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averylia Jul 2022
A new page turns:
it’s midnight
and all I see are dreams and glimpses of her,
the ink from her snake tattoo
dark on her wrist like a passing shadow,
lean fingers layered with gemstone rings,
jade feline eyes swallow me and spit me out.

I want to pull you in,
and trace the ink written on your skin.
It feels like stories to me,
pages and pages of words
transcribed along the flesh of Aphrodite.
And, oh, to touch with is untouchable—
the more I long for you, the more the venom
of longing seeps into my untouched heart.
Hollow Jul 2014
As they swirled above the clouds
Twisting in and out of existence
Heart fluttered, such as the wings of
Butterflies in my belly

The girl in the tree
Witnessed not what I did
As she called out my name
Voice of reason, guide me

Look, up here!

And the ladder I climbed to sanctuary
Was of oak and sap
Sticky with unknowing
And her hand touched mine
But her face was unseen

The dragons
Above, with jade scale and ivory claw
Swirled in the dance of
My eternal struggle
For knowledge

Enraptured
Captured, but not owned
Are these visions

The clouds darkened as my hand slipped
And I fell backwards
Seeing her dark hair
But her face was
Not there

And the wind picked up the new rain
Fresh, like the blood of dragons
In an epic twist of death
And poured it into my eyes

And though I slept soundly
Silence was always there
I am going to begin writing my dreams as poems. Perhaps this will give me a better understanding of how my mind travels through the winding streets of uncertainty.
Y ante mi abrazo te sentí rendida...
y ante tu sumisión, mis besos sabios
pusieron a temblar entre tus labios
ansias de amor y de placer y vida...

Fue un instante no más, uno de esos
siglos-instantes que el amor nos brinda,
prometiéndole un lauro al que se rinda
primero en la batalla de los besos...

Lo ves, mujer... No cabe en la materia
la espiritualidad de lo insensible;
todo es vencido ante el irresistible
empujón de la carne y su miseria....

Y te sentí temblar como la fronda
al soplo tibio de la brisa vaga,
cuando en su trino el ruiseñor divaga
y peina el sol su cabellera blonda...

Y te sentí temblar como la onda
que su quietud sobre la arena apaga,
y como el ave que sin rumbo vaga
y un circulo invisible traza y ronda.

Y te sentí languidecer al peso
de mis labios, al peso de un gran beso
que perfumó en tus labios a un suspiro,

tal como languidece en la laguna
un cisne enamorado de la Luna,
al no hallarla en el cielo de zafiro...

Y te sentí latir, tal como late
al manotazo del ciclón la hoja,
como en la espada late, humeante y roja,
la sangre que bebiera en el combate;

tal como el sauce que su frente abate
cuando la nube en su aflicción lo moja,
o como el oceáno que se enoja
y en el escollo solitario bate.

Y te sentí vencida, con el lento
y anhelado y temido vencimiento
del sol, cuando la Noche abre la puerta

del ***** templo de su Dios ignoto;
y te sentí dormida, como un loto
en la serenidad de un agua muerta...

Y te sentí anhelante y temblorosa
cual la irisada espuma de un torrente;
como un lucero en la región silente,
insinuando una seña misteriosa;

cual la palma que agita, rumorosa,
su abanico de jade, lentamente,
como despunta en un jardín durmiente
el milagro de gracia de una rosa;

y cual la cierva cuando la acorrala
la jauría, cual ave moribunda
que pliega triste su ya inútil ala,

y adoré tu sensual melancolía
llena de rendición meditabunda,
¡y te sentí profundamente mía!...
Anais Vionet Nov 2024
(a university-life vignette)

It’s a Friday night, Leong and I are at a small restaurant close to the dorm called “Ordinary.” We’re in a cozy, pleasantly dark, little red booth—waiting for Lisa—who’s running late. This is Leong’s favorite bar and her taste in exotic drinks is labile—tonight she has us drinking ‘Maker’s Mark,’ a delicious, straight-up bourbon, with a twist of orange peel.

We’re on our second—and I’m starting to buzz—did I mention Lisa’s running late? On a hot note, we’re celebrating. I turned in the first draft of my thesis prospectus last Wednesday and this morning I got it back - accepted.

But more importantly, when I tore into the envelope, back in my room, there was a yellow sticky-note on the prospectus that read like an academic valentine. It said:
“Anais, you write beautifully, with the economy of a poet.”
I may have danced around my room.

So, we’re sitting there, sipping our drinks and noshing on a charcuterie platter when this cute, hipster, Princeton transfer-student guy named Milo showed up—drink in hand. He’s like, 5 '11 with light-brown medium-longish hair tucked behind his ears and he’s wearing a light blue, textured cardigan over a tan t-shirt and leaf-green work pants. At first, he’s walking by, but he spots us and stops.

“Has anyone ever told you look like Anais Vionet?” He asked me.
“No,” I replied, “never.” “You sound like her too,” he followed up.
“Well, I wouldn’t know,” I answered, shaking my head ‘no’ and shrugging.
“But she’d never come to a dive this cheap,” he updogged.
“Oh, yes she would,” I assured him.

Then, I gasped, remembering. Milos on one of Yale’s 500 soccer teams. “You guys lost to Princeton the other day! Isn’t that your alma mater? Congratulations!”
“Thanks, for bringing that up,” he said somewhat chagrined,
“We lost one-to-nil—it was just bad luck,” he said defensively.
“Oh, bad luck,” I chided him.

He did look tired and defeated, so I motioned him to take a seat. He slid right in next to Leong, who’s hand he shook, “Milo,” he said.
“I KNOW,” she said, in a sly and evil way—we’ve talked about him, conspiratorially—even she thinks he’s cute—and cross-culturally-cute isn’t easy.

“Are you superstitious?” Milo asked us—turning so Leong was included.
“Oh, sure,” I spoke first, “I was raised catholic, and even if you don’t hundo-p believe, it carries over. I always carry a lucky crystal with me—you know, for tests and what-not—I depend on that, as opposed to diligence and studying.”

“You have one with you now?” He followed up.
“I do,” I confessed, “I always have one in my bra.”
“Wow,” he laughed, “Why?”
“I don’t know,” I chuckled, “For luck—in case I need to appear supper fun and sassy? Though I guess I’m proof crystals don’t work.”
“Do you really have a crystal in your bra?” He asked, sipping his whisky.
“Yeah,” I said, sliding my hand discreetly into my left cup and bringing out a tiny, flat green, polished Jade stone crystal. “Isn’t that uncomfortable?” He asked.
“Nah, there’s plenty of room in there,” I admitted, sliding the crystal back in place.

“Leong’s superstitious,” I said, nodding to her.
“All Chinese are superstitious,” Leong pronounced, “whenever I had a big exam at school, my mother would go and leave a chicken at the temple.”
Milo and I chortled—I’d actually seen women do that when I lived in Shenzhen.
“Well, I guess it worked!” Milo pronounced, and he and Leong high-fived.
“We have a saying, ‘it’s better to be lucky than good,” he added.
We say, “Yùnqì zhòngyàoguò nénglì,” Leong noted, in Cantonese.
“Luck is more important than ability,” I translated.
Speaking of luck, Lisa finally arrived.
.
.
Songs for this:
Where Are You by 54 Ultra
Cut Glass by mark william lewis
Merriam Webster word of the day challenge 11/12/24:
Labile = open to change.

My thesis topic is "Molecular dynamics simulations of protein folding." 🙃 It's about protein-protein interactions (cellular functions) and developing new medicines and treatments. It isn't easy to give it a poetic twist.

Our cast:
Leong, (roommate) 21, is from Macau, China - the Las Vegas of Asia and she’s a proud communist (don’t knock it til you’ve tried it). She's a ‘molecular, cellular, and developmental biology major.’ I speak Cantonese—which may be why we were paired—I lived in Shenzhen China (about 30 miles from Macau) - we talk a lot of secret trash together.

Lisa, (roommate) 21, my bff. Grew up in a posh, 50th floor residence on Central Park South in Manhattan. She shares my major (Molecular biophysics and biochemistry) and is easily the most beautiful woman I’ve ever seen in RL (and is sensitive about it). Our tastes match, in everything (fashion, media, music, humor) except men.
Michael W Noland Aug 2012
jelous
as i have fear, and reality
they
They have fashion and fantasy
A Tale

“Of Brownyis and of Bogilis full is this Buke.”
                              —Gawin Douglas.

