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Lucky Queue Nov 2012
buzzzzzzz
The bus engine idles
Intensifying the hammering of little gnomes
On my skull
Their tin mallets ***** dinking
incessantly
Throbbing
Painful numb as waves crash to escape
The confines of my head
A small clownfish throwing his tiny body
Against the walls again
And again
And again
ba-dump ba-dump ba-dump
The bus hits three large bumps in a row
Jostling and jolting me into excruciating confusion
So tired and so alert
Drifting off to consciousness
I have got to escape this headache...
“Build me straight, O worthy Master!
Stanch and strong, a goodly vessel,
That shall laugh at all disaster,
And with wave and whirlwind wrestle!”

The merchant’s word
Delighted the Master heard;
For his heart was in his work, and the heart
Giveth grace unto every Art.
A quiet smile played round his lips,
As the eddies and dimples of the tide
Play round the bows of ships,
That steadily at anchor ride.
And with a voice that was full of glee,
He answered, “Erelong we will launch
A vessel as goodly, and strong, and stanch,
As ever weathered a wintry sea!”
And first with nicest skill and art,
Perfect and finished in every part,
A little model the Master wrought,
Which should be to the larger plan
What the child is to the man,
Its counterpart in miniature;
That with a hand more swift and sure
The greater labor might be brought
To answer to his inward thought.
And as he labored, his mind ran o’er
The various ships that were built of yore,
And above them all, and strangest of all
Towered the Great Harry, crank and tall,
Whose picture was hanging on the wall,
With bows and stern raised high in air,
And balconies hanging here and there,
And signal lanterns and flags afloat,
And eight round towers, like those that frown
From some old castle, looking down
Upon the drawbridge and the moat.
And he said with a smile, “Our ship, I wis,
Shall be of another form than this!”
It was of another form, indeed;
Built for freight, and yet for speed,
A beautiful and gallant craft;
Broad in the beam, that the stress of the blast,
Pressing down upon sail and mast,
Might not the sharp bows overwhelm;
Broad in the beam, but sloping aft
With graceful curve and slow degrees,
That she might be docile to the helm,
And that the currents of parted seas,
Closing behind, with mighty force,
Might aid and not impede her course.

In the ship-yard stood the Master,
With the model of the vessel,
That should laugh at all disaster,
And with wave and whirlwind wrestle!
Covering many a rood of ground,
Lay the timber piled around;
Timber of chestnut, and elm, and oak,
And scattered here and there, with these,
The knarred and crooked cedar knees;
Brought from regions far away,
From Pascagoula’s sunny bay,
And the banks of the roaring Roanoke!
Ah! what a wondrous thing it is
To note how many wheels of toil
One thought, one word, can set in motion!
There ’s not a ship that sails the ocean,
But every climate, every soil,
Must bring its tribute, great or small,
And help to build the wooden wall!

The sun was rising o’er the sea,
And long the level shadows lay,
As if they, too, the beams would be
Of some great, airy argosy,
Framed and launched in a single day.
That silent architect, the sun,
Had hewn and laid them every one,
Ere the work of man was yet begun.
Beside the Master, when he spoke,
A youth, against an anchor leaning,
Listened, to catch his slightest meaning.
Only the long waves, as they broke
In ripples on the pebbly beach,
Interrupted the old man’s speech.
Beautiful they were, in sooth,
The old man and the fiery youth!
The old man, in whose busy brain
Many a ship that sailed the main
Was modelled o’er and o’er again;—
The fiery youth, who was to be
The heir of his dexterity,
The heir of his house, and his daughter’s hand,
When he had built and launched from land
What the elder head had planned.

“Thus,” said he, “will we build this ship!
Lay square the blocks upon the slip,
And follow well this plan of mine.
Choose the timbers with greatest care;
Of all that is unsound beware;
For only what is sound and strong
To this vessel shall belong.
Cedar of Maine and Georgia pine
Here together shall combine.
A goodly frame, and a goodly fame,
And the Union be her name!
For the day that gives her to the sea
Shall give my daughter unto thee!”

The Master’s word
Enraptured the young man heard;
And as he turned his face aside,
With a look of joy and a thrill of pride
Standing before
Her father’s door,
He saw the form of his promised bride.
The sun shone on her golden hair,
And her cheek was glowing fresh and fair,
With the breath of morn and the soft sea air.
Like a beauteous barge was she,
Still at rest on the sandy beach,
Just beyond the billow’s reach;
But he
Was the restless, seething, stormy sea!
Ah, how skilful grows the hand
That obeyeth Love’s command!
It is the heart, and not the brain,
That to the highest doth attain,
And he who followeth Love’s behest
Far excelleth all the rest!

Thus with the rising of the sun
Was the noble task begun,
And soon throughout the ship-yard’s bounds
Were heard the intermingled sounds
Of axes and of mallets, plied
With vigorous arms on every side;
Plied so deftly and so well,
That, ere the shadows of evening fell,
The keel of oak for a noble ship,
Scarfed and bolted, straight and strong,
Was lying ready, and stretched along
The blocks, well placed upon the slip.
Happy, thrice happy, every one
Who sees his labor well begun,
And not perplexed and multiplied,
By idly waiting for time and tide!

And when the hot, long day was o’er,
The young man at the Master’s door
Sat with the maiden calm and still,
And within the porch, a little more
Removed beyond the evening chill,
The father sat, and told them tales
Of wrecks in the great September gales,
Of pirates coasting the Spanish Main,
And ships that never came back again,
The chance and change of a sailor’s life,
Want and plenty, rest and strife,
His roving fancy, like the wind,
That nothing can stay and nothing can bind,
And the magic charm of foreign lands,
With shadows of palms, and shining sands,
Where the tumbling surf,
O’er the coral reefs of Madagascar,
Washes the feet of the swarthy Lascar,
As he lies alone and asleep on the turf.
And the trembling maiden held her breath
At the tales of that awful, pitiless sea,
With all its terror and mystery,
The dim, dark sea, so like unto Death,
That divides and yet unites mankind!
And whenever the old man paused, a gleam
From the bowl of his pipe would awhile illume
The silent group in the twilight gloom,
And thoughtful faces, as in a dream;
And for a moment one might mark
What had been hidden by the dark,
That the head of the maiden lay at rest,
Tenderly, on the young man’s breast!

