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Of that sort of Dramatic Poem which is call’d Tragedy.


Tragedy, as it was antiently compos’d, hath been ever held the
gravest, moralest, and most profitable of all other Poems:
therefore said by Aristotle to be of power by raising pity and fear,
or terror, to purge the mind of those and such like passions, that is
to temper and reduce them to just measure with a kind of delight,
stirr’d up by reading or seeing those passions well imitated. Nor is
Nature wanting in her own effects to make good his assertion: for
so in Physic things of melancholic hue and quality are us’d against
melancholy, sowr against sowr, salt to remove salt humours.
Hence Philosophers and other gravest Writers, as Cicero, Plutarch
and others, frequently cite out of Tragic Poets, both to adorn and
illustrate thir discourse.  The Apostle Paul himself thought it not
unworthy to insert a verse of Euripides into the Text of Holy
Scripture, I Cor. 15. 33. and Paraeus commenting on the
Revelation, divides the whole Book as a Tragedy, into Acts
distinguisht each by a Chorus of Heavenly Harpings and Song
between.  Heretofore Men in highest dignity have labour’d not a
little to be thought able to compose a Tragedy.  Of that honour
Dionysius the elder was no less ambitious, then before of his
attaining to the Tyranny. Augustus Caesar also had begun his
Ajax, but unable to please his own judgment with what he had
begun. left it unfinisht.  Seneca the Philosopher is by some thought
the Author of those Tragedies (at lest the best of them) that go
under that name.  Gregory Nazianzen a Father of the Church,
thought it not unbeseeming the sanctity of his person to write a
Tragedy which he entitl’d, Christ suffering. This is mention’d to
vindicate Tragedy from the small esteem, or rather infamy, which
in the account of many it undergoes at this day with other common
Interludes; hap’ning through the Poets error of intermixing Comic
stuff with Tragic sadness and gravity; or introducing trivial and
****** persons, which by all judicious hath bin counted absurd; and
brought in without discretion, corruptly to gratifie the people. And
though antient Tragedy use no Prologue, yet using sometimes, in
case of self defence, or explanation, that which Martial calls an
Epistle; in behalf of this Tragedy coming forth after the antient
manner, much different from what among us passes for best, thus
much before-hand may be Epistl’d; that Chorus is here introduc’d
after the Greek manner, not antient only but modern, and still in
use among the Italians. In the modelling therefore of this Poem
with good reason, the Antients and Italians are rather follow’d, as
of much more authority and fame. The measure of Verse us’d in
the Chorus is of all sorts, call’d by the Greeks Monostrophic, or
rather Apolelymenon, without regard had to Strophe, Antistrophe
or Epod, which were a kind of Stanza’s fram’d only for the Music,
then us’d with the Chorus that sung; not essential to the Poem, and
therefore not material; or being divided into Stanza’s or Pauses
they may be call’d Allaeostropha.  Division into Act and Scene
referring chiefly to the Stage (to which this work never was
intended) is here omitted.

It suffices if the whole Drama be found not produc’t beyond the
fift Act, of the style and uniformitie, and that commonly call’d the
Plot, whether intricate or explicit, which is nothing indeed but such
oeconomy, or disposition of the fable as may stand best with
verisimilitude and decorum; they only will best judge who are not
unacquainted with Aeschulus, Sophocles, and Euripides, the three
Tragic Poets unequall’d yet by any, and the best rule to all who
endeavour to write Tragedy. The circumscription of time wherein
the whole Drama begins and ends, is according to antient rule, and
best example, within the space of 24 hours.



The ARGUMENT.


Samson made Captive, Blind, and now in the Prison at Gaza, there
to labour as in a common work-house, on a Festival day, in the
general cessation from labour, comes forth into the open Air, to a
place nigh, somewhat retir’d there to sit a while and bemoan his
condition. Where he happens at length to be visited by certain
friends and equals of his tribe, which make the Chorus, who seek
to comfort him what they can ; then by his old Father Manoa, who
endeavours the like, and withal tells him his purpose to procure his
liberty by ransom; lastly, that this Feast was proclaim’d by the
Philistins as a day of Thanksgiving for thir deliverance from the
hands of Samson, which yet more troubles him.  Manoa then
departs to prosecute his endeavour with the Philistian Lords for
Samson’s redemption; who in the mean while is visited by other
persons; and lastly by a publick Officer to require coming to the
Feast before the Lords and People, to play or shew his strength in
thir presence; he at first refuses, dismissing the publick officer with
absolute denyal to come; at length perswaded inwardly that this
was from God, he yields to go along with him, who came now the
second time with great threatnings to fetch him; the Chorus yet
remaining on the place, Manoa returns full of joyful hope, to
procure e’re long his Sons deliverance: in the midst of which
discourse an Ebrew comes in haste confusedly at first; and
afterward more distinctly relating the Catastrophe, what Samson
had done to the Philistins, and by accident to himself; wherewith
the Tragedy ends.


The Persons

Samson.
Manoa the father of Samson.
Dalila his wife.
Harapha of Gath.
Publick Officer.
Messenger.
Chorus of Danites


The Scene before the Prison in Gaza.

Sam:  A little onward lend thy guiding hand
To these dark steps, a little further on;
For yonder bank hath choice of Sun or shade,
There I am wont to sit, when any chance
Relieves me from my task of servile toyl,
Daily in the common Prison else enjoyn’d me,
Where I a Prisoner chain’d, scarce freely draw
The air imprison’d also, close and damp,
Unwholsom draught: but here I feel amends,
The breath of Heav’n fresh-blowing, pure and sweet,
With day-spring born; here leave me to respire.
This day a solemn Feast the people hold
To Dagon thir Sea-Idol, and forbid
Laborious works, unwillingly this rest
Thir Superstition yields me; hence with leave
Retiring from the popular noise, I seek
This unfrequented place to find some ease,
Ease to the body some, none to the mind
From restless thoughts, that like a deadly swarm
Of Hornets arm’d, no sooner found alone,
But rush upon me thronging, and present
Times past, what once I was, and what am now.
O wherefore was my birth from Heaven foretold
Twice by an Angel, who at last in sight
Of both my Parents all in flames ascended
From off the Altar, where an Off’ring burn’d,
As in a fiery column charioting
His Godlike presence, and from some great act
Or benefit reveal’d to Abraham’s race?
Why was my breeding order’d and prescrib’d
As of a person separate to God,
Design’d for great exploits; if I must dye
Betray’d, Captiv’d, and both my Eyes put out,
Made of my Enemies the scorn and gaze;
To grind in Brazen Fetters under task
With this Heav’n-gifted strength? O glorious strength
Put to the labour of a Beast, debas’t
Lower then bondslave! Promise was that I
Should Israel from Philistian yoke deliver;
Ask for this great Deliverer now, and find him
Eyeless in Gaza at the Mill with slaves,
Himself in bonds under Philistian yoke;
Yet stay, let me not rashly call in doubt
Divine Prediction; what if all foretold
Had been fulfilld but through mine own default,
Whom have I to complain of but my self?
Who this high gift of strength committed to me,
In what part lodg’d, how easily bereft me,
Under the Seal of silence could not keep,
But weakly to a woman must reveal it
O’recome with importunity and tears.
O impotence of mind, in body strong!
But what is strength without a double share
Of wisdom, vast, unwieldy, burdensom,
Proudly secure, yet liable to fall
By weakest suttleties, not made to rule,
But to subserve where wisdom bears command.
God, when he gave me strength, to shew withal
How slight the gift was, hung it in my Hair.
But peace, I must not quarrel with the will
Of highest dispensation, which herein
Happ’ly had ends above my reach to know:
Suffices that to me strength is my bane,
And proves the sourse of all my miseries;
So many, and so huge, that each apart
Would ask a life to wail, but chief of all,
O loss of sight, of thee I most complain!
Blind among enemies, O worse then chains,
Dungeon, or beggery, or decrepit age!
Light the prime work of God to me is extinct,
And all her various objects of delight
Annull’d, which might in part my grief have eas’d,
Inferiour to the vilest now become
Of man or worm; the vilest here excel me,
They creep, yet see, I dark in light expos’d
To daily fraud, contempt, abuse and wrong,
Within doors, or without, still as a fool,
In power of others, never in my own;
Scarce half I seem to live, dead more then half.
O dark, dark, dark, amid the blaze of noon,
Irrecoverably dark, total Eclipse
Without all hope of day!
O first created Beam, and thou great Word,
Let there be light, and light was over all;
Why am I thus bereav’d thy prime decree?
The Sun to me is dark
And silent as the Moon,
When she deserts the night
Hid in her vacant interlunar cave.
Since light so necessary is to life,
And almost life itself, if it be true
That light is in the Soul,
She all in every part; why was the sight
To such a tender ball as th’ eye confin’d?
So obvious and so easie to be quench’t,
And not as feeling through all parts diffus’d,
That she might look at will through every pore?
Then had I not been thus exil’d from light;
As in the land of darkness yet in light,
To live a life half dead, a living death,
And buried; but O yet more miserable!
My self, my Sepulcher, a moving Grave,
Buried, yet not exempt
By priviledge of death and burial
From worst of other evils, pains and wrongs,
But made hereby obnoxious more
To all the miseries of life,
Life in captivity
Among inhuman foes.
But who are these? for with joint pace I hear
The tread of many feet stearing this way;
Perhaps my enemies who come to stare
At my affliction, and perhaps to insult,
Thir daily practice to afflict me more.