When chapman billies leave the street,
And drouthy neebors neebors meet,
As market-days are wearing late,
An’ folk begin to tak’ the gate;
While we sit bousing at the *****,
An’ getting fou and unco happy,
We think na on the lang Scots miles,
The mosses, waters, slaps, and stiles,
That lie between us and our hame,
Whare sits our sulky, sullen dame,
Gathering her brows like gathering storm,
Nursing her wrath to keep it warm.

This truth fand honest Tam o’Shanter,
As he frae Ayr ae night did canter,
(Auld Ayr, wham ne’er a town surpasses,
For honest men and bonie lasses).

O Tam! hadst thou but been sae wise,
As ta’en thy ain wife Kate’s advice!
She tauld thee weel thou was a skellum,
A blethering, blustering, drunken blellum,
That frae November till October,
Ae market-day thou was nae sober;
That ilka melder, wi’ the miller,
Thou sat as lang as thou had siller;
That ev’ry naig was ca’d a shoe on,
The smith and thee gat roarin fou on;
That at the Lord’s house, ev’n on Sunday,
Thou drank wi’ Kirkton Jean till Monday.
She prophesied that, late or soon,
Thou would be found deep drowned in Doon;
Or catched wi’ warlocks in the mirk,
By Alloway’s auld haunted kirk.

Ah, gentle dames! it gars me greet,
To think how mony counsels sweet,
How mony lengthened sage advices,
The husband frae the wife despises!

But to our tale: Ae market-night,
Tam had got planted unco right;
Fast by an ingle, bleezing finely,
Wi’ reaming swats, that drank divinely;
And at his elbow, Souter Johnny,
His ancient, trusty, drouthy crony;
Tam lo’ed him like a vera brither;
They had been fou for weeks thegither.
The night drave on wi’ sangs an’ clatter;
And aye the ale was growing better:
The landlady and Tam grew gracious,
Wi’ favours, secret, sweet, and precious:
The Souter tauld his queerest stories;
The landlord’s laugh was ready chorus:
The storm without might rair and rustle,
Tam did na mind the storm a whistle.

Care, mad to see a man sae happy,
E’en drowned himself amang the *****;
As bees flee hame wi’ lades o’ treasure,
The minutes winged their way wi’ pleasure:
Kings may be blest, but Tam was glorious,
O’er a’ the ills o’ life victorious!

But pleasures are like poppies spread,
You seize the flow’r, its bloom is shed;
Or like the snow falls in the river,
A moment white—then melts for ever;
Or like the borealis race,
That flit ere you can point their place;
Or like the rainbow’s lovely form
Evanishing amid the storm.—
Nae man can tether time or tide;
The hour approaches Tam maun ride;
That hour, o’ night’s black arch the key-stane,
That dreary hour he mounts his beast in;
And sic a night he tak’s the road in,
As ne’er poor sinner was abroad in.

The wind blew as ‘twad blawn its last;
The rattling showers rose on the blast;
The speedy gleams the darkness swallowed;
Loud, deep, and lang the thunder bellowed:
That night, a child might understand,
The De’il had business on his hand.

Weel mounted on his grey mare, Meg,
A better never lifted leg,
Tam skelpit on thro’ dub and mire,
Despising wind, and rain, and fire;
Whiles holding fast his gude blue bonnet;
Whiles crooning o’er some auld Scots sonnet;
Whiles glow’rin round wi’ prudent cares,
Lest bogles catch him unawares;
Kirk-Alloway was drawing nigh,
Whare ghaists and houlets nightly cry.

By this time he was cross the ford,
Whare in the snaw the chapman smoored;
And past the birks and meikle stane,
Whare drunken Charlie brak’s neck-bane;
And thro’ the whins, and by the cairn,
Whare hunters fand the murdered bairn;
And near the thorn, aboon the well,
Whare Mungo’s mither hanged hersel’.
Before him Doon pours all his floods;
The doubling storm roars thro’ the woods;
The lightnings flash from pole to pole;
Near and more near the thunders roll;
When, glimmering thro’ the groaning trees,
Kirk-Alloway seemed in a bleeze;
Thro’ ilka bore the beams were glancing;
And loud resounded mirth and dancing.

Inspiring bold John Barleycorn!
What dangers thou canst mak’ us scorn!
Wi’ tippenny, we fear nae evil;
Wi’ usquabae, we’ll face the devil!
The swats sae reamed in Tammie’s noddle,
Fair play, he cared na deils a boddle.
But Maggie stood right sair astonished,
Till, by the heel and hand admonished,
She ventured forward on the light;
And, wow! Tam saw an unco sight!
Warlocks and witches in a dance;
Nae cotillion, brent new frae France,
But hornpipes, jigs, strathspeys, and reels,
Put life and mettle in their heels.
A winnock-bunker in the east,
There sat auld Nick, in shape o’ beast;
A towzie tyke, black, grim, and large,
To gie them music was his charge:
He ******* the pipes and gart them skirl,
Till roof and rafters a’ did dirl.—
Coffins stood round, like open presses,
That shawed the Dead in their last dresses;
And by some devilish cantraip sleight
Each in its cauld hand held a light,
By which heroic Tam was able
To note upon the haly table,
A murderer’s banes in gibbet-airns;
Twa span-lang, wee, unchristened bairns;
A thief, new-cutted frae a ****,
Wi’ his last gasp his gab did gape;
Five tomahawks, wi’ blude red-rusted;
Five scimitars, wi’ ****** crusted;
A garter, which a babe had strangled;
A knife, a father’s throat had mangled,
Whom his ain son o’ life bereft,
The grey hairs yet stack to the heft;
Wi’ mair of horrible and awfu’,
Which even to name *** be unlawfu’.

As Tammie glowered, amazed and curious,
The mirth and fun grew fast and furious:
The Piper loud and louder blew;
The dancers quick and quicker flew;
They reeled, they set, they crossed, they cleekit,
Till ilka carlin swat and reekit,
And coost her duddies to the wark,
And linket at it in her sark!

Now Tam, O Tam! had they been queans,
A’ plump and strapping in their teens;
Their sarks, instead o’ creeshie flainen,
Been snaw-white seventeen hunder linen!—
Thir breeks o’ mine, my only pair,
That ance were plush, o’ gude blue hair,
I *** hae gi’en them off my hurdies,
For ae blink o’ the bonie burdies!

But withered beldams, auld and droll,
Rigwoodie hags *** spean a foal,
Lowping and flinging on a crummock,
I wonder didna turn thy stomach.

But Tam kenned what was what fu’ brawlie:
‘There was ae winsome ***** and waulie’,
That night enlisted in the core
(Lang after kenned on Carrick shore;
For mony a beast to dead she shot,
And perished mony a bonie boat,
And shook baith meikle corn and bear,
And kept the country-side in fear);
Her cutty sark, o’ Paisley harn,
That while a lassie she had worn,
In longitude tho’ sorely scanty,
It was her best, and she was vauntie.
Ah! little kenned thy reverend grannie,
That sark she coft for her wee Nannie,
Wi’ twa pund Scots (’twas a’ her riches),
*** ever graced a dance of witches!

But here my Muse her wing maun cour,
Sic flights are far beyond her power;
To sing how Nannie lap and flang,
(A souple jade she was and strang),
And how Tam stood, like ane bewitched,
And thought his very een enriched;
Even Satan glowered, and fidged fu’ fain,
And hotched and blew wi’ might and main:
Till first ae caper, syne anither,
Tam tint his reason a’ thegither,
And roars out, “Weel done, Cutty-sark!”
And in an instant all was dark:
And scarcely had he Maggie rallied,
When out the hellish legion sallied.

As bees bizz out wi’ angry fyke,
When plundering herds assail their byke;
As open pussie’s mortal foes,
When, pop! she starts before their nose;
As eager runs the market-crowd,
When “Catch the thief!” resounds aloud;
So Maggie runs, the witches follow,
Wi’ mony an eldritch screech and hollow.

Ah, Tam! ah, Tam! thou’ll get thy fairin!
In hell they’ll roast thee like a herrin!
In vain thy Kate awaits thy comin!
Kate soon will be a woefu’ woman!
Now, do thy speedy utmost, Meg,
And win the key-stane of the brig;
There at them thou thy tail may toss,
A running stream they dare na cross.
But ere the key-stane she could make,
The fient a tail she had to shake!
For Nannie, far before the rest,
Hard upon noble Maggie prest,
And flew at Tam wi’ furious ettle;
But little wist she Maggie’s mettle—
Ae spring brought off her master hale,
But left behind her ain grey tail:
The carlin claught her by the ****,
And left poor Maggie scarce a stump.

