any if at all: precautions...
i can't imagine the sort of trips
my "highschool friends" took...
en masse... and always to a resort -
say, in greece...

the joker scenes are out...
the scene where he's dancing on the stairs...
sounds good... mhmm...
oh... this is gary glitter?
the art has absolutely nothing to do with the artist...
it's not like gary glitter can get away with it...
but... i'm pretty sure he can get away
whereas... ian watkins?
in that crushing defeat of musical genres...
when emo wasn't quiet a thing...
and nu-metal didn't die out...

i'm a cheap ***: all the people are raving /
were raving about a film...
and i'm waiting for the delayed spectacle...
only recently... avengers: end game?
what a major ******...
this "self-aware" introspection into movie
franchises that explore time-travel...
here's an alternative: study chemistry
and get a hippo's ***** ready on the wet
dip... i'm guessing this is a period of time
when: the genre of science fiction will
slowly die off...
i don't see how science fiction can sustain
itself...

- which is always beside the point...
moving on... english... this acquired tongue of
mine...
if only i were so adamant as a czesław miłosz:
had i a translator's worth of shadow,
and baggage running around after me...
like a sacred cow of the Raj...
how did i learn to mitigate?
i don't know... what i do know is...
drinking and habits of listening to music...

it starts off with: listening to some
music using english...
it sooner or later gravitates toward
something in german...
after i tire myself of german lyrics...
i'm heading toward scandinavia...
chances are: i will visit "mother russia"...
but i'll probably sink into
visiting byzantine chants...
once i figured out a way to move
from scandinavian paganism...
work my way past german folk
from the medieval period...
and finally arrive at: αγνη παρθενε...
obviously i will have to stop over
some quasi-folk germanic songs...
northern crusades:
teutonic songs... or the templar songs:

da pacem domine...
pristine times! the drunk carol singers
has sung their bit... there was no rest
for the wicked...
the carol: god rest ye merry, gentlemen
was sang...
reality of the everyday happened
no day shy away from the "celebration"...
i find more comfort in songs
of the templars...
perhaps the gregorians with their calender...
but most certainly the byzantine choir...

of ancient greece and what is known...
what can stand out from byzantine greece?
except from: byzantine bureaucracy?
counting knots in the fish-net stocking
on a centipede crawling out of a harem?

my musical diet: when i drink...
i can't listen to music when english is involved:
for too long a "passing" of: enjoying it...
i grow a beard and satan mount
a throne of wood and amber...
fiddling with it like a mad maestro that
has been given 100 violins and no...
woodwinds... and this is my "orchestra"...
a beard... crux of central europe:
with the zenith on the border of the river
Oder...

i do wonder what this scenario would look like;
if the girl gambled otherwise...
the pretty-****-pick sent by my offspring...
or my full-crop of hair...
and a beard... ***** envy can hardly be
a social events on the pedestrian stage...
but cranium envy?

the diet for a session begins...
it has to begin in english...
but who knows where i'm otherwise willing
to lend an ear to?
i can't be stuck with music i can understand
lyrically...
if i can't understand how to compose music...
well i did once know how to play
the ***-ar... and worked a nightclub
for a mandolin: just to serenade a Fiona
from a window a maggie may by:
rod-it stuart in edinburgh... once...

how romantic of anyone...
hell... this is still in english?
why aren't i pulling the strings of a czesław miłosz
and not retaining my nativspreschen?
why? i love to tickle german...
i love to tickle deutsche more than i care
for speaking english, or... rather...
writing in it...
but unlike a czesław miłosz... i didn't bring
a linguistic ghetto with me...
i don't have a ****** ghetto to go to...
perhaps... if i mingled with enough
of my "fellow", "countrymen"...
much easier said than done: if you're Irish...
and the only THing you have to worry
about is... diacritical nuance...
the THing, the Θing... is an english:
what the irish consider to be a surd affair...
T'h'ING... it's a t'ing... not ******* F even
if you looked at it with a bollocking of
a microscope, either!

- and this once high-school "fwend" once suggested...
'maybe you should go and find your own
fellow countrymen'...
who the **** do i look like? paddy?
an arab, an iranian, an italian...
or some *****-cheeky-cheese-brigade of sorts?!
my, "fellow" and "countrymen"...
on foreign soil? em... allegience to who?
i have severed my ties with Poland...
i keep my ties with Poland on the basis that:
my grandfather and grandmother are still
alive... when i visit them...
i don't expect them to be into this whole:
post-nationalism: internationalism non-nationalism
globalisation gimmick of: at least,
at least the modern lingua franca:
which is the l'inglese....
because... quiet frankly? i have a stash of:
mutterzunge bubbling beneath what's being written,
with some mongrel-german and mongrel-russia
auxilliary...

ah... the natives of the english tongue...
well... it's quiet expansive...
it can go beyond encompassing merely england...
it can go so far as to tread over scottish gaelic...
somewhat irish gaelic too...
only zee Velsh... seem to be... W: whistling free
in their linguistic stand-off...
who the hell even bothers to hear
about any scottish gaelic?
there's only gaelic gaelic: irish gaelic...
and there's welsh...
scotch gaelic? huh? apart from: a wee this
and a wee that?
*******... tartan and god's **** *******
of beer and the side-trash-dish of the savior
of whiskey in a gulp of ms. amber's **** juices
from a...
one of those distilleries...
that served up a whiskey tokaj whiskey...
i still remember the picture...
a girl i was dating took the picture...
in front of her a belarusian jew cosmo...
to her left... a russian looking into the glass
of whiskey with some philosiphical insight
begging to come out...
to her right... a dog ****** with his nose
in the matter...

figures... the ****** will sniff **** out...
the russian will: peer into the glass
for some "magical" insight...
philosophy or what not...

as if insuating: concerning the "little" people
of europe...
unlike the portugese, the spanish,
the italians or the greeks: acronym: PIGS...
but i least i'm no czesław miłosz:
i don't need to move to cam'cam'h'america
with a language in tow:
for some sort of lesson of: preserving roots
for a tree...
my version is apparently:
the bad integration strategy...
esp. on paper...
why would i still retain my tongue...
on paper... in this medium...
citizen ist citizen:
bürger ist bürger ist mir!

heaven behold i have to use alt sächsisch vaterzunge
to speak to the grünschnabel...
i fear for the natives of this tongue:
esp. since hiding behind the stipend of:
the empire upon which the sun never sets...
to have to hide behind a cultural import
from h'america...
or australia... is what gives rise to these
pseudo-communist grey areas of Bratford...
or Islam-came-ah-knocking in
Rotherham...

even i have to escape this...
this l'inglese... this new frontier of...
no frontier at all: except for the skull moon...
and baggage of frohlicht!

is priti patel a civic nationalist?
well i'd be ******* sterile if i didn't say:
a babe with class any loser in
my vicinity said: a banger...
if priti patel is not a civic nationalist...
then i'm not in england...
i'm nowhere...
******* banging bunny... anyways...
and the first time i managed to ******
a black girl for a quickie...
it took just the right amount of cocktails and...
enough coccyx banging into my pelvis that...
i... almost wished for a 12" ****
and the "proper *****"...
no... really... imagine a black girl mixed with...
a stick insect... and you just so happen
to have served her up...
a genuis concoction of cocktails...
the coccyx is bound to appear...
alligned to your poor-pelvis plum-sore...
one time or another:
no ***** envy in sight...

hence my "wish"... give me the 12" cod...
and enough plump *** as that will allow...
otherwise: no...
i would still like to imagine being
circumcised via the orthodox methods:
of a rabbi... not via some over-*******...

why am i writing about this with such fondness?
em... 21... nearing 34...
i can count... how many times i've had ***...
using only my fingers...
that's beside counting the prostitutes...
which... when you forget to trim your ***** hair
and you just end up kissing for an hour...
kissing prostitutes: what a noble affair...
bumble, trumble, tumble, twitter, bitter...
grinder... tinder... don't know:
i can't remember having owned a smartphone...
or a mobile...
that ambition died when:
i was left with calls 10 minutes from a meeting
for a pint... on a bus...

that's... 34 - 21... 13 years with sporadic
casual *** patterns...
oh and that thai bisexual girl... woman...
boy... i picked up from a park bench...
we listened to some jazz... drank some beers...
"weaped"... then had a cigarette in the garden
and ****** while i was kept in suspence...
honestly: i didn't know what i was getting myself
into... it was a thai surprise moment...
sports bra... and... until i reached into
the nadir of the zenith did i find out...
phew... no pronoun debauchery...

13 years and the sort of *** life that could
be celebrated by a *******
harriet turtles of the islands of galapagos...
while, around me, in the vicinity:
kama surtras left right and center!
why would i drift toward...
scandinavian pagan songs...
byzantine chants... crusader anthems?
i don't know: it's hard to punctuate
ridicule into that sentence... ridicule and irony...
self-depreciating humor...

- 'music was terrible in the 2010s'...
perhaps... except of a ****** band: LAO CHE...
i will still be punching myself over
my sentiments...
and "they" can come and speak english
like it's "theirs"...
but at the same time... not be "english" at
the same time...
perhaps it's the north h'american conundrum
of patriotism with the old continent
sentiment "for" nationalism...
perhaps if we all speak this one
magical language...
we can still find ourselves
with unboxing cues in a bazar in Tehran...

and they were Persians before
the Arab camel-jockeys came...
and that spirit of poetry died
and the old antagonism with the Greeks:
too died...
arab camel-jockeys with their... sole book...
and enough time...
enough time to see them sitting on
an iceberg of dinosaur crude fuel...
that truly was and is a miracle...
i still don't see why the Ottomans wouldn't
want to treat the camel-jockeys as they
should have to have prospered:
since no Lawrence would ever come from
ottoman Istambul...

but oh oh: tuba büyüküstün the god-smacker
and the slow death of martyrs' promised: harems...
even a slow-to-understand man
can find his solomon and his queen of sheba...
somehow, "somewhere"...

so much for drinking some wine...
and: it's not like speaking the truth, drunk,
managed to get anyone into trouble...
perhaps the "kind" alternative?
nietzsche on barbiturates?

i sometimes wish i could be alligned
to a female sort of companionship...
without the immediate awe-struck beauty parallel
with: what's actually beneath being
awe-struck... but no...
i will have to do my best with dogs,
cats, the odd fox... and pyramids and pyramids
of stacked ms. amber bottles...

wine and the gods' anemia... or haemophilia...
i never which one it is...
i almost wish i could sentence myself
to the banal grey-ish merger of:
the everyday with a woman...
but... alas... i still have a mother...
and i'm still unsure about the times
when she's lying or telling the truth...
but, given, she's my mother...
i allow her the benefit of the doubt...
having a mother is enough to:

going down the river of keeping a woman
company: in company that precludes
having *** with her...
bad grammar or just the unnecessary word:
precludes...

it's enough to be in a company of a woman
you can't have *** with...
and quiet another...
to be in a company... you can have *** with...
this "can" will probably never
arrive at the sober conclusion of:
you "might" or... that you even "will"...
i guess the antithesis of gambling came
when prostitution wasn't allowed...
a man sought alternatives...
50p bet and all the thrills....
that... yep... 110 quid an hour would never give...
gambling and *******...
the siamese child of desolation of
Moloch and his bride: Ursula (usury)...

what's that "motto"? when the fun stops: stop?
here's a way to figure it out:
see a ***** before you start gambling...
and when you gamble...
bet for a quarter... less than but equal to / no more
than a pound...
i've started to bet on football results:
a win... and the other team also scores...
i managed to find a bet accumulator...
that would leave me off...
over 200K richer... from having bet a pound...

like i once mentioned...
the 3Ps of today's clinical "advice"...
there's the priest... n'ah...
there's the psychiatrist (you'll want to see him
first, seeing a psychologist is pointless...
he has no prescriptive authority...
he's no big pharma loved-up yuppy sort of...
gwy)...
or there's the *******...
priest, psychiatrist... *******...
i did the priestly bit when i visited
a monestary in France, Taize...
i was young and the hormones weren't kicking in,
just yet, and i would have stayed...
but i wasn't rich enough to buy myself
a place at that, kind of, prestigious "university"...

psychologists and psychiatrists...
what the tongue can't lick or taste:
a tongue can't heal...
talk talk talk... but no: suma summarum:
no oeuvre momentum...

prostitutes and betting habbits it was...
settled...
this one maroccan colt with his one maxim:
there's no water in a desert...
ever see more water than that in a puddle
in a concrete jungle?
and that's hoping for: evian...
tapeworm free water... ever?!

so much for tinder...
and so much for... ahem... adverts: ok cupid...
claustrophobic dating advice with no
spares...
if you can't pick them up fresh
from a park bench of uncertainty waiting
for that, that thai surprise?
so much for being a h'american...
and a *** tourist... in Odessa...
of Kiev... or getting milked for the bogus
*****-****-thrill of it:
to genesis the whole model escapade of:
dosh stashed in a porky inch-by-inch
leather itch of: spend spend spend!
phil roberts Mar 2016
Never ordinary
Never easy
Nothing parts the sea
Nothing moves the earth
This is a hard world
And there is no give at all

Don't press your face to the ground
It does not help
Don't shout at the sky
It does not hear
Nothing helps
And no-one hears
This is desolation

In the wavering distance
Less than light
Reality  drifts eerily by
There is no need to go
No reason to stay
Grey coiling wraiths
Rise and slowly sway
They could be anything
Anyone
Distinctions have no place
Nowhere to hide
Here is where souls shudder
And shatter