Chor:  This, this is he; softly a while,
Let us not break in upon him;
O change beyond report, thought, or belief!
See how he lies at random, carelessly diffus’d,
With languish’t head unpropt,
As one past hope, abandon’d
And by himself given over;
In slavish habit, ill-fitted weeds
O’re worn and soild;
Or do my eyes misrepresent?  Can this be hee,
That Heroic, that Renown’d,
Irresistible Samson? whom unarm’d
No strength of man, or fiercest wild beast could withstand;
Who tore the Lion, as the Lion tears the Kid,
Ran on embattelld Armies clad in Iron,
And weaponless himself,
Made Arms ridiculous, useless the forgery
Of brazen shield and spear, the hammer’d Cuirass,
Chalybean temper’d steel, and frock of mail
Adamantean Proof;
But safest he who stood aloof,
When insupportably his foot advanc’t,
In scorn of thir proud arms and warlike tools,
Spurn’d them to death by Troops.  The bold Ascalonite
Fled from his Lion ramp, old Warriors turn’d
Thir plated backs under his heel;
Or grovling soild thir crested helmets in the dust.
Then with what trivial weapon came to Hand,
The Jaw of a dead ***, his sword of bone,
A thousand fore-skins fell, the flower of Palestin
In Ramath-lechi famous to this day:
Then by main force pull’d up, and on his shoulders bore
The Gates of Azza, Post, and massie Bar
Up to the Hill by Hebron, seat of Giants old,
No journey of a Sabbath day, and loaded so;
Like whom the Gentiles feign to bear up Heav’n.
Which shall I first bewail,
Thy ******* or lost Sight,
Prison within Prison
Inseparably dark?
Thou art become (O worst imprisonment!)
The Dungeon of thy self; thy Soul
(Which Men enjoying sight oft without cause complain)
Imprison’d now indeed,
In real darkness of the body dwells,
Shut up from outward light
To incorporate with gloomy night;
For inward light alas
Puts forth no visual beam.
O mirror of our fickle state,
Since man on earth unparallel’d!
The rarer thy example stands,
By how much from the top of wondrous glory,
Strongest of mortal men,
To lowest pitch of abject fortune thou art fall’n.
For him I reckon not in high estate
Whom long descent of birth
Or the sphear of fortune raises;
But thee whose strength, while vertue was her mate
Might have subdu’d the Earth,
Universally crown’d with highest praises.

Sam:  I hear the sound of words, thir sense the air
Dissolves unjointed e’re it reach my ear.

Chor:  Hee speaks, let us draw nigh.  Matchless in might,
The glory late of Israel, now the grief;
We come thy friends and neighbours not unknown
From Eshtaol and Zora’s fruitful Vale
To visit or bewail thee, or if better,
Counsel or Consolation we may bring,
Salve to thy Sores, apt words have power to swage
The tumors of a troubl’d mind,
And are as Balm to fester’d wounds.

Sam:  Your coming, Friends, revives me, for I learn
Now of my own experience, not by talk,
How counterfeit a coin they are who friends
Bear in their Superscription (of the most
I would be understood) in prosperous days
They swarm, but in adverse withdraw their head
Not to be found, though sought.  Wee see, O friends.
How many evils have enclos’d me round;
Yet that which was the worst now least afflicts me,
Blindness, for had I sight, confus’d with shame,
How could I once look up, or heave the head,
Who like a foolish Pilot have shipwrack’t,
My Vessel trusted to me from above,
Gloriously rigg’d; and for a word, a tear,
Fool, have divulg’d the secret gift of God
To a deceitful Woman : tell me Friends,
Am I not sung and proverbd for a Fool
In every street, do they not say, how well
Are come upon him his deserts? yet why?
Immeasurable strength they might behold
In me, of wisdom nothing more then mean;
This with the other should, at least, have paird,
These two proportiond ill drove me transverse.

Chor:  Tax not divine disposal, wisest Men
Have err’d, and by bad Women been deceiv’d;
And shall again, pretend they ne’re so wise.
Deject not then so overmuch thy self,
Who hast of sorrow thy full load besides;
Yet truth to say, I oft have heard men wonder
Why thou shouldst wed Philistian women rather
Then of thine own Tribe fairer, or as fair,
At least of thy own Nation, and as noble.

Sam:  The first I saw at Timna, and she pleas’d
Mee, not my Parents, that I sought to wed,
The daughter of an Infidel: they knew not
That what I motion’d was of God; I knew
From intimate impulse, and therefore urg’d
The Marriage on; that by occasion hence
I might begin Israel’s Deliverance,
The work to which I was divinely call’d;
She proving false, the next I took to Wife
(O that I never had! fond wish too late)
Was in the Vale of Sorec, Dalila,
That specious Monster, my accomplisht snare.
I thought it lawful from my former act,
And the same end; still watching to oppress
Israel’s oppressours: of what now I suffer
She was not the prime cause, but I my self,
Who vanquisht with a peal of words (O weakness!)
Gave up my fort of silence to a Woman.

Chor:  In seeking just occasion to provoke
The Philistine, thy Countries Enemy,
Thou never wast remiss, I hear thee witness:
Yet Israel still serves with all his Sons.

Sam:  That fault I take not on me, but transfer
On Israel’s Governours, and Heads of Tribes,
Who seeing those great acts which God had done
Singly by me against their Conquerours
Acknowledg’d not, or not at all consider’d
Deliverance offerd : I on th’ other side
Us’d no ambition to commend my deeds,
The deeds themselves, though mute, spoke loud the dooer;
But they persisted deaf, and would not seem
To count them things worth notice, till at length
Thir Lords the Philistines with gather’d powers
Enterd Judea seeking mee, who then
Safe to the rock of Etham was retir’d,
Not flying, but fore-casting in what place
To set upon them, what advantag’d best;
Mean while the men of Judah to prevent
The harrass of thir Land, beset me round;
I willingly on some conditions came
Into thir hands, and they as gladly yield me
To the uncircumcis’d a welcom prey,
Bound with two cords; but cords to me were threds
Toucht with the flame: on thi
Nat Lipstadt Sep 2018
“leave at your own chosen speed”

always,
Dylan inserts a phrase that haunts,
indestructible permafrost,
played in slow and ever slower reverb all life long,
for it’s intuitive and you recognize it too well
as the best companion to the sour ending of another love affair

(but! this one differs; called love yourself)

the sad of a dying love, remembering the steady drift away,
capped by a casual remark that doesn’t sting but
cuts a Y on your chest, a lover’s coroner courtesy,
the bad humours permitted to at long last healthy escape

you’re staggered but say nothing for
speed
is a changeable elf, a mischievous devil,
requiring constant monitoring cause you moving,
but the speed limit alway a reflection of the road you’re on

speed is a tag along to show the overall fit still works,
though now far from the obvious and familiar
and the inspiration modifies,
so you retrofit untill the parts are incapable of
bending to new demands, contours unfamiliar, old plans no good

“leave at your own chosen speed”

for I am leaving you as I leave myself,
beaches erode,  lighthouses corrode, the salt cannot be refused,
the earth demands your return as the lease is deemed
non-renewable and the space where the date shall be inserted,
is parcel of the contract and though blank, certain to be fulfilled

the body erodes, the ***** parts corrode,
and this season of the new year^ comes with the usual disclaimer
recited on the tenth day from today

‘who will live, who will die,’^^

taught to you as a young-in, a child who can comprehend
even before manhood arrives, comprehend that life ends,
all good things and it ain’t no use, born compromised, but
“don’t think twice, it’s alright”

the slate you have written overdue for a prudent clean wet erasure,
so you begin to leave at your own chosen speed,
which is kind of nice, even cool, organizing your papers,
write with contented softness that so long eluded,
now come easy heady peasy

after a life of reciting poetry, good bad and always too long,
the pressure is on and off, side by side, even a dimming bulb
sheds some light, revealing what yet needs revealing


that Day of Atonement annual visitor,^^^ he/she of impish humors,
makes Pandora play a new station,
‘dimming of the day,’
reminder that it gave you a piece of an unowned heart to hold,
leased temporarily but the temp is roaring,
who, boo hoo, for you?

life and love is all about leaving,
the pen in penitent gone dry, no refills in this new world,
wish that **** rooster would stop crowing at
the break of sundown,^^^^  when I'll be gone
I'll be travelling on, for when the new day begins,
that’s my own signature personal gravestone marker,
the sundown poet
------------------------------------------------------------­-------



~the first day of the new year on the Jewish calendar
  Mon, 10 September 2018 =  1st of Tishrei, 5779

  Rosh Hashana 5779
^ see https://en.m.wikipedia.org/wiki/Yom_Kippur

^^ see poem  https://hellopoetry.com/poem/1833523/for-leonard-cohen-who-by-fire/

^^^ see poem https://hellopoetry.com/poem/462537/how-i-observed-the-day-of-atonement/

^^^^ jewish law says the day begins at sunset till the next sundown
Nikki Tinebra Apr 2015
Where perils cut
Do sorrows bleed?
Does pain depend upon
the laying of our scene
or are the plagues upon the race
a universal theme?
The winds are wanting
change and haunting
all the sleeping’s
most pleasant dreams.
The title refers to the idea of the four humours as presented in the Elizabethan time period. They are thought to be the four essences within a human's blood that brought balance to their life - when the humours were out of balance, so indeed was the person. I wrote this poem during a discussion in a literature class during our study of Hamlet.
Maggie Emmett Sep 2016
The cram of stars in the navy-night
blue-light of summer solstice.

