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n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"
DUOVERSE
RAJ NANDY Nov 2014
Friends, in the Introductory portion we have seen how Herodotus
gave birth to the subject of 'History'. Now I conclude this true story
by quoting a poem by the English poet Edgar O' Shaughnessy, which
is very appropriate for my Story! Please take your time to read, there is no hurry! Thanks, -Raj Nandy.

        HISTORIANS  AFTER  HERODOTUS
Herodotus became the trail blazer with his narration
of History,
Inspiring several Greek and Roman chroniclers as  
we subsequently get to see!
There was Thucydides, Livy, Sallust, Xenophon, and
Polybius,
Not forgetting chroniclers like Julius Caesar, Tacitus,
and the oft quoted Plutarch!
The Roman scholar Cicero had called Herodotus the
‘Father of History’;
But later the Greek historian Plutarch criticized him
for his many hearsay inaccuracies!
Even though Herodotus had cautioned his readers in
his Historical narrations, -
About those hearsay accounts and doubtful portions!
Greek historian Thucydides, who was a junior and a
contemporary of Herodotus,
For his accurate historical rendering of ‘The
Peloponnesian War’ between Athens and Sparta, -
Was praised by later scholars very much!

CYCLIC AND LINEAR PATTERNS OF HISTORY:
Herodotus believed in Nemesis and a repetitive
pattern of History.
While Thucydides with his strict investigation drew
a line between myth and reality!
Thucydides viewed history as a political struggle
based on the nature of man;
And felt that since human nature does not change
often, -
The past events would reoccur once again !
The Greeks believed in this cyclic notion of History,
Also developed a prose style to narrate their stories!
Unlike the Greeks, Roman History did not begin in an
oral Homeric tradition,
But they had a ready-made Greek model for their
historical narrations!
Roman historiography began after the Second Punic
War against Hannibal of Carthage,
When Quintus Flavius Pictor wrote Rome’s History
in Greek, instead of Latin!     (around 200BC)
Cato the Elder, was the first to write in Latin Rome’s
History,
While the Roman Livy born in Padua in 59 BC, was
praised for introducing a ‘milky richness’ of style  
for narrating these true stories !
From Julius Caesar’s accounts we learn about the
Gallic Wars and events of those ancient days;
But he Romans had used History for propaganda
and self-praise !
Also to make the conquered world to look up to them
with wonder and admiration;
For the Romans were creating History with their
conquests in a steady progression!

CYCLIC VIEW OF TIME AND HISTORY
Perhaps the cyclic view of Time has influenced the
cyclic concept of History to a great extent,
Since this cyclic view was held by many of those
Ancients !
Ancient doctrine of 'eternal return' like the seasons
of Summer, Autumn, Winter and Spring, existed
in old Egypt, and the Hindu religion;
Also with the Greek Pythagoreans and Stoic
conceptions;
As well as in the Mayans and the Aztec Civilizations!
In the East, cyclic theory of History as succession of
dynastic rule developed in China,
While the Vedic Hindus developed their theory of
Cycles of Yugas!    (epoch or era)
Writing of Indian History had commenced with
the Colonial British initially,
Who had criticized India for its lack of a sense of
History and Historiography!
The ancient Hindus were more concerned with
religious philosophy, and the essence of existence,
Rather than getting absorbed with historical details!
The Hindus divide cosmic time into cyclic eras of
Satya, Tretra, Dwapara, and Kali Yugas;
With each era covering many thousands of our
human eras!
These Yugas or Cyclic segments of time is said to
repeat itself in a cyclic motion, -
Which had perhaps mystified their early views
of a clear Historical perception.
However, later Indian historians have corrected
the earlier British interpretations, -
By dividing Indian History into Ancient, Medieval
and Modern Periods,
Replacing the earlier Hindu, Muslim, and British
Periods as Colonial segregation!
And also by correcting the British Aryan Invasion
Theory as Aryan Migration;
Based on more accurate historical research and
better perception!

CHRISTIAN AND LATER VIEWS OF HISTORY:
St. Augustine during the 4th century AD, systematized
the Christian view of History, -
As a struggle between the City of God and the City
of Man, where the City of God gains victory, -
Establishing peace and prosperity!
The Christian view is therefore Linear with a
positive beginning and an end;
A providential view from the Creation of Adam
till the Day of Last Judgment!

THE RENAISSANCE: (14TH - 17TH CENTURIES):
During this period the theological view gradually
begun to fade, giving rise to the Cyclic concept of
History,
As illustrated by the decline and fall of the mighty
Roman Empire, immortalized by Edward Gibbons
in his narrated story!
This cyclic view was also maintained by Oswald
Spengler, Nikolai Danilevsky, and Paul Kennedy,
during the 19th and the 20th Centuries.

AGE OF ENLIGHTENMENT : THE 18TH CENTURY
This period advocated the use of reason to obtain
objective truth, when human beings made all the
difference freed from superstition and bigotry;
Which led to favoring a Linear and a progressive
view of History.
Voltaire symbolizing the spirit of this age had
supported human wit and education, -
Since only enlightened people could give History
a positive direction !
For Karl Marx Feudalism was followed by Capitalism,
and Capitalism by Communism.
History of existing Society as the History of Class
Struggle - was Karl Marx’s new concept!
For social material forces drove History, and this
‘historical materialism’ as a revolutionary view, -
many later Scholars did accept!

SOME MODERN CONCEPTS ABOUT HISTORY
Now I share the views of three of our renowned
Historians; the German Oswald Spengler, the
British Arnold Toynbee, and the American
Carroll Quigley,
To provide you with three different concepts
of History.
Oswald Spengler (1880-1936):
Spengler’s reputation rests on his work titled
‘Decline of the West’, considered as a major
contribution to social theory;
Where he rejects the ‘Linear’ view in favor of
definite, observable, and unrelated cycles of
History!
Rejecting the Eurocentric view of History and its
Linear division into ‘Ancient-Medieval-Modern’
Eras,
Spengler recognizes eight ‘high cultures’ which
evolve as organism, following the cycles of
growth, development, and decline;
And his views astonished the Western mind!
These high cultures were the Babylonian,
Egyptian, Chinese, Indian, Mexican ( Mayan&
Aztec), Classical (Greece& Rome), Arabian,
and Western or Euro-American!
Cultures have a life span of about a thousand
years each,
So the Western Civilization too shall decline one
day, - Spengler did teach!