                                    By Phil Roberts
Allison Dec 2017
Pulse:
There’s living and there’s dying, but worst is this half life:
this tap water dripping, slow molding of the

Mind:
It sells me lies about who’s right and wrong,
it validates my dogma but vilifies my

Soul:
That hunger that bubbles up and out my throat,
that sees myself in that wasted *** with that

Sign:
Maybe not a burning bush but a breakdown,
a point so low we used our last energy to let out this

ROAR:
Shake out your heart like a sheet;
take a torch to the hive mind and

Dance:
Spinning in an alley downtown in the rain,
the beat beats beats beats:

Love
is all that matters,
it’s all that matters now.
For a spoken word setting
Mateuš Conrad Jun 2018
in terms of ontology: all is permitted,
given that so much is left,
dangling upon a damoclean
                         thread of a single
horse hair...
                            of the unexplored:
ontology is a waiting game,
with what, already is,
   a fixation on the constraints
of: ex simiae:
                       hence my approximation:
**** similis...  
    it's still a desire to preserve
a base, an origin story transfixed by
the use of fungus...
      accidently swallowed a mosquito:
suddenly grew a ******* pinocchio...
and somehow, slyly:
fixating on keep the libido
                                     momentum...
that's crucial, that the momentum is kept...
yet i wonder...
     racism:
                       poland vs. senegal was
the first game when the rams bothered
to clash horns...
       oh i can be crytical when i see it
through a lense of: crypto-nationalism...
unlike the romance of the noble prize
being given to Milosz...
            economic migration background:
i'm not allowed to romance about it...
there's no "grand" furore to mind,
no expectation,
           and certainly no: bending the knee
of the hosts...
  ****! from calling them natives
i'm starting to think in american terms
of hosts...
                  given i'm an alien "body":
                 more or less a thought, prior;
but that was the first instance of
deviating from playing out the sport,
poland vs. senegal...
            ******* europe versus a people
who know of europeans...
                            belgians and the congo...
slim afro beauty that she was...
no wonder...
               could almost say the *******
came when i felt my frontal pelvis
bones was sore after she
                rammed her coccyx onto me...
but outside the realm of serving
seductive cocktails while playing
          cedric 'IM' brooks'
                                     satta masa ganna...
no, i'm just curious about
the dynamic, behind a word such as
racism...
   and language in general...
           who are the people who use
a first tier definition of a word?
          i'm sure language is as loose as
well oiled spaghetti in imitation of
a pit of snakes...
           and yes, the linguistic atomists
(akin to myself) who care to mind
                          diacritical exceptionalism
in uttering a micro-seance
      prior to a syllable... notably via
ü (the classical umlaut)
               and what could become an
applicability of orthography in english:
with, oh so many examples in need of
being addressed:
             namely: from pout,
               came pút,
                                pool
                           ­             (pül),
                and the disguised vowels
of english: putter versus a patter...
  the subtle elongation of the A
  in a: pāt on the shoulder...
i already know that my suggestion is
too impractical to be ascribed
a subsequence with a towed effect
being ascribed...
           but at least there's the observation,
in the open.

  with this one particular word,
what is it: from zenith to nadir,
  or from a nadir to a zenith?
    definition 1.
             first, or           definition 3. first?
vocab. inheritance tax...
or just mindless fronting concerning
the affair?
    
is it a priori:
   1. a belief or doctrine that inherent
  differences among the various human
racial groups determine cultural
or individual achievement,
  usually involving the idea that one's
own race is superior and has the right
to dominate others or that a particular
     racial group is inferior to the others

or 3. hatred or intolerance of
               another race or other races                 ?

seems rather contradictory that
there could be such a priori complexity
to begin with, to be inherent...

zenith / nadir
                   a priori / a posteriori
dictum would suggest
  that: definition no. 3 is a priori...

while definition no. 1 is a posteriori...

    which also allows a psychological
dimension and
    the Freudian-Jung dynamism to
"explain" the proton, neutron, electron,
egg shell egg white, yoke,
               sclera, iris and the pupil
dynamic invoked by the psyche-dissection
into compartment
of a consciousness,
                    a sub- and an unconscious...

definition no. 1 can't be a priori:
it's too worded to make sense of
what an a priori statement looks like,
i.e.: 1 + 1 = 2.

an a posteriori statement?
               given that 1 + 1 = 2 is an a priori
statement?
                                    √-1...
   ­  lo and behold!
             you get a letter! as substitute to
the meddling in numbers...
     and then from i, to iota,
                       and the concept of a pronoun
in english (gender neutral) you go...
                              wunderbar!
                ­       ja...
because you can begin with an:
a, b, c, d, e, f, g, h, i...
                  clearly there's a priori
favour, to subsequently allow
a loss of explanation with a 1 + 1 = 2...
inheret bother:
      because when wasn't
         arithmetic ever akin to spelling?
the frequency of the letter-usage
compared to numbers?
      
              do you call the mann unable
to count or spell:
at the same time blind
            and deaf, synonymous?
what definitions behind a word
do you use?

what tier of a word are you making
                           allowances for?

using tier no. 1?
        or using tier no. 3?
   how can you even allow
an "ambiguity" of secondary tiers
of red...
               given there's no celtic ginger...
and shouldn't tht belong among
painters who can actually
see past the writer's daltonism,
  or x-ray in teutonic schwarz und weiß...

   a sch't'ern tongue:
          among, platzieren ziegel von die rot
                von Marienburg
...

what is the dictionary "ambiguity"
of red?
            
            one subsequent definition is:
BLAH!

               so we've established word
that acribe to tickling a thesaurus
ambiguity...
    but sure as **** there are some,
rigid, orthodox, words:
that can be used, un-acriptive
of a challenging authority
wishing upon it a counter-usage...

  i was born a pollack,
i acquired english:
            god forbid i don't die german!
hence all this crypto-nationalism
*******...
      i am a crypto-nationalist,
given that a nation is a cryptic,
quasi-noun suffragette...

             ich, werden sterben ˈjərmən!
point being: i'm hardly welcome...
        but death is hardly
a grieving mother,
               rather, a welcoming *****.

i've "said" enough,
  question is...
                                 have i drunk enough?
Mateuš Conrad Jul 2016
the devil in hell is constant, reminding as a tombstone -
each and every knock-knock - my imagination resides
in this hellish equivalent of life lived elsewhere -
for the devil in hell is merely a tombstone with
a living inscription that's a clock rather than epitaph and
insignificant dates given Darwinism
and the Big Bag - i.e. 1779 and August
and the 7th makes little difference - or none at all -
oh how welcome buried to be imprinted within
minding anonymous - hell and the tombstone -
an enlarging of life not lived -
or heaven, well, even Dante described Hell
with prefrontal cortex exactness -
Dante's inferno dealt with more detail -
the paradise left to abstracts;
and so the netherworld spoke toward
mortal interests incubated as apt resource
for expression in what aerodynamic was to be
in a lepidopteris catching magritte umbrellas
with accented whirls - like pebble skipping
on the shattering of the Narcissus mirror
to hold sway of reality, worded: how you aged,
while the lake remained standstill intact -
whenever the philosopher inspected you even
more frequently than Sisyphus;
many climbed the highest peak
to only watch the Sisyphus boulder roll with their
bravery downhill -
but so few sat like stones about to be thrown
across the pristine mirage of the awaited
plagiarism of your first inkling into the shallow
depths - for indeed demigod assured -
embryo of thought, missing artist,
missing a self-portrait - what say you
to claim near-role of Poseidon?
i expect you'd only quack van Gogh -
and feel less inclined to imbue thought of mirror
as thought of beauty as self-worth and
the mind preserving it - rather than a mind
inclined to translate the stillness of the lake
into compressed aluminium and chewed sand for
the seen-through; a paradoxical world:
so much worth ascribed to so little -
and so little worth ascribed to so much -
this world is not worth a human zenith -
nor the nadir of insect savagery -
not the curtail phantom of scientific theatrical excavations,
nor the complaint of humanism attached similarly to
the same theatre -
mine assured the Chinese fairy-tale of a poet-drinker -
restless in metabolism, but when auburn comes named
Autumn, or spring and the Japanese cherry trees
of hanami - the low-caste infuriates mindful spectacles
of how to cross a busy urban crossroad of traffic
and look less at app. with additions for a minute's
silence among 15 minutes of modern crave of holy grail fame,
long lost among the objective success no
individual can profess - but specie kindred ha-yah,
ohayō - manga sigh you - conning chihuahua -
they **** and the English limit of theology, pronoun
debacle he v. she - V-she - mate, an E! an E! if theology
is to be so debated no longer the existence is to be debased
and atheism acquired - albeit not Oriental atheism of
Jackie Chew kangaroo karate - more like
addicts in a gym with fast-food exercises joining the
granny club of arthritis and bad joints;
'cos you're a bunch of wankers and that's that -
you smoke those opiates! you do! never was a Pole
more vocal than with the European Union -
embark on inviting the Turk! the coup is over!
invite the Turk! invite the Albanian! invite the Serb!
the Brit is leaving! hello Scootland!
Mateuš Conrad Feb 2020
there should be easier ways to buy jazz records...
perhaps i should be more familiar
with black literature... perhaps will alexander
is not enough... oh god: i just stepped into
a reverse psychology faux pas...

  again...

there should be easier ways to buy jazz records...
but clearly there aren't...
for years and years i sat on the tube as it rolled
between leytonstone and leyton...
they now have a grand mount... for the new graves...
prior to... the graveyard stretched...
almost the entire distance from one station
of the central line to the next...

i did plan to go into london before
lying myself to sleep... once upon a time i would
go all the way... into tourist central...
i'd go and do the usual... tate modern...
tate national...
i even dressed myself for the occassion...
well... "dressed"...
does a dog change its fur...
i had to capture the sensation of wearing
the same clothes for long enough...
washing, personal hygiene -
change of t-shirts... of course...
but today i was going to buy myself some
jazz records...

i couldn't just hop on the bus (when was
the last time i used a bus -
rather the centipede of my own legs?
you never forget to swim or ride a bicycle -
when was the the last time
i used the tube?) -  and just head to the shop...

that would be so boring...
and i'm not a female to window-shop either...
what ensured a diversion?
immaculate timing...
   walking up to the bus stop...
a girl... probably 16... sitting and waiting...
bus pulls up... i gesticulate: ladies first...
and she gives me a smile...

that decided... winter! it's winter!
and Freya's daughter took a needle's eye
and brought me before the altar of my original
whim...
jumped on the 66 bus and then on
the central line... newbury park,
gants hill, redbridge, wanstead,
leytonstone... leyton... and onto st. patrick's
roman catholic cemetary...

just before spring comes...
to find the absolute nadir of winter -
perhaps autumn is when romance novels
are written about death...
but i much prefer graveyard in winter...
i would have gone further into london:
but those jazz vinyls are not going
to buy themselves...
plus... i find graveyards... well...
hardly morbid... i like them because...
esp. the roman catholic ones...
have statues... and...
well... who wouldn't want to see
a museum of statues: al fresco!

reiteration - because i can't mumble
or metaphor myself or make this succinct...
graveyards are museums al fresco...
whoever was the sculptor... of the crude stone...
the second artist... the weatherer has also
done his bit... coy wind... a splattering
of "paint" with rain...
the... basking in the sun...
the drop in temperature...
i like to see the "other" artist at work...
give me this one life's span a peek into
the deeds of this almost eternal sculpture
baron...

whether god or: death personified...
               the theological god can return to his
origins story... the sun the moon the stars
the: what came first the chicken or the egg...
what came first... the spiderweb or the spider?
pointless hamsterwheel questions:
a priori this... a posteriori that...
museums are stuffy... they might hold
under their roof... in pristine vacuum...
the Elgin marbles... but i want to visit a museum
that breathes! these gravestone statues...
breathe! if you're not careful enough...
you might see a wandering eye...
as if someone transcendent has touched them...

graveyards: museums al fresco...
and in winter? and it's your typical sodden...
overcast... london clepsydra of drool and dire
and the scent of wet dog fair...
and there is no chance to intoxicate yourself
with the decomposition of autumn's fall:
banquet of leaves... and that sickly sweet
botanical scent of decay...
it's winter and raindrops become piercing
needles of sensation...
you wouldn't even dare... to blink.
                    
