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"cudgel" poems
We marched to the words of "We Shall Overcome" courting justice to walk at our side, seared into memory with the heat of sun brothers and sisters, arms linked one to one beneath that day star's unblinking eye, we marched to the words, "We Shall Overcome." We swore an oath to forego the gun, to carry only freedom's cry beneath the impassive afternoon sun, through bludgeon and cudgel one by one, each truncheon summoning others to rise, to join in the words "We Shall Overcome." As we embraced, the marching done, a crosshairs trained a sniper’s eye to wrench malice from the indifferent sun to hew a path in blood and bone, to rend flesh                      and a rasping                                               fatal sigh . . . in the fading caress of the afternoon sun. Beneath the eternal arc of the sun, again we will muster side by side, a sanctified chorus, whose song will be sung, let our marching echo...                                           "We Shall Overcome.” Copyright © 2018 Gary Brocks Conceived after visiting the LORRAINE HOTEL (Memphis, Tennessee), the site of the assassination of Dr. Martin Luther King Jr., Thursday, 4 April 1968. In 1991 the NATIONAL CIVIL RIGHTS MUSEUM at the LORRAINE HOTEL was opened to the public. "We Shall Overcome”, an anthem, title and refrain, of the American Civil Rights Movement of the mid 20th century.
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Aug 26, 2018
Aug 26, 2018 at 4:18 AM UTC
INCANTATION OF RESISTANCE
We marched to the words of "We Shall Overcome" courting justice to walk at our side, seared into memory with the heat of sun brothers and sisters, arms linked one to one beneath that day star's unblinking eye, we marched to the words, "We Shall Overcome." We swore an oath to forego the gun, to carry only freedom's cry beneath the impassive afternoon sun, through bludgeon and cudgel one by one, each truncheon summoning others to rise, to join in the words "We Shall Overcome." As we embraced, the marching done, a crosshairs trained a sniper’s eye to wrench malice from the indifferent sun to hew a path in blood and bone, to rend flesh                      and a rasping                                               fatal sigh . . . in the fading caress of the afternoon sun. Beneath the eternal arc of the sun, again we will muster side by side, a sanctified chorus, whose song will be sung, let our marching echo...                                           "We Shall Overcome.” Copyright © 2018 Gary Brocks Conceived after visiting the LORRAINE HOTEL (Memphis, Tennessee), the site of the assassination of Dr. Martin Luther King Jr., Thursday, 4 April 1968. In 1991 the NATIONAL CIVIL RIGHTS MUSEUM at the LORRAINE HOTEL was opened to the public. "We Shall Overcome”, an anthem, title and refrain, of the American Civil Rights Movement of the mid 20th century.
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29
Other worlds have hopes, for plants, for trees and dogs walking by, panting soaking in humidity like carp above water. Not ours. Dead ends, parked cars supplanting serenity with passion, desire crammed into row upon row of heartless dwellings expunging sunglass-wearing **** suckers blocking their emptiness from the world with reverse blindfolds. I know their eyes still glare at me, scoffing at them. Walking, I walk past their barricaded kennels, under- construction housing impersonating natural climes with sushi and slushy shops. People like them have admiss- able drives, hankering after freedom; they're indoctrinated to believe admission is monthly cable bills wired in beneath concrete slabs maintained compliance through lines painted on grass where overlords can tell livestock what to do. Bus chutes form hillsides, beside lines of trees which perfume these feedlots we call cities. **** oozes below streets walked on, they stared at me like cows, watching a ranch-hand suspicion toward anything beyond bistro fences. "What the **** are you looking at, you filthy animal? Have you no idea which species your greed feeds? Do you know where this ends for you? Who's tazing your *** who's making you sit there?" Moo, mooo. Mooooooooooooooooooo. Receipts, a cudgel on each table, more cudgels ring from pockets telling them what time it is, where they're to be. Sunday's almost over, back to blocks of houses! Graze on painted grass, then die, but not before you stare at me with empty eyes, you pathetic, miserable creatures.
