there are so many places to hide,

in my home at 17th and South screaming death threats at my roommates laughing diabolically playing  videogames and Jeopardy cooking quinoa stretching canvas the dog going mad frothing lunging  spastic to get the monkeys or the wookies or whatever random commandments we issue forth  drunken while Schlock rampages the backdrop,

at my uncle's row house on 22nd and Wallace with my shoes off freezing skipping class to watch March  Madness unwrapping waxpaper hoagies grimacing with each sip of Cherrywine or creamsicle  soda reading chapters at my leisure,

in the stacks among fiberglass and eternal florescent lima-tiled and echo-prone red-eyed and white-faced  caked with asbestos and headphones exhuming ossified pages from layers of cosmic dust  presiding benevolent,

in University City disguised in nothing but a name infiltrating Penn club soccer getting caught after  scoring yet still invited to the pure ***** joy of hell and heaven house parties of ice luge jungle  juice kegstand coke politic networking,

at Drexel's nightlit astroturf with the Jamaicans rolling blunts on the sidelines playing soccer floating in  slo-mo through billows of purple till the early morning or basketball at Penn against goggle- eyed professors in kneepads and copious sweat,

in the shadow tunnels behind Franklin Field always late night loner overlooking rust belt rails abandoned  to an absent tempo till tomorrow never looking behind me in the fear that someone is there,

at Phillies Stadium on glorious summer Tuesdays for dollar dog night laden with algebra geometry and  physics purposely forgetting to apply ballistics to the majestic arc of a home run or in the frozen  subway steam selling F.U. T.O. t-shirts to Eagles fans gnashing when the Cowboys come to town,

at 17th and Sansom in the morning bounding from Little Pete's scrambled eggs toast and black coffee  studying in the Spring thinking All is Full of Love in my ears leaving fog pollen footprints on the  smoking cement blooming,

at the Shambhala Center with dharma lotus dripping from heels soaking rosewater insides thrumming to the  groan of meditation,

at the Art Museum Greco-fleshed and ponderous counting tourists running the Rocky steps staring into shoji screen tatame teahouses,

at the Lebanese place plunked boldly in Reading Terminal Market buying hummus bumping past the Polish  and Irish on my way to the Amish with their wheelwagons packed with pretzels and honey and  chocolate and tea,

at the motheaten thrift store on North Broad buried under sad accumulations of ramshackle clothing  clowning ridiculous in the dim squinting at coathangers through magnifying glasses and mudflat  leather hoping to salvage something insane,

in the brown catacombed warrens of gutted Subterranea trying unsuccessfully to ignore bearded medicine

men adorned with shaman shell necklaces hawking incense bootlegs and broken Zippos halting conversation to listen pensive to the displacement of air after each train hurtles by,

at 30th Street Station cathedral sitting dwarfed by columns Herculean in their ascent and golden light  thunderclap whirligig wings on high circling the luminous waiting sprawled nascent on stringwood pews,

at the Masonic Temple next to City Hall, pretending to be a tourist all the while hoping scouring for clues in the cryptic grand architect apocrypha to expose global conspiracies,

at the Trocadero Electric Factory TLA Khyber Unitarian Church dungeon breaking my neck to basso  perfecto glitch kick drums with a giant's foot stampeding breakbeat holographic mind-boggled  hole-in-the-skull intonations,

at the Medusa Lounge Tritone Bob and Barbara's Silk City et cetera with a pitcher a pounder of Pabst and a  shot of Jim Beam glowing in the dark at the foosball table disco ball bopstepping to hip hop and  jazz and accordions and piano and vinyl,

in gray Fishtown at Gino's recording rap holding pizza debates on the ethics of sampling anything by  David Axelrod rattling tambourines and smiles at the Russian shopgirl downstairs still chained to  soul record crackles of antiquity spiraling from windows above,

at Sam Doom's on 12th and Spring Garden crafting friendship in greenhouse egg crate foam closets  breaking to scrutinize cinema and celebrate Thanksgiving blessed by holy chef Kronick,

in the company of Emily all over or in Kohn's Antiques salvaging for consanguinity and quirky heirlooms  discussing mortality and cancer and celestial funk chord blues as a cosmological constant and  communism and Cuba over mango brown rice plantains baking oatmeal chocolate chip cookies,

in a Coca Cola truck riding shotgun hot as hell hungover below the raging Kensington El at 6 AM nodding soft to the teamsters' curses the snagglesouled destitute crawling forth poisoned from sheet-metal shanty cardboard box projects this is not desolate,

at the impound lot yet again accusing tow trucks of false pretext paying up sheepish swearing I'll have my  revenge,

in the afterhour streets practicing trashcan kung fu and cinder block shotput shouting sauvage operatic at  tattooed bike messenger tribesmen pitstopped at the food trucks,

in the embrace of those I don't love the names sometimes rush at me drowned and I pray to myself for  asylum,

in the ciphers I host always at least 8 emcee lyric clerics summoning elemental until every pore ruptures  and their eyes erupt furious forever the profound voice of dreadlocked Will still haunting stray  bullet shuffles six years later,

in the caldera of Center City with everyone craning our skulls skyward past the stepped skyscrapers  beaming ear-to-ear welcoming acid sun rain melting maddeningly to reconstitute as concrete  rubber steel glass glowing nymphs,

in Philadelphia where every angle is accounted for and every megawatt careers into every throbbing wall where  Art is a mirror universe for every event ever volleyed through the neurons of History,

in Philadelphia of so many places to hide I am altogether as a funnel cloud frenetic roiling imbuing every corner sanctum sanctorum with jackhammer electromagnetism quivering current realizing stupefied I have failed so utterly wonderful human for in seeking to hide I have found

in Philadelphia

I. missing poster, Kensington High Street

at what point did i vanish?
i did not evaporate.
i am still a collection of matter.
of energy, essence and intangible spirit.

it is from others, i have vanished.
it is to them i am lost, intangible,
the off-screen character,
the plot point in many a story too unremarkable to be seen.

my face lies plastered across walls in the borough
in various states of life.

but i am not here,
i do not stare state portrait shallow into you,
for i do not know you.

don’t think it couldn’t be you,
or do,
and prepare to exist,
sans living.

but you may ask “where?”

“where” may not exist.
it has no post code, no roman underlayer of brick.
no parisian layer of skull,
that is not where i lay.
if i lay.

“where” may not allow me my harsh whispers,
my last finger upon the cliff

“where” may call to me
from its halcyon planes.

come home.



II. The Dell, Kensington Gardens

what better a place to vanish from,
to trace my path from,
or what it will allow.

let my scent linger?
god may allow it.
i’m told the gardens’ gates are closed
promptly at dusk each day.

there are no street lamps here.
to be locked in after sunset is something other.
something indigo and sublime,

too early in the year yet for crickets.
it was this blanket i knew last before departure.

and yet even during the day, The Dell is sealed off from the public, like vast wings of a stately home.

it is pristine, this vanishing point.
seemingly untouched by the sickness of our humanity.

its miniature waterfall bisecting the scape
like the crack in our god’s head that birthed athena.

i don’t think it will ever be revealed to me,
my loved ones or god himself if i have chosen this place
or if it chose me.




