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"edible" poems
the sky was can dy lu minous edible spry pinks shy lemons greens coo 1 choc olate s. un der, a lo co mo tive s pout ing vi o lets
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102.9k
The Sky Was
Summer heat summer sweet With a wealthy nature, rich pheromones erupt Birds n tha bees escape the trees Please don't plant your seeds But throw the leaves Up n up To get down and drop Where the dirt pops Ken keseys ashes Edible umbrellas turn rainy days on their head spinning pupils wide void of discontentment Fairies fly off clouds and stars fall at day Impossible, feelings are blown in and out of proportion to fit a screen thats too small Tough love Tough life Slick surface don't let me fall off the boat as it rocks Swisher wraps over the curves Got me feelin lucky like a charm Cheef all day got me smellin dank as a Rastafarian Only stoppin to sip my Captain Morgans moonshine Till we hit the caribbean Then Jack's got me headin for tides end Early Flush the bile outta your system And spiral out of controls iron hand **** responsibility, Apathy rules all. Paper crane ******* get all superficial but yellow bones make my brain go fuzzy in smokey *** In n out, fast n slow Nicotine dominates My senses are lost at Molly That ***** finger ****** my life Made me *** every time This unhealthy relation in action doesn't phase me yet, I'm too young to think that far I mean What do you expect? A Teens crowded perceptions can be judged like a bums intentions. Peace my brotha Dandy danny says theres a way out -side with the rap culture Shots of rebellion pour through the cracks we each fill The glass Is too cracked to be see-through West coast vibes kick back lax attitude I carry on my shoulders Forever green is my state Wash that **** off your lawn crack *** haters I'll spray paint your *** Equality's the goal **** race **** sexuality I see soul Open up Show me your beat I'll count bars as we spit elicited slurs drizzled to drops leaving the cops to stop us Quit Obeyin the brand
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Jul 31, 2014
Jul 31, 2014 at 5:05 AM UTC
Summer Heat Summer Sweet
Summer heat summer sweet With a wealthy nature, rich pheromones erupt Birds n tha bees escape the trees Please don't plant your seeds But throw the leaves Up n up To get down and drop Where the dirt pops Ken keseys ashes Edible umbrellas turn rainy days on their head spinning pupils wide void of discontentment Fairies fly off clouds and stars fall at day Impossible, feelings are blown in and out of proportion to fit a screen thats too small Tough love Tough life Slick surface don't let me fall off the boat as it rocks Swisher wraps over the curves Got me feelin lucky like a charm Cheef all day got me smellin dank as a Rastafarian Only stoppin to sip my Captain Morgans moonshine Till we hit the caribbean Then Jack's got me headin for tides end Early Flush the bile outta your system And spiral out of controls iron hand **** responsibility, Apathy rules all. Paper crane ******* get all superficial but yellow bones make my brain go fuzzy in smokey *** In n out, fast n slow Nicotine dominates My senses are lost at Molly That ***** finger ****** my life Made me *** every time This unhealthy relation in action doesn't phase me yet, I'm too young to think that far I mean What do you expect? A Teens crowded perceptions can be judged like a bums intentions. Peace my brotha Dandy danny says theres a way out -side with the rap culture Shots of rebellion pour through the cracks we each fill The glass Is too cracked to be see-through West coast vibes kick back lax attitude I carry on my shoulders Forever green is my state Wash that **** off your lawn crack *** haters I'll spray paint your *** Equality's the goal **** race **** sexuality I see soul Open up Show me your beat I'll count bars as we spit elicited slurs drizzled to drops leaving the cops to stop us Quit Obeyin the brand
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52
Soft melodies of the deep sea echo Moonlight dances on my pretty scales And icy bubbles whirl under my chest Through my slippery hair And down into my lungs to clear the way for overflowing foam Laughter splashes behind my lips as my anticipation rises Waiting for a night of twisted fairy-tales and uncalled for surprises. Shimmering bodies swarm in spirals Grinding in unison with the waves crashing at the surface We're anxious for overflowing foam and hidden treasures Purple light pierces the dark like shards of crystals Casting a ghostly shade on bulbous faces Pressure rises as each wave surges Whirlpools of hot breath suffocate our gills But the sidelines are shallow And stragglers float motionless Hair like seaweed at the nape of his neck Unbuttoned linen soaked and dripping Her hollow eyes glow green Like the jelly orbs of a fish under florescent lights She’s pressed against a boy who has hooks for fins Searching for the parts that are edible Tender, Scale-less, Slippery Nothing wrong with being the catch of the day Right? Bubbles rise and pop as the last melodies drown Schools of us are begging for shiny hooks and bad decisions A handsome boy has been smiling all the while He’s caught in a fisherman’s net Craving salty lips and the spell to make him a man But fisherman don't care for little mermaids With hearts like sea glass and no hidden treasures to steal Sweaty fins splash and cheer The fishbowl shatters Sea glass spills out onto sand We squirm and flop onto land Gasping without air to breathe As our mouths and ***** thoughts dry in the sun Leaving behind fresh meat without mouths to feed. Rainbow confetti was stuck in the grooves of my scales Wet clothes left on the floor of a steamy bathroom Gasping and moaning into tile With the face of a handsome stranger Because this meat shouldn't go to waste And I'm drunken with desperation For overflowing foam, jewels, and shiny hooks But I'm just another fish in the sea Tumbling in the waves with my rainbow confetti scales.
