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almat011 Feb 2019
With each step, the heat of passion of love and excitement only intensifies. I burn with fire from the love of passion, he can fill the whole world. And the sky turned pink. The sky glitters with glitter. The air is filled with the fragrance of love and the world is more beautiful and you are becoming more and more divine in my eyes, I bow to your extraterrestrial beauty and belong to you alone, the goal of all my lives for all eternity. You are the one that I will always dream of and my heart will forever love and want you alone. The goddess appearing to me in ****** thoughts and depraved dreams of passion. Up close you are beautiful to tears - these are tears of sincere happiness and admiration.
You are more beautiful than the most beautiful. Merge together forever and ever with the spirit of yours, and your inner world, my lonely soul dreams. See the depths of your amazing me. To give you your eternal devotion: you are my life, eternity and my destiny, you are my only right choice, you are everything that I love and want. Both my heart and my mind are open only to you. You look so romantic and beautiful, your charm, your spell beckons my mind to you, it is useless for them to resist you, they can only fully obey, surrender to you alone. My legs go only to you, my eyes look only at you, and I focus only on you. Everything in me is overwhelmed with you. And inside, from the love of you, is incredible, absolute lightness. And from the fact that you are not with me, my heart hurts almost to a heart attack. Epochally, I fell in love with you totally, beyond ******-poetic, overly ****. Yes, truly, you are my empress, and only I worship you, look at this temple of my love, dedicated to you, on this great altar, look around, you are everywhere, sit on this throne of love, my great and beautiful goddess. Each your kiss is indescribable and priceless, it is vital. Every your look, fantastically-romantically-touchingly beautiful. He kindles the fire of love and passion in men. Your charm is a powerful force that attracts everything and everyone to itself.
Awakening true, sparkling love for you, of universal scale. This throne of eternal praise and worship is only for you alone, and the chorus, singing about your beauty only for you. In you, every millimeter of your perfect, hot, hot-**** body is beautiful. My world is in your uniquely beautiful eyes, in your feelings and emotions, and I’m not tired of talking about your perfect proportions. Only your caresses give such feelings as love and happiness. Striking, powerful, attractive appearance. The magnificent grace of your body has no equal. Only your divinely beautiful body is worthy of the highest praise and points. I am only waiting for you. You're all I think about. The empress of my subconscious, in my inner world, dreams, and memories, you are everywhere. I always wait only for you. You are my only eternal thought that helps to live in this world, my beautiful emotion, and an amazing feeling. Only, like you, can excite with a look and fall in love with yourself forever. Life without you is unthinkable, impossible. Believe me, I know this for sure, your beauty shines gently with honey, golden light and brilliance. Your beauty is powerful hypnosis.
You are tremendously in love with you totally. You are the highest goddess: beauty, love and erotica. For me, you are the supreme being of all universes. You rule and command over male minds and hearts. Please do not be offended by this truth, but you are so beautiful that you don’t even need cosmetics, only you can look so natural and beautiful, but you are also very powerful ****** attraction, arousal, my only hobby, I’m madly obsessed with you. Your voice sounds sleeker than a violin, more touching than a piano, lighter than a harp, thinner than a triangle. So amazing, your beautiful skin glitters sexually, it is perfect, sweet, juicy. And your perfect figure, perfection itself. You are not replaceable and priceless. You are the most important, most valuable thing in my life. Your infinitely amazing, impressive, external and internal beauty sets you apart from all living and nonliving. So stunningly passionate, your beautiful body is a powerful magnet attracting a huge amount of affection and passion. You are perfect, your beautiful figure is so perfect that you don't even need clothes. I am struck down on a feast, and I bow deeply, taking off my hat to your royal authority, for me it is a great honor and a great honor to be with you by your side, you are my idol and autograph, I take it from me and keep it from my heart, exposing it to the honorary a place in your altar of love, where only you are everywhere, I am your eternal, devoted fan. You have no equal, I adore everything in you. You are the highest, absolute aerobatics. You are a beautiful and perfect image that you can imagine. This is what a beautiful goddess looks like. You are the highest good, pleasure and pleasure in this universe. I put a madman of points and a sign of infinity to boot, your unique beauty. You are so beautiful that you immediately want to marry, and live with you all eternity.