Day by day the vessel grew,
With timbers fashioned strong and true,
Stemson and keelson and sternson-knee,
Till, framed with perfect symmetry,
A skeleton ship rose up to view!
And around the bows and along the side
The heavy hammers and mallets plied,
Till after many a week, at length,
Wonderful for form and strength,
Sublime in its enormous bulk,
Loomed aloft the shadowy hulk!
And around it columns of smoke, upwreathing,
Rose from the boiling, bubbling, seething
Caldron, that glowed,
And overflowed
With the black tar, heated for the sheathing.
And amid the clamors
Of clattering hammers,
He who listened heard now and then
The song of the Master and his men:—

“Build me straight, O worthy Master,
    Staunch and strong, a goodly vessel,
That shall laugh at all disaster,
    And with wave and whirlwind wrestle!”

With oaken brace and copper band,
Lay the rudder on the sand,
That, like a thought, should have control
Over the movement of the whole;
And near it the anchor, whose giant hand
Would reach down and grapple with the land,
And immovable and fast
Hold the great ship against the bellowing blast!
And at the bows an image stood,
By a cunning artist carved in wood,
With robes of white, that far behind
Seemed to be fluttering in the wind.
It was not shaped in a classic mould,
Not like a Nymph or Goddess of old,
Or Naiad rising from the water,
But modelled from the Master’s daughter!
On many a dreary and misty night,
‘T will be seen by the rays of the signal light,
Speeding along through the rain and the dark,
Like a ghost in its snow-white sark,
The pilot of some phantom bark,
Guiding the vessel, in its flight,
By a path none other knows aright!

Behold, at last,
Each tall and tapering mast
Is swung into its place;
Shrouds and stays
Holding it firm and fast!

Long ago,
In the deer-haunted forests of Maine,
When upon mountain and plain
Lay the snow,
They fell,—those lordly pines!
Those grand, majestic pines!
’Mid shouts and cheers
The jaded steers,
Panting beneath the goad,
Dragged down the weary, winding road
Those captive kings so straight and tall,
To be shorn of their streaming hair,
And naked and bare,
To feel the stress and the strain
Of the wind and the reeling main,
Whose roar
Would remind them forevermore
Of their native forests they should not see again.
And everywhere
The slender, graceful spars
Poise aloft in the air,
And at the mast-head,
White, blue, and red,
A flag unrolls the stripes and stars.
Ah! when the wanderer, lonely, friendless,
In foreign harbors shall behold
That flag unrolled,
‘T will be as a friendly hand
Stretched out from his native land,
Filling his heart with memories sweet and endless!

All is finished! and at length
Has come the bridal day
Of beauty and of strength.
To-day the vessel shall be launched!
With fleecy clouds the sky is blanched,
And o’er the bay,
Slowly, in all his splendors dight,
The great sun rises to behold the sight.

The ocean old,
Centuries old,
Strong as youth, and as uncontrolled,
Paces restless to and fro,
Up and down the sands of gold.
His beating heart is not at rest;
And far and wide,
With ceaseless flow,
His beard of snow
Heaves with the heaving of his breast.
He waits impatient for his bride.
There she stands,
With her foot upon the sands,
Decked with flags and streamers gay,
In honor of her marriage day,
Her snow-white signals fluttering, blending,
Round her like a veil descending,
Ready to be
The bride of the gray old sea.

On the deck another bride
Is standing by her lover’s side.
Shadows from the flags and shrouds,
Like the shadows cast by clouds,
Broken by many a sunny fleck,
Fall around them on the deck.

The prayer is said,
The service read,
The joyous bridegroom bows his head;
And in tears the good old Master
Shakes the brown hand of his son,
Kisses his daughter’s glowing cheek
In silence, for he cannot speak,
And ever faster
Down his own the tears begin to run.
The worthy pastor—
The shepherd of that wandering flock,
That has the ocean for its wold,
That has the vessel for its fold,
Leaping ever from rock to rock—
Spake, with accents mild and clear,
Words of warning, words of cheer,
But tedious to the bridegroom’s ear.
He knew the chart
Of the sailor’s heart,
All its pleasures and its griefs,
All its shallows and rocky reefs,
All those secret currents, that flow
With such resistless undertow,
And lift and drift, with terrible force,
The will from its moorings and its course.
Therefore he spake, and thus said he:—

“Like unto ships far off at sea,
Outward or homeward bound, are we.
Before, behind, and all around,
Floats and swings the horizon’s bound,
Seems at its distant rim to rise
And climb the crystal wall of the skies,
And then again to turn and sink,
As if we could slide from its outer brink.
Ah! it is not the sea,
It is not the sea that sinks and shelves,
But ourselves
That rock and rise
With endless and uneasy motion,
Now touching the very skies,
Now sinking into the depths of ocean.
Ah! if our souls but poise and swing
Like the compass in its brazen ring,
Ever level and ever true
To the toil and the task we have to do,
We shall sail securely, and safely reach
The Fortunate Isles, on whose shining beach
The sights we see, and the sounds we hear,
Will be those of joy and not of fear!”

Then the Master,
With a gesture of command,
Waved his hand;
And at the word,
Loud and sudden there was heard,
All around them and below,
The sound of hammers, blow on blow,
Knocking away the shores and spurs.
And see! she stirs!
She starts,—she moves,—she seems to feel
The thrill of life along her keel,
And, spurning with her foot the ground,
With one exulting, joyous bound,
She leaps into the ocean’s arms!

And lo! from the assembled crowd
There rose a shout, prolonged and loud,
That to the ocean seemed to say,
“Take her, O bridegroom, old and gray,
Take her to thy protecting arms,
With all her youth and all her charms!”

How beautiful she is! How fair
She lies within those arms, that press
Her form with many a soft caress
Of tenderness and watchful care!
Sail forth into the sea, O ship!
Through wind and wave, right onward steer!
The moistened eye, the trembling lip,
Are not the signs of doubt or fear.
Sail forth into the sea of life,
O gentle, loving, trusting wife,
And safe from all adversity
Upon the ***** of that sea
Thy comings and thy goings be!
For gentleness and love and trust
Prevail o’er angry wave and gust;
And in the wreck of noble lives
Something immortal still survives!