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Jun 3, 2012
Jun 3, 2012 at 10:11 PM UTC
Painted Grass
Other worlds have hopes, for plants, for trees and dogs walking by, panting soaking in humidity like carp above water. Not ours. Dead ends, parked cars supplanting serenity with passion, desire crammed into row upon row of heartless dwellings expunging sunglass-wearing **** suckers blocking their emptiness from the world with reverse blindfolds. I know their eyes still glare at me, scoffing at them. Walking, I walk past their barricaded kennels, under- construction housing impersonating natural climes with sushi and slushy shops. People like them have admiss- able drives, hankering after freedom; they're indoctrinated to believe admission is monthly cable bills wired in beneath concrete slabs maintained compliance through lines painted on grass where overlords can tell livestock what to do. Bus chutes form hillsides, beside lines of trees which perfume these feedlots we call cities. **** oozes below streets walked on, they stared at me like cows, watching a ranch-hand suspicion toward anything beyond bistro fences. "What the **** are you looking at, you filthy animal? Have you no idea which species your greed feeds? Do you know where this ends for you? Who's tazing your *** who's making you sit there?" Moo, mooo. Mooooooooooooooooooo. Receipts, a cudgel on each table, more cudgels ring from pockets telling them what time it is, where they're to be. Sunday's almost over, back to blocks of houses! Graze on painted grass, then die, but not before you stare at me with empty eyes, you pathetic, miserable creatures.
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65
tizzy looped his past: he had looped it and then looped it howevah, whoop to diz gangstapoetry boosted its duties newly we simply gs, whose duties include slowmoflow like snoop, or p, ain't no thang i create slang in the hate center, last trip i flew thru loops, break dancers and readers want answers, so we give straight answers lyrics of fame bangers, one rhyme for eight don't take chances, tizz stylobate, sunrise poems born from crime, give it some time gotta come right, sell it all at one price my blood cries in rough nights, plagued by enough of tough stuff, but me ain't a fluff i bluff and take what's rightfully mine tizz is frightfully nice, he neva comes twice coco loco, monica matadora tending first song jeezy's "poppin" pimpin pimpz red-blodded hamza comin ova to test me subtly intimidating, i just call him "habibi" ice breaker, you feel me, we good, truly check out jammed jay, pushin designer hamza on the toilet, yayo, his girl, bunny snugglin wit jammed jay for real by now close to my dj area, rubbin *** gainst **** tina staring camly into her secret intention i expect something vaguely, forget it, tho as hamza al-mighty gets back, explodes he beats up jay, promptly breakin' his nose jay looks at the blood; pulls out a cudgel bashin hamza's skull, flesh splinters hamza strikes back wit em bludgeons wondaland's red light, serving proudly 24/7 hamza's pack, yousif, said, wassim and mo ready to battle the enemy of the enemy lego goon, antwone, bobby butchah, juan
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Jun 14, 2021
Jun 14, 2021 at 1:10 AM UTC
In The Redlight District At 4:48 AM
tizzy looped his past: he had looped it and then looped it howevah, whoop to diz gangstapoetry boosted its duties newly we simply gs, whose duties include slowmoflow like snoop, or p, ain't no thang i create slang in the hate center, last trip i flew thru loops, break dancers and readers want answers, so we give straight answers lyrics of fame bangers, one rhyme for eight don't take chances, tizz stylobate, sunrise poems born from crime, give it some time gotta come right, sell it all at one price my blood cries in rough nights, plagued by enough of tough stuff, but me ain't a fluff i bluff and take what's rightfully mine tizz is frightfully nice, he neva comes twice coco loco, monica matadora tending first song jeezy's "poppin" pimpin pimpz red-blodded hamza comin ova to test me subtly intimidating, i just call him "habibi" ice breaker, you feel me, we good, truly check out jammed jay, pushin designer hamza on the toilet, yayo, his girl, bunny snugglin wit jammed jay for real by now close to my dj area, rubbin *** gainst **** tina staring camly into her secret intention i expect something vaguely, forget it, tho as hamza al-mighty gets back, explodes he beats up jay, promptly breakin' his nose jay looks at the blood; pulls out a cudgel bashin hamza's skull, flesh splinters hamza strikes back wit em bludgeons wondaland's red light, serving proudly 24/7 hamza's pack, yousif, said, wassim and mo ready to battle the enemy of the enemy lego goon, antwone, bobby butchah, juan