Arnold Toynbee (1889-1975):
Toynbee’s 12 volumes on ‘A Study of History’
covers a wider spectrum of 23 Civilizations,
Where he rejects Spengler’s cynical theory of
growth and decline of Western Nations!
“Civilization is a movement and not a condition,
a voyage not a harbor”, Arnold said;
Like human beings Civilizations were free to chart
their own course with the capacity to ‘consciously’
choose its destiny, he had felt!
Arnold moves on to formulate his Theory of
‘Challenge and Response’, since by responding to
such challenges Civilizations could move on !
These challenges could be social or environmental
he had said;
The Greeks responded to their growing population
by taking to the seas and maritime trade,
And also prospered as their overseas colonies had
begun to spread!
Toynbee’s Civilization start to decay when they lose
their moral fiber,
He perhaps over emphasized the religious and
cultural aspects, ignoring those economic factors!
But his views were certainly more popular than
the cynical Spengler!

Carroll Quigley (1910-1977):
Quigley’s scientific trained mind could not accept
either of the above views,
So he created a synthesis of Spengler and Toynbee,
while paying History its dues!
Quigley laid down seven stages for the evolution
of Civilization;
Commencing with Mixture, Gestation, Expansion,
Conflict, Universal Empire, Decay, and Invasion!
His Civilizations are neither groups nor individuals,
But each is a system which share some common
traits.
In Quigley’s model each system come into being
adapted to their environment;
But since environment always changes, Quigley
states with some relish, -
Systems which cannot adapt themselves, must
necessarily perish!

WE ARE ALL LIVING PARTICIPANTS IN THE
  LONG UNFOLDING HUMAN STORY!
“Know Thy Self” said Socrates, and the Delphic
Oracle had pronounced that he was wisest of
the Greeks!
To know ourselves truly we must know about
our past,
For this evolutionary process shall continue as
long as the Human species last!
Today we remain as a living monument to the
past,
We continue to make History as long as humans
on this planet shall last!
Our planet earth is around 4.5 billion years old;
While the first ****-erectus emerged around
two million years hence - we are told!
By walking ***** the two hands became free to
develop,
With flexible fingers and the rotating thumb;
Which was crucial for shaping the destiny of
the Human species on earth!
Our Civilization proper dates back to about
five thousand BC,
Thus an emerging pattern we can easily see!
With the development of human consciousness
we have learned to delve inwards, -
To discovered within a vast macro world!
Now, I would love to conclude this narration by
quoting from the English poet Arthur William
Edgar O’Shaughnessy’s book ‘Music and
Moonlight’;       (1874)
Do try to follow the philosophical content relevant
to the Cyclic History of Mankind!

“We are the music makers,
And we are the dreamers of dreams,
Wandering by lone sea-brakers,
And sitting by desolate streams;
World losers and world forsakers,
On whom the pale moon gleams;
Yet we are the movers and shakers
Of the world for ever, it seems.

With wonderful deathless ditties,
We build up the world’s great cities,
And out of a fabulous story
We fashion an empire’s glory.
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And there with a new song’s measure
Can trample an empire down.

We, in the ages lying
In the buried past of the earth,
Built Nineveh with our sighing,
And Babel itself with our mirth;
And overthrew them with prophesying
To the old of the new world’s worth;
For Each Age Is a Dream That’s Dying,
Or One That Is Coming To Birth.”

Thanks my readers and poet friends,
Sincerely hope you will now appreciate
History better, and love its contents!
**ALL COPYRIGHTS ARE WITH THE AUTHOR
RAJ NANDY OF NEW DELHI
Friends, those who have read part one will find the concluding portion in this narration of mine, which I tried my best to simplify! Mentioned the two basic views of History, the Linear & the Cyclic views in my narrated Story! Hope you liked the poem quoted at the end by me ! Thanks, -Raj
Is it really this hard
to find people I can go back and forth in discussion with
about Buddhist and Hindu theology compared and contrasted against Christian and Yoruba

I want to scream and shout and dance with somebody over Janet Jackson's new album
and at the same time
feel the heat and talk with somebody about how extremely sad and depressing
but oh so good Giovanni's Room was

I want to be able to speak with somebody whom can quote Malcolm X and Kafka in the same breath

Somebody who could see the logic of Pac and Immortal Technique on the same piece
with the Budos Band or Mulatu on the back track

I want to know people whom know
just exactly who
Suki Lee and Bayard Rustin are

can we talk about Jacob Kinohoor's ***
at least for a moment
then get into some B.B. King or Johnny Cash

have you seen Dune
the one from the eighties
James McAvoy shirtless
as well as John Goodman’s acting
were only good things about the other
if you read it
even better

what about the ***** that sat by the door
Or
killer clowns from outer space

let's be shady and point out all the inaccuracies on the history and discovery and channels
praying for that day
that's not in February
They show Shaka Zulu in full
without commercial interruption

Or maybe a documentary about native American people
with actual native actors
that do not depict them all as either
plains people
Or Inuit
Cause you already know
not everybody is Eskimo

then let's put on our own private production of legally blonde
followed by encore presentations of the classic scene
Of Miss Celie and miss Ofelia going in over Harpo

can I discuss with you
how the Patriot act nullifies everything in constitution
And the bill of rights
even though they never were intended to be permanent any way

It would be nice to not have to explain a Corporatocracy

all my life Ive been into Egyptology
You do know that Imhotep was the actual founder of medicine
by a good 2000 years
not that Hippocrat

the thing is
I'm still learning

when attempt to delve that deeply into people
which I don't even consider that deep
They often misunderstand
They often concluded without thinking

maybe
just maybe

©Christopher F. Brown 2015
What is it, Oh what is it that plagues my mind

Which rests its design in black melancholy

And perpetual lament

Producing desperate and unreasonable frustrations

And condemnations of grotesque obligations

Investing a relentless barbarism of lamentation

In that moment of the infinite pulse of inaccuracies

That raises from the grave of oblivion illicit ambitions

And by their presence embalms me with an ambiguous curse

That compels no rivalry or universal justification
drumhound Oct 2013
(regarding the death of my son)

I fear very little
but the one thing I DO fear
is forgetting the sound of his voice.  

It was 70 year-old husky
by the age of 14.
The manifestation was a quartet bass
tucked neatly in the body
of a fray-headed sparrow.
If you closed your eyes
the lumberjack you imagined
would be tickled to see
the tiny powder keg
that actually stood before you.
Inside the resonance was a warm huckster laugh,
half good ole boy,
half saint,
half comforter.
He was fifty percent more real
than anyone I knew.
On the good days his chuckling possessed him
to the point of breathlessness.
His joy-tears are the Rembrandts of our memories
never to be tarnished by any pity demons.
But on the bad days his laughter trailed away
into a pugilistic cough.
It's the one thing I fear I will always remember.
Yet when he spoke the sincerity was so ominous
that any inaccuracies seemed irrelevant.
Love was the spine of his vocabulary.
There were no meaningless words.
Regardless of the lettering
they all had the root meaning
of clemency.
He spouted new beginnings
and hope
regardless of past mistakes of failures.  