- of course i had to take a few photographs...
it would be weird if i didn't...
once upon a time even death was due
man's concern for beauty...
in these grave statues... whether it's a 1000th
jesus or some obscure saint...
whatever it was... it was certainly worth...
imitating a ******... getting all wet with
goosebumps on the ******* sack tickling you...
no hard-on... whenever you'd want
to gasp and spew some variation whale
sonar: morse onomatopoeia: coy cooing an ooh...

so back on the tube and to the record store...
****... need to ****...
to the pub and half a pint of guinness...
again: a woman's smile is so up-lifting...
and that surprise as you're only there for half
a pint... up the stairs to the toilet and...
out the pub...

the thing about buying jazz records...
why would i buy a gramaphone...
if i didn't intend to only buy jazz records for it?
why buy, modern vinyl?
the thing about buying jazz records...
you need to know a few names...
you always look at the... "starring"...
i know there's another term for what i'm
looking for... "starring" is easy...
and it's in no way related to the word:
repetroire... but it is french etymologically:
although mutated from: ensemble...

i'm pretty sure there is an english equivalent
to ensemble: which is not "starring"...
accompanied by...
                 that sort of mid-way introductory
statement by the vocalist...
on the piano we have...
on the guitar we have... and each band member
does a little accent impromptu:
accent impromptu: which is not a full-on
hair-metal solo 2 hour slow bbq **** chicken
strutting send-off into the stratosphere...

never mind... can't a white guy just appreciate
jazz... i'm tired of the sycophants of classical music...
including charles bukowski...
the japanese have covered this sycophancy
and elevated it to virtuosity of the drum-kit
monkey... fair play...
but jazz never allows you to... over-think...
anything... a head without thought
and all that sea of feel...
logic is over-rated... i like my cushion of
the antithesis of descartes: res cogitans in that
i find pleasure... in res vanus...
- and classical music is over-thought...
to me at least... it's a falling piano of notes
and no breather... no feel for bass drums or pause...
for an accent of sorts...
no real idiosyncracy - beside the idiosyncracy
of the oeuvre...

jazz says to me: i don't want to over-think:
not-thinking...
it's as simple as that... i hardly think a cat
allows that onomatopoeia: meow...
i hardly think a dog allows that onomatopoeia:
bark / woof... to enter and govern his mind...
this imitation of being: surrounded
by beings with complex prompts and
a car-wreck of sounding verbiage...
hardly a woof or a meow to be "deconstructed"
in those furry-heads of theirs...
how does a sax sound in my head...
when i can't hear a sax outside of it...
i'm not a composer... letters would congest
the sponge... soapy water instead
of live-young evian... pristine cool and crisp...

drums and all their ambience...
when there's the intro by the horn...
before the protagonist sax takes over...
sly little horn...
jazz... i don't like to over-think not-thinking...
classical music?
i tend to over-think not-thinking...
with jazz i can never over-think not-thinking...
because: feelz... and what-not...
it's hardly an armchair of apathy...
it's hardly a sofa of tolerance...
it's a cushion for a head that sometimes
feels like a tonne of lead...
and the air doesn't become water: "magically"
to even wish for a sinking sensation...
blurps of bubbles no...
there's only the almighty fall or an explosion...

feelz... (this will be addressed...
the Z... in german... that i do promise...)

- again, not again, again... i can't buy the same old
stale **** narrative behind the slave trade...
there's a jack of spades in here somewhere...
no blacks in h'america: no jazz...
it's that simple... god forbid where i'd be at if
i were to still praise the suffocating confines
of classical music...
this is classical music to me...
this is... everything that's suffocating about
Bach's innovative polyphony...
polyphony sure... but what jazz allows and
what classical music doesn't...
it's hardly called a solo if only the piano gets
it... a chopin or a liszt...
any... famous violinists sharing the stage
with the pianists... the piano is the only instrument
that's allowed a solo: proper...
but in jazz... you can get all the instruments
in the ensemble given a fair share...
no africans coming over to h'america...
no jazz... instead:
       pirouettes in corsets and crinolines!
ugh...
               liberated into: chain-smoking
and giggling why pulling an imaginary chain
saying: choo! choo! this train has nowhere
to stop... beside a tomorrow...
and should tomorrow come...
                                      that's still only a gamble!

jazz because there is no singing...
            well... 'my funny valentine'... chet baker...
better known on screen as ethan hawke...
astronaut... thespian... at large chameleon...
dat dere: the disappointment from
having chamelon leather shoes...
that will riddle... should ever a pair be made...
no fluorescence no change in the weather...
just at the time of the killing...
would the pigment remain: "thus desired"?
well... i don't know what the muslims
and the yids have against pork...
i'm pretty sure most standards of belts
and shoes are... made from pork skin...
which is... well... leather...
perhaps they should don the orthodox ***
yom kippur statement of running
into the synagogue wearing sneakers!

just saying... porky pink and whitey sneaked
in with a guitar and a piano...
sonny clark also tip-toed on the black
and white cascade...
                                  interludes from absence...
or the myth of the custard -
               it boils like a voice unearthed from
mud... tinged with surprises of a canary...
gloating glutton of the stove...
               jazz in the kitchen,
jazz in the bedroom... jazz in the living room...
jazz sitting up, jazz sitting down,
jazz drinking a hop-heavy lager...
jazz sober...
                                        it's not jazz:
because i live in new york and i have a feel
for the romance with frank o'hara and all things
gay and otherwise cosmopolitan...
romford is probably like hull...
and i'm the antithesis of phil larkin...
my verse is more scribbles and scrabble than
his neat: your parents ****** you...

jazz is a rebellion akin to 'my parents ****** me'
when they fed me a classical music diet
as a child... rock guns 'n' roses grunge and punk
were minor rebellions: teasing pop...
but nothing to match to the diet of classical music
ingested early on in life...
                          jazz was and is, though...

- when buy a jazz record... you have to look for
the usual suspects...
sometimes you look what the lead protagonist
is playing... after hearing Grachan Moncur III's
avant-garde... i'm not convinced...
but there is a list of the usual suspects...
evolution just reminded me of everything
i didn't like about eric dolphy's out to lunch...
but there's a list of usual suspects...

'i can't believe i almost bought a vinyl of a c.d.
i already own... money jungle by duke ellington...
good that i didn't...'

the usual suspects of an ensemble alternating:
eric dolphy, paul chambers, freddie hubbard,
sonny clark, joe chambers, herbie hancock,
john coltraine, sonny rollins, kenny burnell,
art blakey...            wayne shorter...
what would probably become equivalent to...
sitting through a ****** movie...
but otherwise finding the end-credits more
entertaining... the ******-movie of what's not
remembered as that golden fleece of mid-20th
century nostalgia...
i once placed my nostalgia in h'american
hippy culture... come to think of it...
i guess my nostalgia is: the coming out of
1950s america and no quiet going the full mile
into beatnik poetry recitations with jazz
in the background...
no one would **** the poets:
instead the jazz musicians...
                     somewhere cowering under
an umbrella sown together from moth wings...
assuring himself a lightbulb was
the sun... evidently no formality of language
genesis: dear sir / madam
exodus: yours sincerely / yours faithfully...
and all of this... in between?

                         shoes shoes...
two jazz records is hardly an extravagance...
these days...
oliver nelson - the blues and the abstract truth...
sonny rollins - the bridge (jim hall on guitar)...
well... because sonny rollins and: colossus...
24 quid...
                why am i supposed to remember
the slave trade... am i a native of these parts?
i thought i was the "dumb ******" industrial n-----
joke? don't shoot the messanger...
do i look like i've just killed your grandma'
by playing a ******* harmonica?
not everyone is going to be listening to rap...
what jazz gave rap... isn't gonna give
that easily for me to ingest... *****-nilly...
sonny rollins... looks like a well attired man...
even if it is 1963... perhaps my own ambitions are lax...
i'm the son that wouldn't become
his father... and he was always the son
that was going to overshadow his father...
and that leaves me with my paternal grandfather...
all that remains to be said...
by my maternal grandfather: we has a hard worker...
well... stick that as an epitaph for
anyone without an epitaph on their grave...
i'm sure those dates will look like
candy dripping from a ******* rainbow
any day soon!

thighs, legs in total, comic sanskirt of the brains
between the gallows of *******....
and hands: all those geisha hands...
are the erotica canvas for my no-thrills
genocide *****-and-tic canvas work of a tissue...
because... even if i "cant get any"...
any is just as plenty...
i shared a moment in a supermarket with
a guy who was buying...
wine and bread... honest to god...
he was buying wine and bread...
i missed the last supper and that magic
of a philosopher's stone of:
the wood of all metaphors...
that great driftwood of history...
the postage stamp of contemp. african
get-togethers in europe...

                       an eric dolphy or an bobby hutcherson
on cymbals... "vibes"
   ("vibes" could also be made synonymous
with a prog rock artifact...
a Hammond E-112 ***** too)
                            could work...
the cymbals or the xylophone or whatever
that elevator muzak attache is...
could work... in synch...
on something like grant green's idle moments...
as forrest gump would have said it...
the gi(t)ar is in symbiosis...
but please no horns no sax...
well... sax ever so slightly...
just below the drums...
most certainly beneath the bass...
keep it clean with the guitar and the piano...
only then... some sort of equilibrium...

otherwise what's 120 quid?
something my hands can touch and the sort
of money that i would never spend:
how much vinyl can a man eat
before he realises... this **** isn't liquorice!
from pocket to pocket...
from hand to hand...
                  i never gave that money 10 quid
short with a box of chocolates or a bunch
of flowers... so i guess...
that's money best swept under the rug
of daily needs... flowers wither and chocolate...
eh... chocolate...
                                it's not the thought
of liquorice when playing a vinyl record on
a gramophone... anise amber anise amber anise...
cinnamon and...
and and and and... the raven hair of
bulgarian prostitutes... fingertips...
if only the tongue could read braille...

       i'd ensure that if i went into a brothel
i'd spend a good ten minutes moving my fingertips
ferocious against a brickwall...
some might say: i wanted to experience
of feeling oysters under my fingertips...
when caressing the otherwise sandpaper of skin...
and time...

beer becomes an elevated circumstance
of some leftover whiskey...
and this... cameo cinema of my memories...
yes... rubbing my fingertips against
a brickwall... before walking into
a brothel...

- the germans have been lying!
they have another "secret" letter in their arsenal...
although they will not outright admit it!
perhaps the ß (eszet) is interchangeable in
younger brother ßaß (saxon) english...
surprise: surpriße!
                
             most of the arabs flock around
the nationalflaggehandelsflaggeparteiflagge...

perhaps there was an S-to-Z-to-S-to-Z
interchange bound to the ß...
aber...

wo alle straßen enden...
                     hört unser weg nicht auf,
wohin wir uns auch wenden,
die Zeit nimmt ihren lauf...

         yep... that german "z"... which is more like...
a "russian" c... a ****** c... most certainly
a wet snare sizzle of... a ... Ц...

   das herц, verbrannt...
                   im schmerц, verbannt...
so цiehen wir verloren durch gas graue
niemandsland.

              then again... that all depends which german
dialect you're talking about...
and that russian spy ц is most certainly missing
upon a: schwarzdeutsche
             richtigerdepflugdeutsche rendition of:
zu...

and that's the compensation dynamic...
i'll reach into the zenith of jazz...
but come into the nadir of german army songs...
i'll squeeze a horn but then
come and drop a stone dipped in honey
into a hornet's nest...

              perhaps i haven't been the best
tourist when it comes to the concentration camps...
but i have visited the mass graves of the germans
from the first world war around Ypres...
and i have been to the graveyards of the allies...
a sparrow or a robin always seems
to sing each individual german soldier's lot
in the graveyards of the sleeping en masse...
the silence always breaks...
seeing how they were piled up...
                 compared to the individual graves
of the allied soldiers?
it's almost like going to see the end product
of the contracetion camps...
              a heap of bodies readied for a mass grave...

let's not riddle a liking for folk songs into this...
folk songs are non-negotiable details in all of this...
a black man can call another black man
a n-----... well...
i might as well call another white man...
carelessly and with ridicule... a ****...
sorry... hehe... "oops"... a... naцi...
                                                                a нaци...
         beware the german Z given the ß und Ц...
eh... don't mind the S... it's hardly a caron (š) S...
you'd need to compound -sch- into the whole affair...
and still the east germans would write
ich... их... but... somehow make-out to say:
isch... iś... which is not a caron (š) S...
nor saшa...            it's... somewhere "in between":
                                 š   ś
                     via rammstein's ich will...
well... it's not french... so there's no grave S
          to compliment... so... das ist das... yener...
                    