Your teasing sexually exciting figure keeps my mind completely under your control. You are a thermonuclear *** bomb-boom babe. You are all my eyes want to see. Your gently saldko-**** voice is all that my ears want to hear. The smell of your skin is all I want to breathe. I breathe only because you are near me. When you're near the heart of love knocks more. And the level of excitement from your beauty reaches the highest degree. About how beautiful you are and how I love you, that's all I want to tell you. Your gorgeous flesh and soul is all that your flesh and soul wants to feel forever. Your love is all I want to feel forever from you. You're so beautiful, just a sight for sore eyes. You are much higher than blue blood. I am only obsessed with you. You are ****. Cool babe. Unreal beautiful. Drooling flow in men only from you. Resist such as you are simply useless. Your sweet laugh, your **** smile, soft look, impeccable outfit, battles everybody in a row. You are the most juicy relish, sensual, tender, feminine passion. You are my love and soul outlet.
You are absolute, the highest *****. Eternal novelty. It is unbearable, excessively, supremely, beautiful, and only you look overly ****. You are in the highest stage of evolution, you are the most ideal, you are my idol, my ideal, the most true and authentic embodiment of beauty. You are the sexually ****** heat of love and passion. Your body brings you to the highest level of arousal. You yourself tenderness and femininity. You are 1 000 000 000 percent luxury, priceless, the only, eternal value. All the pleasant moments in life are associated only with you. Your sweet caresses and kisses are a very powerful drug. You are the most valuable gift of the universe. You are gorgeous in any kind of image frame, everywhere, always and in everything. You feel a surprisingly soft, sensual, tenderness. The beauty in your eyes is something amazing, uniquely beautiful, it is very beautiful fascinating magic. Very beautiful and indescribably pleasant feeling. Your amazingly beautiful image touches the most delicate and barely visible strings of souls easily and gently. By causing a special vibration of the true love melody, he finally falls in love with you.
So beautiful and bold, spectacular. 1 000 000 000 000 000 000 likes you alone and a sign of infinity to boot. The ******, ****** heat of love and lust emanates from you. You set a new world record for beauty. Which is impossible to achieve. You are a beautiful, socialite. You are synonymous with beauty. The eternal standard and *** symbol in the history of mankind. Absolutely beautiful. Every millimeter of your beautiful body is beautiful in you. The jaw drops and the gift of speech from such incredible beauty is lost. Just do not be offended, please forgive me if something is wrong. But from such a beautiful appearance as you have in men, a powerful ******* of the *****, guys and men end up in their underpants. Unlimitedly beautiful. Sexiest in the whole universe. So **** that you don't even need clothes. You are for the happiest and luckiest man in the world. You are a jackpot. Flash, full house. *** symbol.
You are synonymous with beauty and ideal. You are so beautiful just amazing. you have a direct view of a ****, sultry predator. You are the sweetest. From you comes a powerful, ****, ****** energy. you are indescribably beautiful. You're spectacular, juicy, ****. M, You sound cool, like a mega cool, percussive, lyric rap beat. As a platinum and gold vinyl record, you are a super hit. You are a bestseller of poetry and prose. You're my princess. Queen. The Empress Goddess. The ultimate creation of all universes, spheres and dimensions. I think so. To doge to what extent a girl can be beautiful. Just amazing. The queen of my mind and heart. Your tender image overwhelms my soul with light, beautiful love and lust. You have such a soft pearl skin. Your beautiful appearance forever and ever conquered my heart and my mind. You are the most beautiful of its kind. You are endowed with the rarest beauty at all times. Fashion model. Just the thought of you excites and falls in love. You are a masterpiece of nature and of God himself. Your infinitely amazing beauty, the rarest and most amazing, the most beautiful in the history of mankind.
The most desirable, silk, velvet skin, gorgeous, beautiful, always and everywhere. Strikingly beautiful, your **** body as if calls for kissing and licking, caressing, satisfying you again and again. You're too ****, hot flame of passion. You are the best prize, a gift that can only get a man, the best among all his lives. You are perfect and perfect. The more I look at you, the more I fall in love with you because you beat all the beauty and mind records, my super **** top model, everywhere in the first place in beauty and mind. In you, every millimeter of your body is perfect, with you all seconds are beautiful. The body shines brilliantly: luxurious chic, beautiful. The title itself is a beautiful girl in the world. The supreme creation of all universes. The finest children are born only with you. Aerobatics. Girl high hummingbird.
