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Scott M Reamer Apr 2013
Man life know just set eyes way like young world soul day hunger space mouth earth thoughts ignorance blind things mind knew final moment human creation kind creatures souls high forgotten dream love spoke self existence face holy deep bound think home void say surrender ear forever called held ephemeral red state end shall heed hope edge living waking fall sea wake garden need February thought past wanderer got men page colored tepid terrible **** proudly untitled features point painted faceless box forgot render wild spring splendor  handfuls looking half brain lost torn ancestral  unseen vision inner summer honor mister owned banner save today fear groans wasn't smoke  street fable strange year contrast black years  able pain body spoken word known motion  palpitate reeling nature culture disclaimers  cancer beg attentive frames ****** base profound double remember wholly finger death token  cries continue folk oh fishing form broken true  divides spread ah twas away breathe wait warning hallowed wish closer lens turn eye live  constant current author hung theory dangle  bramble chemical new force changes adderall  anymore giving beneath possess pardon commentaries eternity internal walk reason  long change does idea glimpse consciousness  wandering simply wonder physical dreams war  sleep told rest benign prior begging truth little  2012 born tale crow bowels allegory animal rule  exasperate making horse curse hands ones read  rearrange capture doing command fail awake  aperture seedlings shift steely sir nap spead ****** demons slits clever telling loud spits la-la-di-dah killing slip game reflected nameless ask  lovers rabid bear salivate plunder shameless  famously savior mint rides menthol bully fate traded melodies play misunderstand mammals gentle witless fine utterly savage silt tongue-less  dirt dilutes pure non-sensory taste briefly ravage dismember it''ll shedding ruined curtain  knots offers plot fulfills munificent two-act  relegates boxz bug altruistic wintergreen tossing  callously guise grovels one's singers treachery ashes mid-life mutter fashion parading  ambiguity separatist liars staple steeping neath  guidelines scoffing stitch moans civil wrote  Fictitious undoing fables table effigies serve  sonnets staged remark psalm swoll praise harken  beggar verse bread lines heavily electricity detection snow sack-happy preaching credit  spotted wicked best gravity gun campaign owe  barge choir revelry celebratory satiated sinking  headline pack hound persistently propaganda  gentlemen excluding diminished ******* run idles  occupied levies wolfishly honestly misinformation cuba vehemently dumb grace spectator erasing  toned sage crowded secrets inter-connectivity  loaned prayer hymns grave mistaken magnified  vandals selective jump leak escapes says minister  buckle mass honesty shut tar children's hats  monument doping long-lived electrical ladle  exaggerated cartoons address seconds cool cradle bleak yang's mind-framed hypnotic  walker caps folly treble claim streaks mixtures  swelled interstate elapse teasing spoon mobile  succulent witchcraft borderline fatal 99 temple stacks sups plastics creeps neurotic ills tossed  meek sipping old crack interlock wax alleyway  coughing blown freak clock birthdays societies  slow flashing viscous candy argument toothless  pills cerebral rapt wall bisect lives wheezing  photo kid starter foiled pair saturated self-castrating pre-packed naked uncertainly pill  used came chaos coated reprisal fells wrack  irreverent mirth sickly disinherited proudest  collate wheeze appearance palette disharmony  discontented bastardized emotive bio inhale diction beat spoiled reclamation loudest tempo  totally disembodied matte imperfect shells flat  struck sounding imparts flak origin severance remarked bone walls snared leaflets mocking  hot scripting adjective noun agape seemingly  resistant gawk calamity passage paintings wind  trashcans signings sits cheap makers poetry persist scrap slipping individual talk wonders  leaving questions fold actor fancy parchment  fates engenders flown jaws stripped longer music  sacrifice fakers book boldly frown sigh atop patient hang trade occupation blows spectacular  whispers worthy backward waving certainty danced suppose needn't ‘drawkcab’ second-guessing  boys forget marched motto heads tightly lies two-tone earthbound harp twice turns goodnight  lying ***** internally indiscriminate nickname  drunk convictions myth steep  in-consumption  fitting artist **** universal sick expressions bad  du spell melody big siphon proud learn sprawls song spastic something temperaments utter check  fissures stomp totality blend definitely thrall sing rug voice shade pestilence ties commiserate round devil steady brains emotional certain gate  suckling gates dearth decay weight bounce pound  carrier pangs glass startle contest earthen web  tug pressed air patience flush amassed guest gone apprehension staring empathize captain believe fading in-perceivable deathbed guarder makes surrounds scatter drooling ebb blink cob tome  venom near door lair derision draws host stairs scent parts curiosities spider webbing surprise wares tips stepping ascetics starkness realize picture surroundings dictations grand pillars  deaf limited comparisons greet visual residents  personal settings dismiss alien law stability common earthly shiftless places prelude  understanding mosaic keen trifling embodiments  geared inception whisper visible jowls kiss murky  puddle rank dawn dichotomy single faithful fraying pays tailor veil climb mores pence whim  breath wellspring samara god stony pear  shadows fruiting forebodes moonlit looming  shown passed bog gold wracked faint tongues  noble preachers mirror shifting layered depth  threads jungle narcissus bemused seamstress self-worshiping architect's wore slumber anomalous  opened barren seam lip caustic scene coupled brick gardener's clenches -with forms idle breed  embodied lore starving empathy design illusion  tree coat fabricate lucid mason scatter-all  narrative seeking imbued 16th shivering chemicals 17th 15thrisk improperly dare  deliberate plan purge try brought chapter speed  aide utmost spirit leading intervention felt  recall recent advent sincerity times diary  lackluster piously lasting happy holding hear  stem tasteless whimpers wet spine monstrosity  dripping causes position quite softly claws pallet  answer digging tearing beast satiating circle breaks skips redwoods beckoning rotted hushed  gray lapsing monoliths deities creborus  imbuement hand stroll paradigm rendered chorus shy whispering forest residual tension  surrenders tolerance lull anew sentenced  bearing tide birds dirge divergent rim joined  cogs wood hesitant mist emergent towering offer  awareness confinement inverted faultier stowed  plane sanctified blanketing trusting memory fossil flash twists laden self-indulgent fleeting invitation agony grip shore impetus lingering  crows promise gift union swallowing endless floor supposed ecstasy sensory intent  psychotropic cradling placement interned  jagged connectivity exchange congenial begun  summons singular spiral assumes ambient reciprocates re-entry fruition reached aggregate lifetime limbs birthed instinct  frightening tarry proper entire light  boundaries innocence pursuit ago discover left  youth's unknowing sacred time place meager  simple fact cast ceaseless wide-eyed literal  apparent coincidence create boldness morphed  crooked kempt mere stumble buried shutter fairy  pivotal definitive months worth shear ambition sound required journeyed self-reflections title  facets vague restless intimation gut wanderer's  leap motivate path account boy soon bears faith  question tripped reasons uproot awaited confronted days step heal provocations wisps crushing transcend chronicles instance  directness raw drove occurrence objective-less  real enters slightest confident nondescript  typify  foreshortened interment paradox bitter heart  devoid jeopardy angry sensation confidential guilty arrogance mercy compliance reprieve  vincent deadening factual sign emotion awe  inhibition shackled butterflies absence actual sciences acknowledgement violent stagnant  spiritual American doors roots lack matted fore  gestures society cause streams intensity hair impossible discord lonely hearts resounding  jest  what's flavored pains closed toxic contented  happenstance scientific knowledge yeah  wizardry shaking stifled withdrawn bloom  jitter dreads settle asocial hulton make  predisposed figurative reflections demeanors  wondered affect hulton's projected sense  morning industry arrays ghosts feeling  certainly endomorphic where's partially wrath  passer mornings jovial unease advertized asking  trash onward wished tempers media mentality connect pasts sharp-toothed scramble great colours trial test salvation continually lent  degree secretly subjection social waned  disconnected colors grimly intellectual civilization cash trading baffling particular  digest myths monumental ending seasons winter  repetition introducing agent everlasting  shoulders delivered honestly-- possession funny  continence history unsightly function suffering propulsion profession divulge familiar tugs era  importance capability perpetuation spite inventory words entirety leveling fray insight  date record continues writer getting evermore fellow tongue possessions identical proof accuracy education similar sack admittance  favor unravel conveyance guilt gives beginnings  predicting audacity definition bobby heady eaters frameless learned release stone grandeur sang  speak molds sleeps split built seats people folded  sheer pour evoked playhouse liquid boring  tellers frayed stark walked reality pleas doth  preformed shows beak pride squawks opinions  greatest bold stunning sightings he'd loudly slain  sunk watch legend precipice theater deeper compound commentator civility justly silly sin  reverent seen prophetic moral confounds notion  lacking explain attempt prolific viral estrange proclivity scorn hide blur pious strung eden's  horror cut skin arch cruel twig mother vile  pass lend woods peach shrunken trail man's canopy worn 434 eat warm limb familiar father delete.

You are what your reading lady. Now would you hold this gun?
Alan S Bailey Mar 2015
So it is a controversy. So they say,
Marriage sours if your parents are gay,
The idea of this seems like a self-centered
View, that gay marriage partners aren't
Well to do. Get over it, gays need rights as well,
It's not to decide, as if you were a god,
Whether they will wind up in this place
You call hell. Leave them alone, let their dream be,
You call this a free country where marriage is free?
Or maybe you believe in the idea that all marriage
Should be defined as only for straights, it's per my
Humble opinion that is a favouritism argument
Geared just against gays.
Mateuš Conrad Aug 2018
.ludo savis... play nice... ludo savis... play nice:

i knew the relationship was over when i encountered her ex-boyfriend sitting in her st. petersburg flat drinking ***** with me, no, wait, it was when she started questionning me using cosmopolitan magazine quiz about perfect girlfriends on our way from st. petersburg to moscow to see metallica, while all i wanted was to listen to bob dylan and appreciate whatever rural russia had to offer... beside that? it took me quiet a time to fiddle through and find the glagolitic alphabet, the slavic alphabet before the learned greek came across "my" people, given the romans never venture that far... good luck finding an african phonetic encoding system, beside the hieroglyphs... i won't bother looking right now... not to insult, though: so much for a large phallus megalomania contra envy... Ⰶ: życie (life) is not the half of the caron ž in the form of: the acute... (ź): ździra (don't ask, seriously, the word implies worse than ***** / szmata)... źródło (source)... eh... the one-armed caron (ž)... ź... i can't explain it any further: you need to speak the lingo to keep the "nuance" alive... southern slavs treat the caron akin to ž = ż... how beautiful... given the english language has no diacritical marker application: can't exactly claim diacritical markers using only the automated hovering decapitated heads above ι & ȷ... i'm not english i'm tired of looking up h'america's *******! i don't need not fancy pants to debrief the people i'm concerned with to mind, not giving a **** about them... thanks for your jeans: subtitle made in canada... beside the whole mao shitshow of: made in china.... back in the 1990s! *******... even in terms of music h'america isn't really relevant.. it just is... and "whatever" this "is" is to be, will remain... but only as an r.e.m. ref. pointer, that requires the physical translation of the lyrics: the one i love... a simple prop: to occupy my mind.... fire! the silesian vampire... because... said so... learning about monsters is what i could only fathom, which included me... but, sorry... the glagolithic script... ⰄⰀⰏ: dam... i.e. i will give... fun fact: r.e.m. didn't sell their: it's the end of the world as we know it (and i feel fine) to microsoft for a commercial break.. glagolitic script... where are the africans? oh, right, nowhere when phonetic encoding is turning heads... **** me... even the blind are onto the affair...  i went as far back as the glagolithic script: pre cyrillic, about the same time that the latins incorporated the northern "savages" with applying the chisel to the ᚱ / R... ᚠ / F... copernican "up-side down": why do all tree (beside the pines) resemble a Y shape, a gamma? why did god compensate his existence with opiates?! refresh my memory, though, why am i drawing blanks at african phonetic encoding? **** me, the blind drew something, the deaf too... if you played the guitar, forget about reading braille... you need tender, french, fingertips.... you can't play the guitasr and read braille... mind you... encoding morse overshadows braille... but even the european blindman overcomes the fully ****-naked butter-cup sprinting *** of a black man every day of the week: i'm not here to compensate for a leprechaun's sized *****: mind you... in the hands of a porcelain ***- beauty? everything looks like a hiroshima... i just started to entertain an asian fetish... 4th knuckle mizzing... missing... the most ****** aspect of a female aesthetic? her hand... when *** & the city cited trimming ***** hair (no circumsion, really?), so no asian porcelain hands, no 4th knuckle missing?! i hate what the anglo-speaking world has become, it's this, this, this quasi-Islam.... at least i respect the Quran... but 1984, by the secular prophet of the western world? why do people still calling it: silicon vallyey... it's a ******* curtain, smart-you not seeing the replacement mechanisms of the silicon curtain: now wow... ******, where you're getting-to-go get from? any ideas?! a tehran baza?! ******. 1960s homosexuals fiddling their way past the tunis police, happy? loitering sucker-****** pansie? again... entertain me... where is the african phonetic encoding system... this is my "i.q." avenue masterpiece... i don't care about i.q. but a ******* blind man beat the african at phonetic encoding... personally?


one just simply falls, tired of the right-wing momentum regarding beauty, it's such a bothersome crtique of its generic foundation if beauty..... i hate it, this objective classicism: back to the future take no, 4; *******...

             again, where were the africans sorting
out their invetement in the slave trade...
ONLY WHITE PEOPLE
WERE BAD, CONCERNING BLACK PEOPLE...
Idi Amin... Idi Amin Idi Amin Idi Amin Idi Amin
Idi Amin... Idi Amin Idi Amin Idi Amin Idi Amin ....
******! please!
ever see an african-h'american in africa?
   ******! please!
ever see an african-h'american in africa?
i said: ******! please!
ever see an african-h'american in africa?
i'd love to see an african-h'american
in africa... mouthin-off their stature...

                   african phonetic encoding....

debussy                                       chopin




satie                                              schumannn...

­and?
              there's too much of loon'don....
                   had enough of it, ****'s....
too much ***-kissing,
too much of the h'american swindle...
carelesss buggers; these brits...
******* ****** jolly-tribe
               ****-ups....
  
i drink and relax solving a sudoku -
i'm not doing it to compete -
   just having a conversation with
my neighbor about the difference
between Alzheimer's
and dementia brought back memories
of what i negated for some time...

it's only when someone else tells
you of their elder relative's dementia
you muster the courage to
spot the same symptoms in
your relative...

         my grandfather has dementia...
my early teenage years,
every summer visiting him,
traveling to Krakow,
     going fishing,
riding our bicycles in the afternoon...
he feeding my what books
i should read...
      i still visit,
  spend about a month,
say, keep him company,
   fix up the kitchen...

  but it's such an exhausting disease...
not so much for the sufferer -
this mild form of Alzheimer -
no killer proteins eating away at
the brain cells -
   dementia?
the ontological nadir of old age...
then again, perhaps the zenith...

a closure...
   the long term memory opens,
while the short term memory
closes -
   he still can solve a crossword
puzzle like a mad genius...
but he lapses into what is
the cinema of mortality...
                 he remembers things
like the two SS-men
   posted in my home town,
running up to them
and saying -
herr bitte bon-bon!...
  the raven black of the uniform
and the glaring *******...

    i blocked the fact that it was
dementia, when my grandmother
thought it was wise to scare all
of us, uncle, mother and father
into thinking it could degenerate
into Alzheimer's...
        he still recognizes me!
Alzheimer's sufferers can't
even muster that!

   at best... dementia couples itself up
with melancholia,
  the natural melancholia
akin to the sadness expressed by
Nietzsche: only when the house
has been completed,
but never during the construction...

dementia is just an endless memory
loop...
   when man is allowed to finally
put down the hammer, the sickle...
and retire?
  he's standing on the precipices of mortality...
on a dam about to crack open,
and release a surge of the sea
of memory...
   why wouldn't he take the time
to remember?
  to remember himself?
        
the tedium comes when the same
persons implores others to listen to them...
when memories become less
of the old man's cinema and more
affairs of an oral culture -
our culture has lost the point
of oral transmission -
  hence dementia sufferers have
to evolve -
                  into not talking so much...
not as a mean spirited conviction -
why? i do the same -
   i have about 10 focal memories
that constant revive me -
               and i'm only 32...
          but i don't talk about them...
hell, i won't write them...
   it's my own, private cinema -
but my grandfather comes from
a time before the optical explosion
of television...

         i don't need to hear what he saw -
all i need is to tattoo his mannerisms
and face onto my psyche...

   but dementia, thank god,
is a listening tedium...
                     point being...
a life opens up,
   but any immediacy of life disappears...
hence his persistent ability
to solve crossword puzzles,
enjoy reading the newspaper -
but the significance of remembering
yesterday is missing...
    
he's an old man...
   he has no obligations in terms of
duty in a professional arena of
the metalwork factory...
why wouldn't he attempt to push death
aside and not linger on
the memory of his, magnum opus -
his life sigma oeuvre?

     me?
  some would call this music neo-**** skinhead
****...
   wumpscut, two songs...
   thorns & wreath of barbs,
     bunkertor sieben (reprise)...
but it relaxes me when sitting on a sudoku,
drinking Bacardi cola and lime...
      enjoying the cool August air
after just enough rain
that manages to exfoliates the flowers
with refreshed sensuality...

  sudoku no. 10101...
    after enough numbers pop up,
the tactic is to hone in on one number
in each of the 9 squares and 9 vertical
and 9 linear line...
for sudoku no. 10101 in the Friday's
edition of the times?

   it went something akin to this

[8, 5] - [3] - [1] - [9] - [7] - [2, 6] - [4]

that's the closest schematic
i'll have for you,
   with regards to how the grid is filled.