The majestic zodiac sprawled
across the ever-stretching sky.

Ancient definitions of myth
star-stories of pre-determined fate

mapped in the moment and place
of our birthing; such fantasies

such imaginings of stellar systems
and mankind’s significance.

Heavens and humours; rules and rights
from Gods to kings and subjects

All settled in an ordered Universe
until, curiosity, ingenuity and invention

observation and record, rigor and Science
with its license to question freedom.


© M.L.Emmett
meadowsweet Mar 2019
kiss the angry rash at my throat
where the fires of melancholy
that burn inside me
have licked upward
like a witch burning
a witch
who burns herself
from the inside out
I

What’s become of Waring
Since he gave us all the slip,
Chose land-travel or seafaring,
Boots and chest, or staff and scrip,
Rather than pace up and down
Any longer London-town?

Who’d have guessed it from his lip,
Or his brow’s accustomed bearing,
On the night he thus took ship,
Or started landward?—little caring
For us, it seems, who supped together,
(Friends of his too, I remember)
And walked home through the merry weather,
The snowiest in all December;
I left his arm that night myself
For what’s-his-name’s, the new prose-poet,
That wrote the book there, on the shelf—
How, forsooth, was I to know it
If Waring meant to glide away
Like a ghost at break of day?
Never looked he half so gay!

He was prouder than the devil:
How he must have cursed our revel!
Ay, and many other meetings,
Indoor visits, outdoor greetings,
As up and down he paced this London,
With no work done, but great works undone,
Where scarce twenty knew his name.
Why not, then, have earlier spoken,
Written, bustled? Who’s to blame
If your silence kept unbroken?
“True, but there were sundry jottings,
Stray-leaves, fragments, blurrs and blottings,
Certain first steps were achieved
Already which—(is that your meaning?)
Had well borne out whoe’er believed
In more to come!” But who goes gleaning
Hedge-side chance-blades, while full-sheaved
Stand cornfields by him? Pride, o’erweening
Pride alone, puts forth such claims
O’er the day’s distinguished names.

Meantime, how much I loved him,
I find out now I’ve lost him:
I, who cared not if I moved him,
Henceforth never shall get free
Of his ghostly company,
His eyes that just a little wink
As deep I go into the merit
Of this and that distinguished spirit—
His cheeks’ raised colour, soon to sink,
As long I dwell on some stupendous
And tremendous (Heaven defend us!)
Monstr’-inform’-ingens-horrend-ous
Demoniaco-seraphic
Penman­’s latest piece of graphic.
Nay, my very wrist grows warm
With his dragging weight of arm!
E’en so, swimmingly appears,
Through one’s after-supper musings,
Some lost Lady of old years,
With her beauteous vain endeavour,
And goodness unrepaid as ever;
The face, accustomed to refusings,
We, puppies that we were… Oh never
Surely, nice of conscience, scrupled
Being aught like false, forsooth, to?
Telling aught but honest truth to?
What a sin, had we centupled
Its possessor’s grace and sweetness!
No! she heard in its completeness
Truth, for truth’s a weighty matter,
And, truth at issue, we can’t flatter!
Well, ’tis done with: she’s exempt
From damning us through such a sally;
And so she glides, as down a valley,
Taking up with her contempt,
Past our reach; and in, the flowers
Shut her unregarded hours.


Oh, could I have him back once more,
This Waring, but one half-day more!
Back, with the quiet face of yore,
So hungry for acknowledgment
Like mine! I’d fool him to his bent!
Feed, should not he, to heart’s content?
I’d say, “to only have conceived
Your great works, though they ne’er make progress,
Surpasses all we’ve yet achieved!”
I’d lie so, I should be believed.
I’d make such havoc of the claims
Of the day’s distinguished names
To feast him with, as feasts an ogress
Her sharp-toothed golden-crowned child!
Or, as one feasts a creature rarely
Captured here, unreconciled
To capture; and completely gives
Its pettish humours licence, barely
Requiring that it lives.

Ichabod, Ichabod,
The glory is departed!
Travels Waring East away?
Who, of knowledge, by hearsay,
Reports a man upstarted
Somewhere as a God,
Hordes grown European-hearted,
Millions of the wild made tame
On a sudden at his fame?
In Vishnu-land what Avatar?
Or who, in Moscow, toward the Czar,
With the demurest of footfalls
Over the Kremlin’s pavement, bright
With serpentine and syenite,
Steps, with five other generals,
That simultaneously take *****,
For each to have pretext enough
To kerchiefwise unfurl his sash
Which, softness’ self, is yet the stuff
To hold fast where a steel chain snaps,
And leave the grand white neck no ****?
Waring, in Moscow, to those rough
Cold northern natures borne, perhaps,
Like the lambwhite maiden dear
From the circle of mute kings,
Unable to repress the tear,
Each as his sceptre down he flings,
To Dian’s fane at Taurica,
Where now a captive priestess, she alway
Mingles her tender grave Hellenic speech
With theirs, tuned to the hailstone-beaten beach,
As pours some pigeon, from the myrrhy lands
Rapt by the whirlblast to fierce Scythian strands
Where bred the swallows, her melodious cry
Amid their barbarous twitter!
In Russia? Never! Spain were fitter!
Ay, most likely, ’tis in Spain
That we and Waring meet again—
Now, while he turns down that cool narrow lane
Into the blackness, out of grave Madrid
All fire and shine—abrupt as when there’s slid
Its stiff gold blazing pall
From some black coffin-lid.
Or, best of all,
I love to think
The leaving us was just a feint;
Back here to London did he slink;
And now works on without a wink
Of sleep, and we are on the brink
Of something great in fresco-paint:
Some garret’s ceiling, walls and floor,
Up and down and o’er and o’er
He splashes, as none splashed before
Since great Caldara Polidore:
Or Music means this land of ours
Some favour yet, to pity won
By Purcell from his Rosy Bowers,—
“Give me my so long promised son,
Let Waring end what I begun!”
Then down he creeps and out he steals
Only when the night conceals
His face—in Kent ’tis cherry-time,
Or, hops are picking; or, at prime
Of March, he wanders as, too happy,
Years ago when he was young,
Some mild eve when woods grew sappy,
And the early moths had sprung
To life from many a trembling sheath
Woven the warm boughs beneath;
While small birds said to themselves
What should soon be actual song,
And young gnats, by tens and twelves,
Made as if they were the throng
That crowd around and carry aloft
The sound they have nursed, so sweet and pure,
Out of a myriad noises soft,
Into a tone that can endure
Amid the noise of a July noon,
When all God’s creatures crave their boon,
All at once and all in tune,
And get it, happy as Waring then,
Having first within his ken
What a man might do with men,
And far too glad, in the even-glow,
To mix with your world he meant to take
Into his hand, he told you, so—
And out of it his world to make,
To contract and to expand
As he shut or oped his hand.
Oh, Waring, what’s to really be?
A clear stage and a crowd to see!
Some Garrick—say—out shall not he
The heart of Hamlet’s mystery pluck
Or, where most unclean beasts are rife,
Some Junius—am I right?—shall tuck
His sleeve, and out with flaying-knife!
Some Chatterton shall have the luck
Of calling Rowley into life!
Some one shall somehow run amuck
With this old world, for want of strife
Sound asleep: contrive, contrive
To rouse us, Waring! Who’s alive?
Our men scarce seem in earnest now:
Distinguished names!—but ’tis, somehow
As if they played at being names
Still more distinguished, like the games
Of children. Turn our sport to earnest
With a visage of the sternest!
Bring the real times back, confessed
Still better than our very best!

II

“When I last saw Waring…”
(How all turned to him who spoke—
You saw Waring? Truth or joke?
In land-travel, or seafaring?)

“…We were sailing by Triest,
Where a day or two we harboured:
A sunset was in the West,
When, looking over the vessel’s side,
One of our company espied
A sudden speck to larboard.
And, as a sea-duck flies and swins
At once, so came the light craft up,
With its sole lateen sail that trims
And turns (the water round its rims
Dancing, as round a sinking cup)
And by us like a fish it curled,
And drew itself up close beside,
Its great sail on the instant furled,
And o’er its planks, a shrill voice cried
(A neck as bronzed as a Lascar’s)
‘Buy wine of us, you English Brig?
Or fruit, tobacco and cigars?
A Pilot for you to Triest?
Without one, look you ne’er so big,
They’ll never let you up the bay!
We natives should know best.’
I turned, and ‘just those fellows’ way,’
Our captain said, ‘The long-shore thieves
Are laughing at us in their sleeves.’