I fear very little
but I fear I will forget the sound of his voice
for I fear that I have already forgotten my own.  

Today it speaks only of him being gone.
Reliquishing are the days
that were full of him.  
I submit to songs that were his
and find myself tethered to unmerited heaviness.
No matter how loud I scream
the present rains on me
and my voice is lost
in the sickness of the storm.
I cannot turn it off.
I press my radio presets
to chase away the Rascal Flatt residue in my head
and land on a Christian station.
**** it.
The only thing he loved more than Rascal Flatts
was Jesus.
Me too. But not today.
I just want to stop crying.  

It's the magician's multi-colored scarves
tied corner to corner
in a endless tug of futility and frustration.
The more I want the prank to stop
the more irritating the infinite parade of colors becomes.
I pull again and again hoping the next scarf,
the next involuntary sorrow,
will be the last one.
I open my mouth in concious agenda
to change directions
and speak of the blessings I have
in my other children
only to find his name tied to the last name
which was his as well
just in another color.
I cannot stop speaking of him
no matter how hard I try.
And I wonder if my kids know
that I know
they're suffering in his shadow
and I can't fix it.  

I fear very little
but I fear I will forget the sound of his voice
as I am forgetting mine
and terrified that I may be muting theirs as well.
Jon Shierling Oct 2014
Rush Transcript. May include inaccuracies.

Andrea Marsino: We're here today with "     " to talk about his recent best-seller, The Orchestra, which has swept bookshelves across the nation in recent weeks. A stunning display of literary craftsmanship, the book has generated a whirlwind of dialogue in all sorts of settings, from University coffee shops to local dive bars, and even, we're told, in the Pentagon. Tell us "     ", did you have any expectation at all of this kind of reaction?

"     ": Never in a million years would I have thought that I could stir up such a...a hornet's nest really. Sure it's a kind of inflammatory piece of fiction, but I never thought it'd result in so much backlash.

Andrea: Talk about unintended consequences right? How did the idea first come to you?

"         ": Well it didn't just pop into my head fully formed one day. I guess it first started to take shape at a bus station in Florida. I had just been kicked out of my Dad's house and was moving to another part of the state, so naturally I was a bit, I don't know, out of sorts. I was waiting for the connecting bus and was smoking a cigarette to **** the time and just sort've fell into conversation with this black kid who was also waiting for a connection. This was in I think May of 2013, so the situation really hadn't started to fall part yet, but the cracks were definitely showing. And that's what we were talking about, just the overall sense of things not going well, the feelings of helplessness that we as individuals, and seemingly the community as a whole, were feeling at the time. I told him that it'd get better one day, somehow and that change always is a painful process. Then the light came on and I started pondering how that sweeping societal change might be accomplished.

Andrea: There are a lot of themes in the book, a lot of subtext and implied conclusions. You've been criticized for what seems like hostility to faith and some say advocating violent political activism. What are your responses to some of the accusations that have been leveled against you?

"         ": Hostility to faith? Absolutely not. Faith is one of the overriding points of the whole thing. The objection is to organized and subverted religious teachings. Faith exists to aid humanity in the struggle of their lives and I feel like....if you examine history faith has time and again been co-opted into a tool of oppression. That's what I object to. As for advocating ****** revolution, that's another flat out misinterpretation. Yes, politics is a huge part of the story and plays a huge part in really tying the whole thing together. But it's not really about that, it's not about any single issue. It's about people, as a whole, taking back their right to not be dehumanized by anything or anyone, especially their government which is supposed to protect them.

Andrea: I see. So it's not so much about the mechanisms of power politics as it is about people's inherent value?

"        ": Absolutely. Our conception of what power really is I think is grossly inaccurate.

Andrea: But surely you can understand how your depiction of terrorist acts and a domestic insurgency is very disturbing to some people? You were a Soldier yes? Did this affect your style, and the arc of the plot?

"         ": Of course I can. And it's meant to be disturbing, it's meant to illustrate how positive forces of change can be corrupted into violence. And yes, I was an Intelligence Analyst in the Army. We were fighting an insurgency, so in order to learn how, we basically deconstructed insurgencies throughout history. We learned how they functioned, all the sides you could throw at it. And then I learned from two Defense Intelligence Agency Instructors how to start one too. Those experiences most definitely gave me the technical knowledge I needed to write something like this.

Andrea: There's also been a lot of talk about how graphic your imagery is. Many prominent individuals call it a lack of talent on your part, that you can't write without going in for the shock factor so to speak.

"        " : Ha! It's not a children's book. And besides, life is graphic. You can't portray something accurately without tackling the nasty stuff. Besides, things like ****** assault and drug use are essential to some of the characters. It wouldn't make any sense for someone to react as violently as they did in certain scenes without the reader knowing exactly what had occurred previously to form that character's identity.

Andrea: I can understand that. Doesn't make it any easier to think about though.

"       ": I don't know what to tell you. The truth is a painful thing sometimes, and portraying it was not exactly a fun process.

Andrea: And what about those very colorful characters? How did you get your inspiration for them?

"          ": Oh all sorts of places. Honestly, some are based on real individuals that I've known at some point or another. And others are pure imagination. Ta'ra and Clara were inspired by a Dane Jones ***** for instance ha ha.

Andrea: 'Blushing' That's, er, interesting. Characters from ******* is one I haven't heard before. Anyway, throughout the book is this sense of individuals being swept into something bigger than themselves and how they react to that. It's kind of ambiguous sometimes, swinging between very New Age concepts to mundane life on the same page. The quote at the beginning for instance. Very spiritual, very deep. But then you open with an interaction on a street corner.

"          ": Hmm, I guess I could try and explain about things like Theosis, which is one of the main themes by the way, but I don't think it would illustrate what I was trying to convey very well. I guess I was always kinda on the fence about divine intervention and that sort of thing until I read a piece by a friend of mine about an experience she had some years ago. Basically, she was in a diner when a Muslim woman came over and asked to sit and talk. They spoke about spirituality and the woman turned to her and said that anyone could be a prophet, like it wasn't something reserved for saints and such. It was very powerful and finally convinced me that humans aren't just ants on an anthill, so to speak. It spoke to a very, very intimate part of me. So, I took it and incorporated it into what I do. Which is write.