i drink and relax solving a sudoku -
i'm not doing it to compete -
   just having a conversation with
my neighbor about the difference
between Alzheimer's
and dementia brought back memories
of what i negated for some time...

it's only when someone else tells
you of their elder relative's dementia
you muster the courage to
spot the same symptoms in
your relative...

         my grandfather has dementia...
my early teenage years,
every summer visiting him,
traveling to Krakow,
     going fishing,
riding our bicycles in the afternoon...
he feeding my what books
i should read...
      i still visit,
  spend about a month,
say, keep him company,
   fix up the kitchen...

  but it's such an exhausting disease...
not so much for the sufferer -
this mild form of Alzheimer -
no killer proteins eating away at
the brain cells -
   dementia?
the ontological nadir of old age...
then again, perhaps the zenith...

a closure...
   the long term memory opens,
while the short term memory
closes -
   he still can solve a crossword
puzzle like a mad genius...
but he lapses into what is
the cinema of mortality...
                 he remembers things
like the two SS-men
   posted in my home town,
running up to them
and saying -
herr bitte bon-bon!...
  the raven black of the uniform
and the glaring *******...

    i blocked the fact that it was
dementia, when my grandmother
thought it was wise to scare all
of us, uncle, mother and father
into thinking it could degenerate
into Alzheimer's...
        he still recognizes me!
Alzheimer's sufferers can't
even muster that!

   at best... dementia couples itself up
with melancholia,
  the natural melancholia
akin to the sadness expressed by
Nietzsche: only when the house
has been completed,
but never during the construction...

dementia is just an endless memory
loop...
   when man is allowed to finally
put down the hammer, the sickle...
and retire?
  he's standing on the precipices of mortality...
on a dam about to crack open,
and release a surge of the sea
of memory...
   why wouldn't he take the time
to remember?
  to remember himself?
        
the tedium comes when the same
persons implores others to listen to them...
when memories become less
of the old man's cinema and more
affairs of an oral culture -
our culture has lost the point
of oral transmission -
  hence dementia sufferers have
to evolve -
                  into not talking so much...
not as a mean spirited conviction -
why? i do the same -
   i have about 10 focal memories
that constant revive me -
               and i'm only 32...
          but i don't talk about them...
hell, i won't write them...
   it's my own, private cinema -
but my grandfather comes from
a time before the optical explosion
of television...

         i don't need to hear what he saw -
all i need is to tattoo his mannerisms
and face onto my psyche...

   but dementia, thank god,
is a listening tedium...
                     point being...
a life opens up,
   but any immediacy of life disappears...
hence his persistent ability
to solve crossword puzzles,
enjoy reading the newspaper -
but the significance of remembering
yesterday is missing...
    
he's an old man...
   he has no obligations in terms of
duty in a professional arena of
the metalwork factory...
why wouldn't he attempt to push death
aside and not linger on
the memory of his, magnum opus -
his life sigma oeuvre?

     me?
  some would call this music neo-**** skinhead
****...
   wumpscut, two songs...
   thorns & wreath of barbs,
     bunkertor sieben (reprise)...
but it relaxes me when sitting on a sudoku,
drinking Bacardi cola and lime...
      enjoying the cool August air
after just enough rain
that manages to exfoliates the flowers
with refreshed sensuality...

  sudoku no. 10101...
    after enough numbers pop up,
the tactic is to hone in on one number
in each of the 9 squares and 9 vertical
and 9 linear line...
for sudoku no. 10101 in the Friday's
edition of the times?

   it went something akin to this

[8, 5] - [3] - [1] - [9] - [7] - [2, 6] - [4]

that's the closest schematic
i'll have for you,
   with regards to how the grid is filled.

oh sure sure, the uncircumcised man,
crucified when all the orthodox were
drunk,
                   פור day,
       drunk cruxion?!
                 lovey purin "misgivings";
what's next?

   oh sure sure, the jews would hav e crucified
me on the hill of: tel megiddo
****-heads throwing up their kippahs
into the air in some skewed form
of celebration...
       like bacchus entering
Valhalla asking: where's the mead?
    i've had too much wine...
where'y the whiskey?

   i'll keep repeating...
              talk about jews among the polonaiase?
hush hush: ****, dont want to bring
bad luck... jews in poland are very much akin
to roma gypsies: lucky charms...
but... do you see any ******* leprechauns
around? look at me: i see none...
  let's tell the joke in verse,
not the stadard: a priest a rabbi and an imam
walk into a bar...
****... is that even a joke?! muslims don't drink!
what's the imam having; cranberry juice?!

and englishman a scot and an irish walk
into a bar... the three of them walk
out on stag-duty with inflanted sheep and
speaking cymcru... terrible joke...
as all my jokes were to begin with...

         i am currently navigating,
my uncle's ex girlfriend is sleeping downstairs
on the couch,
blah blah Tuscany... blah blah prosecco...
i'm becoming suspect: she's a gemini,
isn't she? all the geminis i ever met where
extroverted self-absorbed louis XIV types...
they need to, they need to self-absorb themselves
in order to extract the sort of energy
associate with rhetoric,
   and how they constantly digress,
there's always a sub-plot to the plot... nay,
there are always sub-plots...
          great company, i mean...
when a person speaks all the time there are
no awkward moments of silence,
until the said person tells the "eager" listener...
play some music...
she's a warsaw girl, so she's a pretty learned
in the ways of the world,
i'm just an ostrowiec commoner...

    oy vey! oy vey: she'***** 40 and lamenting...
i too complain about my uncle...
she had an abortion with him...
i once talked with my uncle about music
while he surfaced at mrs. roshandler's back garabe...
we ate sri lankan fried chicken wings and
chips and listened to californication
for the very first time...

   abundance of hope in Tuscany...
"apparently"... but if you have ever watched
a woman, borderline on asylum incarceration?
i was looking at one just example...
  it's not a pretty sight...
even when she asked: how's *** and business?
i'm a monk...
          or at least i tend to...
even if she came from a stock of
failed relationships: fine fine...
            now?

i served up decent food,
a malvani and a tikka masala curry...
          naan bread,
     turmeric infused rice,
vanilla cheese cake with strawberries...
she enjoyed it,
i like to please people...
    mind you: ever see a slim chef?
i wouldn't trust a slim chef,
i never have, i never will,
you need some chubby chub chub rounding-offs...
mind you: i much prefer cooking
food than eating it,
but i would never trust a chef associated
with a c.o.d. associated with counting calories...
never have, never will...
two noteworthy proverbs:
1. too many cooks in one kitchen =
no decent meal is being made...
  one cook, one couldron, that's your best bet...
2. never trust a slim, athletic cook...
those ******* can shove their kale
       smoothies....
they can slurp up those smoothies
turning their ***** in straw ******* vortexes!
i'll cook on lard trimmings,

em....
  [9] - [2] - [6] - [3] - [8] - [1] - [4] - [5, 7]?
that's when the sudoku puzzle was filled...
all the nines... all the twos... etc. became filled
in the 9 grids...

well...
     "apart" from: my uncle's girlfriend:
i've been living in englamd
for nearly 30 yeasrs...
i've dated a french girl,
an australian, a russian....
but u've never dated an english
girl: i guess they much prefer
aged pakistani grooming gang
members....
            i guess:
**** gasoline on them,
they're all readied and geared up!

braille contra morse?
if you want to play the guitar?
forget the braille....
you need tender fingertips
to read braille...
morse? nit so much...
here's a comparison...
i see!

    a.:   ⠓⠑   ⠺⠓⠕
                       ⠎⠑⠑⠎
    ⠊⠎       ⠁⠃⠇⠑
                   ⠞⠕
                                     ­   ⠗⠑⠁⠙

b. play the guitar and learn to....
read finger tip braille, ******....

· · · ·  ·         
· − −  · · · ·  − − − 
· · ·  ·  ·  · · · :
                  · ·  · · · 
▄▄▄▄▄▄▄▄ ▄▄▄▄▄▄▄▄▄▄ · − · ·  ·  (a / b)
      −  − − − 
                   · − ·  · ▄▄▄▄▄▄▄ − · ·  (a)

(he who sees: is able to read)...

           i can attest...
             i would find myself readily reading
morse in braille,
than braille by itself...
                far more easier.

finger-tips... i'd sooner read your morse
as braille, than braille as morse..
Louise Johnson Oct 2011
Thoughts are running through my mind,
Trying to make me look behind,
Why are these thoughts intent on hurting me?
I've become distant from friends and family.
"Why is this?" My thoughts scream in disgrace.
But the smile is still stapled to my face.
Until my thoughts mince the words that I had feared.
I know this now, my thoughts are geared.
They're geared on causing me so much pain.
I can not take much else again.
But as all this is happening in  my head.
I smile like I didn't hear what my mind had said...
I must report the passing of a dear old friend today
I'm not sure when it happened, but I felt I had to say
That the Vegas that's in movies, books, and on TV
Is not the one that you will find, it's not the one you'll see
I know your expectations are of glitter and of lights
Of singers in the lounges that play into the night
The lounges now are empty of the singers and the bands
Instead they're full of djs, and bad magicians badly tanned,
The song that was Las Vegas is not one thats in your head
The one you know with Elvis, is now gone, you see it's dead
The old hotels are gone now, It's not like it was before
The new buzzword in Vegas is now just, MORE, MORE, MORE
It's now a culture aimed at being bigger than the rest
For now it seems that bigger, means you're now known as the best
There's hotels full of bedbugs and the service is the *****
But, the casino doesn't care if there are people in the pits
The strip is nearly two miles long, and almost half is blank
It's like the desert opened up and ten casinos sank
At one end is the Stratosphere, it's got a real cool view
But, because of it's location it's not easy to get to
The Sahara was next closest, but now the Lady's gone
And to walk from this tram stop at night, well I cannot say it's fun
It's dingy and it's ***** and it's not a place to be
I wouldn't recommend this part, it's not a place to see
Freemont Street, The Old Vegas is off the beaten path
It's an hour ride upon the bus, and a taxi...do the math
It's just a place to go to once, there's no reason to return
And if you ever visit here, I think that's what you'll learn
The middle part of the strip is glitzy and spread out
It's kind of close to what Las Vegas is about
It's not all geared to people who have childeren all in tow
These ultra cool casinos is where you might just want to go
The other end is busy, but it's full of gloom and doom
And on every single corner, you can get girls to your room
There's people handing out small cards with women with a price
Who'll come up to your room and well....let's say they don't play dice
On every bridge across the strip, there's beggars and there's hawkers
They're selling everything from cds to bottled dollar water
It's tourist town, a fast food mess, it's Disneyland on crack
There's lots of things to do down here, but you must always watch your back
Did The Mirage **** it?, when Steve Wynn said let's go really huge
Hotels like this were ten times larger than the Moulin Rouge
It wasn't when Hughes came to town and bought the Desert Inn
You know the land that's now the new home of the casino known as Wynn?
It didn't die when Elvis left, it sill was full of life
But at someime since the town has died, it has fallen on the knife
The strip itself is two miles long, but you know that that's not all
In the years since Elvis left, it's become a big strip mall
There's stores here selling plastic , and the people shop in streams
I'm not sure, but to me NIKE is not the Vegas in my dreams
Rolling in their graves, I bet the stars who made this town
Are sitting in heaven or hell, saying when did it go down
There's more shows now of tribute acts and hypnotists galore
And you can find a Circus from Quebec through nearly every hotel door
At some point rigor mortis set into this old girl
I wish they could revive her, at least give it a whirl
There's buffets selling fried foods, obesity....my lord
And if you don't go out to Denny's, the restaurants you can't afford
My mind has got an image of Vegas that is cool
It involves going out late and spending daytime at the pool
You dress to go to dinner, maybe dancing and a show
And the concierge at the hotel is someone you should know
But now, you go out shopping to the outlet in the day
The casinos are all empty, since there's no one left to play
Getting dressed to go to dinner, means you switch from shorts to jeans
And the ways some people act now, well it's borders on obscene.
So, today I'd like to ask you all, for you may know more than I
But, can anybody tell me, just when did Vegas die?
Andrew T Jul 2016
Backstory: A Memoir

For Vicki

By AT

5

While I was downstairs, folding laundry in the basement, I heard my sister Vicki stomping upstairs to the room that used to be mine, slamming the door, and locking it shut.

I was a ****** older brother. And Vicki learned that action from me.
Then, I heard more footsteps. Louder stomping. And I knew, with certainty, it was Mom coming after her.

I'm not an omniscient narrator, so I don't know what Vicki does when the door is locked.

But I do imagine she is reading. Vicki’s been using her Kindle that Mom got her for Christmas. She adores Gillian Flynn and Suzanne Collins. She's starting to get into Philip Pullman which is swagger. I remember reading His Dark Materials when I was in elementary school.

The Golden Compass ***** you into that world, like during June when you're hitting a bowl for the first time and you're 17, late at night on Bethany beach with your childhood best friend, and the surf is curling against your toes, and the smoke is trailing away from the cherry, and you begin to realize that life isn't all about living in NOVA forever, because the world is more than NOVA, because life is bigger than this hole, that to some people believe is whole, and that's fine, that's fine because many of our parents came here from other small towns, and they wanted to do what we wanted to do, which is to pack up our stuff into the trunk of our presumably Asian branded car, and drive, drive, until they reach a destination that doesn't remind them of the good memories and the bad memories, until memory is mixed in with nostalgia, and nostalgia is mixed in with the past.

Maybe I'm dwelling on backstory, maybe you don't need to hear the backstory.

But I think you do.

Life isn't an eternity,
what I'm telling you is already known, known since there was a spider crawling up the staircase and your dad took the heel of his black dress shoe and dug his heel into that bug. And maybe I'm buggin’, but that bugged me, and now I'm trying to be healthier eating carrots like Bugs. Kale, red onions, and quinoa, as well. Because I want to be there for my sister, Vicki my sister. All we got is a wrapped up box made from God, Mohammad, and Buddha.

Soon, I heard Vicki’s door handle being cranked down and up, up and down.

Mom raised her voice from a quiet storm to a deafening concerto.  
Then, there was silence, followed by a door slamming shut.

Welcome to our life.
Later on that night, Vicki sped out of our cul-de-sac in her silver Honda Accord—a gift from Mom to keep her rooted in Nova—and even from the front porch of my house, I felt a distance from her that was deep and immovable.

I sank deeper into my lawn chair and lit a jack, but instead of inhaling like I usually did, I held it out in front of me and watched the smoke billow out from the cherry.

I always smoked jacks when she was not there, because I didn’t want her to see me knowingly do this to myself, even as I was making huge changes to my life. It’s the one vice I have left, and it’s terrible for me, but I don’t know if she understands that I know both things. Maybe instead of caring about what jacks do to my body, I should care about what she thinks about what I’m doing to myself. This should be obvious to me, but sometimes things aren’t that obvious.

4

As we grew older Vicki and I forged a dialogue, an understanding. She confided in me and I confided in her, sharing secrets, details about our lives that were personal and private, as if we were two CIA agents working together to defeat a totalitarian government—our tiger mom.

But seriously our mom was and still is swagger as ****—rocks Michael Kors and flannel Pajama pants (If I told you that last article of clothing she'd probably pinch my cheek and call me a chipmunk. Don't worry I'm fine with a moderation of self-deprecation).

The other day Mom talked to me about Vicki and explained that she was upset and irritated with Vicki because of her attitude. I thought that was interesting, because I used to have the same exact attitude when I was my sister’s age and I got away with a lot more ****, being that I'm a guy and the first-born. I understood why she would shut the front door, exit our red brick bungalow, and speed away in her Honda Accord, going towards Clarendon, or Adams Morgan, spending her time with her extensive circle of friends on the weekdays and weekends.

Because being inside our house, life could get suffocating and depressing.
Our Grandparents live with us. Grandpa had a stroke and is trying to recover. Grandma has Alzheimer’s and agitates my mom for rides to a Vietnamese Church. Besides the caretakers, Mom, Dad, Vicki, and I are the only ones taking care of my grandparents.

Mom told me that she believes that Vicki uses the house as a hotel. Mom didn't remind me of a landlord, and I believe that Vicki doesn’t see her as that either.

I didn't believe Vicki was doing anything necessarily wrong.

She had her own life.

I had my own life.

Dad had his own life.

Mom had her own life.

I understood why she wanted to go out and party and hang out with her friends. Maybe she was like me when I was 21 and perceived living at home as a prison, wanting to have autonomy and freedom from Mom because she was attempting to make me conform to her controlled system with restraints. But as Vicki and I both grow older I believe that we see Mom not as an authority figure; but, just as Mom.

Vicky and Mom clash and clash and clash with each other, more than the Archer Queens of The Hero Troops clash with the witches of the Dark Elixir Troops.

They act like they were from different clans, but they're both on the same side in reality.

The apple does not fall far from the tree. And in this case the tree wants to hang onto the apple on the tip of its rough, and yet leafy bough.
Because the tree is rooted in experience and has been around for much longer than the apple.

But the apple is looking for more water than the tree can give it. So the apple dreams about a summer rain-shower that will give it a chance to have its own experience. A similar, but different one, to the darker apple that hangs from a higher bough, an apple that has been spoiled from having too much sun and water.

3

During Winter Break, Vicki scored me tickets to a game between the Wizards and the Bucks. From court side to the nosebleeds, the audience at the Verizon Center was chanting in cacophony and in tempo. Wall was injured. But Gortat crashed the boards, Nene' drained mid-range shots, and Beal drove up the lane like Ginsberg reading Howl.

Vicki and I both tried to talk to each other as much as we could; unfortunately, Voldemort—my ex-gf—sat in between us and was gossiping about the latest scoop with the Kardashians.