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Oct 15, 2018
Oct 15, 2018 at 6:00 PM UTC
Confetti Scales
Soft melodies of the deep sea echo Moonlight dances on my pretty scales And icy bubbles whirl under my chest Through my slippery hair And down into my lungs to clear the way for overflowing foam Laughter splashes behind my lips as my anticipation rises Waiting for a night of twisted fairy-tales and uncalled for surprises. Shimmering bodies swarm in spirals Grinding in unison with the waves crashing at the surface We're anxious for overflowing foam and hidden treasures Purple light pierces the dark like shards of crystals Casting a ghostly shade on bulbous faces Pressure rises as each wave surges Whirlpools of hot breath suffocate our gills But the sidelines are shallow And stragglers float motionless Hair like seaweed at the nape of his neck Unbuttoned linen soaked and dripping Her hollow eyes glow green Like the jelly orbs of a fish under florescent lights She’s pressed against a boy who has hooks for fins Searching for the parts that are edible Tender, Scale-less, Slippery Nothing wrong with being the catch of the day Right? Bubbles rise and pop as the last melodies drown Schools of us are begging for shiny hooks and bad decisions A handsome boy has been smiling all the while He’s caught in a fisherman’s net Craving salty lips and the spell to make him a man But fisherman don't care for little mermaids With hearts like sea glass and no hidden treasures to steal Sweaty fins splash and cheer The fishbowl shatters Sea glass spills out onto sand We squirm and flop onto land Gasping without air to breathe As our mouths and ***** thoughts dry in the sun Leaving behind fresh meat without mouths to feed. Rainbow confetti was stuck in the grooves of my scales Wet clothes left on the floor of a steamy bathroom Gasping and moaning into tile With the face of a handsome stranger Because this meat shouldn't go to waste And I'm drunken with desperation For overflowing foam, jewels, and shiny hooks But I'm just another fish in the sea Tumbling in the waves with my rainbow confetti scales.
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48
Yogurt. "I begin the day buying yogurt in a small favorite grocery store." Not pizza, nor gatorade. Bananas although they are imported from afar and grown in monocultures. Attract fruit flies in August. Peaches locally grown with rainwater. I ate all the farmer's peaches alone stacking them by the railroad tracks. Water -- rainwater, tap water, distilled water, carbonated water, spring water –-- deep gulps, infinite sips. Nuts in moderation, or not, unsalted, raw, replacing chips. His bowl of filberts, almonds, walnuts quiet weekday mornings. Edible plant parts -- roots, leaves, stems, flowers, fruit, buds. In olive oil or butter. Potatoes -- look online how best to prepare. Baked or fried. With a little fish or meat. Tea and honey, play and prayer. Swimming and running, talking quietly. Bread? Bread's possible as the Bible. Each is liable to bloat us. Wine and dandelions. Dandelion wine's Ray Bradbury's story. Cans in a pantry, books on a       shelf to the end of time. Pasta we used to call spaghetti, never noodles. I wonder if I can remember       how to make grandma's sauce. Tomatoes -- cherry, grape. Grab God's eye going by.