Thou, too, sail on, O Ship of State!
Sail on, O Union, strong and great!
Humanity with all its fears,
With all the hopes of future years,
Is hanging breathless on thy fate!
We know what Master laid thy keel,
What Workmen wrought thy ribs of steel,
Who made each mast, and sail, and rope,
What anvils rang, what hammers beat,
In what a forge and what a heat
Were shaped the anchors of thy hope!
Fear not each sudden sound and shock,
‘T is of the wave and not the rock;
‘T is but the flapping of the sail,
And not a rent made by the gale!
In spite of rock and tempest’s roar,
In spite of false lights on the shore,
Sail on, nor fear to breast the sea!
Our hearts, our hopes, are all with thee,
Our hearts, our hopes, our prayers, our tears,
Our faith triumphant o’er our fears,
Are all with thee,—are all with thee!
Sleepy Sigh Sep 2010
Her silver watch glints at me
So smugly, and cherry red bracelets
Shake from the proximity to
Those hands. Hands that move
Like jack rabbits on hot
Asphalt, like bubbles popping
In grease: she's snapping those
Sticks up and down, in and out.
Wrists and fingers are all the
Rhythm and rhyme I need.
She keeps time effortlessly.
The snap, the tap, the beat
Deep-seated in her soul, the music
Buzzing in her unhearing ears
Swallows me whole. I'm just
A shell caught in the tide
Of her swells and the trough
Bottoms out when she
Stops, slamming her hand to make the
Steel rim POP. Like a witch-
Doctor she casts a spell and
Though now she is gone,
I am bound still.
share, don't steal, etc blah blah blah

Written about that wonderful woman, Evelyn Glennie, who has more talent than words can express.
LA Hall Nov 2013
I staggered through the desert, dressed
in brown rags,
ripped. I was surrounded by flies.
They picked at my sweaty forehead,
spoiled my food.
I had in an old wicker basket two crisp apples,
which are brown
now, thanks to those flies.
My feet are dry, cracked and ******,
not from flies—
from hot scorpions.
They hide under sand
and pick at my feet.
One day I left my house n’went for a walk; kicked open my front door
        walked over the old stone bridge over water bright and blue, for
        miles and miles,
on footpaths by little rivers, through mossy forests,
knee-deep in marshes,
hiking over rocky, cold mountains,
stammering across the plains.
I saw the desert:
punched me in the gut.
Beautiful,
I thought—
immortal.
A great tornado of sand
came whisking from the dunes. I checked
my watch: The glass was shattered. The hands were bent crooked.
I unstrapped
my watch and threw it
on the edge of the desert and
I sprinted toward the endless tan horizon, kicked off my rotten shoes
        to feel the hot sand between my toes and ran. I fell and fell asleep.

I was bored in my old, old house.
The floor was always swept to shine,
my bookcase:
big, glossy, oak monstrosity.
And no, I did not have a wife,
or children.
I lived in a sunny village,
paved with stone.
By the fountain, birds sang, merchants sold felt and mallets.
I’m too tired for explanations.
And besides,
there is no trick, I left to leave,
to run and jump and roll and howl.

I knew it would end,
like this or something similar.
I decided to
just lie down,
and the vultures came like a great black cloud to circle,
and the heat,
the headache,
my body buzzed cooled a dizzy, breaking feeling came and body was freed
        like ice smashing to shards . . . on desert floor, old rags drenched
        in sweat-body.
I open my eyes wide.
I keep them open.
Tears come to my eyes.
I let the sun blind me.
I turn over on my side and close my eyes, see red.
My eyelids are hot.
The vultures caw
and shriek like
squealing pigs.
I’m dizzy and my head feels thick.
The vultures will eat me,
rip my skin with beaks,
and the flies will buzz around me
until I’m bones, but
I came here just to come here,
and I lied here just to lie, and
I lived just to live,
so then I’ll die now just to die.
Jene'e Patitucci Nov 2012
She knelt there on the dusty, stained carpet that stung her ****** knees through torn nylons. The lighting was bad and the air was heavy. Her frame shivered in the warmth of the cheap hotel room of which she wasn’t even sure how she made it to. Her chest rose and fell violently as tears stung across her cheeks and fell like bullets to her sides. Her heart, or what was left of the mutilated muscle, pounded against her ribs like mallets to a vibraphone. She could no longer feel the pain.

Her weak hands grasped the handle of the blade like a child holds mother’s hand, and she realized then that the furniture here wasn’t waiting for her to put on a show. There were no cameras. There was no microphone. No people. No bodies. No eyes. No ears. She was alone. There was no use imagining it as a heartbreaking scene in a movie; a tear inducing, award-winning music video; a postcard. But she moved like a dancer in her mind’s eye as she tightened her grip on the knife in her hand and a tear played across her lips, now bringing in air between them softly and lightly; barely alive. All she wanted was for him to burst through the door, screaming, and run to her; and hold her. She imagined it in her mind; she thought of the whole act, but she wasn’t sure when his lines were. She waited, hesitated as the ceiling refracted shadows of a different world with each passing car on the highway that brought her far from home and into comfort now torn from her soul. No one was running to her, no one was chasing after her, this time.

The blade plunged deep into her chest with an unstoppable force from something preternatural within and without her. Her breathing was fast and harsh as her eyes darted around the room they had shared briefly. Her head spun faster than the walls. The red stain grew across the front of her dress like a flower blossoming. Tears filled her mouth as she finally accepted the realization that she would die here alone and he wasn’t going to find her just in time like in all the stories; even the real ones.

She fell gracefully like feathers from the sky to the floor, to her side. As she bled out she hoped she would think of all of the beautiful moments she had experienced in her life. She hoped she would think of all of the things in life that used to make her happy. She hoped she would think of his face, his touch, his smile, and her love for him.  She hoped she would regret her choice. She hoped she would feel something, anything at all; but all she could think about was how she’d like to notify management about the collections of dust and small debris under the bed left behind by housekeeping. Her lifeless eyes began to close and she knew for the first time she would actually get some rest. In her last moment she felt like the universe; beautiful and infinite and empty. She faded from the world like snow on warm skin as the door opened in slow motion and his blurry shoes couldn’t carry his body to her side, like in all the stories; even the real ones.

