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Saoirse Sep 2012
There are two marionettes
Facing one another
Parts strung together
And dangling
Like mobiles over a crib.

The first has a head
And a neck
It has shoulders
Strung to fore-arms
Wrists and hands
It has the swell of hips and thighs
But only ever under fabric
It has a face
But no jaw
And only an upper lip
And no forehead.

The second marionette
Grotesque, and barely human
Has two small *******
Clinging to a sternum
Like sad droplets of water
A ribcage spanning
Like thin fingers
Across a chest
A bulbous young stomach
Hips and thighs unclothed, unappealing
Dappled flesh
Calves
Feet
Jaw
Forehead
Balanced precariously atop one another
Joined with a string.

When they step to one another
The marionettes mesh
Make a mess
And cannot escape one another
And move awkwardly
Haphazardly
Trying to conceal the Other
Trying to conceal the whole
Hoping only the string shows.

But the string is tangled
In the parts
Caught between the joints
Obscured by the puppet limbs.

Occasionally, a glimpse.
Alyssa Underwood Mar 2016
I

He did not wear his scarlet coat,
  For blood and wine are red,
And blood and wine were on his hands
  When they found him with the dead,
The poor dead woman whom he loved,
  And murdered in her bed.

He walked amongst the Trial Men
  In a suit of shabby grey;
A cricket cap was on his head,
  And his step seemed light and gay;
But I never saw a man who looked
  So wistfully at the day.

I never saw a man who looked
  With such a wistful eye
Upon that little tent of blue
  Which prisoners call the sky,
And at every drifting cloud that went
  With sails of silver by.

I walked, with other souls in pain,
  Within another ring,
And was wondering if the man had done
  A great or little thing,
When a voice behind me whispered low,
  “That fellows got to swing.”

Dear Christ! the very prison walls
  Suddenly seemed to reel,
And the sky above my head became
  Like a casque of scorching steel;
And, though I was a soul in pain,
  My pain I could not feel.

I only knew what hunted thought
  Quickened his step, and why
He looked upon the garish day
  With such a wistful eye;
The man had killed the thing he loved
  And so he had to die.

Yet each man kills the thing he loves
  By each let this be heard,
Some do it with a bitter look,
  Some with a flattering word,
The coward does it with a kiss,
  The brave man with a sword!

Some **** their love when they are young,
  And some when they are old;
Some strangle with the hands of Lust,
  Some with the hands of Gold:
The kindest use a knife, because
  The dead so soon grow cold.

Some love too little, some too long,
  Some sell, and others buy;
Some do the deed with many tears,
  And some without a sigh:
For each man kills the thing he loves,
  Yet each man does not die.

He does not die a death of shame
  On a day of dark disgrace,
Nor have a noose about his neck,
  Nor a cloth upon his face,
Nor drop feet foremost through the floor
  Into an empty place

He does not sit with silent men
  Who watch him night and day;
Who watch him when he tries to weep,
  And when he tries to pray;
Who watch him lest himself should rob
  The prison of its prey.

He does not wake at dawn to see
  Dread figures throng his room,
The shivering Chaplain robed in white,
  The Sheriff stern with gloom,
And the Governor all in shiny black,
  With the yellow face of Doom.

He does not rise in piteous haste
  To put on convict-clothes,
While some coarse-mouthed Doctor gloats, and notes
  Each new and nerve-twitched pose,
******* a watch whose little ticks
  Are like horrible hammer-blows.

He does not know that sickening thirst
  That sands one’s throat, before
The hangman with his gardener’s gloves
  Slips through the padded door,
And binds one with three leathern thongs,
  That the throat may thirst no more.

He does not bend his head to hear
  The Burial Office read,
Nor, while the terror of his soul
  Tells him he is not dead,
Cross his own coffin, as he moves
  Into the hideous shed.

He does not stare upon the air
  Through a little roof of glass;
He does not pray with lips of clay
  For his agony to pass;
Nor feel upon his shuddering cheek
  The kiss of Caiaphas.


II

Six weeks our guardsman walked the yard,
  In a suit of shabby grey:
His cricket cap was on his head,
  And his step seemed light and gay,
But I never saw a man who looked
  So wistfully at the day.

I never saw a man who looked
  With such a wistful eye
Upon that little tent of blue
  Which prisoners call the sky,
And at every wandering cloud that trailed
  Its raveled fleeces by.

He did not wring his hands, as do
  Those witless men who dare
To try to rear the changeling Hope
  In the cave of black Despair:
He only looked upon the sun,
  And drank the morning air.

He did not wring his hands nor weep,
  Nor did he peek or pine,
But he drank the air as though it held
  Some healthful anodyne;
With open mouth he drank the sun
  As though it had been wine!

And I and all the souls in pain,
  Who tramped the other ring,
Forgot if we ourselves had done
  A great or little thing,
And watched with gaze of dull amaze
  The man who had to swing.

And strange it was to see him pass
  With a step so light and gay,
And strange it was to see him look
  So wistfully at the day,
And strange it was to think that he
  Had such a debt to pay.

For oak and elm have pleasant leaves
  That in the spring-time shoot:
But grim to see is the gallows-tree,
  With its adder-bitten root,
And, green or dry, a man must die
  Before it bears its fruit!

The loftiest place is that seat of grace
  For which all worldlings try:
But who would stand in hempen band
  Upon a scaffold high,
And through a murderer’s collar take
  His last look at the sky?

It is sweet to dance to violins
  When Love and Life are fair:
To dance to flutes, to dance to lutes
  Is delicate and rare:
But it is not sweet with nimble feet
  To dance upon the air!

So with curious eyes and sick surmise
  We watched him day by day,
And wondered if each one of us
  Would end the self-same way,
For none can tell to what red Hell
  His sightless soul may stray.

At last the dead man walked no more
  Amongst the Trial Men,
And I knew that he was standing up
  In the black dock’s dreadful pen,
And that never would I see his face
  In God’s sweet world again.

Like two doomed ships that pass in storm
  We had crossed each other’s way:
But we made no sign, we said no word,
  We had no word to say;
For we did not meet in the holy night,
  But in the shameful day.

A prison wall was round us both,
  Two outcast men were we:
The world had ****** us from its heart,
  And God from out His care:
And the iron gin that waits for Sin
  Had caught us in its snare.


III

In Debtors’ Yard the stones are hard,
  And the dripping wall is high,
So it was there he took the air
  Beneath the leaden sky,
And by each side a Warder walked,
  For fear the man might die.

Or else he sat with those who watched
  His anguish night and day;
Who watched him when he rose to weep,
  And when he crouched to pray;
Who watched him lest himself should rob
  Their scaffold of its prey.

The Governor was strong upon
  The Regulations Act:
The Doctor said that Death was but
  A scientific fact:
And twice a day the Chaplain called
  And left a little tract.

And twice a day he smoked his pipe,
  And drank his quart of beer:
His soul was resolute, and held
  No hiding-place for fear;
He often said that he was glad
  The hangman’s hands were near.

But why he said so strange a thing
  No Warder dared to ask:
For he to whom a watcher’s doom
  Is given as his task,
Must set a lock upon his lips,
  And make his face a mask.

Or else he might be moved, and try
  To comfort or console:
And what should Human Pity do
  Pent up in Murderers’ Hole?
What word of grace in such a place
  Could help a brother’s soul?

With slouch and swing around the ring
  We trod the Fool’s Parade!
We did not care: we knew we were
  The Devil’s Own Brigade:
And shaven head and feet of lead
  Make a merry masquerade.

We tore the tarry rope to shreds
  With blunt and bleeding nails;
We rubbed the doors, and scrubbed the floors,
  And cleaned the shining rails:
And, rank by rank, we soaped the plank,
  And clattered with the pails.

We sewed the sacks, we broke the stones,
  We turned the dusty drill:
We banged the tins, and bawled the hymns,
  And sweated on the mill:
But in the heart of every man
  Terror was lying still.

So still it lay that every day
  Crawled like a ****-clogged wave:
And we forgot the bitter lot
  That waits for fool and knave,
Till once, as we tramped in from work,
  We passed an open grave.

With yawning mouth the yellow hole
  Gaped for a living thing;
The very mud cried out for blood
  To the thirsty asphalte ring:
And we knew that ere one dawn grew fair
  Some prisoner had to swing.

Right in we went, with soul intent
  On Death and Dread and Doom:
The hangman, with his little bag,
  Went shuffling through the gloom
And each man trembled as he crept
  Into his numbered tomb.

That night the empty corridors
  Were full of forms of Fear,
And up and down the iron town
  Stole feet we could not hear,
And through the bars that hide the stars
  White faces seemed to peer.

He lay as one who lies and dreams
  In a pleasant meadow-land,
The watcher watched him as he slept,
  And could not understand
How one could sleep so sweet a sleep
  With a hangman close at hand?

But there is no sleep when men must weep
  Who never yet have wept:
So we—the fool, the fraud, the knave—
  That endless vigil kept,
And through each brain on hands of pain
  Another’s terror crept.

Alas! it is a fearful thing
  To feel another’s guilt!
For, right within, the sword of Sin
  Pierced to its poisoned hilt,
And as molten lead were the tears we shed
  For the blood we had not spilt.

The Warders with their shoes of felt
  Crept by each padlocked door,
And peeped and saw, with eyes of awe,
  Grey figures on the floor,
And wondered why men knelt to pray
  Who never prayed before.

All through the night we knelt and prayed,
  Mad mourners of a corpse!
The troubled plumes of midnight were
  The plumes upon a hearse:
And bitter wine upon a sponge
  Was the savior of Remorse.

The **** crew, the red **** crew,
  But never came the day:
And crooked shape of Terror crouched,
  In the corners where we lay:
And each evil sprite that walks by night
  Before us seemed to play.

They glided past, they glided fast,
  Like travelers through a mist:
They mocked the moon in a rigadoon
  Of delicate turn and twist,
And with formal pace and loathsome grace
  The phantoms kept their tryst.

With mop and mow, we saw them go,
  Slim shadows hand in hand:
About, about, in ghostly rout
  They trod a saraband:
And the ****** grotesques made arabesques,
  Like the wind upon the sand!

With the pirouettes of marionettes,
  They tripped on pointed tread:
But with flutes of Fear they filled the ear,
  As their grisly masque they led,
And loud they sang, and long they sang,
  For they sang to wake the dead.

“Oho!” they cried, “The world is wide,
  But fettered limbs go lame!
And once, or twice, to throw the dice
  Is a gentlemanly game,
But he does not win who plays with Sin
  In the secret House of Shame.”

No things of air these antics were
  That frolicked with such glee:
To men whose lives were held in gyves,
  And whose feet might not go free,
Ah! wounds of Christ! they were living things,
  Most terrible to see.

Around, around, they waltzed and wound;
  Some wheeled in smirking pairs:
With the mincing step of demirep
  Some sidled up the stairs:
And with subtle sneer, and fawning leer,
  Each helped us at our prayers.

The morning wind began to moan,
  But still the night went on:
Through its giant loom the web of gloom
  Crept till each thread was spun:
And, as we prayed, we grew afraid
  Of the Justice of the Sun.

The moaning wind went wandering round
  The weeping prison-wall:
Till like a wheel of turning-steel
  We felt the minutes crawl:
O moaning wind! what had we done
  To have such a seneschal?

At last I saw the shadowed bars
  Like a lattice wrought in lead,
Move right across the whitewashed wall
  That faced my three-plank bed,
And I knew that somewhere in the world
  God’s dreadful dawn was red.

At six o’clock we cleaned our cells,
  At seven all was still,
But the sough and swing of a mighty wing
  The prison seemed to fill,
For the Lord of Death with icy breath
  Had entered in to ****.

He did not pass in purple pomp,
  Nor ride a moon-white steed.
Three yards of cord and a sliding board
  Are all the gallows’ need:
So with rope of shame the Herald came
  To do the secret deed.

We were as men who through a fen
  Of filthy darkness *****:
We did not dare to breathe a prayer,
  Or give our anguish scope:
Something was dead in each of us,
  And what was dead was Hope.

For Man’s grim Justice goes its way,
  And will not swerve aside:
It slays the weak, it slays the strong,
  It has a deadly stride:
With iron heel it slays the strong,
  The monstrous parricide!