III. The Dell, continued.**

the gardens that day were trapped in the faintest, yet most distinct bubble of brisk english detachment.

i walked, hand in pocket through its paths,
admiring Victoria’s memorial to her beloved,
thinking how we always view her as this austere widow.

but we forget that she too, once loved and loved so deeply.
that it so moved her, and changed her.

we forget that the divine can also be wounded, albeit not lethally, but with subtle, lingering pangs.

it was this thought that fueled my feet towards the Dell,

with its rolling, sample-sized hill,
its ageless trees with their hooked branches
in various un-regal poses.

i must have stood in admiration for five, twelve minutes before it dawned on me with the most pristine clarity:

i need to be a part of this place,
forever bound to it.
a statue in its gallery.  

this is where the trees have come from.
they are the shells of former lovers,
rooted in the deep, richness of the Dell’s soil.

we bend and undulate through centuries,
we are the dancers forever spinning,
never to rest,
for whom would want to?

Part I


the plateau. the truest of them all. coast line. night spells and even controlled by the dream of meeting again. the ribbon of darker than light in your crown. No region overlooked. Third picnic table to the drive at Half Moon Bay, meet me there, decant my speech there. the table by the restroom block. While the tide is in show me your oyster garden, 3:00p.m. at half-light here in the evilest torments that have been shed.---------------door locked.  The moors. Cow herds and lymph nodes, rancorous afternoon West light and bending roads, the cliffs, a sister, the need to jump. There is nothing as serious as this. There is nothing nor no one that could ever, or would ever on this side come between. Who needs sleep or jokes or snow or rivers or bombs or to turn or be a rat or a fly or ceiling fan or a gurney or a cadaver or piece of cloth or a bed spread or a couch or a game or the flint of a lighter or the bell of a dress; the bell of your dress, yes, perhaps. Having been crushed like orange cigarette light in a pool of Spanish tongues. I feel the heave, the pull; not a yawn but a wired, thread-like twist about my core. Up around the neck it makes the first cut, through the eyes out and into the nostrils down over the left arm, on the inside of the bicep, contorting my length, feigning sleep, and then cutting over my stomach, around and around multiples of times- pulled at the hips and under the groin, across each leg and in-between each nerve, capillary, artery, hair, dot, dimple, muscle, to the toes and in-between them. Wiry dream-like and nervous nightmarish, hellacious plateaus of leapers. Penguin heads and more penguin heads. Startling torment. The evilest of the vile mind. The dance of despair: if feet contorted and bound could move. The beach off Belmont. The hills and the reasons I stared. Caveat after caveat at the heads of letters, on the heads of crowns, and the wrists, and on the palms. Being pulled and signed, and moved away so greatly and so heavily at once in a moment, that even if it were a year or a set of many months it would always be a moment too taking away to be considered an expanse, and it would be too hellacious to be presumptuous. It could only be a shadow over my right shoulder as I write the letters over and again. One after another. Internally I ask if I would even grant a convo with Keats or Yeats or Plath or Hughes? Does mine come close? Does it matter the bellies reddish and cerise giving of pain? Does it have to have many names?


"This is the only Earth," I would say with the bouquet of lilies spread out on the table. Are lilies only for funerals, I would never make or risk or wish this metaphor, even play it like the drawn out notes of a melody unwritten and un-played: my black box and latched, corner of the room saxophone. Top-floor, end of the hall two-room never-ending story, I'm the left side of the bed Chicago and I see pink walls, bathrooms, the two masonite paintings, the Chanel books, the bookshelves, the white desk, the white dresser, you on the left side of the bed in such sentimental woe, **** carpet and tilted blinds, and still the moors and the whispering in the driver's seat in afternoon pasture. Sunset, sunrise, nighttime and bike room writing in other places, apartments, rooms where I inked out fingertips, blights, and moods; nothing ever being so bleak, so eerily woe-like or stoic. Nothing has ever made me so serious.

Put it on the rib, in a t-shirt. Make it a hand and guide it up a set of two skinny legs under a short-sheeted bed in small room and literary Belmont, address included. Trash cans set out morning and night, deck-readied cigarette smoking. Sliding glass door and kitchen fright. Low-lit living room white couch, kaleidoscope, and zoetrope. Spin me right round baby right round. I am my own revenge of toxic night. Attack the skin, the soul, the eyes, the mind, and the lids. The finger lids and their tips. Rot it out. Blearing wild and deafening blow after blow: left side of the bed the both of us, whilst stirs the intrepid hate and ousts each ******* tongue I can bellow and blow.

Last resort lake note in snow bank and my river speak and forest walk. Wrapped in blocks and boxes, Christmas packaging and giant over-sized red ribbons and bows. Shall I mention the bassinet, the stroller, the yard, several rings of gold and silver, several necklaces of black and thread? I draw dagger from box, jagged ended and paper-wrapped in white and amber: lit in candle light and black room shadow-kept and sleeping partisan unforgettable forever. Do I mention Hawaii, my mother dying, invisible ligatures and the unveiling of the sweat and horror? Villainous and frightening, the breath as a bleat or heart-beat and matchstick stirring slightly every friends' woe and tantrum of their spirit.

Lobster-legged, waiting, sifting through the sea shore at the sea line, the bright tyrannosaurs in mahogany, in maple, and in twine over throw rose meadow over-looks, honey-brimming and warehouse built terrariums in the underbelly of the ravine, twist and turn: road bending, hollowing, in and out and in and out, forever, the everlasting and too fastidious driving towards; and it's but what .2 miles? I sign my name but I'll never get out. I am mocked and musing at tortoise speed. Headless while improvising. Purring at any example of continue or extremity or coolness of mind, meddling, or temptation. I rock, bellowing. Talk, sending shivers up my spine. I'm cramped, and one thousand fore-words and after words that split like a million large chunks of spit, grime, and *****; **** and more ****. I might even be standing now. I could be a candle, in England, a kingdom, in Palo Alto, a rook in St. Petersburg. Mottled by giants or sleepless nights, I could be the Eiffel Tower or the Statue of Liberty, a heated marble flower or the figure dying to be carved out. I'm veering off highways, I'm belittling myself: this heathen of the unforgettable, the bog man and bow-tied vagrant of dross falsification and dross despair. I am at the sea shore, tide-righted and tongue-tide, bilingual, and multi-inhibited by sweat, spit, quaffs of sea salt, lake water, and the like. Rotten wergild ridden- stitched of a poor man's ringworm and his tattered top hat and knee-holed trousers. I'm at the sea shore, with the cucumbers dying, the rain coming in sideways, the drifts and the sandbars twisting and turning. I'm at the sea shore with the light house bruise-bending the sweet ships of victory out backwards into the backwaters of a mislead moonlight; guitars playing, beeps disappearing, pianos swept like black coffees on green walled night clubs, arenose and eroding, grainy and distraught, bleeding and well, just bleeding.






I'm at the sea shore, the coastline calling. I've got rocks in my pockets, ******* and two lines left in the letter. I’m at the sea shore, my mouth is a ghost. I've seen nothing but darkness. I'm at the seashore, second picnic table, bench facing the squat and gobble, the tin roof and riled weir near the roadside. .2 and I'm still here with my bouquet wading and waiting. I'm at the sea shore and there's nobody here. My inches are growing shorter by the second, cold, whet by the sunset, its moon men, their heavy claws and bi-laws overthrowing and throwing me out. The thorns stick. The tyrannosaurs scream. I'm at the sea shore, plateau, left bedside to write three more letters. Sign my name and there's nobody here.