Andrea: Wow, that's an amazing explanation that I really didn't expect. I'd love to talk some more and I'm sure our listeners would love to hear more, but unfortunately that's all the time we have for the show today. "     " thank you so much for joining us today and sharing so many insights about your new book, The Orchestra.

"           ": The pleasure was all mine Andrea, thank you for having me.

Andrea**: This is Andrea Marsino with NPR and thanks for listening. Coming up in the next half hour we have Peggy Walker from Floyd Virginia talking about some of the exciting ways her community is fighting to keep their traditions alive today.
Sound like something y'all would like to read?
a music box of magic words
of circuses, gruesome murders and monsters
a mad logic of connected disconnected things
held together by the drifting mists of dreams
first air and rainbows
destroying pious falsities, telling new tales
of many things to come, flying above the crowd
showing the blinding white distance ahead
of the two ice capped poles
past he various categories
like old people who die when the weather turns
yet there is a desire to summon and expect disaster
you've seen the show, blinding like the sun on water
matched only by the patience
of the floating fall of a ladies silk stocking
a music box that looks immensely vindicated
and in those precious seconds, these busy seconds
that mumble and murmur to themselves
of divine and temporal forces
tastes the whiff of immorality
that possesses that special skin
that cruelty of countless acquisitions
of alchemy especially its capacity to coach sorrow
to teach it to touch the regurgitated
inaccuracies of indentured truth
ah! the music box who returns the echoing roar
of answerless answers with questionable questions
yet inoculated and protected by the vast pleasures
that somehow conceal themselves within the music box
in its rhythms and its clock-work metal innards
cancel out any pain and the half closed eyes that stop the heart
shatter the sky
shower with an avalanche of magnetic attraction
the magic music box, the magic music box
Pandora's magic music box
Poetic T May 2016
Hatred in a misinterpretation of what
people think I linger in. I have no aversion
to this thought process, I just choose what
I know is true.

That understanding of facts where those who
delve to regurgitate inconsistences upon myself.
Why do you wish to ascend your misgivings on
me when like a viper all that is bitten upon is untruths.

Repugnance on a belief where I have non, free thought
facts and realistic virtues are what my life is based upon.
But you spite me as I am not held back I reject your
inaccuracies that have taken over a cognitive thought.

Deities are like clothes so many have been and then
like fickle thought, kicked to the curb for the
newest trendiest misgivings of whom to blame for
what we have subdued on ourselves no other to blame.

*"I have objections to inaccurate speculation
where truth just doesn't seem to connect on thought,
Nat Lipstadt Oct 2014
dreams in colors that don't exist,
and 'mares re dear sir, deadlines missed,
wrestle~arrest poet,
instant awake
in the wee time,
pouring liquidity,
fluids and words,
puddling, stinking,
coming,
from the
always dangerous,
always interesting temple inner inside,
sanctimonious no more sanctum

this particular sleep,
shortened, irretrievable,
bookmarked "closed,"
chapters,
hours too soon,
this rest business,
arrested
filed in an ugly
grey metal file cabinet,
in an unfinished manila prison
with your other unimportant poems

the dark room universe
populated by
hints, shadows, voices,
waiting, welcoming,
mirrors on the walls
unified in one voice
deep, obtuse,
demanding recognition
"hither hither come"

forced march
to a visitation,
to the the parition,
of your reflection,
clearest ever seen,
in the black pitch,
uncovered by guise, feathers
the clothes of normative pretenses,
the man-made borderlines of
preservation falsehoods

seen your own semblance,
parts rearranged,
uncanny,
the mirrors are screaming:
shameful lovely,
this, our artistry,
your apparition,
now accurate,
reflecting your under-
lying
condition,
at last,
an accurate portrayal,
of your inaccuracies

do you find yourself attractive?
this new balance,
the unregulated pieces
of you
before your dissembling,
discerning,
dissecting eyes?

feeling the valence,
an introduction,
a physical magnetism
any attraction
any resemblance
to the semblance
that writes
this s.o.s.?

answer us thus,
do you up
and like yourself
unvarnished,
grunge, swag,
truth  trammeled,
don't you want to kiss yourself
goodbye,
or better yet,
fare thee hell?

go ahead,
ask yourself now,
that one question
that prevents conception,
from your inception,
what is it that
makes you exceptional?

don't you realize,
everything about you
ends in a question mark?

how dare you write poetry?
you are the false poet,
you live on the division
tween artifice and self-deception,
this, your only precept,
and now that you are
clarified,
answer this,
knowing you know
nothing
but artifice,

**how dare you write poetry?
valence - the capacity of one person or thing to react with or affect another in some special way, as by attraction or the facilitation of a function or activity.

semblance - an assumed or unreal appearance; show; the slightest appearance or trace; likeness, image, or copy; a spectral appearance; apparition.