“In truth, the boy leaned laughing back;
And one, half-hidden by his side
Under the furled sail, soon I spied,
With great grass hat, and kerchief black,
Who looked up, with his kingly throat,
Said somewhat, while the other shook
His hair back from his eyes to look
Their longest at us; then the boat,
I know not how, turned sharply round,
Laying her whole side on the sea
As a leaping fish does; from the lee
Into the weather, cut somehow
Her sparkling path beneath our bow;
And so went off, as with a bound,
Into the rose and golden half
Of the sky, to overtake the sun,
And reach the shore, like the sea-calf
Its singing cave; yet I caught one
Glance ere away the boat quite passed,
And neither time nor toil could mar
Those features: so I saw the last
Of Waring!”—You? Oh, never star
Was lost here, but it rose afar!
Look East, where whole new thousands are!
In Vishnu-land what Avatar?
Caitlin Oct 2018
It's the 21st century
But I'm still suffering from bad humours
Where you lay in bed because your chest is caving in
I guess that's why they call it depression.

It's okay, just put on a bird mask
Fill it with sage and breath in the fumes
While the memes tell you you're the bad energy in the room

It's easier to go to internet strangers
And admit that maybe you might be in danger
Than to tell your mom that you're ready to leave her
"I'm fine because I always am."
That's not really an answer.

Everyone gets sad sometimes
We don't take it seriously anymore
Because death doesn't scare us
What scares us is 60 more years
Of wondering what the point is
Working at a job we hate
To buy another mocha latte with
Six shots of espresso
Just to stay awake through the ballet performance
Put on by our children
That we felt obligated to have
Through pressure of society
But yeah, it's just depression
Everyone has it
Its fine
There's always someone who has it worse
Just grow a pair
Cowboy up
It can only go up from here
Right?
neth jones Nov 2021
is it love
or the parasite ?

my pilot bulk                      
aims for relief
       it pursues this via                  
          your romantic correction

in public arena                  
a library stair                    
(i never prior encountered you)

one step as foreigner        
the approach
and upon a swift internal pendulum
i make witless incisions
hurried mended sentences
directed stuns
invasive
i demand the compromise
                  of your company
hastily push at boundaries and
you're not so accommodating

                                                 but
on a further occasion
same building
we exchange a battering of conversation
that
   then
       matures
           into barter-like use of language

despite my harassments
  a civil cultivation is unearthed
tongue within this intelligence effort i lessen
loosen my demanding appearance
disregard my dignity
     a skin suit about the ankles

you're open in a vein of similarity
   you flesh out your own controls
we've progressed quickly
there's an aped conduct
                 and flashing attitudes
this time we share table space
a nearby café

we have become quite unmanned
    repeated meet ups
upon humours we adjust small habits
    and shake on perceptions where we overlap
it becomes
   more an overlay of rationalities
        than resented promises

fast time passes and

i move into your living space                                  
i pick a wildflower                                                    
               and put it in the tiny vase on your dining table
we agree on its colour                                              
we agree on a book to make our bible material
we agree on the pitch of the tinnitus we share
the clothes i am to wear
i switch to your diet
and you cease taking medications
we sleep on your lawn like children
and bring down the night sky for comfort

during the day we wear our sleep
              like a lubrication for our chores
and go about our productivity
              in genuine partnership
yet
i feel we're just out of reach
            of some dark harm

we are an excellent sample pair
it is all vital
we grow stronger the more we quiz it
recycling our *******
refine our agreements
await further impulses
and come closer to plug

so..
do we please love
      or simply indulge a parasite ?
--I. M. Edward John Henley (1861-1898)

Where are the passions they essayed,
And where the tears they made to flow?
Where the wild humours they portrayed
For laughing worlds to see and know?
Othello's wrath and Juliet's woe?
Sir Peter's whims and Timon's gall?
And Millamant and Romeo?
Into the night go one and all.

Where are the braveries, fresh or frayed?
The plumes, the armours--friend and foe?
The cloth of gold, the rare brocade,
The mantles glittering to and fro?
The pomp, the pride, the royal show?
The cries of war and festival?
The youth, the grace, the charm, the glow?
Into the night go one and all.

The curtain falls, the play is played:
The Beggar packs beside the Beau;
The Monarch troops, and troops the Maid;
The Thunder huddles with the Snow.
Where are the revellers high and low?
The clashing swords?  The lover's call?
The dancers gleaming row on row?
Into the night go one and all.

Envoy

Prince, in one common overthrow
The Hero tumbles with the Thrall:
As dust that drives, as straws that blow,
Into the night go one and all.
Out of the poisonous East,
Over a continent of blight,
Like a maleficent Influence released
From the most squalid cellarage of hell,
The Wind-Fiend, the abominable--
The Hangman Wind that tortures temper and light--
Comes slouching, sullen and obscene,
******* the skirts of the embittered night;
And in a cloud unclean
Of excremental humours, roused to strife
By the operation of some ruinous change,
Wherever his evil mandate run and range,
Into a dire intensity of life,
A craftsman at his bench, he settles down
To the grim job of throttling London Town.

So, by a jealous lightlessness beset
That might have oppressed the dragons of old time
Crunching and groping in the abysmal slime,
A cave of cut-throat thoughts and villainous dreams,
Hag-rid and crying with cold and dirt and wet,
The afflicted City, prone from mark to mark
In shameful occultation, seems
A nightmare labyrinthine, dim and drifting,
With wavering gulfs and antic heights, and shifting,
Rent in the stuff of a material dark,
Wherein the lamplight, scattered and sick and pale,
Shows like the *****'s living blotch of bale:
Uncoiling monstrous into street on street
Paven with perils, teeming with mischance,
Where man and beast go blindfold and in dread,
Working with oaths and threats and faltering feet
Somewhither in the hideousness ahead;
Working through wicked airs and deadly dews
That make the laden robber grin askance
At the good places in his black romance,
And the poor, loitering harlot rather choose
Go pinched and pined to bed
Than lurk and shiver and curse her wretched way
From arch to arch, scouting some threepenny prey.

Forgot his dawns and far-flushed afterglows,
His green garlands and windy eyots forgot,
The old Father-River flows,
His watchfires cores of menace in the gloom,
As he came oozing from the Pit, and bore,
Sunk in his filthily transfigured sides,
Shoals of dishonoured dead to tumble and rot
In the squalor of the universal shore:
His voices sounding through the gruesome air
As from the Ferry where the Boat of Doom
With her blaspheming cargo reels and rides:
The while his children, the brave ships,
No more adventurous and fair,
Nor tripping it light of heel as home-bound brides,
But infamously enchanted,
Huddle together in the foul eclipse,
Or feel their course by inches desperately,
As through a tangle of alleys ******-haunted,
From sinister reach to reach out--out--to sea.

And Death the while--
Death with his well-worn, lean, professional smile,
Death in his threadbare working trim--
Comes to your bedside, unannounced and bland,
And with expert, inevitable hand
Feels at your windpipe, fingers you in the lung,
Or flicks the clot well into the labouring heart:
Thus signifying unto old and young,
However hard of mouth or wild of whim,
'Tis time--'tis time by his ancient watch--to part
From books and women and talk and drink and art.
And you go humbly after him
To a mean suburban lodging:  on the way
To what or where
Not Death, who is old and very wise, can say:
And you--how should you care
So long as, unreclaimed of hell,
The Wind-Fiend, the insufferable,
Thus vicious and thus patient, sits him down
To the black job of burking London Town?
You play the Cool Piper every Concert Noon
Change your Clothes; And the Tempo changes you
Why couldn't have I heard you Guys that soon
So I could strangle the Technocrat blue?
HA! I jest. Rarely do Gum-Humours speak
But when they do they leave a Mark aside
I guess this is no time to act so meek
When Spain's Wild Brother calls us for a Ride
And what a Ride! Many Blokes hitch a tug
Collecting Hot Dames they only knew for yonks
It's a Crazy Menu; But quite a hug
Some choose a Bellow; Others a *****-Tonk.
Long Sonnet Short, your Music is the Boom
Clean your Pipe well and hope to see you soon.
#underabanner
Eleete j Muir Jan 2012
To Gods acre caught in the storm
Of the angels immolation harried
Like welcome strangers to the feast of
The good shepherd, the world
The flesh, the devil take the hindemost
Vigilantly stalking Earthly tears
Encrusted jewels upon Hells vestment,
The harbinger of death wearing a garland
Of skulls fashioned off of Heavens tomb
Splendiferously graven upon lonelinesses
Stoop spirited as shooting stars the
Pitched candles of sovereignties saintly hands
Resting between lives enlightening the broken
Lamp of truth purging the liasing humours of
Illuminous damnation unfrocking priests
Under colour of nothingness epitomising
Faiths elixer yonder the gate of unfoldenment
Breaking butterflies on the wheel
Of rightousness unabating delving the vale
Deciduously to show the cloven hoof woe betide
The levity of Man Friday billowing in the
Teeth of the wind.



ELEETE J MUIR.
Francie Lynch Mar 2014
Zero One and modern blight
Travel at the speed of light.

We wondered on the Wandering Jew,
Or, in lieu,
Orthon, Urian or Lilitu.

We trepanned our empty skulls,
Searched our humours,
Were touched by Rulers!

Now troubling symptoms of want and need,
Have blighted growth of yesterseed.

Patient Zero left no lead.

