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Gabrielle Ayoub Nov 2014
No matter how much our country has suffered
No matter how many wars there will be
We will always rise above those difficulties
Because we are Lebanese and NO ONE can steal our identity <3

Happy independence day to all the Lebanese people out there
This is not really a poem, but i just wanted to say a few words
Sora Mar 2013
The scuff of sneakers, boots and flats form the solid and stable beat.
Add in the chuckles, silences and brief interruptions to create the varying and rhythm.
All that remains is what goes unsaid but is speeding around in your mind.

That man from Uzbekistan,
He was telling us how peace and non-violence starts with us,
With middle-schools, with teens, with future leaders
To all those who laugh, when I say violence is never the answer,
You're the ones I worry about

That man from Uzbekistan,
He was speaking to us about how the kids had a parliament in Uzbekistan
Those kids had  a say in what their fate would be

Believe it or not,
But adults are not the only things to make up our society...
Infants, toddlers, 5th graders, 8th graders, 11th graders, seniors, the diseases make up us, us..

So maybe parents shelter us too much, or not at all.
And kids throw fits in the grocery store
While teenagers attempt to jump off the nearest bridge
This is our society..
But we're like those kids in Uzbekistan
We have a say in what our fate will be

That man from Uzbekistan,
He was sharing out how blessed he was to be living here in the United States
Even though he could live in a much more peaceful and welcoming society.

I have no idea how many years i will be,
Or what has to happen before we get the message across..
That's what's played out isn't acceptable

The American people,
Were baffled, devastated, overwhelmed
That all those stereotypes really were mixed within us.
Obama stood up in that room
With a shaky camera man, staring while he slumped and grieved
He addressed our nation,
Homeland,
Country
Community
Family
About Newtown,
Clackamas Town Center

No leader should ever be forced to speak about children dying long before there time was up

Or about average people ducking and diving from bullets

Gun Control is only a little layer
And that's the start of our restoration to end up being a peaceful, safe country
It begins with how youth are shown how to solve problems.

I'm willing to reach my hand out to every single state in this country
And if that means devoting everything I've got to making our restoration successful,
Then so be it..

No leader or person should be raising candles to the sky for little kids to see that they are missed.
And I took all of this in at a Lebanese Luncheon
Ari Feb 2010
there are so many places to hide,

in my home at 17th and South screaming death threats at my roommates laughing diabolically playing  videogames and Jeopardy cooking quinoa stretching canvas the dog going mad frothing lunging  spastic to get the monkeys or the wookies or whatever random commandments we issue forth  drunken while Schlock rampages the backdrop,

at my uncle's row house on 22nd and Wallace with my shoes off freezing skipping class to watch March  Madness unwrapping waxpaper hoagies grimacing with each sip of Cherrywine or creamsicle  soda reading chapters at my leisure,

in the stacks among fiberglass and eternal florescent lima-tiled and echo-prone red-eyed and white-faced  caked with asbestos and headphones exhuming ossified pages from layers of cosmic dust  presiding benevolent,

in University City disguised in nothing but a name infiltrating Penn club soccer getting caught after  scoring yet still invited to the pure ***** joy of hell and heaven house parties of ice luge jungle  juice kegstand coke politic networking,

at Drexel's nightlit astroturf with the Jamaicans rolling blunts on the sidelines playing soccer floating in  slo-mo through billows of purple till the early morning or basketball at Penn against goggle- eyed professors in kneepads and copious sweat,

in the shadow tunnels behind Franklin Field always late night loner overlooking rust belt rails abandoned  to an absent tempo till tomorrow never looking behind me in the fear that someone is there,

at Phillies Stadium on glorious summer Tuesdays for dollar dog night laden with algebra geometry and  physics purposely forgetting to apply ballistics to the majestic arc of a home run or in the frozen  subway steam selling F.U. T.O. t-shirts to Eagles fans gnashing when the Cowboys come to town,

at 17th and Sansom in the morning bounding from Little Pete's scrambled eggs toast and black coffee  studying in the Spring thinking All is Full of Love in my ears leaving fog pollen footprints on the  smoking cement blooming,

at the Shambhala Center with dharma lotus dripping from heels soaking rosewater insides thrumming to the  groan of meditation,

at the Art Museum Greco-fleshed and ponderous counting tourists running the Rocky steps staring into shoji screen tatame teahouses,

at the Lebanese place plunked boldly in Reading Terminal Market buying hummus bumping past the Polish  and Irish on my way to the Amish with their wheelwagons packed with pretzels and honey and  chocolate and tea,

at the motheaten thrift store on North Broad buried under sad accumulations of ramshackle clothing  clowning ridiculous in the dim squinting at coathangers through magnifying glasses and mudflat  leather hoping to salvage something insane,

in the brown catacombed warrens of gutted Subterranea trying unsuccessfully to ignore bearded medicine

men adorned with shaman shell necklaces hawking incense bootlegs and broken Zippos halting conversation to listen pensive to the displacement of air after each train hurtles by,

at 30th Street Station cathedral sitting dwarfed by columns Herculean in their ascent and golden light  thunderclap whirligig wings on high circling the luminous waiting sprawled nascent on stringwood pews,

at the Masonic Temple next to City Hall, pretending to be a tourist all the while hoping scouring for clues in the cryptic grand architect apocrypha to expose global conspiracies,

at the Trocadero Electric Factory TLA Khyber Unitarian Church dungeon breaking my neck to basso  perfecto glitch kick drums with a giant's foot stampeding breakbeat holographic mind-boggled  hole-in-the-skull intonations,

at the Medusa Lounge Tritone Bob and Barbara's Silk City et cetera with a pitcher a pounder of Pabst and a  shot of Jim Beam glowing in the dark at the foosball table disco ball bopstepping to hip hop and  jazz and accordions and piano and vinyl,

in gray Fishtown at Gino's recording rap holding pizza debates on the ethics of sampling anything by  David Axelrod rattling tambourines and smiles at the Russian shopgirl downstairs still chained to  soul record crackles of antiquity spiraling from windows above,

at Sam Doom's on 12th and Spring Garden crafting friendship in greenhouse egg crate foam closets  breaking to scrutinize cinema and celebrate Thanksgiving blessed by holy chef Kronick,

in the company of Emily all over or in Kohn's Antiques salvaging for consanguinity and quirky heirlooms  discussing mortality and cancer and celestial funk chord blues as a cosmological constant and  communism and Cuba over mango brown rice plantains baking oatmeal chocolate chip cookies,

in a Coca Cola truck riding shotgun hot as hell hungover below the raging Kensington El at 6 AM nodding soft to the teamsters' curses the snagglesouled destitute crawling forth poisoned from sheet-metal shanty cardboard box projects this is not desolate,

at the impound lot yet again accusing tow trucks of false pretext paying up sheepish swearing I'll have my  revenge,

in the afterhour streets practicing trashcan kung fu and cinder block shotput shouting sauvage operatic at  tattooed bike messenger tribesmen pitstopped at the food trucks,

in the embrace of those I don't love the names sometimes rush at me drowned and I pray to myself for  asylum,

in the ciphers I host always at least 8 emcee lyric clerics summoning elemental until every pore ruptures  and their eyes erupt furious forever the profound voice of dreadlocked Will still haunting stray  bullet shuffles six years later,

in the caldera of Center City with everyone craning our skulls skyward past the stepped skyscrapers  beaming ear-to-ear welcoming acid sun rain melting maddeningly to reconstitute as concrete  rubber steel glass glowing nymphs,

in Philadelphia where every angle is accounted for and every megawatt careers into every throbbing wall where  Art is a mirror universe for every event ever volleyed through the neurons of History,

in Philadelphia of so many places to hide I am altogether as a funnel cloud frenetic roiling imbuing every corner sanctum sanctorum with jackhammer electromagnetism quivering current realizing stupefied I have failed so utterly wonderful human for in seeking to hide I have found

in Philadelphia
My best Ginsberg impression.
DJ Thomas Dec 2010

Bride of the desert
the indomitable town
Solomon’s Kingdom

            
Lost in history, I wander through a city that was fortified by King Solomon, raided by Mark Antony and ruled by Queen Zenobia who made it the capital of an empire, only to be captured herself and paraded through Rome in gold chains.

Civilisation upon civilisation are entombed within Tadmur; in a huge plain of carved stone blocks, massive columns arched in rows or standing alone, a Romanesque theatre, senate and baths, dominated by a great temple whose origin dates back four thousand years.

Due to a clever mistranslation from Arabic by the euro-centric traveller who ‘discovered’ Palmyra, the city also has a modern name.

Here for millennia, a tribe of Bedu have camped within the folds of these desert steppes and blackened Tadmur’s ruins with their camp fires, to trade camels or herd goats and sheep. Walking the divide between city, desert and the more fertile steppes, I search for their surviving descendants and find a black woven goat’s hair tent with its edges raised to capture a cooling breeze.