10-22-14
raw with love Oct 2014
Hello, my dearest, my loveliest.
I haven't met you just yet - at least not physically, even though I have seen you many times in my future. In fact, I think I'm in love with you already, and it will be really awkward when I meet you, because when I finally do, I will know, in my very heart of hearts that it is YOU. I will remember what I've already seen, and it will feel right to touch you, to look at you. Just hearing your laughter will make me whole. And I will know it's you.
You will know exactly what kind of coffee I want from Starbucks - you won't forget that I prefer soy milk, you'll know exactly how much sugar (brown!) I take, you'll know what name I want written on the cup - and I won't have to tell you. You won't just let me wear your clothes - you'll hide mine, so that I have no other choice but put your shirt on. You'll know how I like my tea - because that's how you like it too. You'll make waffles for breakfast, and I will frown at you for trying to make me fat, and you'll stuff my mouth with waffles to shut me up. When our little flat needs cleaning, you'll turn the volume up, and sing Queen's I want to break free as you vacuum and I wipe the dust. We'll take turns pushing each other in the cart until they throw us out of the supermarket. You'll order pizza (vegetarian, even though you're not one) and download the new Doctor Who episode when I work late, and come home tired and starved. You'll scold me for smoking and for drinking too much coffee, but will secretly make sure there's always instant coffee in the cupboard and a blanket on the balcony for my midnight smokes. You'll kiss my forehead and make me soup and take my textbooks away when I'm overdoing it. You'll teach me how to eat Chinese with chopsticks and you'll order foreign cuisine and eat from the takeaway boxes when you know we're both too lazy to do the dishes. And when we do do the dishes, we'll end up wet and covered in foam every time, because at the end of the day, we're both three-year-olds. You'll fall asleep on my belly as I read The Lord of the Rings aloud to you, and you'll have Harry Potter marathons with me when my exams are over. You'll always beat me at video games and try to spoil me the new comic book issue I haven't had time to read yet, and every time I'm cross with you, you'll start humming The Rains of Castamere, and you'll hang Targaryen banners on our walls when you're trying to please me. And when we feel like it, we'll have karaoke nights, and even though we both can't sing, we'll scream at the top of our lungs until the neighbours come knocking at the door. We'll go travelling and you'll always let me drive, and you'll never get tired of taking pictures of and with me. When the time comes, you'll propose with the One ring, like I've always wanted to. Even my parents will like you, surprisingly. We'll have our catchphrase and our inside jokes, and we'll understand each other with a mere look. You'll like what I write, but will always give me reasons why you like it, so that I always know you're not being biased. You'll find faults, too, and will let me know, and that's how I'll know it's you. We will watch singalong versions of Camp Rock and High School Musical, and sing along we will. And we'll tickle each other breathless, and we'll have surprise pillow fights. We'll always spend Christmas alone, eating takeaway and drinking hot chocolate and we'll have Weasley-style Christmas sweaters. We'll have a Doctor Who themed wedding, like we've both always wanted to. You won't mind me rumbling random unrelated history facts and ranting about biological inaccuracies in books and movies, and you'll join me in my social justice rants.We'll **** wherever - on the floor, on the table, on the couch, in the bathroom, sometimes even on the bed. You'll always take the blanket, and I'll hate it. You'll hate my eggplant lasagna and the way I always kick my shoes off. I'll hate your annoying habit of never ******* the toothpaste top, and always leaving the lights on. But those are things we can live with.
I don't know how you look or what your talent is, or how old your are, or how big your family is. I don't know where you grew up, I don't know you yet, I don't know anything about you. But I know I'll love you to bits, and so will you, and I can't wait to meet you, my loveliest.
Yours always.
David Barr Dec 2013
Recollected memory is subject to a host of ancient inaccuracies, where psychoactive crises are currently attributed to ghosts of a distant netherworld.
Have you ever wrapped your hands around the power of a train as it meanders down the tracks of contemplation into the distance of realisation? How loud is the scream of the butterfly?
I fully appreciate that there is a difference between visual and auditory senses, even though one may see with their ears and hear with their eyes.
Can you taste the classical mantras of sanskritic language where vedic chants find solace in the bridge of the sitar?
How phenomenological! I can feel your trembling pulse, my antiquarian partner of contemporary lusts.
Barton D Smock Dec 2015
knowing
I will soon
go soft
on spiders
my mother
crushes
an egg
to keep it
she says
from choking (father

he brains the head of what god could not squeeze into (brother

invents
a dead
sister
and with her
laments
the loss
of the throwing
arm

that now
predicts
the rain
INSTRUCTIONS.

- Answer all questions. If you do not, please state why not. Failure to answer all questions will result in a fine of several thousand pounds (or whichever currency is used in your country), a pack of mints or a bottle of cider.
- Use black ink or black ball point pen or a purple crayon.
- You must not use a dictionary, unless the word ‘dictionary’ is spelt wrong on the cover.
- The maximum mark for this paper is 2,018.
- You are reminded of the need for good English (or whichever language you speak) and clear presentation in your answers. Illegible answers will result in a mark of minus 2,018.
- You are advised to spend between thirty minutes and no more than a period of eighty years on this questionnaire.
- Do not confer with anybody else in the room. If you find this difficult, move to an empty room or do not complete this questionnaire.

1. Can you do without your phone for twenty-four hours? Explain if you can or cannot, giving the make of your phone alongside the name of the last person you texted.

2. Is reality TV more important than politics? If so, name the last such television show you watched, its running time and the station it is on, as well as the name of your country’s leader at the time of your birth.

3. Does social media make you feel worse, not better? If not, please post a status on Facebook alongside an emoji of your choosing, explaining what you think of this questionnaire so far.

4. How many children do you have by twenty-five? If you have none, please state the number of times you have been asked if you have children yet.

5. Do you know the father/mother of each one? If you have no children yet, please skip this question.

6. Can you point out the nearest city to you on a map? If you can, well done and please move on. If not, please find the nearest atlas and leave a black dot on the bottom corner of the page that you believe shows the nearest city to your home.

7. Can you remember a time before Snapchat? If you can, explain in detail what it was like. Take care with punctuation, sentence structure, and grammar. Inaccuracies will be penalised.

8. What is love, really, to you? If you struggle with this question, please come back to it within two decades of the present time.

9. When was the last time you read a book and enjoyed it? Please note that a blog is not considered literature and you may be penalised if you choose to name one.

10. When was the last time you wrote a letter? If you are unsure, please see the attachment to this questionnaire which gives you a step-by-step guide to completing one.

11. Do you speak to people in person anymore? If you do not, please leave the room you are in and come back before the end of the day, explaining how your conversation or conversations went.

12. Do your parents know how you actually feel? Please bear in mind that, as your parents, they ought to know.

13. School’s not as bad as the real world, is it? If you are unaware of what the real world is like, you are advised to find out. If you have some knowledge of the real world, please elucidate on what the real world actually means.

14. Fishing for Instagram likes is a waste of time, don’t you agree? If you so wish, please write your social media links below, alongside the date you posted your most liked image and how many comments it received.

15. Why are you so obsessed with your looks? If necessary, please use the mirror and beauty magazines provided to produce a more accurate response. It is recommended you name your favourite Victoria’s Secret model.

16. Will you listen to a Kardashian more than your best friend? If you answer yes, please name the Kardashian you most admire and why your best friend is not as impressive.

17. Would you be able to cope on your own? To answer this effectively, ask everybody else in the room to leave for at least seven days.

18. Are you sure you know how to use a semi-colon? You should be aware a semi-colon is not to be confused with a colon.

19. Is Twitter being down the worst thing that could happen? If Twitter is down as you come to this question, please wait until it is working again before you answer.

20. Since when has fitting in been the best thing to do? Alternatively, write down your drug of choice alongside your favourite alternative-rock band active from 1992-1996.

21. Why are please and thank you now a goodbye and a gun? You are invited to search every student’s bag if you have concerns.

22. Is a cartoon character the president yet? If not, state which cartoon character would be best for the job.

23. Do you know you can’t avoid growing up? Please glue a current photograph of yourself alongside an image of yourself aged sixty in the space below.

24. Isn’t most of what you read a pack of lies? If you believe this questionnaire to be full of lies, you can scrunch it up into a ball and recycle it as soon as you’ve finished.

25. Whatever happened to that best friend of yours? The best way to answer is to find them.

26. How many people have you slept with in the past year? If necessary, use the calculator provided. If zero, please make sure that this is correct.