East fingered West
(and vice versa)
Was Ireland really the cause of cholera?
Did Blacks languish in Tuskegee squalor?
We christened Mary, but drank the water.
Fracked Incubus and Succubus
From son and daughter.

Patient Zero left the slaughter.

We deprived women of their tea
To cure wandering womb hysteriae.
Deviances and leaking lesions
Were headwaters of women's *****.

Patient Zero has no season.

The barber sensed it might be smell,
So our widened streets became a sulfurous hell.
And wastelands swelled
Where curled cats dwelled.
(no talk of Michelangelo)

                                         II

Our children's blight has a techno name,
Like the rose, IT smells the same.
With zero tolerance I lay blame
On screens and phones and video games.

The world wide box stores flipped their lids,
Touching all who crawl the social grids;
From the base of Mammon's pyramid.

Now Jake believes he's a gangsta dude
Since posting whatever on You Tube.
Nothing to gain, nothing to lose:
No services rendered but expects what's due.

Inflated egos are a system symptom,
Clearing firewalls, reaching children.

Patient Zero is no phantom.

There is no tale of rat or flea
As cause of lost immunity.
There is no open sore to fester,
The Selfie is the X-ray picture.

Patient Zero is so much quicker.

In our gel of techno bliss,
On our elliptic petrie dish,
Bathed in more than we could wish,
Patient Zero will finish,
And with that whimper
All vanish.
Mateuš Conrad Nov 2015
after witty humour, which spawned slapstick... slapstick can only spawn the last of the known humours... the offensive type, the 'get me out of this straithjacket of everything's fine apathy,' the ugly humour... rude humour... i take oaths humour... i rather write a swear word to oil up than degrade myself with thesaurus usage humour.*

why is poetry such a ***** of coding
daily activity...
who needs poetry if the everyday is intact?
atheism didn’t **** god...
it merely killed the logic of myth....
atheism is far worse than mythology...
it just regurgitates facts
to make you submit to them
without the necessary philosophical awe of
finding them interesting...
poetry isn’t dead... it’s a *****...
which is worse than death where i come from...
there’s ezra with his fountain comparison:
‘i ****** in it... and put pigmenting chlorine in it -
you **** in it... streaks of blue... i think
that’s called cubism in france.’
did i say alcoholism was engineered by the nazis
for the bomb sarcasm?
cheap humour you say... ah well slapstick was invented
after sarcasam...
i heard the new best anti-ageing cream was butter rather than l’oreal -
there are too many stages in the differences of women,
i quite like the summer spring autumn winter thing going...
it’s like this thing that’s happening right now...
christian nations censor words... like ****... cultish **** of the brothel...
and islamic nations invoke words... like kefir (sour milk,
not quite youghurt), dawah... adhan salat abraham...
one party censors words for excess *****...
saying: ‘we don’t like swear words in accomplished spelling,
we like dyslexia and **** teen **** graphic...’
sounds about right...
the other party says: ‘we hate censoring ***** words,
that’s doubly censoring,
censor ***** words get more dirt out of it...
we invoke the power of arabic to teach koran latin for
the knobs!’
problem sorted... we’re all power brokers of spelling /
punctuation / arithmetic -
that’s what i don’t get,
the ratio of the two languages...
all you have in the digits A to Z is spelling and punctuation...
but what you have in the digits ZERO to NINE
is so much more...
is grammar a castle that’s keeping certain functions out?
in mathematics you have +, x, obelisk, -, square root, etc.
but in linguistics you have this permament reminder:
SPELL RIGHT FROM WRONG AND RITE FROM THONG.
well... ****** me timbers...
i think i just spotted a lumberjack chequers tweed jacket.
death is so sweet
that sooner or later your
your teeth fall out
Senryu
Kind pity chokes my spleen; brave scorn forbids
     Those tears to issue which swell my eyelids;
     I must not laugh, nor weep sins and be wise;
     Can railing, then, cure these worn maladies?
     Is not our mistress, fair Religion,
     As worthy of all our souls' devotion
     As virtue was in the first blinded age?
     Are not heaven's joys as valiant to assuage
     Lusts, as earth's honour was to them? Alas,
   As we do them in means, shall they surpass
   Us in the end? and shall thy father's spirit
   Meet blind philosophers in heaven, whose merit
   Of strict life may be imputed faith, and hear
   Thee, whom he taught so easy ways and near
   To follow, ****'d? Oh, if thou dar'st, fear this;
   This fear great courage and high valour is.
   Dar'st thou aid mutinous Dutch, and dar'st thou lay
   Thee in ships' wooden sepulchres, a prey
   To leaders' rage, to storms, to shot, to dearth?
   Dar'st thou dive seas, and dungeons of the earth?
   Hast thou courageous fire to thaw the ice
   Of frozen North discoveries? and thrice
   Colder than salamanders, like divine
   Children in th' oven, fires of Spain and the Line,
   Whose countries limbecs to our bodies be,
   Canst thou for gain bear? and must every he
   Which cries not, "Goddess," to thy mistress, draw
   Or eat thy poisonous words? Courage of straw!
   O desperate coward, wilt thou seem bold, and
   To thy foes and his, who made thee to stand
   Sentinel in his world's garrison, thus yield,
   And for forbidden wars leave th' appointed field?
   Know thy foes: the foul devil, whom thou
   Strivest to please, for hate, not love, would allow
   Thee fain his whole realm to be quit; and as
   The world's all parts wither away and pass,
   So the world's self, thy other lov'd foe, is
   In her decrepit wane, and thou loving this,
   Dost love a wither'd and worn strumpet; last,
   Flesh (itself's death) and joys which flesh can taste,
   Thou lovest, and thy fair goodly soul, which doth
   Give this flesh power to taste joy, thou dost loathe.
   Seek true religion. O where? Mirreus,
   Thinking her unhous'd here, and fled from us,
   Seeks her at Rome; there, because he doth know
   That she was there a thousand years ago,
   He loves her rags so, as we here obey
   The statecloth where the prince sate yesterday.
   Crantz to such brave loves will not be enthrall'd,
   But loves her only, who at Geneva is call'd
   Religion, plain, simple, sullen, young,
   Contemptuous, yet unhandsome; as among
   Lecherous humours, there is one that judges
   No wenches wholesome, but coarse country drudges.
   Graius stays still at home here, and because
   Some preachers, vile ambitious bawds, and laws,
   Still new like fashions, bid him think that she
   Which dwells with us is only perfect, he
   Embraceth her whom his godfathers will
     Tender to him, being tender, as wards still
   Take such wives as their guardians offer, or
   Pay values. Careless Phrygius doth abhor
   All, because all cannot be good, as one
   Knowing some women ******, dares marry none.
   Graccus loves all as one, and thinks that so
   As women do in divers countries go
   In divers habits, yet are still one kind,
   So doth, so is Religion; and this blind-
   ness too much light breeds; but unmoved, thou
   Of force must one, and forc'd, but one allow,
   And the right; ask thy father which is she,
   Let him ask his; though truth and falsehood be
   Near twins, yet truth a little elder is;
   Be busy to seek her; believe me this,
   He's not of none, nor worst, that seeks the best.
   To adore, or scorn an image, or protest,
   May all be bad; doubt wisely; in strange way
   To stand inquiring right, is not to stray;
   To sleep, or run wrong, is. On a huge hill,
   Cragged and steep, Truth stands, and he that will
   Reach her, about must and about must go,
   And what the hill's suddenness resists, win so.
   Yet strive so that before age, death's twilight,
   Thy soul rest, for none can work in that night.
   To will implies delay, therefore now do;
   Hard deeds, the body's pains; hard knowledge too
   The mind's endeavours reach, and mysteries
   Are like the sun, dazzling, yet plain to all eyes.
   Keep the truth which thou hast found; men do not stand
   In so ill case, that God hath with his hand
   Sign'd kings' blank charters to **** whom they hate;
   Nor are they vicars, but hangmen to fate.
   Fool and wretch, wilt thou let thy soul be tied
   To man's laws, by which she shall not be tried
   At the last day? Oh, will it then boot thee
   To say a Philip, or a Gregory,
   A Harry, or a Martin, taught thee this?
   Is not this excuse for mere contraries
   Equally strong? Cannot both sides say so?
That thou mayest rightly obey power, her bounds know;
Those past, her nature and name is chang'd; to be
Then humble to her is idolatry.
As streams are, power is; those blest flowers that dwell
At the rough stream's calm head, thrive and do well,
But having left their roots, and themselves given
To the stream's tyrannous rage, alas, are driven
Through mills, and rocks, and woods, and at last, almost
Consum'd in going, in the sea are lost.
So perish souls, which more choose men's unjust
Power from God claim'd, than God himself to trust.
Largo e mesto

Out of the poisonous East,
Over a continent of blight,
Like a maleficent Influence released
From the most squalid cellerage of hell,
The Wind-Fiend, the abominable--
The Hangman Wind that tortures temper and light--
Comes slouching, sullen and obscene,
******* the skirts of the embittered night;
And in a cloud unclean
Of excremental humours, roused to strife
By the operation of some ruinous change,
Wherever his evil mandate run and range,
Into a dire intensity of life,
A craftsman at his bench, he settles down
To the grim job of throttling London Town.