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Aug 11, 2015
Aug 11, 2015 at 11:34 AM UTC
Yogurt and Honey
I. Time passes, another batch of refugees and migrants. Cities turn into new houses of gambling and vicious cycles. Some say only machines can speak clearly and most humans have lost what they have earned throughout all this time, just right on schedule. To own our language, and the relationships it sets into motion, we learn painfully, repeatedly like sunrise and sunsets. Claiming our own spaces and demons hidden in our conveniences and reflex routines, and learning the tricks that has kept peoples from fully healing from broken promises and betrayals throughout time. We own up to our language and its demons every day and night that we toss and turn into something feasible, edible, livable. II. Iba ibang uri ng digma. duguang kasaysayang binabaong buhay binubura ang lakas at memorya tulad ng siyudad ng Songdo sa South Korea na ang ibig sabihin ay "city with no memory". Ito din ang isa sa mga modelo para sa New Clark City na tinatayo sa Luzon. Sa dalawahang mga pamamaraan ng mga naghahari-harian, nakikibaka ang anakpawis, nakikibaka ang kamalayan ng pagpapasya at pagwasto sa mga pagkakamali, na paulit-ulit na sinusubukang patayin sa iba ibang mukha. Mula pa sa panahon ng mga lolo at lola noong 1940s hanggang ngayon, patuloy ang mga pag-eexperimento nila at paggamit ng panlilinlang  at dahas, sa ngalan ng kalusugan, edukasyon at batas, upang ipain ang buhay sarili, lasunin ang lupang kinakain ang sarili. Kung hindi tayo mag-aaral at mag-iingat din, tayo mismo ang papatay sa mga sinisimulan. #
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Sep 8, 2018
Sep 8, 2018 at 2:58 AM UTC
Owning our language, facing its demons
I. Time passes, another batch of refugees and migrants. Cities turn into new houses of gambling and vicious cycles. Some say only machines can speak clearly and most humans have lost what they have earned throughout all this time, just right on schedule. To own our language, and the relationships it sets into motion, we learn painfully, repeatedly like sunrise and sunsets. Claiming our own spaces and demons hidden in our conveniences and reflex routines, and learning the tricks that has kept peoples from fully healing from broken promises and betrayals throughout time. We own up to our language and its demons every day and night that we toss and turn into something feasible, edible, livable. II. Iba ibang uri ng digma. duguang kasaysayang binabaong buhay binubura ang lakas at memorya tulad ng siyudad ng Songdo sa South Korea na ang ibig sabihin ay "city with no memory". Ito din ang isa sa mga modelo para sa New Clark City na tinatayo sa Luzon. Sa dalawahang mga pamamaraan ng mga naghahari-harian, nakikibaka ang anakpawis, nakikibaka ang kamalayan ng pagpapasya at pagwasto sa mga pagkakamali, na paulit-ulit na sinusubukang patayin sa iba ibang mukha. Mula pa sa panahon ng mga lolo at lola noong 1940s hanggang ngayon, patuloy ang mga pag-eexperimento nila at paggamit ng panlilinlang  at dahas, sa ngalan ng kalusugan, edukasyon at batas, upang ipain ang buhay sarili, lasunin ang lupang kinakain ang sarili. Kung hindi tayo mag-aaral at mag-iingat din, tayo mismo ang papatay sa mga sinisimulan. #
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33
Overnight, very Whitely, discreetly, Very quietly Our toes, our noses Take hold on the loam, Acquire the air. Nobody sees us, Stops us, betrays us; The small grains make room. Soft fists insist on Heaving the needles, The leafy bedding, Even the paving. Our hammers, our rams, Earless and eyeless, Perfectly voiceless, Widen the crannies, Shoulder through holes. We Diet on water, On crumbs of shadow, Bland-mannered, asking Little or nothing. So many of us! So many of us! We are shelves, we are Tables, we are meek, We are edible, Nudgers and shovers In spite of ourselves. Our kind multiplies: We shall by morning Inherit the earth. Our foot's in the door.
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20.5k
Mushrooms
To my friends who can write fresh-smelling bouquets of words with splendid color, I offer my envy. Mine are the blunt, stunted words, rooted in the cracks in pavement, or forcing their way to light around overbearing rocks. Some useful in their own way, edible or flavorful, some with a pedestrian beauty, but few that one would bring home in a bunch with a box of candy. More appropriate in a grimy, young fist crumpled in love, destined to be vased in a water glass by a doting mother, or shredded petal by petal for the sake of soothsaying... he loves me, he loves me not.
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Mar 3, 2017
Mar 3, 2017 at 1:21 PM UTC
weeds
Coming home from a fair, cusped between your lap a globe of darting eyes, your hands rested atop the thin film of a world as you endlessly peer in. Are you scrying over your future career? Here a tungsten bulbous body, a chunk of flame, swills itself in spins and mindless dances, as you think you could be so careless like them to live hazily in a framed bubble of treasured youth, fed by some divine fate looking over you. Golden scales make your skin, binds you as if you were a chocolate in a wrapper for people to circus over– every flicker being edible. Or maybe you're like those tinned peach slices, posing in a cage for all   as a marvel to feast with until you end up rotting, there in your tomb-space, muttering an open mouth, “help me” before they serve you up on a silver-lined dish. I assure you, you'll forget these childish thoughts of aspirations and dreams sooner than you think: no matter how much you think they want you, I'll bet they'll let yourself drown in coming weeks.
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Apr 20, 2014
Apr 20, 2014 at 6:15 PM UTC
Goldfish
a haw and saw. a thorn. fruit: it is ecstasy never bit and undeniable. you slurp—a cat licking its paws ruby and clear. moth and cloud drape over fruit, make up sparkling nectar. love is sickening. you spend five dollars on a rose at a bar for a girl you will never see again. she will take the flower and throw it in the trash outside with the hundreds of other roses. no matter. they have fruit, and fruit concludes. it is life cut with claws. their beauty, seemingly to be always in the clusters above. **** you, rose. **** your dew.* they seem to say. that’s when the light hits and microbial bleeds to miss ruby. JAZZ! at night retrains beauty, makes it edible. the rose, changing the color of its dew—black pearl in this drape of mystery-shaped night.