27. Can you remember their names? Take care with spelling, and be sure to mention their birthdate and father’s occupation.

28. Is it really depression or just what you want to call it? Please search Wikipedia for another suitable term if you stumble over this question.

29. When was the last positive news story? Tune in to your local or national news station and wait for such a story before answering.

30. How are you managing without your phone? If you are using it now, please state the number of apps you have downloaded and the current battery percentage.

31. How did you find this questionnaire? Please rate your experience on a scale of one to three hundred and fourteen, or if you prefer, on a scale of black to white, apple to orange, or Mr. Potato Head to Daenerys Targaryen.

Upon completion, unless you have choose to destroy your questionnaire (see question twenty-four), please seal your responses alongside these papers into a large envelope addressed to yourself, and post it first class by no later than nine o’clock tomorrow morning.
Written: June 2018.
Explanation: Is this a poem? I'm not sure, but I enjoyed writing it. The 'instructions' are very loosely based on those seen on the front covers of various British examination papers for teenagers. All references to social media, names (such as 'Wikipedia' and 'Kardashian') should need no explanation to readers, though to avoid confusion, 'Victoria's Secret' is a design company noted for its lingerie and various models, while 'Daenerys Targaryen' is a character portrayed by Emilia Clarke in the television series Game of Thrones.
M Clement Feb 2014
While there's no ink on any paper,
No clicking of keys to satisfy
the hunger of a page
My mind holds the ink and the clacking
Typing up inaccuracies
Drawing conclusions

Writing a fearful poem
Drenched in black ink and woe.
It's been a while since I've written a thing. I started dating, and it's been so different than the past, but it also brings a great deal of worry on my part. This poem is a reflection of that worry, and my lack of writing.
neth jones Sep 17
.
and your mug shot's shining through
it's a vision true   (but the subject's taboo)
              all             ugly               here
morning sunshine    breakfast table    autumn cool
you're poised to speak   a fly lands on your lolling spoon    
then   i stand up merry                                      
i make my vital move      the table backs away  distressed
your eyes raise
   i flop open my faminous mouth   and let the fumes draw in
Surprise !
(no time for you to hold surplus breath -                             
- form an expression - make any objection)
              mechanism disjoints    like the raw riches
i whip the plumb weight of my head   and strike
mouth-chomp-grip   over your scalp
and i am working you in
with swift jaw shifts and hingery

i **** on you with a smile and gullet                                      
  (past photos of you   shuffle glaucous before my inner eye)
yap sock muscle   i operate   gumming on your head
(ours was the world ; we got so lazy)
budging in your hair   dampened by my saliva
(our timid first meeting at a bar)
and airway and my teeth softly folding back
(us in bed-us in bed-us-in-bed)
                                   and whole hog jaw agog
(the tourist we made as a couple)
i dilate and distend  crouch low to take your weight
(the rise and falter of your sleeping chest)
upend  your hands panic typing in the air        
(the eyes of your investment in me)
your feet flinging the heft back and forth   
    your shoulders break in and forward folding
my chest cracks and wells                            
(gifts we gave that touched heart and others that fell short)
a complete engulfing meal of you                
(your childhood antidotes and teenage feelings we discussed)
down my soft disposal                                  
   (all my memories of us in a fizz                                      
                         and all the inaccuracies)

...and then i head off to hibernation    
      ferrying an idea that ' i have you now '
           that   perhaps you were my enemy            
                                              a­ll this time
and i am digesting the beast
                      (what a feast !)
Megitta Ignacia Jul 2019
When the car door shut & lock clicked on
I step on the gas, home is the destination
Fingers hanging around the streering wheels
I am the prodigal daughter sending mom to her workplace
Solitude is greatest gift, riding solo in my black four wheels
Radio playing but silences gulping
Every turns, every slam on the break
How mesmerizing the way muscle memory takes over

Bandung,
Here we go again, my dearest hometown
Glorified as romance blooming town
Humble city where poor, rich, & in between live side-by-side
Some landmarks greet me like old friends
While much has changed, much remains the same
Blury lights surrounded by the dark sky
Everything is achingly familiar

Nostalgia decided to popped up in the middle of this crowded road
Stillness of traffic, is so relaxing yet emotions tighten my throat
The friction between my skin & the seat belt that pinned me feels real
My memory banks wanders, hunting for some scenarios I buried down deep
My falling out with you

The red lights of the traffic light feels like forever
My fingertips left a steam circle on cold the window pane
Honey, were you sweet on the surface, like javanese giving false compliments just to be polite?
Did you really loved me when you gave me those goodnight kisses?
Were all of these time 'we are' only a forced kinship?
Do you ever regret leaving me for your ego?
Do you remember me?
Do you ever wanted to contact me?
Was my presence not significant enough in your life?
Was the distance washed away all the connection we grew over the years ?
Our "seperate lives" is not to blame. I never found proof, you play innocence all the time
I shrinked, I feel small, hurt, guilty

Switching gears, speeding up, exploring familiar neigboorhood
Heart feels heavy, moral compass kicked in
Wish I could ran away from my gross inaccuracies assumptions
Eyes sting, teardrop slipping
Eyes on the road, won't even blink

I asked myself for the millionth time, if it's really worth the grief
I'm fine, nothing to lose
I got a way much better person that love me now, so why you still haunts me
Accepting, the universe is filtering you out of my life for a good cause
When we're both good enough our path may cross again
I'm still adjusting, please understand
Nope, I don't want you back, at all
You disgust me, it's Bandung that fed me up with this nostalgic spiral

I'm leaving
While much has changed, much remains the same.
180719 | malam, Bandung, besok nikahnya mede mas tmon, hari ini udah setelah anter-anter baru berasa sendirinya. Setiap tempat, setiap jalan, segala rasanya reminds me of **** doesn't need to be mentioned. Kirain udah menang dari pikirian2 cloudy ini, taunya muncul lagi, malah diperparah sm berbagai asumsi buruk yg dimasukin sm c ttg alasan utama. Tapi gpp, perjalanan tetep perjalanan. Hati riang karena ada yg peluk dari jauh setiap saat. Ini hanya serupa tumpahan perasaan.
cocaineclouds Jan 2014
I’ve never known a god,
I don’t even know if god is real.
Church choirs sing the hymns,
Pastors preach the bible,
But there’s so many of them.
Written.
Rewritten.
It’s like the game, Telephone,
We played when we
Were little kids.
The teacher would whisper
A sentence into whoever’s
Ear was to her left or right,
And around the circle it would go,
Reaching whoever was last.
Then they would spew out
The wrong sentence like a geyser
That held words rather than water,
And we’d all laugh because we
Know that it isn’t right.
The teacher would
Tell us what she said,
Then we’d all be upset.
That’s not what I heard.
We’d all think.
And just like Telephone,
All those rewritten
Bibles must’ve gotten
Something wrong
Along the way.
So why am I supposed
To believe
Historical inaccuracies
About a man that
Is allegedly omniscient,
Supposedly righteous,
And theoretically loving of all?
Right now though,
With your hand on my face,
I can see now why people
Hope for a heaven
And a god
And just someone to believe in
Because I can feel
All those things running through
Your fingertips.
Miss Masque Jun 2011
Wild poets stylizing
beating the drum that must be heard:
Call from the depths that ancient heart beat,
Fill that genie ***: a word.