I'm at the sea shore: here are my lips, my palms (both of them facing up), here are my legs (twine and all), my torso, and my head shooting sideways. I'm at the seashore and this is my grave, this is my purposeful calotype, my hide and go seek, my show and tell, my forever. .2 and forever and never ending. I was just one dream away come and keep me. I'm at the sea shore come and see me and seam me. I'm without nothing, the sky has drifted, the sea is leaving, my seat is a matchbox and I'm all wound up. The snow settling, the ice box and its glory taken for granted. I'm at the sea shore and there's nobody here. The room with its white sets of furniture, the lilies, the Chanel, the masonite paintings, the bed, your ribbon of darker on light, the throw rug **** carpet, pink walled sister's room, and the couch at the top of the stairs. I'm at the sea shore, my windows opened wide, my skin thrown with threat, rhinoceri, reddish bruises bent of cerise staled sunsets. I'm at the sea shore and there's nobody here. I'm at the plateau and there isn't a single ship. There are the rocks below and I'm counting. My caveats all implored and my goodbyes written. I'm in my bed and the sleep never set in. I'm name dropping God and there's nobody there. I'm in a chair with my hands on a keyboard, listening to Danish throb-rock, horse-riding into candle light on a wicked wedding of wild words and teary-eyed gazes and gazers. Bent by the rocking and the torment, the wild and the weird, the horror and everything horrifying. There is this shadow looking over my shoulder. I'm all alone but I feel like you're here.



Part II




I wake up in Panama. The axe there. Sleeping on the floors in the guest bedroom, the floor of the garden shed, the choir closet, the rut of dirt at the end of the flower bed; just a towel, grayish-blue, alone, lawnmower at my side, and sky blue setting all around. I was a family man. No I just taste bits of dirt watching a quiet and contrary feeling of cool limestone wrap over and about my arms and my legs. Lungs battered by snapping tongues, and ancient conversations; I think it was the Malaysian Express. Mom quieted. Sister quieted. Father wept. And is still weeping. Never have I heard such horrifying and un-kindly words.-----------------------It's going to take giant steel cavernous explorations of the nose, brain cell after brain cell quartered, giant ******* quaffs of alcohol, harboring false lanterns and even worse chemicals. Inhalations and more inhalations. I'm going to need to leap, flight, drop into bodies of waters from air planes and swallow capsules of psychotropics, sedatives beyond recalcitrance. I'm requiring shock treatments and shock values. Periodic elements and galvanized steel drums. Malevolence and more malevolence. Forest walks, and why am I still in Panama. I don't want to talk, to sleep, to dream, to play stale-mating games of chess, checkers, Monopoly, or anything Risk involving. I can't sleep, eat, treaty or retreat. I'm wickeded by temptations of grandeur and threats of anomaly, widening only in proverb and swept only by opposing endeavors. Horrified, enveloped, pictured and persuaded by the evilest of haunts, spirits, and match head weeping women. I can't even open my mouth without hearing voices anymore. The colors are beginning to be enormous and I still can't swim. I couldn't drown with my ears open if I kept my nose dry and my mouth full of a plane ticket and first class beanstalk to elysian fields. It's pervasive and I'm purveyed. It's unquantifiable. It's the epitomizing and the epitome. I have my epaulets set for turbulent battles though I still can't fend off night. Speak and I might remember. Hear and it's second rite. Sea attacks, oceans roaring, lakes swallowing me whole. Grand bodies of waters and faces and arms appendages, crowns and more crowns and more crowns and more crowns and more crowns and I'm still shaking, and I'm still just a button. And I still can't sleep. And I'm still waiting.

It is night. The moon ripening, peeling back his face. Writhing. Seamed by the beauty of the nocturne, his ways made by sun, sky, and stars. Rolled and rampant. Moved across the plateau of the air, and its even and coolly majestic wanton shades of twilight. It heads off mountains, is swept as the plains of beauty, their faces in wild and feral growths. Bent and bolded, indelible and facing off Roman Empires too gladly well in inked and whet tips of bolder hands to soothe them forth.-----------Here in their grand and grandiose furnaces of the heart, whipped tails and tall fables fettered and tarnished in gold’s and lime. Here with their mothers' doting. Here with their Jimi Hendrix and poor poetry and stand-up downtrodden wergild and retardation. I don't give a ****. I could weep for the ***** if they even had hair half as fine as my own. I am real now. Limited by nothing. Served by no worship or warship. My flotilla serves tostadas at full-price. So now we have a game going.-----------------------------------------------------------­------------------------  My cowlick is not Sinatra's and it certainly doesn't beat women. As a matter of factotum and of writ and bylaw. I'm running down words more quickly than the stanza's of Longfellow. I'm moving subtexts like Eliot. I'm rampant and gaining speed. Methamphetamine and five star meats. Alfalfa and pea tendrils. Loves and the lovers I fall over and apart on. Heroes and my fortune over told and ever telling. Moving in arc light and keeping a warm glow.

the fish line caves. the shimmy and the shake. Bluegrass music and big wafting bell tones. snakes and the river, hands on the heads, through the hair; I look straight at the Pacific. I hate plastic flowers, those inanimate stems and machine-processed flesh tones. Waltzing the state divide. I am hooked on the intrepid doom of startling ego. I let it rake into my spine. It's hooves are heavy and singe and bind like manacles all over me. My first, my last, my favorite lover. I'm stalemating in the bathtub. Harnessing Crystal Lite and making rose gardens out of CD inserts and leaf covers. I'm fascinated by magic and gods. Guns and hunters. Thieving and mold, and laundry, and stereotypes, and great stereos, and boom-boxes, and the hi-fi nightlife of Chicago, roasting on a pith and meaty flame, built like a horror story five feet tall and laced with ruggedness and small needles. My skin is a chromium orchid and the grizzly subtext of a Nick Cave tune. I've allowed myself to be over-amplified, to mistake in falsetto and vice versa. To writhe on the heavy metallic reverberations of an altercated palpitation. The heart is the lonely hunted. First the waterproof matchsticks, then the water, the bowie knife, crass grasses and hard-necked pitch-hitters and phony friends; for doing lunch in the park on a frozen pond, I play like I invented blonde and really none of my **** even smells like gold.--------------------- There are the tales of false worship. I heard a street vendor sell a story about Ovid that was worse than local politics. As far as intermittent and esoteric histories go I'm the king of the present, second stage act in the shadow of the sideshow. Tonight I'm greeting the characters with Vaseline. For their love of music and their love of philosophy. For their twilight choirs and their skinny women who wear black antler masks and PVC and polyurethane body suits standing in inner-city gardens chanting. For their chanting. The pacific. For the fish line caves. For the buzzing and the kazoos. For the alfalfa and the three fathers of blue, red, and yellow. For the state of the nation. But still mostly working for the state of equality, more than a room for one’s own.-------------------------------------------------------------­------"Rice milk for all of you." " Kensington and whittled spirits."
(Doppelganger enters stage left)MAN: Prism state, flash of the golden arc. Beastly flowers and teeming woodlands. Heir to the throes and heir to the throng.----------------------------------------------------------­--------------- The sheep meadow press in the house of affection. The terns on my hem or the hide in my beak; all across the steel girder and whipping ******* the windows facing out. The mystery gaze that seers the diplopic eye. Still its opening shunned. I put a cage over it and carry it like a child through Haight-Ashbury. At times I hint that I'm bored, but there is no letting of blood or rattle of hope. When you live with a risk you begin at times to identify with the routes. Above the regional converse, the two on two or the two on four. At times for reasons of sadness but usually its just exhaustion. At times before the come and go gets to you, but usually that is wrong and they get to you first. Lathering up in a small cerulean piece of sky at the end turnabout of a dirt road

I saw Stewart and Maud under a locust tree in Kensington market.
They had new bicycles. She leaned her sweaty, curly head on his bicep.
They had baguettes, flowers, asparagus and apples from the farm booths in their packs,
Buzet and Minervois from the liquor store, library books. They had life-loving things.
He says that for him this new life is instead of being an artist in Paris:
Backpacks, bicycles, the look of young lovers. The little possessions
That don't feel like a car or a house.  They are wearing bright white t shirts
And denim overalls. His children are confused. They have little money.
He joined the many who have refused to be punished for a mistake.