We waited for the stroke of eight:
  Each tongue was thick with thirst:
For the stroke of eight is the stroke of Fate
  That makes a man accursed,
And Fate will use a running noose
  For the best man and the worst.

We had no other thing to do,
  Save to wait for the sign to come:
So, like things of stone in a valley lone,
  Quiet we sat and dumb:
But each man’s heart beat thick and quick
  Like a madman on a drum!

With sudden shock the prison-clock
  Smote on the shivering air,
And from all the gaol rose up a wail
  Of impotent despair,
Like the sound that frightened marshes hear
  From a ***** in his lair.

And as one sees most fearful things
  In the crystal of a dream,
We saw the greasy hempen rope
  Hooked to the blackened beam,
And heard the prayer the hangman’s snare
  Strangled into a scream.

And all the woe that moved him so
  That he gave that bitter cry,
And the wild regrets, and the ****** sweats,
  None knew so well as I:
For he who lives more lives than one
  More deaths than one must die.


IV

There is no chapel on the day
  On which they hang a man:
The Chaplain’s heart is far too sick,
  Or his face is far too wan,
Or there is that written in his eyes
  Which none should look upon.

So they kept us close till nigh on noon,
  And then they rang the bell,
And the Warders with their jingling keys
  Opened each listening cell,
And down the iron stair we tramped,
  Each from his separate Hell.

Out into God’s sweet air we went,
  But not in wonted way,
For this man’s face was white with fear,
  And that man’s face was grey,
And I never saw sad men who looked
  So wistfully at the day.

I never saw sad men who looked
  With such a wistful eye
Upon that little tent of blue
  We prisoners called the sky,
And at every careless cloud that passed
  In happy freedom by.

But there were those amongst us all
  Who walked with downcast head,
And knew that, had each got his due,
  They should have died instead:
He had but killed a thing that lived
  Whilst they had killed the dead.

For he who sins a second time
  Wakes a dead soul to pain,
And draws it from its spotted shroud,
  And makes it bleed again,
And makes it bleed great gouts of blood
  And makes it bleed in vain!

Like ape or clown, in monstrous garb
  With crooked arrows starred,
Silently we went round and round
  The slippery asphalte yard;
Silently we went round and round,
  And no man spoke a word.

Silently we went round and round,
  And through each hollow mind
The memory of dreadful things
  Rushed like a dreadful wind,
And Horror stalked before each man,
  And terror crept behind.

The Warders strutted up and down,
  And kept their herd of brutes,
Their uniforms were ***** and span,
  And they wore their Sunday suits,
But we knew the work they had been at
  By the quicklime on their boots.

For where a grave had opened wide,
  There was no grave at all:
Only a stretch of mud and sand
  By the hideous prison-wall,
And a little heap of burning lime,
  That the man should have his pall.

For he has a pall, this wretched man,
  Such as few men can claim:
Deep down below a prison-yard,
  Naked for greater shame,
He lies, with fetters on each foot,
  Wrapt in a sheet of flame!

And all the while the burning lime
  Eats flesh and bone away,
It eats the brittle bone by night,
  And the soft flesh by the day,
It eats the flesh and bones by turns,
  But it eats the heart alway.

For three long years they will not sow
  Or root or seedling there:
For three long years the unblessed spot
  Will sterile be and bare,
And look upon the wondering sky
  With unreproachful stare.

They think a murderer’s heart would taint
  Each simple seed they sow.
It is not true! God’s kindly earth
  Is kindlier than men know,
And the red rose would but blow more red,
  The white rose whiter blow.

Out of his mouth a red, red rose!
  Out of his heart a white!
For who can say by what strange way,
  Christ brings his will to light,
Since the barren staff the pilgrim bore
  Bloomed in the great Pope’s sight?

But neither milk-white rose nor red
  May bloom in prison air;
The shard, the pebble, and the flint,
  Are what they give us there:
For flowers have been known to heal
  A common man’s despair.

So never will wine-red rose or white,
  Petal by petal, fall
On that stretch of mud and sand that lies
  By the hideous prison-wall,
To tell the men who ***** the yard
  That God’s Son died for all.

Yet though the hideous prison-wall
  Still hems him round and round,
And a spirit man not walk by night
  That is with fetters bound,
And a spirit may not weep that lies
  In such unholy ground,

He is at peace—this wretched man—
  At peace, or will be soon:
There is no thing to make him mad,
  Nor does Terror walk at noon,
For the lampless Earth in which he lies
  Has neither Sun nor Moon.

They hanged him as a beast is hanged:
  They did not even toll
A reguiem that might have brought
  Rest to his startled soul,
But hurriedly they took him out,
  And hid him in a hole.

They stripped him of his canvas clothes,
  And gave him to the flies;
They mocked the swollen purple throat
  And the stark and staring eyes:
And with laughter loud they heaped the shroud
  In which their convict lies.

The Chaplain would not kneel to pray
  By his dishonored grave:
Nor mark it with that blessed Cross
  That Christ for sinners gave,
Because the man was one of those
  Whom Christ came down to save.

Yet all is well; he has but passed
  To Life’s appointed bourne:
And alien tears will fill for him
  Pity’s long-broken urn,
For his mourner will be outcast men,
  And outcasts always mourn.


V

I know not whether Laws be right,
  Or whether Laws be wrong;
All that we know who lie in gaol
  Is that the wall is strong;
And that each day is like a year,
  A year whose days are long.

But this I know, that every Law
  That men have made for Man,
Since first Man took his brother’s life,
  And the sad world began,
But straws the wheat and saves the chaff
  With a most evil fan.

This too I know—and wise it were
  If each could know the same—
That every prison that men build
  Is built with bricks of shame,
And bound with bars lest Christ should see
  How men their brothers maim.

With bars they blur the gracious moon,
  And blind the goodly sun:
And they do well to hide their Hell,
  For in it things are done
That Son of God nor son of Man
  Ever should look upon!

The vilest deeds like poison weeds
  Bloom well in prison-air:
It is only what is good in Man
  That wastes and withers there:
Pale Anguish keeps the heavy gate,
  And the Warder is Despair

For they starve the little frightened child
  Till it weeps both night and day:
And they scourge the weak, and flog the fool,
  And gibe the old and grey,
And some grow mad, and all grow bad,
And none a word may say.

Each narrow cell in which we dwell
  Is foul and dark latrine,
And the fetid breath of living Death
  Chokes up each grated screen,
And all, but Lust, is turned to dust
  In Humanity’s machine.

The brackish water that we drink
  Creeps with a loathsome slime,
And the bitter bread they weigh in scales
  Is full of chalk and lime,
And Sleep will not lie down, but walks
  Wild-eyed and cries to Time.

But though lean Hunger and green Thirst
  Like asp with adder fight,
We have little care of prison fare,
  For what chills and kills outright
Is that every stone one lifts by day
  Becomes one’s heart by night.

With midnight always in one’s heart,
  And twilight in one’s cell,
We turn the crank, or tear the rope,
  Each in his separate Hell,
And the silence is more awful far
  Than the sound of a brazen bell.

And never a human voice comes near
  To speak a gentle word:
And the eye that watches through the door
  Is pitiless and hard:
And by all forgot, we rot and rot,
  With soul and body marred.

And thus we rust Life’s iron chain
  Degraded and alone:
And some men curse, and some men weep,
  And some men make no moan:
But God’s eternal Laws are kind
  And break the heart of stone.

And every human heart that breaks,
  In prison-cell or yard,
Is as that broken box that gave
  Its treasure to the Lord,
And filled the unclean *****’s house
  With the scent of costliest nard.

Ah! happy day they whose hearts can break
  And peace of pardon win!
How else may man make straight his plan
  And cleanse his soul from Sin?
How else but through a broken heart
  May Lord Christ enter in?

And he of the swollen purple throat.
  And the stark and staring eyes,
Waits for the holy hands that took
  The Thief to Paradise;
And a broken and a contrite heart
  The Lord will not despise.

The man in red who reads the Law
  Gave him three weeks of life,
Three little weeks in which to heal
  His soul of his soul’s strife,
And cleanse from every blot of blood
  The hand that held the knife.

And with tears of blood he cleansed the hand,
  The hand that held the steel:
For only blood can wipe out blood,
  And only tears can heal:
And the crimson stain that was of Cain
  Became Christ’s snow-white seal.


VI

In Reading gaol by Reading town
  There is a pit of shame,
And in it lies a wretched man
  Eaten by teeth of flame,
In burning winding-sheet he lies,
  And his grave has got no name.

And there, till Christ call forth the dead,
  In silence let him lie:
No need to waste the foolish tear,
  Or heave the windy sigh:
The man had killed the thing he loved,
  And so he had to die.

And all men **** the thing they love,
  By all let this be heard,
Some do it with a bitter look,
  Some with a flattering word,
The coward does it with a kiss,
  The brave man with a sword!
Serafeim Blazej Sep 2016
they were little princes
tied with ropes
suspended like marionettes
linked to the will of the sorcerer
they were birds with clipped wings
so they could not fly
never go back to home
Poem.
Inspired by "Ribbon" and "Butterfly" of BEAST (korean group).

Edited on 28/12/17.
("ils étaient petits princes marionnettes")
Lilly frost Jun 2015
Marionettes
All tied to the stage
Battered and broken
Begging for every token
Puppets for our masters
Walking disasters
Refusing to fall down
Standing on The stage now
Don't forget to bow down
You don't wanna stand out
Long to be free and roam out of your skin
But you would be punished and further broken
Beggin
Pleading
On your knees repeating
Marionettes all tied to the stage
Battered and broken
Begging for every token Puppets for our masters
Turning into crawling disasters
You long to see
What's on the other side
Could there be a good side
After all this time
How could it be
So hard to find
Yet so easy to see
But your broken
Bleadin
On your knees repeating
Over and over again
I am a marionette
Tied to the stage
Battered and broken
Begging for every token
A puppet for my master
A walking disaster
Robin Carretti Aug 2018
Sweeter* than* wait I am starting
to melt like a____?
             Royal Jam
  Scarlet Movie Oh!  I don't give a
              ****!!
The Milkman versus My Breadman
How can I decide I feel I am
going to faint

Such a quaint picnic was "Hot Epic"
       My biggest fan is my
              Mother
    Going public like a stand up comic

All stereotypes happiness
        is a warm bread

Any way you slice it love it
Even going out of our head
The war going on
Hello Vietnam
Be my *Grand Slam


Have difficulty with everything
Melting our hearts those
"Good Eat" the luckiest people
But it's us the ordinary people
No time to brag or boost
who believes
everything is extraordinary
take a bow

Feeling tired give me a bat and ball
My big hit  built me a buttercup bed

I love the sweet warm toast
With my butter spread that
dash of sea salt the most
What was truly said in
your opinion no one's fault
Justice For All so stop
feeling guilty

Or in the presence of someone, you
didn't love at all

End of the reign beginning of
Melted candle dripping softly
like I apple butter he texted me
His ears were full of wax

Moms and
their daughters play
dressed up Dads and sons
  kickball having a meltdown
Of timeless bills no bread lines
Kings and Queens love their crowns
Love those quilts of corals
Soft as butter what morals

It's time for Hellman's
mayonnaise sandwich
What a dilemma
Every morning she is eating
Cream of wheat like a blob
Of farina
Kansas City here she comes

She loves her buttered popcorn
Poppy seed bagel was
near her acorns
We used to be human now
  An Army of Robots
Keep your enemies closer
If you truly love her

Robin Hood of the thieves

She got Gingersnapped
Melted finger-mapped
Crusty Baguette's French lip
lemon creme
Those marionettes caused
a scene

Butterscotch candy sugar cookies  
cleaning up your
computer meet "Ms." Butterworth"
movie
The worst shes ever has seen

She is sitting in the country
southern style
the dining room
Doing banana splits boiling
egg yolks Mcdonalds pancake
with Old folks

And cartwheels Moms always
wearing her buttercream heels
More room buttercream paint
And so toxic she zooms

What a silly goose with hens
He is hiding his eyes like
a fugitive he was blind getting
melted by so many lovers
Buttery slippery hearts