Now, wha this tale o’ truth shall read,
Ilk man and mother’s son, take heed:
Whene’er to drink you are inclined,
Or cutty-sarks run in your mind,
Think, ye may buy the joys o’er dear,
Remember Tam o’Shanter’s mare.
Graced Lightning Mar 2014
My lips are almost chapped even though I use chapstick more often than I eat. They are in limbo, halfway between being soft and kissable and being dry and raw. I don't kiss you as often as I'd like, even though I kiss you several times every day. Kissing you feels so good, because your mouth is warm and soft and moves perfectly with mine. The touch of your lips is tender and sweet, except when it's not. Except when it's deeper and more urgent and your body tenses up and presses itself against me and your arms pull me closer. Except when I can tell you want more, more, MORE. Except when I want that too.
            2. My chest is small and pale and I might be allergic to something because I've got a rash. My chest is always covered by some brightly-colored piece of fabric. It's only bare when I'm in the shower and to be honest that's where I think about you the most. With the water running through my hair and across my skin I think about your eyes and your shy smile and your hands and your laugh. My chest is what you'd call 'petite' but I love it because it lets me pretend I'm a size XS.
            3. My arms are skinny but strong. They're pure muscle and when I move them around, miracle of miracles, they don't jiggle. They're pale too, but that's ok. I'll get tan this summer. It'll probably be a farmer's tan. My arms have about a million nerve endings and I never knew that up until a few weeks ago when you decided to discover what drives me insane. And guess what? You found it. I love it when you move your hands around because your touch makes me light up but the light dies down after a while if you don't keep reminding me that you're there.
             4. My back is the only part of me that got tan. I was wearing a one-piece swimsuit all of last summer and there was a hole in the back. My spine has a 17% curve and I have a few blackheads here and there because I work out so often. I can feel your arm slipping around my waist before it gets to where it wants to stay and that makes me crazy. It makes me want to lie on my back someplace where we can be alone and let your hands go other places (like to the zipper of your jeans or the scar on my ear)
               5. My stomach is the most important part of me. I like to keep it pink and clean and empty. I'd like it to be pure muscle and curves because skinny is good but I don't know if I have the strength to make that happen. Whenever you touch my waist (or anywhere, everywhere), something stirs deep inside of me. I wonder if you feel it too, if you feel it in your stomach or somewhere else or everywhere else.
                6. My inner thighs are probably the only part of me I haven't let you explore yet. Don't worry baby, I promise I won't hold back forever. It's just that my thighs are covered in stretch marks and memories of scars and I don't want you seeing that because I don't want to hurt you. But sometimes it feels like you're holding back too because you don't want to hurt me. I'll let you in on a little secret though- nothing can hurt me. I have armor made of titanium and nothing can pierce it except for words meant only for me and little touches that no one else can see. But here's another secret - there's a pretty little gap between my thighs that measures almost an inch if I lean forward a little bit. When I stand normally it measures only half an inch but that doesn't matter because I promise that I'll make room for you when the time comes, whether it's tomorrow or next week or next year. I promise there's room for you between my thighs.
                  7. My calves are muscled and look hot when I wear high heels. They are strong and that's really helpful when I kiss you because you're kind of tall and sometimes I have to stand on tip-toe. Sometimes one of my legs accidentally goes between yours and then you have to hold me up and I give up and melt into your embrace.
                  8. My feet are always cold. I don't like people seeing them because my toes are weird and so I always wear socks. Except when I don't, but that's only when it's summer and I'm too classy to wear socks with sandals. I wear cute socks though. Flamingos and whales and polka-dots and owls and squirrels. I paint my toes with colorful polish. Right now they're teal, like my eyes.
                  9. My eyes are ever-changing, but always beautiful. They're almost translucent sometimes in the sunlight. Sometimes they're angry and cold and emotionless, and that's when I scare people. Occasionally they're the color of jade, a light green that you could lose yourself in. Sometimes they're dark green, the color of moss and the top of the forest. Sometimes they're light blue, reminiscent of the sky on a cloudless day. And once in a blue moon, they're stony gray and I use them to pierce through the facade. Sometimes they're dark blue, the color of the ocean and I let the boys drown in them. But not you, baby. I'll keep you afloat.
                 10. My body was never a temple. But you can worship me if you want.
if you read all of this, thanks :)
Sally A Bayan Sep 2015
I'm
breathing
hurriedly...i'm
r e m e m b e r i n g
c o n c e n t r a t i n g
trying  to  p i c t u r e :
~~ A ~~


P--lethora of trees, flowering plants...across and beyond...surround the

L--ustrous surface of the rushing blue green water...spraying...  
     nourishing
A--maranths and azaleas, with its windblown mists...refreshing.....see,

C--reeping creatures underwater could not ruin the quietude it emits

I--nimitable is its Serenity...nothing else is at par.............its

D--impled surface, tiny ripples running, creating streams of dreams...
     whispering


W--ords...a gentle massage, washing away rage, misery...like precious

A--methyst, jade, citrine and crystals...shimmering down under,  
      rebuilding, helping
T--urquoise, gently touch with its sea blues...above, under...wherever

E--merald waters, against red carnelian rocks...to weather...endure...to

R--escue someone reeling...patiently...with words mollifying...and  
     sprays of
S--alty mists..soothing pensive eyes, mind, soul...cleansing...healing  
     CHAKRA...

~~~~~~~~~~~~~
Placid~waters~run
b e h i n d~~me
b e f o r e~~me
deep~~within
~~ m e ~~
~~~~~




Sally

Copyright September 3, 2015
Rosalia Rosario A. Bayan
Manu M Nov 2015
Shush, do not utter
Not now, hon

Oh! Dear let the cherry blossoms
Of our love blossom
Slowly, easily
In this orchard
As aromatic as daffodils
Newly out of their soft buds
Young and fresh just like us;
In the mist and chill of this dark night
Let us warm our
cocoons with endearment

My Jade Vine, at times blue luminous
And at times light green
Spread those shades on the open
Palate of my heart

Do not, not now hon
Leave this love unrequited

~Manu M.
#unrequited #love #beauty #blossom
Glenn McCrary Apr 2014
Marseille, France, 2014

"The Eiffel Tower was built on the backs of men who never knew that love was absent from the world. Especially Paris.”~ Jade Day

NARRATION SEQUENCE:

Hi. My name is Do and strangely enough it is commonly mispronounced. It is often associated with that of English word “do” which is technically an action verb, but that’s besides the point. I am twenty three years of age and am anti-social so when people act like they know me it freaks me out. My main passion is poetry although I have recently discovered an interest in disc jockeying and my passion for it grows more and more each day. Anyway, if you are wondering how I ended up in this asylum you are about to find out.

[Scene Opening]


[Do slowly opens his eyes. He attempts to move his arms but with great struggle. Do lifts his head and glances down only to discover that he was lying upon a white cot while restrained within a straight jacket. Shortly after this discovery he begins rapidly scanning the room. The room was solid white and covered by padded walls from the ceiling to the floor.]


DO: Where the hell am I…?


[Do then attempts to sit up but is unsuccessful. He then accidentally rolls out of  his cot landing on the floor with a hard thud.]

DO: A-a-rgh… **** that hurt…


[ A digital vocalization suddenly began to commence much less to Do’s awareness]


DIGITAL SPEAKER: Mr. Nino, personnel of doctoral authority are scheduled to arrive in approximately one minute. 59, 58, 57, 56, 55

DO: No! Where am I? Please just tell me where I am!


DIGITAL SPEAKER VOICE: 49, 48, 47, 46, 45


DO: I’ve got to get out of here…. I need to get home!


[Do attempts to stand. He successfully rises to his feet and starts running. Mistaking a padded wall for the door he blindly runs toward it. He hits the wall and bounces back two feet and on to his back again.]


DO: Arrghh, my back…


DIGITAL SPEAKER VOICE: 20, 19, 18, 17, 16, 15


[Do remains laying there]


DIGITAL SPEAKER VOICE: 5, 4, 3, 2, 1…


[The door opens and a man in a white lab coat walks into the room accompanied by a nurse. The man had short, black hair in the style of a crew cut. He also wore small, square glasses with black frames. His skin had sort of a beige color to it along with the creeping annoyance of 5 ‘o clock shadow. He also was wearing black slacks and shoes. The man also had a check pad and a pen in his hand.]


DR. NIGHTMARE: I tell you Anaïs these kids are digging holes. They are digging holes deeper than death.

[Anaïs laughs]


DR. NIGHTMARE: I mean how much time must pass before one of them takes notice? Hmm?

[Dr. Nightmare and Anaïs both laugh in equal succession. Dr. Nightmare then stops and stares bewildered at Do who to his surprise was still lying on the floor.]


DR. NIGHTMARE: Hello there young man.


DO: Hey


DR. NIGHTMARE: The fall must have hurt huh?