Hamed and his sons, huge and wary of foreigners, welcome me to sit within on  carpets and then graciously serve dates with innumerable small glasses of tea. I indicate ‘enough’ in the traditional manner by rolling my right hand and the empty glass. Hamed continues to voice his concerns about the lack of feed for their sheep and the prices achieved at market. I readily succumb to several small cups of greenish Arabic coffee, before being allowed to take my leave.

For millennia the wealth of this city was based on tariffs levied on goods flowing out of the desert aboard swaying camel caravans. Today, these once proudly fierce tribal Bedu no longer breed, train or ride camels.

The Bedu greatly prize their reputation and the respect of their peers. Their traditions are the foundation of these small tribal communities and may predate Islam;  a life now undermined by borders, nationalism, government settlement plans, conscription, war, television and tourism.
                                         *+     +     +      +      +

Black torn empty shells
swept by Mount Lebanon’s shade
Cannabis Valley

As I recall a haiku of ‘images’ of  my very first journey to Damascus, from war-torn Beirut through the lushness of the Bekaa;

in the here and now
a dark suit and Mercedes
cross the Euphrates

Defence Minister, Rifaat al-Assad is in town with his fifty thousand strong Defence Companies, complete with tanks, planes and helicopters.  A coup d’état is in progress to assure Rifaat’s succession to the Presidency of his older brother Hafiz al-Assad, now recovering from a heart attack.

Last year, Rifaat massacred some forty thousand Syrian citizens when he ordered the shelling of the city of Hama. Nobody in Damascus will be underestimating him.

All political and military power is in the hands of the al-Assads and key generals, who command the military and police. The majority of whom are of the Alawite minority Muslim faith from the rural districts near Latakia in the North. Before their revolution, governments came and went in weeks.

My friend Elias is allied to Rifaat’s cause, by simply doing business with the son. Now he and his family share the risks and dangers of this coup failing and stand to lose a fortune. Monies paid locally in Syrian pounds for goods delivered to government agencies.

Elias’s connection with Rifaat and Latakia, as well as his confident presence, humour and love of life, still allows us easy access to the Generals’ Club. Sadly, there is to be no table and floorshow, but a closed meeting with two senior Generals, where we learn that Hafiz has recovered enough to take charge and is now locked in discussions with his younger brother.

The decision is therefore made for us. We say our goodbyes and drive to Latakia.

On Sunday Elias meets his brothers, then with his family, we visit his parents small holding and enjoy a meal together. A wonderful fresh mezza that includes my favourite, courgettes stuffed with ground lamb and rice, in a yogurt sauce. Syrian food is amazingly healthy and my cuisine of choice.

It is a cloudless Monday morning, as I, Elias, his wife and children drive into the docks to board an old 46 foot motor cruiser. Huge cases are stowed as I make my inspection, then start the twin diesels and switch on the over-the-horizon radar. Our early departure is critical. We cast off and the Mate steers for the harbour entrance below the cliffs that guard it. As the Mediterranean lifts our bow in greeting, the disembodied voice of the Harbour Master tells us to return as we do not have permission to sail.

Ignoring the order, I increase our speed through the short choppy surf. We are sailing under the Greek Cypriot flag and in an hour I hope to be out of territorial waters.  At 14 knots we are a slow target.

Fifteen nautical miles from the coast of Syria, I leave the mate to follow a bearing for Larnaca. Elias has opened a bottle of Black Label. I quaff a glassful.

Later noticing a noisy vibration and diagnosing a bent prop shaft, I shut down the starboard engine. Our speed is now a steady 8 knots, so I decide on a new heading to discern more quickly the shadow of the Cypriot coastline on the radar screen.

Midway, the mate and Elias begin babbling about a small vessel ahead and four separate armoured boxes encircling it. Ugly Israeli high speed gun boats or worse, Lebanese pirates. Should they board us and find stowed riches, we will be killed.

Leaving the Mate to maintain our course, I go on deck to play the ‘European Owner’.  The vessel they have trapped is long and lean with three tall outboard motors but no crew are in sight.  Leaving them astern, our choice of vessel now fully exonerated, I and Elias throw another whisky ‘down the hatch’.

With us holding the correct bearing, I ask Elias to wake me as soon as we near Cyprus. Feeling utterly exhausted I collapse into a bunk.  

I wake unbidden, to find the Mate steering for the harbour entrance. Shouldering him aside, I spin the wheel to bring the vessel about. Shaking, I ask them why there are minarets on the ‘church’ and did they not notice our being observed from the top of the harbour's hillock, below which a fast patrol boat is anchored?  The Mate sprints to the Greek Cypriot flag and is hugging it to his chest; Elias wisely prays.

I command the wheel as we motor directly away from the port of Famagusta and Turkish held Northern Cyprus. We later change bearing and pass tourist beaches, it is night fall before we moor-up in Larnaca.
                                         +     +     +      +      +


Later that same year I am called to a last urgent meeting in Cyprus with Elias. He calmly tells me that he will be arrested when he rejoins his family, who have returned to Syria. Elias asks me to take full control of his Cypriot Businesses, then returns home and ‘disappears’ with his brothers.
                                         +     +     +      +      +


Since sacking the two Arab General Managers when they tried to get control of the bank accounts, it has taken more than six months to locate the prison holding all the brothers. We obtain the release of all except Elias, who has been tortured.  We then ‘purchase’ him the exclusive use of the Prison Governor's quarters and twenty four hour access for Elias’s family, nurses and doctors.
                                         +     +     +      +      +


Over the last two years, I have honoured my promises and expanded trade as far as Pakistan. Elias is still imprisoned.
                                         *
+     +     +      +      +
haibun of a late twentieth century travelogue
copyright©DJThomas@inbox.com 2010
"Stoner's Poem"

I see your snapstories,
I see your ask profile.
I see how you comment and reply and flaunt your English skills.
Trust me, I love your rebuttals,
More than Biryani and the Lebanese pornstar.
I see your Facebook posts,
I see your WordPress,
And I see, how you craft your poems flamboyantly,
And then, and then,
Pilfer my breath,
And rob my me.
Sometimes, just sometimes,
Your deportment bewilders me,
More than Lowry-Bronsted's theory.
I see how you dance in the rain,
Like "All, sin, tan, cos", do in my brain.
I see how you frequent every segment of my cardiac muscle,
And then desert it, like it's one of the many dilapidated constructions.
My reminiscences about your thingness,
Escalate me to a higher spiritual level,
More than **** does.
Oh, that smile,
Oh, that look,
Oh, the mystique in you.
And again, I am writing of Love.
And the pen doesn't seem to stop soon,
For I have taken a greater risk,
Than asking my friend about cathodes and anodes and electrolysis, while I took my last chemistry exam,
When the invigilator was around.
SP Blackwell Jul 2014
i can not even write this
because it will be anti
american
unpatriotic
and an
insult to
the land
of freedom
i was born in.
I can not even write this
because I am the first
generation
daughter
child
born in
the land
of freedom.
I can not write this
because my abuela
will tell me that I am
lebanese
cuban
and i was
born in
the land of
freedom.
i can not even write this
because my Tio
who came to
America
at the age of 6
and had “adjustment”
issues will remind me that
I
Am
American.
Tio will tell me that
I
am privileged.
because I was
born in the
land of freedom.
Abuela will remind me
that CUBA is
dead.
Abuie will remind me
to hush about all things
Arabic and Lebanese
because I am
American
born in the
land of freedom.
She reminds to hush
about the black
eyes
that see past
this land to the past
of other places
that whisper
my name.
They remind me
that I am
American and
not a communist
not a terrorist
not a girl who
hears her name
sung in the winds
of other lands
which i have not
wandered.
Abuela reminds me
to not yearn for
white sandy beaches
with waves that break
on a rock laiden wall.
Abuie reminds me
to ignore the need
for hot sand
beneath my feet
and wafting smell
of foreign spices
that are
unknown
to those born
in the land of freedom.
In the land of
freedom?
Mateuš Conrad Nov 2016
after that i'll let you wear my kneecaps for
prayer after that pagan harlot of a wife told me
it didn't rain because i wasn't a good enough ventriloquist
to her schizophrenia. i mean: **** just never stops!
(i actually like this line, apologies for vain-thought).*

"68% of Canadians respondent said that minorities
should be doing more to fit into mainstream society
instead of keeping to their own customs and languages..."