so much for a friday night...
              before the altar of Moloch...
and his resurrection... busy body demon deity
of the abortion clinic...
and these are the old gods united
under the single Mammon facade of the semites...
Moloch is alive and well...
perhaps the babies sacrificed to him
are not still-born or otherwise...
perhaps the strain of the argument from
the conservatives whispered a retort for me
to utter: that each ******* if a microcosm
genocide... i will not utter the name...
call it an elevated sort of superstition...
or rather... i don't have to say the racial
slur... because... i'm pandering to
                                   porцellanmenшen -
that's two russians "spies" in already...
                                       regarding the иɐzᴉ...
at what point...
                                     under what authority...
it's a **** good metaphor though...
"metaphor"...
          that Moloch is awake once more...
as a deity in his own right -
no longer the "fallen angel" in the pantheon
of semitic gods brought to heed...
before ha-shem.
the
Mateuš Conrad Jan 2016
indeed when the nadir of youth comes,
a new height is located upon the horizon,
a new fluctuation, and a necessary experience,
it’s not exactly defined by old age
and its cinder like cares for former glories
(more a jest at feeding comforts of a coffin,
with such statements... i used to fall asleep
with my hand behind he pillow, on the side...
to be lying like a straitjacket front facing up
i must surely be dead),
not really on the middle ground, where obligations
drop off: children, mortgage, expectations
for a better life, dreams and their demises,
the next zenith after youth's immediate nadir
is... children... children invoke a rekindling of
youth, the chance to observe the first known
memory of oneself, but instead dramatised without
and cognitive conviction, as stressed by the
seen child, for women the escapade into child
rearing is more mystical, given the foetus, but
putting that aside (after all, i only have to ball sacks
with tadpoles, swarming, on another note,
universe out of nothing is contradicted by ova,
sure, nothing in there, but... ah some fun close
proximity spelling: eve's ova and a robot named ava),
to see children is to rekindle the sudden loss of
youth and multiple ***-partner attractiveness -
unless of course the latter was completely discarded
by simply saying after the *** act: what a ****-up,
that one too, this one started sniffing my *******,
this one was into whips and dominoes, etc.
and this is where two people emerge, those who
desired for children and to see youth once more
surround them (increased longitude with the promise
of grandchildren, and the respectability of being
informed by the ever changing world via their
children), these people live for a purpose, a purpose
that if taken to an extreme as darwinism has made
philosophy: well, we can't let the most superior
species on this planet (which is between venus and
mars, and is 0.000001 the size of the sun, and in
a ****** solar system, and and and and) do a dodo,
can we now? so the ultimate purpose is to not
become extinct... it's a great vector of feeling;
the other person? he lives for the opposite, he lives
for leisure, focusing his own memory toward lost
youth, he and the ghost child clinging to adventure
and dogs, climbing trees, wiping his *** after
taking a **** in the woods with a leaf, inspecting
a little stream in the countryside with a few friends:
tadpoles and leeches... becoming terrified of leeches
(even though the ancients used leeches in medicine);
he does all the leisurely things required of him...
immediately without a purpose... as the majority of
people who decided to live for a purpose can attest
to in terms of conviction: a mode of learning
has no purpose even if the mode of learning goes
outside the box-standard school and university?
no learning outside of that hemisphere? i'm sure
learning is a constant with only fluctuation being
a man's age: one year 21, another year 31, and so on.
in so writing, i wished to create a chiral representation /
interpretation of nietzsche's aphorism 627,
man alone with himself from the book human,
all too human
.
M Ignacio May 7
Time’s atrophy
coldest eastern sun, ascend
and enter into holy torch ablaze
with peripheral awakening  
parting stars, pierce red blood
above frozen petals infinite aloft
upon dead black water  

In this oblivion, atoms hesitate  
and the earth becomes bleak and shapeless
beneath a suffering once impermeable
now swelling into a deeper silence
the chrysalis of memory  
defending its river
the nadir of dawn’s winter
Sirious *******.
Study is *******.

Will you let me be.
There'll be other days
to write more poetry.

Smirking, missed you too.

She's studying with language barrier,
under repression.
Taking years to slowly do
what we can accomplish in a day.

I see, but what are we to accomplish?
Blow it up? rip it down? to rebuild?
or embroider?  
Like repairing a tapestry.
Fill the in gaps,
complete her story with hard data
and prettier pictures.
Half on one hand, six in the other.
Make do and mend.

Change the world for a second
Which of us drew the short straw again?

Zzzzxxx
Tripping over myself and our humongous marriage of minds.

Apologies.
Apogee.
Nadir

©Atalanta Undigested, 2013. All Rights Reserved.
The first recorded receipt sound transmission to the brain pan occurred in 1970.
Megger Oct 2014
With darkness came a wisp;
barely a flick, a fleck of pristine snow
drifting towards earth to pile in
mounds, hills, mountains
ready for play as darkness came

The slippery hill ran fast beneath my plastic shield;
standing, swaying, falling down
caught in the arms of winter
and brought down softly as darkness came

Foreboding twilight
the bottom, the nadir of the day
when all creatures flee into their homes
and those unfortunate not to have one
perish
as darkness came

Hot chocolate frothing, boiling,
ready for cold lips to return and sip warm life
as the sweet splendid smell
slides into nostrils and eyes close in peace as darkness came

The fire crackling, breaking,
untamed and wild giving warmth
to all who gather around the amber flames
eating the heat as darkness came

A kiss, a switch,
the lights went out throughout the house;
Smothered in blankets,
silence and darkness but for a light
softly, mildly glowing
throughout the night to keep me safe
as darkness came.
While every 24 hours day
seems like Nadir.
Our happy hour midnight’s moon
Is invisible yet imaginably possible
A 25 hour of Zenith.
Love, do you understand?
Our love transcends time
Jess Brady Sep 2015
Always acrimonious about allowing anyone around.
Baneful behavior caused by a belligerent boy in the background.
Crack doesn't **** if you're careful, they coerce.
Don't do drugs and use your dollars to disperse.
Elude every emotion except empty and exhausted.
Forget every feeling that he fabricated and fostered.
Glassy eyes look guilty and glimmer groggily.
Halcyon is halted, heave into havoc hazily.
Iniquity makes insatiable impulses inherent.
Justify joints with Jane as joy jaunts without judgement.
Killer Ketamine kisses knock-out keen knowledge.
Lovesick, lonely, loveless, led towards the ledge.
Marijuana manipulated meditation makes musing mystical.
Nebulous nadir needs nicotine for nostalgia and nirvana neurochemicals.
Oxycontin as an oasis for obtrusive obstinance.
Panacea is a parody of popping pills, the provinence.
Secret street corners selling shrooms and speed.
Troubled tired teen talks about truth and tragedy.
Ubiquitous umbrage under unfathomable urges.
***** vacates vulnerable verges.
Wail and woefully wallow in **** while waning my whit.
Yield and yearn for yao, yes you can stand it.

Puff puff pass.
Puff puff laugh.
It's funny how the drugs lasted longer than our love has.
A poem exploring the use of drugs to escape heartbreak.
Death affirms and is the term of life;
flesh and firmness, egg and *****, the means.
Breath interred within a Word and light,
deftly perched perpetually in-between:
born to discontinuous distraction,
borne through a contemptuous nadir;
     but in a moment, all's destroyed,
     and in the beauty of the void,
the helix and its hollow core appear.

Baphomet the emblem of Its power,
sacrament the reverence revealing
devilment to Wisdom yet to flower,
absent comprehension of Its meaning.
Pan personifies the All unbounded,
flouts the misconceptions of the seeing:
     Hermes the unmaskèd death,
     Aphrodite's basking cleft,
the androgyne transcends within its being.

O - not called "the little death" in jest,
Gnosis vaunted in the ebb of Lust,
though is Not, the know'r of Life and Death:
know that All It Is is what thou Wast,
Its continuity the end thou seekest
in contemplation, ***, and wist for death:
     Thanatos, eternal sleep,
     Eros, infinitely deep,
Generation poised to manifest.
An invocation.
Seán Mac Falls Nov 2014
The hills beneath him stretched out like the curves of women.  Bent
to the clouds he fell from the earth which geared him prickly as would
a range of *******, then soaring higher, he dived, topping valleys
reshaped downy now into ridges slowly writhed before catching
under toe his own dazzled stare on a water loch of milk and coal-
haired body strewn out to her lily'd bones and still falling, he dropped
to the break of morn dribbling wet sand from his eyes and woke
in the sparring light of his least favourite day.
        In a grainish and utter room, where hanged more than two
pictures of two people, he sank down to Sunday diminished in sighs
from the four tilting walls and blew dead inward unfolding a book.
As he reached for some volume, a baby finger nicked the hair string
of his guitar and for a moment was reminded of her voice in the bedded
vibrations.  Looking on her curves she felt the soft nape of her neck
with his eyes, then those same eyes unhanded her and she, his
dejected guitar, faced him unsung in the cornered glare of his boxed
in room.  He felt frost in throes all that morning and sideways out
of doors— the sun looked back on him even colder.  It would be hours
now until the end of days, so after lunch he went for a walk and a bird
sang nearly the whole way.

  .  .  .  .  .  .  .

It was much warmer than he had fared it to be outside and having wrestled
with this idea, that the day was somehow harder than his soft, flat room,
the mere remembering was rote by him to his pangs.  He turned, thinking
toward other things, like the void of driven streets or the mimicking cruelty
of shadows, until he saw a sullen field and left the road to dust.  He knew
that if lost, walking through the lofted hills, he would end up in the ocean
so he headed higher to the crest and over then saw a stand of trees.
        And facing the water that rilled on its way, in the tall grasses he saw
patches of red, flying with the black birds and his heart, in a boat of swells,
traveled like the red patches those birds carried.  Snowed on alder trees
brushed by him, but the wind was blowing in from the west and there
were beautiful things to behold.  A red-tailed hawk striped the ceiling
of his day by the sea and built an island to his eye and then his head sank
droning into a syndrome of birds as he joined in silence with them all
singing;
        'ta— hee— tae.'      
        Showers of poppies spilled to his heel and the keel-brew of rushes and rain
tasted purple on its way perning to the sky.  At one stop in the middle of his
path, he came upon a purfled coil, a briar snake, its body shaped in question,
unmoved and long.  The dark Orphic frieze, branding his way, it would not
listen, as if she had always been there, deaf to his song.  He felt the loss
of love by echoes from his room in the out of doors.  The drumming trunks,
the stringing leaves harping and the water that gurgled by stones into poems.
A Northerly blew begrudging the trunks, the leaves and the stones and by
the woods sinking taller he felt rushes of time running as breath through
gusty trees and felt chimes of things flying buttery like feathers to a bell.

    .  .  .  .  .  .  .

        But at the deeper woods opening he lost his way and became fearful,
not wanting to enter.  The tallest ones, red giants with faces of evergreen
canceled out the closing sky and so he changed his way back as before
to the rounded hills.  And weary from his climb he rested on the back of her
body in lands overlooking down from the brae he saw the ocean swelling
and the stars being born in wild flowers as the hills at dusk were dissolving.
        After two eternal moments in peace, he rose again in the Highlands,
to the braise and harvest smell of musted hay, cottage chalk and bleating
wool.  Now holding the girl draped in tartan, this time without caring he fell
into the black woods of her mien.  And the milk of her body dripped out into
his and slid back waveishly until she was all hair from black becoming straw
in their bed and feathers when the raven appeared.  And the flooding waned
when she flew through an opening unraveled in the thatching roof, shredded
above the funny moors.
        In seconds he was swiped clear, before the shy song lamenting when
the doors, by tidal weathers, blasted open into the mackerel sky, gathering
too like vapours with the dawn, he wafted up, swept away into the airs
on Highland shoals.  Now sailing above the speckled clouds in a darting
school of other drifters, he heard himself singing in heights of sways
throughout the tangle of wandering bark that stretched by branching coral
midway to the moon.  A great oak tree made of lime pierced the end of blue,
nadir to its zenith and into the heavens all starry.  And ringing its trunk was
a line drawn of which beneath lay the drowning world.  It was as if each layer
were one part oil, the other part water.  Looking down, way, way down
and down even farther, he saw the running seeds of striped minnows
who swam by up-streaming a wide river.  To catch up he dropped, again,
all dressed in the colours of rain, with those gladly miners.  But they swam
above the river between the rounded hills.  And the waters ran runny, now
unwrinkling as does the bowl that holds the Milky Way, when someone
dappled by in whisper saying,
        "Come with us twice the road is easy!"
"Where are we?" To himself he mused, as she blew away and by, like a long
dragon flying.  He let his body to sink with the weeds and sedges he saw,
to a beam held with barely a nail hanging, the age old sign set, spiriting him
back again to his place.  Back to the point that draws itself, as does the wind
that winds through the rushing reeds, back to the sun rising note after moon
underwater and from such still sounds was he a reel, just when the post
that was always sheering spoke out and said;
"Welcome!  .  .  .  "
        "Welcome to Minerva."
The aisling (Irish for 'dream, vision', pronounced [ˈash-ling]), or vision poem, is a poetic genre that developed during the late 17th and 18th centuries in Irish language poetry.  

In the aisling, Ireland appears to the poet in a vision in the form of a woman, usually young and beautiful. This female figure is generally referred to in the poems as a Spéirbhean (heavenly woman; pronounced 'spare van'). She laments the current state of the Irish people and predicts an imminent revival of their fortunes  .  .  .


Minerva ( Athena ) was the Roman goddess of wisdom and sponsor of arts, trade, and strategy. She was born with weapons from the godhead of Jupiter.  From the 2nd century BC onwards, the Romans equated her with the Greek goddess Athena. She was the ****** goddess of music, poetry, medicine, wisdom, commerce, weaving, crafts, and magic.  She is often depicted with her sacred creature, an owl usually named as the "owl of Minerva", which symbolizes that she is connected to wisdom.