My friend Stewart lives with a university student.
You get to their Annex apartment up iron stairs bolted to the
Outside of  a building of old brick coloured like a driftwood campfire. The bed's iron.
She's been an adult for seven years. Iron, bricks, flowers, white iron bed,
Stewart has the skills to make it good, he's done this before, made the Muskoka
Chairs, the harvest tables, and sold them, repaired window frames and doors,
Advertised in supermarkets. He likes to breathe, to drink water, to cut wood and dress it,
To study, to read, to live well with a woman, to write in the evening, to make life like art.



                                       Paul Anthony Hutchinson
                                       www.paulanthonyhutchinson.com
                                       copyright Paul Anthony Hutchinson

t/w: violence, death

-

dear little miss dreamer
i'm sorry i couldn't write to you sooner
but yesterday night, i've read all three
each and every one of your letters

your mother sounds lovely
a brave woman, from what you've told me
if your brother comes by downtown
tell him, he's welcome to visit me

you have some big dreams
and i hope i can help them come true
i'm sorry i've been so busy
but i would truly love to meet you

you remind me of my wife
of her dreams when she was your age
we grew up together in center city
like you, she was wise beyond her days

i agree, we need to help kensington
and we've begun taking some small steps
i'm pushing for a new bill to pass
but it'll still take some time to prep

i know you mentioned drugs and violence
and yes, i agree, it's completely true
please stay safe and stay inside
it could help protect you

actually, that just reminded me about kensington
my wife had told me some shocking news
a mother chased to her kitchen counter
a little girl, shot, in the same view

i think she was writing a letter, too
but i don't quite remember who exactly to
it was titled, i think, "dear mister life-changer"
wait, it couldn't be— no, God, please, not you—

for any of my work to have any meaning, i can only suggested browsing Empedocles (of Acragas), in saying that, i suggest the name, primarily it's a form of philosophy, written in poetic form... in that it exhausts the need for poetic technique: i.e., there's more to see, than actually hear.

- just like i don't understand people who fake doing the maestro whenever they listen to classical music, in the same vein: your greengroccer... your plumber... your electricians.... god forbid you t.v. guy....  don't translate that oddity in, modern music and imitating drummers... i get air guitar, i get air maestro... no one really bother the drumming brigade, when i listen to classical music, i am looking for a maestro, when i listen to contemporary music i, want a drummer, bad; ****! St. Thomas' gospel is becoming real... like i really, really, need a *** change.... never mind the 50cl of whiskey waiting for me, or sasha foxxx's eyes... the job? hammer in a thousand nails... industrialise ***, what do you get? a **** economy... why would god enter the equation if all the problems are theological self-made-heresy? it's not even that *** sells, and god gives gives rise to stampedes... what with the Koran and oil, are we counting to state the same arithmetic... i mean: the industrialisation of ***... nothing that hurts, nothing but a quip... that sorta of definition belongs in China or India with a billion participants... what we have is a case of mouthing off the competitors, when you're actually chihuahua in the Sahara of expectation.... i'm as mad as the numbers say i am... personal stories are non-essential.... i included mine for added effect... or a presumtpion that i might: acknowledged as having said anything in total....counter to english existentialism, so wholly preoccpupied with zoos and biology as the only scientific resource... i can't agree to it making sense, in the standard item-basis-list of following-up an argument... that dire, fake or indeed couch-sloth desert-prune is only half of *σ... i mean there's a tendency of a natural disparity, to ensure a dialectical health of any if all argument... σ = per se... it's because there no single, identifiable argument, the one current is a vogue argument, in the realm of zeitgeist parameters... it's not the only one... the world will move on... it's only that at the zenith of civilisation, we are only bound to industrialise ***, and art is, as according to W. Benjamin, in a state of: ditto, in the age of machanical, reproduction... easier said than... and so done... i feel the anaesthetic needle doing the suggested thing, of numbing me... it's not when art is given onto this Moloch-like altar... it's when *** is industrially-scaled to require cinema... and the quickie-dip of dimension having repertoire in threes... i have no care to ensure there's a narrative and a frenzy... i just care to say: there's a narrative, and a frenzy.... that one has no insurance, and that the other has all the resources that would otherwise invole a familial life... which now, evidently, is prone to same-*** affiliations than compliment-*** affiliations... meaning less art from the **** realm, and more art from the hetero or h-quasi realm (origin ****)... you need to talk about the cushions, if you're going to sleep in the bed, ****'s sake! -

to really live by the "rules" of existentialism,
to live an existential doctrine,
is to really: live an uneventful life,
or should i say: rather ordinary?
  well... i wouldn't go as far as saying it
might be boring, just... un-spectacular.

and all it takes it five beers and, oh, about
6 miles of wet wintry cement,
   and o.t.t.'s album blumenkraft,
with the crescendo song: billy the kid strikes back...

walk 6 or 7 miles in winter
and you come back into a warm abode
and you have skeleton hands...
numb from the cold...
but in england winter is different
than on the continent...
a wet winter (which is very english)
is worse than a dry winter (which is
continental)...
  as honesty goes... -18C in a dry winter
is probably not as bad as -1C in a wet
winter...
    so there's me, completely
****-faced watching the t.v. series
this is us, and one of the characters is
a black kid that gets adopted by
a white family when
    one of the triplets of the white family
dies in child-birth,
and he finds his biological father...
and also a mid-life crisis:
white folks told me to excell,
so he does,
   black daddy was a poet and played
the piano...
and he experiences a mild
schizophrenia... see, it's not a scary word,
i mean: without the extreme symptoms...
   a split-mind...
thankfully i cushioned mine on bilingualism...
and i have been ever since: bilingual -
nothing to be proud of,
   after all: there's the genius polymath...
but it's not about that: it's about winter...
winters in england are so different to
winters on the continent...
the grey skies? oh, that's here all year...
    talk about being a weather man
in Saudi Arabia, most of them moved to England:
where the action is...
          
but really, i can't imagine why existentialism
as a movement, culminated in the zenith
it achieved (precursor movement?
phenomenology)
        oh yah yah: were nieche, very Kensington,
very, Chiswick...

but to really appreciate an existentialist
dogma, a truly uneventful life...
   and given that existentialism in the French
vein akin to Kant but not so much Heidegger
lends itself to the cartesian maxim...
well... that's because it kinda has to,
but not really...