Your charming charm is a super **** mega power that is simply impossible to overcome. The sweetest gourmet, I adore your gorgeous body, when I see you, only one word sounds in my head: yum, I will completely give myself to you. I will always love only you unconsciously, unconsciously, your gently ****** image sat in the depths of my mind completely. From your amazingly contagious beauty, your mouth opens and you lose your voice. Dizzyingly, stunningly beautiful, you are like a giant tornado, from which everything attracts you. And the heart and soul yearn all the time only for you. It doesn't matter if you love me or not, the main thing is that I still love you, and in my subconscious mind, I will only love you forever. Your luxurious appearance of the highest quality, this is a workshop, the filigree work of Mother Nature, this is just a masterpiece that constitutes a unique example of true beauty, you have no equal, you are a girl of high caliber. You are absolutely beautiful to such a degree, so beautiful, so exotic, ******, and your image sounds poetic like very beautiful music of love that I’m just afraid and shy to come to you, I’m afraid to talk to you, as if standing next to a goddess, or with a super mega star, a world scale model that even aliens probably know. My heart beats more often, I can’t speak normally, from excitement, goosebumps all over my body, and it just shakes.
All these are symptoms of true love for you, well, just: oh), wow). To be your boyfriend and husband is the greatest honor in the world, he knelt in front of you with flowers in his hands. Your appearance is perfect just like Barbie. You are so beautiful that only you want to have *** forever, countless, infinite number of times. You are unattainable, you are like a star whose light of the soul, like a searchlight, illuminates me in the deep darkness of solitude. In love with you thorough. You are simply amazingly beautiful. You are the best of the best. Goddess of all goddesses, empress of all empresses, queen of all queens. More beautiful you just can not imagine a girl. Sexier than you just can not be anything. Beautiful soul just is not found. There was nothing more perfect than you and never will be, simply because I think so. Laponka, I am your faithful fan, you are my only idol, idol, icon of beauty. It doesn't matter who you are, I will accept you any. Because in any case I am eager to be only with you. You have a **** smile, and your sensual look is just awesome. And from your voice and look a pleasant shiver all over your body. You are special, the best that is in all worlds, universes and dimensions. You're just a sight for sore eyes. To you I feel the most powerful, love and ****** inclination. You're cooler than any ****** and afrodosiak. From your beauty just cling to the constraints and embarrassment.
**** Barbie, fell in love with you powerfully for sure. Wow. God, how beautiful you are, God, hell, let me see you, wow, this is just super, just super, my God, it’s necessary to what extent a girl can be beautiful, you're just awesome, just awesome, you're beautiful. My Goddess. About you, I will dream of all eternity, desire and crave only you alone. You're high, ecstasy. In your eyes there is some special fairytale beauty. Lady of my heart. You are the continuation of my soul. Billions of suns of joy, happiness, and love explode in the soul and this every time you see. With you every second is overflowing with the warm, divine, sunshine of true love, happiness and joy. You are like hypnotic sitar music. I would kiss your hands and feet every day. I want to constantly have *** with only one you. You are the embodiment of ****** and ****** passion. Only your skin color is infinitely exciting and falling in love. Your **** voice excites, and intonation falls in love. In you, literally everything excites. You are beautiful in any form, place, dress. If I see you, then the day is not in vain. Your image is powerfully falling in love. Oh meamor, goose bumps run through when you touch me, your breath stops when you look at me.
You're too beautiful. You are a **** lioness. You are the flame of sensual passion. You are a thermonuclear *** bomb. I admire your amazing beauty. You are amazing, perfect, you are perfect. I think so. Your flesh is sweeter than sweet. In bed, sultry lioness. The color of your skin is so ****, ******, and very attractive and beautiful. You have a rare and amazing beauty. You are the most beautiful in the universe, all universes, dimensions, all worlds. You are the supreme creation of nature and of God, the highest, perfect being. This is true because I think so.