The celtic Gauls revered Minerva ( their name for the goddess being 'Brigit' ).  In this poem the name refers to a mythic place in dream.
Mateuš Conrad Jul 2016
when i start drinking i know that i have to start writing
after a few beers in, before the woman of my life Whitney
(i call her that, not Jack or Jim,
what, boys call feminise their guitars -
i have Whitney - auburn skinned and easy, as in
fluid - so before Whitney enters my dietary requirements
i have to write something - that thingy mag-jig
when someone is in a critical condition - in a life or
death scenario - that's me also - although i'm there
not between life and death, but within lost onomatopoeia(s)
of knock knock who's there jokes - but the dissatisfaction
with things - i need to encrypt - reinvent Persian
poetics - keep my mouth shut - see into the yet to come
sunrise - so few poets can actually make you feel
what they feel, poetry is plagued with prompting too
many others - why is poetry the most accessible art-form
and the least satisfying? i gather because it's mostly
unread, and easily prompting others to write it -
the other Pandora - let's just call her a faking Libra -
only in poetry does production of it outweigh
the profits reaped from it - people read little poetry
but write a lot of poetry - because it's the cheap-***
art - esp. in the pixel age of Beelzebub eye's
somehow all those shrapnel windows coordinating a
one-on-one vision - poetry is cheap, hence so many
adherents to practice it - yet so few to perfect it,
or if not perfecting it, at least adventurous and
gambling alike to hold fast to it's tornado essence -
the line: make it personal, but not too personal -
it's as if you had a life outside of poetry... you don't,
stark naked in Eden - and nowhere else, soon and if
applauded for such gesture you'll find less and less
people wanting to attach to you for your "private" life
exposures - if shame can be a Pakistani infused novel
by Salman Rushdie, then it can't be a western poem,
because fate of such weaving is de facto lost, forever,
people basically like their perversity than expressing
a curbing of such self-prompt-inquisitions for strangers' eyes
to scrutinise - indeed quite the reflection of an Englishman
and his house the castle. but the reason poetry has no
status in Western society unlike in Ancient Persia is because
it was killed off - it has no social respect because of
political rhetoric, it has no professional respect because
we have prosaic fudge-packaging writers with their
extensive lullabies of mundane talk and the odd dialogue:
the psychologists that don't listen - and the people
who say they appreciate poetry... but only if they write it -
for the majority of concerns, the Divine Comedy (e.g.)
has more footnotes than any critical work academia -
and i don't mean footnotes as such, but ~footnotes,
more poems... what poetry has come in terms of output
is like a newspaper - quasi-poetry (even with technique,
or none, apparently frailty makes something written
poetic, i call it butterflies in budgie cages - as insects
they heap up the behaviour of banging against the iron bars -
pretence flight - to keep beauty is to keep it sadistically -
and to release it with prior wants to contain it ends up
a masochism - against Nietzsche and partisan with Kant -
let's equate beauty with something that doesn't interest us -
let's poker that expression, what is beautiful is what doesn't
interest us - it's the porcelain effect - the fragility already
presupposed an advent of mortality -
grammar will never abide by the rules of arithmetic -
i will write my german with english grammar -
and i will write Latin according to the reverse principle
of compounding nouns (genus alba) - i.e.
white race - (genus ater) - dismal race - and no other.
- i write this just before Whitney comes along -
what a bridge, aged 40 and always there when the night comes,
we have three children, the first born Amitriptyline (now aged
25 of some unknown unit of measurement, dog years, or x7
to ours), and the twins Naproxen and Paracetamol -
with them i have been synthesising sleep for the past 9 years -
as any chemist would avoiding going cuckoo -
Amtriptyline was born anaemic - with Whitney stepped in
and sorted the matter out - a chemist will never go
with the doctor's orders - no chance in life - chemistry
is abstract medicine - any idiot can prescribe pills and don
the title general practitioner with a wage over £100,000 -
but it takes self-reliance to invert the note: WARNING.
DO NOT DRINK ALCOHOL WHILE TAKING THIS
MEDICINE. ha ha... fat chance of that not happening -
i'd be bonkers if i didn't, Whitney will tell you - o.k.,
the excesses of somnia (that variant of sanity, in- and
mm, you know what) are sometimes pointless -
but at least my brain becomes a rechargeable battery sequence.
alternative provocation - Charon's holiday -
i always wondered why the Greeks placed payment
for Charon on the eyes of those about to be cremated -
(liken Hindu, now very morbid - in what element would
man find no animal or insect incubated to survive -
in earth the worms and the moles, in air the birds and
moths - in water the fish and ***** and oysters -
but in fire? a godly endurance - and unto it i too would
like to return to) - two coins places on the eyes -
as if to remind the dead that the veil of materialism will be
lifted when Charon takes his wage from their eyes,
unveils himself first, then Styx and the future of what
greed and excess materialised - such a funeral would be
befitting in our age - as today, five pounds withdrawn from
the bank account, £0.43 in my wallet - a can of beer
at £1.10 - Shanghai math? perhaps, that's about to be implemented -
abstract Chinese v. Johnny ate 10 doughnuts and
how much time to burn the calories off? (latter being English
method of teaching - chemistry, abstract medicine, surgeons
excluded, they're not ascribed the title Dr. anyway,
as you'd expect, pristine butchers' association) - anyway...
i was two pence short of five-fifty, and as i outstretched my
hand with a 20 pence coin, 2x 10 pence coins, a 5 pence coin
and 3x 1 pence coins i dawned on me - the five quid banknote
was already on the counter - my eyes eyed the look in
the cashier's hesitation - the almost neurotic look of despair,
i was short by 2 pence - they weren't there, but
i just imagined that two Greek eyes were staring from my
hand - (i will not put overweight atypical of poetic strain
on the Cartesian equilibrium on the side of i am "Charon,
but it's only a sly-millimetre off from acting, so i guess
it ought to be included) - two 1 pence coins in my hand
missing - the over-suggestive microscopic panic of
the cashier - the opposite zenith of today's parabolic materialism,
for indeed we live in materialism's parabola -
the nadir comes with pennies on the street (thank you
Frank Sinatra) - how could even the most insignificant unit
of the monetary system be nothing more than a pebble?
if i were people, id pay respect to the smallest unit and pick them
up - otherwise money will become altogether useless -
if it isn't already - it's a great way to pass obscure laws
as in throwing a cigarette **** on a street and getting fined
£1000 for it... or how many killed off alliances akin
to family and tribalism - but seeing pennies on the street
is not a good sign - an astounding metaphor - a penny on
a street - i promise i'll not do a Simon & Garfunkel on you -
wormholes of ancient Greek perception lying on
cement, readied to be picked up - the resurrected Greeks
pre-dating Christianity coming back - their eyes
lying on the street - O the woe of our kindred having written
the New Testament - that we must return and see
the world once again for what it is, and for what it will
never be - in such an age, when in ours the old were still
mentally resourceful and not extinguished in soul and thought -
even in body - to this frightening sight -
we paid a penny for each eye when prior we were given
2 pound coins to cross the Styx - now Charon allows
us a penny's worth of glimpse into this world - for he has
no eyes of his own - a penny per eye into the great
seafarer of time's eyes.
Mateuš Conrad Jan 2016
if it be a tribal issue, i'd craft a society
from each nation,
but it be a furthered without ethnicity
for a system,
socialism is equated with borders
where the many calais migrants are male
with no female counterparts,
a sort of faked ******, more apparent
when the tennis matches roll into quarter finals,
kacap ******* moaning and groaning
a serve, a return... russian galls all eager-******
for the ooh-ah, ugh-nibble pull apart the ribcage!
even serena williams imitated for a while
the welcome ******* distraction,
the song named the misty mountain colds
will define my life, i invested many words
for the emotion behind it, and i'll invest in nothing else
in order to feel:
like i feel lessened in creative exploits
with a thousand blank pages between me and the ink
of zoological phonetics encoding emerges
(put a number to it, and every time
i get depressed - because the quality changes
very little, and the little that's left only
belittles with a sudden loss of adventure:
poets the naked narrators who cannot
craft characters, instead writ into action
a familiarity with narration but no
de-personifying narration),
mind you the god that endowed you with adventure
mind you the god that endowed you with pampering,
and which world to designate life with will you choose?
kacap! kacap! orthodox mad monk kacap *******!
let the commonwealth oar its last into the geography
of poland ukraine and lithuania carved from the mapping
of frequented transit of commercial goods...
that i find my un-originality among the blank pages
published, when i read the inked blotches of former
invaders of the blanks tattooing their tongue
from breath and into word, in order to ignite a nobleness
of delay: that word might invoke memory porous,
and breath imagination, and the riddle of dissected
airing of thought: with vowels the zenith and consonants
the nadir, i here by name meeting a loss of anonymity
proclaim a union in syllables of the height and depth
coordinating a linear road well travelled, universal;
here too i claim the sloth of slang mismatched from
quicksilver, taking off the trailing technology of
such an endeavour of rhyme upon rhyme with the
sole expressing it successfully: the utility of a rhymed couplet:
rap pancake potato sack readied for the flip flip
of the slavish rubric of packing the ones readied
for cotton picking.
route back to tennis: kacap ******* smoking
thick tough cigars of: umf! pooh! plough! ooh oh ah!
backhand spin, forehand ****! umf! ****! clap loud!
ooh oh ah!
the iceberg sized diamonds were easily dispersed,
and all other riches were stored with
screams in helium kept tight: advantages of
wealth circular economy
in the octopus incisor depths of
the mosquitoes of iron maiden skeletons
of sharpened blood draining arteries dubbed
the clippings of st. peter's of st. petersburg insignia nailing
a fathomable curse, readied for the public,
and readied for the ***** of a concentrated public
expression in only one statistical imprint: continuum
(be met assuredly):
our garden of eden readied for the public barbers
where once the bread of the beards begot a trimming
of a diet, should erotica feign a menopause of onomatopoeias
once readied for the ultimate pleasure,
now readied for old age's onslaught of readier
sober speech to make choice akin to mistake,
given 2 be 2 and both located in a flat earth of the square,
as seen in linear rather than omnipresent orientation
of the optics... and so on and so on, successfully,
to unsuccessfully remind us all of the candle flame hush,
arable the last neared star to give moon dominion
over the night that was a feline gaze of luminescent
fattening of many mirrors in termed phosphorous
elemental, when john, catherine and gabriel
stood contrast erectile on the spaniel's spine converted
to a dimension of dissection of rooted distances
made worthwhile unknown now (the surd k)
and the phonetic approximation of knowing (surd
the 15th century, surd the 16th, 17th, 18th, 19th, 20th,
in order to speak now and sepia the rest, as the
equivalent of not having the surd for the syllable now).
Amitav Radiance May 2014
Some Darkness is impenetrable by Light
In the nadir, dwells the fear of being exposed
And illumination is shunned as plague*





© Amitav (Radiance)
Mateuš Conrad Aug 2017
i know the intricacies of english (my second language, my parasite tongue of which i'm the host) so well: that i'd be able to make the native speakers, dance and twirl around a carousel, singing some song by the beatles, and then eating 20 metres of liquorice worth of shoelaces.

i get these moments,
usually after half an hour's worth of walking,
and labouring a steadfast, lead-fastened
chilli of an irritable "cause" for thought...
almost like a sprinkle of sand in my shoe
to my annoyance "being" content
with the zenith: and the view -
mind you, a mountain holds both
splendours:
there's the awe inspiring nadir of the base:
as there's the exasperating zenith -
people really do tend to say the wiser
of the two at the base, at the nadir,
and, mind you: with much more breath
to conjure words and invite them
into a sentence...
at the top? not much is saying,
rather: an onomatopoeia resembling words:
merely a gasp for air...
the mountain, inside out, top to bottom:
better admired from below,
than stretched into an idiotic presence
of a man, on top of one,
since this will never be
      a: 'one step for man, one giant leap
for humanity' moment...
    just be heroic, and stick to the mundane,
but at the same time: enjoy the mundane,
and you'll be only second to achilles...
modern women?
   i thought i said this already...
these days?
the modern helen of troy?
    she would summon a retaliation,
of course, but the 1000 ships would end up
being a single ship...
   and most likely a cruise ship,
filled with pensioners, rather than warriors...
oops... sorry honey bee...
       better luck next time;
            hey! beauty isn't forever,
but it would be nice, wouldn't it?
personally i conjure up eternity,
every time i think about amnesia -
  yeah, i think about eternity,
within the schematic of being
allowed to forget something;
what?
           ah... a nibble, just a woman;
i really would like to spend the crucible
of a "life", perpetuating the circumstance
of amnesia, and forgetting this regrettable
cause for the current circumstance
of, "motivation".

that thing though, the stefan zweig book -
a typical ****** read,
  i mean easy, digestible - something you
can almost do while lying in bed waiting
for falling asleep...
   so i start flicking through it (yeah, i've read it:
the struggle with the daemon -
hölderlin, kleist, nietzsche) - namely?
2 germans that misunderstood kant,
and the first that hard to learn kant the hard way...
ants in my pants and: look at me dance!

so i start toying with it, start squeezing
the ****** paperback (he did commit suicide
with his wife... who? stefan zweig! brazil!) -
so i'm squeezing it... squeezing it...
might as well be called: misunderstanding kant:
kleist committed suicide because of
the *critique
: nietzsche just elongated
that into calling him stupid and ending up
with a bushy moustache that begged for
a barber's attention...

hölderlin was the only to get away...
   he married empedocles...

anyway, so i'm pinching and rubbing this book
like your typical bibliophile pervert,
squeezing it...
      a paperback...
   so? well... if you're going to smoke a cigarette
and walk down the street,
you have to shove your other hand into
your trouser pocket... let's face it:
you can't look silly... both hands have to be
busy...
        comparatively?
   i stick my tongue out - and start squeezing it,
having a feel of it,
the one time the tongue becomes
aristotelian arithmetic considering the number
of women's teeth...
     or something like that...
pinch-&-squeeze a paperback book with
one hand, and with the other hand:
your tongue...

         very similar texture to be clarifyingly honest:
huh? what's with the red dots below the word
clarifyingly?
                   why isn't it respected as an adverb
of the verb (to) clarify?
       the ****, is this system
respective of a lack of correction
of english words in pidgin, patois, or just
plain jedi padawan?
    might as well be glaswegian, to be honest,
couldn't decipher that accent,
  even if you lived in essex, and had welsh parents;
ah, **** it, why lie,
   i can understand the scots;
the irish? they probably speak
  a more understandable
version of their english: drunk, than sober.
Seán Mac Falls Mar 2016
The hills beneath him stretched out like the curves of women.  Bent
to the clouds he fell from the earth which geared him prickly as would
a range of *******, then soaring higher, he dived, topping valleys
reshaped downy now into ridges slowly writhed before catching
under toe his own dazzled stare on a water loch of milk and coal-
haired body strewn out to her lily'd bones and still falling, he dropped
to the break of morn dribbling wet sand from his eyes and woke
in the sparring light of his least favourite day.
        In a grainish and utter room, where hanged more than two
pictures of two people, he sank down to Sunday diminished in sighs
from the four tilting walls and blew dead inward unfolding a book.
As he reached for some volume, a baby finger nicked the hair string
of his guitar and for a moment was reminded of her voice in the bedded
vibrations.  Looking on her curves he felt the soft nape of her neck
with his eyes, then those same eyes unhanded her and she, his
dejected guitar, faced him unsung in the cornered glare of his boxed
in room.  He felt frost in throes all that morning and sideways out
of doors— the sun looked back on him even colder.  It would be hours
now until the end of days, so after lunch he went for a walk and a bird
sang nearly the whole way.