  Kant took out i think and merely focused on that,
his biography goes along the lines of:
a ritual walker, stayed in one place,
    a rook of the clock, i couldn't exactly call him
a pawn... nonetheless...
             a very uneventful life...
why? thought.
    
    what's the most interesting thing i've done today?
i thought, or, i had a thought (a / the article scissors
cutting off the -ism)...
and that's about it...
    had a thought...
                   i hit the gong that thus translates into
the post ergo / therefore of i am,
   and then i realised: i wasn't motivated enough
by my thought: to do much!
              
historically speaking, my writing can only be placed
into a dynamic of being called post-existentialism,
it's not boasting, it's just a plain fact,
   like Monday will be St. Valentine's day, 2017...
and some men collect stamps,
   and some men like fishing,
    and some men have the habit of writing about
things that are, a bit like Avogardo's constant,
meaning they'd love to speak about these things
over, and over again, and never get bored of them,
or for that matter: start families.

strange how it works, have it all...
       or have none of it, to later only have that one
vector that's opposite of mortal, ******...
        or have both, in a way,
and be later traced to some Shakespearean controversy
about a mistaken identity...
well... there's that too.

that must be it, existentialism, and the most,
ordinary life...
         pause for what, akin to something else i wrote
about beginning the thought catching
up to the walk a few days earlier which began
with z and i and diacritical marks,
how northern slavs wouldn't necessarily disrespect
the already present diacritical mark
on the ι (iota), i.e. regarding acute z (ź),
and how if z & i appear together, i.e.
    z and immediately after it, i... you don't bother
writing an acute version of z,
   as a southern slav (balkan) might,
with his caron (ž)...

or a bit like stating the old chestnut of universals
vs. particulars...
   well... they can say what they like about
the cheapness of writing in this medium
but there is nothing so gut-wrenching as a deleted
passage, that will never return...
    immediate heartache... there on the screen,
the computer decides to "have a mind of its own"
moment by either your carelessness
          or the computer's defects and: ****!
gone, a shift+ and suddenly... writing while not
looking at the keyboard, as you do... ****!
gone... gone baby... gone...
    and if that's not analogy of: a lesson
in placing your hands correctly onto the computer
does me: you're looking at the keyboard
and not at the screen...

  how about writing with my eyes closed?
  haven't seen anyone attempt that...

here goes:

    and with that i give you hades...

not bad, i should try it more often... it's not believable
because it's actually correct and has no mistakes....
*******.

alternative? and with that i give you sheol...
   still the same... double *******.

((   ((
    
and that's all it takes... the part where you let go,
because you have to:
  the regret can be there, but soon has to
be overruled...
   it mattered at the zenith of logic,
it was really there, for such a brief moment,
i could call it a study in how you can ****
a very lucid moment, and then have to "resort",
but, rather: merely accepting it as having no place
in the overall composition...
    so to the windowsill, finishing off
blackbeard (whiskey and coca cola and
a cigarette)... changing the aura from
o.t.t.'s album taken home from the "marathon"
(yes, the prime existential tool is the transcendence
of synonyms, encouraging misnomers
or: how to not build dams, or become custard
beavers, looking for words...
    the river, every time, always looking at a river...
the sea and the people and time...
   rivers occupy an infinite concept of space
and the change within such a Thermopylae,
as it might give you indigestion,
or the highest serving rank of memory...
the sea and the people don't scare me,
and it's hardly a thing of admiration...
its just a sight of pulverisation, a headache...
the river, the solitude, and the fact that local
newspapers have adverts of only lonely women...
sure, read a national newspaper and there
are women seeking men, women seeking women,
men seeking women, men seeking men...
but look at a local, a local newspaper: only women
advertising themselves for candles and firecrackers...
it seams men were always programmed (a priori)
        into the gravitas of solitude...
what i really meant to say: existentialistic writings
can appear foreboding with the ditto...
with the perception that there's this ulterior,
dark-seeded motive...
      i just thought about bypassing the thesaurus,
like some writers do,
    you can spot it when they do,
a word they looked up from their labour
of lumberjacking the keyboard
sticks out like a modern statue, or a broken finger,
a word: right off the pages of a thesaurus...
   i just mean that there's nothing sinister enclosed in
the said "brackets"...  there's nothing additional about it,
but as narratives go... you sometimes want to bypass
Sherlock Holmes and write a synonym-antonym,
you want to bypass the thesaurus, content with your
own vocab riches, but too "lazy" / engrossed in
what's actually coming...
say, that interlude, a cigarette, finishing off the whiskey,
with the glass freezing and having a layer of ice
around it... and: why i'll never be part of the nirvana's
or the doors' cult...
     pearl jam's indifference, from their second album.

so it's sometimes thereuputic letting go,
  after all, no one built a house on the summit of Everest,
if i wrote something of such clarifying quality,
and lost it... i can only apply an imagery of having seen it,
the best i can suggest that i wrote something
akin to 1 + 1 = 2, and then accidently deleted it...
and that's the sad part,
universals as vowels, particulars like consonants,
    even numbers akin to 2 and odd numbers akin to 1
(divided into decimals, or the wormhole of 0.123456 etc.) -
it was a beautiful sight, and then, again: ****!
gone... like a magician doing a trick
   and then... the sadness of having lost the technique
to recreate it...
well, the best i can do to recreate it is based
on a short argument...
   if universals and particulars (relying on the fact
that both have a plural form,
  i.e. so not 1 in 1, but the many of 1,
   and akin to: the 1 in many, and the many in many,
and the 1 in 1 / focus, something identifiable) -
or loosely universals like vowels, and particulars like consonants,
but given the two experience diacritical distinction /
additions... i could best remember what i wrote
as: 1 e.g. particular, if divided: fractions, and after
fractions: decimals...
                2 e.g. universal, if divided: whole numbers,
and after whole numbers fractions, and later decimals...
   so on and so forth with 3 (particular), 4 (universal),
     5 (p.), 6 (u.)...
                 a bit like having your own telescope
and microscope, just looking at what we make silence
of, our two ways of encoding what could have,
or should have been said, that was nonetheless said,
transcending our contemporaries as, what can only
be described as... an echo, lost in the caves of aeons...

this promenade begun with something to z & i...
or z, i, ι, ź and ž (what a nice pentagram,
i was watching the six nation's match
between wales and england,
and lo! behold... a goat at the fore!
  mind you, i took a cigarette break when they scored
their two tries).
Cardiff? yeah, been there once...
         Poland v Wales qualifying match,
donning a polish football shirt, got approached
by two young welsh girls saying: your team is ****...
started giving it the local... how fast they ran away...
and they say we laugh more than we cry,
   and i could be the one to snigger a sly laugh at
that memory, but cinema memory says to me:
time to usher in the reverse-psychology,
calling white black, and laughter crying...
        or as i like to call it, the paradox marriage
that has, literally not tentacle hold on the world,
   the bilingual marriage,
             lodged deep inside my head,
most recognisable by my theory study of diacritical
marks, or actually having noticed them,
and having no real, authentic accent to remind me
that i belong in either geography...
         whether from beginning, or toward an end...
some call it acting, some call it faking,
  i call it: just what i was given, or, more precisely:
what i earned... and that was to no good use...
        unless... this is the best expression of what the foundations
look like.

what was i thinking of? ah!