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Jul 15, 2017
Jul 15, 2017 at 12:49 PM UTC
a rose changes the colors of its dew
1. Nymphomaniac-addicts, Overweight bisexual vegetarians Climbing trees to stay fit and eating 80’s fried chicken ******* 2. just imagine Aquarians full of class valedictorians Swimming on display for graduation ceremony… reverse-symbolism of how Moolch drowned His ***** 3. Better yet, just imagine Holy wars, Beautiful words written to describe the burning pains Of holocaust...the Kristallnacht nights Under the mistletoe, Watching Hall of fame ball hawks on pivot toes Driving through hoes After the whistle blows 4 College Literacy classes teaching basic: Ideas that good questions leads to good answers, Reading reminders Free association conceptual constructions 5. But ************ professor: free association **** shticks misfires, false alarms are all art, too, Like sticking a dagger into an apple, Not the edible, but the technology. 6. Go head, deconstruct the philosophy Of oral cute-tification, according to the Tautology of Leviticus, With the same three half truths, pogroms against biological deviant... FLAGS! 7. Cryptic gospels of a ************ Where three F.F.F’s Stands for six six six Like how 1mg of juxtaposition And a dose of metamorphosis is the repertoire of a king of curmudgeon ‘cause even the Holy Ghost drinks from the cup of Christ’s blood. 8. Reading, Self-flagellation gospel-manual of Pope John Paul II, At shrink sessions under the daze of heron Piper methysticum blunts With sweet phat butts like lit lickerish that droop eyes Like the psalm of Valeriana officinalis root extract.
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Feb 12, 2012
Feb 12, 2012 at 12:46 PM UTC
Phrenology of SAMO (from 1.Amativeness to 8. Acquisitiveness)
1. Nymphomaniac-addicts, Overweight bisexual vegetarians Climbing trees to stay fit and eating 80’s fried chicken ******* 2. just imagine Aquarians full of class valedictorians Swimming on display for graduation ceremony… reverse-symbolism of how Moolch drowned His ***** 3. Better yet, just imagine Holy wars, Beautiful words written to describe the burning pains Of holocaust...the Kristallnacht nights Under the mistletoe, Watching Hall of fame ball hawks on pivot toes Driving through hoes After the whistle blows 4 College Literacy classes teaching basic: Ideas that good questions leads to good answers, Reading reminders Free association conceptual constructions 5. But ************ professor: free association **** shticks misfires, false alarms are all art, too, Like sticking a dagger into an apple, Not the edible, but the technology. 6. Go head, deconstruct the philosophy Of oral cute-tification, according to the Tautology of Leviticus, With the same three half truths, pogroms against biological deviant... FLAGS! 7. Cryptic gospels of a ************ Where three F.F.F’s Stands for six six six Like how 1mg of juxtaposition And a dose of metamorphosis is the repertoire of a king of curmudgeon ‘cause even the Holy Ghost drinks from the cup of Christ’s blood. 8. Reading, Self-flagellation gospel-manual of Pope John Paul II, At shrink sessions under the daze of heron Piper methysticum blunts With sweet phat butts like lit lickerish that droop eyes Like the psalm of Valeriana officinalis root extract.
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52
What is the versatile autobiography of this bountiful of rice boiling in my American kitchen? This crop of microscopic slabs of grain that was the one edible source of preventing my ancestors' emaciation One of such few things connecting me to my roots, those things I can't help but bleach in whitewashed and rebellious peroxide. I will valiantly hang my head down low in shame at the examples of my flesh and earth, "those National Geographic cavemen," all the time being the zoo animal, being blindfolded and caged by these "secular, American liberals." I love this food that I consume like a vacuum, this merengue and bachata that I so happily shake my *** to; but nowhere did I sign up for these commandments that I was appointed based on the location that I popped out onto.
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Apr 29, 2010
Apr 29, 2010 at 10:51 AM UTC
Two Weeks Notice From A Hispanic Rebel
wear gloves on your hands, leaving your eyes free to speculate and your mind to record the life of the plant; and the life of the one who nurtures and tends follow-from the fallow soil to my edible plated consumption, from the baby bud nipping to sharp crack shot at picking, to my tongue licking both your produce and you you may feed me poems when the real harvesting is done, grown in your own private plot, from you, my good fellow, follow with love delivered to my expecting fallow-soul, awaiting your seeding me, and I,   you...
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Jun 28, 2018
Jun 28, 2018 at 12:00 PM UTC
Dear Farmer Poet
For long, my house has been lying deserted My gate has not been opened wide to let in anyone No guest has so far come to visit me Tired of distant wanderings I have come here to listen to the beat of silence Occasionally broken by the sound Of birds' laughing wings overhead Here I have brooding shadows for company Hermit like I wrap myself in my solitude Now abruptly when you announce your arrival I feel excited and equally perplexed What shall I serve you? I am at a loss My hearth has not been lighted for long And my kitchen pots remain empty I know I should serve you Something chilled or warm In my menu, I have a simple surprise But not of the edible kind Nor delectable to your palate But as I have known you since long I hope it will appease you In poetry’s platter I shall serve my thoughts warm, Garnered in the lonely hours Of my solitude! The only dish I have!