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34
To wonder at the sound of another's heartbeat and marvel at the rising and falling The colors of the rainbow first filling wide open eyes how they take the breath away Claiming shapes and sounds and smells the entire universe a pile of jigsaw puzzle pieces One day fit together to reveal the most beautiful reflection To hear every sound for the first time and know silence as ending and beginning From within the spirit remembers Struggling against and with another spirit the soul is molded Almost a fog, hovering around the body it glows Mine had grown dim had become heavy as stone A mocking albatross with no patience for sluggish maturity I'd begun to question it's very existence convinced by a hateful science Beaten so badly with the cudgel of years I longed to be rid of it Until you came along with your angel song the very sound of our beating heart Like the winging of birds in free fall, ecstatic You dragged me out of hell with the ringing of your voice the singing of a song that pulled me into heaven The sound of newborns crying in amazement at the very rhythm of life itself How bittersweet it is to surrender you to the quiet from where you were born I would hold on forever but you fade even as my heart is filled Not gone... merged, quiet, waiting You leave me knowing you will never leave me For you have become my soul a partner in sound and silence See the miracle of music it glows
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Sep 4, 2013
Sep 4, 2013 at 10:24 PM UTC
Glowing Soul
You haberdashery hauberk harangue of a hornswoggling hiatus .  Your arrogantly delusory blasphemous dementia of odiously ominous diabolically grotesque gives me a decadent distraughtness of desultory debauchery and ghastly gnarly abysmal abjections .  It causes hysterical deliriums of maniacally macabre .  My swashbuckling surreptitious spatiotemporal telemetry tactician is tacitly inured in a phantasmagoria fantastication of fabulist façade fantasias .  I could positively kithe a futurity cudgel phantasm and bonkers bluster boggle with your phrenetically frenzied phrenic and forget my phyletic you preterit rendition autonomy equilibrist .
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Jul 21, 2016
Jul 21, 2016 at 9:22 PM UTC
Soliloquy (re-post)
I was sat in a Tavern in Pompey Town, Sipping a tipple of *** When I watched a Jack make an axe attack, Chop off his finger and thumb! I couldn’t believe the blood that flowed From the cut of that rusty blade, But the barmaid Flo, said ‘You’ve done it, Joe, Now look at the mess you’ve made!’ She cleaned it up with a swill of ale, Walked off with the finger and thumb, ‘I’ll nail these up on the balustrade With the rest that have been as dumb.’ But Joe sang out when he’d had a drink ‘It’s better than being a tar! I spent three years, under the lash On His Majesty’s Man o’ War.’ ‘They ‘pressed me when I was still a kid And treated me like a dog, I suffered scurvy and couldn’t work, The answer to that, was flog.’ ‘They flogged me around the Southern Cape, They flogged me a-ship and ashore, Whenever I thought that I might escape They dragged me onboard for more.’ ‘And Cap’n Foggett’s abroad tonight With his cut-throat parcel of rogues, Impressing the able-bodied men, They’re lining them up in droves.’ ‘For Nelson’s lying abaft the lee With barely a half a crew, He needs more men for the ‘Victory’, And that means me and you!’ ‘In every tavern they’re moving in, In every alley and quay, At first they offer the King’s shilling, To war with the enemy.’ ‘But the Frenchies rake with the carronade That will rip the flesh from your bones, And the decks run red from the men who bled Impressed from their wives and homes.’ ‘They say he sails on the tide tonight So they’re doing a quick Hot Press, Even a gen’lman walking late Won’t meet with their gentleness.’ ‘A cudgel whack on a squire’s head Then dragged to the bilges, free, They’ll never know ‘til they all wake up That they’re headed on out to sea.’ ‘That Nelson’s got but a single arm, He’s got but a single eye, If that’s not enough to be alarmed By God, then I wonder why!’ The Press Gang came to the Tavern door But couldn’t come on inside, They tried to sell me a Man o’ War But Joe had made me decide. I took a gulp of Jamaica *** And I steeled myself to the task, ‘The Press are waiting outside,’ I cried, ‘Just hand me that rusty axe!’ David Lewis Paget