Snaking, Smoking, Slithering,
abundant with passionate lashing,
Tongue in cheek, match the beat,
Feed our hungry hatchling.

Unnerved by the dogged inaccuracies
Plagued by the sources that know,
Round about they seek the truth:
No further they must go.

To create a straight and narrow path
Out of the circle you must come,
Raised a glass anew,
Darkness must be overcome.

Nay, Nay, Nay, Nay
Faith is naught with you,
Belief comes from a higher power,
It is not your job to rescue:
For I am not lost.

On the hill where our *father lies,
Under a breadth of dew,
he lays there and he testifies
that he saw the King of the Jews.

Find the beat again,
Is it there, Charlie?
Do you hear it in your soul?
Rattling the cages of time,
you seem so very controlled
and you still have
a very long way to climb.
*Father- In reference to our Biblical human father, our first ancestor, Adam. The hill is in reference to Golgotha, which roughly means "Hill of Skulls". It is strongly believed that the head of Adam was buried at this site, where Jesus Christ himself was later crucified.
White lies
Morsels of truth, embedded in
the main course of inaccuracies
preying on rights
driving on what isn't being told

Injustices
made to be light,
weightless
an insufficient souffle
holding no matter
but that's all a
matter of opinion
turning everything else
"the black truth"

Dinner table full of corrupt politics
But,
I'm not hungry
Maja S Dec 2017
Bathe in gray areas and be happy
Sleep in the house of the academic
Eat in the house of the fool
Inhale the inaccuracies
Let them reach your lungs
Exhale the accuracies
And dream of your truth
The uniVerse Feb 2016
The Behemoth of my brain
remains
to this day never slain
a constant drain
on my mental faculties
my mind is full of insecurities
my speech slurred with inaccuracies
but tactically I meander through the minefield
my wit my only weapon
without shield or protection
for the beast that lies dormant
waiting to escape
the cage of my subconscious
so I remain cautious
exhausted
from the constant battle
the haunting rattle of chains
that reverberate through my brain
like an oncoming train
but my feet are fixed to the tracks
no time to relax
gotta face facts
it's me or the beast
now released
let the fear begin
which starts within
a tiny seed that grows
with every thought or deed
its only chance to succeed
just you and me
a fight to the death
you steal my heart and my breath
what have I left?
one thought to survive
the reflex dive
as I submerge in water
I just caught yer
before you could commit your crime
I guess....
at least till next time.
Originally Written:
10/01/2014
Justin Cochran Nov 2014
What is the evolutionary benefit
of loneliness?
How does a
Darwinian thinker rationalize the
disconnect between intro- and
extroversion?
Our world is generated by
our need to feel as though
we are together.

Not alone.
Not solitary.
Not separate.
Not disparate.
Still alive.
Still here.
Still breathing.
Still seeking the heartbeat as it
thrums through our souls
and echoes across a pillow into
the eyes of a dispassionate and
apathetic lover.

“maybe love is just muscle memory
a body next to a body
you just react how you learned it the first time.”
An empty bed full of two people waiting
to believe, maybe love is just that.
An empty bed next to an open window as curtains
flutter and we plummet past the 23rd floor
together.

Hand in hand we fall through the surface and
become a tuxedo with tears and bells standing
in front of strangers without faces reciting
lines from ancient vows written without words
in the air that floats
between us.

And it goes Dearly beloved.
Barely beloved.
Barely here.
Why do we pretend?
sorry

And it goes, Dearly beloved,
We have gathered as a people around
the need to find another with which to
fall tumbling through a woven tapestry
of inaccuracies, ineptitude, an incision to
free us from our search.

And it goes, I, the seeker,
take you, my apathetic, beautiful witness--
to have security in knowing I am now tied
to another. Not unique, but made
to hold until our until our bodies run out of time
and our sense of humanity waves to wither
to dust to nothing to death to dust.

And it stops--we transcend ourselves
into melting wax and darkness while stars poke holes
in our blanket of lies when we lay for our
final sleep. We rarely go together, and when
there’s time, we search again.
Borrows a bit from Carrie Rudzinski and Daniel Beatty
Brent Kincaid Mar 2018
The Non-Subliminal Criminal
High Priest of Hypocrisy
The Diplomat of Draft Dodgery
The Great Example of Paying Test-Takers

The Loudmouth of Wealthy Fakery
The Main Proof of Miseducation
The Nanocrat of Non-Payment
Potentate of *******

Sultan of **** Patronage
The Grand Poobah of Poopoo
The Big Wheel of Blather
The Salesman of Bull-puckey

High Lama of Skullduggery
The Master Purveyor of Inaccuracies
The Pride of Misrepresentation
The Scion of Misdirection and Nepotism.

The Black Knight of Spite.
The Grand Lizard of Hate and Bigotry
The Fomenter of Torment.
The Master of Catastrophe

The Master of the Quick Disaster
The Worshipper of War by Proxy
The Lover of Lies and Liars
The Promiser of Pusillanimity

The Handmaiden of Bribery
The Worshipper of Massive Greed
The Purchaser of Fake News
The Dandy With Unseen Clothes.

The Undead Ghost of the Capitol
The Horrible Haunt of the Presidency
The Embodiment of Embarrassment.
The Shamelessness of Gross Shuckery.
You know who it is, make up your own names for him.
Venus
Mars
and all the stars try to define my worth
I am not in alignment with a line
or a planet
no symbol accurately sticks to me
so I create my own
like I created my name
but I do not answer to it
My heart burns and drips
with ink and tar
and I tell myself that I am stuck
with their freedom
to submit or conform
to their standards or else
face the consequences
I am more than just stardust and recycled water
but I know that my blood is not my own
and the tears that I cry once belonged to someone else
I am made up of pieces that aren’t all the same
but they fit
I am a recycled coagulation of dreams and flesh
held together by the limits and bounds of the universe
bursting at the seams with thoughts and possibilities
inaccuracies and hypocrisy
and so still I wonder
what I am
ATL Jun 2020
living sidelives
in light rain-

between a cigarette and a dog too old
to know what it’s barking at...

a man silvershorn about the hair
and the soul; begetting half of a life and a life’s half-ending.

a question placed between the asphalt cracks, beside the flecks of ash...
what does his heart entreat?