So, by a jealous lightlessness beset
That might have oppressed the dragons of old time
Crunching and groping in the abysmal slime,
A cave of cut-throat thoughts and villainous dreams,
Hag-rid and crying with cold and dirt and wet,
The afflicted City. prone from mark to mark
In shameful occultation, seems
A nightmare labryrinthine, dim and drifting,
With wavering gulfs and antic heights, and shifting,
Rent in the stuff of a material dark,
Wherein the lamplight, scattered and sick and pale,
Shows like the *****'s living blotch of bale:
Uncoiling monstrous into street on street
Paven with perils, teeming with mischance,
Where man and beast go blindfold and in dread,
Working with oaths and threats and faltering feet
Somewhither in the hideousness ahead;
Working through wicked airs and deadly dews
That make the laden robber grin askance
At the good places in his black romance,
And the poor, loitering harlot rather choose
Go pinched and pined to bed
Than lurk and shiver and curse her wretched way
From arch to arch, scouting some threepenny prey.

Forgot his dawns and far-flushed afterglows,
His green garlands and windy eyots forgot,
The old Father-River flows,
His watchfires cores of menace in the gloom,
Sunk in his filthily transfigured sides,
Shoals of dishonoured dead to tumble and rot
In the squalor of the universal shore:
His voices sounding through the gruesome air
As from the Ferry where the Boat of Doom
With her blaspheming cargo reels and rides:
The while his children, the brave ships,
No more adventurous and fair,
Nor tripping it light of heel as home-bound brides,
But infamously enchanted,
Huddle together in the foul eclipse,
Or feel their course by inches desperately,
As through a tangle of alleys ******-haunted,
From sinister reach to reach out -- out -- to sea.

And Death the while --
Death with his well-worn, lean, professional smile,
Death in his threadbare working trim--
And with expert, inevitable hand
Feels at your windpipe, fingers you in the lung,
Or flicks the clot well into the labouring heart:
Thus signifying unto old and young,
However hard of mouth or wild of whim,
'Tis time -- 'tis time by his ancient watch -- to part
From books and women and talk and drink and art.
And you go humbly after him
To a mean suburban lodging: on the way
To what or where
Not Death, who is old and very wise, can say:
And you -- how should you care
So long as, unreclaimed of hell,
The Wind-Fiend, the insufferable,
Thus vicious and thus patient, sits him down
To the black job of burking London Town?
Brittany Leigh Feb 2010
i wish i could purge my heart
letter by letter
bleed my love out
through leeching keystrokes
find some kind of therapy to
release these good bad humours
or reach even further back into history
for truly archaic remedies
love is no great sin
so there’s no bread and salt
to feed the lepers, no coin to pay for the service
if only ridding myself
of this disease of devotion
to an unknowing you
were as simple as sleeping
with salted tomatoes
(love apples, as they were once known)
and pennies to press
into the palms of the loveless
who slip through the night
soaking up discarded emotion
Chance Bishop Jan 2010
Lying cold and prone in corpescent repose
Stripped bare of all earthly clothes
No flattering gown or suitcoat fine
Nor soul from sightless eyes does shine
All cajolery and wisdom long since fled
Biles and humours and all machinery dead
The fresco of person in living years painted
With frowsty breath and ideas blood-tainted
Has, in joining this burgeoning army, crumbled
As cheek-rouge faded, the persona humbled:
Under wakeful eyes the snail is known by its shell
But the naked and the dead know each other well.
Like the king of a rainy country, am I!
Rich, but weak, young with an agèd eye -
The grovelling of his old tutors he scorns,
The company of dogs leaves him forlorn.
Nothing can bring him joy, no hunt nor falconry,
Nor the mortal jousts  before his balcony,
From his favourite jester no ***** tale
Can redden the cheek of one so pale.
His ornate chamber has become a tomb -
And courtesans, *******-clad, to whom,
Though royal favours inspire their provocation;
This skeletal youth finds no temptation.
Flamel himself could forge no plan
To extract the dark humours from this man.
In the baths of blood from days of yore,
He finds no properties to restore
This dazed corpse in whose veins once red -
Now flows the green waters of Lethe instead.
murari sinha Sep 2010
you’re not adams apple

the  fruits from tree of the knowledge
of good and evil
in the centre of the garden of eden
in genesis

yet at you
the round oranges of this afternoon-town
i stare

and my pate gradually
becomes pregnant

the  wind that comes after
having a touch of your lips
puts the waging of its tail on my forehead

and my guava-leaf begins to melt

thus my hardware-business is going
into liquidation

the physician to the king is telling
it’s the symptom of an awful fever attended with
the morbidity of the three humours of the body

used… and used… and used…

your smile has not yet become
stupid

so from where the lamp-posts of the
town start

there are the cutlets  
and the bolster

they are not the only ones
to utter the last words
about the pill

i’m too
in this summer
trying to  decorate
the gate of my cage like wedding ceremony

if any silent dew-drop comes
to prepare and feed me
my birth-day frumenty

but i’ve no tongue
at all

all over the face there are only the eyes

and to the fate of my staring-at
has ever
so much blessings been available
Poetic T Jul 2015
Normality cursed me upon open eyes,
I enjoyed the lucid madness, as what
Was seen in the maddening times that
Was better to the normality of  boring now.

I used to chase the florescent thoughts
That floated around, giggling at the touch
As it tickled senses in my deepest doors.
She danced with me in imaginary dance.

I was like a bunny jumping, swaying around
Giggling to ones self for invisible feet would
I be standing upon, never realizing I was tripping
Over my own size tens, what a humours trip.

Madness is an inviting friend, alone, but so many
Voices around madness has its purpose, as I have
Thoughts not my own, I laugh, at incoherent  moments
Are they mine, there's, or yours never alone.
Jane dale Jul 2014
I have a schoolboys sense of humour,
Oh yes it's true, it's not just rumour,
I always laugh at bums and willys,
It's immature and very silly,
I cannot help my humours taste,
I try to keep it above the waist,
Yet down the slippery ***** I slide,
This 'Carry-On" sense of humour of mine,
Farts, poos, **** the crudest jokes,
Belong much more to bad *** blokes,
Double meaning things that people say,
Is my specialist subject anyway,
Even though I know it's daft,
I do enjoy a ****** laugh :)
Onoma Nov 2013
There's this ******* incoherence...
and obsessive cut and paste of mind.
Whatever pasture made its green bed,
has serial murdered...
painted...with head and heels, a lifetime of
tumbling.
Bipedal...the fallacy of bragging rights since
birth.
There's too much to engender without choice,
involuntary antipodes of mind...variations on
madness pawn their humours at storm-crossed
gates.
Strewn...the scrap metal of such limbs.
SH Sep 2012
it is hard to translate emotions
into words and be wholly honest

our humours swirl ambivalently,
like vagabond alphabets which
have not found their words

as if insufficient time has
lapsed after the meteoric
impact of feeling, for the dust
to settle and for the words to cool
from the heat of the present tense