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Dec 15, 2014
Dec 15, 2014 at 10:27 AM UTC
Before Trafalgar
I was sat in a Tavern in Pompey Town, Sipping a tipple of *** When I watched a Jack make an axe attack, Chop off his finger and thumb! I couldn’t believe the blood that flowed From the cut of that rusty blade, But the barmaid Flo, said ‘You’ve done it, Joe, Now look at the mess you’ve made!’ She cleaned it up with a swill of ale, Walked off with the finger and thumb, ‘I’ll nail these up on the balustrade With the rest that have been as dumb.’ But Joe sang out when he’d had a drink ‘It’s better than being a tar! I spent three years, under the lash On His Majesty’s Man o’ War.’ ‘They ‘pressed me when I was still a kid And treated me like a dog, I suffered scurvy and couldn’t work, The answer to that, was flog.’ ‘They flogged me around the Southern Cape, They flogged me a-ship and ashore, Whenever I thought that I might escape They dragged me onboard for more.’ ‘And Cap’n Foggett’s abroad tonight With his cut-throat parcel of rogues, Impressing the able-bodied men, They’re lining them up in droves.’ ‘For Nelson’s lying abaft the lee With barely a half a crew, He needs more men for the ‘Victory’, And that means me and you!’ ‘In every tavern they’re moving in, In every alley and quay, At first they offer the King’s shilling, To war with the enemy.’ ‘But the Frenchies rake with the carronade That will rip the flesh from your bones, And the decks run red from the men who bled Impressed from their wives and homes.’ ‘They say he sails on the tide tonight So they’re doing a quick Hot Press, Even a gen’lman walking late Won’t meet with their gentleness.’ ‘A cudgel whack on a squire’s head Then dragged to the bilges, free, They’ll never know ‘til they all wake up That they’re headed on out to sea.’ ‘That Nelson’s got but a single arm, He’s got but a single eye, If that’s not enough to be alarmed By God, then I wonder why!’ The Press Gang came to the Tavern door But couldn’t come on inside, They tried to sell me a Man o’ War But Joe had made me decide. I took a gulp of Jamaica *** And I steeled myself to the task, ‘The Press are waiting outside,’ I cried, ‘Just hand me that rusty axe!’ David Lewis Paget
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61
With my words I do not paint; instead I beat them into what I wish to see. A cudgel has not the elegance to make, And I am executioner of my heart. It's on the t-t-t-tip of my tongue Crude instrument of communication But slaver to which my life comes from. You owe me this to end my frustration; You owe me this to let me paint my scene, To glorify the beauty and the heart Without the violence at my core of being. But not today - I do not make my art. My love, I tried to write a poem for you- Incomprehensible, my words fell through.
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Jul 7, 2014
Jul 7, 2014 at 3:12 PM UTC
To the Discarded Sonnets
noosenice night come come kindly and ****** me of normal whim and wit night purple easy night crusted in casual Spring the delicate stiletto of thee paled tween rib and sinew The quick sliver of the moon which by affable stupid violence is a smiling cudgel That stumbles brilliantly into my skin where the prime magic of fairies have also been and split their thighs admitting LIFE
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Apr 26, 2012
Apr 26, 2012 at 4:21 PM UTC
noose nice night
You haberdashery hauberk harangue of a hornswoggling hiatus. Your arrogantly delusory blasphemous dementia of odiously ominous diabolically grotesque gives me a decadent distraughtness of desultory debauchery and ghastly gnarly abysmal abjections .  It causes hysterical deliriums of maniacally macabre .  My swashbuckling surreptitious spatiotemporal telemetry tactician is tacitly inured in a phantasmagoria fantastication of fabulist façade fantasias .  I could positively kithe a futurity cudgel phantasm and bonkers bluster boggle with your phrenetically frenzied phrenic and forget my phyletic you preterit rendition autonomy equilibrist .