53% of American dittoed likewise...*

              a failure of multiculturalism is a failure
because: it didn't celebrate bilingualism -
i call that the Gaelic effect in Scotland just so
you know it was spoken in over-shadowed Gaelic
within a Glaswegian dialect...

  multiculturalism failed because it was easier to
make a lot of people deemed as schizophrenic
rather than have the ability to be bilingual...
multiculturalism is a failure because it made bilingualism
taboo and instead said: ah... be bisexual!
multicultural societies actually gambled on bisexuality
being more needed than bilingualism,
and anyone still bilingual and not bisexual
was ripened to be harvested by psychiatrists.

but i do wonder what these post-colonial societies
would have made of what the natives might have asked
them...
              i think the natives of America would have liked
the immigrants to appropriate at least some of their
cultural traits... and no keep them in natural reserves like
some talking monkeys...

it's not enough that i have to give up a part of my soul
that i then have to twang the tongue like a banjo
with all that Texan ma'am ******* like those Arabs
in Lebanese American Universities...
oh please, stop this *******,
   i'm puking with the French on the question:
if globalisation is to be arrived at, why is English
the language of choice in achieving it?
              it's not a minority language, that's for sure...
the most poker-laden expression? sure, it is...
but i thought that within a framework of globalisation
(as Napoleon said): if a man speaks two tongues
the first head of the hydra is cut, and two emerge,
hence            the ambiguity of god
      and the proud expression of lizards
and their spies (cats) and why the first letter of
the tetragrammaton is shaped as      Y....
          hence the ambiguity of god and his Machiavelli
in terms of whether there is a world beyond this
one, and whether that diabolical Machiavelli (in all
his despair) did so on purpose to show god the sifting
process...
                    yes, that face of the marine iguana:
smiles like a cat,
              sitting proud on the rocky beach...
yet it has unfamiliar mammalian eyes instead of
those slit-eyes of noon akin to serpents and cats...
            and as Machiavelli said: first time round was great,
second time round: i just don't understand why your
first incentive is somehow better?
        they simply can't know if the first version
is better than their own...
         got to feed them the knowledge of nothing,
so at least they can better what they're been given...
as did Milton, make him less of the two evils...
   what with inhospitable earth and the dream of
colonising mars... or as the history of stars suggests:
stellar evolution sort of does away with Darwinism...
Darwinism is the one form of paper that you
wipe your *** with... it's not a napkin for your mouth:
that ****'s for your ***.
                 at the centre so too iron: as in haemoglobin.
     and we never say stars in a constellation of stars:
those are white dwarfs...
                 is our stellar nebula origin to be resurrected
for a moment into a planetary nebula and then into
stellar ivory of the dwarf?
     personally i think we'll end up being a black hole
unless our right / left politics will lead us into ending
as a neutron... which can only be seen with subatomic
particle goggles... of when Mars and its two moons
housed all thing stable, we are at the stage of the dying
star: hence all our Apocalyptic thinking and bring together...
   Mars experienced the average / massive stage of
a star's life... it's the only planet that shares our common
thread of being solid rather than gaseous...
                    Mercury is equivalent of being the sun's moon
and not a planet if Plato is a declassified planet...
         that's my suspicion concerning u.f.o. sighting and
governments showing us the output of NASA
and then lying that they have this "capacity"...
    old Martians... after all: there were only volcanos on
earth, and then the dinosaurs...
      ******* about with time gets you into these
custard clots of: huh?! i didn't invent the Darwinistic
concept of history worthy noting, Darwinism invented
itself, it's just that after being popularising
the humanities' aspect of the theory came once
the science was debunked... which always sounds like:
see next year, after they told you i'd be
       using a chicken leg fibula for a toothpick:
oh sure, let's get together the Friday after that,
by then i'll be scratching one twig against another twig
to get the fire going...
             after that i'll let you wear my kneecaps for
prayer after that pagan harlot of a wife told me
it didn't rain because i wasn't a good enough ventriloquist
to her schizophrenia. i mean: **** just never stops!
the point is: multiculturalism failed because
  it created a toxic environment for language...
it didn't respect bilingualism...
         it respected bisexuality: isn't that the talk of the town?
all your home-grown terrorists? they only speak
a few words of Arabic... they have been harvesting
the toxicity of a multiculturalism that didn't deem
two language in man to be acceptable...
        and no one cared for the trade benefits?!
how the **** did they miss that sort of plus?
         surely if you're going to trade with the Chinese
you'd send a merchant to China who spoke Mandarin,
and not Swahili, right? common sense.
   if the multiculturalism of England embraced my
bilingualism, i'd be selling English crap in Poland
and perhaps vice-versus... but they said: nope, nadda,
n'ah... you schizoid... da' ****?!
               oh right, so i'm a slot machine or earnings or
those ******* farmers of the urban wheatfield of
thought that psychiatrists are?
   am i talking Dutch or something? me integrating
not good enough? a multicultural system that doesn't
respect bilingualism... deserves what history gives it;
and by now... i'm at Drury Lane: fanning the flames.
Maria Etre Oct 2020
I have developed the need to rely
on dramatic events
to find a purpose
Michael R Burch Dec 2021
The Story
by Kamal Nasser
translation by Michael R. Burch

I will tell you a story ...
a story that lived in the dreams of my people,
a story that comes from the world of tents.
It is a story inspired by hunger and embellished by dark nights of terror.
It is the story of my country, a handful of refugees.
Every twenty of them have a pound of flour between them
and a few promises of relief ... gifts and parcels.
It is the story of the suffering ones
who stood waiting in line ten years,
in hunger,
in tears and agony,
in hardship and yearning.
It is a story of a people who were misled,
who were thrown into the mazes of the years.
And yet they stood defiant,
disrobed yet united
as they trudged from the light to their tents:
the revolution of return
into the world of darkness.

Kamal Nasser was a much-admired Palestinian poet and Palestinian Christian, who due to his renowned integrity was known as "The Conscience." He was a member of Jordan's parliament in 1956. He was murdered in 1973 by an Israeli death squad whose most notorious member was future Israeli Prime Minister Ehud Barak. Barak (born Ehud Brog) later ruled as Israel’s tenth Prime Minister from 1999 to 2001. His adopted Hebrew name Barak means "lightning." As a younger man, Brog/Barak was a member of a secret assassination unit that liquidated Palestinians in Lebanon and the occupied territories. In the 1973 covert mission Operation Spring of Youth in Beirut, which was part of the larger Operation Wrath of God, he disguised himself as a woman in order to assassinate Palestinians. The raid resulted in the deaths of two women, one of them an elderly Italian. Two Lebanese policemen were also killed, along with the poet Kamal Nasser.

Nasser was the PLO's most prominent Christian and he enjoyed "great appeal" in Lebanon, Syria, and Iraq "both as a distinguished poet and likeable personality." He was the “conscience of the Palestinian revolution,” according to Nazih Abul-Nidal, who worked with him on the magazine Filastin al-Thawra. Nasser “had the most democratic outlook of all Palestinian leaders at the time,” he recalls. He respected opposing views, admired the commitment of young people, and was a major recruitment asset for the Palestinian revolution. “That is why he was put high on the hit-list.” The previous year, the Israelis had murdered another renowned Palestinian writer and activist in Beirut, Ghassan Kanafani, by *****-trapping his car. Nasser’s successor, Majed Abu Sharar, was also assassinated by Israelis, in Rome in 1981 while attending a conference in solidarity with the Palestinian people.

Keywords/Tags: Kamal Nasser, Palestinian, Palestine, PLO, Conscience, Ramallah, Christian, religion, poet, Arab, Arabic, Arab Spring, betrayal, conflict, courage, devotion
Alexander Coy Jun 2016
Ya look all over
and see people
everywhere

hands in pockets,
coins passing through
fingers; gold watches
glimmering beneath the
summer setting sun

These people
are people you could
love, have loved,
and may never love again

We share our
bodies like bees
with their
honey

And it's okay to
lose it all, as though
we never had it
in the first place

The tidal of days
ahead, crashing
against our open mouths;

Productivity
a curse

The pursuit
of happiness
a disease

Ya wonder if
it's going to get
any better;

if it's going to be
as perfect as it
was when we
were children

But the universe
had something
worse
in store for
us
instead

The air condition
hums, the car starts
and the engine
rattles, the baby
coos for warmth;

and somewhere
someone is holding
a door for a woman
who has an appointment
with a doctor;

there's a bump
where there
shouldn't be;

a deep love
that dare
not leave.
Mesperyian Dec 2014
The world has changed and so have we,
United we would never be.
Consumed by selfish greed our leaders fall,
The propaganda war blinds us all.

Unless we change for a new tomorrow,
The Lebanese soil will cry in sorrow,
Recalling the days we Lebanese stood firm,
Against all odds, fighting by our own terms.


In the land of the strong, the generous and the wise
Conducted disorder reduced our proud size
Us divided so is the ground under our feet
All alone the road becomes too steep

All that we need is to look at history
Read what was there and compare to what we see
The wise knows the brain, the warrior knows the heart
Carriers of blood hide not your origins, unleash your mark.

But what land do I speak of?
Was it the land of the free and brave?
But haven’t they all fled off?
For their future they must save.

To seek new opportunities they have gone,
Beyond the seven seas and the western stars,
Where they can bloom safely, save their sons
From where lies corruption and wars.

Yet under the dreaded shade of corruption
Still runs a silent whisper of light, unsold
So raise your heads and shout out this resolution
Let the whistle turn into anthems of hope

One day the whole world will hear our shout
That day we will have learnt to use our might
We did not think or let our spirit show
But today on the ******* wall, we pierced a beam of light.