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Jun 30, 2016
Jun 30, 2016 at 6:26 AM UTC
What Shall I Serve You?
Western coast of Norway. Relentless fists of salt and sea Pound against the windows Facing the openness. All edible remains after every Meal, they surrender unto her here. She feeds them back. Her moods change daily, Taking only one life With every ten thousand she Nourishes. *We love her. We fear her. We love her.*
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Dec 31, 2014
Dec 31, 2014 at 8:30 AM UTC
The Norwegian Sea
From bristly foliage you fell complete, polished wood, gleaming mahogany, as perfect as a violin newly born of the treetops, that falling offers its sealed-in gifts, the hidden sweetness that grew in secret amid birds and leaves, a model of form, kin to wood and flour, an oval instrument that holds within it intact delight, an edible rose. In the heights you abandoned the sea-urchin burr that parted its spines in the light of the chestnut tree; through that slit you glimpsed the world, birds bursting with syllables, starry dew below, the heads of boys and girls, grasses stirring restlessly, smoke rising, rising. You made your decision, chestnut, and leaped to earth, burnished and ready, firm and smooth as the small ******* of the islands of America. You fell, you struck the ground, but nothing happened, the grass still stirred, the old chestnut sighed with the mouths of a forest of trees, a red leaf of autumn fell, resolutely, the hours marched on across the earth. Because you are only a seed, chestnut tree, autumn, earth, water, heights, silence prepared the germ, the floury density, the maternal eyelids that buried will again open toward the heights the simple majesty of foliage, the dark damp plan of new roots, the ancient but new dimensions of another chestnut tree in the earth.
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5.4k
Ode To a Chestnut on the Ground
it was the Cubist who created the space and color that everywhere today assails our eyes in    uniform architecture and monotonous design; the various branches of modern art through tedious & exhaustive experiment      & research creating a massive cultural sinkhole whose banal discoveries unveil for all the sameness of form, line and color; Quote from Gorky's 'Camouflage', 1942: I like the heat; the tenderness; the edible; the lusciousness; the song of a single person in a bathtub full of water.                            I like Ucello, Grunewald, Ingres, the drawings and sketches for paintings    of Seurat and that man Pablo Picasso;                I measure all things by weight.                In text for MoMA, describing the 'Garden in Sochi' - series,                26 June 1942 I love Mougouch, Gorky's wife.                What about papa Cézanne; I like the wheat fields, the plow, the apricots, those flirts of the sun.    And bread above all. My lever is the purple; About 194 feet away from our house in Armenia on the road to the spring my father had a little garden with a few apple trees which had retired                              from giving fruit; this garden was identified as the _'Garden of Wish Fulfillment'_ often I had seen my mother and the other village women exposing their naked bosoms, taking the soft, dependable ******* in their hands & rubbing them on the rocks; above all this standing an enormous tree all bleached under the sun, rain & cold,  deprived of leaves. This was the Holy Tree [quoted in 1942] In text for MoMA, describing the 'Garden in Sochi' - series, 26 June 1942 I don't like that word 'finished'.     When something is finished, that means it's dead, doesn't it? I believe in everlastingness; I never finish a painting –   I just stop working on it for a while. I like painting because it's something I can never come to the end of; sometimes I paint a picture, then I paint it all out.    Sometimes I'm working on fifteen or twenty pictures at the same time; I do that       b/c I want to – b/c I change my    mind so often; The thing to do is      always to keep starting to paint;      never finishing the painting [quoted in 1948]
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Aug 20, 2018
Aug 20, 2018 at 4:39 PM UTC
Արշիլ Գորկին, տանիքի այծերը
it was the Cubist who created the space and color that everywhere today assails our eyes in    uniform architecture and monotonous design; the various branches of modern art through tedious & exhaustive experiment      & research creating a massive cultural sinkhole whose banal discoveries unveil for all the sameness of form, line and color; Quote from Gorky's 'Camouflage', 1942: I like the heat; the tenderness; the edible; the lusciousness; the song of a single person in a bathtub full of water.                            I like Ucello, Grunewald, Ingres, the drawings and sketches for paintings    of Seurat and that man Pablo Picasso;                I measure all things by weight.                In text for MoMA, describing the 'Garden in Sochi' - series,                26 June 1942 I love Mougouch, Gorky's wife.                What about papa Cézanne; I like the wheat fields, the plow, the apricots, those flirts of the sun.    And bread above all. My lever is the purple; About 194 feet away from our house in Armenia on the road to the spring my father had a little garden with a few apple trees which had retired                              from giving fruit; this garden was identified as the _'Garden of Wish Fulfillment'_ often I had seen my mother and the other village women exposing their naked bosoms, taking the soft, dependable ******* in their hands & rubbing them on the rocks; above all this standing an enormous tree all bleached under the sun, rain & cold,  deprived of leaves. This was the Holy Tree [quoted in 1942] In text for MoMA, describing the 'Garden in Sochi' - series, 26 June 1942 I don't like that word 'finished'.     When something is finished, that means it's dead, doesn't it? I believe in everlastingness; I never finish a painting –   I just stop working on it for a while. I like painting because it's something I can never come to the end of; sometimes I paint a picture, then I paint it all out.    Sometimes I'm working on fifteen or twenty pictures at the same time; I do that       b/c I want to – b/c I change my    mind so often; The thing to do is      always to keep starting to paint;      never finishing the painting [quoted in 1948]