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Jul 27, 2021
Jul 27, 2021 at 11:06 PM UTC
Soliloquy
There may be something that depends on thee- you hi-sprung holly which is dainty in the forest, resting in your lawless ways a cudgel of berries. Tease then, deny me, mammal inappropriate for your stock, your bounty is more for the nimble of hock, who have a stomach stranger to mine, who needs't not pay me any mind. Force here will do no good, no, which confuses me by force of reason, misleads me through whorls of rhyme. I fell in love once, it was confusing. Perhaps to un-know! Oh, how my names elude me.
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Oct 2, 2015
Oct 2, 2015 at 7:53 AM UTC
There may be something that depends on thee-
Long stemmed Lily dressed in white, spreads the scent of pheromone across the sweat stained night. High heels and strapless dress fishnets and rings, drawing out the wanton ones with the siren song she sings. Painted lips and promises eyes that say it all, with just a touch of hinting into her web they fall. She's a ***** she's a spider she's a wolf without a pack, she's a bullet she's a cudgel she's the sharp knife in your back. She's no player you can't play her she wrote the book of rules, she changes them to suit her as her suitors are all fools. Shes a woman first and formost she's fragile like a flower, but here between the bed sheets she's the one with all the power. So don't say I never warned you when you wake up all alone, just be thankful that you tasted of the fruit so few have known.
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May 28, 2012
May 28, 2012 at 8:57 PM UTC
Her Rules
bludgeon our minds addled by apathy. cudgel us into comatose. the sixth extinction we couldn't be bothered to prevent. blind submission to the tradition of the truncheon. throw our bodies in the trenches, the mass grave we dug with our own hands. dirt still clinging beneath the nails of fingers raking our psyches. buried beneath ennui. cover our corpses, naked and exposed, with ten tons of soot and ash. strike from the pages of history the utter depravity of the world's cruelest creature: humanity.
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Dec 20, 2016
Dec 20, 2016 at 11:42 PM UTC
truncheon
*god, if only the english could un-numb their R, and return to the rattle-snake trill... what wonders could be born... every time i hear an english person pronounce the R... i think they're about to swollow their tongue, as if rolling it backwards to numb the R... yes... swollow... swo-swo... only cockneys of east london say swa-swa swansey... ***** deep in essex you: ooh... ah, eric cantona... swollow, akin to saying the word: slow... rather than slough (berkshire, burp-shy-err)... **** me english is fun, it's like owning a g.i. jone action finger, and still playing with it aged 34... compared to all other languages (notably the european ones), english is like play-dough... you can **** with it so much that you can almost forget being bilingual; and no, whatever the upper-crass tell you... trilling an R is not a posh thing... it's talk of the 2nd serprent in the garden... the rattlesnake who warns you, rather than tempts you to try and eat from the tree he's wrapped around.* two words that spring to mind,    out of the blue; words that sound better in a native tongue     than in an acquired tongue of saxon descent             mingled with norman - the words?     military instruments - (a) originally maczuga    but with my diacritical stressors:                      máczūga...     i give it a rest there making            the foreign word sound better, after all, we have alternatives:     cudgel, truncheon, cosh, nightstick   & bludgeon...    still... the m'ah-choo-g'ah (ga-ga)...    i don't know... but i know what sounds    better in (b) topór      (acute o? t'oh-poor), meaning? axe... now tell me the foreign word sound more grave                    than the native word?   the (a) argument   has worthy counterparts, but (b)?         tell me you wouldn't feel a shiver   hearing topór,               when otherwise hearing axe? p.s.     the same with the word                        for hammer -     i.e. młot (mmm-what?) -                of **** me, the tool has a baby, the belittled henryk młotek miodowicz         (henry - little hammer - honkeysuckling).