Jumping like Jack Rabbits melting a
white picket fence no nonsense
This bread and butter hold me closer
Everyone is looking
like a stranger
Almost every morning new
improved bread love pusher
Fresh taste and another lover
Uptown girl left her catcher of
the rye bread on used up counter
Seeing too many piano players
of Billies, she was getting a
Bread hot fever

Take me to *
Panera Bread
Cyborgs the pig and whistle 
beer and nuts melted butter pretzels
The Alien like a damsel in distress
Like a heart of the shamrock
What a lucky piece Irish bread
The Queen red wine and
breadcrumbs
On her musical chair
Milk and honey not your
Unicorn Pony quick kick
then melt me in my sleep

Ancient rocks up her castle
Sipping her hot spell word
puzzle
Secrets of all tattle tales
In her coffee, he smiles with
French croissant like a sergeant
Bread melted her butter lips
The very first time she
ever saw his face
There were more excursions
but no excuses to
butter up my Prince
How our bread is buttered or so soft but sweet like out Mother and  her lovers' chef knife left her salted the stars upon them a temptation to move on soft heartedly
To be loved you feel squashed in between there is always a shining light we see them differently let's not cause such a scene
silkstahr Oct 2017
Isn’t it all games and bets?
With my sweet little marionettes
Charmingly they fight my wars
Dancing to my twiddling force

Happily I watch them give in
To the daily new laws I spin
Dear puppets what choice do you have?
But to dodge from the president’s wrath

Thus I command you to fight
For what should be ours by right
Oil, gold, land and power I lust
Looting the weak must be shushed

To hell you say I should make my way
Blaming me for the wars we play
Remember it was me who was named
To comply the wishes our country claimed

Even you’ve got marionettes to your ease
Gladly abusing them as you please
Power and wealth society craves
It’s not just me who misbehaves

My successors will replace my place
Juggling with morals they will face
For the system was painted by society
And now it pains our humanity
Kay Phase Dec 2012
unable to act first
without complete reassurances

so i hesitate
contemplate
[wait]
finding solace in the imagined

while we're together
[or not..]
when we shared your bed
in my head
i've directed this scene countless times

CLOSE-UP / zoom in:
your lips seek mine
just briefly
plush petals pressed sweetly
between our pages
[faces]
intertwined behind
your neck my fingers & palms placed
& as i peel away
the corners of our mouths simultaneously draw up
as if on strings
[in my daydreams, we are my marionettes]
& my hand tugs at yours
to yank our bodies
from the middle of an evening street

this depiction
[fiction]
is lost in reality's roughness
practice is pretend when imagined
so i beg for steady hands
just to place one
FIRM
hand on your chest
Mateuš Conrad May 2018
cats escape the human hand,
and allow a petinent relief
with making altar
with shadows,
              attached to body;
cats...
               are no longer
senile, domesticated
                          marionettes...
    two sorts of people died
in Auschwitz...
             one was the jew,
the second was the german...
            i can fathom
the former being revived...
       the latter?
                       hardly...
                    within those years
the german made closure
as being endowed with music...
to revive
a sense of reading the braille
of the winds...
             with these years
the german made closure,
and the jew took to
forgetting 2000 tier history...
    marionettes....
   marionettes....
       russian matryoshkas...
             harrowing
the immediate medium of
       kept: "luck",
in the sieving of the lost years...
     and a clinging
gong: hollow bell...
    hollow bell...
        hohlglocke...
a zeppelin aparon...
                    bruderliebe...
             by what pain
was the jew excluded from
europe?
                the summary
of faked snow...
          in the pedagogy of
england,
i became german...
   and come,
wished for a politics
of "identity"...
             ich bin: gemein!
   vandale!
   zunge-nein-albert-hafen!
we are,
   a list of 20th century
dates,
         burrowing youth,
to be made:
            rekindled.
Ofelia Rose Jan 2013
Shadows cast upon them
Tinting their skin charcoal
They reflect like water 
These rays of lies they wear
Around their necks like scarves
That warm and comfort them
But quickly fangs emerge
 ****** them of their breath
And like venom poisons
They are infants to him
His children and his prey
So strike up a new dance
Sing with the drummer boy
Fly to the god you call
Swim softly through sea
Lie innocently  now
And drink the suns sweet juice
With salty rinds and all
To silently rest here
****** by your very own sin
Good night my little ones
Sleep well  marionettes
VG E Bacungan Feb 19
Like marionettes,
dancing, swirling, jibing
moved by strings of their desires.
Their bodies set ablaze,
by the fiction of their hides.

Despairing to escape by any means,
keeping their mem'ries in the haze.
Aimlessly thrusting til' Tilda tires;
swinging, struggling, scathing,
like marionettes.

And when the zenith is reached,
comes a fleeting sense of victory.
Their point of contact comes to an end.
***** hollow, and soul still empty.
Like marionettes.
Written 25 November 2020.

Original Commentary: This poem was inspired by a theme set by a friend.
The curtain on the
CPAC convocation rolls back,

as the revolution
in Tahrir Square boils.

America’s theater
of deadly political

absurdity commences;
to witness demagogues

recite holy scripture to
evangelize a religion of war.

A heavily invested
audience marvels

at the marionettes
pirouetting on strings

jigged along by hands
of invisible puppet-masters

donning dark masks of
clever 503C llcs

disguised in self serving
hues of red, white and blue.

This grand folly of masquers
conceals a fatal pantomime,

a cast of reactionary characters,
Neo-Conmen auditioning for

the leading role in a lurid play
of a deadly nation projecting
a dying imperial preeminence.

The martinets engage zero
sum games where the victor
belongs to the despoilers,

and the merchants of death
richly confer multimillion dollar
reasons for being, underwriting
the gilded egos of candidates

and their infatuation with the
vanity of feigned power.

These master rhetoricians
skillfully lather up the crowd

by pandering to basest
xenophobic nationalist
instincts and fantasies
of laissez-faire proclivities.  

Slathering on the partisan
pretense in layers so thick

a master chef, armed
with the sharpest Ginsu Knife

couldn't slice a hock tip
of blood red meat

hurled into the crowd of
gobbling Republicons

howling and yodeling
it’s derisive acclaim.

The rankled party line,
gibberish talking points

are hammer blows of
incessant propaganda,

so cocksure that any room for
doubt is crowded out by the

phantasmagorical McMansions
of hyperbole they ***** in

the pliant minds of their
gibbering minions.

The candidates preening for
president show off their

falangist affectations
in eager duels of oratorical

one upmanship; constantly
jockeying to outflank their

other Neo-Conmen opponents,
always concluding their brutish

diatribes with a solemn
denouement of a Republicon

psalm ending with a
Holy Hosanna Hallelujah

to the Ronald Reagan
Heavenly Buddha.

Punchline of the holy Amen
“what would Reagan do?”

to remind the faithful
to remain the faithful

bearers to the fiction
of dead Reaganism.

Evoking anything
Ron and Nancy

induces sanctioned
comportment of a

slow simmering
******* eubellence

providing a welcomed
relief of repressed
libidinal energy.

The mention of Goldwater
sends GOP acolytes to

pause in reverence,
envisioning Barry and

Ronnie looking down
from heaven upon the gathered,

inciting immediate ruminations
of falling dominos and

the viability of a
tactical nuke strike

against Ayatollah’s
underground
uranium factories.

The host of Neo-Conmen,
new age Falangist pitchmen

belch from the dais,
in ever increasing alacrity,

the stirring drum beats
and slick videos,

of glorious warriors
winning the battlefield

with the rippling glory
of the Stars and Stripes

flowing in a continual
loop behind them.

Romney,
Bachmann

Gingrich
take center stage,

goose stepping
to the roll of piercing timpanis.

Words slither
out of their mouths
like poisonous snakes.

Lies, hiss through
their teeth.

Open mouths
expose Black Mamba
fangs, dripping with venom.

Eyes squint
as their reptilian brains

implore the besieged
to flee from the
light of truth.

Seeking refuge in fear;
yet on the ready

to coil and strike;
while trembling

in ignorance,
exalting loathsomeness

worshiping violence;
they remain

poised to unleash
first strike armies;

boastfully evoking moral
platitudes of Bush Doctrine
prerogatives.

Trembling in ignorance
worshiping violence

exalting fear,
these dogs of war bay

to unleash armies
against the

Godless apostates
that threaten

to expose the
stasis of their

Capitalismo-Judeo-Christian
view of the world.

They have hijacked
the great faith traditions

to serve a narrow
political aim

and relish any
opportunity to

demonize Islam
in service to their lies.

Watch as they
they crouch down

on the dais to
open the nest

of vipers welling
deep within the
bowels of their souls.

They find relief
by excreting their

spawn of deadly asps
into the veins of

cable news networks;
scoring political points

with the terrorized
children of Faux News

capturing battalions
of straw men villains

to rise atop meaningless
straw polls.

They agitate for a second
American revolution

by injecting the venom
of fear and lies

into the body
politic.

Ron Paul
stands alone,

perplexed why
American's love

war as much as
they hate civil liberties?

Cheney and
Rumsfeld brood.

The people of
Iraq and Afghanistan

fail to embrace their armies
of liberation that run up

unfortunate collateral damage
body counts required to sustain
the American way of life.

Ever the defender of
democracy and liberty,

Gingrich slams Obama's
condemnation of Suleiman

"hes an able diplomat."
Gingrich  forgot to add

that Suleiman is a
skilled torturer and

an able tyrant any self
serving democracy would
be proud to call ally and friend.

Cheney and Rumsfeld
remain flummoxed.

Their armies of liberation bogged
down in the marshy Blackwaters

of intractability;  trying to solve
the conundrum of the diminished

equity returns of asymmetrical
warfare.  Spinning the math

to justify building aircraft carriers
to **** a gnat.

The families of dead soldiers
surround them and wave dime

store flags hoping the plastic
eagle remains fixed atop the pole.

Perpetually smiling
Michele Bachmann
raises the specter
of Muslim Brotherhoods
taking over Egypt.

The persecution of Christians
and the escalating war on

Christianity have the Crusaders
up on their seats waving Excalibur
once again.

Gingrich pink cheeks
flush with the cash

of a Zionist casino
entrepreneur

doubles down, stacks
his chips high.

“The Israeli Embassy
in Cairo was overrun
by angry mobs.”  

“Is this a precursor of
cancelling the peace treaty
signed with Sadat?”

“The pullout in Iraq hands the country to
radical Shiites effectively handing our
hard won victory to Iran.”

“Israel is threatened and will not
permit Iran to acquire nuclear

weapons. A nuclear empowered Iran
will not stand!”

“We mustn't let do nothing Obama
threaten the safety of our good ally
Israel.”

CPAC willingly holds the deadly asp
to the breast of a proud nation.

Urging, coaxing it to gently sink
its teeth into the sacred heart
of our dear republic...

John Lee ******
Crawlin King Snake

CPAC 2011

Matthew 23
Brood of Vipers


jbm
Oakland
2/10/11
There is the shop, seemly frozen by the night
it's granite letters makes cold its welcome
the moon is full as figures within seem to move
but none inside are of flesh and blood.

The closer you get to it, the colder you feel
for this is Marionettes
shop of clowns, to grotesque dolls starring blankly
a bazaar, a mix of dreams and nightmares.

Some loiter by the lead laced windows
as if forming a way of escape from their crowded prison
others at the back of the shop seem resigned to their fate,
of gathering dust, becoming phantoms and shadows.

Every time I have walked passed this shop
I hear ghostly laughter
sometimes whimpering echo's
but this time I hear a cry for help.


By Christos Andreas Kourtis aka NeonSolaris
I felt I was drowning in cement
as powerful was their lament
then suddenly the door opened
and I was torn into their world

I was static in mind and frozen
just another fool to be chosen
to frequent this enslaving shop
to knuckle down or be fire wood

My limbs now made of plastic
my mind a void just numb
I thought I was helping
yet now, I have become one

To sing in duets of madness
while my strings are pulled
this way, that way
I'm broken and fooled

Some strings you may see
some invisible, some kettle ***
is for mercy is this in kindness
is this truly now all I've got

Another doll just wooden within
suffering and screaming for help
in a shop of petrifaction
Marionettes, is now where I dwell


By Christos Andreas Kourtis aka NeonSolaris
Tim Knight Feb 2013
Over staffed and under fed
Spanish waiters
rush around with
waistcoats of wisdom
wearing black shoes
of sordid shift-work soles.