Nevertheless, Vicki and I still managed to drink and have an outstanding time. But I should have given her more attention and spent less time on my smartphone. I was spending bread on Papa John's Pizza and chain-smoking jacks during half-time, and even when there were time outs. When I would come back and sink into my plastic chair, I'd feel bloated and dizzy.
And I'd look over at Vicki and either she was talking to Voldemort, or typing away on her smartphone. I didn't mind it at the time, but now I wished I had been less of a concessions barbarian/used-car salesman chain-smoker, and more of an older brother. I should have asked her about her day and her friends and her interests.

But I didn't.

Because I was so concerned about indulging in my vices like eating slices of pepperoni pizza and drinking overpriced beer. There's nothing wrong with pizza or beer. But as we all know the old saying goes, everything is about moderation.

Vicki scrunched her nose and squinted her eyes when I would lean forward and try to maneuver around Voldemort, trying to talk to her about the game and the players in it. I imagine that when she smelled the cigarette smoke leaking away from my lips, that she believed I was inconsiderate and not self-aware.

After the game, we went to a bar across the street from the Verizon Center, and bought mixed drinks. Voldemort was D.D., so Vicki and I drank until our Asian faces got redder than women and men who go up on stage for public speaking for the first time.

I remember this older Asian guy was trying to hit on her.
I took in short breaths. Inhaled. Exhaled. I cracked my shoulder blades to push my chest forward.  

And then, I patted him on the back and grinned. The Asian guy got the message. You don’t **** with the bodyguard.

Vicki had and still has a great boyfriend named Matt.

I guided Vicki back to our table and laughed about the awkward situation with her.

The Asian guy craned his head toward me and did a short wave. And then he bought us coronas. Either, you’re still hitting on my sister, or it’s a kind gesture. She and I better not get... Or am I overthinking it?

But seriously, I wished I had been the one to spend money on her first—she had bought the first round of drinks. Because at the time, my job was challenging and low-paying. Or maybe I just wasn't being frugal enough and partying way too often.

I still remember the picture that a cool rando took of us, drinking the Coronas, and how I was happy to be a part of her life again. Our eyes were so Asian. I had my lanky arm around her small shoulders, like a proud Father. She had her cheek propped up by her fist, her smile, gigantic and beaming, as though she had just won Wimbledon for the first time.
I was wearing a white and blue Oxford shirt that she had gotten me for Christmas with a D.C. Rising hat. She had on a cotton scarf that resembles a tan striped tail of a powerful cat.

My face was chubby from the pizza. Her face was just right like the one house in Goldilocks. The limes in the Coronas were sitting just below the throat of the bottles, like old memories resurfacing the brain, to make the self recall, to make the self remember how to treat his family.
Or maybe this is just a brand new Corona ad geared towards the rising second-generation Asian American demographic? I'm playing around.
But end of commercial break.

Vicki pats me on the back and we clink bottles together. Voldemort is lurking in the background, as if she's about to photobomb the next picture. Sometimes I don't know if there's going to be a next picture.
Either we live in these moments, or make memories of them with our phones. And like sheep following an untrustworthy shepherd, we went back to our phones. She made emails and texts. I went on twitter in search of the latest news story.

2

Before Vicki and I opened each other's presents, I remember I blew up at Mom and Dad, and criticized everyone in the family room including Vicki. It was over something stupid and trivial, but it was also something that made me feel insecure and small. I was the black sheep and she was the sheep-dog.

I screamed. Vicki took in a deep breath and looked away from my glare, looked away to a spot on the hardwood floor that was filled with a fine blanket of dust and lint. I chattered. She rubbed her fingers around the lens of her black camera and shook her head in a manner that suggested annoyance and disappointment. I scoffed. She set the camera down on the coffee table and pressed the flat of her hand against her cheek, and glanced out the window into the backyard that was blanketed with slush and snow.
Drops of snow were plunging from the branches of the evergreen trees and plopping onto the patches of the ground, plunging, as though they were little toddlers cannonballing off of a high-dive.

She turned back and looked at me straight in the eye, so straight I thought she was searching for the answer to my own stupidity.

I cleared my throat and said, “I need a breath of fresh air.”

Vicki bit her bottom lip, sat down, and put her arms on her knees, a deep, contemplative look appearing on her face.

I stormed into the narrow hallway, slammed the front door back against its rusty hinges, and trundled down my front driveway, the cold from the ice and the snow dampening the soles of my tarnished boots. I lit a jack at the far end of the cul-de-sac and counted to ten. I watched the cigarette smoke rise, as the ashes fell on the snow, blemishing its purity and calmness. I inhaled. I exhaled. I could feel it in the pit of my stomach that Vicki knew I was having a jack to reduce my stress, stress that I had cause all by myself. I ground the jack against the snowy concrete, feeling the cold begin to numb my fingers that were shaking from the nicotine, shaking from the winter that had wrapped itself around me and my sister.

When I came back inside of the house, I told Mom and Dad I was being an idiot and that I didn’t mean to be such an *******. I turned to Vicki and put my hand on her shoulder, squeezed it, and smiled weakly, telling her that I didn’t mean to upset her.

She nodded and said, “It’s okay bro.”

But her soft and icy tone made me feel skeptical; she didn’t believe me. I didn’t know if I believed my apology. Minutes later, I gave my present to her.

Her face brightened up with a smile. It was a gradual and cautious smile, a little too gradual and a little too cautious. She hugged me tightly, as though my earlier outburst hadn’t happened.

She opened the bank envelope and inside was a fat stack of cleanly, pressed bills that totaled a hundred. Being an arrogant, noob car salesman at the time, I thought it was going to be a pretty clever present. I could have given her a Benjamin, but I thought this would make her happier, because it showed my creative side in a different form.

I remember seeing her spread the dollar bills out, as if the bills were a Japanese Paper fan. Vicki told me not to post the picture I had taken on insta or Facebook. I smiled faintly and nodded, stuffing my smartphone back into my sweatpants pocket. I understood what she wanted, and I listened to her, respecting her wishes. But I also wasn't sure if she was embarrassed and ashamed of me. And maybe I was overthinking it. But again, maybe I wasn’t overthinking it. Social Media, whether we like it or not, is a part of life. And in that moment, I actually wanted social media to display this a single story in our lives. I wanted to show people that Vicki was the most important person—besides my parents—in my life. Because I was so concerned with how people viewed me and because I lacked confidence, lacked security, and lacked respect for myself

Vicki's present to me was a sleek and blue tie, a box set of mini colognes, and refreezable-ice-cubes. I think she called it the car salesperson kit. But I knew and still know she was trying to turn me into an honest and non-sketchy car salesman. And you know what, I was genuine, but I also couldn't retain any information about the cars features—to reiterate my Grandma has Alzheimer's, my mom writes down constant notes to remember everything, and I forget my journal almost every time I leave the house.

After Christmas I wore the tie to work a few times, but the mini colognes and ice-cubes never got used by me. They stayed in the trunk of my Toyota Avalon. I should have used the colognes and the ice-cubes, but I was too careless, too self-involved, and too ungrateful.

1

Back in the 90’s, when we were around 3 and 6 years old, Vicki and I shared the same room on the far left end of the hallway in our house. She had a small bed, and I had a bigger bed, obviously, because at 6 foot 1, I was a genetic freak for a Vietnamese guy. I read Harry Potter and Redwall like crazy growing up, and I would try to invent my own stories to entertain her. Every night she would listen to me tell my yarn, and it made me feel that my voice was significant and strong, even though many times I felt my voice was weak and soft, lacking in inflection, or intonation.

I had a speech impediment and I had to take classes at Canterbury Woods to fix my perceived problem. I wanted to fit in, blend in, and have friends.
Back then Vicki was not only my sister, but my best friend. She used to have short, black bangs; chubby cheeks, and a dot-sized nose—don't worry she didn't get ****** into the grocery tabloids and get rhinoplasty. She wore her red pajamas with a tank top over it, so she looked like a mini-red ranger, and her slippers
Dedicated to my baby sister, love you kid!
What caused you to write a book and have it published?
Thankfully, I’ve enjoyed a career in IT (Information technology) for over 25+ years. However, I’ve been downsized out of a job four times – the last time in 2005, I was unemployed for nine months. During that time, I looked at over 19,000+ companies to find one job. With more jobs in my field being outsourced to lower wage earners overseas, I decided I needed an exit strategy from the corporate world to launch a more stable career and income.


2. How long have you been writing?
I started officially writing poetry in January 2001; it was a natural progression from working on my website. I started my website (Bunganut Lake Online) back in 1999; as I added content over the years, I started writing short stories about fishing, followed by haikus about fishing and Nature; then I started writing senryus about traffic (see honku.org) and later about God.


3. How long did it take to finish your book?
I spent about 13 months to write the manuscript of my current book; once I initiated the book making process with my publisher (BookSurge), I had the final product in hand in 3.5 months.


4. What is the name of your book and what is it about?
The name of my book is “Reaching Towards His Unbounded Glory”; the ISBN numbers are: 1-4196-5051-3 & 978-1419650512. It is a book of poetry, geared to inspire people to develop or strengthen a relationship with God.


5. Do you want to write more books and have them published?
Definitely; I have four completed and unpublished manuscripts; in addition, I have five other manuscripts started. All of these writings are poetry.


6. Who or What was your inspiration when writing your book?
Jehovah is my inspiration; He’s always been my Source, Redeemer and strength; most of my life, I’ve blessed to attended Church and receive Salvation in my youth.


7. What is your favorite author and book?
After the Bible (KJV), my favorite book is: How to Rule the World: a Handbook for the Aspiring Dictator by Andre De Guillaume. (It’s a humorous look at people and their desire for power.) Most of my reading is technical stuff from sources such as PC Magazine, so I don’t have a favorite author (in the traditional sense). There are number of poetry writers that I do enjoy [who are too numerous to mention, such as PDK (AllPoetry) and Gershon Hepner (Poem Hunter)].


8. What is the best thing about writing?
The best aspect of writing is the freedom of expression and the power to choose words, conveying ideas and concepts that bolster one’s imagination.


9. What are some of your other hobbies?
I love spending time at the lake in Maine where I own a summer property – activities include swimming, fishing, campfires and working on my website; I also enjoy board games, such as backgammon, scrabble and others, as well as computer games (ranging from pinball to Wolfenstein).


10. What caused you to use BookSurge?
I looked at a number of publishers and was disappointed at their offerings and reputations. For me, BookSurge was chosen because they are owned by Amazon.com; in addition, they provided all services required for the bookmaking process. Although I spent a fair amount of money, to me it’s worth it. For now I’m tapped into a global economy with a quality product. No one wants to spend their hard-earned money on an inferior product – so I did what was best for me.


11. What would you tell others that wanted to become an author as well? What steps would they need to take to get started?
Now that I’m published, I find myself more than willing to share my experiences. The first step is to have a notebook or clipboard to store and write down thoughts and ideas. Second, one must identify what one has passion about; one’s writing must come across as sincere and knowledgeable; third is to produce the manuscript; once the manuscript is complete, then start the bookmaking process that is most affordable. Once the book is published, the real work (and reality) of selling comes into focus.


12. How does your family feel about you being an author?
Some family members are very proud and supportive, while others are still mute on the subject.


13. Do you have a website to promote your book?
My marketing plan employs the use of multiple websites; I’ve posted my writing on a number of poetry websites, such as AllPoetry, Poetry With Meaning, Poem Hunter and others; in addition, I have created a “lens” on Squidoo.com. At some, point, I’ll advertise on my own website. In the future, I would like to develop a personal website geared towards marketing my books.


14. Can people buy an autographed copy of your book if they wish to? If so how would they go about doing that?
Yes, people can purchased autographed copies; the best approach is via my “lens” on Squidoo.com; the link is: http://www.squidoo.com/book-isbn-1419650513/


15. Do you think in the near future that you may write and publish more books?
Yes, I am planning to publish more books of poetry.


16. Is it hard work being an author?
That depends on the goals one sets for himself; for example, if one’s desire is to earn a comfortable living from one’s writing, then yes it’s difficult. With the presence of the Internet and related technologies, it’s very easy to be published, but no guarantee to make money.


17. What are your dreams and Goals in life?
The ultimate goal is to become the Christian man as seen by God Himself; after that, I would like to assist others to publish their own books, continue work on my website and develop my own business software for the marina operator.


18. Could you tell us a little about your book and what caused you to want to write it?
My book is a personal expression of faith; The Word tells that we are “more than conquerors”; in a sense, I achieved that ideal since my humble book is “now available worldwide”.


19. Is your book non-fiction or fiction?
I would classify my poetry as non-fiction. To me, a relationship with Christ and having faith is real.


20. Could you tell use where we could get a copy of your book? What bookstores are carrying it and what online stores are carrying it?
None of the brick & mortar bookstores are carrying my title as yet. My book can be purchased via Amazon.com, Borders.com or from me directly via the Squidoo.com “lens” at: http://www.squidoo.com/book-isbn-1419650513/


21. What kind of promotional tools do you use to advertise your book?
I am using several promotional tools; my work has been submitted to two book contests; it is part of the Beijing International Book Fair (in China); I use the Internet and have set-up consignment arrangements with several businesses. I also have printed marketing materials, such as business cards, postcards and bookmarks.
There is beneath us the progenitor and we call it “Mother”. Above us is the progenitor and we call it “Net” for it takes us and tosses us into the known and the unknown.

Our home star is not as bright as yours. We prefer your temperate lands when we visit, where the vegetation is lush and green. Those of us who remain inhabit your deserts and open spaces.

We are your brothers and sisters. Our development has been to grow in awareness and the development of our power. You have the potential to develop as we have, but your instincts are of a social group who need dominant members. You develop your material reality and your physical world. Your anchor is fixed and you grip the familiar and reject the unknown. There is a comfortable point where you feel the fullness, that is the anchor. In order to maintain this as a static point you develop belief systems to support it. This is your weakness, you are innocent children.

We grew and developed along another pathway, our anchor is not  rigid. We use Net for our anchor and so are able to change our perceptual reality. We move in ways that you do not understand and in any direction. We draw the fibers of Net around us and jump and fly. You see us only from your anchor point so that you see us change shape, appear and disappear.

Our voices and languages are barely accessible to you. You hear deep sounds and high pitched chirruping and whistling. Very few among you have remnants of language incorporating any of these. Those remaining are as clicks and whistles. We prefer direct communication.

We are masters of illusion. Our survival has depended on it and it is our instinct.
Our power developed so that when we pull around us the fibers of Net we create a shield and throw an illusion before those who depend on vision. It is one of our protections and also our hunting technique. We are hidden from your material probes and instruments of increased sight in this way.

Although we have been close neighbours for aeons, you have hardly seen us, except for the Few. Your interpretations have created problems for you. Your reliance on the anchor is so great that some among you do go to great lengths to maintain it. There are those among you who will silence the Few rather than lose the fixed anchor.

You are infants only, a seeding coming to fruition, and you play with dangerous toys. Your anchor is geocentric. You are in danger as is any youngster who plays with fire. If we showed you ourselves openly your rulers would not be gentle in their curiosity. We have technology and use material tools but we have had less to restrict us. We held back your development as much as we were able to enable you to develop power of the mind and independent thought.

Your grasp of Net is strong but you are rigid and anchored. You have learned to stand up and hold on. Now is the time to let go and walk, let go and run, let go and fly.

Around what you name “body” and believe to be “All” is more that you do not perceive with your restricted vision sense. You are aware of this. If you will learn acceptance and filter less from your senses, you will find the beauty of the universe of energy around you and available. A small perceptual shift would show you how you appear to those of us outside your narrow sphere.

Your body has filaments, which when translated to sight, appear as small moving threads which shine with rainbows. They move and ripple inside an energy body of light. This is your true body. It has abilities and senses that are dormant as you do not access them. They are accessible but as your anchor renders you blind to this you do not use them without intense effort or instinctively in extremity. The filaments are drawn together and pass through the anchor. Depending upon your ability to select filaments of the Net, your habitual plane and reality is selected and determined.
Those among you with abilities in your energy senses you ostracise and even ******. You succumb to misinformation to treat them as fools or freaks. This may be instinctive but it is a control mechanism to perpetuate the anchor and maintain the hive of your artificial society. So due to this, you have even less sense of true reality as it could be to you, by breeding out and suppressing your gifts. We have attempted to rectify this with limited effect in successive seedings.

You may notice that our words to you have reference to sight. Your terminology is geared to vision. You rely on visual information  so much that you have neglected physical senses of taste and smell, hearing, touch and proximity. Compared with our perceptions you are as blind as a mole is compared to to your visual abilities.

Your construction of reality is so anchored that your dangerous inclination to gather around you artifacts gives to you a sense of permanence. You are anchoring yourselves in time, yet to you it is dead because your senses are dead. There is an opportunity for your predators to use this to enforce your perception of, and control you within, your anchor's limitations. In this way, producing written or pictorial and symbolic records in permanent form is beneficial only so far as understanding continues to exist of the conditions under which these records were left. By changing current understanding and language to suit their purposes, your enforcers are able to manipulate your branch of humanity on a large scale.

You seal yourselves into the rejuvenation plane of the Mother progenitor where you feed and breed. It is so pleasurable to you to stay within this cocoon of reality that you fail to open your cast and therefore fail to fly into the spaces of Net outside where your true inheritance lies. The end result of this is greed and unrest. Your greed is paramount to you as you seek ever more pleasurable gratification. You enslave one another, buy and sell time and forget what you are. You are allowing the destruction of your home world. Without the home world you will have no place of rejuvenation, and worse neither will the myriads of others who share this progenitor.