He knelt there on the dusty, stained carpet. The lighting was bad and the air was heavy. His frame shivered in the warmth of the cheap hotel room of which he had only paid for hours earlier. He collapsed into himself, weeping silently, wishing he still loved her.
This was a flash novel I wrote earlier this year to a piece by the band Caspian
you can find the music here http://www.youtube.com/watch?v=GMdvdpHph9U
I suggest listening and reading along slowly
I have no rights to the music

© 2012 Jene'e Patitucci
Michael Marchese Dec 2017
This dot kami’s ‘Nam when I see you’re all neutral
To futile lords still passin’ Acts of Removal
Pretentious performers as if upon stages
Of casting call characters caught up in cages
Like ****** who off-shore **** the poor on vacations
I’m diggin’ up dirt on the founders’ plantations
When bail-outs are ballots and bullets are mallets
Why not be a rabbit hole in Hefner’s palace?
And dare call it talent, a gift or a passion
Just model behavior for slaves to a fashion
Show running the breadlines when crimes are a dime
In the dozens of ***** Weinsteins on your minds

Instead of the felons when court is in Sessions
Instead of the under-oath treason confessions
In rapid succession they feed you the buzz
Until nobody cares what the debt ceiling was
When the roof has been raised for the privatize party
The right wants us dead and the left shows up tardy
I’m sorry “you people” are making me sick
Guess I’ll just pop a pill from the cabinet pick
Like has-been Michael Flynn’s and these Ex-Tillersons
Resource hogs cloggin’ bogs up with smogs of odd jobs
They’re the slEASIEST Slytherins still seemin’ Jesus
Pro-life until *** aid is the fetus
Egregious excesses of who the **** needs this
Huge 2nd place trophy wife ivory tower
Big guns for a stickless diplomacy coward

Here’s my ******* tricklin’ down your faces
You blatantly ****** repeal and replacists
You war-profiteering, grand **** of old Racists and fakers, uranium cakers
Still stuffing the stockings of doomsday clock-makers
With melting North Pole lumps of coal-hearted cash
‘Till every last Christmas trees nothing but ash
As the fascist machine builds its pyramid scheme
On the dreams of the themes of your Disney World screen
But the credits will roll as the talking heads stroll in
The shoe bombs of Terrorist’s livelihoods stolen
But I leave ‘em spinnin’ like Christopher Nolan
Dylan B Jan 2013
The thought of you makes me want to refashion old Bible verses,
“Consider it a pure joy to be a part of this trial,” I whisper,
“And you know that the testing of faith becomes perseverance.”

The sound of your voice carries more overlapping melodies than
Hard brass mallets hammering at the tips of my fingers,
More depth than does escape the open casing of my grand piano.

The warmth that flows from your heart is a testament to my lack
Of circulation, despite my ability to swim through the ocean naked,
Far passed the pier and into the horizon, every ceaseless morning.

The sight of you tears me open, tears me open, until I am all
But unable to put my nerve endings back in order, despite the fact
That they are reinforced every minute of my solitary waking hours.
AP Staunton Feb 2016
In B and B flop-houses, poems I wrote,
Stuffed into damp pockets, of a Donkey-Jacket coat.
Poems about building-sites and too much beer,
Being far from home, despair and fear.
I read them to comrades, who all nodded their heads,
Then went back to sleep, in one room with eight beds.
I read them to lads, who for the first time,
Sat and listened, to words, their rhythm and rhyme.

Folkestone, Dover, Hastings, Brighton and Hove,
I wrote poems, by the light of a Camping Gaz stove,
Describing MY feelings, MY way of life,
Cut straight to the bone, like a Stanley Craft Knife.
The Channel Tunnel, dumpers and cranes,
Concrete burns, bruises, hangovers. . .shame.
Days without eating, nights full of drinking,
Hours on a Shovel, digging without thinking.

Then along came the books, I started reading at night,
Discovered Jack London, by wind-up torchlight.
I read more and more, captivated by books charms,
As my work-mates pursued , bar-maids down the Kings Arms.

Then one day, McNamara, with his belly full of beer,
Came looking for me, called me a queer.
". . .Reading and writing ??? Its NOT for the likes of us. . ."
I agreed begrudgingly, with this. . .. back-end of a bus.
He helped me gather up, my words and my books,
Into a couple of barrows, like scrap-metal crooks,
And wheeled them over, to where we burned the pallets,
Electric cable(for the copper)and broken slab-laying mallets.
They went on the embers, which began to ignite,
And from my caravan window, I watched them burn through the night.
As they glowed, I felt pity, not anger,
At the ****** ignorance, of this eighteen stone Ganger,
Who believed words were impotent, compared to the fist,
Our lives were mapped out, digging trenches, getting ******.

But the books had given me hope, that life was for living,
Not dying at Sixty, when your body just gives in,
Knees knackered, back broken, knuckles dead with rheumatics,
From working in all weathers, holding hammers, pneumatic.

Days later, on a Porta-Loo, McNamara settled down,
With a copy of ******* and a hard-on to pound.
He never smelled the petrol, mesmerised by *******
And pleasured himself, quickly, across the bottom of his vest.
Sparked up a rollie, relieved and relaxed,
Thinking of Fridays time-sheets to be faxed.

BOOOOOOOOOOOOOOOOOOOOOOOOM !!!!!

We heard the explosion, looked to the sky,
Saw Doctor Who 's Tardis go flying by.
But it wasn't a Time Lord, just a burning box,
With a melting Eighteen stone Ganger, still holding his ****.
McNamara, was identified by the fillings in his teeth,
And buried, by the Council, just outside Haywards Heath.
If I hadn't continued writing, McNamaras threats, defied
No-one would know about him, or the way that he died.