Your charming charm is a super **** mega power that is simply impossible to overcome. The sweetest gourmet, I adore your gorgeous body, when I see you, only one word sounds in my head: yum, I will completely give myself to you. I will always love only you unconsciously, unconsciously, your gently ****** image sat in the depths of my mind completely. From your amazingly contagious beauty, your mouth opens and you lose your voice. Dizzyingly, stunningly beautiful, you are like a giant tornado, from which everything attracts you. And the heart and soul yearn all the time only for you. It doesn't matter if you love me or not, the main thing is that I still love you, and in my subconscious mind, I will only love you forever. Your luxurious appearance of the highest quality, this is a workshop, the filigree work of Mother Nature, this is just a masterpiece that constitutes a unique example of true beauty, you have no equal, you are a girl of high caliber. You are absolutely beautiful to such a degree, so beautiful, so exotic, ******, and your image sounds poetic like very beautiful music of love that I’m just afraid and shy to come to you, I’m afraid to talk to you, as if standing next to a goddess, or with a super mega star, a world scale model that even aliens probably know. My heart beats more often, I can’t speak normally, from excitement, goosebumps all over my body, and it just shakes. All these are symptoms of true love for you, well, just: oh), wow).
To be your boyfriend and husband is the greatest honor in the world, he knelt in front of you with flowers in his hands. Your appearance is perfect just like Barbie. You are so beautiful that only you want to have *** forever, countless, infinite number of times. You are unattainable, you are like a star whose light of the soul, like a searchlight, illuminates me in the deep darkness of solitude. In love with you thorough. You are simply amazingly beautiful. You are the best of the best. Goddess of all goddesses, empress of all empresses, queen of all queens. More beautiful you just can not imagine a girl. Sexier than you just can not be anything. Beautiful soul just is not found. There was nothing more perfect than you and never will be, simply because I think so. Laponka, I'm your faithful fan, you are my only idol, idol, icon of beauty. It doesn't matter who you are, I will accept you any. Because in any case I am eager to be only with you. You have a **** smile, and your sensual look is just awesome. And from your voice and look a pleasant shiver all over your body. You are special, the best that is in all worlds, universes and dimensions. You're just a sight for sore eyes. To you I feel the most powerful, love and ****** inclination. You're cooler than any ****** and afrodosiak. From your beauty just cling to the constraints and embarrassment.
I am obsessed only with you, my miss universe, I put madness billion points of your beautiful appearance, and a sign of infinity to boot. No offense, my sweetest, but your beautiful body excites, your imagination completely amazes you, you are so beautiful that you do not need, neither cosmetics, nor clothes, such perfect, natural beauty, only your divine beautiful body is endowed. Merge together the whole with your body, soul, heart, and mind, for all eternity I thirst. You dominate in my heart, mind, and soul, you are deep in my mind and subconscious, everything is filled only by you my goddess, and I see you in my dreams and I am sincerely happy when I see you in them. If I saw you in reality, then it was a happy day that was not in vain. Be with me dear, as you decorate with you all the eternity that I want to spend only with you one-on-one. You are my beautiful goddess of love and eroticism, and only I worship you. Rare, beautiful beauty, natural gave only you. The closer you are, the more beautiful. Your delicate skin shines so beautifully in the light, you have a stunning perfect skin color. I am overly in love with you. You are super beautiful. I tirelessly crave you, you are extremely, infinitely beautiful, you are too, too attractive. You're cooler than any ******. Impeccably beautiful, like a doll. You are so delicious. You are the light of happiness, the light of love and happiness comes and goes with you. You decorate everything with you, everything suits you, because you are beautiful.
You are stunning, fantastically breathtakingly beautiful, the only unique sample of the true, pure form of beauty. You are the hottest, **** topic, about the beauty of which it is impossible to stop talking, so beautiful that you want to sing out of love for you, the girl from whom it is impossible to take your eyes off. So amazingly beautiful, perfect, ******, hot, passionately savory, juicy forms, your divinely beautiful, endlessly, stunning beautiful, seductive body sound so captivatingly beautiful, sweet, gently voluptuous. Who wants to caress and caress, kiss, lick, stick to intimate places all the time, and give your tenderness with your hands, and bring it to ****** so that you feel the heat and tremor of your heated body, and kiss a satisfied body and kiss. Each cell of the soul and body is supremely filled with only you, love and excitement. Truly I am thirsty to belong only to you and to spend all eternity only with you alone.