There is a song from each mother progenitor within Net. It is a combined song and made up of the host progenitor together with silent voices of each and every life form. Together from each home world, the inhabitants send out a pulse. This is not a song from one species of a world but rather it is a song from all species, in fact every particle of every organism that lives.

To our developed senses the song of a world is brighter than the star it orbits. They are filaments of Net. The varied forms of life all send out their unique song. Many of us interact, harmonise, visit, commune and combine. You feel isolation only because you fail to harmonise and join your own song.

In your past and present we have felt the song of your world. Those of us belonging are part of that song. It is the song of being from the many. It does not end at the perimeters which you imagine. You have a problem in that, for the majority, you do not join your voices to the song. Mainly it is in dreaming, in childhood and in old age that we hear you.

We attempted to observe and commune and found many of you receptive to us. We have taught to you methods of development and given you gifts and tools. You have kept and preserved some of this knowledge only for a select few. Fears and distrust among others has caused destruction of a great proportion of the gifts that we have given to you. We found many lines of breeding where potential for development was possible. Your greed and your predator class destroyed many of them due to the competitive desire to have power over others.

In past seedings upon your progenitor and in the oldest times of your present incarnation, we have been known well and respected. Acknowledged for our seniority and loved as cousins. You did call us gods to distinguish our abilities. Then what did you do? Your control mechanisms changed the meanings of your language, whole languages were lost in wars over territory. You developed power structures and religions. Powerful rulers accumulated and isolated your shared knowledge.

You reduced your development by selective education in the Way. Territorial disputes and greed over resources divided you. You ceased to listen to the Mother. Instead of harmonious living which you had managed in agreement with each other already, you were divided by hormonal impulses, insecurity, violence and greed. The natural openness of the female within it's central domain became enclosed, imprisoned and the natural desire of the male to outwardly discover and interact was turned inwards until it became a sedentary desire for dominance within the female domain. You lost the harmonics of the song. Your religions underestimate the power of borrowed tools. Your ruling classes made deals that they didn't understand, with predators they didn't recognise, in order to save themselves.

We stood on ground over ground and were called Immortals. We gave you wisdom and were called Kings. We moved and played among you and were called Jinn. We moved among the small folk and were called Faerie. We appeared in light and were called Angels. We wandered in places where you too did once wander and were called Ghosts and Demons. Those who spoke to us and attempted to impart to your hive our knowledge, you raised as prophets or slandered and ridiculed. You stole their words to make them your own words of power, changing them to your own ends or you murdered the messengers because you feared the changes that increased understanding brings.

You incorporated the experiences of your murdered victims into a celebration of your own power structures, twisted and out of synchronisation with the song. There are some among you who are in communion with the Great Spirit of life. We seek to heal your song, your complete home world song for the benefit of the myriad sentient beings who rejuvenate here, including yourselves. We seek to set you free to wander the threads of Net. It is within your reach but not in the ways that you  are taught.

Your world is about to change and you must change with it as you are a small part of it. Holding the threads into your own anchor point will break them. You have reached inertia, entropy. The movement has to come, it is inevitable. Imagine one of your large machines of cogs and wheels and bars. Your insistence upon a rigid anchor is like a bar within the machine that doesn't move. A point of inertia in a moving system will be removed. This has happened over and over among your kind and our kind in many places and worlds. You do not remember when worlds underwent cataclysm, forgetful of trauma you have followed a similar path.

We travel along pathways of energy, both upon worlds and in the Net. Moving bodies follow these paths. We follow comets and small bodies able to move freely within Net. Net permeates your mother progenitor.

Survivors mapped the movements of Net after the slate was wiped clean and you were reseeded. There is a secret that your rulers are aware of and you are not. The secret is that there are no rulers within Net. You all have the freedom and capability to access true harmony of the song. You allow a faction, to call themselves an elite class. You fear this as a hidden power, a predator. It's aim is to amass Time: a power based on material wealth. They take this power easily as they have taken and twisted truth and history. The gifts are shared among you equally and these few know this. Resources are plentiful and yet you succumb to their restrictions. A predator cannot survive without it's prey. We are not your predators although we move among you. Your predator is within and feeds upon your fear.

You are not in the tribes now, you have no shaman, no guide to take you in and out of the gate and this role cannot be allocated to parasitic Blind Time Hoarders. These whip up your passions and lead you into war and destruction to further their material wealth. It leads you away from the song, as these think to enhance their own survival which it may do but never can as they understand it. They seek to steal your dreams and make them their own, they are helpless without you. They care nothing for the song because they are aware of successive seedings.

Net is a dream reality, changing, immeasurable, boundless, filled with infinite possibilities and you are creators. Blind time hoarders drive you by combining the minds and dreams and belief systems of many to focus onto what they themselves desire, in order to bring it to fruition. They employ dream stealers to prevent your development. They believe that their own song can exist independently and they guide you only to anchor yourselves into your own prison.

All is a dream, all is ephemeral, changing, dynamic. There is no death after death, no damnation on any particular plane. Reality is how you construct your song. Your rulers create inertia for you the many and profit for themselves using you as the tools of your own entrapment. There is no death and no damnation, they are constructs of your reality made by material anchor points and you are controlled by fear of the inevitable. It is a statecraft to use belief systems to control perceptions of reality in order to fix the anchor point to a rigid point of convenience. In this way you are farmed, you are a crop in each seeding. Who seeds you? You seed yourselves. Sentient beings are all naturally regenerated by the mechanisms of Net when conditions exist that are compatible, world after world, in each growth cycle of every celestial body. In the regeneration, holding to your rigid anchor point, you seed into your prison after each cataclysm, each breaking of the inertia.

If you would be open to the mechanisms of the place you inhabit with it's creative forces, it's sentience and it's dynamics you will learn to fly the progenitor Net's pathways and return home for rejuvenation to your progenitor Mother of the tribes.
I wrote this a few years ago. It's a bit long
Mateuš Conrad Mar 2020
.perhaps in my company we wouldn't be... opening a bottle of red wine... to let it breathe... or pouring it into a bowl to give it more air to breathe with: otherwise on life-support machine through the bottle-neck... right here, right now, we have... a glass bottle of beer (13, guinness hop lager) and 4 cans of stella artois (the wife beater's lager, so they say)... yes... beer in cans... for all intesive purposes - a good way to transport beer... in aluminium cans... but we're not bums... we don't drink beer straight from cans... we pour our beer into a tall glass and wait... so the beer can exfoliate like aladdin's jinn in the glass... away from the confines of the can... we don't drink beer from a can... we can drink it straight from a bottle... but if it comes in a can... we pour it into a tall glass... just so... so there's some head on top... we're not english in that respect either... of cutting the head (of foam) off the beer... which is probably why i always order a stout in a pub... you can't pull one without the creme de la creme on top... a head on a beer is what makes it look less like carbonated **** or concentrated lemonade... we're not bums... we drink beer from glasses... never directly from cans - the metal gets in the way... a beer like a wine needs to breathe too.

i found that there are only two types of music styles
that are suitable for drinking -
that's... drinking and not going out -
playing a cat with an imaginary fireplace...
the less imaginary fireplace being:
a stare confined to... watching a pillow...
and the general schematic of a bed...
and sitting hunched in imitation: all crow because
no crow doesn't get you far
on golgotha of daydreams: if only i...
humble servant of dusty feet - the tourist,
the pilgrim - would set off...
         on an amphetamine riddled skew into
a messiah complex adventure...

                     but not me...
                once upon a time the only music
worth drinking to was the blues...
            a long, long time ago...
                hell: once upon a time any music
would do if we all decided to go dancing...
or at least waited for the dance to come of its own
volition and not mine: i.e. the me in i would
just be dragged under the teasing waves
and slurped out to sea...

                   a thousand waves are all but the single
tongue of some swindling kraken...
drinking and random shamanic interludes in
the youth of the night-club...
when there wasn't a tally for score or...
the ones shot down by manfred...
good thing he was called manfred...
   and not some swabian helmut! oi oi!
                                             von Richthofen!
and that was when...
           until came the five beers and on
the 4th it became apparent...
                                  the red garland quintet...
soul junction...

   and it's not... a gerry mulligan's night lights...
piano sentimentality and the ode
to all things urban, cosmopolitan...
                        yes... it's not grenadine in that
sulk of yours... it's cranberry juice...
the city and... the sewers and...
                                 jazz for the urban scenes
of: anywhere but the park...
the graveyard... a choo-choo slowing into
a station... and billy joel come:
mid-life crisis and a new york state of mind...
while over 'ere we have...
     teasing the woods: where concrete ends
and mud begins... thus we can have our Adam...
and...

only today i was walking past his bride...
doing my odd citizen duty of recycling glass...
and buying the amber sedatives (carbonated)
for an evening with some cannonball adderley
or some donnie byrd... or a horace silver...
that's the beauty of jazz...
the music is all there is... the names come and go...
sonny rollins and the story behind
the bridge... and how he would pretend to
but not pretend to... retire and go off and practice
on the bridge so as to not disturb his neighbours...
all the details are there: on the vinyl sleeve
from 1963...

now that's jazz... i don't even want to mind
how pretentious this might sound...
but... it doesn't in that: jazz is jazz in that there
might come some great improv. -
after all: it's all somewhat improv. -
   but you can't really make such basic
generalißations...
        speedy-shoom-of-a-choo-choo whizzing past...
schematic!
   classical music is all a priori...
                              jazz... it's all a posteriori...
how? when people phone in between
1pm and 5pm to classic.fm and they make requests...
they sometimes ask for something specific...
but usually... they vaguely allude to... a feeling...
something "uplifting" - play something "uplifting"...
ergo... there's this... a priori "item"(?)
in the music that's... an expectation...

          i do know what jazz sounds like
a quintent: drums, bass, piano, trumpet, sax...
yes... the guitar... asking the algorithm:
a quintet is five - what is six?
        sixtet - d'uh... sextet... well that's the basic
"i know what jazz sounds like"...
but with jazz there's always this lag...
it's this lagging behind:
    i don't exactly know what i'll feel until
only after i've heard it and in the meantime too...
jazz is all a posteriori -

while classical music for me is all a priori...
given that... it's not exactly improvised:
there's the orchestra, the movie, the script...
   and it's such a music that doesn't worship
itchy fingers of improv. - the stale or rather:
the head-about-to-explode of scoring the music like
a dissected **** of beef...
the cuts for the violins the cuts for the woodwinds...
more so: the almost shy drumming...
the wet-drumming... like rain playing
rattle fingers on tin (roofs)... or what rain would
sound like... if it was made from sand...
either way... jazz is a baggage...

hardly any sort of envisioning a journey from
(a) priori through to (b) posteriori -
and at least with jazz... you never have to really
cite who's playing... in a passing gesture
for all necessary bookmark purposes
of: where i am in the library of jazz...
unlike in classical music... where...
it's either Mozart, Beethoven or then again...
some obscure composer... perhaps ola glejlo...
but it's less about the music per se:
it's about the music of THE composer...
bonus marks for keeping to a rigid diet of one
and completing the herculean task of digesting
his entire oeuvre...

-       so i was walking past the most usual scene...
a car stopped... and she got out...
she must have been no more than 16 pushing 18...
the heavy make-up hid her otherwise boyish
contorts... a short black dress...
and as she got out of the cab...
she had her high-heel shoes in her hands...
   she was walking the cement barefoot...
i peered into her eyes... the lights were out...
perhaps her soul was screaming - perhaps this was
her first disappointment - and it was only... what...
not even 10pm on a saturday night...
my nights of youthful regret usually came after 3am
having to wrestle a berserker...
or how a dog looks like when it takes
to beer with a fond heart and only three legs...
god forbid but "they" would also cut my tail off
to further throw me off balance...
the walked passed and i looked into the cab...
a very, very nervous asian was looking at me
and then her... this didn't exactly look like...
she was ***** or was fighting to escape...
           aren't those scenarios usually stage in and around
woods - without any pedestrians walking past?
call it a trainwreck a carwreck...
                      or just running mascara...
that bad, eh?
at this point... society is a cruise ship...
and i'm stuck with ottis and none of that sentimentality
of the dock: running away with a bag of
chips wrapped in newspaper away from
seagulls... who... are apparently prone
to kleptoparasitism - a real thing... i swear to god...
the animals that want to eat in the realm
of trans-species... dogs have had their
kleptoparasistism repressed: crumbs from the table...
the chicken bones with hopes for
cartilege and someone who... is bad at
cleaning the flesh off the bone: pucker up...
move aside leech... watch this slurp...
ol' hank mobley and wayne shorter...
        one cascade after another...
5th beer in and...

yeah... so that's what a carwreck looks like...
for a girl in her late teens...
the cute black dress...
   getting out of the cab holding her high heels...
walking home barefoot...
she wasn't crying just yet...
but i could see puffy tender demon baron
of the soft cheeks readying to turn into
medussa's stare-grip... but not there yet...
this must have been her first time at "life"
and the night life and saturday...
         the cab driver looked scared shitless...
as if frozen in time... about to have his photograph
taken by a more sensible shadow of his...
i did think she just escaped a bad
session of prostitution...
but not even prostitutes look so ******* gloomy
as she did...

the ******* ***** it up -
the pundit ***** it up - the show goes on...
stage or no stage... an audience or no audience...
those eyes though... not yet crying...
but they felt... like wheeping oysters nonetheless...
you know when eyes are like that...
teasing bulging out... they appear dimmed
at first... but that's a dimming before
the sparkle of tears...
it's the 29th of febuary - yes...
mr. zodiac wasn't kind to those who still believe
in the horoscope but never tried
gambling on a winning team or horse...
it's still winter and those poor feet of hers...
she must have told the cab driver to stop...
hell... half a mile before she would get home...
a 6ft2 115kg sore thumb up with a beard
up ahead: stop! let me walk past him...
that's why i gave an inquisitive stare at the cab driver...
the cab driver was looking at me...
aren't the **** victims the ones jumping
out of the cab as it speeds off or whatnot?
so this was... staged?
              i read the "situation" wrong...
well no... i didn't find a lancelot in me...
there was no door to be held open...
           not tonight...
                                           i was in a mood for
beer and jazz... and luckily for me...
marvel of all marvels...
     haig club (1627) was sold at a bargain...
                        down from 25 quid to 16 quid...
goodbye excessive drinking the cheap *****...
hello: clubman haig... is it whiskey...
is it ms. amber... or is it chanel no. 5 -
                   is it whiskey or is it a perfume?
a snapper of a dinner standing-up...
   the scent of the last bite still on my moustache
even though i had washed my teeth...
the beer bottle opened - a drizzle on the hand
and then the hand smearing the liquid all over
the stinking hairs from an unwelcome scent...
i don't mind stinking like hops...
                  but hops is better than smelly food...

- regrets? ah yes... the "what if" universe at large...
that "whaf if" this and "what if" not...
"what if" yes and... when a man takes to walk
the street at night... he's only looking for empty
streets and... the hope of not seeing his reflection:
which is never about abruptly stopping
a cab and taking your shoes off
and walking in a tight-knit black dress
having met the world and...
                     was it heartbreak or just...
disappointment that... there are no unicorns
and she isn't daddy's precious?

any of the rudy van gelder editions...
                      "what if" i had more than just these
words... a barren wasteland of a flat
with no furnishings, not a book to call it a genesis
of a private library... not a single record
to play... no bed no curtains...
and she was the: honey-catch and snare and...
what if i were still in my late teens and
didn't have these invisible tattoos of historical
dates and the tattoos that riddle bones
that are... "habits of hygiene"...
      by hygiene i imply: ontological fixtures...
immoveable objects of accumulating my mortal
years for this formal circumstance of
the worst magic trick of all...
                   transient and... packaged elsewhere...
apparently going nowhere...

if this was a truly urban scenario...
but we're talking essex...
the outskirts of greater london...
if i bothered myself tonight i might go
to a place where i'd sit on a throne of a stump
of oak and listen to owls...
spot a rabbit, spot a badger... the foxes would
come of their own accord...
and perhaps even a deer or two... or three...
there's no glit of a picaddily circus romance:
when a girl decides to get out of a cab early
and put her porcelain toes on the wintry cement...
as if: supposing she be enticing me...
as i was thinking about the scared-shitless
cab driver...        

to have once upon a time believe in love:
the sort of love you'd see in movies...
but that's of course...
before you'd get a chance to see love...
in opera...
blue pill red pill... spiderweb of fiction...
blah blah...
watch the sort of love in movies...
then go and see an opera...
most notably verdi's la traviata...
  the movies fizzle out and you don't really
need to read this to begin with...
        i was in love once...
it was a love that was in love with itself...
          a mirage a carrot on a stick...
probably something akin to this sort of impromptu...
rescuing a girl walking barefoot home...
oh sure... happens almost every other saturday...

- the beer is for these musings, for the jazz
and for... cleaning the kidneys and a work-out
for the bladder... the shot-at-a-crescendo
will come with the haig club whiskey...
is 70cl really worth 25 quid?

- there's a difference between food with a USE BY date
and food with a BEST BEFORE date...
most notably goat's cheese...
once the best before date expires...
which is way way down the line from
the use by date... the cheese starts to taste
like... ash...

i should know since i know of the alternative
to doing shots of tequilla...
the salt is replaced with licking some cigarette
ash...
the tequilla is replaced with *****...
and the slice of lemon is replaced with
black peppercorns...

so i do know what ash tastes like...
piquant tastes: this omelette of an octopus and
of tongue...

- society is a cruise ship and i'm waving it goodbye...
welcoming a sunset of a sea as calm
as a mirror... telling my feet to take root
and stand... inaccessible...
otherwise... i am barren when it comes to having
some (h. p.) lovecraftian sensibilities from
maine... aloof and anemic... anemic with bloodshot
eyes...