DO: You have no idea…

[Dr. Nightmare removes a small flashlight from his coat pocket and carefully begins examining Do’s eyes.]


DR. NIGHTMARE: Your eyes look okay kid. There is nothing out of the ordinary. Here let me help you up.

[Dr. Nightmare helps Do to his feet]

Yeah, I know what it’s like kid. I was once patient who was confined within this very same room that you just so happen to be sitting in right now. I have experienced great waves of panic and fear which eventually escalated into that very same fall that you just experienced. It hurts like a ***** too.  Anaïs could you please grab us some chairs dear?


NURSE YUCKI: Yes, Dr. Nightmare


[Anaïs returns with three white chairs. She sets the chairs down proceeding to sit in one of them.]


DR. NIGHTMARE: Please take a seat kid.

[Both Do and Dr. Nightmare proceed to sit in the chairs]


DO: Who are you and what are you doing here?


DR. NIGHTMARE: Oh, how rude of me for not introducing myself. My name is Archie Moreau though the majority of the staff and patients refer to me as Dr. Nightmare. The lady on my left is referred to as Nurse Yucki.

[Anaïs waves and smiles]


NURSE YUCKI: You can call me Anaïs.


[Do decides to bare a forced smile in response]


DR. NIGHTMARE: We are here to conduct a psychiatric interview as well as a series of tests in order to properly evaluate your mental illness and to identify what type of mental illness you may or may not have.


DO: Whoa, whoa, whoa, whoa, whoa! Mental illness? First of all what is this place and why the hell am I here?


DR. NIGHTMARE: My, my, my you really weren’t listening at all were you? I said we are going to conduct an interview and a short series of tests to identify what may or may not be wrong with you. Keyword: May. Calm down won’t you? It’s just a quick, easy and painless process.


DO: Calm down? Calm down? I wake up confined within a straight jacket in a cot in an unfamiliar room within an unfamiliar place and you want me to calm down? You still haven’t told me where I am nor have you told me what has happened to me. I need answers.


DR. NIGHTMARE: Okay, fair enough. Firstly, let me start by saying that this room you speak of is more commonly known as a padded cell. That’s why all the walls are padded so that it is nearly impossible for you to harm yourself. Secondly, do you not retain any memory of the events of the past forty-eight hours?


DO: This is shockingly funny Archie.


DR. NIGHTMARE: I did not say that you could call me Archie.


DO: Okay, Dr. Nightmare. Let’s say that I could remember anything that may or may not have occurred in the past forty-eight hours as you say. Don’t you think that I would have told you?


DR. NIGHTMARE: ****. You really don’t remember a thing do you?


DO: No **** Sherlock we just established that.


DR. NIGHTMARE: You had been unconscious for two days.


DO: And why was that? What happened to me?


DR. NIGHTMARE: You were at a bar. You were sitting and drinking when suddenly you took a knife to your wrist and began to mutilate your flesh. It was unclear why but I particularly remember you exuding a piercing scream. You appeared to be in a great deal of agony both physically and emotionally. Does that refresh your memory a bit?

DO: No, not at all. I still can’t remember a thing. The only thing I can remember is being highly intoxicated.

DR. NIGHTMARE: That’s a start.

DO: Please continue…

DR. NIGHTMARE: As you wish; Shortly after you had publicly wielded your knife, two security guards clad in solid black t-shirts and black slacks rapidly began approaching you. They obviously noticed that you were intoxicated and offered to politely escort you out of the bar accompanied by multiple verbal threats. You resisted. They both attempted to apprehend you. You fought back. The next thing I know one of the guards grabbed both of your arms and folded them behind your back as the other guard punched you in the eye, chest and stomach. The guards then picked you up by your hands and feet and proceeded to toss you out of the bar.


DO: How do you know all of this?


DR. NIGHTMARE: Because I was there that night. I was watching.


[Do looked at Dr. Nightmare with an exceptionally bewildered ****** expression.]


DR. NIGHTMARE: I was the one who brought you to the asylum, Do.

DO: How the hell did you know my name?

DR. NIGHTMARE: Through various methods of frequent networking

DO: Why did you help me?

DR. NIGHTMARE: The night is always darkest before dawn

[Do continues sitting there with a puzzled look on his face]

DR. NIGHTMARE: Are you ready now, Mr. Nino?


TO BE CONTINUED...
Amit Shroff Dec 2014
Lie beneath the galaxy in a cathedral silence,
Stay up till the moon dives behind the beige mountains.
Rest on your beast, let the valves take a break,
Treat yourself with a feast, its the only time in your fate.
Slithering into my sack I rest under the canvas,
How peaceful it is far away from all the ruckus.

The monk's prayers bid me with good luck,
I'm off riding in the sparse cold desert.
I stop with the view of a disputed lake,
Miles long the jade blue reflects the golden tops.
In refuge at a monastery, fuel is a luxury,
I'd give up everything for a piece of this little heaven.
Maggie Emmett Aug 2016
At Vernal equinox, the Sun crosses
over the plane of the Earth’s equator
and equalises the night and the day.
Then will the Emerald Dragon awaken
from his hibernation beneath the earth.
Rising in the jade forests of Ghizhou,
this yin creature transforms the cold, dead land.
Primal and powerful, he gathers the Qi;
melts the mountain snows to ribbons of fire
igniting the frosty hillsides to growth,
fuses each thing with verdant energy,
revives again the seed, renews the bulb,
sprouting tender shoots juice-rich and sap-full
Shy blossoms set to bloom and burst with fruit
Fresh scented breezes ruffle foliage
maiden ferns shiver with their thrill and ******
Grasses and reeds bedewed and beryline,
murmuring and humming low and dulcet,
dancing and swaying at the river’s edge.
Roots of every tree draw deep from the earth
Magnolia and Frangipani breathe
and pant out fragrant honeyed lusciousness
Spring sparks and quickens, kicks and is alive.

© M.L.Emmett
One of a series of poems on Elements
Although not Spring here in the southern hemisphere until 1st September, my snowdrops are up and about (revved up, no doubt by global warming) so that is my sign Spring is near.
Flick flick,
lights the bic.
The intensity of combustion
creating light.
Bring the light closer,
closer to the green.
The shining crystals atop the jade.
Inhale.
Watch it curl, draining its life
while adding to my own.
Hear the soft purr of the bubbler.
Release the carb.
Smoke pours in every direction.
Hold it in.
Exhale.
Matt Apr 2015
On October 17, 2006, President Bush signed into law, the John Warner Defense Authorization Act. The law allows the President to declare a “public emergency” at his own discretion, and place federal troops anywhere throughout the United States. Under this law, the President also now has the authority to federalize National Guard troops without the consent of Governors, in order to restore “public order.” The President can now deploy federal troops to U.S. cities, at will, which eliminates the 1878 Posse Comitatus Act.

This means the president holding office will control everything, including the arrest of whomever he deems threatening. All communications are controlled, all media is controlled and now the president controls DHS, the military and police.

All the joint training we are seeing between the military and police leading up to Jade Helm, it's a qualification, the police and sheriff departments are being qualified for federalization. Personnel have to be qualified first, before they can participate in joint operations (signed off). This is how the system works.

Also, the other reason for this is for tracking and supply. The government uses specific forms that are entered into the logistics and supply system. If everyone is federalized, the system runs smoothly, because everyone is government document/program number approved and recognized by the same system, not an off shoot agency that require more work to track and less benefits when supplying personnel and units.
Robyn Nov 2015
God is my master.
I love Him more than all in my life.
He is the Master of my mind, my body, my heart.
He is my Shepherd.
He is beautiful.
He is love.
He is perfect.
He loves me more than I can comprehend.

God is telling me to stay.
So I will stay.
I cannot leave my church.
I cannot leave my family.
I cannot leave my city.
This is where I belong.
This is where I belong.
This is where I belong.

I belong. I belong. I belong.

In God I am made pure.
In God I am made clean.
In God I am rinsed of my sin.
In God I am white as snow.

Countless second chances He has given me.
Dear Lord, I need another today.
Today - I ask You for forgiveness.
Make me clean again.