  .  .  .  .  .  .  .

It was much warmer than he had fared it to be outside and having wrestled
with this idea, that the day was somehow harder than his soft, flat room,
the mere remembering was rote by him to his pangs.  He turned, thinking
toward other things, like the void of driven streets or the mimicking cruelty
of shadows, until he saw a sullen field and left the road to dust.  He knew
that if lost, walking through the lofted hills, he would end up in the ocean
so he headed higher to the crest and over then saw a stand of trees.
        And facing the water that rilled on its way, in the tall grasses he saw
patches of red, flying with the black birds and his heart, in a boat of swells,
traveled like the red patches those birds carried.  Snowed on alder trees
brushed by him, but the wind was blowing in from the west and there
were beautiful things to behold.  A red-tailed hawk striped the ceiling
of his day by the sea and built an island to his eye and then his head sank
droning into a syndrome of birds as he joined in silence with them all
singing;
        'ta— hee— tae.'      
        Showers of poppies spilled to his heel and the keel-brew of rushes and
rain tasted purple on its way perning to the sky.  At one stop in the middle of his
path, he came upon a purfled coil, a briar snake, its body shaped in question,
unmoved and long.  The dark Orphic frieze, branding his way, it would not
listen, as if she had always been there, deaf to his song.  He felt the loss
of love by echoes from his room in the out of doors.  The drumming trunks,
the stringing leaves harping and the water that gurgled by stones into poems.
A Northerly blew begrudging the trunks, the leaves and the stones and by
the woods sinking taller he felt rushes of time running as breath through
gusty trees and felt chimes of things flying buttery like feathers to a bell.

    .  .  .  .  .  .  .

        But at the deeper woods opening he lost his way and became fearful,
not wanting to enter.  The tallest ones, red giants with faces of evergreen
canceled out the closing sky and so he changed his way back as before
to the rounded hills.  And weary from his climb he rested on the back of her
body in lands overlooking down from the brae he saw the ocean swelling
and the stars being born in wild flowers as the hills at dusk were dissolving.
        After two eternal moments in peace, he rose again in the Highlands,
to the braise and harvest smell of musted hay, cottage chalk and bleating
wool.  Now holding the girl draped in tartan, this time without caring he fell
into the black woods of her mien.  And the milk of her body dripped out into
his and slid back waveishly until she was all hair from black becoming straw
in their bed and feathers when the raven appeared.  And the flooding waned
when she flew through an opening unraveled in the thatching roof, shredded
above the funny moors.
        In seconds he was swiped clear, before the shy song lamenting when
the doors, by tidal weathers, blasted open into the mackerel sky, gathering
too like vapours with the dawn, he wafted up, swept away into the airs
on Highland shoals.  Now sailing above the speckled clouds in a darting
school of other drifters, he heard himself singing in heights of sways
throughout the tangle of wandering bark that stretched by branching coral
midway to the moon.  A great oak tree made of lime pierced the end of blue,
nadir to its zenith and into the heavens all starry.  And ringing its trunk was
a line drawn of which beneath lay the drowning world.  It was as if each layer
were one part oil, the other part water.  Looking down, way, way down
and down even farther, he saw the running seeds of striped minnows
who swam by up-streaming a wide river.  To catch up he dropped, again,
all dressed in the colours of rain, with those gladly miners.  But they swam
above the river between the rounded hills.  And the waters ran runny, now
unwrinkling as does the bowl that holds the Milky Way, when someone
dappled by in whisper saying,
        "Come with us twice the road is easy!"
"Where are we?" To himself he mused, as she blew away and by, like a long
dragon flying.  He let his body to sink with the weeds and sedges he saw,
to a beam held with barely a nail hanging, the age old sign set, spiriting him
back again to his place.  Back to the point that draws itself, as does the wind
that winds through the rushing reeds, back to the sun rising note after moon
underwater and from such still sounds was he a reel, just when the post
that was always sheering spoke out and said;
"Welcome!  .  .  .  "
        "Welcome to Minerva."
The aisling (Irish for 'dream, vision', pronounced [ˈash-ling]), or vision poem, is a poetic genre that developed during the late 17th and 18th centuries in Irish language poetry.  

In the aisling, Ireland appears to the poet in a vision in the form of a woman, usually young and beautiful. This female figure is generally referred to in the poems as a Spéirbhean (heavenly woman; pronounced 'spare van'). She laments the current state of the Irish people and predicts an imminent revival of their fortunes  .  .  .


Minerva ( Athena ) was the Roman goddess of wisdom and sponsor of arts, trade, and strategy. She was born with weapons from the godhead of Jupiter.  From the 2nd century BC onwards, the Romans equated her with the Greek goddess Athena. She was the ****** goddess of music, poetry, medicine, wisdom, commerce, weaving, crafts, and magic.  She is often depicted with her sacred creature, an owl usually named as the "owl of Minerva", which symbolizes that she is connected to wisdom.

The celtic Gauls revered Minerva ( their name for the goddess being 'Brigit' ).  In this poem the name refers to a mythic place in dream.
.
Mateuš Conrad Jul 2017
any reading of a philosophy book, outside of university, is mapped without the sort of strategy to receive a grade, for a "correct" interpretation (rather a regurgitation) of said work (mentioned below); to say it in simpler terms: i do not ever think that understanding a concept - in concreto - is worth some sort of "passing on the genes" (memes) of one individual to another - given that a meme has become pop culture, and as the french would put it:
        ce crasse et petit irritante chiotte valeur de merde
                                                                ­                        (i.e. un cliché) -
truly written like and englishman -
   a meme is that crass and small irritant bog's worth of ****
                                                            ­                                           ( " ),
   at least that's peckham french, del boy french,
                         i was well informed about this french dialect.

- and to even "think" why there are so many blue
indians, and so few piggies; perhaps it boils down
to the fact that the blue indians believe in
   burial within fire, rather than earth,
  and they prefer to surround themselves with the living,
rather than with the dead; and piggies do,
  graveyard upon graveyard,
    and that constant "nostalgia", idol-worship
of the past, where nothing greater can come again;
for those who surround themselves with the living,
their existence rages akin to the elemental
tomb of their burial... but for those who surround
themselves with the dead,
   their existences decompases akin to the elemental
tomb of their burial, a heart-broken: nightmarish
earth. -

for some reason, i always get these
"revelations" (for lack of a better word) -
as one might receive a signature
of a thunderstorm in the form of
lightning upon the sky -
           and it usually predicated by
listening to a few pop songs -
   and then listening to the
    *cantos of templar knights
-
            but then again, you sometimes
really need extremes,
     as the canadian sayings goes -
we only have two seasons,
    one's winter, the other is construction.

but this is about technicalities,
one could even cite the following as
the part of any contract, the terms & conditions
written in the smallest possible print,
   lodged in hardbacks worth over 30 quid -
not your cheap bestseller paperbacks -
   those too could be appreciated,
   but akin to pressure to keep a worth's of
expression in sanctum of a hardback?
   take the year 1996 for the cantos 1st
on toilet-paper (paperback) - but in brick?
take the year 1970...
  and where do the technicalities come in?

   - heidegger's ponderings V, aphorism 41 -
technicalities akin to the rules of
a game of cricket, or at least the pointing system.

but count it nonetheless, half an hour to scroll...
12,700+... till i got to april the 8th
  and resurrect a memory?

.  ע   ‎
יהוה ‎‎‎
א‎
                  sighs from on high...
      and laughter into the depths.


let us just say, that digital is
the new hardback edition -
    to condense my works into toilet-paper
till take more years and more pushy-pushy
tactics, to transform
     a hardback into something affordable...
but in reverse...
               what comical inversion,
   30 years will become 300 years to come
  about for someone to wipe-their-***-to-mouth
fathom of what went on at the genesis
of the birth of the internet,
   in some obscure location,
                  like a catholic school in england.

now the germanic pilot-plotline (regarding
aphorism 41, ponderings V):

    promo enigma-alchimia in vivo lingua,
             anti ipse (dixit) in lingua vitro.


(we're not in posh-boy grammar school,
the language is dead, it's become play-dough,
a malagrammaton-monœgo:
for a man's tongue is to his befitting desire
to state the terms of play).

da / ein-da / die-da          vs.                hier   vs.
                                      die-hier / ein-da


( there / a there / the there        vs.
                                                ­                 here    vs.
  the here / a there    -
                                
                               ­ atheistic scissors of
definite/indefinite articles/articulation of
    what's near, and what's far away,
     the dualistic-dichotomy of here&there,
  then&now...
           as far as i am concerned i cannot narrate
this akin to a vampire romance page-turner
bestseller... too many organic chemistry diagrams
concerning electron migration, sorry) -

   but given the "blank" slate genesis, starting
with articles... they go beyond being categorised
as definite or indefinite...
    namely... am i, or can i be assured that
      there's no X variations?
    i.e.
                da     ein da
                      X
       die hier     hier            ???????????????

               isn't ein hier merely "being"?
imagine being forced into a there -
                  without being the there,
akin to a zeitgeist, akin less!
      zeitgeist = a there (communism),
  but the there? that's what hegel
said of napoleon entering jena:
       "das ist ein weltgeist!" (capitalism).

and who are the anglophones?
  i cannot respect these "peoples" -
they constantly stutter when it comes to
  their lack of diacritical application,
they stutter... i might as well call them
the strabismus race...
    and if darwinism is to be the vector-catalyst
(hollywood was thrashing american cities
for decades, what damage could this
observation could possibly do?) -
  if darwinism is to be the prime historian,
that darwinism replaces actual history
and becomes neither in vitro, nor in vivo,
but in situ? why do scientists wonder why
universities are undermined in their
humanities, when scientific populism of
biology (i.e. darwinism) has undermined
papa historia? am i... missing something?!
     if you undermine a credible study within
the humanities with enough darwnism?
what do you get? inertia...
     you can burn crosses, but you can also
burn an image of a monkey into a man's mind,
the same result occurs!
      personally, i'd rather burn crosses,
i might end up drinking beer and joking with
a few skin-heads around an unsual campfire.

the other side just... "debates" loud-mouth
******* who haven't learned the gymnastics
of looking up those grandiose black-holes
of blah blah.... blah blah blah... blah...
     i'd like to ask them... does your **** of talk
ooze a perfume of.... strawberries?
   and the punk-fist fields... forever! ooh...
****** *******' salsa! shwing yir hips
ya bunch of conclaves (p.j.w.) - privacy
                     justice warriors).

        taoist's foregetfulness

grounded in maxim primus -
  to allow the world a breath, allow the world
to let you breathe as you deem fit,
   never too soon to be bound to genealogy,
esp. that of the genesis bound to
the new testament -
  for if the old testament begins with poetry,
and if truly metaphorically chained,
then how pitiful is the genesis of
the new testament, which begins with
  something as sorrowful as the nadir
of greek culture, the expired logos,
   a genealogy, with the greeks ransacking
the jews under roman rule,
  just like the ransacking of constantinople
by the venetians in 1204 (4th crusade)...
who'd start a "holy" book without poetry,
but a ******* geneaology?!
          no wonder poetry these days isn't
a rare appreciation...
    but cheap and as tsunami natured
   in its "production" as tabloid press,
  toothbrushes, toilet paper,
                        toothpicks, among other
                                               paraphernalia;
the new testament is such a massive turn-off...
if you don't begin with poetry,
esp. that of metaphor translated into imagery,
and instead begin with a branch of logic
that the new testament begins with, i.e.
genealogy... and then expect latter poetics
in the text to be taken literally?!
          clue the keen me into the clamours
of the poly-schismatic version of events...
    sure, christianity is a "polytheism",
                           in that it's poly-schismatic.

and of the garden, should adam have approached
first, as he would have done in asia -
         he would have talked with
the serpent sæwelō -
           perhaps that same serpent of
   caucasus - first, to have a thirst of
knowledge tamed - although never really -
  for the serpent sæwelō would have
tempted adam: eat of this tree, its fruit,
  and your thirst for knowledge will be
forever satiated!
   so said the serpent of order
   so said sæwelō (ᛋ), the sun-snake...
the serpent of illumination -
                            the golden serpent.
and so adam bit into the fruit,
   and such thirst as never before filled him,
a thirst for knowledge that hasn't
as of yet seized -
     for the fruit, which adam imagined
would be sweet - was actually filled with salt.

  and we are initiated into the myth
of how the other scenario took place with regards
to a woman approaching the serpent first,
       yes?
                and for the woman, the serpent
of chaos, known as ansuz (ᚨ) - the siamese -
who said both truth and lie simulatenously
  also known as the god who's name begins with
yod, in the roman tongue (Y),
                          and he said:
  you will know the difference between
good and evil -
    ah indeed he said so, but that said, it would
imply acts being simulatenously both,
rather than either / or -
he continued: you'll be like the æsir (gods)!
      knowing such distinctions,
                   and will know the meaning of fate,
and justice, and due recompense!

as etymological mutations occur,
   and translations into other tongues
go, let's begin with:

sieg heil - old english - sigel - hail sun!
       if ever a führer (the few, the rarer),
                        so too the sun's eclipse -
   louis xiv wouldn't have minded,
    but at least he ****** to his
         cockerel's content to praise sunrise -
but as it stands, an etymological
           "mutation" in translation: hail sun!