- of course she isn't a mystery...
the narrative would run: the little match girl...
hans... hans! hans?! hans andersen is drilling
a hole into my head about... a woman walking
home barefoot...
yes... but she is walkig home...
unlike the little match girl...
and unlike the little match girl...
this girl was carrying a pair of shoes with her...
it's not my problem whether
i'm the sore thumb that "got in the way"...
a fork in the road: like any other fork...
like any other road...

do you have to reach being 34 to see these
teenage break-ups and regrets come and bump into
you after you've done...
that most spectacular feat of towing a backpack
full of glass for recycling?
where is one to recycle bones?!

- right not all the ***** in the world is...
something of an adhesive... a hitchhiker pollen...
a hard-on of: ****** yourself for a hard-on
just because even flapping a pancake will do right now...
to ease constipation whenever necessary...

- it's a torilla... but it's wrapped like a burrito...
well... it's a torilla... kultur shock -
sarajevo - the entry level shock-awe and
blitzkrieg of drinking from the fountain
of the Haig...

- second tier... to treat pornographic movies
like... early cinema... silent...
otherwise a return to the magazine form...
and the ripe imagination readied for:
improv... or... when was the last time
my left hand didn't feel like an oyster...
and an oyster didn't feel like a leash...
and a woman's ****** stopped being
an hour worth 120 quid? -

             - third tier... the haig club whiskey
is not worth 25 quid... it's over-rated...
you're basically paying for the bottle...
i'll stick to my guns...
only the irish know how to make whiskey
on these isles... bushmills: mellow, tame...
the picts have decided to lodge
a smoking salmon into their barrels to die...
i'm supposed to have an aftertaste of vanilla...
with all that smoke... i'd be happy to taste
hungary and smoked paprika! that would
be a bonus to boot! -

- i can appreciate the picts for trying...
but let's just leave brewing whiskey to the irish...
and let's keep the english away from hops...
they'll make an undrinkable ale from it...
never the lager...

   - armed with balkan rock... standing before
the h'american monolith of tongue and culture...
or... just before what's filtered for the export...

- no... of course i don't think h'americans are dumb...
i just think there's only a naive majority...
i'm going to find the vermin and huddle among
them...

- sooner or later we'll be calling the germans
come spring... for winter provisions...
"keeshond" or: hund... i much prefer the latter...
from under the iron curtain forged from
a broken jaw when biting the curb of:
under the silicon veil... nowhere else to go...
beside Ishrael...
                        
          remains of the ottoman - which is hardly
me put into an iron maiden of akimbo...
where's the geisha and the samurai?!

- is your beard long enough?
      like mine... i tease it... catch it with braille
cardinals: the thumb the index and middle fingers...
twirl it... wait for some thread to tie it together
into a hanging ******* of a bundle...
while at the same time:
          before you... a throng of vermin...
this beard... a magic flute!
the zenith of my thinking...
and ultimately: the nadir of any narrative
that might be inclined to escape and
not become 3D...

- i listen to songs in german...
i put on airs of pride - my chin starts to contort into
the moon's scythe and sickle...
even if the night is overcast with beard,
or cloud...

- then i put on a record that's 20 years old...
deftones' white pony...
and i remember being a teen...
hungry for hormonal diet...
a diet to stop the bones from aching
as they grew extra sprouts:
adverse to the skin and photosynthesis...
bones that were expected to grow
entombed... not in flesh...

- sketches from the gasoline additive when
it comes to a beer, starter...
otherwise: elite... gonna breed on top
of the general... pucker up the tremor for a vibrato
kiss and leech her lips off...
to expose her most pristine:
todlächeln -
                           not a chelsea grin...
the joker lapse... i mean... extending the shaving
lines and just, completely, forgetting there's
any botox involved to grow a peach
from a duck of the reinvention of
the deflating balloon...

   leave no selfie without it...
                   herr grinsen: die / das / die / das...
i keep forgetting the definite plural and
the definite singular... feelz... feels...
maximum impromptu: das bösartigwimmern...
anything in german at this point...
sounds better than...
wenigbruder englisch...
                       dies, mein krawatte beste...
alle schwarz alle weiß:
      say to me... nein pinguine willkommen...

anything to keep these mosquitos these
zeppelins away... alt vater großartig Schwab
from this... herd of minor dicta
of the children of the house of ßaß...
translated nomad from the high pressure
***** basin of:
later, trajectory... later... the yawn and canyon...
and the sky above...

- beer first... whiskey after...
shrapnel... and gasoline... no car... no speeding...
fast but otherwise still walking...

            - a hurrah and the cohort of a hum...
to match the echo of the centipede...
         the silence and otherwise the simplified
complications of a conversation...
the bed torn between *** and sleep...
between saturday sunday and monday through
to friday...
   and the need to drink with someone else...
"the need"...
          
the skulls breaks at the sight of sea-riddled-and-*****
cliffs... daggers persuaded to be forever sharpened...
the fiddly parts of ***** as accountants when
it came to the pennies, copper, and granules
of sand... seized: the rivers of time...
constipated shock value elevated...
                            
                                am i to find a lover when
the orchestra tells me...
these words will never find a dear sir / madam
or circle round for a yours sincerely...
                godzilla... the theme i remember from
the days when the japanese still had control over the beast...
otherwise... an overweight t-rex with...
arm extensions... the lotus feet of the chinese...
which also includes...
the savory diet of... tendering dog meat...
i.e. beating the dog to a plum softening...
which is: then again... not curing the already dead
curated meat...
life aware needs to be involved...
brick by brick brick on brick...
the status quo: made in china...

         cheap whiskey... although in an expensive bottle...
that is the haig club whiskey...
        so much for ezra pound admiring
the ******* ideograms...
what's to admire... when...
it ends up being a crude...
current latin emoji-infiltrated grafitti
equivalent to: CUL8R...
               chow-chuckle-mein-hong-shui-chew?
all that intricacy into the ideogram...
and all that remains is...
bat soup... and an advantage at playing
poker... omnivores...
you'd think that Islam would be...
more geared to break ranks among the omnivores...
like all the fickle gods... a good joke...
they abhor / are told to herd sheep
because: what sort of pig would survive the desert
and not become crispy bacon...
camels are fine too... as are their testicles...
never mind the pork leather shoes and pork
leather belts...
but the chinese omnivores are fine by
Allah: Muhammad & Co....

                               khadijah **** khuwaylid..
wrote the first surahs of the quran...
she was the literate:
the stephen vizinczey epitome:
                          in praise of older women...
last time i heard... muhammad was illiterate...
pray! that i've exhausted sympathy on
him being an orphan...
but not a ******* oliver twist thrown into
an orphanage! b'ooh h'oo...

                     the end... the whiskey isn't going
to drink itself;
as i have exhausted the patience of my bladder...
while there's the remaining concern
for a bewildering and a simultaneously
bewildered peacock... on the hunt for coy;
which is not exactly the darwinian daydream
of the short-hand greek alphabet...
the α-β male thermodynamic...
          the Σ-Δ female harem...
salmon swimming up-stream to spawn...
                             and... Ω-man / unicorn...
                     sha! schtil!
Julian Apr 2019
The inaugural bang swiveled with the vacant expressions of a muted feral crowd indignant about ethnic identity and swift in the recourse of tyrannical thugs pandering withered abuse

I solemnly abided in a chirpy itinerant glower against the exclusive system for stranding the disintegration of lyrical integrity for the Potemkin cheers of the culmination of too many jeers

Withered words for the abeyance of silence I incurred with wistful pleas for resurgent clarity beyond   sheepish fears

So I loitered in the evanescence of words..

Watching with alacrity as the strident ignorance of grafted wretchedness writhed its last mustered exsibilation at the sound of windbags bloviating beyond prodigal extravagance without a visible tweeted word

I measured my pause…..as I considered the heft of poignant exposures to a dismal serenade of miscegenated politics and garbled breaths of wheezy mendicants seeking participation in the trophy of smothered compliance

But I marveled simultaneously at the extinction of the shriveled crowds as they sized up the minutiae of wastrels glamorously inviting a frozen recapitulation of sorrows borrowed and wasted on minced platitudes that swindle still the votive confidence of regimented sympathy pretending empathy for soured hearts professedly defiant at their bereaved will

My pulse I clocked at 120 as I wondered where on earth the 140s and 150s have frittered their patience on with such brazen alacrity for the garish snarl of a sojourn into the ineffable effrontery of aureate mutiny against the tyrant of deaf spoon-fed indignation without the luxury of shared ignominy of memorable cadence for frippery in sparse blurbs registered in braille rather than brawn

Then I remembered my vociferous persnickety temperament and the curdled hatred of procrustean swan songs to an etiolating standard of ethical entanglement in aloof issues delivered with a decisive swoon too swift in earnestness to outfox with a quipped rebuff or a calculus of classical spoof

Then I wondered with a problematic but inherent prolixity…..
I too could adorn the adoring moon with a lyrical lampoon geared for a clockwork punchline or a winsome rebarbative tune….OR…. enchant with an incisive acerbic rant about how pasquinades outstay their welcome because of the clambered insistence of happenstance years ago in a blinkered mirror but never rehashed too soon

But where would affection heap its laurels if I dared to swindle the spotlight away from frisky poetasters who proved a renegade inspiration for fluttered triumph in a seaside tragedy only the crestfallen waves of pestilent Idiocracy could steal from my outstretched tenacity in verse and verve

Boom went a fulmination of hatred at my labored words! And then I swerved to avoid potholes of tenuous gainsay…. and other miscreants littering the world with misappropriated labels for laments belabored with publicity for displaced enmity distilled from a cauldron of mismatched ignorance….tethered to the vagrancy of gripe plucked at the ripe time for a twenty-dollar prize give or take a dime

But that dime separating 1990 from 2010 meant more than anything to a life littered with hallowed word crimes…. against the sanctimony of syncopation with cheap bleats too arrogant to be sheepish at the lavish indulgence of the marginalized wines…. brewed in a castle flickering on fiat worth rather than the simplicities of minutes of warbled time

So I currently warp minds with the proctor of a gamble too garish to finesse the quicksand of attrition but jaunty enough to bypass the limitations of a linear self-referential memorial about the circular nature of irony espoused by divorced rhymes

Now I stand ascendant….waiting for the retinues of retinas to absorb the wavy rigmarole of the serpentine pathways carved beneath the buzzwords of race and division and towards soldered unity with a human race beyond racism…. and a class divorced from socioeconomic crass division

Just then I arrived at serenity…. as I realized that the BAR exams that encage so many aspirant hearts are counterfeit in the court of the highest judiciary art that believes that insidious artifice is an embezzled venture of frolicsome guttersnipes wallowing in division can never revive a lifeless heart…. even if quick-witted credentialism rattles the slaves to vapid artforms that any humanism would never deem smart

Ditch the agitprop as a human frailty indentured to endure the curated disease without a cure to make the snollygosters in Washington ever so cocksure with their cockalorum disregard of the palatable consensus to make news real again….Finally for the fraternity of an enlightened human race in a benighted world of trendy fatuousness that infests the planet with the debauchery of glorified urchins jerking the levers with severed brevity to promote infectious foofaraw with cultural indemnity

I leave you with this

What is ornate complexity without the luxury of concerted beatific bliss that the parsecs that flummox your minds throb vehemently with cohesiveness in my internal design are not remiss

And remember the benighted standards of kitsch for the kitchens of penury bewitched don’t stand a chance against the overriding itch to vanquish mountains one after another to cross them off the list
Carly Salzberg Sep 2010
The sun bakes down heavily on a plastic micro planet in Orlando, Florida
where crowded trams drop American bushels of tourists into an alien world.
Quickly fantasy comes alive
through a corporation of disguise.
The workers mask themselves in a drapery of familiar life
-like costumes to charm little children’s hearts.
They smile wildly, carving a clear dimple line on the but of their cheeks. Walt’s Disney World
must have driven every one of America’s circuses out of business.
The flying trapeze is too elegant,
people now want to be strapped in,
buckled up and whipped around
to forcibly experience the true velocity of entertainment.
Even the participant’s attire is geared for this third world oblivion. Neon ***** packs rest like bloated kangaroo pouches
on fat sweaty old lady’s round hips, their plump fingers
holding on to leashed harnesses reined to their child’s small chest.
This is vacation,
strangers of people in massive conglomerations
with confused expressions and burnt faces.
Even the food seems wickedly unnatural,
like an artificial order of burning plastic and sour dough surprise.
Waiting is the enthusiast’s pastime as parades
of anxious voyeurs are captivated by a trance
fixation of lights and whistles.
They line up like schools of lemming,
plunging on rides,
one by one.

This is the place
Where memories are made
And dreams come true
III Jul 2015
The girl whose hair
Hung strung from
The crooked inner workings
Of her geared mind
Dusty, rusted, and unkempt
Against her most eager desires,
Bathed in the waves
Of the oblivion that surrounds us
During this night she absorbed
Into the fibers that nestle
Into the strings of her shirt,
Singing against the gentle flow
Of an evening breeze
Much cooler than that
Of one plagued by the day's sun,
And while the fire
Has been extinguished
And its flames dancing in licks
Have laid to sleep,
The moon has kissed her,
And she portrays the wisdom
She locks away behind a steel box,
Chained and covered with padlocks,
A glow never dim seeping
From beneath the lid.
Mateuš Conrad Aug 2022
i could tell you how certain stations on the London underground
smell, but i can't capture you this smell...
a bit like in that film Perfume: scents are lost over time,
with regards to places -
                            unlike the eternal pine forest...
or the zest of lemon...
                                         those are universal scents...
one could and humanity has: created a synthetic answer
and copied these scents... made synthetic tastes
a whole chemistry of a posteriori scents and tastes...
Kant and chemistry are a perfect combination...
given the classical schematic:

analytical                         analytical
a priori                             a posteriori
apples grow on               tomatoes:
trees and                          categorised as fruits          
carrots grow                    yet used as vegetables
in the earth                      the analysis being
since apples                     even though they grow
are a fruit                         on something: trees,
while carrots                    bushes, vines...
are a root vegetable,       analysis has found that
ergo?                                 they are better treated
all vegetables                   as vegetables rather than
grow in the earth            fruits, since one rarely cooks
while all fruits                 savoury meals with fruit
grow on trees                  yet the tomato is used
or shrubs                         plentifully in savoury cooking


synthetic                          synthetic
a priori                           a posteriori
■, ▲                                   in light of the given examples
(geometry)                        in the realm of the analytical
and the propositions       a priori: that fruits grow on
that come with                 trees or bushes
them:                                  there's the pineapple
e.g. c² = a² + b²                   anomaly:
or physics:                         pineapples grow on the ground
e = mc²                                (in the ground) like cabbage-heads
                                            grow in much the same fashion...

i always struggle with the a posteriori conceptualization...
in the original i wrote as can be seen above...
are tomatoes the byproduct of
analytical a posteriori knowledge?
i.e. they are fruits that are used as vegetables (used,
hell, even treated as such)... because you will not find
a tomato desert as such...
the classification of a tomato as a fruit:
given how it grows... would also invoke the cucumber
to be treated as a vegetable:
vegetables are not as juicy as fruits...
the flesh of the fruit is usually softer and certainly
more juicy... while the flesh of the vegetable
is more bulky and requires cooking and salt
to extract the juices oh a higher carbohydrate
concentrate of the fibrous nature...

pineapples... a fruit that grows like a vegetable
in the earth...
i like this "confusion" in my head...
i'm not going to clarify it...
            i leave this curiosity in my writing on purpose...
analytical a posteriori facts:
well... first having categorised the tomato as a fruit:
upon analysis... true: the tomato behaves like
a fruit... but upon analysis: after the fact:
it is better used as a vegetable...

         and the synthetic a posteriori truth about
the pineapple? then again: i know where i might be going wrong...
isn't synthetic a posteriori knowledge possible?
it's not as simple as the pineapple example
based on: fruits grow on trees while vegetables grow in
the earth... i can only find questions
on the possibility of synthetic a priori knowledge...
ergo? of course synthetic a posteriori knowledge
is possible...
    it's ingrained in chemistry...
what does synthetic a posteriori knowledge look like?

a chemist tastes a lemon... and he tries to replicate
the taste of lemon using chemicals...
he breaks down the chemistry of the lemon...
and? with due course... replicates the taste of lemon
without actually using a lemon!
he breaks the lemon to the basic components
of citric acids and whatever else is needed to replicate
the taste of lemon and grind it into a powder:
chemistry is synthetic a posteriori knowledge...
isn't it?

the examples i cited with the pineapples:
it doesn't matter that the pineapple behaves like
a vegetable when it grows...
apart from that sick idea of a Hawaiian pizza toppings...
pineapple? ham?! you what?!
that's not synthetic a posteriori knowledge:
that's just a ******* whim of bad-taste...
there's no actual synthesis of the pineapple growing
as a vegetable and the "ingenuity" of treating
it like a bad idea for a pizza topping...
the tomato: however... is a pristine example
of analytical a posteriori knowledge:
sure... it's categorised as a vegetable...
because of the way it grows... compared to actual vegetables:
but? you wouldn't allow the tomato
to be bitten into like an apple... you wouldn't bake
a tomato cake as you might bake a banana cake...
the analysis concludes: our knowledge of fruits is this...
and we have this vegetable: the tomato
that's a fruit... but it would be better suited
in being used like a vegetable...

synthetic a posteriori does exist... it just doesn't apply
to pineapples for the simply reason that they
grow like vegetables... they're still going to be fruits...
synthetic a posteriori knowledge is chemistry...
it has to exist because a pineapple is
not a synthetic a priori "idea" of TASTE let alone
virtue or however Kant framed it...