I will be frank with you. Oooh yes, it says heart and mind. Eyes are eager to see you forever. Your image throws on the highest stage of love. Without you, life is meaningless and empty, and you know that for sure, so why are you torturing me. You know, I appeared in your life for a reason. That I was created only for you. You are special, I can not live without you. You are my obsession, my passion. Your beautiful image sounds so beautiful and sublime, the degree of love and arousal rises uncontrollably, leading to a higher dimension called love. When you stand next to me. Your ******, ****** image is the highest, divine, legendary *****. You are the sweetest in the whole universe. You are sensual, ****, ****** power. You are so ****** and **** to such an extent that when you look at the guys, it’s ironic that you guys, at the sight of you from excitement, end up in your underpants. You are the one whose appearance is envied by all people, gods, all higher beings, you are the only eternal value. You are a hipper, a turbo is ****, you are a hyperrealism of sexuality.
You have the most juicy **** skin color, it is so sweet, so beckoning and eager caress. You are the goddess of love, *** and erotica. Every millimeter of your body is just perfect and perfect. You are all that my heart and soul wants. Only your body and your kisses can excite me. Only to your body, I feel *** addiction. You are the highest value in my life. You are tempted and tempted, you want to have *** countless times. Your skin is the color of one hot, unforgettable night, your libido is the word lava in your hot body, burning passion, only your photos can excite me, only your beauty turns off my brain, you are a ****, ****** melody in my head, you are like a hot bath after a hard day, like an ****** massage, like a soft pillow with sleeping softness.
Every day I am drawn to you more and more and it can not be stopped because it is uncontrollable every day my ****** ***** wants you more and more aggressively he is waiting for endless *** only with you and I once again make sure that you are I will want forever and ever. Because I am truly in love with you in your body and soul. And this feeling is only enhanced with time on the mental and physical levels. Looking at you in the head is only one word Goddess, the empress of my heart, or one ***. It's just an ecstasy of excitement, every movement you take is so ****** and beautiful, burning your skin's passion and in your eyes so much ***.
You are a **** lioness. you are the flame of sensual passion. I admire your amazing beauty. You are amazing, perfect, you are perfect. I think so. Your flesh is sweeter than sweet. In bed, sultry lioness.
Author Musin Almat Zhumabekovich
almat011 Mar 2019
**** goddess
With each step, the heat of passion of love and excitement only intensifies. I burn with fire from the love of passion, he can fill the whole world. And the sky turned pink. The sky glitters with glitter. The air is filled with the fragrance of love and the world is more beautiful and you are becoming more and more divine in my eyes, I bow to your extraterrestrial beauty and belong to you alone, the goal of all my lives for all eternity. You are the one that I will always dream of and my heart will forever love and want you alone. The goddess appearing to me in ****** thoughts and depraved dreams of passion. Up close you are beautiful to tears - these are tears of sincere happiness and admiration.
You are more beautiful than the most beautiful. Merge together forever and ever with the spirit of yours, and your inner world, my lonely soul dreams. See the depths of your amazing me. To give you your eternal devotion: you are my life, eternity and my destiny, you are my only right choice, you are everything that I love and want. Both my heart and my mind are open only to you. You look so romantic and beautiful, your charm, your spell beckons my mind to you, it is useless for them to resist you, they can only fully obey, surrender to you alone. My legs go only to you, my eyes look only at you, and I focus only on you. Everything in me is overwhelmed with you. And inside, from the love of you, is incredible, absolute lightness. And from the fact that you are not with me, my heart hurts almost to a heart attack. Epochally, I fell in love with you totally, beyond ******-poetic, overly ****. Yes, truly, you are my empress, and only I worship you, look at this temple of my love, dedicated to you, on this great altar, look around, you are everywhere, sit on this throne of love, my great and beautiful goddess. Each your kiss is indescribable and priceless, it is vital. Every your look, fantastically-romantically-touchingly beautiful. He kindles the fire of love and passion in men. Your charm is a powerful force that attracts everything and everyone to itself. Awakening true, sparkling love for you, of universal scale. This throne of eternal praise and worship is only for you alone, and the chorus, singing about your beauty only for you. In you, every millimeter of your perfect, hot, hot-**** body is beautiful. My world is in your uniquely beautiful eyes, in your feelings and emotions, and I’m not tired of talking about your perfect proportions.