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52
To some she is a shining light A flash of hope amongst the dark An optimistic helping hand To pull you from the dark And cheer your sorrow To some she is a black hole Pulling the world down with sadness Reliving the past that broke her And stabbing others with the shards To some she is simple words plastered on a white canvas painting a picture. never more but never less To most she is unnoticeable A tiny footnote scribbled in the corner of a forgotten notebook A wall flower whose thorns push away all but those with the key to her locked heart. When you ask me what she is The answer is impossible Because I don't know But I can tell you what she's not She is not a beautiful face, to stop you in a crowd She is not a chatting girl to talk you into a date She is not a innocent flower Welcoming with open arms She is not a genius to create the next invention She is not a musician, an author, a designer, a star, a doctor, or a hero She is not a loving companion for you to hold, and remember your every need She is not a great friend, always there in a flash. She is not a friendly person, starting up the conversation She is not a good cook, making meals that are edible She is not an unscarred girl, unscathed by the past She is not a beautiful figure That draws your eyes She is not hilariously funny Ready for stand up comedy She is not someone to remember though she will remember you However she is not fazed by judges Changing ways to suit them She is not perfect She is not stopped by her imperfections, only pressed farther to become something more. And though I can not say who she is or what she will be. Here's what I can say To me she will always be the girl staring back in the mirror.
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Feb 4, 2015
Feb 4, 2015 at 1:04 AM UTC
She Is...
To some she is a shining light A flash of hope amongst the dark An optimistic helping hand To pull you from the dark And cheer your sorrow To some she is a black hole Pulling the world down with sadness Reliving the past that broke her And stabbing others with the shards To some she is simple words plastered on a white canvas painting a picture. never more but never less To most she is unnoticeable A tiny footnote scribbled in the corner of a forgotten notebook A wall flower whose thorns push away all but those with the key to her locked heart. When you ask me what she is The answer is impossible Because I don't know But I can tell you what she's not She is not a beautiful face, to stop you in a crowd She is not a chatting girl to talk you into a date She is not a innocent flower Welcoming with open arms She is not a genius to create the next invention She is not a musician, an author, a designer, a star, a doctor, or a hero She is not a loving companion for you to hold, and remember your every need She is not a great friend, always there in a flash. She is not a friendly person, starting up the conversation She is not a good cook, making meals that are edible She is not an unscarred girl, unscathed by the past She is not a beautiful figure That draws your eyes She is not hilariously funny Ready for stand up comedy She is not someone to remember though she will remember you However she is not fazed by judges Changing ways to suit them She is not perfect She is not stopped by her imperfections, only pressed farther to become something more. And though I can not say who she is or what she will be. Here's what I can say To me she will always be the girl staring back in the mirror.
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42
Taste is my desire what i eat doesnt matter what i can offer to eat doesnt concern i may be charge for millions but will taste it i dont care who cant eat as long as i eat no money can satify my hunger no chef can verify my taste for food i shall eat anything you serve i dont care of the taste not the smell as my stomach grumble i shall eat it im always hungry always being stuffed nor i can be full of what i eat no one is hungrier but me eat and drink i what i live food is my first love and wealth i shall spend for it i am gluttony the undying hunger i shall eat to satisfy but never full i shall have everything edible for my stomach needs more
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Jan 10, 2015
Jan 10, 2015 at 1:36 AM UTC
Gluttony
Victuals for intellectuals: be quasi and prototypical, not pseudo or ritual. Feel shame and wonder. Don’t blunder in the shallow muck, shovel to your knees and look under. Do not track linear paths: Think sideways, backwards, upside down, exist laterally. Accept contradictory truths: they are not just possible they are inevitable. If you haven’t found one in your search, keep your head down and eyes open. Be new to avoid ennui, and let no truth chip your tooth. Be quiet, not stupid, be rarely edible and hoarse from spirit. Be invisible, not loud, be a hoax until you are undeniable.