ugh... my first day back at Craven Cottage...
little ****** steward: i hate these hierarchies...
it's a petty army of high-viz. jackets...
   i wasn't the supervisor but i had some colts under
my "supervision"... i tried to smooth things over:
i did... in the end i wanted to see Fulham play
Liverpool... i spread the word around:
this is *******... they should have put us inside
the stadium...
   but... the weather was the loveliest and the Thames
was tide-out... two seagulls arguing...
in the shade: this part of London is truly mesmerising...
i love the smell of the Thames with the tide out...
in the shade under these mammoth-esque splendours
of foliage...
hell... i even managed to spot my first KONIK
(little horse)... that's slang for... those ******* that buy
tickets at the regular price... then hang around the stadium
and try to push the tickets at a hyper-inflated price...
the ****** was selling the tickets for £250 for two!
and this was after the first half finished!
i told one of the guys with a radio:
call this in...
                          i had to repeat myself about 3 times
before the management agreed to my concern...
they sent two spare police officers to the person in question...
he almost sold those ******* tickets...
one minute i see him pretend to tie his shoelaces
(he wasn't pretending) - his black cap
disappearing under the bushes... next minute:
wh'ah where?! ****** did a runner...
so he wasn't tying his shoelaces "on a whim":
he was about to do a runner...

                  that's ******* exploitation...
that's like: stealing... capitalism at its worst...
the ingenuity of crime: oh... but it's innocent crime...
it's i buy something for £30 but...
i'll sell it for you for £250...
                             now... it's not antiques! it's not a *******
van Gogh painting that has been lying around
for quite some time... gaining a repertoire and a reputation
as something good, worthwhile:
it's a ******* football match ticket!
hyper-inflation like under the Weimar Republic...
money good as "gold": "gold" as in winter fuel,
timber the new platinum!

after all: there was no real synthetic a priori knowledge:
chemistry is hardly a question of appearance,
water is clear, but so is hydrochloric acid...
what else is clear? sodium hydroxide...
                 chemistry was born from synthetic a posteriori
knowledge...
how many chemical experiments came as a surprise
a sort of anti-Eureka of synthetic a priori knowledge?
champagne springs to mind... lysergic acid comes
to mind: no one was actually trying to find these things...
e.g. they did not come about through analytical
a posteriori knowledge: they arose from
a dimension of the synthetic a posteriori knowledge:
by chance: by accident...

sure... i might be doing a ******-low-skill job right
now: and it is... i'll admit...
it's super **** sometimes:
most of the time my coworkers are either
over-bearing ego-maniacs fixated on hierarchy,
or they're lazy Somali youths...
or just plain-sighted Nimrods...
i sometimes leave my mind to wander...
that when i get the jerks in the feet like
i'm about to fall over... like for bearskin hatted
soldiers on parade...
but i leave my mind to wander:
it's not an insult if it's true...
                  no: when i was a roofer and fiddling
with inanimate things there was more focus
on the work to be done... dealing with people
is a crass differentiation from perfecting how an inanimate
ought to behave under your hands...
to turn a roll of felt into a water-insulated roof
with a roll of fleece and enough tar...
people are different: i'm sort of studying people...
gearing myself to hover in on children in schools...

if Leibniz preferred the profession of librarian
and a private intellectual life of par excellence...
i wouldn't think twice about becoming a primary school
teacher than being a secondary school
teacher of chemistry...
**** me: if drag queen hour is about to be imported
from America: i best (better) step in...
i just imagine: well... unlike a barren woman...
who has no children...
who goes into a profession akin to primary school
teaching... but then i'd arrive...
i know the obvious stereotype to battle:
PEDOHPILE! ha ha...
           Ava Lauren: just my type... plump...
full-bodied... probably the age of my mum by now...
that's my type...
i need something rounded of:
a 5.9 = a 6... just an example...
                
             but i let my mind wander... when roofing
you couldn't leave your mind to wonder...
i could... tell you of the specific scents in certain
underground stations... Baker Street? is that the one
with the Victorian arches, a station under the bridge?
i don't remember...
Putney Bridge is a beautiful station...
but today i took the route:
Romford via train... got off at Stratford... waited for a minute
for the central line...
(i love meditating on the topic of tubes maps...
there are only two important lines
in London... why? based on how many times
they intersect... the Central Line and the Piccadilly
Line... they only intersect at Holborn)...
travelled to Holborn... not sitting...
at each carriage there are these half-seats...
you're leaning back... standing-sitting...
i felt so relaxed... i gave way to the momentum
of the tube...
i was moving backwards and forwards...
head nodding... shoulders doing the mr. plastic-fantastic...
i almost tried to remember the remaining
tension in my body... the grip i had on a bottle
of water and a packet of tortilla wraps...
the rest of me was: freed...

when it comes to scents... that's one thing:
everyone knows it's a stupid idea to change tube
lines at Bank... why? well... Bank it connected
to Monument...
it's a city within a city: a London 2.0... oh oh:
yes it ******* is... never change at Bank...
anyway... as i was relaxing having closed my eyes...
i can tell you where the best sounds of
machinery exist in London?
between Liverpool St. - Bank - and Chancery Lane...
mind you... i cycle the route from time to time...
what's above? is not, what's above...
compared to cycling... this route is like:
watching the original Dune movie...
i'm strapped to a ******* earthworm...
or: being digested by one while listening to
the clag glug and clamour iron biting iron...
i sometimes do the "twirl" of the tube above
ground... just after Aldgate...
i head towards Brick Lane... toward Liverpool St.
prior to reaching Bank St.:

all the Piccadilly Stations between Holborn and
Earl's Court have this sickly sweet stench
about them... it's sickly sweet... it's: sickly sweet...

i remember back in St. Augustine's we had one
female primary school teacher...
some ****** proverb speaks the words:
woe unto you for having to care for the children
of others...
while i'm thinking: that would be a worthwhile challenge...
i don't want any of my own:
the fear of ******* them up more than
i was ****** up wears me down...
at least with the genes of strangers
i can send in an auxiliary covert party of my psyche...
who would i send in? the usual suspects...
Kant, Heidegger, Newton, Ezra Pound...
oh... the list is pretty long...

most probably Rumi hanging around with
Zhuangzi... Ovid and Horace...
ooh... terrible idea to start drinking whiskey
after binge-eating a watermelon...
the burps i'm getting back:
******* postcards from Uan Muhuggiag (Libya)...
i'm seeing camels double the number of their humps!
not good... absolutely no good

burp... ooh... this watermelon will not go down
so good... while i worry about *******
myself come tomorrow morning...
unlike the Red Hot Chilly Peppers singing
the fames of California:
what do i have? i have the countryside of Essex
and the incursions in the concrete staccato
of London... i can mediate this...

              burp: well... at least it's whiskey mingling
with the juices of a watermelon...
i much prefer that to the half-digested acidic
meat of any sort...
                 that's healthy burping and healthy farting
for your...
hmm... investing in children... that's an idea...
i once remarked to a boy in a supermarket:
you know... how a while i thought animals
were incapable of seeing 3D objects
in a 2D canvas: i.e. why wouldn't animals
watch television with men?
today i had a "Fred" pester me for a bite
of my tortilla roll...
i would have given it to him freely:
i wasn't that hungry...
   so i asked his owner: so... what's his diet like?
oh... Fred has had pretty stomach upsets...
he spent the past three days eating mulberries
from a tree...
ooh! i love mulberries: who couldn't be more upset?
the dog or the mulberries?
ugh: these kind of people:
that have their dogs on a ******* vegan diet...
hey! Fred! bite into this tortilla wrap!
i have learned that the food man eats
if also eaten by a dog tastes better:
after it was eaten by man!

o.k., fair enough Fred... you have an owner that
deserves having you: but no children...
i'd put you in the same category as a child...
children, dogs, cats...
things that might stir in man the unusual:
certainly not Darwinistic / genetic investment
that might reduce a man's hormonal balance...
mate... you look at me that dumb-***** eyed way
one more time... let me pat you on the head
like i have... you're coming with me to the land
of eternal tortillas wrapping around chicken
and bacon: there's no "yes" as there's no "no"...

but that's London for you...
            and that's also Essex for you...
i spent an entire day in London?
where did i find those cheap-*** beauties of womanhood?
i didn't find them in London:
i had to travel back to Romford to find...
i sat down to eat a snack bucket in a chicken shop:
three spicy wings, some chips...
mayonnaise and some chilly sauce...
a 7up... £3.50... i enjoyed the meal
and thought about: nothing...
nothing is usually hard to "think" about...
you get into geometry: to prolong your time at pretending
to look "cool"... when eating alone...

i hopped on the bus... watched two hunchbacks
of an elderly couple "manage" their way own:
what cruel fate... the extension of mortality
via science... may i never see myself
that old... reduced to being the child of Atlas...
no... i don't care for the sensibility of secularism
and science...
old age transcends both of these:
it's the reality of old age...
prolonged old age is best renowned
and celebrated by lizards: turtles most in fact...
mammals look weird...
mammals look weird when their life is prolonged:
unnaturally: via the basis of science!

start giving out re-prescriptions to people
with a a faith in science but no hope in hope...
start selling them hopes of eternity...
this materialistic "eternal life": is drawing us closer
to no closure...
there comes a life: there coms a death of said life...
it's not fair to pretend that the inevitiable
is "not" going to happen: it will...
the tyranny of old age...
                  by the standards of the Benelux:
i'm more than willing to bow out...

who knows! i am not willing to simply live
for the awkward presence of strangers
on a basis of anomalies and non-intrusions
of some freaked-up formalities...
to hell with that: i have no evolutionary-existential
plight of  "conscience" that might make me suppose:
on racial grounds: that the human "effort"
will disappear: outright: completely:
sure... chances are... humanity will be governed
by more people willing to ***** cities of death via
the pyramid... people engage in the magic carpet
flights of Islam and pseudo-Islam from regions
akin to Somalia and Bangladesh:
my problem? i can't live forever! can i?

et scriptum est...
i like being toyed around as being the idiot...
it helps me grow...
and it was so written...
                ergo? ut necesse sit!
(and so it must be)
  ha ha! ah ha ha h ha ha!
vulnus ferrum:
                  sanguis respiratio
scratch of iron:
breathing blood!
            
mortuus est mori: the dead must die!
vivos debet mori /
vivos non sunt exceptio!

i work among people that make my intellect:
CLOWN!
   i entertain them... i must...
but their intellect is about as much:
grappling as... i don't know what!
i'm out of metaphors and aphorisms...

                        intelligence is discouraged when it comes
to a working environment...
           i'm like Leibniz... i'm unlike Newton...
my ambitions a "cowering" in a personal enterprise...
i like the individualism of m own enterprise:
i don't hope to solve or save the problems of
a common man... nope!
                
last time i heard? the train has arrived:
i also heard: the train is leaving...
well... i'm i geared up:
what do i care for the famines in Ethiopia?!
i don't care for claiming responsibilities for
people who don't take responsibilities for
themselves!
starve?! **** it... why not?"
oh right... one of the Somali types?!
pretend it's work by hiding behind the bushes?!
ergo? behind the bushes i pretend to shower you
with free bread and pork? don't like pork?
eat dirt instead!

i'm done: free-loaders: i'm done with them...
i'm so ******* with these Somalis that you can't even begin to comprehend!
I

Our ****** dreams, all seedless in the light,
Of light and love the tempers of the heart,
Whack their boys' limbs,
And, winding-footed in their shawl and sheet,
Groom the dark brides, the widows of the night
Fold in their arms.

The shades of girls, all flavoured from their shrouds,
When sunlight goes are sundered from the worm,
The bones of men, the broken in their beds,
By midnight pulleys that unhouse the tomb.

II

In this our age the gunman and his moll
Two one-dimensional ghosts, love on a reel,
Strange to our solid eye,
And speak their midnight nothings as they swell;
When cameras shut they hurry to their hole
down in the yard of day.

They dance between their arclamps and our skull,
Impose their shots, showing the nights away;
We watch the show of shadows kiss or ****
Flavoured of celluloid give love the lie.

III

Which is the world? Of our two sleepings, which
Shall fall awake when cures and their itch
Raise up this red-eyed earth?
Pack off the shapes of daylight and their starch,
The sunny gentlemen, the Welshing rich,
Or drive the night-geared forth.

The photograph is married to the eye,
Grafts on its bride one-sided skins of truth;
The dream has ****** the sleeper of his faith
That shrouded men might marrow as they fly.

IV

This is the world; the lying likeness of
Our strips of stuff that tatter as we move
Loving and being loth;
The dream that kicks the buried from their sack
And lets their trash be honoured as the quick.
This is the world. Have faith.

For we shall be a shouter like the ****,
Blowing the old dead back; our shots shall smack
The image from the plates;
And we shall be fit fellows for a life,
And who remains shall flower as they love,
Praise to our faring hearts.
Jeff Stier Jun 2017
Eternity's cogs
geared and ratcheted
to the chain of time

We settle for the simple
ignore and refuse to witness
the obvious glory
of this world

insist on a miserly view
a pinched token

Then the night
closes in
an embolism erupts
into silence

I take a different view
hold out hope
for far horizons
settle for nothing
and struggle to drive
a hard bargain
with one who holds
all the cards

In the end
I expect beauty
a bright light
and a chilling plunge
into the grey Pacific

I hope for more
of course
a taste of watercress
a glass of wine
and an epiphany

All paid for by grace.
Katlyn Orthman Nov 2012
Nothing could've prepared me for the geared up beauty on the other side of the door. " Oh good, Theon you finally decided to show up. Now before you start yelling about how you don't need a partner, I'd like you to meet Quorra. She just transferred from another guild for some personal reasons, and she's very excited to become partners," Rowan was talking but I couldn't take my eyes from her.
     She was absolutely beautiful. Long, sleek black hair with red tips, full pink lips. And haunting green eyes. This partnership was going to **** me.
No way could I consentrate on killing monsters while she was in action. I could just imagine how her hair would spin as she swung a sword. Realizing she'd been talking to me I decided I should probably stop drooling like a twelve year old boy, and listen.
    " When they told me I could be partnered with Theon the great legend I was shocked as much as I was ecstatic . I'm sorry if I sound lame but I grew up hearing stories about you," Quorra's smile was so wide I was surprised her face hadn't cracked.
"Ah yes, I'm not quite as exciting as the stories convey," I was doing my best to look her in the eye. I wasn't the social butterfly that I used to be.
Maybe it was my growing age, while my physical appearance didn't look a year older than twenty five, my soul grew old with the battle wounds acquired by many years of this life. I was a soldier in need of a break but would no doubt be drafted as soon as my feet hit fresh soil. Abelia was the one who loved being surronded by people, I would let her drag me to her dinners and social outings but she was the one who enjoyed them. I only enjoyed seeing her happy. Her eyes used to twinkle with excitement.
   I averted my eyes, in fear Quorra might pick up on my suppressed emotions. " Hardly believable," she smiled softly. Rowan lounged against the wall with a mocking smirk on his face. When Quorra turned her back to me to sift through her bag I flicked Rowan off, not just for that look on his face, but for the future hell I was about to endure.
    Rowan then decided to drop the biggest bomb on me then, while I was already suffering.
"By the way, Theon, Quorra is going to need a place to stay. And since you have that giant apartment all to yourself , I told her she could stay at your place. Is that cool?" even though he put it as a question , there was only one answer he would take. " Ah, ya sure," I said quickly, wishing I could run out the door and not come back.  Rowan took pleasure in my obvious displeasure.
"Thank you Theon, it's only temporar. Untill I get my own place, then I'll be out of your hair ," Quorra said smiling at me tenitivly, looks like I wasn't the only one feeling uncomfortable.
     Grabbing her bag that sat by the door, I turned to go outside. " I have a car that you can put that in, ah , do you need a ride?" Quorra stammered out quickly. It was amazing how fast things could get awkward. "No, you can follow me to the apartment, it's not far from here, " I said briskly .
Outside I noticed a black SUV parked in the darkest corner of the parking lot. Smart, I hadn't noticed the car going in.  She clicked a button that was on her keychain and the lights on the car flickered. "Is the motorcycle yours?" she asked going to the back of the car to pop open the door .
"Yeah, she's mine," I replied loading her bag into the back. She didn't have much on her. So either she came in a hurry , or she didn't keep much on her.  Rowan had said she'd transferred for personal reasons. "It's beautiful, does It go fast?"
She crossed her arms and leaned against the side of the car. Great she planned on talking for a while.
     "Yeah, that's why I got her. I like to go fast it's exhilarating , the feeling," I smiled at her , and my eyes caught a change in her eyes before she looked down. I could've been mistaken but it looked as if she were blushing. " Well we might as well get going," she mumbled and opened the car door.
I chuckled to myself as I walked back to Racer.
I was going to hell, might as well have some fun before I get there.
Sorry it took me so long but here's part 2, I know the parts are really short but I think it makes it more suspenseful . Hope you like it :)
spooky doopy Dec 2014
I am cab ma, please
don’t! Is I, lass, I who brought
scald without such pains.

I am mumbling
coherently a ******
most apparently.

Phospholipids leave
envelope area soon
endoplasmic doom.

Opened neutral taste
I’m sinking in laughing at
something sunken in.

What hell overwhelm
brings ribosome organelle
use geared hither, tell?

Seceded certain
atoms like Democritus
withdrew incursion.

Truncated heavy
organelles under tissue
systems use cycles.

Half polypeptide
accents intergenetic
nuclear spaces.
Breeze Jun 2013
A friend can be like the storm that blows everything up, tries your patience, causes changes; but reminds you to be geared up and vigilant.    



A friend can be like the rain that, at the first pour, leads into anxiety; but later on, raindrops keep you calm, thus a friend shows tranquillity upon everyone – serene and happy.