Books and words are everything, they lift the mind
and they raise the anchor,
And they let me tell your tale, McNamara. . . .
How you lived and died. . .a ******.
Poetry is for everyone, not just a select few.
I
An old man sits
In the shadow of a pine tree
In China.
He sees larkspur,
Blue and white,
At the edge of the shadow,
Move in the wind.
His beard moves in the wind.
The pine tree moves in the wind.
Thus water flows
Over weeds.

             II
The night is of the colour
Of a woman's arm:
Night, the female,
Obscure,
Fragrant and supple,
Conceals herself.
A pool shines,
Like a bracelet
Shaken in a dance.

             III
I measure myself
Against a tall tree.
I find that I am much taller,
For I reach right up to the sun,
With my eye;
And I reach to the shore of the sea
With my ear.
Nevertheless, I dislike
The way ants crawl
In and out of my shadow.

             IV
When my dream was near the moon,
The white folds of its gown
Filled with yellow light.
The soles of its feet
Grew red.
Its hair filled
With certain blue crystallizations
From stars,
Not far off.

             V
Not all the knives of the lamp-posts,
Nor the chisels of the long streets,
Nor the mallets of the domes
And high towers,
Can carve
What one star can carve,
Shining through the grape-leaves.

             VI
Rationalists, wearing square hats,
Think, in square rooms,
Looking at the floor,
Looking at the ceiling.
They confine themselves
To right-angled triangles.
If they tried rhomboids,
Cones, waving lines, ellipses --
As, for example, the ellipse of the half-moon --
Rationalists would wear sombreros.
emma Oct 2013
d r u m m e r
he's alive and i don't know what to do he's trying to beat life out of me using percussion to give me a concussion tuning me like a timpani and striking me like a snare dying in a rhythm improvised in a split second the mallets drew blood from somewhere i cant understand and i cant see anymore where am i am i dead yet
Jene'e Patitucci Nov 2012
"That felt like forever,"
and I meant it
as the sound broke through the noise
of the Saturday morning experience
I was having
and enjoying

I caught your eyes
and you hid from my blurry face
behind the thin flesh
as the phosphenes flickered blue and red and yellow
like my father's old television
that clicked loudly when I'd turn the dial

I buried my burning face
In the soft fabric
that's been through the wash one too many times
and I smelled fresh ink
in the sensation of mallets
colliding with my temples

You wrapped all of you
around all of me
and I felt the crude, harsh lines of your figure
against the curves of my hatred
I held my breath
and released my soul

The building collapsed around us
and in the debris I found photographs
of a face I only vaguely remember
and that old broken heirloom
that I still keep around
even though I know it's not worth anything

But for that one second
when my body and spirit connected
and my consciousness slipped away as I fell into a new dissociation
I woke up and understood
that we were existing only for this
and it felt like forever
© 2012 Jene'e Patitucci
aj Jun 2014
I.
i kept my eyes off.
turning to face away,
as if god might have tapped me on the shoulder,
and told me to let my love smolder.
my eyes followed the distractions,
as they beat on marimbas,
and as i kept his gaze,
it started to feel like
they were beating
my ribcage

II.
heartbeat altered,
i began to falter.
moving my sight from the dancing mallets,
to my lukewarm palms,
that seemed to tear in passion.
in a sudden fashion,
i raised his head
and looked straight at it
with its wary eyes closed,
and i thought,
that i might have heard,
with a rush of raising concerns,
a heart shatter in shallow nearness,
like a shaky hand might have dropped a crystal.

III.
after the shatter,
my heart began to patter,
at a faster tempo in spite of the latter.
it is because of this,
that i promised to never looked again.
Watched someone while attending a percussion ensemble showcase...
Cameron Haste Aug 2014
The moon sizzles like an aluminum
cutlass,
playing jazz scales with its
arthritis knuckles.
Finger tip mallets strike
the ebony piano keys
With a lazy,
Chocolate, precision.
Tickles your spine
like sardines
&
cereal.
Haha
C S Cizek Jul 2014
My right thumb dove from my pitcher
into a man's water glass, soaking his napkin
and place mat. He pulled away from his mug
of Labatt Blue, lips curling the caramel color
back past his picket fence teeth. Like his wife's
diamond ring, she was turned away.
Her face was illuminated by her phone.
Sharon's back with Tom?

Shoot me.

He slid his chair back, legs scraping
the floorboards like a car accident. He stood
a decent four inches taller than me.
Chevrolet was printed across his faded
t-shirt, and his boots hit the floor like mallets
when he stepped. The pitcher in my grip shook
like the Titanic capsizing. This man was the iceberg;
**I was the captain panicking behind the wheel.
A work occurrence exaggerated a bit.
Sam Temple Oct 2015
trunks filled with junk and the crunk juice flows
flunked out pill popping junkies with no cash go
drunkenly to the shrunken head show
knowing they stunk.
The monks dunked funky mumps victims
on bunk beds and licked them
instead of fixing lunk-headed situations
with linkin-log technologic advances
drinking dogs retrofitted with dance moves
groove on the wooden floor while ****** bore
the Moors with tales of divorce and random *******
on all fours in doorways
during bad plays on the interstate…
demonstrators, unregulated, on roller skates
wait at the gates of the ingrates filled with hate
and throw pie plates with fated accuracy
and the belated bureaucratic picnic
nitwits in knickers knuckle bump
and plump debutants snicker
the wicker croquet mallets
perform ballet in the chalet
and I have to valet the cars –
Im coming of age
In the era of the devoid
Hollow greed seeps unearned
from elephanitus of love  

all the dead *** heads
and the glorifed child **** stars
live in tandem with virginity commerce
a descriptive high full of lies

here we are raised to never forget
the look on a beautiful girls face
when the zippers break and all the mallets fall
when mud and blood and ***** mix to a collegiate concoction

Leaving her to bear the scabbing burns
The openings the ambrosia flesh wounds
The giant stamp of pulsing indecency

The markings don’t go so well with her hollow moon smiles
They don’t blend with her regal clavicles
To bend them in with a wrench
Would do no damage to this already feral *****

Don’t try to hide
The billboards may be sagging
But they carry the message loud and effeminate
All the drum ticks and coated arteries will explode
They cant be stopped

Mucho gusto, muy bien
All that we ever where locked into some
Tooth paste stained and tattered bibliomeca
It is true I have become that broken shameful collection
Which we are taught to stain in the wood works of our memory

I turn to page 1168
And I know that the bruises will be permanent
Surrounding the globe and bridging in the gaps
The ones that they left between your calamity eyes

Will they still love me with one foot locked in a bear trap
And a hobo having the last of my eyelashes ?
Or  maybe just the scary albinos at the san Francisco bar scene
Ilium Oct 2013
I never understood the draw of taking life
from your body, believing only one of strife
would obtain the sudden urge to rip and tear the skin
and release from within, demons out,
out from sullied flesh and faded eyes.