I pray for them.
Ryan Kimmy Chiso Becky Dave Iris Mom Dad Kellie Tim Grandma Tim Debbie Laura Grandpa Betty Cindy Lori Shea Asher John Al Brian Teri Pamm Louie Chris Michael Tristan Bailey Victor Nikkie Mailee Andrew The Zachary's Kylie Michael and Megan Jade Airika Allie Bill Moriah Madison Mike Lani Moriah Tori Lenni Todd Maddie Hilary Holly Bella Jamie JT Bella Abby Sarah Anna Rick Ashtin Aaron Aleasha Christian Brian Gus Abbie Jenn Alec Jean Lois Larry Ryan Jake Bud Erin Tyler Jasmine Launts Wendy Michael Bella Sam Tony Ryan Ian Deric Jen Sam Erin Hanna Jamie Chad Mia Laura Tony Alena Tyrus Jack Luke Jenny Greg Reagan Kennedy Wilson Konni Wayne Brian Cammy Trina Mike Kameron Kasey Nikki Lexi Jelly Harley Izzie Rosie DJ Lillian Adrian Avery Asher Tyler Heidi Dan Sarah Ryan Griffin Daniel Jessica Pax Cory Abel Chandra Dave Julia Bethany Chris Orion Lindsay Twila Tracy Brandon Nate Braeden Amanda Jonah Luke Crosby Charlie Mark Debbie Ian Joy Susan Catherine Jeff Jill Andy Anna Joel Jacquie Tracy Shelby Brenden Grace Bruna Brendan Jadan Ariel Rick Johnna Laila Becca Joren Skylar David Lovins Gettys Nanny Papa My Cousins Grace Wanda Lamont Michael Amy Stephanie Tyler Tim Jeff Anthony Mikayla Emily Emily Sabrina Thomas Caleb Rene Sabra Autumn Cort Riley Cole Kaylee Amber Eryn Christina Trinity Bethany Kati Ben Jacob Megan Megan

and so so many more

May God bless you and keep you
Amen
judy smith Apr 2015
The Pakistan Fashion Design Council in collaboration with Sunsilk presented the fourth and final day of the eighth PFDC Sunsilk Fashion Week. Indeed the 8th PFDC Sunsilk Fashion Week marked the twelfth fashion week platform initiated by the Pakistan Fashion Design Council [with eight weeks of prêt-à-porter and four of bridal fashion] and was a direct manifestation of the Council’s commitment to sustainability and discipline within the business of fashion and the facilitation of Pakistan’s retail industry. Indeed #PSFW15 endeavoured to define and present trends for 2015, focusing specifically on fashion for the regions’ long hot summer months. Day-4 featured High-Street Fashion shows by the House of Arsalan Iqbal, Erum Khan, Chinyere and Hassan Riaz and designer prêt-à-porter shows by Sana Safinaz, Republic by Omar Farooq, Syeda Amera, Huma & Amir Adnan, Sania Maskatiya and HSY.

Speaking about the PFDC Sunsilk Fashion Week platform, Chairperson of the PFDC, Sehyr Saigol said: “With the 12th iteration of our critically acclaimed fashion weeks, the PFDC is always working to streamline our prêt-à-porter platform to make the PSFW experience more beneficial for all stakeholders in terms of show experience, exposure and ultimately, retail value. To that end, each year we look inward to find the best possible formats and categories to benefit the very trade and business of fashion. In this vein, we introduced 3 separate categories for Luxury/Prêt, High Street and Textile at PFDC Sunsilk Fashion Week, giving each entirely separate show space, times, audience exposure and viewing power. Our High Street fashion brands had been given a standalone show time on two separate days as early evening shows and Textile brands a separate dedicated day for Voile shows on Day 3 of PSFW 2015, a measured step to further highlight Pakistan’s textile prowess and high street fashion strength which are of significant importance to national and international fashion markets. As per past tradition, we continue to work closely with all our emerging designers and mainstream brands to help hone their collections for the runway through mentorship by senior PFDC Council members and with retail support through the PFDC’s own stores and network. We are grateful for the committed support of our sponsors and partners which provides us the stimulus to further enhance our fashion week platforms and put forth the best face of Pakistani fashion on a consistent basis.”

“The Sunsilk girl is an achiever, with an air of enthusiasm and positivity. Great hair can give her the extra dose of confidence so with Sunsilk by her side, she is empowered to take on life. Fashion is very close to this aspirational Pakistani girl making the PFDC Sunsilk Fashion Week a highly valued platform for us. We recognize PFDC’s efforts to promote the fashion industry and experienced and upcoming talent alike. Sunsilk has been a part of this fantastic journey for 6 consecutive years and continues to shape aspirations, taking contemporary fashion directly to the homes of consumers and encouraging them to script their own stories of success” said Asanga Ranasinghe, VP Home and Personal Care for Unilever Pakistan.

On the concluding day of #PSFW15, the Chairperson of the PFDC Mrs. Sehyr Saigol also made a special announcement on behalf of the Council and its Board Members, where she shared the Council’s plans to establish Pakistan’s first ever craft based Design District, a multi-purpose specialized facility that would assist in developing and enhancing the arts and crafts industries, which are an integral part of Pakistan’s rich cultural legacy. In addition to being a centre for skill improvement and capacity building, the Design District would also house a first of its kind Textile Museum.

The official spokesperson of the PFDC, Sara Shahid of Sublime by Sara also announced the official dates for the Council’s next fashion week, PFDC L’Oréal Paris Bridal Week 2015 which is scheduled to be held from 15th September to 17th September 2015.

Indeed the success of PFDC Sunsilk Fashion Week continued to prompt private sector associates to grow in their engagement of the platform to launch new marketing campaigns and promotional activities. To this end, the PFDC’s evolving partnership with Sunsilk grew exponentially this year whereby in addition to their title patronage; Sunsilk also took over the coveted PFDC Sunsilk Fashion Week red carpet and the Green Room/Backstage, as sponsors. This extension of their support is indeed a manifestation of the brand’s belief in and commitment to the platform. Also in continuation of their support for the platform, Fed Ex – GSP Pakistan Gerry’s International returned to PSFW as the official logistics partner, offering the PFDC a special arrangement for international designer consignments.

PFDC Sunsilk Fashion Week 2015 was styled by the creative teams at Nabila’s and NGENTS. Light design, set design, sound engineering, video packaging, choreography and show production from concept to construction was by HSY Events, front stage management by Maheen Kardar Ali, backstage management by Product 021, Sara Shahid of Sublime by Sara as the official spokesperson for the PFDC, logistics and operations by Eleventh Experience and photography by Faisal Farooqui and the team at Dragonfly, Hum TV/Hum Sitaray as the Official Media Partners, CityFM89 as the Official Radio Partners with all media management by Lotus Client Management & Public Relations.

High-Street Fashion Shows

The House of Arsalan Iqbal

The afternoon High-Street Fashion Shows on the final day of PFDC Sunsilk Fashion Week 2015 were opened by leading fashion brand The House of Arsalan Iqbal, who showcased a collection titled ‘Devolution Chic’. Inspired by street art across the world by various artists, European high-street trends and technique of quilting, Arsalan Iqbal garnered personal portfolios of graffitists from myriad urban cityscapes such as London, New York, Tokyo, Barcelona and Cape Town, juxtaposed with some unique in-house created patterns including those of Pac-man, calligraphic flourishes and aqua and tangerine bands and circlets. Based in chiffon, the ensembles were molded into voluminous structured silhouettes including draped tunics, edgy jumpsuits and wide palazzos dovetailed with off-white and ecru charmeuse silk jackets created with a revolutionary quilting process. Along with menswear pieces, the collection also included in-house footwear and jewellery made in collaboration with pioneering Karachi-based street artist SANKI.

Erum Khan

Designer Erum Khan followed next and made her PFDC Sunsilk Fashion Week debut with ‘The Untainted Shine’. The collection took its inspiration from the sparkle of twinkling stars, a walk on pearl dew in the morning and the enchanted glow which is produced when “a magic wand” is waved around the body, making it glow in a pearlescent white and exhibiting a jewel themed lustre on the body. With neat and straight structured cuts, Erum had used fabrics such as organza combined with silk, 3D flowers, patch work and antique katdanna in a collection which was based in a white colour palette. Trends highlighted in the collection were high waist skirts to button up pants and sheer long dresses. Acclaimed Pakistani musician Goher Mumtaz and his wife Anam Ahmed walked the ramp as the designer’s celebrity showstoppers.

Chinyere

Following Erum Khan, fashion brand Chinyere showcased its Spring/Summer 2015 High-Street collection ‘Mizaj-e-Shahana’ at PFDC Sunsilk Fashion Week 2015. An ode to the era of the Mughal royalty and their imperial aesthetic, the collection comprised of modern silhouettes and traditional embellishments with organza skirts paired with cropped tops, angarkha-peplum tops with embellished cigarette pants, sheer knee-length jackets paired with structured digital printed bustier-jumpsuits, diaphanous wrap-around boot-cuts and embellished boxy sleeves with soft A-line silhouettes. Chinyere also showcased ten menswear pieces comprising of waistcoats, jodhpurs, knee-length sherwanis paired with gossamer sheer kurtas. The colours used had been divided into a collection of distinctive Mughalesque pastels and jewel tones. The pastels included the classic marble ivory-on-ivory, the bold black, saffron, gold and ivory. The colour segments also included metallic gold and grey sections, with accents of bronze and black. The jewel tones included jade, emerald, ruby and sapphire.