   it just involved the σ                       ς roundabout...
the aesthetic variation for one,
but on another investigation, well, sigma, total, sum,
and how be obey it like a golden ratio or pi,
   it's just auto-suggestive of how we are never truly
synchronised in our arguments...
   but, "paradoxically", or should i say: by a miracle,
make up the greatest potent to have an argument...
  we can never truly really synchronises ourselves
to fill the boots of expressing an utopian dream,
otherwise we wouldn't dream... period...
  so bye bye Freud and that method of escapism...
     we already ensured that, if they be our creation,
the gods are already at war with the Titans...
      i'll actually acknowledge that in an age of
pop philosophy in that Greece was, a place of allowing
a fertility of thought and later popularising it
(we don't live in times where there's a fertility consecrated
on the altar of thought, or what philosophy is, thinking per se /
for itself... innovators! scientists! up-starts!
or as some might say, the other pronoun battle,
the one without genitals involved,
as could only be sooner said:
  per se, or per per...
                       in in...
nothing sexualised... it's only that there's a limit in pronouns,
per se / in itself must come across the muddle
regarding the moment when people lose their
identity and begin their life with: ? thought
rather than i think,
       i can't place it anywhere else than inside my head,
better there than in the genitals,
   or wasn't Jesus circumcised and the zeitgeist
of St. Thomas' gospel and the transgender movment?
    the church is old, and counter-authoritarian,
it's just a tired institution, so it has no actual authenticity
over the current changes in society,
    might as well call onto Islam to move the chess pieces...
or that's what i'm currently seeing...
   i was just thinking about a logical limit in language,
e.g. timbaland's song the way i are...
   there really is a logical limit on how far you can
suddenly just forget grammar...
            so why begin with per se?
                 at best described as a cogitans (

Kensington Avenue

With Leonard gone, who can wear a fedora?

A pilgrimage away from Kensington
Lovers and mountains and islands and words
Questions flung far into the universe
Returned as Alleluias angelic

Or as Comments Constant in lonely rooms
Where Marianne in memories spoke to him
Sometimes upon a wire from otherness
Finishing words about the avenue

Now home from mountains and islands and song -
Perhaps one answer was here all along

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Keyboard set along with Touchpad ( blank ) Hewlett packard ProBook Four hindred and fifty G2
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En robe de parade.
                                        Samain

Like a skien of loose silk blown against a wall
She walks by the railing of a path in Kensington Gardens,
And she is dying piece-meal
        of a sort of emotional anaemia.

And round about there is a rabble
Of the filthy, sturdy, unkillable infants of the very poor.
They shall inherit the earth.

In her is the end of breeding.
Her boredom is exquisite and excessive.
She would like some one to speak to her,
And is almost afraid that I
        will commit that indiscretion.

born into nothing
still got most
made it to the bottom
from the starting post
expectation throttled
expected overdose
no escape
cant evade
foundations were imposed

Will Ferrell on George W.
On SNL

Washington, Lincoln, and
I wanna say .... Kensington
I dunno

O, but I know George W.
As do the millions of Iraqi dead
And tens of thousands
Of dead and wounded
American soldiers

Kensington is referenced
In the medieval English
Domesday, which is to say,
Doomsday Book

Said to be unalterable
As irrevocable as

                The Last Judgment.

Mungojerrie and Rumpelteazer were a very notorious couple
     of cats.
As knockabout clown, quick-change comedians, tight-rope
     walkers and acrobats
They had extensive reputation. They made their home in
     Victoria Grove—
That was merely their centre of operation, for they were
     incurably given to rove.
They were very well know in Cornwall Gardens, in Launceston
     Place and in Kensington Square—
They had really a little more reputation than a couple of
     cats can very well bear.

If the area window was found ajar
And the basement looked like a field of war,
If a tile or two came loose on the roof,
Which presently ceased to be waterproof,
If the drawers were pulled out from the bedroom chests,
And you couldn’t find one of your winter vests,
Or after supper one of the girls
Suddenly missed her Woolworth pearls:

Then the family would say: “It’s that horrible cat!
It was Mungojerrie—or Rumpelteazer!”— And most of the time
     they left it at that.

Mungojerrie and Rumpelteazer had a very unusual gift of the
     gab.
They were highly efficient cat-burglars as well, and
     remarkably smart at smash-and-grab.
They made their home in Victoria Grove. They had no regular
     occupation.
They were plausible fellows, and liked to engage a friendly
     policeman in conversation.

When the family assembled for Sunday dinner,
With their minds made up that they wouldn’t get thinner
On Argentine joint, potatoes and greens,
And the cook would appear from behind the scenes
And say in a voice that was broken with sorrow:
“I’m afraid you must wait and have dinner tomorrow!
For the joint has gone from the oven-like that!”
Then the family would say: “It’s that horrible cat!
It was Mungojerrie—or Rumpelteazer!”— And most of the time
     they left it at that.

Mungojerrie and Rumpelteazer had a wonderful way of working
     together.
And some of the time you would say it was luck, and some of
     the time you would say it was weather.
They would go through the house like a hurricane, and no sober
     person could take his oath
Was it Mungojerrie—or Rumpelteazer? or could you have sworn
     that it mightn’t be both?

And when you heard a dining-room smash
Or up from the pantry there came a loud crash
Or down from the library came a loud ping
From a vase which was commonly said to be Ming—
Then the family would say: “Now which was which cat?
It was Mungojerrie! AND Rumpelteazer!”— And there’s nothing
     at all to be done about that!

you told me
lies
in my body
getting to high
forgetting how the rays of sun
feel
this smoke is making me look old
and now the clouds
cry forever
you told me

we laugh
crying like those clouds
forever
shiver down my skin
you kiss the clouds
forever
you told me
lies
in my body
hiding in the dark
getting to high
forever

Peter never understood why Wendy was meant to grow up
why she had to leave the blissfulness of Neverland

If there's an answer to his questions it would be that
she was dreaming of castles and voyages and someone to love
while he was mischieving pirates,chasing a never setting sun

I often wander if I'm more like her,
sincere, gentle, a duchess-to-be
a young girl who dwells in stories

or like the boy who wouldn't grow up,
nonchalant, full of lovely wonderful thoughts,
Peter Pan,the one who could fly

But what did he do when she left?
Is she a beautiful memory in a child's mind,
why didn't he abandon immortality for love?

Here's Wendy, back in Kensington Gardens
a lady asking herself what if I had stayed
why couldn't he abandon youth for her love?

And she will forever remain in his mind as a little girl,
who played family with and dreamed
but Wendy will be married and will be kissed
but not with him.

And Peter will always be a chasing dream,
a fairyland with pirates and ships,
a world of villains, mermaids and the boy who
didn't return her kiss.

I read, imagining his crooked smile growing up
or her staying forever
and none of these feels completely right

In the end, I am another lost boy who went to Neverland,
and flew and fought with a sword, and swam with mermaids
and danced around fire with the eyes of Tiger Lilly

Sometimes there I return, finding him lost in her thoughts,
but there again everyone's forgotten among the things we never say...

Lawrence Hall
Mhall46184@aol.com
https://hellopoetry.com/lawrence-hall/
poeticdrivel.blogspot.com

                                Peter­ Pan in Bowring Park

                 For Dan, who knows something of magic

                        “Do you want an adventure now,
                      or would like to have your tea first?”

                                          -Peter Pan

Sweet little bunnies browse and squirrels climb
And tiny mice and fairies give delight
To all the little ones of Newfoundland
Who visit Peter Pan in Bowring Park

He plays his pipes for them, and they can hear
The joyful music of his magic world
Where they may celebrate their pixie-dreams
At this bright second star from Kensington

And sing in peace their happy morning hymn
For darling little Betty, who waits for them


...the history behind Bowring Park's Peter Pan statue? — Historic Sites Association of Newfoundland & Labrador

In the ashes of division hope ignited
Unity decided a new fate, in its wake.
My father lived in Chester Road,
Off Ladbrook Grove, eight children
In a tenament flat back to back.

The poverty of the forties are
Now palatial palaces, white pillared.
My father joined the army to escape
To marry and move to Streatham,
South London, to an Edwardian terrace.