To my surprise however it came not from anguish but from quiet.
Steady monotonous quiet that roars in the ears of the forgotten,
thundering its swaddled mallets against the drums of silence
that echo, and echo, and echo.

Pace does not fix and time is lost in the wake of ever steady steps
striking the same ground
in the same pattern
at the same time of every single day which repeats on into forever.
And the rhythm once soothing becomes feverish, ferocious and foaming,
clawing with smooth tendrils through every corner
until the brain hazes over in shades of grey.

And it would be in this cold quiet that one would obtain true pain,
cutting evermore sharply than the knife did flesh
as simultaneously the fragments of rebellious thought seek release through a ruby vibrance.

I never understood the draw of taking life
from your body, believing only one of strife
would obtain the sudden urge to rip and tear the skin
and release from within, demons out.

I was wrong.
I wasn't feeling so great.
Kenn Rushworth Apr 2019
Nights
when hot evening in lemonade and canal water gives way to cold breeze dusk through white cotton shirts seeking jackets,
As last light leaves the party behind nameless hills and the pollution masks the stars,
Slow moons creep to the edge of eyes in monochrome film-light, distant rain, and drunken big-bands play

through speakers in dead venues, layers of dust, and layers of dust,
And from radios, lost on the dial,
In American cars, front seats the size of living rooms,
But no comfort to journeys of ammonia and neck pain,
Lost nights of Earth
Accepting warm drizzle through hats and shoes, and occasional ceilings,
Sirens paint and dapple scenes streets away from latest whiskey or whisky melodramas,
Before returning to curtains, decades of regret in floral patterns, chipped cups, and solar flares at the strained dawn,
Piercing blinds and migraines
In a successive run of
Mornings
JS Apr 2016
Shy
I hear pinging
My elbow cracks
She rests on my shoulder
and I dance with the future

Mallets are our feet
and our steps still ringing
have left me swooning
for your every arrival

under my breath
I sing these melodies
certainly they can't go on forever
but how long before then?
Kiss me to forget the past
and remember the present

I dance with the future
because she's a curious girl
You trickle your presence
right through me
until I am here wishing you were too

still
it's not to far
and you worry too much
Kiss me to let go of the future
and remember the present

As we connect
I'll show us a thing or two about passion
Still shy while you shouldn't be
so I give it time
and the present starts to forget our names
Eiram N Jul 2017
There’s a funny tale read to children today
about a nonsense world found in the fields
on one manic hot morning
past a bubbling stream softly singing
at the place where a curious girl took her tumble
down a long hallway full of puzzles
and doors. If you’re sane, you wouldn’t be here
but here you are now, and it’s all so queer
how food enlarges your body to epic proportions
and critters, not of your typical garden variety,
don’t bother with “excuse me’s”,
“please’s” and “thank you’s”, but most of all
a strange sight to behold, a purple cat
on how to navigate this whimsical thicket
disappears with a trace, you see, of his wide grin of glee
so let us now stroll through the wood, to the Mad Hatter’s
where a tea party goes on forever and ever
and he hasn’t the slightest idea of the answers
to his many riddles.
In the distance rose trees painted red are growing,
while the Queen of Hearts is growing red
with hot rage at her subjects
in the midst of the oddest croquet game
with hedgehogs and flamingos as the ***** and mallets.
Now you could choose to stay here, or try to depart,
I grant you this place’s not for the faint of heart
But once you leave you’ll think about it
the absurdity has made you smile.
You’ll stand again
in the fields of another manic hot morning
hoping to God that White Rabbit will again be coming
late, late, for his very important date,
otherwise the thought of it fills you with dread,
because outside the fairytale books which you once loved and read,

a Wonderland must exist!
For all the magical stories that became a part of who I am today. I think those stories are not completely gone, just lost, trapped somewhere in the boxed confines of my brain... and searching for a good poem to muster.
Andie Jul 2018
Fireworks break up the sky
like shattered mirrors

I'm always chasing mirrors
deep into the sea floor and far above,
they evade me

You would, too

But suddenly I'm the most approachable person in the world

a cigarette parts my lips
but doesn't part me from this cruelly inescapable world

foiled again, I give a bystander bumming a cigarette this token of acquaintance

I hope he manages to escape


Fireworks break up the sky
but they're supposed to unify
They deepen my loneliness always

enjoyed in groups,
people multiply

And I drown into the sea,
in the sand,
in the reflections of my mirrors

A glow bracelet shackles me to reality
My plan to escape shatters again
I have mirrors
But bystanders have mallets


Fireworks don't break up the sky
they fly
in puffs

and in the puff of a cigarette
I am gone again

voices of glee
remind me I am lonely

I'm crying but not for loneliness
for I am never truly lonely

I am surrounded by mirrors always

I cry because I cry,
I don't always know why

I chase these mirrors
but I never see reflections
or answers

Is it glory?
beauty?
appreciation?

I cry because it's momentous
a girl loves a moment in time,
anytime

Mirrors trail down my face

Fireworks break up time and space

I cease to exist
but I feel whole

as if my existence is exactly this
reflections, fireworks, and a wish
Delta Swingline Mar 2017
Your average human body has hair, a head, arms, legs, a torso, hands and feet, eyes, ears, a brain and heart...

But if my body is made of music, are my arms mallets? Are my legs the legs of a piano?

Is my heart the drum that my feet will always follow? The metronome that my body will always follow?

Is my DNA coded in sheet music?

Are my hands the baton? Are my fingers the keys? Is my spine a xylophone, each vertebrae a singular key?