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Jul 3, 2017
Jul 3, 2017 at 7:47 PM UTC
maczuga & topór
*god, if only the english could un-numb their R, and return to the rattle-snake trill... what wonders could be born... every time i hear an english person pronounce the R... i think they're about to swollow their tongue, as if rolling it backwards to numb the R... yes... swollow... swo-swo... only cockneys of east london say swa-swa swansey... ***** deep in essex you: ooh... ah, eric cantona... swollow, akin to saying the word: slow... rather than slough (berkshire, burp-shy-err)... **** me english is fun, it's like owning a g.i. jone action finger, and still playing with it aged 34... compared to all other languages (notably the european ones), english is like play-dough... you can **** with it so much that you can almost forget being bilingual; and no, whatever the upper-crass tell you... trilling an R is not a posh thing... it's talk of the 2nd serprent in the garden... the rattlesnake who warns you, rather than tempts you to try and eat from the tree he's wrapped around.* two words that spring to mind,    out of the blue; words that sound better in a native tongue     than in an acquired tongue of saxon descent             mingled with norman - the words?     military instruments - (a) originally maczuga    but with my diacritical stressors:                      máczūga...     i give it a rest there making            the foreign word sound better, after all, we have alternatives:     cudgel, truncheon, cosh, nightstick   & bludgeon...    still... the m'ah-choo-g'ah (ga-ga)...    i don't know... but i know what sounds    better in (b) topór      (acute o? t'oh-poor), meaning? axe... now tell me the foreign word sound more grave                    than the native word?   the (a) argument   has worthy counterparts, but (b)?         tell me you wouldn't feel a shiver   hearing topór,               when otherwise hearing axe? p.s.     the same with the word                        for hammer -     i.e. młot (mmm-what?) -                of **** me, the tool has a baby, the belittled henryk młotek miodowicz         (henry - little hammer - honkeysuckling).
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36
I wanna **** you Slit your stupid throat I would laugh at the dying sounds it makes I detest you Put my fist right through your skull Feel the bones crushing in my hand, As I shove my fingers into your brain Because I hate you More than I even hate myself I detest you like a maggot in the grave I wanna crush you, Dissolve you in a vat of my shame You left your taint behind you, When you up and ran away, Put your dagger in my back, Left me in a shallow grave. I can still taste you, A flavour once so sweet Has turned putrid in my mouth, And I can't spit it out So I'll rip your brain out through your eyes Take a cudgel to your spine Destroy and pulverize Till there's nothing left but a stain, On my memory.
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Apr 2, 2019
Apr 2, 2019 at 6:28 AM UTC
Putrid Love
Everything reminds me of that short summer. The clouds form in ancient swirls of fine candy. Stick candy. The Wisconsin breath on my neglected face still summons the memory. Proust has already penned his memoir. I have as yet been unmined. You remain like an effigy on the razor edge of sanity. I feel the hot hand of our past rub along the night we loved and smoked and loved some more. The days we were loosed on the city we held the yellow breath of anticipation. We walked into night when the dark fallen Angel laid her hand on times cruel cudgel and struck us apart. The music I hear is the remaining notes of a still dark lift of dance. The touch of you is a reply in only every breeze. Caroline Shank
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Sep 29, 2021
Sep 29, 2021 at 8:53 PM UTC
That Summer
Hexagonal basalt volcanic calm footprints to Ireland A beached whale estranged love And running giants cudgel
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May 10, 2016
May 10, 2016 at 5:31 AM UTC
Cockles III
A sword stuck in its sheath is used as a cudgel to strike the innocent until a hardened circle has formed and an iron grip developed. A shell stuck in its chamber fires unexpectedly avoiding suitable targets and striking unintended victims. A missile launches from its silo without a target going straight into space never looking at the striking planet left behind.
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Oct 3, 2021
Oct 3, 2021 at 11:28 PM UTC
Struck by Stuck
Rainy Spring Morning Rainy spring morning is older now slower, less inclined to bound up the down staircase or greet dawn with a drop jaw slap to the forehead, night somehow no longer young, drinking whole days in breathless gulps from a pail knobby throat exposed, bobbing lewd and naked, heedless of a sopping shirt, unaware exactly when he took to sipping primly from the lip of the minute cup a careful hand cupped to a careless chin catching the gesture in the window above the sink beneath the sleeve of light that smears charcoal features and quotes from windows past the glow that drew him on his way to school tucked back in the shadow of huddled trees, new leaves sluicing rain in whispers onto the backs of sidewalk worms. Rainy spring morning twists the band on his cudgel finger mate to the one you wear dialing in this hypnotic spell of molten gold a boy for a moment lingering in front of a house upturned palm catching creamy light that runs through his fingers and pools around his half buckled boots.