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Jan 15, 2014
Jan 15, 2014 at 7:25 AM UTC
Pseudo-intellectual
HaHA, I've done it!  I've created a device That can tap into my subconscious and translate it for all to hear. I will win the Nobel Prize! I will be rich beyond my wildest dreams! People will LIKE me! So let's see here....I put on the cap, set the throttobombulator to 8. Adjust for fuzzy dialation...set the circuit threshold to .79, make sure the lucid translation synapses are firing...and yes.  The next words you hear will surely be written in History books one day, much like Thomas Edison's first phonograph recording, or the first telephone call! Neural connection is active.  Transmitting **TRANSGENDERED KANGAROOS FORNICATE IN THE PURPLE SHADE OF BETTE MIDLER'S THIGHS.  PLEASE PERFORM ******** AT THE BEHEST OF BUDDHIST MONKS WITH LISPS.  COUNT TO TEN AND BECOME A BUXOM BLONDE ***** WITH BOUNCY *******   WHEN THE CLOCK STRIKES TWELVE, CINDARELLA IS ON HER KNEES AND ELBOWS BECAUSE IT'S ****** HARD TO GET LOW ENOUGH TO PLEASURE A DWARF** Oh dear.  This can't be right....now where's that 'off' switch? **JACK AND JILL WENT OFF THE PILL SO JACK COULD BE A FATHER.  JACK WENT DOWN TO LONDON TOWN AND PUNCHED THE DALAI LAMA.  EDIBLE ******* GIVE YOU INDIGESTION.  DO YOU KISS YOUR MOTHER WITH THAT MOUTH, BECAUSE YOU SHOULD. (AND USE SOME TONGUE THIS TIME)** Oh My...Ladies and Gentlemen, It's clear that my invention is experiencing technical difficulties.  If you would please be patient--- **SATIN BRAS DON'T CHAFE.  NONE OF THE SMURFS HAD BLUE ***** THANKS TO SMURFETTE.  I WONDER WHAT MARY MAGDELINE WAS LIKE IN THE SACK?  ** STUPIDSmashPieceSmashof GARBAGESMASH DoNT LikE iT?  tucK iT bAcK!! Connection Lost I...erm...clearly have some more work to do before it is ready for the pubic--er..public.  I have run into some...translation errors...and need to re lubricate--CALIBRATE a few things. Please don't tell my mother.
0
Feb 8, 2012
Feb 8, 2012 at 12:12 AM UTC
The Dam is Breached
HaHA, I've done it!  I've created a device That can tap into my subconscious and translate it for all to hear. I will win the Nobel Prize! I will be rich beyond my wildest dreams! People will LIKE me! So let's see here....I put on the cap, set the throttobombulator to 8. Adjust for fuzzy dialation...set the circuit threshold to .79, make sure the lucid translation synapses are firing...and yes.  The next words you hear will surely be written in History books one day, much like Thomas Edison's first phonograph recording, or the first telephone call! Neural connection is active.  Transmitting **TRANSGENDERED KANGAROOS FORNICATE IN THE PURPLE SHADE OF BETTE MIDLER'S THIGHS.  PLEASE PERFORM ******** AT THE BEHEST OF BUDDHIST MONKS WITH LISPS.  COUNT TO TEN AND BECOME A BUXOM BLONDE ***** WITH BOUNCY *******   WHEN THE CLOCK STRIKES TWELVE, CINDARELLA IS ON HER KNEES AND ELBOWS BECAUSE IT'S ****** HARD TO GET LOW ENOUGH TO PLEASURE A DWARF** Oh dear.  This can't be right....now where's that 'off' switch? **JACK AND JILL WENT OFF THE PILL SO JACK COULD BE A FATHER.  JACK WENT DOWN TO LONDON TOWN AND PUNCHED THE DALAI LAMA.  EDIBLE ******* GIVE YOU INDIGESTION.  DO YOU KISS YOUR MOTHER WITH THAT MOUTH, BECAUSE YOU SHOULD. (AND USE SOME TONGUE THIS TIME)** Oh My...Ladies and Gentlemen, It's clear that my invention is experiencing technical difficulties.  If you would please be patient--- **SATIN BRAS DON'T CHAFE.  NONE OF THE SMURFS HAD BLUE ***** THANKS TO SMURFETTE.  I WONDER WHAT MARY MAGDELINE WAS LIKE IN THE SACK?  ** STUPIDSmashPieceSmashof GARBAGESMASH DoNT LikE iT?  tucK iT bAcK!! Connection Lost I...erm...clearly have some more work to do before it is ready for the pubic--er..public.  I have run into some...translation errors...and need to re lubricate--CALIBRATE a few things. Please don't tell my mother.
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40
I*t is unknown that gets me of this A veil, a world beyond exists Life and reel both Shows the stills of the worst But no more Could mean way more In ways no one will understand About what this i*s A r*elief to all unending pain A permanent erase to all thoughts in brain harsh reality to those still living The real problem is in breathing Liberation and freedom Aren't for the living Part of brave around The chances are faint*. A f*orever is a promise Not to believe in Wonder to eyes All good lies Simple truth Is too good for us Not edible enough God don't need us*. N*ot here not there Only best get vacancy Heaven is housefull Seven hells down The burns and fiery thirst don't stop Ignition on You were bad When you had the chance*.