Hassan Riaz

The concluding High-Street fashion show of PFDC Sunsilk Fashion Week 2015 was presented by Hassan Riaz who showcased his ‘Contained Shadows’ collection. Inspired by the diverse facets of the human soul that explore both the dark and light sides of human nature, taking into account yearnings, desires, and anxieties that make us distinctly human, Hassan had based the collection in summer twill, organza and summer denim in shades of blue and white with a gold accent to reflect upon his inspirations. ‘Contained Shadows’ made use of structured and drifting silhouettes, cage crinolines with corsets and bustiers with distinct trends featuring cropped tops, nautical accents, experiments with transparency and patchworks of metal mixed & matched with flowers.

Designer Showcases

Sana Safinaz

PFDC Sunsilk Fashion Week 2015’s evening [rêt shows on the fourth and final day was opened by premier designer label Sana Safinaz. Sana Safinaz’s PFDC Sunsilk Fashion Week collection was inspired by monochromatic structured looks with pops of color. The collection was based in luxe fabrics such as kattan, silks, fine silk organza and dutches satin in a colour palette majorly based in black and white with strong vibrant pop infusions.
Key trends being highlighted were the oversized T, constructions-clean lines, simplicity of cuts and effective embellishments.

Republic by Omar Farooq

Following Sana Safinaz, acclaimed menswear brand Republic By Omar Farooqshowcased a collection titled ‘Que Sera, Sera!’ (whatever will be, will be!). Omar Farooq had used a variety of luxe fabrics such as suede, linen, chiffon, cotton, cotton silk and wool silk. A collection for all seasons, the ensembles built upon the label’s signature aesthetics while providing a new take on contemporary menswear. Acclaimed media personality Fawad Khan walked the ramp as the brand’s celebrity showstopper.

Syeda Amera

The third Prêt show of the final day of PFDC Sunsilk Fashion Week 2015 was presented by designer Syeda Amera who made her ramp debut with ‘The World of Sea’. Inspired by love for the enchanting underwater, the collection was based in premium quality organza, jersey, nets and silks with delicate cuts and embellishments consisting of beads, sequins and feathers to reflect the collection’s aquatic theme. ‘The World of Sea’ featured a palette of aqua marine, scupa blue, powder pink, grey blue, tequila sunrise yellow, orange and lagoon green with trends that employed skirt layering, frills and ruffles and flared pants.

Huma & Amir Adnan

Following Syeda Amera, Huma & Amir Adnan showcased a joint collection for the first time at a fashion exhibition. Both Huma and Amir feel that as a couple they share their lives and draw synergies and their collection ‘Symphony’ was an epitome of how two people can revolve around the same concept in harmony, while maintaining their individual distinction. Showcasing both menswear and women’s wear at PSFW 2015, Huma and Amir had used a mix of fabrics, textures and embellishments with a complex collection of weaves, prints and embroideries in silk, linen, cotton and microfiber. The color palette included midnight blue, emerald green, wet earth, aubergine, ivory, old paper, turmeric, leaf and magenta. Key trends highlighted in the collection were long shirts, double layered shirts, printed vests and jackets, textured pants, colored shoes for men and layers of multi-textured fabrics, tighter silhouette, vests and jackets for women.

Sania Maskatiya

Designer Sania Maskatiya showcased the penultimate Luxury/Prêt collection of the evening at PFDC Sunsilk Fashion Week 2015. This S/S ’15, Sania Maskatiya took audiences on a fashion journey to ‘Paristan’ – a place of fairytale whimsy at PFDC Sunsilk Fashion Week. With a colour palette ranging from the softest shades of daybreak to the deepest hues of nightfall, ‘Paristan’ was a collection of playful, dreamlike prêt ensembles. Featuring luxury fabrics like silk, organza, charmeuse and crepe, the pieces followed the brand’s signature silhouettes, both structured and fluid. Beads and sequins embellished varied hemlines and multiple layering, all set against captivating scenes of mirth and magic. Motifs ranged from the sublime to nonsensical; friendly mice and naughty elves, clocks and teapots, flowering fields and star-filled skies, princesses and ponies.

HSY

Day-4’s finale was presented by acclaimed couturier HSY who showcased a collection titled ‘INK’; a collection inspired by Asia and specifically HSY’s journeys to The Land of the Rising Sun. INK represented the essence of Langkawi, Indonesia, Nagasaki, and Yunnan with natural and indigenous yarns, hand-woven to perfection. The collection featured the traditional dyeing techniques of Shibori from Nagasaki, Batik from Indonesia, and Gara from Sierra Leone infused with mackintosh, saffron, aubergine, eggshell, rosette, indigo and ochre. Created with the scorching sub continental summer in mind, INK channelled versatile hemlines to suit a diversity of younger, older, working men, women and homemakers alike.Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-brisbane
DieingEmbers Sep 2012
Carved from jade and set with rubies
told to seek a richer prize
Told the emperor there's no need sire
for what you seek lies in her eyes
as one together turning softly
to where the humble maiden stood
all at once his heart was taken
as dragons wisdom understood
search not desire in precious metals
lay no stock in gems and wealth
Seek only to obtain true pleasure
through true love and your good health
so the dragon bid of him leave
took on wings his final flight
where he courted a star maiden
bidding the world of men goodnight
Thanks Linda W this is my reply to your poetic words enjoy.
rochelle May 2014
Welcome to Procrastination Station
If you have loads of work you don’t want to do,
this is the place for you!
I can run to taco bell,
it will be really swell.
While i’m away you can go and play,
or you can stay in and watch Netflix all day.
Forget about that math,
you can do it after your bath.

The Next Day
Jade, what is this bad grade?
Well mum since I had a bath,
I ran out of time to do my math.
This is not okay.
No Netflix for you today.
Don’t worry mum i’ll get it done,
as soon as I finish my caramel bun.
Carlo C Gomez Dec 2021
She is a fallen woman
from the Holy Sea,
a broken sample
from the Fairlight,
dressed in whispers and vines.

The wretched wind
says many things to her:
"lament no more over
your emptied ******...
follow the glum west end sky
to the treasures of America."

Her intangible items
go first: two figurines,
two tin daughters
travelling with the wild dogs,
asleep in the backseat,
kept as contraband
until she pays with
coral, jade and pearls.

But ******'s
in her veins, telling her
the kids will keep,
as she slips beyond
the black rainbow
and into 'paradise'.
Nolan Davis Jan 2017
If it's easier for you to apologize,
Then get permission from the go.
Then you need to look inside yourself,
And see what's left to show.
Because you override your boundaries,
Entry is allowed from any source
Data corrupts your mind's processor
Nature's taken off of its course.

We should try to fix your sanity,
And hope it spreads into your heart.
Because masked beyond all the vanity,
Is the real place that we should start.
You jump like a dog who hears their name,
With fits of joys or absolute fears.
You can't differ voices when all sound the same.
So more often it's puddles of tears.

Let's talk about the loves in your life,
The catalyst for all these games.
I'd ask your heart, mind and genitals,
But they'd tell me three different names.
One is passion through intelligence,
One makes your heart just feel the best.
But one just gets you so turned on,
That you just say **** the rest.

And now you're looking in the mirror,
A broken soul worn down by jade.
You're memories reverse to childhood,
And then they begin to fade.
But the image that's left to reflect,
Is the image you've made your own,
The cracks in the mirror increase your shine,
To remind your soul you're never alone.
Nicole Corea May 2015
There's a tree that rest in middle of forest. 
A beautiful evergreen tree  
Just as shiny and precious as a Jade.
 May all the seasons change ,
Let it rain ,storm, snow, and shine.
 The beautiful evergreen tree still
Stands just as shiny as a full moon
on a midsummer night.
It's so astonishing to glare.
This rare Evergreen Tree .

A beautiful Blue Jay Bird
An striking blue bird colored like the ocean .
Fierce bird as the tormenting waves .
A bird call of heaven
 So sweet , adorable
    Migrating to post to post.
   The blue jay sway into
    The evergreen tree.
    It tweeted on its delicate branch.
A beautiful humming tune , sound of the heavens
  Slowly it cured the tiny imperfections
             that linger around the tree.