and all we can cough out is
soot: scorched and subjective,

a hurried attempt at translating
a restless disquiet into lexical entities -
ordered, grammatical.
Mateuš Conrad Sep 2016
writing poetry can be rather humbling,
you have to bow before the traffic wardens,
pat the backs of bus drivers,
it is a humbling art,
               there's no real canvas,
and in the digital age: there's not much ink.
you have to humble yourself
             in ****** terms: great if you're a woman...
oh ****... if you're a man...
            and you can't seem to ever become
"the artist" -
                           poetry on the side is
acceptable, but poetry written with the aghast
missing: but i'm also a plumber - is
   another conundrum -
                so yes, poetry is a bit like
telling Picasso he can sit among the 5 year old's
  exhibition of their crayon masterpieces -
it's truly humbling...
                              sexually it's like
being impotent or at the very least: castration,
and never mind you actually obtaining
a castrato voice for the Vatican choir...
                truly is: a humbling experience.
  the philosophers attacked, then the psychiatrists,
and the novelists just wrote a paragraph
            and that was that:
the hand moves, the clock ticks...
                       poets are leeches, the end, and a happily
ever after.
                   it truly is a cenobite affair -
or as one says it: a tad bit monkish -
                                 now, plot a monk in
society: what do you get? oh sure, fervently wanking
myself to sleep, been doing it since the age of 8
before i could produce the *****:
         it's subliminally muscular orientated -
nothing about the ****, let alone the jazz...
   you bothered? i'm not bothered... you bothered?
    i'm not bothered...
                       and where (if not in poetry)
would you find no characters and an uninhibited
narrator who said: well... **** David Copperfield
and Jane Eyre - i'm going solo...
                    and i know, i have my little
soppy story... who doesn't?
                     but the choke / joke of the matter is...
being exposed to solely happy stories doesn't
make you happier -
                                according to Nietzsche i
have no shame because i exploit my experiences -
that too... why keep a private life sacred when
it's burdened not by the shadow of a tree of
knowledge... but a crucifix?
                          also a tree... oh look! he's waving
a hello! god knows how he did that!
that trick is better than that walk on water...
i'm all beetroot flustered with my cheeks grin-pink.
           sarcasm... or, the way to write
the less humbling sort of poetry... or to escape
musicology (namely rhyme, or the one note song
by Tenacious D) using a rickety raft that
poetry is... get the humours in,
   **** the furies,
           **** the fates...
                               ensemble: F... is a holy letter...
now the chance to hypnotise someone...
             and whoever said fairies gets a bonus...
   but it is, truly, humbling...
   sexually it's like this motion toward the trans
movement - chop my ***** off insert a pseudo-****
and job done... inject the right amount of hormones...
grow a beard... and Thomas' your uncle...
   of Bob... or Sinjit... or whoever taught you
the joke in mathematics class when describing
infinitesimal calculus (Herr Crickmore,
former trader / broker)                                      -
(oops, left the hyphen wide)                   never mind,
but the thing is... even though poetry
is a humbling experience...         i find novelists a bit
like lumberjacks...    they're hacking a tree,
and they're hacking and hacking a tree...
                 and they keep hacking the ****** tree
until a tree becomes a five-hundred page bestseller
   and about 1000 boxes of toothpicks
   and 2000 boxes of matchsticks (roughly, jokingly,
because it's probably more) -
                well sure...
                     i don't write poetry to entertain,
or to: "voice my concerns" -
                         i have very little care for the former,
and even less care for the latter -
            i have no idea why there's so much
patting-on-the-back for essayists and novelists -
       one clue gives it away:
                   they write so much... because they
could speak for so long without enough lubricants
akin to whiskey or water...
           silence? well... that's an altogether different
lubricant...as it is: i hate character constructs -
   and i hate an even blander narrator -
poetry is a humbling experience: after all, they treat
poets as if they're ******* when "serious" trades
provide for society -
                                    and you know why the mentally
ill sometimes **** people? the same reason as the above
stated... the populist medical pyramid is there...
i walked past a pyramid today, well, a scrap of it:
raising money for cancer patients...
                    reality? 19 pence drugs to preserve life
are scraped because *** drugs are more necessary...
never seen people have more fun...
          but all other ailments?
  too weird... too science-fiction... don't exist.
        well... ain't that nice... cancer gets the priority
and all the glamour of advertisement and
oh god... all that running the mile for charity in pink...
   with Stephen Hawking levitating waving
a telekinetic chequered flag at the finish...
            but the rest of humanity's ailment?
imaginary - or at least that's what it feels like.
if there was ever a pyramidal indentation in
humanity's perception, there's one now -
a hierarchy - as with cocktail parties and the glamour
of the *******-in-a-monkey-wrench literati dinner parties -
             well, those pyramids are well and truly
    ingrained in our minds...
                  and i thought that the point of hierarchy
was bound to how many holidays you took
   and what sort of television you owned...
guess not...                            but always, always!
    always that need to reach for a hierarchy...
                 and who were the first to voice their
concerns? the melancholic -
   5 in 1, 5 in 1 year asphyxiated at York University...
    and this is not the Homeric kinds...
                      all the time i'm
turning the huh? of the perplexity of existence
           (because, to be honest,
i don't know what life is: not thinking and cocktail parties?)
              d'ah ****?
                                   sure, the old testament
said enough about the voice in the wilderness...
well... try finding a wilderness i'll find you
a nursery rhyme: Ol' McDonald had a farm...
        time to see where that voice once found
in the wilderness went... oh look...
                                     it's no longer a voice...
and it's not in the wilderness: or the farmyard...
              it looks like it turned into
a thought                                                  in the abyss.
ajit patel Nov 2016
Times between night and mornin,
Just when the chill about sets in,
Limbs frantically search for that crumpled quilt
Increasing warmth and ahh sweet grogginess.

A dream floats in my blank sleep
You and me tootling along a forgotten, familiar street
In a battered old Hyundai Santro?? it is.
Twenty years of acquired cobwebs melt
Evoke fond memories and unexplored possibilities
Overlaid with a wild imagination, the images move in slow motion

Me driving, your gaze surveying the landscape
You are older and plumper, I have a beer belly and a bald patch
There is not much to say, or too much to say but no time.
Four Eyes frequently lock and search for something
Knowing it but daring not to say.

Your sultry liquid voice breaks into a song, an old Urdu ghazal,
Of obscure origin and meaning,
The notes glide and acquire shapes in your husky abused throat,
Silvery quicksilver, flowing, and always round  at the edges
Unfettered and undisturbed by the bumpy ride and noisy springs
Brings whole of creation in the Battered old Hyundai Santro Still.

The vocal vibrates and resonates in my bones and skull and in my soul
Stimulates humours I didn’t know exist
Eyes lock again, a mild smile is exchanged,
We understand each other
Know the limits and improbabilities
Its not going to be in this life time dear.

Let’s seal it with a kiss
An embrace exchanged over the gear levers and handbrakes
Oblivious to the barreling old Hyundai Santro
Your tiny ******* and Pantene scented hair
Your lips still perfect, soft, warm, moist and downy at the corners,.
Unfamiliar yet so familiar.
(C). Ajit Patel, 21st Nov, 2016
Mateuš Conrad Jul 2016
i don't live outside my poetry,
                                                             i live me poetry,
i have five cigarettes in a packet
and about 3/4 of a bottle
of whiskey left: i haven't had a natural
falling asleep pattern to mind
with a 9-to-5 of tomorrow to mind
for, over, 9, years! i synthesise sleep!
not out of laziness - mind you, if i was in a wheelchair
i wouldn't be eager to fake-dance
or embrace swimming - limb or limbless
there's still Pistorius to mind,
doesn't mind a moth-on-fire to
apply Einstein's relativity to what
Socrates already said: apply
relativity to dichotomy and it all just
becomes an undecipherable monism
without a beyond to justify good and evil...
a... **** it... whatever! let's admire
Louis the XIV fireworks and wine!
but his brother, ooh! what a firecracker!
Chevalier de Lorraine was my hair too curly
they almost might - the intrigue decipher -er,
additions to a false spelling mishap -
or the proof of nobility, had the mother
begged otherwise and the daughter not
endangered the quest by seeking out
a scaffold -er's errand to guillotine the tulips
for a fragrant bouquet - here the admiration
for the stern heart of the east replaced
with the jealous heart of the west...
but Philippe! **** two horses and a cow!
i.e. *******! what a reworking of puppets...
in the hall of the crimson king... e -ing,
-ah ah-ah...
the rōnin purity, the pride,
a poet's wet-dream of fancy, best luck drunk,
bad luck sober - i wondered quiet a many times
whether i had ***** or just a ticklish farce of
fancy to roller-pin the protruding genitalia
into the constituency / obligation / necessity of marriage...
the same as Narcissus spoke without an **** partner -
the ****** rap of Louis the XIV courtroom
imitating behind curtain the head of Charles I
in clone chandelier the fate of John the Baptist and
the ****** of hate of Salome...
how the two combined, the export of Iraq met
in Egypt with likewise revision of the genital parts,
Iraq translated into Israel, the two combined...
why f.g.m. rose from yawned over m.g.m. because
of the harem of kings! Philippe though! what a king!
that standards shook, the banners quaked,
the muskets shot blanks for a deadly purpose,
and there was poor Louis with the armour of quote
and a ***** of power inherited: appearance is power -
likewise today, what appears powerful is indeed
powerful, but only in deception,
beside the deception there's is no power
except the innate purpose for symbolic hierarchies,
and look where that ends up, Sinatra singing a song
about pennies raining from heaven,
indeed pennies among the streets of paupers,
the crown easily *******-on from a pavement's perspective...
i'd ask you to sit on your laurels were you
emperors, but you are kings...
so why not sit on that thorny crown of yours?!
hey! pristine gold is worth more than a poet's anatomy!
that's the casual expression, if you sit on laurels you're being
lazy... a poet's Welsh longbow man's V salute against
the French emperors - but i'd like to see them sit on
that famous crown of thorns, or the seven gilded
pikes of Rome resurrecting Vlad and the villainous Turk;
sarcasm disarms all seriousness in attitude
toward rank, and in turn disarming itself as
placed in hierarchic demands of humour -
sarcasm competes outside of the hierarchy of humours,
outside of comedy, it's there to be a buckling
when authority becomes all too... ridiculous.
It was an unknowing spot
In the fight between good and evil
As many such places are
The walls won’t keep you safe
Or protect you
There are no talismans at work
The humours
Swirl

One night upon descending the stairs
My heel
Caught my hem
My hands both full
A cigarette in one and wine in the other
I began to fall
It would have been a tumble
I was leaning severely to the left
No balance likely
one foot in the air
Going nowhere good

At the foot of the stairs
Yes
There was a dreadful man
His arms opening wide
His legs spread
Ready to catch my calamity
I tried to prepare
An impossibility about to occur
And how would it end?
Me on the floor, wine stained and puddled
In the arms of


And yet
I felt a push on my side
Straightening me out
Pushing me over
Up and down
Tip top
I lowered my foot, set free by my dress
And with both hands still fully occupied
Stepped down the stairs in quiet saucy triumph
He was awful
That night I knew that there were indeed angels.