-------------------------- p.s. p.p.s. p.p.p.s. p.p.p.p.s.
    f(p.s.) ad infinitum: borrowing from
mathematics, i.e. f(x) - heidegger
invented the algebra of writing in a certain style
that's only worth a neurotic / autistic pedant's
worth of bother...

   let's just say, in terms of style,
                                        it's purely hellish,
   you can only go as far with a text
when the variations
  range from dasein, to da-sein
   to da-sein to da-sein (i.e. da-ßein) -
    to whatever else is enclosed in the book...
i haven't got the time to write
an expansion of these milimetres
            and a litre of *** waiting for me...

   inverse stress on being
              detached from a "there": da-ßein:

   with regard to the world and its being
   constituting beings (heidegger's style
of expression, i know, can be a muddle)...

all i wanted was an antonym:
   rather than the world and its there,
   i wanted the world and its nowhere,
or rather, a pure form of being: a here,
      being detached from beings,
   the infinite dance of "solipsism",
    mono-direct articulation /
   plural-direct articulation (a march) /
mono-indirect articulation (a thought) /
plural-indirect articulation (a commute home)...

in terms of dictionary ref. to oppose da (there):

ist da - is here
                hier - here
komm her! - come here!
           hier & da - here & there
                  auf der stelle - here & now

stelle:
       schnellen - quickly
   schwellen (ich bin) - i am swelling
schelle - bell
   bruchstelle - break

                            da-ßien = hiersien

i.e. stressor on being,
             which morphs into a reconstruction
of the original equation:

     i.e. "da"-ßien = hier-"sien" ≠ nichtsein...

    and the point being?
    the simple f(x) translation into philosophical
jargon... f(p.s.) ad infinitum...
                      this had to run into a cul de sac
at some point, given all the technicalities
and stylistic disparities between existentialists,
if any remained to live into the 21st century...
but the buggers ****** off
              let's just say the new wave
of concerning italics remains the still
unexplored territory of missing diacritical marks
in the english language...
    as much can be said about writing
            chair    as can be said about
   writing                  krzesło...
           (yes, a consonant grapheme, err-zed)...
funny, in grapheme terms...
   that the german grapheme ß
  never became a replacement of -sch-
     in english -sh- in slavic -sz-,
             seems to be more t'ss... wet snare...
          another example?
    (choo-choo) train / pociąg -
  and yes, that's not implying choo-choo,
   since it's obvious, the verb ćwiczyć:
to train.
Mateuš Conrad Mar 2016
it's not so much about aliens these these, more cerebral mysteries, of, for example, the placebo effect, of, thought transcending (somehow) parameters, creating an actual chemical equivalent of a magic mushroom ingestion - there's no talk of the existential transcendent ego, as duly written transcendent "ego", but then if you're unable to identify your self, how can you identify transcendence? transcendental thinking means you can still retain your self in the everyday, like when you suddenly get an idea and ramble on in writing, that's transcendental thinking, like taking a drug, you return to the pit of your self's parabola - oddly enough the highs and the lows are both zeniths of the parabola's limits, and your self the nadir, nadir because expected to become dynamic and reach the antonym zeniths.*

as modern science made it clear
to which i retort:
and why would i want to believe
in a straitjacket of theories
and unexplainable anomalies,
and why would i want to freely put
that **** thing on, i put that
straitjacket on and i might as well
ask for puppet strings, with the puppeteer
(god) already argued non-existent;
oh right, so i got dressed up for no
****** reason, and my date stood me up?!
it would have been less trouble
donning a dog-collar of a priest's supposed
chastity of talk (no, not concerned with
not cursing, cursed with telling
the truth); i think i'll just paddle
across the atlantic in a rabbi's kippah for a boat.
phil roberts Feb 2016
Never ordinary
Never easy
Nothing parts the sea
Nothing moves the earth
This is a hard world
And there is no give at all

Don't press your face to the ground
It does not help
Don't shout at the sky
It does not hear
Nothing helps
And no-one hears
This is desolation

In the wavering distance
Less than light
Reality  drifts eerily by
There is no need to go
No reason to stay
Grey coiling wraiths
Rise and slowly sway
They could be anything
Anyone
Distinctions have no place
Nowhere to hide
Here is where souls shudder

                                     By Phil Roberts
Denel Kessler Mar 2016
I seek
the whole
pitch
and whine
the petty
grasping
ridiculous
insecure
******* mess
behind the
lyrical niceties

but you know that
you get me
we ride the same
pendulum
apex
of light
nadir
of night
and like me
you're still learning
to speak

sometimes
words die
in your mouth
never make it out
resting roundly sweet
on your passive
tongue
bitter truth
I would forgive
before I'd see you
swallow


*Better to risk offending than let your truth die unsaid.
Mateuš Conrad Jul 2016
well... the hype is over, long gone, done and dusted -
out of Heathen came the soundtrack
of some life - standing out quasi-radio-head black-star,
Lazarus for the video -
girl loves me - and i guess the John Coltrane
accent on dollar days -
but like Caesar said, i too will say again:
i expect a sudden death -
i want a sudden death, i don't want a
delayed letter type of death -
i don't want a thought of death as some
postcard from Monte Carlo - wishy washy
wish you were here -
a sudden death and not this waiting game
under the influence of morphine -
a sudden death, the checkmate -
Damocles' sword hanging on a
horse's hair - VIOLINS! VIOLINS!
during the ballet i charged all the jealous
energies into the art -
i could have looked-on couples kissing
with resentment - with jealousy -
but i put all that cognitive energy into
the ballet - and it worked, plus
i had my Sancho Panza with me, i have only
151 pages of Kant left to finish,
and living in a democratic society
and not being an academic specialist i will
move on to someone else - which always feels
like such a shame to never see the obscure works
of the man - esp. when in such works you
have to engage with the work, you have
to follow the architect like a low-life labourer -
i wish philosophy books could be like
David Bowie's last album, were everyone can
write autobiographies, overload on
subjectivity, sponge in sponge out -
bias and forced trolling - but Heathen sums him up
for me - i wouldn't care for a retrospective on
death - as if it eve gave man a deeper introspective
when he was at mortality's zenith -
i guess it's too bleak at mortality's nadir
to say an introspection is allowed - because it isn't -
it's not magnetic enough for the teens -
it doesn't raise profits - mortality's zenith is
kaleidoscopic introspection - a single image:
a million sound variations, the story is the same:
to leave an imprint akin to the mountain or the sea.
the nadir? retrospection - the limitless space in
a limited time. the English language is good
at shortening philosophical prose of Germans -
but it never really hired enough labourers to
follow the plans of the architect, a book like
Kant's is nothing but a wonky table, when it ought
to be a Statue of Reason - this form of writing
investment will never appeal to many -
read a book of philosophy on the tube and people
will cite very few words of interest in engaging -
you can be truly selfless in the literary realm,
you don't have to do ponce with good-feeling
in charitable work - might as well read Kant -
that's a selfless act alone - funny, isn't it?
i think it's hilarious - i'm working charity on unread books -
or books that if they have been read, get
regurgitated from a single labourer's schematic shortening -
a prior / a posteriori / analysis / synthesis etc.,
i could have worked in charity shop,
Kant's book became my charity shop - i tend to use
my limbs sparingly - why would it be anything else?
the architect envisioned a house, given
the number of eager labourers all he got was three bricks
stacked on top of each other without cement to glue
them firm.
i could have been jealous of the couples in London -
but i charged all my jealousy into the ballet -
i left for home with Kant -
all i saw was butterflies, and 2 weeks from now, est mort.
Mateuš Conrad Jul 2017
my cat loves watching cigarette smoke
in the night,
while i love watching clouds,
but what consecrated us
      within a similitude
was:
   being brought into this world,
finding humanity, fast asleep,
   if not in the least: lost to sleep,
as if they were beyond medical
attention, comparing dreams
   to automations of imagination,
imagination become rampant;
for why would dreams be a mystery,
is they are only un-inhibited
representations of imagination?
why do dreams deserve a respect
to be treated as something mysterious,
when they are nothing but robotic
forms of imagination?
   robotic? yes, in terms of being
lawless...
    beyond conscious control...
there is nothing mythical, nothing
freud-orthodox about them...
       they are rampant imaginings
that never tread the path toward
fruition... it's not that they are
repressions...
              they are natural inhibitors
of what day-dreams are...
                            the real inhibitors...
let's talk about enzymes...
there is no worth interpreting dreams,
unless you're poised to craft
a trade with your *******...
           dreams = inhibited imaginings,
infectious, when the mind
is at "rest", posit coordinate 0,
which sleep ought to be...
             a denial of all conscious
activity... dreams are, ergo,
comparable to *******,
   i.e. a self-****...
                             it is better to treat
dreams as an omni-nonsense
   than a labyrinth with a minotaur...
i hate dreams...
           for what's it worth
i also don't believe in the western
diatribe of
   a subject-object dichotomy,
let alone a dualism...
to me dreams are akin to any other
virus infection...
                  esp. when people note
having recurrent dreams...
             i came into this world
and found humanity fast asleep...
  toward not asking,
but nonetheless writing this,
i asked for one "virtue"
and one "virtue" alone...
                 please, bar my infectious
capacity to dream...
          since then,
all my dreams have become nonsense,
for how can i trap light
     and then create a cinema
from exposure to this light,
in my sleep?
                       i appreciate
that i can stare into a light-glorifying
orb, and then see a geometric form
x-rayed onto a blank slate of focus...
but the complexity of dreams...
the narratives...
              there really isn't an
interpretation of dreams,
        to be a disciple of freud...
                      unless you have a lot of
time to waste and be bound to be
looking up your own ****...
                  to me dreams are
            like a sun within a black-hole...
there's light coming from the ultimate
recess...
    dreams are like the rebirth of a star...
light from the most hidden
    darkness,
         that is bound to originate in sleep...
i simply find dreams exhausting,
and too juxtaposed, to find a worthy
narrative, and subsequent interpretation;
at loss, to begin with,
   if ever to begin with,
         should genesis = zenith,
  if not, given the expression
                and regressive attitude
                          it not be: genesis = nadir.
Mateuš Conrad Jul 2016
i never knew when forgiveness of ******
deviations equated to
the obscurity of citizen allowances,
whereby i was excused from doing ****
like i was excused from having a conscience
stealing your herd of sheep...
but i guess i must have a medieval mentality,
*******, childish, having to interpret
the profanity of the tetragrammaton
with the canonical gospels' acts of dispersion,
you said ****** were akin to
meat cleavers... fair enough...
god forgives me butchering you like you
were forgiven having a frolic in the hay...
and we're all one big happy family...
'cos i swear that's when ambiguity on the dogma
entered and the nadir was expressed:
sin - ****** ambiguity - equated itself
to crime - citizen ambiguity -
you want to put that forth to Buddhist
authority chaining ******* bandwagons of
thieves en route to the Tibetan Vatican?
only so much is allowed,
given you're championing one Jew of your fancy
while giving others the gas-chambers...
ain't it just Prince's 1999... we're gonna party
like it's 19-99.... i think you mistook sin with crimes...
that's my "doctorate" opinion...
you said **** with thieving being synonymous,
Christ was saving Greek intellectual culture
with the pederast **** to boot...
St. Paul was encouraging circumcision,
****-like people with a statue of Buddha asking
whether head meant the shaved one ******
or whether it meant the prickly one gagged on
was on the cards - goose-pimple **** frostbite...
the moment when the forgiveness of sin
turned into the forgiveness of crime...
hence such ****** freedoms right now,
and a... ah... whatever... of challenged citizenship,
why would i? why would anyone even bother?
**** it, let's go crazy, Las Vegas is waiting for us,
the cowboys will never churn out a Thatcher
to "rule the world".
deeply swaddled
in troubled sleep

covered in
blankets
soaked
with woe

vast crushing stones
of daytime vexations
wring out
the very last
drops of aching
night sweats

a constricting
conscience

strangles
the possibility
of rest

eruptive
violent
struggles

subverts

a desperate
restoration

this damnable
listless sleep

yet in the
nadir of torment

as another
bleak daybreak
creeps closer

a fluttering
voice
hovers
to whisper
courageous
dreamscapes
into my
drowsy ear

"don't be afraid,
I am with you
commanding
the help of
an army
of angels
10,000
strong!"