             An impeccable romance

             A beautiful bond establish.
               May the seasons change .
Thunderstorm, Snow, Hurricanes ,Tsunami 
The evergreen tree will glow sanely
Under the moonlight always waiting
for the Blue Jay to visit
To listen for the humming tune of a romance
Under the deep moonlight on a midsummer night

          **Blue Jay & Evergreen Tree
#love
Blue zoo hue true through due stew brew flue crew boo to you grew jew new ooh poo rue sue shoe

Pain stain bane rain cain feign sane train brain lane main inane grain

Gold bold sold mold scold cold doled fold foaled hold rolled

Feel seal real deal meal keel heal heel kneel wheel zeal steel steal peal peel

Melt felt belt dealt knelt pelt welt

Pent mint sent rent lent vent bent went dent gent glint spent tent rent

House louse blouse

Curt shirt

Bridge ridge

Pocket rocket socket walk it

Crank dank frank hank rank stank bank tank yank blank sank

Tout pout rout route lout bout clout doubt shout scout

Knoll shoal foal bowl coal dole mole whole hole roll soul toll pole

Bust rust dust crust lust fussed just must combust trust

Lewd dude sued rude crude booed aptitude mood food *******

Fort sort court report tort port quart consort contort retort cohort cavort snort

Maid raid jade laid paid ***** obeyed aid made weighed evade parade afraid glade

Ounce pounce trounce bounce

Porch torch scorch

Flounder rounder

Trace face race lace ace brace case pace waist waste

****** haunch paunch launch

Long song gong **** wrong strong tong belong

Fast mast past vast crass glass brass last aghast hast

Gulch mulch

Survive alive hive rive jive live strive

Twirl whorl curl hurl furl burl girl pearl rural whirl

Flaunt taunt haunt daunt vaunt

Hoot moot loot boot toot shoot cute jute root suit newt

Weep seep steep keep heap deep creep leap beep jeep reap

Hide side abide bride died guide lied glide bide vied wide ride tide slide

Serene ravine green gene careen obscene demean

Fin pin sin men tin wren Zen

Bought naught fought caught ought distraught drought

Meld weld held gelled knelled quelled emerald withheld

Left heft deft

Verve swerve curve

String thing bring sing king ping ring wing sting ding

Boon soon moon tune loon **** noon rune croon

Knave grave brave rave save wave crave pave
Combating poetic writers block
I was feeling aromatic flavor of beauty
But the cloud had covered the full moon
And the gloomy dim evening
put off its costumes

She cried and told, ‘I'm unhappy, '
But I was undone to write a program
To sprout gladness into her garden of mind

I can't enter, can't touch
can't wipe, can't absorb
Only what I can do is everything ensuing nothing
Can simply act all resulting nil!


Poem 16
Book 'Beckoning Jade-Dreams' April 2007
Copyright Musharrat Mahjabeen
Mizan Publishers, Dhaka, Bangladesh
ISBN 984-8700-82-X
Feels are but invisible pet
sleeping on the polished table
Sometimes they wake up silently
As the frequency of air changes.

When a bluish smell comes from 3bs:
bell, butterfly, and bonsai;
A song starts singing in the media player
without any pre-loaded program;
More and more events happen within a moment;
And a smile shakes the hand touches the soul
from a clear distance!

Entering into a light blue candy
I've found an off-white emotion lying on a divan
Spreading coffee-purple smile sweet and cute.

Person is a stuff of meat, bone, blood and water;
Should I believe no more things are there-
feelings of dream?


Poem 15
Book 'Beckoning Jade-Dreams' April 2007
Copyright Musharrat Mahjabeen
Mizan Publishers, Dhaka, Bangladesh
ISBN 984-8700-82-X
Sara L Russell Sep 2009
(March 2003)


Alas, ambitious girl, foregone of France,
Thy days are numbered now, through loss of power.
Though once thou led the king a merry dance,
His gaze will wander from a faded flower.

Women are cattle in the eyes of men,
Mere chattels; drear, embattled, scapegoat souls;
How utterly unthinkable, Boleyn,
For queens to rise above domestic goals.

Thy barren womb is witness to thy shame,
Its emptiness brings punishment anew;
The king grows ever scornful of thy name,
Look to thy prayers and dreams, however few.

Bereft of love, one girl branded as jade.
The flagstone cracks beneath the slashing blade.
Alexandria Hope Apr 2016
Rubies are dun, or red as blood,
Opals are blue, opaque, or fire
I know they burn through me,
7 opals in my favorite necklace,
14 in my favorite bracelet,
3 in my favorite earrings,
I encase myself in the flames, like they define me,
Like my birthstone is as much me as I am the earth,
And my own tainted pyre.
And I burn, burn, through all of the old photographs,
Sending them up to the goddess as ash-
Burn, burn, through old cigar boxes, through liquor bottles
And dried flowers and my father's shirts,
And my father's old camera,
And my father's old ideals for who I was to be,
Someone I will never become,
I tore through it all, razed the past to the ground,
And I blistered my fingers, I tore the love letters,
I put the stories written for me, into the ocean,
I sent my farewell postcards for them, upon the rocky shore,
I cried as I watched them torn and taken,
But nobody loves me anymore,
And I burn, burn, like the brightest of opals,
Green with envy like the jade my father stole
Red with rage like Gerry's birth stone and I
But I've made my choices, after all,
So I burn.
I sneezed on my new laptop so it's mine now.
Arjun Tyagi Nov 2015
Windswept dunes
Sprawled
Across the desert floor
The jade of the grass, rotten

Tylmarris's Temple
Lonesome, haunted
An abode of ancient magick
Abandoned but not forgotten.

A solitary shroud
Of ink black reflection
Silhouettes
The pale moonlit windows.

The air whispered
Of Sorcery
Bones and runes in patterns
Drawn from hidden doors.

Drawn across the aeons
When summoned
At times fruitful, at times treacherous
Devastating yet sublime.

The power of the spirits
Was not for all to tame
Less even to mock as
He was about to this time.

The warlock crouched
Over his beloved's corpse
A silent prayer to Tythryll
To return her whence he took her from.

Unanswered again
He mused in sorrow
Four hundred and twenty days in misery
He had now mourned.

A gnarled hand he rested
On her chest
Her skin peeling to reveal bones
Like pearls emerging from pink sand.

A withering smile still
She wore
In her final moments with him
When Death made its stand.

He spoke in Kuthanese
Her name in her tongue
Her true name.
Naírillia.

Daughter of Sand
Keeper of Terralyn's visions
Desert Witch
Touched by the God himself, as a Seer.

With clenched fists
Raised in a fashion
To receive the wrath of the Death God
He stood over the pentacle.

His betrothed beneath
Encumbered in a nexus
Of his safety
As he set to do the impossible.

Tythryll! He bellowed
In a voice born of rage
Despair
Of angst to have his love back.

Seven and seventy limbs
Broke free from the soil
Reaching skywards
In the earth, a giant crack.

Green auras of spirits
Distantly growled
as a mortal
Dared to raise a finger at their Master

He had provoked the very God
To answer to his call
Such was the grief
Of the bonecaster.

The Immortal then descended
Into mortal realm
Tythryll's brow aglow with fury
Of the underworld.

His headless horse neighing
A pirouette from his eternal saddle
To arrive before the temple gates
Hurling thunderbolts.

The warlock called upon
Eknarak, the mountain devourer
As his Ascendant foe
Locked eyeless sockets with him.

The mountain parted
A ridged back, the spirit's face
Colossal, faceted at every angle
Awoken from slumber deep.

The world sizzled
And blazed like some devious
Flash in the sky.
A battle not to be seen.

For innumerable heartbeats
They raged against another
Primal sorcery slowly
Straining the God.

More and more, the warlock
Let loose all spirits of the land
Till finally, a leg of two feet
Pinned the God down.

Wait! His eyes showed fear
For the first time since it's creation
What do you want?
What was wrongfully taken, he whispered.

Tythryll glanced toward
The petite corpse
Sneered.
This is what you fight for?

A hidden dam of helplessness
Broke as all his magic
Was released by the Warlock
To save her.

His body convulsed
Even as it split open midway
Revealing an empty shell
But filled with contempt.

At his command
The earth smiled
A deep chasm that glittered
Showing precious rocks and fire.

A horde of corpulent spirits
Rushed the God to the core.
As the warlock himself
Barely finished the spell whole.

The temple, the sand, the wind
All were ****** into
The cavity, lolling its hungry tongue
To consume all.

Three moons passed
Not a soul,
Would, across the plains,
Now dare to cross.

A change of seasons
Quelling of Earth's lust
Full with the power of a God
The chasm healed itself.