They greet and speak to every new
tourist, and regular, as if a
brother, sister, mother, second-cousin-twice-removed
stepmother, yet really they are:

the ephemeral fodder of the
cheap, low-cost-airline,

the flash and it’s gone spine of most cities
on the map,

the ‘Sorry, I left it in a Barcelona Café, could I get it back on insurance?’
baseball cap, that most sightseer marionettes wear, back to front,

the standing in line, waiting to complain,
tourists that know nothing of decorum.

So the Spanish waiter served me my coffee
and whispered in my ear,
Disfrutar de su día senor’,
that was,
'Enjoy your day Sir’.
coffeeshoppoems.com >> for more free poetry
Mateuš Conrad Jul 2016
you never want the people, poetry never wants the people, the effective performance of democracy before Pilate left the Jews scarred entering unconquered territories of the former Roman Empire, where the phonetic encoding was far more precious than that ****** Christianity of enabling the circumcision without the 613 minor commandments missing... too fickle too whatever it was... people bring with them the bubonic plague, Protestantism, all the recent crazes in gaming... they never bring in the Rōnin Aishas - they always bring the riffraff of hopes and dreams readied for the few worth the ambition - they bring in all the bones except the spine - they're not here for a poem, they're here for a coliseum - the furore! - you know what i hate about seeing ballet or the opera? the ******* clapping... too much of it... i might live in a village, but going to an opera house feels worse than walking the countryside... the clapping is not even an ******, it hurts the ears, esp. culminating with encore! and bravo! who let these peasants out on the town?! who?! compare that to a Slipknot mosh-pit and you get the picture: with the former you get an exactness on what limbs were used... with the latter you're a pit of dismembered pieces akin to heston blumenthal cooking up whale *****.*

****... italics and the airs of how to pretend
the earth is jumping skip-rope
rather than in smooth ovals circulating the canary globe -
i forgot what i was supposed to say...
... ... ... ... ah! in the 20th century you wrote books
and earned and gambled the earnings...
in the 21st century you write and you gamble...
a lot of people are trapped in the 21st century,
writers don't have the leisure time -
if you write you write out of a love for the actual
act of writing, none of us will have a chance
to write and gamble on the horses,
the two fused - we write and gamble -
there's no chance to earn anything more it -
the harsh reality being - you have to chose
a certain type of poverty to accomplish a continuity
with writing - by writing you are providing the
inaccessible answers to escaping capitalism -
you have no answers, you have proofs without
question - i can't write and party like 20th
century's elites could - i don't care how far criticism of
my writing goes - the public looked far too long
at the wrong crowd - we're the new Antoinette Marionettes -
the moral brigade is out and about -
Bohemia even in ideal will soon become the sudden
implosion of Yugoslavia;
but what of the great injustice they did unto Franz Kafka?
he said: better print my works in LARGE PRINT
or burn them... they didn't burn them, and published
his works in the tinniest of possible claustrophobic cares -
they did more justice to Bukowski - printing him
with print so large it could almost be considered a form
of Braille. i guess that's the best imagery that can be
acquired when describing humanity's moral compass -
a Bermuda triangle whack-job magnetism worth of a tornado.
1.

I am thirty this November.
You are still small, in your fourth year.
We stand watching the yellow leaves go queer,
flapping in the winter rain.
falling flat and washed. And I remember
mostly the three autumns you did not live here.
They said I'd never get you back again.
I tell you what you'll never really know:
all the medical hypothesis
that explained my brain will never be as true as these
struck leaves letting go.

I, who chose two times
to **** myself, had said your nickname
the mewling mouths when you first came;
until a fever rattled
in your throat and I moved like a pantomine
above your head. Ugly angels spoke to me. The blame,
I heard them say, was mine. They tattled
like green witches in my head, letting doom
leak like a broken faucet;
as if doom had flooded my belly and filled your bassinet,
an old debt I must assume.

Death was simpler than I'd thought.
The day life made you well and whole
I let the witches take away my guilty soul.
I pretended I was dead
until the white men pumped the poison out,
putting me armless and washed through the rigamarole
of talking boxes and the electric bed.
I laughed to see the private iron in that hotel.
Today the yellow leaves
go queer. You ask me where they go I say today believed
in itself, or else it fell.

Today, my small child, Joyce,
love your self's self where it lives.
There is no special God to refer to; or if there is,
why did I let you grow
in another place. You did not know my voice
when I came back to call. All the superlatives
of tomorrow's white tree and mistletoe
will not help you know the holidays you had to miss.
The time I did not love
myself, I visited your shoveled walks; you held my glove.
There was new snow after this.

2.

They sent me letters with news
of you and I made moccasins that I would never use.
When I grew well enough to tolerate
myself, I lived with my mother, the witches said.
But I didn't leave. I had my portrait
done instead.

Part way back from Bedlam
I came to my mother's house in Gloucester,
Massachusetts. And this is how I came
to catch at her; and this is how I lost her.
I cannot forgive your suicide, my mother said.
And she never could. She had my portrait
done instead.

I lived like an angry guest,
like a partly mended thing, an outgrown child.
I remember my mother did her best.
She took me to Boston and had my hair restyled.
Your smile is like your mother's, the artist said.
I didn't seem to care. I had my portrait
done instead.

There was a church where I grew up
with its white cupboards where they locked us up,
row by row, like puritans or shipmates
singing together. My father passed the plate.
Too late to be forgiven now, the witches said.
I wasn't exactly forgiven. They had my portrait
done instead.

3.

All that summer sprinklers arched
over the seaside grass.
We talked of drought
while the salt-parched
field grew sweet again. To help time pass
I tried to mow the lawn
and in the morning I had my portrait done,
holding my smile in place, till it grew formal.
Once I mailed you a picture of a rabbit
and a postcard of Motif number one,
as if it were normal
to be a mother and be gone.

They hung my portrait in the chill
north light, matching
me to keep me well.
Only my mother grew ill.
She turned from me, as if death were catching,
as if death transferred,
as if my dying had eaten inside of her.
That August you were two, by I timed my days with doubt.
On the first of September she looked at me
and said I gave her cancer.
They carved her sweet hills out
and still I couldn't answer.

4.

That winter she came
part way back
from her sterile suite
of doctors, the seasick
cruise of the X-ray,
the cells' arithmetic
gone wild. Surgery incomplete,
the fat arm, the prognosis poor, I heard
them say.

During the sea blizzards
she had here
own portrait painted.
A cave of mirror
placed on the south wall;
matching smile, matching contour.
And you resembled me; unacquainted
with my face, you wore it. But you were mine
after all.

I wintered in Boston,
childless bride,
nothing sweet to spare
with witches at my side.
I missed your babyhood,
tried a second suicide,
tried the sealed hotel a second year.
On April Fool you fooled me. We laughed and this
was good.

5.

I checked out for the last time
on the first of May;
graduate of the mental cases,
with my analysts's okay,
my complete book of rhymes,
my typewriter and my suitcases.

All that summer I learned life
back into my own
seven rooms, visited the swan boats,
the market, answered the phone,
served cocktails as a wife
should, made love among my petticoats

and August tan. And you came each
weekend. But I lie.
You seldom came. I just pretended
you, small piglet, butterfly
girl with jelly bean cheeks,
disobedient three, my splendid

stranger. And I had to learn
why I would rather
die than love, how your innocence
would hurt and how I gather
guilt like a young intern
his symptons, his certain evidence.

That October day we went
to Gloucester the red hills
reminded me of the dry red fur fox
coat I played in as a child; stock still
like a bear or a tent,
like a great cave laughing or a red fur fox.

We drove past the hatchery,
the hut that sells bait,
past Pigeon Cove, past the Yacht Club, past Squall's
Hill, to the house that waits
still, on the top of the sea,
and two portraits hung on the opposite walls.

6.

In north light, my smile is held in place,
the shadow marks my bone.
What could I have been dreaming as I sat there,
all of me waiting in the eyes, the zone
of the smile, the young face,
the foxes' snare.

In south light, her smile is held in place,
her cheeks wilting like a dry
orchid; my mocking mirror, my overthrown
love, my first image. She eyes me from that face
that stony head of death
I had outgrown.

The artist caught us at the turning;
we smiled in our canvas home
before we chose our foreknown separate ways.
The dry redfur fox coat was made for burning.
I rot on the wall, my own
Dorian Gray.

And this was the cave of the mirror,
that double woman who stares
at herself, as if she were petrified
in time -- two ladies sitting in umber chairs.
You kissed your grandmother
and she cried.

7.

I could not get you back
except for weekends. You came
each time, clutching the picture of a rabbit
that I had sent you. For the last time I unpack
your things. We touch from habit.
The first visit you asked my name.
Now you will stay for good. I will forget
how we bumped away from each other like marionettes
on strings. It wasn't the same
as love, letting weekends contain
us. You scrape your knee. You learn my name,
wobbling up the sidewalk, calling and crying.
You can call me mother and I remember my mother again,
somewhere in greater Boston, dying.

I remember we named you Joyce
so we could call you Joy.
You came like an awkward guest
that first time, all wrapped and moist
and strange at my heavy breast.
I needed you. I didn't want a boy,
only a girl, a small milky mouse
of a girl, already loved, already loud in the house
of herself. We named you Joy.
I, who was never quite sure
about being a girl, needed another
life, another image to remind me.
And this was my worst guilt; you could not cure
or soothe it. I made you to find me.
In memoriam
C. T. W.
Sometime trooper of the Royal Horse Guards
obiit H.M. prison, Reading, Berkshire
July 7, 1896

I

He did not wear his scarlet coat,
For blood and wine are red,
And blood and wine were on his hands
When they found him with the dead,
The poor dead woman whom he loved,
And murdered in her bed.

He walked amongst the Trial Men
In a suit of shabby grey;
A cricket cap was on his head,
And his step seemed light and gay;
But I never saw a man who looked
So wistfully at the day.

I never saw a man who looked
With such a wistful eye
Upon that little tent of blue
Which prisoners call the sky,
And at every drifting cloud that went
With sails of silver by.

I walked, with other souls in pain,
Within another ring,
And was wondering if the man had done
A great or little thing,
When a voice behind me whispered low,
‘That fellow’s got to swing.’

Dear Christ! the very prison walls
Suddenly seemed to reel,
And the sky above my head became
Like a casque of scorching steel;
And, though I was a soul in pain,
My pain I could not feel.

I only knew what hunted thought
Quickened his step, and why
He looked upon the garish day
With such a wistful eye;
The man had killed the thing he loved,
And so he had to die.

Yet each man kills the thing he loves,
By each let this be heard,
Some do it with a bitter look,
Some with a flattering word,
The coward does it with a kiss,
The brave man with a sword!

Some **** their love when they are young,
And some when they are old;
Some strangle with the hands of Lust,
Some with the hands of Gold:
The kindest use a knife, because
The dead so soon grow cold.

Some love too little, some too long,
Some sell, and others buy;
Some do the deed with many tears,
And some without a sigh:
For each man kills the thing he loves,
Yet each man does not die.

He does not die a death of shame
On a day of dark disgrace,
Nor have a noose about his neck,
Nor a cloth upon his face,
Nor drop feet foremost through the floor
Into an empty space.

He does not sit with silent men
Who watch him night and day;
Who watch him when he tries to weep,
And when he tries to pray;
Who watch him lest himself should rob
The prison of its prey.

He does not wake at dawn to see
Dread figures throng his room,
The shivering Chaplain robed in white,
The Sheriff stern with gloom,
And the Governor all in shiny black,
With the yellow face of Doom.

He does not rise in piteous haste
To put on convict-clothes,
While some coarse-mouthed Doctor gloats,
and notes
Each new and nerve-twitched pose,
******* a watch whose little ticks
Are like horrible hammer-blows.

He does not know that sickening thirst
That sands one’s throat, before
The hangman with his gardener’s gloves
Slips through the padded door,
And binds one with three leathern thongs,
That the throat may thirst no more.

He does not bend his head to hear
The Burial Office read,
Nor, while the terror of his soul
Tells him he is not dead,
Cross his own coffin, as he moves
Into the hideous shed.