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Apr 17, 2019
Apr 17, 2019 at 1:52 PM UTC
No more
Once upon a time, in a little old forest, There lived a baker, a butcher, and a florist. They were so poor that they decided one day To figure out which of them was the poorest. The baker stood up proud "It is I who is the poorest. "I obviously have the least. "All my bread, by rats, was devoured "And I haven't any more flour. "This last loaf is my final feast." "Not you, but I," said the butcher from his shop. "It is I who has nothing at all to eat "My deli's full of bones. "Oh! How my stomach groans! "What's a butcher without any meat?" And the florist, in a whisper, Mumbled his protest "Why even if my flowers bloomed, "I fear my career is regrettable, "As flowers are not edible, "For I am the poorest and doomed." Then the baker nodded And the butcher agreed, Though they had not very much, The florist was the poorest indeed. Before the day was over, There were crumbs all on the ground Said the Butcher, with his cutting tool "Why the florist, he was such a fool" And since then, he was never to be found.
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Dec 20, 2012
Dec 20, 2012 at 3:24 AM UTC
The Butcher, The Baker, and The Florist
Come rest your weary But lazy Heads and hands For just about a minute thirty Under my shadow That comes past noon. Come sit on a stool, Come sit on a bench, Come lie down On the cheese grater And stare at the ridiculously clear blue skies Of October. I shall cause your mouths to overflow with words As green as my leaves, As tall as everything of me, As harmful as my falling rotten fruits, As deep as my root's embrace of the land, And as cool and comforting as my shade. For I am worthless I only bear edible fruit In the summer When no one is around, and My limbs tend to overflow to the halls and walls So they severe it occasionally And just dispose. Ants create trails on my body Traversing my height in spirals So be careful not to come too close. I am worthless But for the times you spend with me.
0
Oct 13, 2013
Oct 13, 2013 at 11:59 AM UTC
Under the Mango Tree
…uncertainty, my friend, I see uncertainty… there are dark times, though light comes first… let me see: there are happy moments and all things seem to fall in place and desires gain momentum and all things seem to come to fruition… one reaches out, and grasps at what is before and all round and yet things that seemed so corporeal, so physical, they melt and unravel like phantoms, like images in the fog… and I see uncertainty…a darkness moves over the screen, as say shadows over a stage… as shadows behind a puppet-show screen… and there are smiles, friend…there is laughter and joy and happiness… and days of merry-making, and ********** and fortune…. and uncertainty…there is an image of growth and then death… like growth in the fields and then night and completeness and brownness in the lands which were green the day before …uncertainty, I see…. …there is uncertainty… do you see it too? or is it brightness and radiance always and always that you see? it is like wading into a lake to reach those edible plants that grow a little towards the center still close enough to reach without a swim and one walks on firm land and one is nearly there; and then the mud and soil are soft and break below one and one falls and struggles in the water….a sudden fall... ...a sudden uncertainty… I see uncertainty, dear friend… but what do you see, dear friend…? …there is uncertainty… do you see it too? or is it brightness and radiance always and always that you see?
0
Oct 12, 2010
Oct 12, 2010 at 2:54 AM UTC
uncertainty
…uncertainty, my friend, I see uncertainty… there are dark times, though light comes first… let me see: there are happy moments and all things seem to fall in place and desires gain momentum and all things seem to come to fruition… one reaches out, and grasps at what is before and all round and yet things that seemed so corporeal, so physical, they melt and unravel like phantoms, like images in the fog… and I see uncertainty…a darkness moves over the screen, as say shadows over a stage… as shadows behind a puppet-show screen… and there are smiles, friend…there is laughter and joy and happiness… and days of merry-making, and ********** and fortune…. and uncertainty…there is an image of growth and then death… like growth in the fields and then night and completeness and brownness in the lands which were green the day before …uncertainty, I see…. …there is uncertainty… do you see it too? or is it brightness and radiance always and always that you see? it is like wading into a lake to reach those edible plants that grow a little towards the center still close enough to reach without a swim and one walks on firm land and one is nearly there; and then the mud and soil are soft and break below one and one falls and struggles in the water….a sudden fall... ...a sudden uncertainty… I see uncertainty, dear friend… but what do you see, dear friend…? …there is uncertainty… do you see it too? or is it brightness and radiance always and always that you see?
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43
Gun metal gray, this pigeon grasps at current strung black across a brick- bounded back alley edgy eyes on uneven piles— disposable artifacts of people caught in-between— it trills its plea, a directionless directive to throw away smaller, more edible, trash
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Sep 19, 2009
Sep 19, 2009 at 8:46 AM UTC
Trash