A hand from the soil raised
Clutching at air, nails biting
The black earth, its grip maintained.

Inevitably, an arm appeared.
The beginnings of a torso.
The torso of a being
Who was thought to be dead.

Naírillia, earthborn
She rises in the midst of where
Her love battled
Died.

Hair, as full as a Wickan Horse
Her strength to match an ox.
The ravished skin was no more
bones and soft marrow.

She tottered, stepped ahead
And slipped
Her face beside a ring
Engraved were some words
In her tongue.

I love you.
The day of your birth has now begun.
“I can believe things that are true
and things that aren't true
and I can believe things
where nobody knows
if they're true or not. 

I can believe in Santa Claus
and the Easter Bunny
and the Beatles
and Marilyn Monroe
and Elvis
and Mister Ed.
Listen -
I believe that people are perfectable,
that knowledge is infinite,
that the world is run
by secret banking cartels
and is visited by aliens
on a regular basis,
nice ones
that look like wrinkled lemurs
and bad ones who mutilate cattle
and want our water and our women. 

I believe that the future *****
and I believe that the future rocks
and I believe that one day
White Buffalo Woman is going to come back
and kick everyone's ***.
I believe that all men
are just overgrown boys
with deep problems communicating
and that the decline
in good *** in America
is coincident
with the decline in drive-in movie theaters
from state to state. 

I believe that all politicians
are unprincipled crooks
and I still believe that they are better
than the alternative.
I believe that California
is going to sink into the sea
when the big one comes,
while Florida
is going to dissolve into madness
and alligators
and toxic waste. 

I believe that antibacterial soap
is destroying our resistance to dirt and disease
so that one day
we'll all be wiped out by the common cold
like martians in War of the Worlds. 

I believe that the greatest poets of the last century
were Edith Sitwell and Don Marquis,
that jade is dried dragon *****,
and that thousands of years ago
in a former life
I was a one-armed Siberian shaman. 

I believe that mankind's destiny lies in the stars.
I believe that candy
really did taste better when I was a kid,
that it's aerodynamically impossible
for a bumble bee to fly,
that light is a wave and a particle,
that there's a cat in a box somewhere
who's alive and dead
at the same time
(although
if they don't ever open the box
to feed it
it'll eventually just be
two different kinds of dead),
and that there are stars in the universe
billions of years older
than the universe itself. 

I believe in a personal god
who cares about me
and worries
and oversees everything I do.
I believe in an impersonal god
who set the universe in motion
and went off to hang with her girlfriends
and doesn't even know
that I'm alive.
I believe in an empty and godless universe
of causal chaos,
background noise,
and sheer blind luck. 

I believe that anyone
who says *** is overrated
just hasn't done it properly.
I believe that anyone
who claims to know what's going on
will lie about the little things too. 

I believe in absolute honesty
and sensible social lies.
I believe in a woman's right to choose,
a baby's right to live,
that while all human life is sacred
there's nothing wrong with the death penalty
if you can trust the legal system
implicitly,
and that no one but a *****
would ever trust the legal system. 

I believe that life is a game,
that life is a cruel joke,
and that life is what happens
when you're alive
and that you might as well
lie back and enjoy it.”

She stopped,
out of breath.
Found poem. From American Gods by Neil Gaiman.
Araoluwa Jacob May 2018
Jade is very lucky man
a man people treat with value
a man people will **** for
A man people cherish
A man with everyhtig anyone could wish for,
A man of value, life, happiness.
A man people will do anything to get
Jade is a very unlucky man
A man with no life.
A man of no understanding of life
a simple stone
a man that has no experience of life
A proud man who just waits for people to fight for it
A man who indirectly kills
A man with no thoughts or imagination for he is treated like a god
Jade is created by humans, nourished by humans and destroyed by human
What an unlucky man jade is
However, jade has a very undemanding life
he does not have to obey any human being
it is not obliged to any human
free, easy and peaceful.
Jade is a man that is lucky
Jade is a man that is unlucky
Jade is a man with an undemanding life
because it has no breathe like that of a man
Mitchell Apr 2012
So the easiness of tradition
Picks out the ones
They want to run out on
And get to have some fun

Mr. T.S. Eliot said it
That to get it
Is simply
To be apart of it

Drenched by the rain
Of the forefathers and
Future one's
Being one step ahead
Of no one & everyone

Seeing that to be the first
Is to be the last

Much like the one's
Recalled
Only to have the truth
Twisted
Like Richard the III's knife or
Or like poor Ophelia's young mind

Now when I say that I don't see it
Doesn't mean that I don't feel it
I just know there have been many here before
And I don't want to take up their time to be a bore

Sometimes there are some things
They weren't able to do
And there sure as hell are some things
We do they'd see as downright crude

But who's in the grave
And who's up above?

Who only has one way to behave
And who can still watch the doves?

Their work
Is unable to
Stop inspiring

Burning in pages
And
Pages of time splintered
Wisdom

Where I
Can only flip
And slip
Into what they were
Searching for

And the strength
To get up and take
Another shot

Is making me question
What it is really there
And what is not

The turning jade
Lime green in this
South American sun

Makes me shake
The dust from my boot
And reach over for the ***

I hear those lapping waves
Like the angels dancing above

She sang like she'd already died once
A spell of sorrow ancient & tough

These traditions
These labeling of "truths"
These histories written from hands
Who all seemed as if they were guessing

Written by the victor
Forgotten is to be the loser
Observed by all who be neutral

If you start to
See the sunrise

Open your eyes

There are truths there
Worth more

Then any history book
Or
Prayer
Bows N' Arrows Jun 2015
I've made a new record I'll call Rita and
You can play it on a long day,
Swinging in la dolce vita.
Passport pictures and coins
In a cottage by the sea, in western Britannia, among
Colossal monolith-like ruins on jade mounds.
And I'll regard well the traces of murmurs
Echoing off the stones
In whistles and moans
Under a drizzle of rain.
I'll sleep by the wishing well speaking in tongues;
Dribbling words and phrases;
Shifting, till still, In silence.
I'll nurture my urge with the cosmos
Under a blacken'd trove
Outnumbered by trillions of freckled
Galaxies fairly distributed.
Jade Jan 2019
Inspired by Judy Blume,  inside Jokes with Liz and the poetry of Alissa Grams (https://alissagrams.wordpress.com/2017/03/06/an-open-letter-to-god-from-an-eighteen-year-old-girl/)

~

God,
it's me--
jade.

I must admit,
I've never read
Judy Blume
or the Bible,
for that matter
(I could never make it
past Genesis).

I am not well-versed
when it comes to scripture--
I am fluent in tragedy
and tragedy alone;
then again,
is there really any difference
between scripture and tragedy?

I was never one
to pay attention in church,
unless the hymns
were of a minor key,
the sermons imbued
with woe and melancholia.

Coincidentally,
as I write this,
it has only just occurred to me
that Lot's Wife
was never given a name
of her own--
it was destroyed with *****,
forgotten amongst the
flames and the ash.


God,
you were wrong
to punish her
the way you did.

Have you never felt the
sting of salt
against an open wound?

Have you never watched
as all the familiar intimacies
you once knew
dissolved to cinder?

(I know you have).

Do you not see that,
if home is where the heart is,
then the heart
must surely perish with it?

God,
has anyone ever broken your heart?

(I think you know heartbreak
as well as I do;
it is the very matter
of our existence).

So I guess my real question is
why?
(and, no, this time, it is not rhetorical).

Truly,
I'd like to know why
you would ever think
to hurt your people
the same way
the archangel hurt you.

You say I sin
against you,
but did you not
create me in your image?

(Like father,
like daughter,
I suppose).

god,
I do not think
I believe in you.

At least,
I do not believe in you
like I believe in other things.

I do not
believe in you
the way I believe in
the beauty of
Van Gogh's sunflowers
(his starry nights, too);
or in dog-earing the pages
of my favourite books.

I do not believe in you
the way I believe in magic;
or in the integrity of
polaroids photographs
and listening to vinyl.

I do not believe in you
the way I believed in my love
during the final moments
before his betrayal;
or in the lingering sensation
of my past lives--
Ophelia.
Mary Queen of Scots.
Frida Kahlo.
Sylvia Plath--
and now,
dare I feel it,
dare I say it--
Lot's Wife.

(With her,
I shall share a name).

I do not believe
you are my saviour
because I do not
believe in you
the way I believe
in Poetry.

god,
it's me--
Jade;
this poem is
my hallelujah,
but it does not
belong to you
(not anymore).
Don't be a stranger--check out my blog!

jadefbartlett.wixsite.come/tickledpurple

(P.S. Use a computer to ensure an optimal reading experience)

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