He does not stare upon the air
Through a little roof of glass:
He does not pray with lips of clay
For his agony to pass;
Nor feel upon his shuddering cheek
The kiss of Caiaphas.

II

Six weeks our guardsman walked the yard,
In the suit of shabby grey:
His cricket cap was on his head,
And his step seemed light and gay,
But I never saw a man who looked
So wistfully at the day.

I never saw a man who looked
With such a wistful eye
Upon that little tent of blue
Which prisoners call the sky,
And at every wandering cloud that trailed
Its ravelled fleeces by.

He did not wring his hands, as do
Those witless men who dare
To try to rear the changeling Hope
In the cave of black Despair:
He only looked upon the sun,
And drank the morning air.

He did not wring his hands nor weep,
Nor did he peek or pine,
But he drank the air as though it held
Some healthful anodyne;
With open mouth he drank the sun
As though it had been wine!

And I and all the souls in pain,
Who tramped the other ring,
Forgot if we ourselves had done
A great or little thing,
And watched with gaze of dull amaze
The man who had to swing.

And strange it was to see him pass
With a step so light and gay,
And strange it was to see him look
So wistfully at the day,
And strange it was to think that he
Had such a debt to pay.

For oak and elm have pleasant leaves
That in the springtime shoot:
But grim to see is the gallows-tree,
With its adder-bitten root,
And, green or dry, a man must die
Before it bears its fruit!

The loftiest place is that seat of grace
For which all worldlings try:
But who would stand in hempen band
Upon a scaffold high,
And through a murderer’s collar take
His last look at the sky?

It is sweet to dance to violins
When Love and Life are fair:
To dance to flutes, to dance to lutes
Is delicate and rare:
But it is not sweet with nimble feet
To dance upon the air!

So with curious eyes and sick surmise
We watched him day by day,
And wondered if each one of us
Would end the self-same way,
For none can tell to what red Hell
His sightless soul may stray.

At last the dead man walked no more
Amongst the Trial Men,
And I knew that he was standing up
In the black dock’s dreadful pen,
And that never would I see his face
In God’s sweet world again.

Like two doomed ships that pass in storm
We had crossed each other’s way:
But we made no sign, we said no word,
We had no word to say;
For we did not meet in the holy night,
But in the shameful day.

A prison wall was round us both,
Two outcast men we were:
The world had ****** us from its heart,
And God from out His care:
And the iron gin that waits for Sin
Had caught us in its snare.

III

In Debtors’ Yard the stones are hard,
And the dripping wall is high,
So it was there he took the air
Beneath the leaden sky,
And by each side a Warder walked,
For fear the man might die.

Or else he sat with those who watched
His anguish night and day;
Who watched him when he rose to weep,
And when he crouched to pray;
Who watched him lest himself should rob
Their scaffold of its prey.

The Governor was strong upon
The Regulations Act:
The Doctor said that Death was but
A scientific fact:
And twice a day the Chaplain called,
And left a little tract.

And twice a day he smoked his pipe,
And drank his quart of beer:
His soul was resolute, and held
No hiding-place for fear;
He often said that he was glad
The hangman’s hands were near.

But why he said so strange a thing
No Warder dared to ask:
For he to whom a watcher’s doom
Is given as his task,
Must set a lock upon his lips,
And make his face a mask.

Or else he might be moved, and try
To comfort or console:
And what should Human Pity do
Pent up in Murderers’ Hole?
What word of grace in such a place
Could help a brother’s soul?

With slouch and swing around the ring
We trod the Fools’ Parade!
We did not care:  we knew we were
The Devil’s Own Brigade:
And shaven head and feet of lead
Make a merry masquerade.

We tore the tarry rope to shreds
With blunt and bleeding nails;
We rubbed the doors, and scrubbed the floors,
And cleaned the shining rails:
And, rank by rank, we soaped the plank,
And clattered with the pails.

We sewed the sacks, we broke the stones,
We turned the dusty drill:
We banged the tins, and bawled the hymns,
And sweated on the mill:
But in the heart of every man
Terror was lying still.

So still it lay that every day
Crawled like a ****-clogged wave:
And we forgot the bitter lot
That waits for fool and knave,
Till once, as we tramped in from work,
We passed an open grave.

With yawning mouth the yellow hole
Gaped for a living thing;
The very mud cried out for blood
To the thirsty asphalte ring:
And we knew that ere one dawn grew fair
Some prisoner had to swing.

Right in we went, with soul intent
On Death and Dread and Doom:
The hangman, with his little bag,
Went shuffling through the gloom:
And each man trembled as he crept
Into his numbered tomb.

That night the empty corridors
Were full of forms of Fear,
And up and down the iron town
Stole feet we could not hear,
And through the bars that hide the stars
White faces seemed to peer.

He lay as one who lies and dreams
In a pleasant meadow-land,
The watchers watched him as he slept,
And could not understand
How one could sleep so sweet a sleep
With a hangman close at hand.

But there is no sleep when men must weep
Who never yet have wept:
So we—the fool, the fraud, the knave—
That endless vigil kept,
And through each brain on hands of pain
Another’s terror crept.

Alas! it is a fearful thing
To feel another’s guilt!
For, right within, the sword of Sin
Pierced to its poisoned hilt,
And as molten lead were the tears we shed
For the blood we had not spilt.

The Warders with their shoes of felt
Crept by each padlocked door,
And peeped and saw, with eyes of awe,
Grey figures on the floor,
And wondered why men knelt to pray
Who never prayed before.

All through the night we knelt and prayed,
Mad mourners of a corse!
The troubled plumes of midnight were
The plumes upon a hearse:
And bitter wine upon a sponge
Was the savour of Remorse.

The grey **** crew, the red **** crew,
But never came the day:
And crooked shapes of Terror crouched,
In the corners where we lay:
And each evil sprite that walks by night
Before us seemed to play.

They glided past, they glided fast,
Like travellers through a mist:
They mocked the moon in a rigadoon
Of delicate turn and twist,
And with formal pace and loathsome grace
The phantoms kept their tryst.

With mop and mow, we saw them go,
Slim shadows hand in hand:
About, about, in ghostly rout
They trod a saraband:
And the ****** grotesques made arabesques,
Like the wind upon the sand!

With the pirouettes of marionettes,
They tripped on pointed tread:
But with flutes of Fear they filled the ear,
As their grisly masque they led,
And loud they sang, and long they sang,
For they sang to wake the dead.

‘Oho!’ they cried, ‘The world is wide,
But fettered limbs go lame!
And once, or twice, to throw the dice
Is a gentlemanly game,
But he does not win who plays with Sin
In the secret House of Shame.’

No things of air these antics were,
That frolicked with such glee:
To men whose lives were held in gyves,
And whose feet might not go free,
Ah! wounds of Christ! they were living things,
Most terrible to see.

Around, around, they waltzed and wound;
Some wheeled in smirking pairs;
With the mincing step of a demirep
Some sidled up the stairs:
And with subtle sneer, and fawning leer,
Each helped us at our prayers.

The morning wind began to moan,
But still the night went on:
Through its giant loom the web of gloom
Crept till each thread was spun:
And, as we prayed, we grew afraid
Of the Justice of the Sun.

The moaning wind went wandering round
The weeping prison-wall:
Till like a wheel of turning steel
We felt the minutes crawl:
O moaning wind! what had we done
To have such a seneschal?

At last I saw the shadowed bars,
Like a lattice wrought in lead,
Move right across the whitewashed wall
That faced my three-plank bed,
And I knew that somewhere in the world
God’s dreadful dawn was red.

At six o’clock we cleaned our cells,
At seven all was still,
But the sough and swing of a mighty wing
The prison seemed to fill,
For the Lord of Death with icy breath
Had entered in to ****.

He did not pass in purple pomp,
Nor ride a moon-white steed.
Three yards of cord and a sliding board
Are all the gallows’ need:
So with rope of shame the Herald came
To do the secret deed.

We were as men who through a fen
Of filthy darkness *****:
We did not dare to breathe a prayer,
Or to give our anguish scope:
Something was dead in each of us,
And what was dead was Hope.

For Man’s grim Justice goes its way,
And will not swerve aside:
It slays the weak, it slays the strong,
It has a deadly stride:
With iron heel it slays the strong,
The monstrous parricide!

We waited for the stroke of eight:
Each tongue was thick with thirst:
For the stroke of eight is the stroke of Fate
That makes a man accursed,
And Fate will use a running noose
For the best man and the worst.

We had no other thing to do,
Save to wait for the sign to come:
So, like things of stone in a valley lone,
Quiet we sat and dumb:
But each man’s heart beat thick and quick,
Like a madman on a drum!

With sudden shock the prison-clock
Smote on the shivering air,
And from all the gaol rose up a wail
Of impotent despair,
Like the sound that frightened marshes hear
From some ***** in his lair.

And as one sees most fearful things
In the crystal of a dream,
We saw the greasy hempen rope
Hooked to the blackened beam,
And heard the prayer the hangman’s snare
Strangled into a scream.

And all the woe that moved him so
That he gave that bitter cry,
And the wild regrets, and the ****** sweats,
None knew so well as I:
For he who lives more lives than one
More deaths than one must die.

IV

There is no chapel on the day
On which they hang a man:
The Chaplain’s heart is far too sick,
Or his face is far too wan,
Or there is that written in his eyes
Which none should look upon.

So they kept us close till nigh on noon,
And then they rang the bell,
And the Warders with their jingling keys
Opened each listening cell,
And down the iron stair we tramped,
Each from his separate Hell.

Out into God’s sweet air we went,
But not in wonted way,
For this man’s face was white with fear,
And that man’s face was grey,
And I never saw sad men who looked
So wistfully at the day.

I never saw sad men who looked
With such a wistful eye
Upon that little tent of blue
We prisoners called the sky,
And at every careless cloud that passed
In happy freedom by.

But there were those amongst us all
Who walked with downcast head,
And knew that, had each got his due,
They should have died instead:
He had but killed a thing that lived,
Whilst they had killed the dead.

For he who sins a second time
Wakes a dead soul to pain,
And draws it from its spotted shroud,
And makes it bleed again,
And makes it bleed great gouts of blood,
And makes it bleed in vain!

Like ape or clown, in monstrous garb
With crooked arrows starred,
Silently we went round and round
The slippery asphalte yard;
Silently we went round and round,
And no man spoke a word.

Silently we went round and round,
And through each hollow mind
The Memory of dreadful things
Rushed like a dreadful wind,
And Horror stalked before each man,
And Terror crept behind.

The Warders strutted up and down,
And kept their herd of brutes,
Their uniforms were ***** and span,
And they wore their Sunday suits,
But we knew the work they had been at,
By the quicklime on their boots.

For where a grave had opened wide,
There was no grave at all:
Only a stretch of mud and sand
By the hideous prison-wall,
And a little heap of burning lime,
That the man should have his pall.

For he has a pall, this wretched man,
Such as few men can claim:
Deep down below a prison-yard,
Naked for greater shame,
He lies, with fetters on each foot,
Wrapt in a sheet of flame!

And all the while the burning lime
Eats flesh and bone away,
It eats the brittle bone by night,
And the soft flesh by day,
It eats the flesh and bone by turns,
But it eats the heart alway.

For three long years they will not sow
Or root or seedling there:
For three long years the unblessed spot
Will sterile be and bare,
And look upon the wondering sky
With unreproachful stare.

They think a murderer’s heart would taint
Each simple seed they sow.
It is not true!  God’s kindly earth
Is kindlier than men know,
And the red rose would but blow more red,
The white rose whiter blow.

Out of his mouth a red, red rose!
Out of his heart a white!
For who can say by what strange way,
Christ brings His will to light,
Since the barren staff the pilgrim bore
Bloomed in the great Pope’s sight?

But neither milk-white rose nor red
May bloom in prison-air;
The shard, the pebble, and the flint,
Are what they give us there:
For flowers have been known to heal
A common man’s despair.

So never will wine-red rose or white,
Petal by petal, fall
On that stretch of mud and sand that lies
By the hideous prison-wall,
To tell the men who ***** the yard
That God’s Son died for all.