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Nov 7, 2016
Nov 7, 2016 at 8:28 PM UTC
Rainy Spring Morning
Every pattern is a cudgel to pain Every equation rings out your reign Its on the whispers and tirades of the wind Its in the ripple of water and crashing waves of the sea Each sinew tugged at and tortured Frayed nerves screeching and screaming at me Begging for the holy oil, the balm of relief The anointing of peace Yet even that hope lies shattered in the broken pieces of usefulness   Dis-ease distorted harmonics resonating agony where once was perfect and sound cohesion Each moment now a taught tension a pugnacious trap for excrutiation Every device is a loaded trigger for wretched pangs all I want to to do is merely write Of beauty and hope to soothe What sabotage for a poet Whose pain enscription was a grateful muse I find nothing of comfort Because, every idea breathes nothing but signals heralding yet more and more pain Just like the photo of us dancing in the rain I feel like it might never happen again Memory is a Pain upon a pain Mnemonics are the seat of my suffering again And your mighty reign of anguish An insanity that devours me But I will not succumb I will remain I will come through this somewhat sane And you'll be that forgotten memory I refuse to let inside my brain The rent will be sky high And I WILL BE ME AGAIN!
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Mar 29, 2023
Mar 29, 2023 at 6:19 AM UTC
Mnemonic Pain
Face of an angel, Then he hits me with a cudgel, Every night is a duel, Nothing I do, I do well.
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Mar 16, 2013
Mar 16, 2013 at 5:53 AM UTC
Why Marry? (Part 2)
When Intuition goes to battle with Reason, these are usually quick skirmishes— but this one has broken into war. The campaign unfolds on the soil of abstraction, reality, spirituality, and poetry. Intuition begins with overwhelming superiority— three of the four fields are hers. But Reason is insatiable: guarding the kingdom, minimizing the losses, holding the troops’ morale. Its advisor is Faith— the Eternal Outsider. Usually Faith stands by Intuition, but now he has slipped quietly to the opposite box, losing his own faith… one could say. Intuition without Faith is dangerous. Her box is always draped in dark lace curtains; only her voice comes through— no one has ever seen her face, except Faith, who would never stoop so low as to speak of it. Some claim she is not even human, others say faceless, and in the inner circles it is whispered she wears Janus’ face— (probably only for Faith, a mocking trick against hypocrisy). Yet for the audience outside, listening from afar, plain common sense whispers only one thing: she is a shapeshifter. Heresy. Maybe that’s why they are so quiet. Why is Intuition so dangerous without her two-faced advisor? One might suppose the real danger is the opposite: that religious fervor seeps into her field and sprouts the weeds of fanaticism. For Faith hides not only fat volumes of sermon under his cassock, but the stone tablets of morality. He has, they say, even used them in close combat. Effective: the laws of physics themselves lend the swing its momentum; at the moment of impact it already speaks the language of Force. A cudgel in Faith’s hand, a drumhead tribunal— the kind that applies laws literally. When he sits beside Intuition, his chair glows in full illumination, stage-lights blazing, the glare descending like a halo. From that light, behind Intuition’s baroque curtains, she too takes on form— not just a whisper, but an active member of the council. Without him, Intuition grows overconfident. If no one sees her, perhaps she isn’t even there. Her influence falters. In her own words: she has free rein. In such moments, Intuition dons the mask of the prophet— a mask that grants a dangerous confidence. “The prophet does not err— he is only insufficiently zealous.” And at the final word, help arrives. It is Obsession. She lays her hand lightly on Intuition’s shoulder and says nothing but: “You are right.”