Notting Hill, the divided community
Chelsea and Kensington let it happen.
My grandmother moved to a new town
And this year we all watched on TV
Grenfell burn as an inferno in the dark.

Love Mary

“It's very difficult not to come across as a supremacist when there are so many black inferiorists around.”
― David Bullard

Look!..he's a leech, he's a parasite
That black man is draining the Taxpayers
He comes from a rich family, they say they are titled
Look at him, educated and refined, arrogant as black ****
Go get him, the ******* parasite cheating the working classes

Why not tell the ******* truth
That a white family of thieves broke into the flat of a black man
Something that they had done once already and caught but let off
Because they were neighbours and pitied, police were not involved
They did it again and were called thieving working class scums

Up comes hail and thunder and war
Their Militant leftist friends say it Anti-monarchy Revolution
Say's victim is a parasite and a leech, robbing the working classes
Go get him, his life destroy, cast him asunder, hound him to hell
Down with the rich, this is war, people's power, this is democracy

LIES, HOGWASH, DISINGENUOUS *******, RACIST CRAP

They can't bear to see a black man do well
They can't bear a respectable, decent, confident black man
To then stand up and call them out to their faces was the ultimate
They are supreme and all else must fall before them or put down
A black that is not a Black Inferiorist must be discredited at all cost

If the situation was reversed
And a black thief steals from an equivalent white with same status
(   He comes from a rich family, they say they are titled )
Would the reactions be the same
(Say's victim is a parasite and a leech, robbing the working classes )
Honesty says NO, you know it and we all know it

(Supremacy has taught him that all people of color are threats irrespective of their behavior. Capitalism has taught him that, at all costs, his property can and must be protected. Patriarchy has taught him that his masculinity has to be proved by the willingness to conquer fear through aggression)

But the black man becomes a leech, a parasite a threat
For standing up to white criminals and daring to call them out
Devious political  chicanery is unleashed and our Supremacists
All rally up, totting falsehood and misinformation to cover truths
Why don't see any Class war action in Kensington and Chelsea

What really bothers some of you is simple - and you corrupt others
Blacks must always be inferior and if they are not, you fight secretly and covertly!
Because only you have the God given right to live decently
Only you have the right to air your opinion or disagreement
Only you have the right to call it as you think you see it.

And you'll fight tooth and nail and with everything else to keep
it that way!

Hop hopeless off the L
searching for hell
"works" "works"
"subs" "subs"
"Bars" "Bars"
"Xanny Bars"
The Avenue Chant
Howl the diseased infected addicted ****
The Avenue Chant
an open drug bazaar is a beautiful thing for one playing the beautiful *****
Requiem for a Nightmare

You ask what I need
knowing what I want
Hop down the corner
You know the best spot
they got the fire
I got a house to burn
You ask, can I get one?
I think in first person with a laugh
perhaps I would give you a leg for one
I see you could use it
We keep walking
you keep limp, limp, limping down....
Cambria
Crutches clacking off the littered decaying pavement
The boys are out in town (when aren't they)
the block is hot (as always)
I wait around the corner
You do my ***** business
Our ***** business
Everyones ***** business
You swing back, deed done, dirt in hand
awwww
yeahhhhh
the stamp is cobra
I remember this ****. mm.
this **** is good
The printed snake swims up and out
siphoned from a tiny
baby
blue
bag
cleansing all insecurities, all fear, all humanity.

We limp along
You tell me how you ended up on these streets
wife kicked you out, job fired you, veterans insurance cut you.
The American dream as it looks, on Kensington streets,
circa2013
etc. etc. etc

I feel bad, but, not really, emotional skeleton,
Numbed.

I leave you with some rocks, not much,
then go off kicking
rocks all the way Redrocks
H>O<W
long can I continue without being caught in crosstalk.

A skinny white privileged boy from the suburbs
seeing his future
trotting away before his eyes
The
everlasting
haunting
crouching
limping
creature of death
A
rotten
old one
legged
......junk
Y

Kensington where Chesterton was born
And where T.S. Eliot died

Kensington on SNL
Where Will Ferrell shows George W. Lied

A stupid, unjust, and criminal war
George W. destroyed Iraq

Killed hundred of thousands of innocents
Can never take that back

Created ISIS as well
With his Shock and Awe attack

He stands condemned by history
May his memory never come back

please note: t/w: violence

-

dear mister life-changer
how have you been?
i know you never answer
but i wanted to try again

introducing myself for the fourth time
i'm a small girl with big dreams
my dad walked out when i was real young
my mum hopes i'll have an easier living

i'm in kensington, philly
it's not a nice place to grow up
with drugs, gangs, and guns
my older brother once even got mugged

i'm writing from my little closet
my mum said it's for me to be safe
but i hate being alone in this place
it's such a small, empty space

a couple of gunshots outside
it's like this every other night
brother's not home right now
but i sure hope that he's alright

there's a clicking noise
it doesn't sound very nice
i hear footsteps down the hall
they're not mum's, they're too light

mister life-changer, i think that might be my brother
he told me you could make things right
but why don't you ever write back to me?
why don't you ever reply?

i want to tell you my dreams
i heard you can make them come true
just give me one chance, sir
it's worth it, i'll show you

i dream of a big wide world
where i can walk outside and not be afraid
a world big enough for every little brown girl
to skip down sidewalks and enjoy the day

i hope to move to the suburbs
buy a big house for mum one day
buy her leather bags and pretty dresses
and not a single cent she'll have to pay

-

dear mister life-changer
i'm sorry there's blood on this paper
mum's bleeding out in the kitchen
someone shot her at the counter

mister life-changer
they told me to wait
i called the life-savers
they said, just wait

i don't know what to do
so now i'm back to writing to you
will you ever make a change?
will you tell me to wait, t—

I didn’t live long
Or so it seemed
I laughed, I cried
I hoped, I dreamed
At Kensington Palace
I had tea with the Queen
And over in Scotland
Nessie and I made a scene
I flew over wild plains
On my way to Timbuktu
I took on Niagara Falls
In a canoe
I played with the bulls
In my time in Spain
And while in Africa
I saw the rain
In San Francisco
I roller bladed the slopes
To the Golden Gate Bridge
Where I swung on the ropes
I built a snowman
That was Himalayan
I slept under the stars
Amongst ruins that were Mayan
In New York to the lovely lady
I sent a smile and a wink
In Rome at the Vatican
It made me think
That while in Ireland
Oh the beauty I found
I never really felt
My feet touch the ground
I never left my hometown
Or so it seems
But I did live it all
In my dreams

05/03/2010

I

Hero
in
Hero

He struts into a meeting feeling meek and needy but,
greater than the digit zero.
He figits around not breaking much mental ground although,
these restless legs could corrode the tiles to dust.
Nothing has been able to hold his attention,
they call it ADD.
He calls it the human condition.
He sees fear in a spoon full of dust,
shrugs it off continuing to pump veins full of rust.
Packs a bag and gives sister a hug,
trudge down under I95 reaching Broad to south Philly,
to be at peace and tormoil living amongst the crust.

II

Trying marijuana maintenance
Trying therapeutic intervention
Trying geographical relocation
Trying to be happy.
A pale king in the end a peasant feeling sappy.
He writes
He fights
To the bitter end he sees too many loved ones send,
Letters from the graves they dig for themselves.
An addiction which cannot bend and always leaves
Them broken.
These letters represent a token of hope to overcome
Dope, from beyond this temporal transient world,
He receives these letters.
Don’t give up! Don’t give in!
Written, in beautiful otherworld cursive.