Fact: The average human body will eventually narrow down to only 207 bones. Are my 207 bones each a separate instrument? All part of the orchestral body,

--This STAGE!

If they say music never dies, do I die?

Does my soul live on generations after I am gone? Will people still remember me?

If my body is made of music...

Will you still listen?
Even if the song is over?
This playlist isn't over yet...
brooke Apr 2016
I want to tell him that I
love everything from a distance
but can cross oceans in seconds




that the people before him sopped
through my fingers like wet sand,
were ever flat and disarranged, empty
men with waterless words and exigent
appetites for my body--(that this is where
i learned the only way to please a man was
to give him myself)

I'm still undoing the knots, unraveling the little girls
coiled in lies, and taking mallets to the plaster molds
I built up around myself, mannequins for different men
and if there is anything I am confused
about it is him, his I-could-nevers, his frightening
absolutes, the ways in which he vows he can never change

you think you want me but at the back of your mind you want
something else


I don't want you--not like that. Not  as if
your worth was based on how quick you jump into the fray for my sake.  How many times you make me smile or say your name--however
you are soaked in rosemary and oil, folded up out of my notebook
into a thousand paper cranes--no, not even like that.

How do I tell you that I see your soul? Your threadbare spirits peeking out and the willowy fibers unraveled in your wake, that you are more than your mothers many marriages, more than the women you did not
want to have-- and deserving of a lasting love that transcends your mistakes and leaves your mirrors remarkably clean, did you know you can be clean?

How do I tell you that the broken do not fix the broken, how I cannot share the blueprint for healing but the burden if he asks--are we in the same book? The same chapter? I once heard that two people must grow in a similar direction at the same pace--are we on the same boat? The same road?  On the torrent seas, will you hold your own?

I realize I cannot come at you with such brazen artillery, that the paths I choose have no gates and are often unmarked, not even the grass gives way, nor the trees and twigs their secrets--and the journey is wholly faith, an expedition I have not fully taken but is presently on its way. When I tell you what falls first and where my priorities settle, I speak down the pike of the ways I hope to be and the woman that waits in whole.




So when he tells me I am confusing for the hundredth time and I sink somewhere off the Atlantic with the weight of my own thoughts, I am quiet.  His words are ever resounding but do not fill me up--just the glimmering hope that we will somehow

meet
in the



Middle
I've been trying to write this for a month.


I had so many titles for this:

Therefore, my beloved
Grace to the humble
The Work it Takes

(c) Brooke Otto 2016
Sydney Victoria Jan 2013
Blood Stained Swords Cut Through The Sky,
Silver Blades Reflecting Off The Noonday Sun,
Behind The Horses A Fire Blazes Tall And Lean,
Striking The Pure Air With Thick Black Smoke,
Deeper And Darker Than Any Nighttime Sky,
Arrows Perch Upon Every Arch Of A Wooden Bow,
Thin Feathered Tails Stand Like Stone In The Breeze,
Flags Raised Along With Hundreds Of Spears,
Mallets Grasped In Ghostly White Knuckles,
And Twisted Smiles Form--Ready For Victory,
Thin And Measured Breaths The Men Do Take,
They Say They Stand For Their Freedom,
Though A Blood Bath Means Nothing In A Barren World,
Such As This One They Prowled For Lesser Years,
Grasping Everything In Their Disgusting Rage,
Lives Included,
Souls Deluded,
Eyes Pale And Blue As A Withered Corn Flower,
The Whiter Part--Yellowish And Tinted With Tears,
Salt Dripping Down Their Cheeks Forming In Suns,
Armour Glistening As Shields Are Set Into Place,
Scowls Slithering Through Their Metal Masks,
Staring Down The Enemy,
War Paint Trickles Down Their Arms,
Tears Mirror Them As They Stream Down Their Faces,
All They Wanted Is Change
Horrible Horrible Days.. All I Want Is Change,
This Is First "Story" Poem I've Ever Written
Haylin Jul 2019
I step through the door
of the place which feels
more like home than my house

My ears fill
with sounds of drumsticks on drums
mallets on marimbas

My eyes fall upon flutes, clarinets
trumpets and tubas

I look up at my family
none of which are related to me
yet they
make
this
place
home.
I just joined band this year and it's only been 6 days and I already feel at home.
brooke Sep 2015
they seem to think I can heal you



they seem to think I can heal you,
but the truth is I can only be there
and when there are cracks in the ceiling
and the mountains are frozen or gently
rolling over mustard seeds, I will hold
fast to the one Mainstay and encourage
you to do so too--because I can't walk
with your legs or talk with your words
nor can I delve inside your dark waters
and know how to navigate your thoughts
that so often I won't understand--

and I won't change you because we will
be a team, a single cog rotating in a royal
body, bearing the heat and blows so that
when you are away and toiling, or burning
the sheets with newfound anger, I will
stand by and let your battles rage until
we meet on middle ground and grasp
each other's forearms in the dust, heaving.

with you, this will not be a game.  You will not
be a piece, a checker, a player. I will not move
you or take mallets to your foundation because
it will be mine too--I will not hate you because
that would be hating myself and I will not hate
myself because that would be hating you--

I will not question your love for me like I have
questioned the masses, because this love will
not be antiquated but fresh and ripe each
morning, anew with our combined inquiries
and issues of heart, barrels of quinoa to sink
our fingers into and count ceremoniously
each grain a celebration, a victory poured
over quiet nights shared between whispers
and hushed prayers

and though your initial compliments and flattery
fade away, when our first meeting has worn off--
no lit suppers but bowls of hot oatmeal on the
couch, when our voices have failed to address
the day and time has only built between our hips,
I will quietly say that                                                 I have missed you
because though we are one there will still be
wedges---doorstops, rocks and boulders and
great things that drop and slide between us
that find their way into fissures in our flawed
surface  


but

I will love you through that.

I will love you through each fight and missed
opportunity to apologize, every door closed a
little too hard, each cold dinner or syllable too
harshly spoken, when I send you
to the supermarket and you arrive with only
half of the groceries, when the world is splitting
in two and we are fleeing from city to city and I
can hardly recognize you through the grit and grime

I will love you.
this is a work in progress.

(c) Brooke Otto 2015
Midnight.