Yet though the hideous prison-wall
Still hems him round and round,
And a spirit may not walk by night
That is with fetters bound,
And a spirit may but weep that lies
In such unholy ground,

He is at peace—this wretched man—
At peace, or will be soon:
There is no thing to m
The cry for help broke my balance
my legs buckled, I fell to the ground
I felt the dead walk through me
and my soul seemed to splinter

Like a crack crazed puppet
I span around on my knees
crawled up to the door
beating it hard with my fists

Inside they howled like Banshees
willing me to break them out
my fists, blooded from the pounding
imbedded with glass, yet I had no care

I saw little plastic hands
banging on the leaded windows,
through the silver letterbox
pale hands tried to egg me on

Their frantic screaming
their hollow lives
their desperate hour
calling me to save them

Wanting freedom from this most unholy shop
for all within were the souls of the living
those who had sinned
and deemed unforgiven


By Christos Andreas Kourtis aka NeonSolaris
CommonStory Sep 2014
Sorry I can't be one of your subject

Is that what you want me to do

Sorry I can't be a little perfect

I'm Just that shallow to you

Maybe I am somewhat translucent

I can only let so much through

Sorry I'm not so as weird or different

It's not bad to blend in 

you

Don't have to serve as an image

Like everyone else wants to

You try to play the part

I don't have purple hearts 

You only tear me apart

Whoa oh uh oh oh

Whoa oh uh oh oh 

I'm not Your thing

I don't have puppet strings
© copyright Matthew Marvier Donald 2014
Olivia Kent Dec 2013
Don't turn the lights out on my life.
So soon.
My rather crazy friend.
I am not your loving wife.
I'm nobody's muppet.
And you're not a puppet.

We're sat on the gate.
Not on the fence.
May the gate re-open if not totally broken.
Sat on the fence.
Not waiting to fall.

Should be dispelling busted hate.
No need for you to hate me mate.
For you're free now.
Though the times we spent together were really great.

I'm no cow.
As a ruminant perhaps.
I chew on the cud.
Regurgitate.
In an awful sad and crazy state.
I'm not crazy at it happens.

The times we spent together were really great.
You and I.
Now relishing precious time on my own.
For I am your puppy and you are my bone.
LOL X

By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)
Francie Lynch Mar 2015
The geosynchronous
Geppetto One
With us orbits
Round our sun;
Blinking down,
Ringing up,
We're on lines
Like marionettes;
Transmitting selfies,
Receiving otheries.
Time to be Pinnochio,
Cut some ties,
Get up and go,
See eye to eye
When toe to toe,
Watch how small
Our noses grow.
Somewhere, there is a labyrinth, where people wander around and around, suffering,
Unwilling contestants of a cruel game, where the
Winner doesn't live to tell the tale—to claim the prize. It is
Wicked and unrelenting. The wardens of this
Prison are ruthless, indiscriminately casting their victims into the labyrinth,
Just to see what they're made of.

Around and around they go, trying to get out of
This endless ring of suffering,
Trying to regain control of their lives from this
Monstrous power. They search to find out where the end is,
Around and around, bewildered marionettes, hugging the
Walls, as cold as death. But they cannot find the exit to this labyrinth.

They cry out and curse this labyrinth
Of suffering. They don't want to know what they're made of.
They want to stop the agony and the suffering.
"Around and around is not the answer to this,"
They finally cry like hungry animals, "Straight and fast is."
And so they go, straight and fast, to break away from the

Horrors they're frantically attempting to escape. The
Frigid walls, stretching endlessly upward, collapse as they blast through the labyrinth
Like siege engines. Around and around their heads, like drunken birds, images of
Their lives whirl by. Desperate to put an end to their sweat and suffering,
These prisoners blindly race toward the light in the distance. But this
Solution does not completely end the suffering. That's not how the labyrinth is.

Look around you. What you see is
Filled with raging fists, starving mouths, and the
Cries of those drowning in their own suffering.
This world is a world of
Recurring pain, winding around and around like a labyrinth.
Look around you and answer me: What is this?

This
Is
The
Labyrinth
Of
Suffering.

We all are stuck suffering, flies in a web. We imagine ourselves escaping, hiding this
Bleak present under a fabricated future, but the labyrinth does not begin or end. It just is.
So around and around we go. Welcome to the labyrinth. Let's see what you're made of.
A sestina.
Jacob Sykes Feb 2013
seedy motels crowded with undesirables
shooting up
smoking ****
toothless ******* for a fix
welcome to America
home of the brave
and the crack den
what a beautiful country ours is
majestic purple mountains
slick black tar ******
amber waves of grain
skid row and soup kitchens
the struggle to survive
we fight to stay alive
land of the free
but free has hidden fees
free love?
Aids'll stop ya
free health care?
Get out you ****** *******
free speech?
Only if you don't mind mace
Here the dom in freedom means *******
******* of the free
we go through it all like marionettes
glassy eyed and blank faces
our strings pulled by wealthy men
we become older and older until death
and don't forget the debt
that will be your children's problem
BENEATH the flat and paper sky
The sun, a demon's eye,
Glowed through the air, that mask of glass;
All wand'ring sounds that pass

Seemed out of tune, as if the light
Were fiddle-strings pulled tight.
The market-square with spire and bell
Clanged out the hour in Hell;

The busy chatter of the heat
Shrilled like a parakeet;
And shuddering at the noonday light
The dust lay dead and white

As powder on a mummy's face,
Or fawned with simian grace
Round booths with many a hard bright toy
And wooden brittle joy:

The cap and bells of Time the Clown
That, jangling, whistled down
Young cherubs hidden in the guise
Of every bird that flies;

And star-bright masks for youth to wear,
Lest any dream that fare
--Bright pilgrim--past our ken, should see
Hints of Reality.

Upon the sharp-set grass, shrill-green,
Tall trees like rattles lean,
And jangle sharp and dissily;
But when night falls they sign

Till Pierrot moon steals slyly in,
His face more white than sin,
Black-masked, and with cool touch lays bare
Each cherry, plum, and pear.

Then underneath the veiled eyes
Of houses, darkness lies--
Tall houses; like a hopeless prayer
They cleave the sly dumb air.

Blind are those houses, paper-thin
Old shadows hid therein,
With sly and crazy movements creep
Like marionettes, and weep.

Tall windows show Infinity;
And, hard reality,
The candles weep and pry and dance
Like lives mocked at by Chance.

The rooms are vast as Sleep within;
When once I ventured in,
Chill Silence, like a surging sea,
Slowly enveloped me.
Pourush Turel Feb 2018
I pride,
In many things.
Little and big.
Existing and imaginary.
Useful and unnecessary.
Almost ubiquitously.

I take pride in my mind, most of all.
In the many wonders it brings me.
It lets me wave
at the voyagers that zip by
as I swim,
weightless and cold
in the eternal stardust of would bes.

It lets me simmer
in the memory of a younger day.
Of all the loves loved
and the ones lost
I pride the ones that never gave way.
Like old paintings
stowed away deeply
fragments,
moving,
ageing effortlessly.

I take pride in the fact that I have one true friend
and not many.
I don't know why I take pride in it though
I would understand culling a herd, if I had any.

I take pride in a soul that has learnt to love so deeply.
Deeper than the rivers of the world
and tumultuous as the sea
I take pride in my dog, sitting
when I command it.
I take pride in the fact that,
At least he understands it.

I take pride in the words that I think
and regret the ones I don't.

I take pride in understanding the existence of truth
and its relentless need to run and hide away.

I take pride in my people
and in their endless rebellion against sanity.
I take pride in their manic displays of affection
despite their distaste for the same affectations.
I take pride in their synchronized entropy,
beautiful,
much like the death of a galaxy.  

I take pride in the songs I hear,
the sonnets of love and despair.
of first discoveries,
and fevered dreams.
Of Kings and conquerors
and knights against the regime.
Of their legends that soar and rise and
go beyond where the grave lies.

I take pride in the mirror.
Though broken and shattered beyond repair
it bestows me with honesty
about the one that I care.

I take pride in all these aberrations,
in these tiny little manipulations.

These effervescent little marionettes
forever dancing within constellations.
Grey mirror Nov 2017
We are like marionettes.
Our fears: our marionettists.
Control bars direct our actions,
the strings limit our abilities.
We preform for an applause,
But not for a visionary cause.
Don't let fear undermine your ability
st64 Sep 2013
we are witness to atrocities
committed by regime
over its peoples
over time



1.
we are witness..

shattering glass of reality arranged into chosen shard-feeds
like omni-gov surveillance into meticulous mind-grafts
spluttering eternal-stats for public mind control
spewing mini-truths of perpetual war raids
disillusionment of history forever *rewritten

control supply-and-demand
create dark-cloaked dilemma and monitor shortage and famine
make-believe elements so well played to auto-frenzied latch
thinking is degraded and actions.. well, less said



2.
diligent and loyal yet harbour secret-hatred
feed visions stilted by politrix
deception and manipulation
propaganda is the oleaginous-game by wand-over-mind
totalitarian is the kingpin-holder of cards
and yet, who is really being played!

eternal marionettes on a conveyor-belt
can't even play with yourself alone
your ****.. your ****.. your every move..
watched - surveyed - and studied
by that ubiquitous-bulge eye you cannot escape
right opposite your low hard-bed
you're broken into popping-parts
that YOU won't recognise!


thoughtcrime-police is gonna accost ya
get up, comrade.. get UUUUUUUUP!




3.
we are witness
life-tube covered in darkened vapour-swirls

we are witness
children conditioned to watch their parents.. too closely

we are witness
truth so smothered, now re-fed by repeat-metaphor

we are witness
dictata.. dictata..

we are witness
austere existence in a tacky one-room flat

we are witness
subsist on black-wheat and imitation-repast

we are witness
regurgitate the party-dialect on and on and on
(after a while, we end up half-believing.. )



only the clock which strikes thirteen
can smell the charred-reality
as leftover-truth is shoved
into incendiary obsolescence




tick-a-****-tock
and that would be..
one



S T - 26 sept
two.. three.. four..

who's really subversive?

afraid?
yeah, maybe we oughta be!
(ooh, mind.. don't think too loudly now..lol)

oh, and I wonder if anyone dares to hate this poem..
(anyway, it matters little - life's too short to give a rat's **** 4 that :)







sub-entry: Witless


2.
it's for the greater good
believe it!


1.
thus
we are witness..
(my broken nose tells me.. I won't be decimated)

and
we are all witness..
(heartless control reeks sidewalk-cracking dents)

then
we are witless
( .. .. .. )


0.
hack, hack, Neanderthal
hack, HACK!


-1.
brr
it's cold..

no..!
no..!
no..!
not me, please!

(primal fear sets in
see how
we stigma-sell each other out)
Blair Griffith May 2012
I

A Genesis! The Exodus, the Exodus!
A departure from all terrestiality
Always immoral and depraved, bathed in filth, in self-loathing
Abattoir of our souls, it entrenches us

Also, we too must be of the same make
And bear with our corpses the same proceedings, the same caliber
Allowed to their subversive candor,
All that broke the Carthaginians upon their own passage
Across the peninsular pathways

S'il in our conquest we find, however, that the pachyderms have run aground,
Vous must aggregate our conscious thought
Plaitcate the ravenousness within the heart of victory.

II

Bring victory, the winged harbinger of the conquest,
Beg for tyrannical proclamations: the end of man, the end of men,
By now, the greater of the concepts is lost to its own devices, devices,
Belching out smoke, that bend the corpses upon their backs.
By wrenching from their life a sense of purpose,
Byproductively, they feed heroic romanticisms of combat.

Brought yet upon these fields, there lies no stranger enemy
But that of the tide
Being self-effacing, masochistic,
Belittling, She breaks herself upon the shore, ravaging the bodies of
Both, Playing as ******* and as subservient

III

Come! Wave upon Wave upon Frothing
Crest, to shores of golden enfrenzied ******
Calmed by the liquid of our ***** *****
Charging forth as we
Charge forth armies upon the field of slaughter
Callously, for you, our gilded monarch
Can you see? They cannot see, and we hope to elucidate your presence, they
Cannot comprehend or fathom what they
Cannot see.

IV

Ceaseless now the charges
Come further upon the front
Crashing 'gainst the openings of each
Clangor and madness
Coalesce to form death

Dripping anew with sanguine libations
Drawn fresh from naked lambs, freshly cut for their country
Dionysian warriors return,
Desire forming their mental undulations

Effortlessly they overtake their feminine fortunes
Effacing their identities, removing from them with their clothing, the
Entirety of their selves.