Only your caresses give such feelings as love and happiness. Striking, powerful, attractive appearance. The magnificent grace of your body has no equal. Only your divinely beautiful body is worthy of the highest praise and points.
I am only waiting for you. You're all I think about. The empress of my subconscious, in my inner world, dreams, and memories, you are everywhere. I always wait only for you. You are my only eternal thought that helps to live in this world, my beautiful emotion, and an amazing feeling. Only, like you, can excite with a look and fall in love with yourself forever. Life without you is unthinkable, impossible. Believe me, I know it for sure, your beauty shines gently honey, golden
light and shine. Your beauty is powerful hypnosis.
You are tremendously in love with you totally. You are the highest goddess: beauty, love and erotica. For me, you are the supreme being of all universes. You rule and command over male minds and hearts. Please do not be offended by this truth, but you are so beautiful that you don’t even need cosmetics, only you can look so natural and beautiful, but you are also very powerful ****** attraction, arousal, my only hobby, I’m madly obsessed with you. Your voice sounds sleeker than a violin, more touching than a piano, lighter than a harp, thinner than a triangle. So amazing, your beautiful skin glitters sexually, it is perfect, sweet, juicy. And your perfect figure, perfection itself. You are not replaceable and priceless. You are the most important, most valuable thing in my life. Your infinitely amazing, impressive, external and internal beauty sets you apart from all living and nonliving. So stunningly passionate, your beautiful body is a powerful magnet attracting a huge amount of affection and passion. You are perfect, your beautiful figure is so perfect that you don't even need clothes. I am struck down on a feast, and I bow deeply, taking off my hat to your royal authority, for me it is a great honor and a great honor to be with you by your side, you are my idol and autograph, I take it from me and keep it from my heart, exposing it to the honorary a place in your altar of love, where only you are everywhere, I am your eternal, devoted fan. You have no equal, I adore everything in you. You are the highest, absolute aerobatics. You are a beautiful and perfect image that you can imagine. This is what a beautiful goddess looks like. You are the highest good, pleasure and pleasure in this universe. I put a madman of points and a sign of infinity to boot, your unique beauty. You are so beautiful that you immediately want to marry, and live with you all eternity.
Your teasing sexually exciting figure keeps my mind completely under your control. You are a thermonuclear *** bomb-boom babe. You are all my eyes want to see. Your gently saldko-**** voice is all that my ears want to hear. The smell of your skin is all I want to breathe. I breathe only because you are near me. When you're near the heart of love knocks more. And the level of excitement from your beauty reaches the highest degree. About how beautiful you are and how I love you, that's all I want to tell you. Your gorgeous flesh and soul is all that your flesh and soul wants to feel forever. Your love is all I want to feel forever from you. You're so beautiful, just a sight for sore eyes. You are much higher than blue blood. I am only obsessed with you.
You are ****. Cool babe. Unreal beautiful. Drooling flow in men only from you. Resist such as you are simply useless. Your sweet laugh, your **** smile, soft look, impeccable outfit, battles everybody in a row. You are the most juicy relish, sensual, tender, feminine passion. You are my love and soul outlet.
You are absolute, the highest *****. Eternal novelty. It is unbearable, excessively, supremely, beautiful, and only you look overly ****. You are in the highest stage of evolution, you are the most ideal, you are my idol, my ideal, the most true and true embodiment of beauty. You are the sexually ****** heat of love and passion. Your body brings you to the highest level of arousal. You yourself tenderness and femininity. You are 1 000 000 000 percent luxury, priceless, the only, eternal value. All the pleasant moments in life are associated only with you. Your sweet caresses and kisses are a very powerful drug. You are the most valuable gift of the universe. You are gorgeous in any kind of image frame, everywhere, always and in everything. You feel a surprisingly soft, sensual, tenderness. The beauty in your eyes is something amazing, uniquely beautiful, it is very beautiful fascinating magic. Very beautiful and indescribably pleasant feeling. Your amazingly beautiful image easily and gently touches the most delicate and barely
visible strings of souls. By causing a special vibration of the true love melody, he finally falls in love with you.