Getting into incredible scenes as the southern US dreams
The color of your soul
Where unshackled, dancing spirits take control
Feet contact to terra firma via tactical movements painting its target
You attack, artistically
I resist no longer
Upon your canvas
I fall

Rome

Where (apparently) all roads lead to
Your heart, the coronary Colosseum.
A stronghold I yearn to hold tight
Under the roar of the crowd
And the loudness of your beats

Harmony

There are psalms that Cadillacs crank
Your viscous soul
At the seat of this purple drank think tank
Sticking to my ribs like backyard barbecue
Santoor mallets tapping my heartstrings
Doing 10 in a 65, side-to-side
Front, back
Letting the melodies ride and glide

Air

Whatever words you'd utter, I'd usurp its presence within the second it leaves your lips.
Floating on cloud 9
To catch your breath with my fingertips
Kinda like I want our lungs to be in a relationship
Or something close to enjoying the heights

Then record our previous accords just before
Midnight.



Ifeanyi N. Okoro II - © 2018
Finished around 4:47 a.m.
AJ Sep 2015
Chaotic words, chaotic thoughts,
Bombastic ideas and pensive deliberations
That float, even fly like volcanic ash,
Pounded out of the molten Earth as if
God were hitting the crust with a hammer,
And the masses of ash and dust cloud the sky,
Streaming like red and black chalk
Across the asphalt of uncharted thoughts.

And they rain, rain down
Like a tempestuous conflagration,
Beating upon the earth like mallets on drums,
Vibrating ever-so tenuously in the ears,
But resonating with verve somewhere within,
And then it stops,
Never to be heard or seen again.

And in its place are the bright rays of the sun,
Shooting light like a harpoon toward the ground,
Digging into the supple soil with a medley
Of confusion and anger,
Of apprehension and isolation,
And they burn caustically,
Warm the body as if they were pockets of magma,
Sliding across the flesh
And trickling into the pores, digging down
Into the heart, shaking it, squeezing it, weeping atop it.

And then the night comes on
As the sun retreats below the horizon,
And it brings with it the complacent lights
Of the stars high above,
That glow gently atop our brows and
Reflect dully off our shirts,
Dotting us with the paint-like
Stains of the unbridled release
Of laughter and intimacy,
Of love and vivacity.

And the placid night lights,
They seem to **** up all the heat,
Seem to save it from its vice,
And they dispel it into the great beyond,
Into the great unknown that stares down on the Earth
And renders it quiet and inhospitable.

Yet for some reason,
For some ungodly or unholy reason,
This night brings peace,
Even if dangers lurk somewhere in the dark.
Ignatius Hosiana Apr 2015
I have tried looking for it in the Church
But just lost it at the touch of the latch
Thought It's fish, by the hook I'd have a catch
Turns out It's an Eagle far from about to perch
I once found It's precious unclear trail
Which trail led me specifically nowhere
One moment it was, the other it wasn't here
I went out clubbing hoping to find my luck
And that proved love isn't a walk in the park
I scratched my mind hoping to get a reply
But in such affairs even the mind can't tell a lie
I thought with tomorrows come a new dawn
Each that came by did but leave me on my own
I searched in every path, every road,every village and town
Wandering, everyone took me for a clown
I explored the young and the old, the real and the tales told
But sunk deep in despair with nothing concrete to hold
I searched in the cracks through the broken walls
Trust me I did stretch my courage, had the *****
I tried to find it, like they said its easier using wallets
I hunted it down, with spears and mallets, guns and bullets
I looked everywhere, paying attention to the different faces
It was neither on my mind nor the streets I tore apart
Even prayer couldn’t bring it on miracle wings
I tried all options there are for we the beings
I didn't know the search starts within the Heart
That's why I was searching for love in the wrong places
Kaley Smith Jul 2016
To run to the far side of the pasture
Is to stop one’s own heart
Quick
Like the flash of a lightning bug
Little ones’ feet wander
As do their minds
Away from tales of fairies
And white gods
To big oak trees
On the far side of the pasture

Grass claws at his face
As his knees bend to the rhythm of his feet
And tiny black fists keep time
***** of mallets striking marimba air
“Don't let mama catch you”
Bounces against the walls of his cranium
Crash-
Into the oak tree
“Ouch”
#religion
Will Oct 2014
You treat the spaces in between us
  like objects of permanence in the universe.

And I occasionally find myself offended by this attitude.

But as I watch your hands flying over the ivory
  twin prop airplanes preparing for the war.
Your fingers, mallets
  striking out every last imperfection in the keys.
Your voice is a siren piercing the night.

And I begin to understand
that you were right.
This is forever
and we're not going home.

We're just drifting.
Akwana Wa Odera Jan 2019
She came home
Still in her school outfits
She hugged me tight
With tears rolling down her eyes
She was filled with fright
'it happened so fast,
' This is all i have'
She mumbled as she cried
Apparently there had been a strike
Students burnt down the dormitories
And refused to attend class
The teachers to afraid
Were out of sight
The police had to intervene
Causing a clash
With rubber bullets, mallets
And tear gas
The police squashed and beat
The students hard
With stones, sticks and any tangible object that could be held
The students retaliated
Just to ******* the armed blue men
Thumping of boots
Shouting and screams
Bullets fling
There was circus in school
The students were sent home
Suppressed without giving
Them a chance to talk
A conflict resolved
With no interest in the
Root cause
Two nights are long
Another school catches
Fire
The dormitories are down
Then you'll here them ask
Where have we gone wrong?

Akwana Wa Odera
@therealakwana
© 2018
School fires in Kenya were so rampant last year
Shanaya Young May 2017
Her fingers glide across the keys at speeds
Stopping hearts and holding breaths with swish of light
Creating worlds of bright and lush young leads
Fantasies and majesties from keys too bright

Drawing bows and tapping feet to beats
Conducting flows from left to right and back
And mallets striking from the back row seats
Hearing heels and clicks and clacks

Knowing feats and smiling strings and accompanies
Musicians wiping sweat in beat with hands
Calloused by their zeals for destinies
Painting pictures of timeless purple lands

Singing songs of passion and defeats
And wondering if souls could ever greet.

— The End —