V

From carnal conquest they rejoice,
Flaunting the destruction they wrought
Flinging husks of women about the room,
Foisting these shells on other patriarchs

Given no choice, they return to fields of battle
Godspeed, gods' will, and god-granted
Gaian soil is retreaded by their sodden flesh.

VI

Hellish, infernal is their presence
Having lost no measure to revelry or rest, neither
Halting nor slowed, the march quickens in time with their lustful bellows
Hastened to madness by infinity
Harkened back to prisons of mental anguish by their creators
How proud they are, the Old Gods,
Hacking away the pounds of flesh to reveal the
Haphazard construction to their instruments of torture.

VII

Into the bloodshed, into the fiery cavernous opening of the crusade
Ignited by righteous scraps of cloth and metal
Ignobly formed into crudely significant, textured shapes
Iconoclasts to their own ideals
Idyllic in their self-mockery.

Jabbering like hellbeasts, the warriors drive into the flesh of the conflict
Jettisoning armaments in the process, their
Joie de vivre having been lessened by mechanical limits.
Jocular slaughter synthesized with demonic cries.

Kapellmeisters to the symphony of death,
Keeping in the rhythm of mutilation, counterpoints of steel clashing against breastplates, giving shape to a
Kleptocracy of life.

VIII

Languishing now in the refuse of the struggle,
Laden with corpses, the warriors remain restrained by fatigue
Lurching through the mud, calling out feebly with voices
Long since bellowed to pulpy masses of throat tissue.

Masses of flesh crawling across the fields of strife,
Macerated ground, weak and shifting, struggles to support the
Multitude of half-corpses now in eternal respite upon the bloodied pasture.

IX

Now broken with regret and shame they collapse
Nestled into the marrow of the fallow earth,
Needing only rest in the cooling tendrils of dirt and blood that trickle across them.
Né de nouveau, their trek leads them towards the grave
Necrosis having taken hold in their limbs,
Nascent corpses, they subside with grave finality into a dead collective.

X

Opaque irises await those who uncover the un-burial mound
Oafish sockets containing them like marbles
Open to the elements, decaying with their corporeal encasement, shaded by
Oaken leaves that remain unfallen, while
Obsequious maggots go about their task of cleansing the remains

Paralyzed in the final moments of their mortal coil, the bodies lay stagnant,
Pacified only by the removal of sentience.
Pagan rituals surround such corpses, and the intrepid discovers
Patiently await the arrival of some necromantic spirit.

Quasi-instinctively, the pioneers of the superterranean mausoleum
Quell their fears and remove the bodies from their conclusive locale,
Quantifying their deaths by the armaments and metal carapaces upon them.

XI

Reeling across the path, weighted by the bodies,
Returning, the archaeological presence brings a pall over society, which
Remained reticent despite the presence of such suffocating solemnity
Repressed by its own intent

Solitude is given no quarter, and the bodies
Strung up like scattered marionettes
Silently serenade the town with a deafening cacophony.

XII

To Hell their souls desperately charge, frothing about the shackles of undeath
Torn from corporeal existence, yet unable to
Transgress the mortal plane
Torturous paradox!
Torment the fallen of Carthage's vestigal might no more
Traducer of the human condition
Tragedy is loosed at thy whim
Try not the patience of demi-gods of wrath and bloodshed.

XIII

Undulating by the beckoning of the wind,
Un-beautiful, un-ironed, the shrouds of the coffins
Under grey sky hang softly like leaden sheets
Unaware of the gravity beneath the few inches of oak
Un-aesthetically masking the dead warriors' forms

Visceral is the movement of the procession,
Vermicular, they wind a course to the peak of the foothill
Vehemently the priest urges them onwards, although he is
Visibly ill on this occasion of the anti-hero.

Warlike, the battle up the ***** claims the lives of those already claimed
Wastrels left to rot in the carcass of a long-dead conflict,
Wanting nothing more than solace eternal.

XIV

Xenophobes of the Inferno fear the inevitable presence of these
Xoana, false representations of humanity.
Xanthic is their fear, for inside the malebolges themselves
Xanadu is sought for those of the fallen soldiery.

Yet funerary proceedings dictate descent for these souls, and the coffins
Yaw slightly in the wind, disturbed by the
Yanks of the ****** rabble who bear their weight.

XV

Zeus himself presides over the ferrying of these souls,
Zion awaits them, their final collective fate at hand,

Yet slowly it turns its back upon them,
Xenophanes mocks from his post,
Wailing, they fall
Velocity increasing infinitely,
Until they see no more the lustrous light
Trapped eternally in dark
Stabbed with betrayal and fear, their souls
Run amok, fleeing from the source of their anguish
Questioning existence.
Periodically in the abyss, the helpless aggregate conscious is
Overwhelmed with memory of Paradise
Now to them denied for eternity.
Mephisto remains, their only companion,
Leeching from them the final vestiges of hope now left within, once
Kept hidden to protect the warriors, now
Jabbed and pummeled to death.
In this state of perpetual umbra
Heaven so distant, now only faded, as if on parchment,
Gained by the souls is a sense of locality, once
Forgotten but now reattained, and
En masse, the group instantly
Derives that they have returned from beyond the mortal plane, the terra once again
Collates beneath their soles, and the collective decides they must return
Before the open sun, to bear themselves
Against the gods, against sanctity itself, and thus they cry:
Hallie Bear Jul 2012
Synergy slides like a promise from thick whips of fingers
Griping me and sinking thorns in but loving it all the same
Twitching with them 
Epileptic ecstasy 
Slamming and combining. Pure unadulterated noise 
Lapping at the shores of nonsense 
Wildly uncontrolled but watching it looks like perfectly harmonized marionettes 
Punching sounds in and flowing reactions 
Spinning swooshing, dancing like the Nike sign. 
We are Just Doing It all over the place
Hands spread and flower 
Seeming endless heartpounds swim below 
Feeling the need through the floor
shattering up bones and jerking bodies into movement 
Wicked entertainer creating blooming false patterns 
Blood lining where it hasn't before, yet it's already planned 
The electric noise makes you think inspiration but whispers command.
React??
moss Feb 2015
on this earth
in this place
things are used
as strings
for the puppet
of the population
the dancing marionettes
to not think
for themselves
they believe what
they are told to
and do not question
but questions
are important
they are a necessity
to our very survival
they want diversity
yet persecute
the truly diverse
what thought is this
that they believe
they call for logic
but do not use it
they call for peace
but start wars
they plead for love
but harbor hatred
they demand equality
and equal understanding
for different opinions
yet they do not accept
those of the people who
don't agree with them
they call for rights
then elect restrictions
and immobilities
into the office
what is this thought
what is this day
that we must live in?
Far from poetry. Just a rant.
All the poems have wolves in it* -- Jim Morrison

Man in bathtub with stony eyes
Water getting stiller in the cold, dead night
Hair long and soft as outstretched raven claws
Wilted fingers grip the lip with lifelike vigor
And then slip away

Naked wooden marionettes writhe
In dunes of ****** sawdust
Shedding skin like so much baggage
And baggage like so much skin
Cheese-grater screams on blank faces
Soon the forms are dust and then
The dust is gone

Inked fingers dipped in oft-repeated wisdoms
Picking little crippled words
And someone else's Lego bricks
Shine a light on the beautiful
Laugh at it
Sing to it
Grasp at it
Quit
Inspired by the Doors movie, and by "Intro" by Alt-J
Shar Ward Mar 2013
Dawn rose
Her golden hair lighting the sky
And she caressed the Earth
In her fiery finger tips
Painting color onto every
Tree and flower
Whose color had been bleached
By the Moon

All the glassy-eyed marionette puppets
Were brought back to life
Dancing in the light
Their eyes shone
From their mistress’ warm glow

The puppets kneeled before
The rising sun
Smiling and full of joy
A feeling so different
Than the cold fear the Moon brought

The Darkness

That was when Twilight, the setting sun
Dropped her marionettes
Left them strewn about carelessly
And the shimmering Moon came out of hiding

The Moon Lady smiled down sadly
At the lifeless figures
Littering the Earth
But she didn’t say anything
No
Instead she blew soft kisses
Into the unforgiving black space
Where they twinkled like diamonds

And she shed tears,
Which landed on the puppet’s faces
And clung to their eyelashes
Like silvery dew

Ah, but the marionettes didn’t appreciate
The twinkling lights in the sky
Nor the beautiful tears shed in sympathy for them

They just waited for Dawn to return
With her golden hair
And glowing finger tips
Robin Carretti Jun 2018
This is like
The study hall
Easily distracted by rubies
More may be less
tale of  two cities
Dicken's

Please listen
Diamonds are too clear
But rubies we love to
blush
Who cares to be the fairest
Rubies are the
greatest
fortune tellers flush
Like Barbara
Stan evil met Stanwick
Her sparkling candlesticks
Double Indemnity roulette
Those Rebelites statuettes

And how the ruby hooked
on her cultured pearl string
Being pushed over one ruby
My gems got
stretched
like marionettes don't sleep
you will be changed
Into the Gem Bodysnatcher

Just ditch her fake ruby cup
of coffee
Always wanted to be
reassured Ruby Jubilee
Stabbing her jeweled
pen Glamp Tepee

Her ruby could be
locked up and stored
It better be insured

People were naked
without their power
of rubies
She sat so confidently not
to be
outshined
Looking at the
moon-ruby-shrine

Monsterous devious maids
Took her for everything
Screen playact
****** just a tad glad
Redrum
The ruby cluster rash
Ceremony hot flashes
Ruby loves to blush

With Frank Sinatra
Gave Lana Turner a cluster
That was just
the starter Hey Buster

Someone is always
quicker and
****** sicker
Just light her flicker
She was the gem of
the trade
The real boot

the kicker was Jack of
all trades the shinning
But Frankly, they were the
made gem

Something you call
love but
ruby success
You said these boots
are made
for walking
that's just what
they do

One of these days these
rubies will walk
all over  you
Ruby Ms. Gabby
Miss ruby lips Tabby
Loreal and hubby I am
not mail service
Or your ruby police
Ruby slipper to be
escorted by fake Prince
welcome to sanity

Artsy Aristocrats
in the Pick-INNS
All ruby for sucker pins

Her belly went in
The functions
that
produce rubies
anything you want
But reproduce love
Over my ruby heart, you won't

Rubellite head Humpty* Dumpty
The Wall Street
the diamond
the exchange got  overly
populated
Of the Dynasty
transported
her ruby
So far__________


Catching high gems stars
The best-aged ruby
color winery Tuscany
Ruby-Tuesday
Hi ****** in springtime

Ruby fanatics
The Ruby blew out the
candles at one go
Was the grandeur
Ruby grapefruit

God/Goddess/Ruby that is
Nod/ Mistress/Hobby
Flight/Gem/Food/ don't wait to
marry him
She got the
cutest little
babyface diamonds
are way too
clear
Mommy dearest
Anna Karenina
one heartbreak for
this ruby the meanest
The beauty unbound
The rarity like no
other to
be found
This is firehouse of rubies or Ruby of Tuesday any day I might say I hope you love grapefruit and the good kick of a boot there is no Owls to hoot please take a ruby seat this is Robins beat
Kim E Williams Aug 2014
see my marionettes take your stage
hear your laughter, feel your rage
safely sitting
program in hand
three cheers for the puppet man

pull the string, watch the dolls dance
blood runs from my finger tips
maybe this time it will change
calm my fears, ease my pain

i see your faces, swoons and frowns
watching puppet take puppet down
they 're not real, your thoughts remind
while silently I die standing behind

pull the string, watch the dolls dance
blood runs from my finger tips
maybe this time it will change
calm my fears, ease my pain

with human hate they dance for you
showing the worst that we can do
superb! delight! encore' you shout
so once more the toys come out

pull the string, watch the dolls dance
blood runs from my finger tips
maybe this time it will change
calm my fears, ease my pain

the lights are gone, empty isles now
i fall broken wondering how
these hands will heal, gather strength again
so, you can live through my gift, friend

pull the string, watch the dolls dance
blood runs from my finger tips
maybe this time it will change
calm my fears, ease my pain

see my marionettes take your stage
watch your laughter, feel your rage
safely sitting program in hand
three cheers for the puppet man
much of my life was spent performing for others...pleasing, appeasing. it takes it's toll.
René Mutumé Mar 2014
I smoked. There was a good hand in the sky. It looked like a peach draped over tatty buildings. Hemisphere broken open at the end of a fist, and then at the end of an arrow shattering the pieces of night surrounding it, as the moon clouds shot, devouring it.