As for evil and
Stairs
Years later the winds began to change
I sat above on the second floor with
a wine glass and a full bladder
I decided it’s time
Watch your step
I was slow
Cautious
Looking straight into the darkness
And despite just two steps down
total
I fell

The arc of red wine
Flew across the gallery hitting the north wall
Already hung
Yes wine on the wall
Between the paintings
Me on the floor
But the glass still in hand

I began to think
That there is something here.
Unseen.
Something’s around.
Mateuš Conrad Jun 2016
i mean, i'd love to have an English girlfriend... if she could cook.*

elitism? no, hardly, it's because you're
not someone walking past a beehive
dressed in flowers, doesn't mean anything,
it's not elitist, although poetry naturally
became a snobbish artefact drifting
among easily recyclable material of fond
farewells and petitions to vote and whatnot.

me? i quiet like the gay bitchiness of
Frank O'Hara's poem about the health of
Ginsberg - i imagine all those performers,
the umbilical cord cut from their essence,
having to entertain, repeat, entertain,
repeat, memorising their works
for a rapping cascade, mm yeah, mm, yo,
mm, yeah, *******, mm, yeah, in da'h 'ood,
mm, yeah... i can't forgive them,
they entertain and pulverise their one
potent act, then repeat, Stockholm (repeat),
Paris (repeat), Berlin (repeat), New York (repeat),
to affirm yourself like plagiarising
puppets - it must be horrid - to have
a plughole in you, in you that you require
to block - art becomes more like boxing,
dodging punches of the new, comfortably
sofa, artistry pre-readied to entertain,
no stumbling blocks of a **** poem,
just the continual revival of the true one,
the only one - lost themes of conversation,
no conversation at all, poetry lost to
Spartacus addressing the feeble minded
but eager in heart to ride an elephant for
Hannibal - Aesop biting his nails rather than
cutting them - long live the memory of
a few odds and black sheep -
Frank being ****** - mentions
Auschwitz symphony no. 1 a# of Adolph
Deutsche in that poem *fantasy
-
hey, my pride is on the line, every show i turn
on, after Pope John Paul the 2nd became a
traitor i hear of Eastern European ******
everywhere - by god i too like to ****,
but ******* became a 110m sprint with
scaffold to jump across - prostitutes eased
the problems, no rabbit chase -
i ****** then played Monopoly to ease the flirting
mechanism - categorising man as mammal
breeds man categorising himself elsewhere,
a woman: mantis, a woman: black widow...
once you start categorising yourself as a mammal
and then build a telescope or shove a satellite
into orbit you'll be slightly confusing -
so what's what?
i just bypassed the printing press, nullified editors
and publishers, no one could experience such
freedoms in the 20th century, there's no question
of profit, it's... A MAY ZING...
it's a multiple ****** just now... who gives
a rotten egg's worth of omelette these days?
you see what's getting printed? you've seen the ****?
it's not even worth the softness of toilet paper,
i'm not surprised it's written like a tonne of lard's
worth off heaviness, there's no sprint technique
in the writing, it's a marathon of procrastinating...
a volume concoction of ADHD uno having a trip
flicking a lampshade switch on / off / on / off / on / off
for a month or a week... a real page turner...
well, that's that... sarcasm is dry gin and tonic
with the humours... self-indulgent, but i like that...
i'm just waiting for the trained monkey
to read me the encyclopaedia while cartwheeling...
so if you hiccup that saying: all eastern european
girls became ****** once the iron curtain was lifted,
you're probably right... and being a castrated ****
more or less i'm getting the giggles...
like that time watching a Dutch boyfriend spitting
in his Polish girlfriend's face...
well... if these girls are ******... western men
are *******... leech kiss my entry with this point,
leech kiss more clingy that Judas' -
wankers wankers... wankers.
Michael Sep 2018
Yes I know my sense of humour is dark,
But if you didn’t want to know then you should not have asked.
Yes it offends, that’s the aim of the game.
But it’s all in jest, done in humours name.

No you don’t like it, but why should I care?
If you don’t like me or my humour then stay over there.
Because when you whine about it I will fail to care.
When you complain about it you will get aired.

I don’t involve myself in your pathetic goings on,
Never at all, not even once.
So stay out of my life and mind your own for once.
I’ll never be interested in your life, so leave it you ponce.

You’re a fully grown man, that I can see.
But a pathetic little boy you will always be.
You want to give your opinion but really there’s no need,
We’d get more useful info from talking to a tree.

Your mind is tiny but your voice is loud.
You have nothing to say but you say it so proud.
I don’t care what you think and I never will,
So stop flapping your gums and keep them still.

Call whomever you like and feel you need,
Bring your army to little old me.
I will politely ask you all to leave,
And when you don’t I’ll call the police.
People have been getting a little bit upset with my dark sense of humour. Pretty sure they are jealous because they have no sense of humour.
Sober thoughts crowd my mind
Happiness I cannot find
Gloomy weather, gloomy mind

Black bile, one of the archaic humours
Rhyming aptly with tumours
Cancerous thoughts within my mind

Pensively I look for salvation
Maybe a cheery salutation
But my melancholic mind keeps me as a brooder

I vent my spleen, searching for the vaccine
Annoyance acting as a screen for the truth
That all I want to do is scream and scream and scream.
© JLB
08/01/2015
03:58 GMT
Who owns the sunset?
Who is mistress of the stars?
Do the navigators of fortune
Sit at a table and boast?
Are the humours four fine sisters?

Can it be that I am
Master of all these things?
Do I  hold the yet untwined
Ball of string of the future in my hands?
My hands. My hands of no strength,
My hands of no extraordinary skill,
My hands that arrive at eternity unclean.

These fingers that are whole
In spite of broken spirits
Are treated as the fingers
Of perfection.
Of blamelessness.
Of forgiveness.

The threads of time
Are dusty in my fingers.
A fine mist of sediment
Crumbles at my touch.
Delicate stars are loosened
And burn out in my sight.

Reaching up I return
This future to the hands
In which It belongs.  
Stars and light dance down
Into my eyes, and I know
Who owns the sunset.
Who owns the sunset?
Who is mistress of the stars?
Do the navigators of fortune
Sit at a table and boast?
Are the humours four fine sisters?

Can it be that I am
Master of all these things?
Do I  hold the yet untwined
Ball of string of the future in my hands?
My hands. My hands of no strength,
My hands of no extraordinary skill,
My hands that arrive at eternity unclean.

These fingers that are whole
In spite of broken spirits
Are treated as the fingers
Of perfection.
Of blamelessness.
Of forgiveness.

The threads of time
Are dusty in my fingers.
A fine mist of sediment
Crumbles at my touch.
Delicate stars are loosened
And burn out in my sight.

Reaching up I return
This future to the hands
In which It belongs.  
Stars and light dance down
Into my eyes, and I know
Who owns the sunset.
Civet Wright Apr 2017
After you crush and partook my humours
A feeling station has built for doomers
Named it after your dead corse cuticular
Opposite to their black church for stumer
Where Inferno requiem strum for whoever
All about our transgressions watched by zoomer

Nay alas thee sayeth, Nay alas thee sayeth
Nay alas thee sayeth, Nay alas thee sayeth
Nay alas thee sayeth, Nay alas thee sayeth

You play sympathy for the devil
So I am flibbertigibbet as usual
Whose birth was foretold
Who own merfolks griffon
Wherefore good well has burnt the evil
I want you best mine own old-old

Nay alas thee sayeth, Nay alas thee sayeth
Nay alas thee sayeth, Nay alas thee sayeth
Nay alas thee sayeth, Nay alas thee sayeth
confirm your love
she talked

i asked how ?
she said confirm

i do not have  enough
knowledge to swim

at oceans of your love
you know i am not sailor

or captain of navy of your heart
i am only one who likes your smart

i am not that pilot of planes swarm of your head
which knows the truth or who making fault

i am only wondering of your look
i am not farmer who grows the plants

of your eyes which are growing of your look
spreading fruits of hope and love
at my heart

i am only visiting the rose of your cheeks
i am not humours of your sweet souls

i am only remarking the sweet berry of your lips
i am diving at the ocean of your love

save me, help ,help
the love is the great ocean who has severe waves striking each other. the lover has a magic which can control with the other
Mateuš Conrad Jan 2016
we always seem to want or be in want or having something anecdotal, if not witty to say, and we rarely have the opportunity to say it, but more chance to write it, with the allowance of it being by nature synchronised to the least favour of it being said in the first place, and as such not said to the extent it was wished to be communicated; to deal with delaying a saying is the art of aphorism stating, which i'm sure nietzsche greatly borrowed from you: so instead of itemising life for all its empty and emptying poses of the tier tongue filling a righteousness of some sordid familial pedigree given easy sway to decay by modest man's standards defining perversity: speak into the grave, and let us hear the bone rattling ganges incineration maracas shake shake shake urns of defacement: for honour the bleakest of all humours bleaker than scandinavian as that be english, bleakest. i never troubled myself juggling ******* and alcohol problems, i just took to beer, whiskey and coca-cola, so sugar me up dahling... i'm ready to tiger pounce on you and grow a magic fern from my ****-hole for a bouquet of piñiata of halloween trick-or-**** as the fudge packing inverse **** of a baseball baton lubricated into me: circumcise the flares! i think i see titanic sinking! ha ha! all in all too many maxims were written, many of which are untrue, and if true, then they're never written: you only write truths for people to make mistakes to prove them; you never write truths if they're properly adequate chess of senior pieces moving pawns, you keep such truths ****** prone, ****** for a purpose of dark-ethical cloning in the familial bonds of dynasty.

— The End —