III*

These restless legs can wear the cotton sheets
To fractured fibers.
A splintered conscience,
A glint of hope,
These trans-dimensional letters arrive on a silver rope.

The pale king takes it all in with no buffering
And dismisses his selfish suffering.
He has won
He is the hero of this story.

The pale king who once strolled the Kensington
Streets less than zero.

Is now a ****** hero.

Rally around this man,
A clan of beautiful addicts,
Laughing and not being normal,
Who wants a life which is normal?

All his friends
All his friends
All my friends  

The memories together blend,
In the end our ****-ups make us stronger,
Than the accountant making ends meet in a
Culd-a-sac street sign labeled dead end.

We spent the last ten years trying to feel alive,
And will spend the next ten feeling justly deprived.

His letters scream to defend:
That it is all well worth it, in the end.

Where are those friends tonight?
He visits them at their headstones,
Reminded where it leads, a life being ******.

Shivering cold to the bone,
Hot sweats dripping down flannel folds,
All we wanted was to break the mold.

He is more than a statistic of decimals and
Digits, greater than the sum of zero.

He is the hero(in) hero.

No longer
Less
Than
Zero.

winter ist kommen.

you know what nickname i have among those
that know me well enough? oddly enough it's *Dracula -
my body-clock changed into a nocturnal
creature, while those around me
basked in the sun, i revelled in the moon -
some would claim this to be mere cliche,
and i'd agree with them -
burying a President on the Mount of Kings
in Krakow was a step short and 12 inches
below Napoleon's hope for the Duchy of Warsaw -
perfected xenophobia, once the economic ants
enter the Irish are ****-out-dry and starved in
a potato famine on Titanic with Big BIG dreams of
U.S.A., they only came back to England as the I.R.A.
they really fear the economic migrants -
a Chinese invasion less spectacular than than
the Mongolian invasion and everyone is still
calmly brewing tea... the 5 o'clock shadow, or simply:
brew keeps company of whisperers.
i don't know why the ******* nickname,
at university i was nicknamed banana because
one time, at band camp, i wore a Velvet Underground
t-shirt, and another time, at band camp
i was either goldilocks because of my long hair
or the french braid donned - also known as the hippy for
eating Sharon fruit and pomegranates -
i'm not Morrissey adventurous with **** SCHOOL
rather than Johnny **** THE POLICE -
i kinda liked it - seeing teachers get dissected by
younger generations - why all this negativity surrounding school
fuelling pop music? you played Final Fantasy VII,
exchanged Pokemon cards? no? then what's your *******
problem?
that isn't the point, the point is:
why are Maine **** cats not recognised as the sop buddies
of lore? i swear you to the grave as keeping this fact intact,
Maine ***** are like Bloodhounds - no
matter how many treats you give them, they play sentinels
of the moon with you all they want is company,
they ******* meow meow at your door -
you end up putting on Handel, cushioning them in your
arms on the windowsill listening to, what i would say to
be: if i had children, i'd speak to them in german:
fuchsgesang - wide-eyed diabolical pupils with
a tear from my eye drooping into their crystals -
Maine ***** are the feline equivalent of the bloodhound
canines - they get depressed easily - no matter how many
treat your give them, they still want to be nurtured,
wrapped in diapers of your arms - Ginger Russ weighs in
at 9 kilograms... try keeping him on your arms before
the northern hyenas start cackling simultaneously with
Handel playing in the background.
Maine **** (canine equivalent) = Bloodhound (feline equivalent).
keep him sniffing fresh air and in good company...
the ****** goes to sleep like Speedy Gonzales...
once upon a time... thump... the cat's asleep.
if i'd ever have children i'd wish to speak german to them
for the first time... no other tongue would be given access...
the second Elizabethan Era has ended promptly -
as was its due course - now the degeneracy appears
where art once blossomed...
we're waiting for the Autumn of the second Elizabethan Era...
with winter, new sprouts anticipated... Charles?
oh Charles? please! be the usher impromptu:
beheaded, never built Versailles, killed his wife...
hey! you heard it from a rat, this was written in a sewer,
**** knows what happens in Kensington Palace...
journalism? probably, since around here
all that happens is an obituary.... if you're lucky! ha ha!
otherwise someone else including you toward
an epitaph engraved, most notably: 1974 World Cup -
West-Germany Wins - auf wiedersehen - pronounced:
auf veedersen pet - Liverpool roofers in Munich - yet
everyone knows that all roofers came from Scootlaund.
when philosophy becomes systematic (i.e. wheel rolling
thanks to a limited vocabulary) it does become a thing-in-itself,
that cheats by discussing a thing-in-itself within
its systematisation akin to a thing-in-itself, basically
it cannot find chiral-divergence, or a schizophrenic
to put in a ~mild metaphor - when philosophers systematise
they treat no daily oddities - they encapsulate everyday oddities
with: ground control to Major Tom... ground control to
Major Tom... priority via imagery: forget the bow-tie events
and the fully prim suit buttoned tight - being systematic in
philosophy is not about being dishonest,
it's more about being counter-observant - all the little details
are missing; which is, to be honest, permitted -
if you base your inquiry on all things omni- related,
forget that a Jew would ony write mn and hide the o and i...
too numerous the qualities, but only one accepted tetragrammaton
(square of letters - i.e. not fact, not tool, not hide... but yhwh)...
systematic expression in philosophy, means, outside of it,
missing the daily details that provide the necessary
conjuring of rainbows from water hoses when
watering the flowers in a garden - write systematically
and you **** the particular flavours of the day,
ensuring the sky doesn't all on your head tomorrow
by saying: a priori: the sun too, today, tomorrow, everyday.
reading Kant after watching a ballet made me rethink
my coercion of Kierkegaard, Nietzsche is just too reactionary -
if Kierkegaard took up theatre, i might as well take up
ballet - or any other musically intoxicating form to stage
my coup.

Burts bees mint lip balm, I can still feel it, smell it, as if it were on me,
And I sit there and watch her overly apply it on her lips, I can feel the presence of
Innocence and bike riding up the winding trails towards Kensington and
there should have been a sign that told me to stop where I was going, to prevent
me from traveling to a different state of mind where affection was insignificant
and where losing myself was a crime

To the victims during the Boston Marathon, April 15, 2013,

Children of Boston
Children of Euston
Children of Kingston

Boys of Mesa
Boys of Tuy Hoa
Boys of Kalba

Teenagers of Kyoto
Teenagers of Toronto
Teenagers of Lesotho

Wives of Berlin
Wives of Kremlin
Wives of Yulin

Humans of the world
Let us spare one word

Let us pray,
From Larissa
To South Kensington
From Tokay
To Grafton

Humans of the world
Let us spare one word

For the children of Boston.

April 15, 2013
Montpellier, France

3:07 a.m.
I am awake and vigilant

Will Ferrell on SNL as George W.
Washington, Lincoln, Kensington

I want to go exploring in the deep green woods
Where the leaves shuffle past on your feet, on your toes
Where the yellow streetlights and the red ones fade
Deer graze in the cracks at Kensington Station
Birds nest between the wheels of the dead railway

I want your lips against mine in the silence
In these hollow spaces, the reclaimed world
Bark peeling, sprouts, on the wood house beams
Colour of rust and liveliness, womb of ours, heart of ours
Greenboro metal on the slatted tracks