I flicked my cigarette down on the floor of the fly over instead of flicking it into the avalanche of cars below. Who knows what something as miniscule as a flying tab **** might make a person think. It would not be a fly. It would be a tab ****. It would be something that distracted a driver on the motorway, which they traced back to my finger flicking it.

It would be rude and imprecise, a car loses control and then flips over for a second, then paints the carriageway with ten multiples of itself flying and screaming. The driver flys inside the car. And I continued to cross the fly over. Outside the bookies at 10pm there is a dog looking up at me, his head tilts like he is asking me something, as he starts to follow me, leash dragging.

"Oi! Oi! Where the **** are you going?" A mouth from the ****** says, "Oh me, just down here." I reply, "I was talkin to the ******* dog you ******* mug." The gentleman added. The small white staffy was still looking up at me. Well, one of us is going to have to answer him, his tail said. "Oh ******* then." The mouth says changing back again into the building. "I guess we're going down there then." Schrödinger says, or 'Schrö', as he allows me to call him.

I light another cigarette as more arrows are fired from the sky, more like wet arrows now. "Well you'll need to pick up my leash mate; I don't want to look like a ******." Shrö says, "Ah sorry dude," I say picking it up as we continue to walk.

"Most of the people who talk to me are a little mad." The small staffy says. But why am I called Schrödinger? The staffy asks me. Ah come on, you don't get it? Well I do apologise but I am not that sharp on my quantum theory philosophy, and I am also a dog. Oh yes, I concede to him in my flat.  "Do you mind opening the door to your balcony pilgrim?" He asks me next.

"Sorry sir?" I ask him, "Well it either goes on your floor or I do it outside." He says. I open the door as he asks, and then lean against the frame as he takes a ****, and I watch him. He scrapes his hind legs on the concrete as if forgetting that it is concrete and not soil. You remind me a lot of love, I mention to him, smoking.

“You know what pilgrim? I think I prefer the name Otto Gross.” The staffy says looking up at the mixing night and I hatch open a new can pouring some into his bowl on the balcony. Cheers love. He says. He puts his two front paws on the meter high wall where my balcony overlooks a junk yard, and begins to speak.

“There is my lover! As screamed across sense and filled with conjoined gait, of my eye and hand, I am jealous of the city she walks in, by me, as I am half departed, myself, near a fox that gathers in ball, by me and is a better *****, than me, here, so I learn, from vermin, how to hide, how to fight, and how to re-appear. How to have humour, like theirs, and there unplanned joy-“

Woah “*******”, I’m spewing, a poet dog! A pile of dosh in the equilibrium! I rush back into my flat and grab a pencil and paper, shake a bit, take a sip, keep on listening, then nearly fall **** forwards returning to the balcony scribbling. And there’s a ****** dog talking.

“I trit-trot across roads with my last owner, winning jobs only within tasks of cemetery light, inside and on, the wall; so curled so, as I sleep outside, so sojourned within, grey dusk, car rivers- I spit! Not so far as giants can, just a piece of spittle, just shadow puppets dancing, just marionettes laughing-”
Schrödinger sang on my balcony beginning to howl, making the lid of the box open.

“To ******* the rain. To share within it, its fire, its knowable drench, of skin like hymn, that is so far penetrating, and mingled past flesh, opened and quakeless to the onslaught of lightening swans! The quickening fury, of several slow days, and lives, devouring the metronome of salutes, upon heart buildings coming down like tetrahedrons drawn by many hands, of dusk filth opening to the arrays of data goods and gods, and produced from the pockets of gibbous mooned skies, and I whisper to the tsunami: mood unhung, bellowing away from the dog fights, and unpainted streets, I seem: To be praying...”

Monday may come soon I doubted, watching the staffy speak.

“Planets growing teeth, in the stars and the junk-yarded iris, succour comes, and so do the sad journeying flies, flying in the mouth of many gales, as extremities to the planet’s engine, affordable, losses, condensed in- and danced solarlessly -in, dances of mortuary, and wedding sung precipice, the edge of a gale, happy to blow my face, away, just gust gust gust! And yes. I do pray a little, and past holocaust of saccharine tune, our shame is forgotten in the simple, rhythms, of a cup- a hand, a castle flock of gulls, landing in water.”

A dog wags its tail because it has just shat, his owner gone, bag ready below ****, I feel streets clean with loving owners hostile to the madness, of the furious dozen dozen flies- lobotomised drool, ready and alive enough, to laugh, and if you are knifeless, maybe a lil knackered, from work - - we might haul up: eternity, my love, and have a lil more, humour! In our sheets and face and sky, an take a **** holiday, right where you are stood or sat, walking, or resting.

And there are no gods, but the ones that let you see them creasing their soft cheeks and aging beside you, together, letting time die, parapets soak in the weather, and say: ‘hey’, here are my bones, there has been a lot of twisting done, but all they need, is yours.
Glenn McCrary Sep 2012
Acquiring the libel of critics
Internally at times I bleat
And snarl, brow furrowed
Like an actress when filming a major motion *****
“Originality bid us farewell” screams my advanced intellect
Nothing more than a social outcast who lacks a catalyst
(though thankfully the universe is an object of open ended philosophy)
The voices of such a generation fail to carry notes
Beyond the octave range
Only Canis lupus familiaris feces, in its rejuvenated appearance,
Delivers abstract imagery
What was once honorable has dissolved into media sewage
Virginal darlings now dissolved into marionettes
Shall my poems alienate the public
They shall at least demonstrate bravery
Mohamed Amer Oct 2011
Books covered with dust on the shelves of my life
Words omitted, Forgotten or not accompli
Birds sang no more in the storms of deceit
No leaves left in the branches of the Memory tree

Schizophrenic attitude from lost meanings and definitions
Spending a whole life in delusion or fake Ideas
People I spent my life with, turned into marionettes
Hopeless faces and diminished hopes discoursing Aporia

In Sickness
In Dementia
In Eternal Fight
In Hypomania
Lost
In Insomnia
What else
In Amnesia
Who am I?
In Dysthymia

Visions of dear, lost in the addiction to smoke and beer
Now the glass is empty, I am Paranoid
Walking in the streets, where to go? Just following my feet
Everyone is staring in disdain, I am Schizoid
Natural Disasters, time passes by like it never passed by

Dreams like reality, where is it? Where is Adam and Eve?
Nobility, loyalty, and all this nonsense of history
Now the time for thieves and the aces in their sleeves

Don’t look at me
In Scopophobia
Leave me alone
In Ochlophobia
Stop your war
In Hoplophobia
What’s doomsday?
In Theophobia
Who am I?
In Phobophobia

Now what happened, happened
I don’t dare to change
I surrender to the glowing eyes of the Sun
In the daring waves of the grain fields
No other chance in the middle of the symmetry

Run Away Run Away
Dare you to stay
Double Dare You
Laughter
Run Away Run Away
Dare you to stay
No Way

Where will you go? There is always a horizon in the end of the day
This thin line of endless misery will never fade
Close your eyes and you lay, as you surrender to failure
Open your eyes.

Arbela
Metaurus
Tours
Baghdad
Jerusalem
Hiroshima

Wait there is a light coming through that hole
Is there a crack in this mighty wall?
Shall I look through or will I ruin it all?

Dare You to Look
Double Dare You
Laughter
I will look and see through history
Look and see who my ancestors were
Dare you to look
Wait, I will double dare you

Khan
Vlad
***
Dada
Sheridan

Digging graves
Writing names
Changing fates

I believe in you
No longer a Human
Depraved of emotions
Dare you to stand in my face
Double dare you
I will run away
Dare you to Say
Dare you to Stay

What is the point of saying?
You **** like breathing, Lord of the Flies
You are an anathema
Genocide, all men are slaves

What is the point of staying?
You pour the pain like rain from the skies
You are an artist
In the Art of **** and depravity

Symmetry, who sets the scales of balance?
Apathy, who will care more than me?
Futility, why do you set a course without reason?
Sanctuary, where is the shelter?  Never existed anyway

Come with me across the ocean of suffering
When we land you will live forever
In peace and innocent laughter

Fool me again, and what about the memories of hurt
Leave my hand, all what I had, was falling from the edge
You have no glimpse of an idea where you’re taking me
All those promises of faith and immortality

Wait,
A Moment of clarity
A Degree of Sanity
A Victim of Society
A Beautiful Monstrosity
A Nocturnal Supremacy
A Diminished Eternity
A Puzzle of Ecstasy
A Ballet of Tragedy
A Tide of Tranquility
A Motivation for Obscenity
A Divine Eulogy
A Celestial Obituary

Before I gave up on Him, He Gave up on me
Who Am I? Who is He?

Dare you
Double Dare you
Take your Daring Away

The Art of **** and Depravity
Faith and Immortality
Lord of The Flies
Darius and Alexander
Khan and the end of the last civilization
Dracula
Amerinds and our Forefathers
Salahaldin and a million corpses for the sake of salvation
Ruhollah

In the end I am to blame
Yes this is the price of fame
The Infamous human
The Beast of Mystery
The Bringer of Misery
The Vandal of Humanity
matt nobrains Jun 2014
this is a poem about happiness.
this is also a poem about how great life is, see? here's a metaphor
comparing nature to the faultless
form of a pedastalized lover,
here's a description of the
effect of changes in air pressure
and localized temperature
fluctuations
on physical matter in a given area.
here's a bland truism that
anybody can relate to.
here's a couple rhyming stanzas
about the ethereal shifting of
connecting threads which
cause all life to dance upon
the cosmic stage like food poisoned marionettes.
here's an ode to the wrinkles of
my ******* and
the bits of fuzz that occasionally
find their home in my *****.
here's a sonette to the drop outs
doing better than me
here's a dirge for the businessman
that hangs himself
and a jubilee for his widow
who earns nothing off his death
because he left his entire estate
to his catamite.
I'm writing a symphony in color,
notes of fermenting wood
dogshit and coffin dust.
the violas swoop and drone
the piccolos trill fast enough
to excise your gastrointestinal system
the barotone sax wheezes
and the timpani drum rumbles
(the flutes sit motionless because
**** flutes)
the pianists fingers are bleeding
hes banging with stumps now
his face contorted in ecstatic glee
as if the face of god has parted
the clouds just to scrape his gums
clean with his dietous ****.
and lo faint is the whisper
which climbs and slithers
between the
false,
bash upon life with both hands.
here is life here is death
let me show your life
let me breathe your wretching
like squandered
like roots in the soil,
paint your everlasting cave drawing
in the face of your kitchen
and dance around a fire
let the embers lick your heels
til pagan viciousness overtakes
your quivering form.
gasp it in
mj cusson Sep 2013
Puppets on strings, seeing the sky isn’t straight.
They don’t cut the strings but they try to relate.
If true love isn’t a choice, but fate,
Then I truly hate.

Are we marionettes with no purposed roles?
The only option is to control who controls.
Good names are better than good homes.
Upright morals rather than good fables.

Gardens are beautiful, where the skies are right,
and a flower is lovely in the right light.
Refuge is better when you seek inside,
and the night is better when you’re alive.

My strings are jumbled, and scrambled,
Tangled, and puzzled.
Cutting the puppeteer’s strings will **** me now,
So instead I will join the crowd.

Root truth, so not to be played by lies.
There’s this, that, and baradatat.
Avoid the fakes and the disguised.
So, not to remain in your trap.

Rise, rise up to that cross bar,
remover of strings,
and we will know who we are.
Who we are.

Are we marionettes with no purposed roles?
The only option is to control who controls.
Good names are better than good homes.
Upright morals rather than good fables.

Puppets on strings, seeing the sky isn’t straight.
They don’t cut the strings but they try to relate.
If true love isn’t a choice, but fate,
Then I truly hate.

— The End —