(such foul anatomical inaccuracies abound
in this metaphor for the seat of all feeling.
it can be an axis you know. emerging from somewhere within the hippocampus, then the pituitary gland, down to the kidneys, ******, or thyroid just to circle all around again. it recruits and unfolds- projecting outwards to come back unto circuits for grounding)

I cannot know.
“The more you know, the more you know you don't know.”

Said quote attributed to Aristotle,
     stands the test of time,
     and not only did out last
many another aphorism,
     but most any learned person,
     would agree proverb cast
greater relevancy today,
     whereby bajillion minutiae doth blast

and bombard relentlessly tenured
     academician, or lay person till aghast
now (i.e. the 21st
     century in general), with fast
and furious incessant information explosion,
     more so than 384–322 BC,
     yet his nestled (chocolated),
     pronounced, revered, vast

paradigm touted as ever last
ting influence still
     vibrant approximately hast
encompassed two and
     a half millenniums past.
Hash tagged the
     "Father of Western Philosophy" -
     imagine us slew

of avid admirers
     lurching back and forth
     (in conjunction with the
     pitched cadenced lilt of Plato),
     say...by a playa in Kalamazoo
Michigan feted for, he warrants a kazoo
blown, who embraced forward doo
*** thinking spanned a gamut,

     where more'n few
adherents or immediate disciplines
     refining (and redefining),
     which amassed breathless
     comprehension aligned hitherto
an expanse of disparate subjects
     sewn (no needling,
     asper this feeble pun)

     to constitute an interrelated web,
     whereat convenience allotted
     quasi distinct abstract queue
     (preceding his sue bare rue
legacy) consigned his
     innate person to integrate
     (by syllogisms he drew)
correcting antiquated inaccuracies,

     and aligned a groovy,
     wheel lee, and well tread
     modernist twist (and shout),
     sans permeating Air Supply
     Bestie Boys, Beatlemania,
     Cold Play ying
     musically noteworthy, loo
pea pod casts, and even spurring

     Beethoven to roll over,
     while dee composing
     (sans my zany brainy adherence
     to "FAKE" information I eschew)
and essentially single handedly grew
the contemporary paradigm few
off fish shill educated
     people didst swallow

     hook, line and sinker, but perhaps
     an enlightened gentile and/or Jew
found credulity linkedin with the then
     far reaching somewhat sunnily
     revolutionary antithetical concepts only
     gull lib bull and/or cuckoo,
despite the logically
     substantiated veritable true

lee near custom fit, hunky
     dory, integrated metaphorical
     interlocking puzzling pieces
     rightly anchoring vast vista
     (realm of known knowledge,
     viz apple pi order)
     shipshape motley crue foo
fighting banded divers lee distinct

     whirled wide webbing
     did not experience
     smooth semantic sailing,
and rather recently
     (historically "speaking") Renaissance
exuded approbation, and found substantial
     adherents among cognoscenti,
     who took to heart as gospel truth,

     the expansive database
apropos christened Aristotélēs translated
     to mean Superior; best of thinkers,
whose missives dissected, inspected,
     and probed for ethical, philosophical,
     and rhetorical handy
     dandy blues clue
meriting nascent outlook, sans salient

     rubric quintessential pointing cue,
analogous to eternal spirit hovering,
     guiding, and favoring new
acolyte, or stalwart
     diehard Aristotelian hew
wing painstakingly, thru

prodigious tomes binding
     ancient (classical Greece) via
     Aristotelianism super glue
rebranded within modern roam'n Times
     Font 12 visa vis,
     when re: discovered
     anew by Martin Heidegger
Ayn Rand, and Alasdair MacIntyre.
The hemispheres become out of proportion, one to another modified in the air, leaving the horizon exorbitant and the poles out of square.  Coastal the lengths of the sun around areas that some Hellenika countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, by default of calculation. The observations of Hyperdisis generated superposition’s of the Zigzag Universe, before the crescent moon, after the full moon, again decalculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that exposed Dekas Cove in Kímolos. Axiomatic hyperbolism postulated the parallels in the seas of Greece, in longitudinal planes of Consciousness, inside and outside the lines, until reaching the axiom of the infinite numbers, up to the pendulum over the nuances of the ninety degrees of the quadrant and twice the radius of pi (π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of being flushed and of erudition of the naive contrast when decanting the perceived morality. They concur of the moral value in every sub-mythology of an ambivalent being, and of human and supernatural co-belonging, not depending on gnoselogical reflections, but rather spontaneous and under the rampart of reason. The latter and the shadow of its shadow being absent, no reflection can grasp the anti-values, self-valued, in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans, who still insist on outperforming non-humans in evidence of neurological bad adjustment in the Biosphere network, in swearing of adaptability and Intelligence of Animalia, under the predominance of matters that are not yet crystallized in their domains and powers of the living animal kingdom, algorithmically computing our guidelines of unveiled tonality, between body and non-physical-rational mind, nor in the simulation and retrospective weighting of animal reflection, over human rationality with Artificial Intelligence auto pigments, for artificial routers dying in packers or Data graveyards Center.

The triangle Patmos, Rhodes and Kímolos, form a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed, superseded in the tremors of Athens to Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Rodino Colossus and the twisting of the multipersonal muscles ..., but already depersonalized ..., with little telluric reaction in the core of the symmetry of its legs, avoiding the thunder on its frowned arms, behind the legs of the  lycaons..., burying his jaws in reflex arches, for ages that only an immemorial person enraptured him and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this, and with their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations undermining the temporality of Tsambika in ramdonic  stones in the humid and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetics, by the erosion of the subsoil of Rhodes. In Hellenika, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or put before all the zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from the Devonian to the Cretaceous, escaped the ferocities of the Aethesians and the Etesians escaping the roars of Vernarth.
Reflection space length (π) / part 15
Stanley Zakyich Jul 2013
The only way there is another
Is in another dimension filled
With a high number of inaccuracies
When compared to our place and time.

Six degrees of separation
Does not apply to inter-dimensional
Travel. Seven billion people world-wide,
Imagine all the universes.

The farther away, the more different it is.
The existence of another defines our opposite.
The existence of another defines our opposite.
The existence of another defines our opposite.

— The End —