So Rise mighty phoenix and spread your wings wide.
Scorch the earth and awaken the spirits, the everlasting fire.

Light a candle, for those gone,
Light a fire, the new dawn.
Originally written January 25th, 2009
Co-authored
judy smith Jul 2016
Meeting a renowned Pinoy designer, Michael Cinco, was the highlight of my nth trip to Dubai last month. He is so unassuming that I almost forgot how famous he is. Some of his A-list Hollywood clientele include Lady Gaga, Beyoncé, Jennifer Lopez, Kylie Minogue, Mila Kunis, Paris Hilton, Tyra Banks, Rihanna, Toni Braxton, Fergie, Nicole Scherzinger and Christina Aguilera.

Michael’s regular clients are Anne Curtis, Marian Rivera-Dantes, Kathryn

Bernardo, Liza Soberano, Ruffa Gutierrez and Bea Alonzo.

Miriam Quiambao and I immensely enjoyed bonding with Michael. He treated us to an authentic Lebanese dinner at the resto below his plush condominium right across the world’s tallest building, Burj Khalifa. Kudos to Michael for being the only Filipino designer who was invited to present his collection at the Paris Haute Couture Fashion Week’s “Couturissimo,” held last July 3.

He’s world-class yet down-to-earth. That makes him all the more remarkable. Pinoy Pride is something Michael wears so well. CincOoh la la! (Visit michaelcinco.com.)

Here’s my chat (via Facebook) with Michael:

What was the Paris Fashion week experience like?

About 15 years ago I was strolling along the beautiful Jardin des Tuileries. I was so in love with the place that I had a vision and a dream… I said to myself, one of these days I’ll have my show in this stunning garden. So when Asian Couture Federation approached me to have a show in Paris, I immediately begged to hold it in Jardin des Tuileries. Showing my collection in Paris Haute Couture Fashion Week has always been my ultimate dream. Seeing your collection on the runway of your dream garden is one of the greatest achievements in my life.

Among local celebs, who are the five best-dressed on your list?

Marian Rivera, Anne Curtis, Cherie Gil, Kathryn Bernardo and Liza Soberano. They all wore my couture dresses and they all looked amazing.

Any memorable moment with the celebs?

To be honest, I never met any of them. I dressed up some of the most beautiful Filipino Celebrities and Hollywood celebrities wore my clothes on the red carpet and in their music videos. When the producers of the movie “Jupiter Ascending” asked me to go to London to meet Mila Kunis and Channing Tatum, I declined because I was too shy to meet them. The stylist of Jennifer Lopez asked me to meet her backstage. Also, the manager of Kylie Minogue asked me to go to her room for fitting but I just sent my assistant because I was scared and shy.

Who is the easiest celeb to dress up?

Most of them are easy to dress up because they all look fabulous in my couture dresses.

What are your three fashion do’s and don’t’s?

Do’s: Be yourself; create your own style; wear something that will make you feel confident.

Don’t’s: Don’t wear a dress two sizes smaller than your body; don’t follow someone else’s style; don’t try to achieve what you see in glossy magazines—they are all photoshopped!

If you were asked to design an outfit for President Duterte, what would it be like?

A bullet-proof couture barong.

What’s your advice to aspiring designers?

Young designers of today should realize that fashion is not all about glamour. The fashion world is very cruel. You will be judged, criticized and rejected.

It takes hard work, patience and strong determination to achieve your goals. Create clothes that people will wear. If you want to create art on clothes, make sure they will sell.

Lastly, be humble and never give up. Believe that anything in this world is possible. Believe in your dreams and if you have faith and confidence in God, all of your impalpable dreams will come true.Read more at:http://www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/long-formal-dresses
judy smith Feb 2017
In this age of global uncertainty, clothes have become a kind of panacea for a growing number of consumers. Designers are responding to the political upheavals of the past year by injecting some much-needed humour into women’s wardrobes. Browns CEO Holli Rogers is already predicting that spring’s sartorial hit will be Rosie Assoulin’s smiley-face T-shirt. This cheery number, which reads "Thank you! Have a Nice Day!’" neatly sums up the jubilant mood of the coming season.

The logic goes that turning up the dial on the fun, the colourful and the crazy is the sartorial equivalent of Michelle Obama’s "when they go low, we go high" mantra. We may not be able to control the chaos of world events, but we still rule our own style.

It’s no coincidence that a cartoonish aesthetic, of the sort you’d find if you rifled through an eccentric child’s dressing-up box, was in plentiful supply on the spring/summer 2017 runways. Alessandro Michele’s army of Gucci geeks displayed growing swagger in garish get-ups that ran from fuzzy crayon-coloured furs featuring zebras to tiered, tinsel-y coats that rivalled Grandma’s Christmas tree.

It was a similar story at Dolce & Gabbana, where sumptuous eveningwear was loaded with pasta and pizza motifs, and drums became bags, while Marc Jacobs tore a page from a psychedelic colouring book, covering clothes with the childlike scrawl of the London illustrator Julie Verhoeven. Even ardent minimalists would have to admit that these playful looks have potent pick-me-up power.

For Anya Hindmarch – whose empire is built on feel-good fashion – all this frivolity is nothing new. "An ironic, lighter and more irreverent approach has always been my thing. People love beautiful objects and increasingly, they want to show their character – that’s the point of fashion," she says. "Customers today are more confident with their style. There aren’t so many rules. It’s about putting a sticker on a beautiful handbag and not being too precious about it."

What’s surprising is who is consuming this cartoonish style. Though there’s no real rhyme or reason, says Hindmarch, often it’s older clients who are investing in the maddest pieces – like her cuddly, googly-eyed Ghost backpack that has also been spotted on Gigi Hadid and Kendall Jenner.

The same is true of the customer for the Lebanese designer Mira Mikati’s emoji-embellished styles. Though her fans run from twenty to fiftysomethings, at a recent London pop-up one of Mikati’s most ardent buyers was an 87-year-old. "She tells me that whenever she wears my clothes people stop her on the street. They smile. They start conversations. She literally makes friends through what she wears."

Mikati began her career as a buyer, co-founding the upscale Beirut boutique Plum, before launching her own line some four seasons ago – largely out of frustration at the sameness of the mainstream collections. "I wanted to create something fun and colourful but easy to wear – that you can add to jeans and a white T-shirt, but that’s also a conversation point."

Her clothes, worn by Beyoncé and Rihanna, are certainly that: pink parrot-appliquéd trench coats, scribble-print hooded tops and dresses clad with a family of monsters who spell out her Peter Pan ethos in scrawled speech bubbles that read "Never Grow Up’" The antithesis of normcore, these designs take their cue from her children’s toy trunk and the Japanese pop art of Takashi Murakami – who returned the compliment by donning one of her patched bombers.

Mikati is clearly onto something. According to Roberta Benteler, who founded online fashion emporium Avenue 32 in 2011, it’s the cartoon aesthetic that’s really piquing women’s desire right now.

"Anything that looks like a child’s drawing or a toy sells incredibly well," she says. "Brands like Mira Mikati, Vivetta and Les Petits Joueurs inspire the impulse to buy because they’re so eye-catching. You have to have it now because there’s a sense you won’t find it anywhere else."

The exponential rise of street-style stars and the social-media machine that now propels the fashion industry also plays a part in the popularity of these playful looks.

"Designers are creating for the online world and customer," continues Benteler, who cites the Middle Eastern consumer as a big investor in these niche eccentric designs. "People find escapism in fashion and more than ever they need something to cheer them up. These are clothes that stand out on Instagram, and for designers that translates into sales."

In practical terms, in an effort to beat the warp speed of high-street copying, designers are differentiating themselves with increasingly intricate and artisanal styles that are harder to mimic. Just because these pieces have a childlike sensibility doesn’t mean they’re not beautifully crafted.

"My aim is create a handbag that you can keep as a design piece," explains the accessories designer Paula Cademartori. One of her most successful designs – the Petite Faye bag, which comes in a whole rainbow of configurations – takes more than 32 hours to create at her Italian studio. "Even if the styles are colourful and speak loudly, they’re still sophisticated," says Cademartori, whose brand was recently snapped up by the luxury goods group OTB. It can pay to be playful.

One man with a unique insight into the feel-good phenomenon is Marco de Vincenzo, who combines his longstanding role as leather goods head designer at Fendi with creating his own collection. "When we first created the Fendi monster accessories for bags we were simply playing around," he says of the charms that still loom large some three years on. "The most successful designs are created without pressure, through play."

His own-line debut bag features an animalistic paw. ‘It’s about creating something new and different for women to discover,’ he explains. "You buy something because you love it, not because you need it. Fashion is like a game – it has to excite."

When it comes to distilling this childlike abandon into your wardrobe, take cues from super style blogger Leandra Medine, who balances madcap pieces, such as her first collection of colourful footwear under her MR By Man Repeller label, with plainer, simpler ones. "It’s all about wearing your clothes with joy, and having fun, but not looking ridiculous," says Cademartori. "You don’t want to look like an actual cartoon."