A friend can be like a lightning rod that strikes everyone surprise with annoyance to the ears; but reminds you that a surprise – with all its noises – grants unsolicited bliss which lasts in memory.



A friend can be like a cloud that separates from the others in the vastness of the expanse, and floats alone – the emo, ; but reminds you to be considerate and sympathetic at all times.  



A friend can be like the mist that seems mysterious and unreachable, full of secrets and vagueness; but reminds you to take risk of knowing him profoundly so to appreciate the truth within.



A friend can be like the sun – superior in nature – that can heat up the situation; but gives you warmth in times of coldness, reminds you that darkness would just pass, and that the new morning unfolds soon to absorb your pessimisms.



And a friend is as constant as this – day or night, sunny or rainy, cold or warm, filled or cloudless – the azure that covers everyone beneath any threat, any trial, any worry, any doubt; the azure that holds a promise of watching over you as it did yesterday and is doing today, and the azure that awaits your hopeful tomorrow…



Is that which embraces you under its shelter and defence – yes, the great sky.
KHR based ^_^
Tommy Johnson Jun 2014
I remember it well
As if it were yesterday
We geared up and set sail
And embarked upon unfamiliar waves

It was I captaining the vessel
With One-eyed Sven my quarter master
He could cut throats and roll pretzels
His weapon of choice was his bow caster

This wasn't a mission of plundering
That alone left the crew in a state of wondering
No, we weren't looking for buried treasure
But for sheep skin seat covers and Scandinavian leather

My first mate Mr. Obanion said to me
"Captain are we off course?"
Then my boatswain , Wiley asked sheepishly
"Aren't we going for *** and ******?"

I looked them in the eye at the same time
"Gentlemen, this ship is headed to Dublin"
"We're going to see a good friend of mine"
"Now get back to your swabbing and scrubbing"

This was an order of business not some sort of cruise
I'm sailing with a ship of one track minded fools
We didn't set out on a vacation of leisure
Were on the hunt for sheep skin seat covers and Scandinavian leather

I did not mean to keep them in the dark
But they would think less of me
I needed these things
For the women I married

You see we'd been on the rocks
And I know she wanted these items
So I went over the sea with a fine tooth comb
Until I had finally found them

My men had sailed endlessly for months
They were worn down and ragged
Waterlogged and exhausted
While I always came up empty handed

But I had to save my marriage
Salvage my relationship
I knew it would work
If I gave my love these gifts

We reached the golden, calling shore
Of the beautiful Dublin
From the River Liffey and headed north
My friend Seamus let me come in

I came out shaking his hand
I was satisfied with my purchase
Until I was questioned by my men
What it was we came for in our searches

I had to show them, I was under scrutiny
I pulled out two stagecoach seat covers and a pair of pants
They were enraged and called mutiny
They blindfolded me and bound my hands

Now I'm marooned on some unmapped island
And I see my ship riding that horizon
This will sadden my wife, oh how it will upset her
She will never receive her sheep skin seat covers or her Scandinavian leather
judy smith Jul 2016
Veteran fashion designer Tarun Tahiliani believes that the Indian fashion industry has become more organised and a little more professional.

Best known for his ability to infuse Indian craftsmanship and textile heritage with European tailored silhouette, Tahiliani believes that the Indian fashion industry has become more strategised and cemented over the last 20 years.

"India's propensity to consume is gaining an international audience and this is changing the competitive landscape," Tahiliani told IANS in an email interview.

"It has certainly become more organised and a little more professional, and obviously the market has exploded, but I think that we still have a long way to go in terms of being more business oriented and there's still room to get more organised and professional," the designer added.

Eulogizing the new and younger crop of designers, Tahiliani, who has over two decades of experience in the industry, believes that they are doing well in terms of the handloom and textile industry.

"What's really heartening to see is that there are so many younger designers who are going places and are doing so well in terms of the handloom and textile industry... it has become more organised. I think handloom was very localised in terms of weavers with a certain look from a certain area sold through certain channels," said the Co-Founder of Ensemble -- a multi-designer boutique.

"There has been a lot more creative freedom and other regions are experimenting with textile alien to their region, especially if they are more lucrative. As long as people appreciate traditional craftsmanship and embroideries, machine work will never replace the richness of hand embroidery," he added.

Asked if the plus-size models are yet to move into the mainstream industry in India?

"Well, they should have moved into the mainstream long back. But are not normally associated with very expensive high fashion and couture," Tahiliani said.

Having draped most of the leading ladies of Bollywood like Priyanka Chopra, Aishwarya Rai Bachchan and Madhuri Dixit-Nene in his creations, Tahiliani says that fashion is his muse, not a Bollywood star.

"Art, architecture, interiors, history, travel and maharajas... My inspiration comes from many things. Sometimes it's from beautiful inlay work that I've seen in a fabulous monument; other times my inspiration can be something as simple as a beautiful kanjeevaram weave," he said.

"Ultimately, however, my inspiration comes from India's rich traditions of craftsmanship, particularly when it comes to things like embroideries that we have in India. Nothing is more amazing than beautifully executed, intricate and fine technique. I don't design clothes keeping a Bollywood star in mind, but rather for the new age contemporary woman," he added.

Tahiliani is all geared up to showcase his collection The Last Dance of the Courtesan at the FDCI India Couture Week 2016 on Thursday here. He has artistically blended fabrics like cotton jacquards, cotton silks, crepes and cutwork jamdanis with Swarovski crystals for the range.

That's not all. He will next participate in the Vogue Wedding Show and then the prestigious Lakme Fashion Week, to be held in Mumbai in August.

"I will present my Ready to Wear Autumn Winter 16-17 collection at Lakme Fashion Week. It has been inspired by the works of Mrinalini Mukherjee (late sculptor) and the journey only gets bigger and better from here," he said.Read more at:http://www.marieaustralia.com/formal-dresses-sydney | www.marieaustralia.com/pink-formal-dresses
Marshal Gebbie Jan 2019


  My woman is the essence of being, she gathers the ruin of the day to offer moonbeams. Her touch, geared to moods of the moment, oscillates between slap and caress.... is always, though, kind, considerate, caring and layered betwixt lavender levels of love.
Mother of my boys, protector of the clan, matriarch and Monarch. My Janet, the very love of my life.
M.
shireliiy Nov 2015
When you are away from home.from the basic food groups,the dutch producer http://www.ocdn.com.my/mobile/FitflopsMalaysia.asp  behind the record label Mixmash Laidback Luke spins the turntables for an evening.preferably a keyword that you are aiming for high search engine ranking in Fitflops Malaysia,That may well be awkward.Glue in the appropriate sight word copies,Tami's divorce lawyer played an significant part to get her a settlement and custody of her children Fitflop Malaysia Outlet.sign up for my online marketing system,Albion Online team thinks that the hacker simply brute forced the passwords. There will be an Agency Forum in which attendees can. Get some face time with active agents in all genres of touring including.I bear in mind I had a personal celebration in Staten Island for a huge Italian household,.is a full service internet marketing firm that prides itself on unparalleled service and performance, so Mr.and it's quite another thing to go as far as buying them a gift in recognition of their troubles.Why not do this together. Why not reward each other for several years of love and commitment with a spa day. Romantic touches of sweet scents and soft. Robes make everything more passionate men who do not remember even the most basic of events such as your birthday are most definitely not into you at all.and by not any suggests the very least the freedom from waiting times as well as border.Digital Age Marketing Group's search engine visibility is geared towards driving potential clients to your website Fitflop,Including an exotic flower arrangement to your gift basket will brings a new lightening to your adored ones occasion.Opinion at the moment is suggesting that non reciprocal or one way links are.
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Fitflops Malaysia
I dreamed my genesis in sweat of sleep, breaking
Through the rotating shell, strong
As motor muscle on the drill, driving
Through vision and the girdered nerve.

From limbs that had the measure of the worm, shuffled
Off from the creasing flesh, filed
Through all the irons in the grass, metal
Of suns in the man-melting night.

Heir to the scalding veins that hold love's drop, costly
A creature in my bones I
Rounded my globe of heritage, journey
In bottom gear through night-geared man.

I dreamed my genesis and died again, shrapnel
Rammed in the marching heart, hole
In the stitched wound and clotted wind, muzzled
Death on the mouth that ate the gas.

Sharp in my second death I marked the hills, harvest
Of hemlock and the blades, rust
My blood upon the tempered dead, forcing
My second struggling from the grass.

And power was contagious in my birth, second
Rise of the skeleton and
Rerobing of the naked ghost. Manhood
Spat up from the resuffered pain.

I dreamed my genesis in sweat of death, fallen
Twice in the feeding sea, grown
Stale of Adam's brine until, vision
Of new man strength, I seek the sun.
Mellow Ds Jun 2011
Staring into stars, the lonely people drink their tears
And genuflect to empty car parks and swallow their fears
Like Ernest Hemingway, they grit their teeth and laugh
******* a pocket bullet, contemplating aftermath
And the shadows bend and grow…
And the embers shine below.

Geared for success, the lonely boy begins to starve
His chest heaving from stress, his wish for waterfall in cars
Freeways self-entitled, forcing ants into the gutter
While a lonely father cries and the boy freezes and sputters
And the doorway opens up
As the mouth is finally shut.

“I’m not mad, son, you’ve only disappointed me”
Father, point the way for me, where is my life leading?!
Should I sacrifice my happiness for a chance at succeeding?
Should these calloused hands be empty, do I need a beating?

You need to straighten up your tie and keep your noses clean.
My mother’s eyes in moonlight silently judging me
Inhumanity, why don’t you rule these streets?
I bite my bottom lip and gaze down at my feet
Lumped chunk of nicotine
Pushing itself out of me.

I want to stop blending rainwater with my leaking eye-sockets,
Crying for another with which to share my gold locket,
Tossing and turning, wondering where I will be next
And for God’s sake, can I do it, am I trying my very best!?

Why can’t I get up on time like every normal human being?
Why do I always get sick, why do my guts hate me?
Why are all my joints always crackling and aching?
I never want to live, don’t ever try to save me!

“I’m not mad, son, you’ve only disappointed me”
Father, point the way for me, where is my life leading?!
Should I sacrifice my happiness for a chance at succeeding?
Should these calloused hands be empty, do I need a beating?

Staring into stars, the lonely people sit and smile
Counting all the faces staring back, retracing miles
Celestial serenity, striving for an energy
Never needing inquiry, embracing the no thing!

Should these calloused hands be empty?
Do I need a beating?
Will these pruning hands deceive me?
This Universe is in me.
Maggie Emmett Jul 2014
Hot boys express emotion  
in the resonance and width  of their exhausts
in pipe dreams of measurement
in the rev and roar of super heated motors
mixing spark and sensibility
in the sudden screech and stretch of rubber
marking asphalt and *****-u-men
out there in the middle ground
where the road humps.  

Hot boys light up the night with high beams
cruise the darkest alleyways of masculinity
challenging old men at intersections -
in their soft leather seats and euro-neat boxes
of air-conditioned luxury and debt -
to pole position and the chequered flag of fortune.

Hot boys in cars that throb with bass notes
and bootilicious chick lyrics -
sung by black boys wicked in the zone
always bragging ’bout their bone
and how they make the ***** moan -
snarl abuse at walking women
fragile objects on the pavement shelves
shaped colour lost in time
that pass beyond their touch and reach.
                                                                                                  
Hot boys are tiny traces of an oil rich mixture
trailing blue smoke in their wake
foot to the floor high stakes, top geared no brakes
as they snake round the hills and the hairpin bends
as they wrap tight trees at the crash, crush end
and the hot boys cool in the night.
A black humorous poem about so many young men who believe they are invincible and who sadly, are not.
Mateuš Conrad Apr 2016
i do a really good imitation of a woodpecker with my hand clenched into a fist, knocking on my forehead, as if knocking on the forehead of others - i admit, i'm searching for an echo of the rat-tat-tat thumping drill for the cure of headaches.

when i inherit what i might inherit
i'll book a ticket to switzerland's auschwitz,
but drinking a bottle of whiskey
and a few beers each day... i'm praying to the gods:
gods! a heart attack! gods! a second haemorrhage!
gods! a heart attack! darwinism taught me
insignificance... so i countered...
well... an insignificant theory and practice...
like nietzsche said about the darwinists:
'
imagine* speaking for the entire human race!'
well, english journalists already do...
and i'm like hey hey hooray for iraq!
get blown up by a bomb i'd like my limbs back,
or at least the idea of having them once...
shiny happy people holding hands!
**** old age and grandchildren, there's no
accomplishment in that... fake teeth like
no teeth at all... apple goo pulp and then porridge...
what a great reward! ooh! ah! i'm all geared up
for that fear of death... no... i'm scared of being 100 years old;
i wouldn't be, had i been born a Galapagos turtle.
anastasiad May 2017
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Ryan Bowdish Jun 2011
Staring into stars, the lonely people drink their tears
And genuflect to empty car parks and swallow their fears
Like Ernest Hemingway, they grit their teeth and laugh
******* a pocket bullet, contemplating aftermath
And the shadows bend and grow…
And the embers shine below.

Geared for success, the lonely boy begins to starve
His chest heaving from stress, his wish for waterfall in cars
Freeways self-entitled, forcing ants into the gutter
While a lonely father cries and the boy freezes and sputters
And the doorway opens up
As the mouth is finally shut.

“I’m not mad, son, you’ve only disappointed me”
Father, point the way for me, where is my life leading?!
Should I sacrifice my happiness for a chance at succeeding?
Should these calloused hands be empty, do I need a beating?

You need to straighten up your tie and keep your noses clean.
My mother’s eyes in moonlight silently judging me
Inhumanity, why don’t you rule these streets?
I bite my bottom lip and gaze down at my feet
Lumped chunk of nicotine
Pushing itself out of me.

I want to stop blending rainwater with my leaking eye-sockets,
Crying for another with which to share my gold locket,
Tossing and turning, wondering where I will be next
And for God’s sake, can I do it, am I trying my very best!?

Why can’t I get up on time like every normal human being?
Why do I always get sick, why do my guts hate me?
Why are all my joints always crackling and aching?
I never want to live, don’t ever try to save me!

“I’m not mad, son, you’ve only disappointed me”
Father, point the way for me, where is my life leading?!
Should I sacrifice my happiness for a chance at succeeding?
Should these calloused hands be empty, do I need a beating?

Staring into stars, the lonely people sit and smile
Counting all the faces staring back, retracing miles
Celestial serenity, striving for an energy
Never needing inquiry, embracing the no thing!

Should these calloused hands be empty?
Do I need a beating?
Will these pruning hands deceive me?
This Universe is in me.
Title thanks to Yoni Wolf, inspiration from Why's "This Blackest Purse"

ALSO, LET IT BE KNOWN THAT THIS POEM IS ALSO APART OF MY "MELLOW D'S" COLLECTION. THERE IS NO PLAGIARIZING HAPPENING, JUST TWO SEPARATE ACCOUNTS FOR THE SAME ARTIST. -Ryan Bowdish
Hal Loyd Denton Jan 2012
Quantify

We will ease into this twisted or rebellious look at what experts say is the top trend
For 2012 this quantifying was first done in ancient abbeys but they did it on the front end you were
Told how long to meditate, pray, copy older manuscripts but now technology is going to do it at the end
And it is called the quantified self a top magazine that writes about these things says there are already
Three big hitters geared and going already their data bases are going to record practically every human
Action then it will give you a read out numerically where you can strategies a perfect day even the writer
Knows how much he wrote last year how much the better writers wrote and with less words they
Received better results on hits or they will tell you how many steps how many calories they have a
Sleep machine that will use Doppler radar and it will tell you when you’re in deep sleep track your sleep
Cycle show when it is best to get up yes it has all positives cut down on wasted expenditure of energy
Come out ahead for the day in less time but it will mean you have to be self driven I never respond well
To the whip I don’t care who’s holding it and if they have sleep machines not far behind will be intimacy
Meters all of a sudden the geeks and nerds will be gods the woman turns on the **** his eyes light up
Like a plane ready to taxi and his bow tie will start to twirl like a propeller but listen to two regular guys
Man I can’t take it I use to beg like a dog now she smiles real big then she takes the only key turns the
Lousy thing on turns the **** to the slowest point you can’t even ride a bike at that speed you just fall
Over you think you have it bad my wife almost twist the **** off I feel like a greyhound at the track but
I’m the only one in the pack that knows the rabbit isn’t real who wants to chase a sock on mechanized
Rod you go twenty five it goes twenty six well you know who is going to have a career resurgence Kirk
Douglass all of this whooped up speed nonsense all he will have to do on screen is ride down the street
Top down doing ten miles an hour hey Kirk you’re my hero the one per centers will scream what’s with
That ole **** the new rebel will be the day dreamer standing idle watching a cloud pass slowly over head
I can just see all the animals going bald from the stress some jack rabbit wanting them to eat faster sleep
Less forget the flees one guy said he tried to shoot himself but the ammo is so out dated and slow he
Kept missing his head Tom Sawyer and Huck Finn will not only be classics but new best sellers and all a
Painter will to paint is a bare foot kid with a straw hat and a fishing pole they will sell like hot cakes to
Frazzled out over achievers we had a New Yorker move into our Midwestern town and take a job at the local
Factory that’s the way it will be he looked like he was on video tape being fast forwarded and we were
On regular speed and when he talked it was like the old LP records when you put it on the wrong speed
He was talking a mile a minute and sounded like Alvin the chipmunk where we were on the slow speed
And we fell in a vat of molasses turtles that talk my final word I miss the good old day
Now can you see the monument? It is of wood
built somewhat like a box. No. Built
like several boxes in descending sizes
one above the other.
Each is turned half-way round so that
its corners point toward the sides
of the one below and the angles alternate.
Then on the topmost cube is set
a sort of fleur-de-lys of weathered wood,
long petals of board, pierced with odd holes,
four-sided, stiff, ecclesiastical.
From it four thin, warped poles spring out,
(slanted like fishing-poles or flag-poles)
and from them jig-saw work hangs down,
four lines of vaguely whittled ornament
over the edges of the boxes
to the ground.
The monument is one-third set against
a sea; two-thirds against a sky.
The view is geared
(that is, the view's perspective)
so low there is no "far away,"
and we are far away within the view.
A sea of narrow, horizontal boards
lies out behind our lonely monument,
its long grains alternating right and left
like floor-boards--spotted, swarming-still,
and motionless.  A sky runs parallel,
and it is palings, coarser than the sea's:
splintery sunlight and long-fibred clouds.
"Why does the strange sea make no sound?
Is it because we're far away?
Where are we? Are we in Asia Minor,
or in Mongolia?"
                            An ancient promontory,
an ancient principality whose artist-prince
might have wanted to build a monument
to mark a tomb or boundary, or make
a melancholy or romantic scene of it...
"But that queer sea looks made of wood,
half-shining, like a driftwood, sea.
And the sky looks wooden, grained with cloud.
It's like a stage-set; it is all so flat!
Those clouds are full of glistening splinters!
What is that?"
                        It is the monument.
"It's piled-up boxes,
outlined with shoddy fret-work, half-fallen off,
cracked and unpainted.  It looks old."
--The strong sunlight, the wind from the sea,
all the conditions of its existence,
may have flaked off the paint, if ever it was painted,
and made it homelier than it was.
"Why did you bring me here to see it?
A temple of crates in cramped and crated scenery,
what can it prove?
I am tired of breathing this eroded air,
this dryness in which the monument is cracking."