these are
the days
of miracles
and wonder

don't cry
no more

Paul Simon:
Boy in the Bubble

Happy Birthday
Paul Simon

Jacobs Dream
Marc Chagall

jbm
Oakland
10/13/11
Mateuš Conrad Mar 2016
rereading is sheer masochism; poems that are like quantum maps of complete disorientation, walking across horizons with a crazy Bermuda triangle compass constantly spinning, with no scientific entry point of potential of itemisation, a bit like π, and yes, re-wording or revising a poem in english you have to deal with conjunctions that turn out to be prepositions, and indeed pseudo-adjectives too; so many ******* modifiers of phraseology.

one of the reasons, i find,
why man encodes sounds,
is because of the images
he generates;
****, ******, war;
we encode sound to hush,
we encode sounds as a way
to trivialise if not simply obstruct
images, we find "peace"
encoding sounds, to limit the possibilities
of generating images,
we're not keen on generating images,
we encode, we encode sounds,
without the zenith (the sound of raindrops)
nor the nadir (the sound of rapes),
we try to encode sounds, but we never
really decode image recurrence
as necessarily being obstructed,
we say the same **** like our toiletry practice,
sure we encode sounds perfectly, elaborate spelling
and grammatical technique,
but when we paint we depict...
we can't encode to decode-an-obstruction in that medium,
we can't surd the **** thing from ever
repeating itself, we depict in order to
conceive a pendulum and a forward magnetism,
images don't seem to be artefacts of obstructive-decoding,
of sentencing to a taboo, more like passive-encoding...
easier the crucifix or an electric chair...
we can encode sounds, but we can't encode
images, since we exploit them
for an unnecessary repetition -
the regurgitation of life's something, and an awareness of it,
we can encode sounds with the 26 surds...
but then the medium of assembling contortions
of shapes in the medium of the rainbow
gives air to exfoliate - the oyster pores opening
up eagerly for experience, however painful...
try it... you can't encode red of a rose or the sunset
with oils of the required sediment / pixel...
encode it... *red
...
we love to hush matters and brush them aside...
which is why painting by posthumous artists sell
for so much, we have civilisation but no tribalism...
no society as such...
we encoded the pains and pleasures,
but made experiences doubly opulent by a lack
of encoding the rainbow spectrum into either white or
black extremes... sleep or blankness...
indeed sounds are easily encoded,
but images and conventions of experiences aren't...
with encoded sounds there's no mirroring effect...
they remain, the everlasting imprint on the psyche...
i can convene with you over the sound of the periodic
A, as it supposedly instructs you in it being pronounced
via the allowance of being strapped into
the role of dentistry's guinea pig...
but where are we with green? is that short
of amber to instruct you in what? what?
imagining a meadow, or instructing you to talk
like a Hackney hipster after puffing dead a blunt?
Mateuš Conrad Nov 2016
i like the thought of the dynamic between words such
as presupposition  supposition and proposition -
i'm holding a book of philosophy is one hand
and a newspaper in the other: one certainly feels heavier -
   so many lives are documented
daily, without a fail, and it's sad to say: they don't
matter... but that's what it feels like
holding a book of philosophy and a newspaper:
         people get degraded into
things:
             res absquecogito (a thing
without a thought - actually
a thing without the verb of thought,
what with thought being the crowned
prince of nouns):  some do say that
thinking if the doing part or not doing
anything...
     sometimes i write and think i do not exist,
such is the overpowering stance of the people...
     but you're still left with newspaper in
one hand, and a book on philosophy in the other...
  the reason that philosophy doesn't solve anything
is because philosophy is a word of practiced
misanthropy - it just says:
i'm here, my thinking is hardly utopia:
but i don't want you to experience my problems
and make them real or phantasmagorical
as the sold solution: you avoid me,
i avoid you: we'll be fine.
  hence the juggling of of presuppositions,
suppositions, propositions and
      trying to keep your mouth shut
with enough pronoun surgery to an out-dated
Michael Jackson face and enough prepositional
leeway to protest for an amendment
to protect and: altogether losing that freedom,
readied for shouting as is the case.
what a difference though...
        a literary medium "siding" with the people,
and a literary medium "siding" with itself...
         what a disparity between the two...
       such is the shitstorm:
presupposition(s), suppositions,
   preposition(s) and propositions -
      the a before a god,
suppose there is a god,
     then let us presuppose that suppose / supposedly
so?          proposing something also works
with the same dynamic, a proposition has
to be grounded in a preposition -
                           presupposition dynamics are fun though,
you have no propositions for them,
        all you have are prepositional shrapnel itemisation
a- (without, by way of indirect)
     and           -the (bad mannered pointing at it, or by
way of direct)         articulation: summed with an -ism.
         prepositional dynamism has nothing suppositional
concerning god, hence it has no propositional
      about the most economically franchised / effective
variation of philosophical expression: lost the narrative,
ergo we encourage aphorisms and maxims.
       language needs systematisation to reveal to us
individually what words we'll be juggling systematically,
perhaps it's the re- and re- and and re- res
             reflective reflexive repetition thing...
or it might be throwing a guarding prefix
into the argument: akin to the already stated
within a framework of the pre- vs. pro- attaché
that comes prior to the suggestion...
    supposing there is a god vs. presupposing
  the supposition that there is a god... zenith: what's god?
nadir: propositioning that there is a god vs.
         prepositioning that there is a supposition of
god...
         equilibrium? propositioning a presupposition
vs. the supposition of a prepositioning:
the arguments will never end, it's just a question
how you make peace with the shared experience of
internalising sounds and encoding them in 26 characters
that are, to be frank, underdressed in terms of formalising
a standardised accented basin...
at its height language can become akin to
arithmetic, philosophers are, actually, brilliant arithmetic
artists, they can't write you a Tolstoy,
or a Camus... but they can write you a great 1 + 1 = 2...
  it's not even being economic wird words,
   it's more like Robinson Crusoe was stranded on
a beach, his tools included a coconut and a matchstick:
build me Philadelphia! obviously it didn't happen
overnight... but it somehow happened.
           that's why mathematical orthodoxy has
nothing to do with mental or signatured arithmetic,
              philosophy meets that disparity too,
obviously this stance isn't a Lady Gaga moment of
cool populism: it's shadowy and obscure,
because why would it not be so?
                  philosophers are the great arithmetic
conglomerate of spell-checks...
           hence no Napoleon invading Russia
and courtesy talk of privilege over a samovar session
and more of the odious rubric:
                 and nul scores for coherency and
creating an imaginative rekindling from a mistake made...
nul scores!
     mathematicians are bad at numerical arithmetic,
philosophers are only good at alphabetical arithmetic
(and yes, it's a kind of arithmetic:
made really difficult by babel-compounding
of non-distinct units due to the missing diacritical
marks): and in the Crimean chimera sense?
      mathematicians are good at abstracting arithmetic
in their stance on isolating symbols,
whereby π is designated the 3.14 bubble...
       and pretty much all of the Greek is scientifically
prone to encourage a stabilisation...
     people like us, working from such heights into
wording everything in an alchemical format of
lodging and connecting things together have to necessarily
spot obstacles... i know that i stress the Edenic
circumstance of the English language without
diacritical marks, but are serious journalistic outlets
suggest: about 14% of English girls are vaguely literate.
       the existence of the "other" arithmetic is
quiet poignant although remotely acknowledged...
it appears rightly asserted when someone actually has
a competence with a language (encoding an obscure number
of variations of sprechen): but still faulter / flawters /
                 ah! falters on what's otherwise, clearly
a very easy arithmetic puzzle: 0 1 2 3 4
                        a b c d e
calculator                       hence put       b d e
together into a coherency passed down to others...
cul de sac, i.e. bed.
                    a bit like the alphabet cut into three:
0 (a)     z (26):
         it emerged from the lost clarity of English ponce:
or keeping onto power, spellcheck had to be invented,
along with algorithm search engines to correct
what would otherwise be non-distinct correlatives:
had they been properly attired with distinct barriers -
  could have been worse,
we could have had Arabic as the tongue of globalisation,
but then again, as the myth goes (according to
cradle of filth within her ghost in the fog):
                                 an arabian nightmare probably
doesn't envision an alien invasion.
traces of being Mar 2016
.
The tender Willow leaves whoosh softly
                              with the fickle cherry blossom breeze

Painting the colour
                              these inevitable days ,
                              the fragrant scent
                                                      o­f springtide

No longer holding back
                              the dreams from deep in a heart
                                                               w­axing gibbous ,

the unopined moon
                              rose up over an unwritten poem

painting hues with words
                              shaping the shadows of its song
                              into a musically dappled tableau

stroked by the tickle of poignant whispers

                              waft from the veritable roguish winter nadir
                                              ― a latent and longing heart


         ― beneath
                              a sky full of stars

                                      
                 ­                                        ✩ ✩ ☼ ✩ ✩
                                                     *wild is the wind
Anais Vionet Mar 2023
I watched “Breakfast at Tiffany’s” last night - we’re going to be reading Truman Capote’s book after the break and I wanted to start thinking about it. The movie rewrites Truman Capote’s story, turning it into a romcom, completely eliminating the book's gay themes. I’d seen ‘Breakfast’ before, but now I’m a little older, and as a single woman, I can better appreciate it. I’m looking forward to studying its socio-****** themes. These are some first thoughts.

Let’s take the opening of “Breakfast at Tiffany’s.” The images are iconic and some of the most widely repeated in pop-culture today (Hello, ubiquitous dorm room decor), but they’re never used in a way consistent with their function in the film. Instead of seeing a horribly depressed girl who has nothing left in her life but pure escapism, people see a beautiful woman with apparent access to luxury.

When “Breakfast” came out (in 1961) there was a sense, within the press and wider public, that even a neutered version of Holly Golightly represented a cinematic moral nadir that posed a threat to society. Whether Holly was a “moral character” was up for debate in countless reviews of the film. Today, this seems absurd.

Today, Holly is seen as an aspirational figure. With her opera gloves, her intricate updo, pearls and Givenchy little black dress, she looks like someone who belongs at Tiffany’s (of course, the casting the euro-elegant Audrey Hepburn didn’t hurt). Truman Capote wanted Marilyn Monroe as Holly - that would have been a very different movie.

Watching the film, I was struck with how contemporary Holly felt. She seems so familiar - so similar to the countless imitations we’ve seen since. People watching the movie for the first time today may be underwhelmed, but Holly seems so contemporary now, because she was so ahead of the curve back then (just over 60 years ago).

If you look at the popular romantic comedies that surrounded ‘Breakfast at Tiffany’s’, like “Pillow talk,’ ‘Gigi,’ and ‘Giget’ - their leading ladies were nothing like Holly. Being a heroine in those films meant you strived for marriage, you saved yourself for your one true love and, as a woman, you avoided certain subjects altogether. They imply happiness only comes from following a certain good girl ethos.

An example of what could happen to a girl, if she strayed from that path, was shown in Elia Kazan’s ‘Splendor in the Grass’ which also came out in ‘61. Its theme is the consequences of ****** repression, and it outlines a specific cinematic binary. There are good girls and bad girls. The bad girls were usually presented as sad and mentally unstable - and they paid for their sins in the end - usually by dying by some karmic punishment (car wrecks usually).

Holly sits somewhere in between good and bad, complicating the cinematic binary. Because Audrey’s elegance plays her as classy, warm and accessible, she doesn’t come across as a dangerous wild child - although she makes all of the bad girl choices - like partying, drinking and having ***.

For women who grew up in the repressive 1950s, Holly represented a new path forward. Holly lived on her own, she didn’t crave marriage above all else, she didn’t want to live in a cage, and she managed to have a good time without being victimized or doomed. Holly was noticeably different. The pill came out in May of 1960 (one of the watershed events in human history). Holly was Hollywood's first post-pill heroine, representing the ****** revolution before Betty Friedan’s ‘Feminine Mystique’.
BLT Marriam Webster word of the day challenge: Nadir:  the lowest or worst point of something.
Ria Nov 2015
A soulless body she was
Pale skin, chapped lips, dreary eyes
Her ribcage filled with soil
Flowers sprouting from her mouth
Her veins like vines,
Wrapped around her legs
Her skin, ripped
Corrupting was her flesh
Worms coming out—
Out of her senseless ears
As unfathomable as nadir—
She buried herself,
The insignia and rosettes,
The books she read,
The verses she chanted,
Her dreams, her fears—
A forgotten temple she was
Hidden in the middle
Of a busy city filled with people
She never knew
And at night, she would write
About nothingness,
Her cats, the mustiness of her youth
Tasting the divinity from the salt
Flowing from her eyes
She wanted god, she wanted sin
Pondering on the elusive thought
Of life and of death—
She just craved for sleep
Lay her body on a casket,
Be one with dirt—
So she drank the ink,
Poisoned her senses
And with her pen, a dagger
She stabbed her core
Rejoicing as she bled magenta—
She decided to die,
She decided to die
Before the monsters inside
Would have feasted on her meat
For myself, finally.
If ever you think religious tolerance is at its nadir
Inter-religion integration or world religion a utopia
Stand before the sunned domes of the Christo Mandir
Where the Christ’s name mingles with Hare Krishna!

Call it anything a temple a church
No different is our walked road
The church’s spire or the temple’s arch
Cannot be God’s encaged abode!


Christo Mandir the Temple of Jesus
In many veins stand out one leaf
Hollows my perceived faith and class
At its door I cast aside my belief!
my cover photo

— The End —