It’s advice that chimes with that of Anya Hindmarch. "I love the idea of wearing a super-simple Comme des Garçons jacket and a white shirt with a really fun bag to mess it all up a bit." It’s a failsafe formula for dressing your way to happiness.Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
Mateuš Conrad Nov 2018
.'ere's a new 'un... hi'yah Oreo... hi'yah chockie; how's that?! any better? any more new ninja for the niq'b? no good? you're worse than ******... apparently there's no way to appease these people! they're all little Hitlers to begin with!

i drink, i fall down the stairs,
i flip a ******* pancake...
big deal...
   there's always the outlasting
expectation of a tomorrow...
drinking... hmm...
what if i'm not bashing
a woman about...
instead commenting
on the curry i just cooked
for my mother, like was Ed Gein
wannabe?
         funny...
it "suddenly" became silly to be
of natural birth parameters...
suddenly being naturally born
became a disability...
free ride amputee if you haven't
been born via a womb...
yeah... well done...you *******
gonna go against everything decent
in our lives?
yes? no?
yes no? yes no? no yes? no yes?
yes no yes no no no yes no yes?!
make your, ******* mind up!
black panther *****...
i want to be Spawn rather than
Batman...
****-a-doodle-do?!
the ****'s this ****...
howlin' wolf?!
(but Batman has the better jokes...
what's your super-power?
i'm rich... ha ha...
can''t beat that crap-oh-oh...
turn Morse into Braille...
i dare y'ah; giggles... abrupt).
yeah...
so the Gen Z are the flashy new
cwowd?
really?
   so the Millennial pundits
are still milking that cwowd?
the ones who... have...
no... knowledge... of the... workforce?
those cool kids?!
really?!
             wait... giggles a'coming...
ah ha ha ha ha ha ha!
it's U2... hold me, thrill me,
kiss me, **** me...
gen Z?
         as served up by millennial
commentators...
you're kidding, right?!
money who money what?!
   the punchline comes with....
me? aging to the prune ripe age of 70
like my communist party member
grandfather with a retirement
security?
  what?
    i don't want to make it past
50!
****... **** hitting 40!
i want the African subscript of life...
give me the life expectancy of some random
African...
reduce me to an obstacle...
and let's get it over and done wtith...
i'm done...
            i'm engaged in the dodo project...
i'm through with what's currently happening,
what Nietzsche called:
imagine, speaking for the entire human race...
*******!
               i'll drink my beer,
live my life, die by death...
and...
   well... it's your ***** donation
to the infertility bank, isn't it?
so why should i care?!

- i'm pretty sure that backdoor man,
originally sung by howlin' wolf,
covered by the doors..
was about **** ***....
then again... who gives a ****
whether i'm right or wrong...
i'm pretty sure that i don't -

rizzle kicks -
  mama do the **** -

funny...
where are all the progressive
leftists, etc. and more etc.
going to get their counter
arguments...
  when the standards,
the right-wing woks,
the whites
are bred out?
cannibal cannibal cannibal
that ******* down?!
let's see how Samuel Jackson
feels about his pretty dough
feels about dating
            the next Lebanese
liberal cousin...
please... breed the stereotype out...
the o' whitey...
  breed us out...
find the next fertile ground
for the next shock offense
   harvest of turnip-heads...

**** me... i'm digging this sort
of crap...
   i'll do the dodo dance...
you do the:
coming from the semi-caste
new brigade of offense central...
******, come, come;
i wanna see the new rainbow
juice... and...
whatever their dependency is
to don the straitjacket,
Graff1980 Dec 2015
Corporations **** the core
Cuts the soul to ribbons
Takes all the labor
And pays back in paltry paychecks
That barely covers our debts
Whilst doling out pain and exhaustion

But the people are good
Hardworking and smiling
Straining to maintain
That spark of heart
That remains
While paying their bills
And feeding their family

The shift starts
And tired bodies
Stumble in
Factory already
Rumbling
Like last night’s thunder
People laughing and chatting

Lebanese dude calls me Habibie
Grinning and patting me on the back
Brown brother give me a knuckle bust
As he passes by with a playful gleam in his eyes
One guy doesn’t high five but bumps elbows
The Congo girls speak another language
Beautiful flowing and musically rhythmical
The Janitor sings Motown
In this factory town these are good people

The generators hum
The machine sings
Doing their thing
Hoses circulate water
Like life’s blood
Taking in the heat
And sending it away
Bringing back more cool water
That does the same
Cooling the loud and hot equipment

While the employees are stressed and sweating
Wearing muscle fatigue and sleep deprivation
Like it’s their second skin

The machines drums ch, ch, crack
Ch, ch crack like a musical number

While the workers hustle
A smoke break and a popsicle
Then back to work
A lunch break and a conversation
Then back to work
Last smoke break and a phone call
Then back to work
Leaving the factory body hurting
But still coming off
The assembly line a good person
Arsène Jul 2014
Summer air
Slight breeze
I feel her angst
Amongst my knees

As I free  
Within my trees
So enveloped I become
with ease

But still remains
a simple disbelief
She had gone back
to Lebanese
she is symbolic
Mateuš Conrad Nov 2018
you fed me, therefore you armed me...
now show me the snowflake
trenches...
      i'll invite the vermin...
to keep them company...
  what?!
aren't all Polacks vermin?!
            oh... really?
             i heard otherwise...
eat your ******* ***** numb!
i am fury...
i am gorge...
i am everything but thought!
i! i... i debate with
the hive...
                        you start calling
one vermin,
you start calling all, vermin...
see how the hive reacts...
thank **** the ****** migrants
of the generation that joined
the European Union have
decided to move back...
  ******* applause!
who the **** would even be sane enough
to stay on these isles?!
what... like a Britney can't
get no Pakistani?!
  last time i inquired about
Rotherham...
that wasn't a problem...
        you didn't take to examine the words
politely...
mind you...
          rats have transcendent value,
well equipped with:
eating you;
  VER-MIN!
the English north Pakistanis could
have called me anything else...
now i have a ******* ringing
in my head...
like... eating out a **** could become
much more than a vegan enterprise
of oral...
  like...
         the prodigy & tom morello...
or pearl jam's rats...
only the northern ****...
your want your... "little" culture war?!
have it...
      vermin...
               Jew harbourers...
       us: Herr ****...
   we... vermin...
   people of neither book: but the sewers...
and whatever Palestine looks
like in the House of the Saudi...
they don't eat, don't sleep
they don't feed, they don't seethe
bare their gums when they moan and squeak
lick the dirt off a larger one's feet...
and the Lebanese wonder,
literally, "wonder"...
why aren't these vermin integrating?
who the **** said i wanted to
continue eating falafel?!
you want prejudice?!
what's up with your accent?!
huh?
where you from?!
  you want to hear that sort of *******
from immigrants?
esp. those who decided to settle...
what's wrong with the answer:
from 'ere... why?
i'm ******* praying for more Polacks
to leave these isles...
like...
i don't pray... but the insinuation
is there... **** them...
**** these David Attenborough masochistic
sadists...
        your women, your fate,
just like in the Victorian era
concerning the children...
     please... ****** is as much a racial
slur as Dr. Dre... is...
what? Mozart?!
have it, delete me...
                 whatever...
                i've learned one thing from
an innocent private conversation
on Wattpad in 2015...
           have it all...
          whatever...
               you die by the hand
that also feeds you...
        have it...
                          have it all...
              once upon a time,
once upon a space...
  once upon upon a once neither
space or time....
ended with:
  forever... what was always
what came prior, but never the after;
happy was never
a necessitated outcome...
to begin or end with...
      it was...
               a gambler's luck...
and since so many didn't gamble...
it was never supposed to resonate
as an opportunity of outcome,
or expectation...
                        namely?
happy is what people achieve...
when the angry do not resonate
within the inhibiting construct of fear...
happy is what people achieve...
when they learn to fail...
  fear? fear is coupled with anger...
happiness?
  that ******* is coupled with failure.
MAJD S Feb 2014
I’m crucified on the cross roads of doubt;
My heart is in the middle of all this,
My head
Is tilted downwards,
My eyes are shut;
Inverted,
So as to look upon my past
Because some time
Some where
There is a missing link,
That if I find
All this would be clear.
I’m in a Jerusalem of my own
In it,
There is no, wide spaces of sand
And camel-descending romans
Trying to stab me with nails;
Instead,
There’s real people,
With real nails;
There is hope,
Now lighter than sand granules,
And sand castles
Crumbling down,
Leaving enough space
For a flower to emerge
In an Arab spring
Fertilized with corps
And watered with blood;
For Lebanon is running out of water
Like the Lebanese are running out of faith-
Running into walls.
Jumping over obstacles,
Over explosion debris,
Jumping way in over our heads.
I’m in a Jerusalem of my own,
One I call home,
With windows that open
To reshuffle the air particles
In a room that has enclosed upon itself,
With doors that creek
For the scars of the past
Still haunt them,
With walls
Painted with portraits
Protecting the memory
Of the ones I loved,
With walls painted with portraits
Picturing poetic illusions-
Ones that never left my brains,
Ones that tell me,
Every night I lose myself
In her pictures,
That we are getting back together,
One day,
Somehow,
Somewhere,
There is a missing link
That if I find
All this would be clear.
I’m strumming out of tune questions
On guitars that carry my stories,
With strings that need to be changed
And necks that grow long
As the path
I still have in front of me;
And though this is not a problem
For a Hendrix and a joint,
I’m just an ordinary man
With a pen-
I wear ordinary clothes,
I feed up on
Ordinary capitalism,
I ***** up my notes
Of which I never took any;
Jerusalem fell apart,
But my Jerusalem did not fall yet.
On my crucifix,
There’s a writing that says
“There’s always a piece of you in people,
As much as there’s a piece of them in you.”
I’m just a man on a crucifix
But writers can never be tamed,
For they live through the people that learn from them;
And those people,
Maintain they live forever.
Its good to be back.
judy smith Dec 2015
In every tribe and culture, a wedding is cause for a celebration. And all of those celebrations involve some degree of negotiation among the couple, their families, their cultures and their traditions to make the experience meaningful and powerful for everyone.