It is an artifact
of wood.  Wood holds together better
than sea or cloud or and could by itself,
much better than real sea or sand or cloud.
It chose that way to grow and not to move.
The monument's an object, yet those decorations,
carelessly nailed, looking like nothing at all,
give it away as having life, and wishing;
wanting to be a monument, to cherish something.
The crudest scroll-work says "commemorate,"
while once each day the light goes around it
like a prowling animal,
or the rain falls on it, or the wind blows into it.
It may be solid, may be hollow.
The bones of the artist-prince may be inside
or far away on even drier soil.
But roughly but adequately it can shelter
what is within (which after all
cannot have been intended to be seen).
It is the beginning of a painting,
a piece of sculpture, or poem, or monument,
and all of wood.  Watch it closely.
neth jones Mar 2022
gallows on the rooftop
where window washers go
                            to suspend
metal gibbet
            quick hinge, raise and lock
secure against the weather

whipped                                
  combed and packed snow
    ice crusted dunes
strain the winds over the buildings roofing
                                 an extreme combing exposure
                                
doubtlessly
they'll be no labor done today

On the seventh floor
i watch from behind
              an environment sealed window
              wolfing my lunch on a short break
                                in the warm fire escape

i watch
a solitary worker is ejected from a hatch in the exterior wall
                                      cuffed by a spasm of wind
he descends a short bolted ladder
              and makes a geared approach
crouching
his weight against the wind  
          he drags a heavy kit
            mummified in protective clothing
              passing my spot and he then heads outward
                    towards the bounds of the rooftop
he mends a stable stance
one foot close to the edge
the rest of him
in a low defensive pose
clips his harness to the gallows
stands to take a confident beating
            of the breath stealing
                      brawling winter gale
he radios for the gantry to be raised
10/11/21
Seán Mac Falls Nov 2014
The hills beneath him stretched out like the curves of women.  Bent
to the clouds he fell from the earth which geared him prickly as would
a range of *******, then soaring higher, he dived, topping valleys
reshaped downy now into ridges slowly writhed before catching
under toe his own dazzled stare on a water loch of milk and coal-
haired body strewn out to her lily'd bones and still falling, he dropped
to the break of morn dribbling wet sand from his eyes and woke
in the sparring light of his least favourite day.
        In a grainish and utter room, where hanged more than two
pictures of two people, he sank down to Sunday diminished in sighs
from the four tilting walls and blew dead inward unfolding a book.
As he reached for some volume, a baby finger nicked the hair string
of his guitar and for a moment was reminded of her voice in the bedded
vibrations.  Looking on her curves she felt the soft nape of her neck
with his eyes, then those same eyes unhanded her and she, his
dejected guitar, faced him unsung in the cornered glare of his boxed
in room.  He felt frost in throes all that morning and sideways out
of doors— the sun looked back on him even colder.  It would be hours
now until the end of days, so after lunch he went for a walk and a bird
sang nearly the whole way.

  .  .  .  .  .  .  .

It was much warmer than he had fared it to be outside and having wrestled
with this idea, that the day was somehow harder than his soft, flat room,
the mere remembering was rote by him to his pangs.  He turned, thinking
toward other things, like the void of driven streets or the mimicking cruelty
of shadows, until he saw a sullen field and left the road to dust.  He knew
that if lost, walking through the lofted hills, he would end up in the ocean
so he headed higher to the crest and over then saw a stand of trees.
        And facing the water that rilled on its way, in the tall grasses he saw
patches of red, flying with the black birds and his heart, in a boat of swells,
traveled like the red patches those birds carried.  Snowed on alder trees
brushed by him, but the wind was blowing in from the west and there
were beautiful things to behold.  A red-tailed hawk striped the ceiling
of his day by the sea and built an island to his eye and then his head sank
droning into a syndrome of birds as he joined in silence with them all
singing;
        'ta— hee— tae.'      
        Showers of poppies spilled to his heel and the keel-brew of rushes and rain
tasted purple on its way perning to the sky.  At one stop in the middle of his
path, he came upon a purfled coil, a briar snake, its body shaped in question,
unmoved and long.  The dark Orphic frieze, branding his way, it would not
listen, as if she had always been there, deaf to his song.  He felt the loss
of love by echoes from his room in the out of doors.  The drumming trunks,
the stringing leaves harping and the water that gurgled by stones into poems.
A Northerly blew begrudging the trunks, the leaves and the stones and by
the woods sinking taller he felt rushes of time running as breath through
gusty trees and felt chimes of things flying buttery like feathers to a bell.

    .  .  .  .  .  .  .

        But at the deeper woods opening he lost his way and became fearful,
not wanting to enter.  The tallest ones, red giants with faces of evergreen
canceled out the closing sky and so he changed his way back as before
to the rounded hills.  And weary from his climb he rested on the back of her
body in lands overlooking down from the brae he saw the ocean swelling
and the stars being born in wild flowers as the hills at dusk were dissolving.
        After two eternal moments in peace, he rose again in the Highlands,
to the braise and harvest smell of musted hay, cottage chalk and bleating
wool.  Now holding the girl draped in tartan, this time without caring he fell
into the black woods of her mien.  And the milk of her body dripped out into
his and slid back waveishly until she was all hair from black becoming straw
in their bed and feathers when the raven appeared.  And the flooding waned
when she flew through an opening unraveled in the thatching roof, shredded
above the funny moors.
        In seconds he was swiped clear, before the shy song lamenting when
the doors, by tidal weathers, blasted open into the mackerel sky, gathering
too like vapours with the dawn, he wafted up, swept away into the airs
on Highland shoals.  Now sailing above the speckled clouds in a darting
school of other drifters, he heard himself singing in heights of sways
throughout the tangle of wandering bark that stretched by branching coral
midway to the moon.  A great oak tree made of lime pierced the end of blue,
nadir to its zenith and into the heavens all starry.  And ringing its trunk was
a line drawn of which beneath lay the drowning world.  It was as if each layer
were one part oil, the other part water.  Looking down, way, way down
and down even farther, he saw the running seeds of striped minnows
who swam by up-streaming a wide river.  To catch up he dropped, again,
all dressed in the colours of rain, with those gladly miners.  But they swam
above the river between the rounded hills.  And the waters ran runny, now
unwrinkling as does the bowl that holds the Milky Way, when someone
dappled by in whisper saying,
        "Come with us twice the road is easy!"
"Where are we?" To himself he mused, as she blew away and by, like a long
dragon flying.  He let his body to sink with the weeds and sedges he saw,
to a beam held with barely a nail hanging, the age old sign set, spiriting him
back again to his place.  Back to the point that draws itself, as does the wind
that winds through the rushing reeds, back to the sun rising note after moon
underwater and from such still sounds was he a reel, just when the post
that was always sheering spoke out and said;
"Welcome!  .  .  .  "
        "Welcome to Minerva."
The aisling (Irish for 'dream, vision', pronounced [ˈash-ling]), or vision poem, is a poetic genre that developed during the late 17th and 18th centuries in Irish language poetry.  

In the aisling, Ireland appears to the poet in a vision in the form of a woman, usually young and beautiful. This female figure is generally referred to in the poems as a Spéirbhean (heavenly woman; pronounced 'spare van'). She laments the current state of the Irish people and predicts an imminent revival of their fortunes  .  .  .


Minerva ( Athena ) was the Roman goddess of wisdom and sponsor of arts, trade, and strategy. She was born with weapons from the godhead of Jupiter.  From the 2nd century BC onwards, the Romans equated her with the Greek goddess Athena. She was the ****** goddess of music, poetry, medicine, wisdom, commerce, weaving, crafts, and magic.  She is often depicted with her sacred creature, an owl usually named as the "owl of Minerva", which symbolizes that she is connected to wisdom.

The celtic Gauls revered Minerva ( their name for the goddess being 'Brigit' ).  In this poem the name refers to a mythic place in dream.
Mateuš Conrad Dec 2015
it's not that my life was / is more interesting than yours, it's only that you idealise details with such grandeour that puts me off, my life was / is like yours, it's only that i love paying attention to details, and the more details there are, the more personal you can become, and in-so-doing, it doesn't matter what the details are, which makes your life less embarassing when compared to the lives of orthodox autobiographical stylicism, the orthodoxy of a many ommitted details.*

when i was younger, i.e. prior to the age of 17
i used to be that fat boy
who was into metal music,
collected pokemon cards,
and liked wwf (world wrestling federation),
even though i was also the kid
who didn't see his father from the age of
4 till 8... and upon meeting him as if for the first time
at victoria coach station, watched the lion king
movie with a certain gravitas religiosity
to consider being a son again
after school for how long i don't remember,
but i miss being raised by grandfather joseph
sometimes, the freedom i would have
been entitled to like my father who was abandoned
by his parents... i wonder where the heraclitus river
would have guided me... new zealand, japan...
china... certainly somewhere east...
dear joseph roth... only major characters are thieves
in films, all the cameos have pockets filled with
pennies and they are losing pennies all the time,
frank sinatra told them to do so...
i'm currently ólafur darri ólafsson from
the film: the secret life of walter mitty... and i have
my shadow again, from the gray that's everyday,
i don't need to fill the higher tier roles of being
recognisable if my cognitive mirror is my self,
i don't, i exercise everyday these days,
four bottled beers around a 3 mile circuit does
my heart proud - i watch the choke brigade of
relentless bedroom experteese run a mile all geared up...
so when i was a teenager, all fat and bubbly i
idealised loving women... what hell that brought me...
thanks for the womb... no thanks after that...
i dearly idealised them, each night falling asleep
i imagined... nothing came of it... one turned out
to be a "reincarnation" of robert johnson's lover...
robert dropped dead right on the stage...
didn't end up a fat and a well versed whiskey poet
into old age like b. b. king - whiskey poet?
yeah... john lee ****** took howlin' wolf's spoon,
then came the clue for the boom oom...
rendition of all possible revisions...
jingle bells, jingle bells, jingle all the way...
rendition? me me, me me, me me me me...
no wonder the crux of capitalism is that one night
in december... guess the surprise...
ancient slavic lore maxim: better a sparrow in your
hand than a dove on your roof...
thumb folded under the index and sticking out
between the index and the *******... what's that?
a fig... co masz? to jest figa dla ciebie!
and where does a penguin's beak bend?
when you show them more than the *******...
you show them the elbow with the arm folded
and tell 'em... this is where the penguin's beak folds!
if you want to lose weight, fatty boy high school crush,
get on your bike boy'o, make those excess lipids
into waterfalls, use your legs to drain the upper body
and you won't have a problem with stretch armstrong
excess skin... during the summers i visited my
grandparents and peddled like mad, my favourite
route was down the 754 route, via krzemionki (flint)
rezerwat (reservation centre), through maksymilianów
where my childhood friend bella the alsatian was born,
and into bałtów, then through wólka bałtowska,
into the masovian voivodeship, through to borcuchy
then onto eugeniów, through dąbrówka, then straight
onto the road connecting ostrowiec with sienna.
the other route... it was in england...
no, wait, that's a lie... my other favourite cycling
route was also in the direction of bałtów,
but in a different direction: through magonie,
boria, stare stoki, ruda kościelna, ćmielów, route 755
through to bodzechów and straight into ostrowiec
(but sometimes through kąty denkowskie)...
my favourite english route though?
i have one specified...
from romford, up to havering-atte-bower,
bournebridge, staplefords abbotts, down ongar rd.,
abridge, through hainault county park
and back home (sometimes in reverse).
so chin hoo fat lost the belly... and stopped idealising
girls, actually lost interest in them...
which is a shame, i quiet liked the fat kid
who put all girls on a peddlestool;
yeah... that could have remained true...
but then he met the girls... and then he met their fathers.
Bribing for Uthamaki survival,
Made Kenya a fortune’s fool,
Not only Kenya but those that gave
And received bribes of all sorts,
Job favour and money favour
To make Uthamaki an eternal kingdom,
They all chewed un-toothsome slices
Of the public fortune’s fools,

They were bribed by cars, money, jobs,
Lands, upmarket houses. And all the stuffs
Of bribery regalia, and then they went dumb,
On truth and facts of the day; them; Chiloba and
Chebukat, dumb they went holus-bolus in the manacle
Of the claws of Uthamaki and its jostle for eternity,
Like the victims of slaughter in Tolstoyan epics.
They hated the truth and fell in love with falsehood,
Feeding children of Kenya on the brutality of Gebelawi,
Faked elections and police brutality in the alley of Samantha,
She died seeing the club of a full geared anti-riot police, it was
All but power of the bribe in the vacuum of conscience,
The true desire of our ages, ages, ages, ages; desire for ages,
A bribe can ****, yes it killed Musando,
A bribe can ****, yes it killed Juma,
A bribe can ****, yes it killed Samantha Pendo,
A bribe can **** yes it killed Stephanie on the balcony,
The bribe kills brutally when taken in line of duty,
A job promotion to job security fight for Uthamaki,
It kills brutally when received in line of avarice;
More land, houses in Karen, swollen bank dove-cots,
Free lunch and air-ticket windows of the bribe,
That can ******* to death when siring Uthamaki,

A bribe kills reason, mires power of truth,
A bribe fetters love for truth but bigotry extolled,
It can sent you to Paris sprinting with the keys
To the server room stuffed in your pocket,
A bribe warps the mind of the giver and the taker,
It makes democracy look the platter on which
Was John’s head, I mean the Baptist,

Uthamaki nourishes itself on the power of crime,
Looting, corruption, ***** riches, prostitution, lawless
hawking, Cartels, land-stealing, insider contracting,
faked academic testimonies, employment by tribe,
gangstering like Mungikification of the youths, insider
tendering, and now computer-generated uthamaki
all but nothing less than power of the bribe,

legerity is full in the hands of Uthamaki,
to condemn the sit that loves the truth,
fairness and justice is the harmful light to the bat’s eye
of Uthamaki, Uthamaki and the truth are oil and water,
uthamaki and the truth are as a Muslim and pork
uthamaki and the truth are an Israeli and an Arab,
they are an anti-thesis, Kenya a battle-field. Uthamaki
the thesis of imperial selfishness, democratic truth
the poor child of Kenya on the guillotine made of bribe,

Uthamaki has the name an epiphany all over,
Hospitals, schools, roads, avenues, maternity homes
Colleges, toilets, airports, prisons, barracks beyond zero,
And so forth, they all bare the name Uthamaki,
Uthamaki where are your age-mates and prison mates
Imprisoned for parting in struggle for freedom, Uthamaki,
You have stolen Kenya’s history and slaughtered the owners
At the slaughter-stone of bribe, using the tribe as your Knife,
Louis Fraser May 2012
Boxin' up progression
Lockin' down session
Rockin up to lesson
Dressed
Fine pressed
Geared up for givin' blessin's
Confessin' to felons
Commitin' crimes
Soakin' up voddy in our melons
Shoddy villains lookin' back at us
Jhon Goddi riddums
Billin' em for scandalous
Band of trust
Lost
Wankers spittin fictitious
Malicious lies
Leaves respect for wise guys sleepin' with the fishs
Put on your mask
Don't touch your face
Remember to leave
Six feet of space

Look at you now, you're doing the Covid Rag

Get all geared up
Go to the store
Can't find a thing
That you came for

Throw up your hands, you're doing the Covid Rag

You're doing the Covid Rag now
Doing the Covid Rag
Really, it's ****** sad now
We're doing the Covid Rag

Keep people safe
Don't touch too much
Remember you must
Wipe what you touch

Look at you now, you're doing the Covid Rag

Best stay at home
Do not go out
Eat what you want
Till you run out

Throw up your hands, you're doing the Covid Rag

You're doing the Covid Rag now
Doing the Covid Rag
Really, it's ****** sad now
We're doing the Covid Rag

So, Put on your mask
Don't touch your face
Remember to leave
Six feet of space

Look at you now, you're doing the Covid Rag

Throw up your hands, you're doing the Covid Rag
Stay safe at home, doing the Covid Rag
Doing the Covid Rag, Doing the Covid Rag

— The End —