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Aug 19, 2025
Aug 19, 2025 at 4:09 PM UTC
When Intuition goes to battle with Reason
When Intuition goes to battle with Reason, these are usually quick skirmishes— but this one has broken into war. The campaign unfolds on the soil of abstraction, reality, spirituality, and poetry. Intuition begins with overwhelming superiority— three of the four fields are hers. But Reason is insatiable: guarding the kingdom, minimizing the losses, holding the troops’ morale. Its advisor is Faith— the Eternal Outsider. Usually Faith stands by Intuition, but now he has slipped quietly to the opposite box, losing his own faith… one could say. Intuition without Faith is dangerous. Her box is always draped in dark lace curtains; only her voice comes through— no one has ever seen her face, except Faith, who would never stoop so low as to speak of it. Some claim she is not even human, others say faceless, and in the inner circles it is whispered she wears Janus’ face— (probably only for Faith, a mocking trick against hypocrisy). Yet for the audience outside, listening from afar, plain common sense whispers only one thing: she is a shapeshifter. Heresy. Maybe that’s why they are so quiet. Why is Intuition so dangerous without her two-faced advisor? One might suppose the real danger is the opposite: that religious fervor seeps into her field and sprouts the weeds of fanaticism. For Faith hides not only fat volumes of sermon under his cassock, but the stone tablets of morality. He has, they say, even used them in close combat. Effective: the laws of physics themselves lend the swing its momentum; at the moment of impact it already speaks the language of Force. A cudgel in Faith’s hand, a drumhead tribunal— the kind that applies laws literally. When he sits beside Intuition, his chair glows in full illumination, stage-lights blazing, the glare descending like a halo. From that light, behind Intuition’s baroque curtains, she too takes on form— not just a whisper, but an active member of the council. Without him, Intuition grows overconfident. If no one sees her, perhaps she isn’t even there. Her influence falters. In her own words: she has free rein. In such moments, Intuition dons the mask of the prophet— a mask that grants a dangerous confidence. “The prophet does not err— he is only insufficiently zealous.” And at the final word, help arrives. It is Obsession. She lays her hand lightly on Intuition’s shoulder and says nothing but: “You are right.”
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You haberdashery hauberk harangue of a hornswoggling hiatus .  Your arrogantly delusory blasphemous dementia of odiously ominous diabolically grotesque gives me a decadent distraughtness of desultory debauchery and ghastly gnarly abysmal abjections .  It causes hysterical deliriums of maniacally macabre .  My swashbuckling surreptitious spatiotemporal telemetry tactician is tacitly inured in a phantasmagoria fantastication of fabulist façade fantasias .  I could positively kithe a futurity cudgel phantasm and bonkers bluster boggle with your phrenetically frenzied phrenic and forget my phyletic you preterit rendition autonomy equilibrist .
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May 7, 2023
May 7, 2023 at 10:58 PM UTC
Soliloquy
I clutched a rose tightly; It's aroma delighting: Heaven was mine that sweet day. But the perfume soon faded, And my joy was traded For pain... my flower Had thorns. And The rose's red paled To that of my own Which had spill'd out upon the stain'd floor. Nepenthean fragrance: gone in an instant; my stigmata, a permanent sore. Now flowers are serpents, That I dare not to grasp: "And they bloom 'at my heel'" "'And I cudgel' the asp." For I squeezed far too tightly, When sweet Aphrodite Gave my first flower, Which would be my last.
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May 28, 2018
May 28, 2018 at 9:54 PM UTC
The Flower
My body know bullies: Flames to my limbic brain! I tense, clench, clutch; Time and stomach prolapse… (I'm being bullied; This makes no sense— Stay? Run? Respond? How? Snarky? Politely?) Retreat seems best. Breathe, think, relax. Talk it through with my wife. Let the F-or-F response flush. Rhetoric can be a fine-pointed toothpick for Lifting lint from disagreement Or a coarse cudgel Driving points home. My body knows bullies, My intellect knows notions. Trust your body. Trust your brain. I do.
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May 17, 2017
May 17, 2017 at 10:27 PM UTC
MUSCLE MEMORY