Rabbi Adam Greenwald, director of the Miller Introduction to Judaism program at American Jewish University, said when it comes to Jewish nuptials, even born-Jews will have differences. Is one a secular Zionist and the other Modern Orthodox? Reform and Conservadox? The combinations seem endless.

But, for Jews by Choice, there is the added wrinkle of following Jewish practice while making sure beloved non-Jewish family and friends feel included.

When Jazmine Green, who went through the Miller program, and Jeremy Aluma started planning their Jewish wedding, Jazmine’s Catholic mother revealed that she had always dreamed of watching Jazmine’s father walk their daughter down the aisle. The Jewish practice of having both the bride’s parents walk her to the chuppah and remain there with the groom and his family throughout the ceremony was unfamiliar and she resisted it.

Greenwald, who each year officiates at the weddings of 15 to 20 couples in which one person is a Jew by Choice, often meets with non-Jewish families early in the preparation process to talk through these issues and answer questions. He recognizes that, for some parents, there is real sadness when a child chooses a different faith.

“I try to honor those complex emotions and assure them I only want to help create a special, meaningful day for everyone,” he said.

He suggests couples create booklets to explain Jewish terms for attendees who may not be familiar with them and that they make sure the officiating rabbi offers a few sentences of context before each stage of the wedding. These can range from a word about the Sheva Brachot, or Seven Blessings, to explaining to a Christian family that a traditional ketubah is written in Aramaic, the language spoken during the time of Jesus, as Rabbi Anne Brener, professor at the Academy for Jewish Religion, California, has done.

Of course, the wedding itself is not a classroom. Jazmine and Jeremy Aluma kept their printed program informal and friendly with questions such as, “What’s up with the circling?” Their explanation of the ketubah concluded, “It also puts a monetary value on Jazmine’s head so she can hold it over Jeremy for the rest of their lives.” About the glass-smashing, they wrote, “If you’re a Jew, you know that as a people, we’ve overcome adversity and make up a thriving global community. Being torn apart encourages us to grow and gives us the opportunity to come back stronger and more resilient than before. We break a glass as a symbol of this natural process.”

Des Khoury, another student of Greenwald’s, and Moshe Netter found a way to recognize many of their families’ traditions in their ceremony and afterward. They were married by Moshe’s father, Rabbi Perry Netter, who explained to the guests that the chuppah, which symbolized the house Des and Moshe were creating, was open on all sides to indicate that everyone was welcome.

Des is a first-generation American. Her father is Lebanese-Egyptian and her mother Armenian; her family’s faith tradition is Catholic. Her wedding program included ways to express congratulations in Hebrew, English, French, Arabic and Armenian. And after the ceremony, Des and Moshe emerged from yichud, or their moment alone, to the horah, followed by an Armenian song and folk dance, and then an Arabic tune. By that time, she said, everyone was dancing.

The material of the chuppah itself can be inclusive. Brener said she once officiated at a wedding beneath traditional Ecuadorian fabric brought to Los Angeles by the groom’s Catholic family.

Music, explanations and words of welcome are nice, but when it comes to actual participation by non-Jews, every officiating rabbi will have his or her own halachic opinion. Because the marriage liturgy itself can be completed in about 10 minutes, many feel there’s room to add appropriate ritual. The mothers of Des and Moshe, for example, lit a unity candle under their children’s chuppah.

Jessica Emerson McCormick, who was born into a Jewish family, researched clan tartans before her marriage to Patrick McCormick, whose Catholic family is Scotch-Irish. Jessica and her mother found a festive blue, red and yellow pattern, and had it woven into a length of cloth and made into a custom tallit for Patrick, as well as special kippot for him and his father to wear at the wedding.

Along with that plaid tallit, Jessica and Patrick’s ceremony included several rabbi friends reading the traditional Seven Blessings in Hebrew, followed by members of Patrick’s family reading English translations. Both of Jessica’s children from a previous marriage were on the bimah, and her son wrote and read his own interpretation of the seventh blessing.

Rabbi Susan Goldberg at Wilshire Boulevard Temple said having non-Jews read translations of the Sheva Brachot is “a nice way to include friends and family in the ceremony.”

Because all translation is a kind of interpretation, Greenwald said he also approves of participants riffing on the basic idea of a blessing to create something that especially speaks to the couple. He finds that the needs of the couple can get lost while they’re making sure everyone else is happy, and sees one of his jobs as helping them stay focused on what they need, how they can be kind and compassionate, but still have the wedding they desire.

“The most important thing,” he said, “is that the couple under the chuppah have a powerful, meaningful experience of commitment.”

Because the wedding day marks a transition to what Jewish tradition sees as a new life, many rabbis encourage couples to go to the mikveh before the ceremony. Often for Jews by Choice, it’s their first visit since their conversion and a chance to reflect on how much has changed since then.

It wasn’t clear at first that Patrick would choose to become Jewish. When he did decide, Jessica said, his family was supportive. Like the families of the other Jews by Choice interviewed for this article, his parents were happy that he had chosen to include religion in his life.

Des, who said she spent years searching for a spiritual practice that felt right to her, also found her parents accepting. “To them, it’s all prayer and God. They’ve even started looking forward to invitations to Shabbat dinner.”

Jazmine’s mother, too, witnessed her daughter’s spiritual seeking and was glad that she found a place that felt like home. In recognition of that, she even gave up her front-row seat and walked with her husband and daughter to take her place under the unfamiliar chuppah.

The officiating rabbi, Ari Lucas of Temple Beth Am, spoke to Jazmine and Jeremy about coming together with the support of their community. He reminded the guests that they were there not just to witness. Together, this mix of family and friends, cultures, languages and traditions would help — and go on helping — the couple begin their new life together.

read more:www.marieaustralia.com/formal-dresses

www.marieaustralia.com/evening-dresses
MAJD S Jun 2014
I want to come up with amendments,
But my brains cannot function
Because I have spent the last 8 hours
Trying to memorize the  2 “I’s” of Lebanese history
Irony and Ignorance.

I want to fix the world
But I was never the handy man;
I once broke my mother’s phone
Trying to wipe the screen;
And frankly,
I don’t really know what’s wrong with it.

I want to patch my mother’s heart.
The bullet in her son’s temple
Burnt a hole in her arteries,
So every time she inhales
She could taste the lead
Between her husband’s eyes;
Because before the stars collapsed
They were just scanning the shelves for skimmed milk;
His daughter suffered from diabetes,
And before the sun exploded
At the bend of a thumb
She was hanging from his arms,
Jane trying to swing her way
But in this movie
She never meets Tarzan.
His daughter was only 3.
A car bomb
Can conflagrate
From 9,000 up to 27,000 feet per second
Both are multiples of 3.
A wired van
Can carry up to 12,000 pounds
Of explosives
Also a multiple of 3.
On her 3rd birthday
She blew 3 candles,
And 3 candles were lit-
Every night,
In between the white roses-
Over her grave.

I want to breathe
Burning tires,
I want to bask
In blood,
I want to think
In exchange rates,
I want to feel numb;
If this is the only way…
Is this the only way
To survive?
Jonny Angel Mar 2014
I made the trip north,
used my Eurail pass
with dope-orders
burning in my pocket
& a stack of some
cold hard cash
to purchase a stash.

In fact, it was a secret
clandestine mission,
a paid commission to
find the highest-quality.

And I did score,
several grams
of Lebanese brick
did the trick.
The whole school
called in sick for a week,
hungover on the highest-quality,
smoked out on pins & cups.

After I got back from that
one trip to Amsterdam,
they called me
"The Smuggler"
& I became a legend
amongst my peers.
Terrin Leigh Apr 2015
oh inherited hair,
why do you kink and twirl
straight is in, smooth the curl
your twists and turns are rare
with the popular, you'll never compare
Thanks to you, I look like a little girl
humidity helps the whirl
never mind the cut or care
Lebanese in pedigree
no reason to change yourself in shame
textured, strong, full, wavy, and dark
don't wait for vision and reality to agree
owning it will make a mark
let it shine - the real you - don't tame
Am I the turn table playing your favorite 45 ?  No , call me the stack of pennies on the arm that kept the record from skipping !                                 I am certainly not the eight track player , or the tape itself , call me the match book that kept it from wavering  and distorting the sound ...........
Might you be the cassette pragmatic one ? No ! Sadly , I'm the teenager that could splice the tape back together but barely walk , high on blond Lebanese !
Two Maronite schoolchildren practice their English…

“Cedars! Cedars! Cedars!”
“See theirs, seethers, Caesars,
See her cedars Caesar?”
“See here, a sea-fare and see there?
And oh, I see Sir?”
“Do you see her? Yes I see Sir, -Caesar!”
“Cedars! Cedars! Cedars!”

And they are descendants of Solomon’s thirty-thousand, the great-grandchildren of Hiram’s workers.

“Sol Indiges!”
“Sol Invictus!”
“Sol-Ammon!”

“Now children, how do the three monkeys act?”

“Sol, the root of solar and it means the Sun, it means also to see or sight as it infers the light of seeing.”

“Am means fire but it is also the meditative word, Aum, therefore it cannot render evil through sound!”

“On is Egyptian and it connotes speech so it represents hearing.”

The instruction in language is not terse. Requiring broad-based understandings of how the West characterizes ideas. These two are particularly adept being taught from birth in both Maronitic and Latin and now English, in preparation for their exodus, as home has become a battleground where they must leave soon. Only in the West can they find peace and practice their faith so expressively. Only in the West can these two girls attend school if their lands are befallen…

“Now children, what does this mean?”

“See no evil!”
“Speak no Evil!”
“Hear no Evil!”

“And that children, is the Wisdom of Solomon!”

Breaking news! CNN reports that a car bomb has exploded in the ancient Lebanese town of Mejdeloon. Shocking footage now of a series of homes that have been reduced to rubble near a Maronite Church where rescuers are just now pulling out the bodies of two young school girls. Christopher Talias reports live from the Lebanon.

“Sol Indiges is the voice of god,"

Sol Invictus, in light, his mind;"

*Sol-Ammon is the understanding and wisdom for all time!”
The name Solomon can be broken into three languages as three roots words representing the phrase, "see no evil, hear no evil, speak no evil." There also happens to be three gods that have names holding a similar meaning to each part of the phrase.
Sean Hunt Dec 2015
Good Fences

Oxymoronic mania
Infecting ordinary beings!
Through the ages.
“Good fences make good neighbours”
They say
So they say

Israel, one day
Will be the best
Of neighbours
With the wall all around them
From east to west

Buddies to Bedouins
Touted by Saudis
Lebanese unfreeze
Hamas 'no mas'!

We should all build
A wall!

Sean Hunt
Windermere  Jan 30 2015
I say I'm a Muslim, but I can't tell anymore.
I can't tell from what goes in my mouth,
what comes out and hits you on the cheek
worse than a slap, harder than a mere insult.
I'm outraged, but what reason do I have?
On the outside I could be anyone,
and I usually am.
Sometimes I am Puerto Rican, Lebanese, or Black--
a child asked me once, and I just smiled back.

How sweet would it be to take every crayon from the box,
even now that the numbers have multiplied and
what was once simple 8, 12, 24, 36,
has exploded into a million colors with a million names,

to crush them into bitty pieces and swirl the mixture with water;
make it all into One.

so that if we hate another
(what other?)
we just hate ourselves.

I say I'm a Muslim, and I know I am
because when I give up all my frustrations and
my toddler tantrums, and I even give up yoga,
or rather it gives me up, thankfully so,
when I injure my back: I'm grateful for that.
What a knowing presence God is to take away that which harms
and restore that which fulfills.

But even to those who are still hurting
(and I often am)
there are these small remembrances that come
between this onset of tears and the next.
Whether the sun peers through the dusty blinds,
the ones you need to clean again--so soon,
and you see the light stream through, faintly at first,
until you are forced to open your eyes,
to remove yourself from the hate you've stewed in:
how simple is that?

I say I'm a Muslim, and it's a choice
I make every day or avoid until the next day,
even though that day may not be easily given.
And I forget that.
But when I see life slip away from young lives, old lives,

lives not yet born

then I have to remember
that I do not have the answers,
and every time I try to be dictator of my destiny
I fail miserably, miserably, miserably.

And now that I wrote this poem
and I felt myself think, no, truly feel for the first time in a week,
that my robotic expression has melted into a frown that stands
a chance at becoming a smile.

Now that I am human I am a Muslim.
Not perfectly so, but decidedly so.

(In memory Deah Shaddy Barakat, Yusor Mohammad Abu-Salha, and Razan Mohammad Abu-Salha)
#human #alllivesmatter #muslim #muslimwriter #muslimpoet #poetry #chapelhill #brotherhood #compassion #help #humanity #God #poem
Jamison Bell Jan 2023
I’ve been mired in an existential crisis for so long now, I don’t trust jelly.
It just doesn’t look right.
Bear with me here. (Barry the bubbly brown bear. See what I did there?)
What if, jelly disproves the life is a computer simulation theory?
Why would a sentient machine running a computer program to simulate life write jelly into the programming?
It wouldn’t, right?
So now that I’ve nixed that theory for y’all.
What else ya got?
David P Carroll Aug 2021
Shebaa Farms Stolen Lebanese land.

Golan Heights Stolen Syrian land.

Gaza Stolen Palestinian land.

West Bank Stolen Palestinian land.
If Someone was to occupy Washington DC the American army would destory them
Moon Flower Jun 2019
tears are flowing as I write
some pains never fade
stay the same as if it happened today
so let me try to get this just right

I was just 16 moved to florida
from growing up in northern virginia
no friends, young and wild and facing
a lovers betrayal which changed my heart

first person I met I’d walk to the bar
was a guy named Joe Martin
he was hitting on the girl i was with
I remember she was crying so he gave her a kiss

from that day on, him and I were best friends
hung out all the time I completely trusted him
he caught feelings love he’d say
those sure words would make me run away

he always talk about his brother Jack
family nickname for him was Nat
all the adventures they shared
his love for his brother was rare

over a year or maybe longer I forget
finally one day his brother visited
on leave from the marine’s set to deploy
didn’t think much either way of that boy

we all hung out in and out at the beach
once Jack came over and my mom looked at me
she said “he’s cute” what do you think
i said “you think so, hmm let me see

relationships of that kind were not for me
something Iran from and certainly didn’t seek
but my dear mother she planted that seed
and pretty quickly Jack was hitting on me

we were alone I drove him to the lake
a place where he’d swim he couldn’t get me in
this day he was quite bold wanting
to be with me right there and than

I was intrigued and told him if he wanted to date me
he’d have to do it right
put in the effort talk to his brother
make sure it’s alright

from that day on we were together
every day and every night
seemed like weeks maybe month
but back than felt like years

the day finally came for him to leave
Joe was in the driver’s seat of my 69 firebird
cherry red white top convertible
top was down i was in the back

than Jack came running out
duffle in hand kissed me and climbed in
I said to him “did you tell your mom goodbye”
he said “yes I did, why”, I said “did you tell her you love her”
he looked in my eyes, smiled and ran back inside

off to the greyhound bus station car full of kids
I swear that boy lip locked me I couldn’t catch my breath
he didn’t let go the entire trip
we said our goodbyes and waved as his bus left

deployed to Beirut Lebanon 1983
he wrote me every week
told me about what it was like there
and how he’d reup with his sergeant’s despair

encouraged my schooling said I’d do great
told me of the culture and the barracks and mates
how he was taught use infrared telescope
from the roof spot any mortar or any dangers

he wanted to re-enlist to save money for his future
he was proud to defend our country

than the worse news went round the world
on October 23, 1983, two truck bombs struck buildings in beirut, lebanon, housing American and French service members of the multinational force in lebanon (MNF), a military peacekeeping operation during the lebanese civil war. the attack killed 307 people: 241 u.s. and 58 french military personnel, six civilians, and two attackers.

disbelieving and it took at least a week
before they found his body
in the pile buried underneath
all of us hoping he’d be ok no relief

I was at my brother’s funeral in maryland
all the family was at my grandma’s after the service
when Jack’s mom called with the heart wrenching news
I thought for sure there’d be no way, that god would
take them both away

when I returned back home to florida
waiting for me in the mailbox
my last letter from Jack
that glimmer of hope of a mistake quickly passed

his last letter read:
‘did you hear the new rainbow album
bent out of shape with
ritchie blackmore and ronnie james dio”?
“don’t you worry about me
telling me to be in right place at the wrong time
hell “I’m trying to be in the wrong place at the right time”

Love,
Nat

Jack was 22 I was 18
young private first class marine
died as a peacekeeper, no weapons no defense
the list of the rules first three were intense

until October 23, 1983, there were ten guidelines issued for each u.s. marine member of the MNF:

the perimeter guards at the u.s. marine headquarters on the sunday morning of October 23, 1983, were in full compliance with rules 1–3 and were unable to shoot fast enough to disable or stop the bombers.

1. when on post, mobile or foot patrol, keep loaded magazine in weapon, bolt closed, weapon on safe, no round in the chamber.
2. do not chamber a round unless instructed to do so by a commissioned officer unless you must act in immediate self-defense where deadly force is authorized.
3. keep ammo for crew-served weapons readily available but not loaded in the weapon. weapons will be on safe at all times.
4. call local forces to assist in self-defense effort. notify headquarters.
5. use only minimum degree of force to accomplish any mission.
6. stop the use of force when it is no longer needed to accomplish the mission.
7. if you receive effective hostile fire, direct your fire at the source. if possible, use friendly snipers.
8. respect civilian property; do not attack it unless absolutely necessary to protect friendly forces.
9. protect innocent civilians from harm.
10. respect and protect recognized medical agencies such as red cross, red crescent, etc.

the first suicide bomber detonated a truck bomb at the building serving as a barracks for the 1st battalion 8th marines (battalion landing team – blt 1/8) of the 2nd marine division, killing 220 marines, 18 sailors and 3 soldiers, making this incident the deadliest single-day death toll for the united states marine corps since the battle of iwo jima in world war ii, the deadliest single-day death toll for the united states armed forces since the first day of the tet offensive in the vietnam war, the deadliest terrorist attack on american citizens in general prior to the september 11 attacks, and the deadliest terrorist attack on american citizens overseas. the explosives used were later estimated to be equivalent to as much as 9, 500 kg (21, 000 pounds) of tnt.

minutes later, a second suicide bomber struck the nine-story drakkar building, a few kilometers away, where the french contingent was stationed; 55 paratroopers from the 1st parachute chasseur regiment and three paratroopers of the 9th parachute chasseur regiment were killed and 15 injured. it was the single worst french military loss since the end of the algerian war.the wife and four children of a lebanese janitor at the french building were also killed, and more than twenty other lebanese civilians were injured.

our lives forever changed that day

families, our country, our nation, blood stained.
innocent men and women and children die for us
every single second of every single day


In honor of all of them and

Private First class Jack L. Martin (1961-1983)
there’s a special place in heaven for such angels as these!

below is our song, rainbow “street of dreams”
released 1983 (bent out of shape)
I sometimes wonder what would or could of been
sure did love that Nat Martin!
my purpose was profound
aurora kastanias Oct 2017
I was born in a city and time where and when
things were described by their name in the name
of realism and truth, uncoloured nouns of honesty
depicting society as it was fearing nothing
while no one took offence, as none was intended

in the atmosphere of autocriticism and self-
deprecating humour. In the countryside village
peasants called my father the Greek, as there were
no aliens other than us and the English man
who lived down the valley. Black skins

only existed on TV, and Africa was far more distant
than maps ever suggested. Our Ghanaian origins
were a mesmerising fable to the curious ears
of those willing to imagine exotic airs, indefinite
populations they had never seen. Italians

were used to migrate abroad in search of dreams,
though no one came to dream in Rome until, they did.
First strange faces appeared for myths to become
realities integrating slowly fast-forwarding thirty years
to see, Filipinos housekeepers, cheaper butlers,

Rumanians and Moldavians caregivers to our elders,
Chinese empires beginning with restaurants and shops,
Selling almost anything one could ever think of affordable
to all, now expanding to own bars creating jobs,
employers of impoverished locals and new arrivals.

Bangladeshis taking over once-was Italian grocery cash
and carries working hard, a 24/7 policy just for some.
Those who don’t are found selling umbrellas on the road
a minute before the storm, or taking polaroid pictures
of tourists at night when the gypsies come out

of nomad camps to sell, unscented roses to lovers
unnaturally blue for the day is reserved, to picking
pockets on public transports everybody knows,
signs are put up for those who don’t. Lebanese
hairdressers hiring young Italian girls, eat in Turkish

kebab fast-foods buying halal ingredients in Iraqi stores.
Only blacks in Rome own nothing but their shoes
and reputation. Those from North African countries often deal
on sidewalks for drug addicts playing instruments
sitting next to dogs on Tiber bridges as they beg

for one more dose. Though Egyptians mainly deal
with chefs, closed in restaurant kitchens learning
pizza-making skills, while Pakistanis make excellent
dishwashers. Turning back to blacks Nigerians,
Senegalese, Malians and many more improvise

themselves as clandestine street vendors
of jewels and fake bags, the latter secretly supplied
by Italian mafia-like wannabes. Often spotted running
away from police, packing goods in white sheets, held
on their backs as they flee, leaving fallen merchandise

behind them. Finally some remain unseen, straight
from heart of darkness and surroundings they stay
strictly on TV, passing from satiric sketches of the past
to NGO adverts crying out, for help against famine,
poverty and sickness, calling for action two euros a day

via sms to keep, consciousness clean, as we close
our eyes not to see, pretend we do not know, hiding
behind words we call, politically correct not to face, take
distance from reality and truth, disguise inconvenience
and uncomfort with ridiculously embellished, jargon.

Some exceptions obviously exist, as many manage
to live outside the box, though alas and do not blame me
for speaking the truth, they remain to date exceptions
dear to my heart, as are all the characters of this portrait,
scattered pieces of humanity, pieces of me.
On political correctness
Marie-Lyne Feb 2022
I need to use my mother tongue
Whenever I feel down
To express my feelings
To talk about what bothers me
Mateuš Conrad Nov 2016
co hytre pod skurą jest iglą
         (what's avaricious under the skin is a needle)
na wieków, amen - co gdyby lwem
(forever more, amen - what's apparently a lion)
czy niedźwiedźem, czy też wilkiem
(or bear, or even a wolf)
da tchu! Vlach! ti i ten pierdolony lis!
(will give breath! Vlad! you and that ******* fox!)
eine fuchs! ich! ja stokroć i nocy nadam
(a fox! i! i the fern who will give unto the night)
imion bez konstelacji Achilles'a,
(names without constellations' of Achilles)
pozorom wbrew: na haczyku brwi
(under no pretensions: on the fishing hook of the eyebrows)
na tle pod imion: dobre sumienie
(on the canvas of under-names: a sound conscience)
wramah chszestu.
(in the boundaries of a christening.)
  a co ładne niech paraduje ze
(and what is beautiful, let it parade)
rzołneczykami!           bo to tfu!
(with it's little soldiers! because it's disgusting!)
bo to harfa i hu i true i Polska podbudjed
(because it's a harp and a ha... lost in translation)
is Rosyja i Я: anglo tomme, niet Яck m'eh?
  no kurva: Mongoła trombone!
mi non sprechen Deutsche,
nor operatic, nien moon-sweep tsar -
lovely, lovely juggles the Peckham
in all of us jubbly: day for the awaiting Trotter -
         or the spin frame Jenny my dearest:
spin! spin my spinning dūbblé / double-blah-blah-eh!
plocker / plonker two sons within graft of a blue
Peter sketch for the youngsters whining: or how's that
****** housed and i'm the one that should be
saying: the 'un that neva'h woz?
bites the Barnickle, that 'un does.
               says as much about cubicle cockers
in née said: Varlance: such that it almost sounded like
Versailles, and it too almost sounded likened to
umbrella when saying Paris or parasol.
       or on par: cubicle cockney poetry:
appellation and ***** hairs: stairs -
       needy and scythed: the frightened bunch...
          why then Versailles and squire?
and not: that ol' chip frier -
     fry err, Brighton on marble: succinct slating -
that walk of shame toward the ****.
     they always made the best foster parents,
that **** bumping, **** dumping crowd pleasing
hush for a Lincoln into linguo as Oslo in
libido -
          trucker tongue tie - gears in reverse -
randomised language replenishing that chaos of
became focus of larynx not cubed
but eyes three-dimensional: or cubism.
             and you sort of wish you knew how to
knot rather than not not not -
                your way into a Wahabi Lebanese
sentiment for truancy -
   which you never, really had a chance to get a
hard-on over.
                       this is how art sorta doesn't feel
that much difficult, more of a diarrhoea rather than
a constipation: less a skiing holiday in the Swiss
alps and more weekends spent on the Southend pier.
    well, we all wish to fish in the spaghetti lake
of verbiage: some of us get to,
and what we end up doing is hoping for
a second as cobblers in China, or beef farmers in
Argentina,    or cigar-rollers from Havana -
b'aah.... blah.... b'aah: i say jolted,
i say unsure, i say nervous b'aah - sheep's surrender!
why? it would sort out and destroy our
claustrophilia: as ever a cranium and an elevator...
         and the congregation,
                    and the dry throat.

— The End —