So beautiful and bold, spectacular. 1 000 000 000 000 000 000 likes you alone and a sign of infinity to boot. The ******, ****** heat of love and lust emanates from you. You set a new world record for beauty. Which is impossible to achieve. You are a beautiful, socialite. You are synonymous with beauty. The eternal standard and *** symbol in the history of mankind. Absolutely beautiful. Every millimeter of your beautiful body is beautiful in you. The jaw drops and the gift of speech from such incredible beauty is lost. Just do not be offended, please forgive me if something is wrong. But from such a beautiful appearance as you have in men, a powerful ******* of the *****, guys and men end up in their underpants. Unlimitedly beautiful. Sexiest in the whole universe. So **** that you don't even need clothes. You are for the happiest and luckiest man in the world. You are a jackpot. Flash, full house. *** symbol.
You are synonymous with beauty and ideal. You are so beautiful just amazing. you have a direct view of a ****, sultry predator. You are the sweetest. From you comes a powerful, ****, ****** energy. you are indescribably beautiful. You're spectacular, juicy, ****. M, You sound cool, like a mega cool, percussive, lyric rap beat. As a platinum and gold vinyl record, you are a super hit. You are a bestseller of poetry and prose. You're my princess. Queen. The Empress Goddess. The ultimate creation of all universes, spheres and dimensions. I think so. To doge to what extent a girl can be beautiful. Just amazing. The queen of my mind and heart. Your tender image overwhelms my soul with light, beautiful love and lust. You have such a soft pearl skin. Your beautiful appearance forever and ever conquered my heart and my mind. You are the most beautiful of its kind. You are endowed with the rarest beauty at all times. Fashion model. Just the thought of you excites and falls in love. You are a masterpiece of nature and of God himself. Your infinitely amazing beauty, the rarest and most amazing, the most beautiful in the history of mankind.
The most desirable, silk, velvet skin, gorgeous, beautiful, always and everywhere. Strikingly beautiful, your **** body as if calls for kissing and licking, caressing, satisfying you again and again. You're too ****, hot flame of passion. You are the best prize, a gift that can only get a man, the best among all his lives. You are perfect and perfect. The more I look at you, the more I fall in love with you because you beat all the beauty and mind records, my super **** top model, everywhere in the first place in beauty and mind. In you, every millimeter of your body is perfect, with you all seconds are beautiful. The body shines brilliantly: luxurious chic, beautiful. The title itself is a beautiful girl in the world. The supreme creation of all universes. The finest children are born only with you. Aerobatics. Girl high hummingbird.
Your charming charm is a super **** mega power that is simply impossible to overcome. The sweetest gourmet, I adore your gorgeous body, when I see you, only one word sounds in my head: yum, I will completely give myself to you. I will always love only you unconsciously, unconsciously, your gently ****** image sat in the depths of my mind completely. From your amazingly contagious beauty, your mouth opens and you lose your voice. Dizzyingly, stunningly beautiful, you are like a giant tornado, from which everything attracts you. And the heart and soul yearn all the time only for you. It doesn't matter if you love me or not, the main thing is that I still love you, and in my subconscious, I will only love forever
you. Your luxurious appearance of the highest quality, this is a workshop, the filigree work of Mother Nature, this is just a masterpiece that constitutes a unique example of true beauty, you have no equal, you are a girl of high caliber. You are absolutely beautiful to such a degree, so beautiful, so exotic, ******, and your image sounds poetic like very beautiful music of love, that I’m just afraid and shy to come to you, I’m afraid to talk to you, as if standing next to a goddess, or with a super mega star, a world scale model that even aliens probably know. My heart beats more often, I can’t speak normally, from excitement, goosebumps all over my body, and it just shakes.
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Your charming charm is a super **** mega power that is simply impossible to overcome. The sweetest gourmet, I adore your gorgeous body, when I see you, only one word sounds in my head: yum, I will completely give myself to you. I will always love only you unconsciously, unconsciously, your gently ****** image sat in the depths of my mind completely. From your amazingly contagious beauty, your mouth opens and you lose your voice. Dizzyingly, stunningly beautiful, you are like a giant tornado, from which everything attracts you. And the heart and soul yearn all the time only for you. It doesn't matter if you love me or not, the main thing is that I still love you, and in my subconscious mind, I will only love you forever. Your luxurious appearance of the highest quality, this is a workshop, the filigree work of Mother Nature, this is just a masterpiece that constitutes a unique example of true beauty, you have no equal, you are a girl of high caliber. You are absolutely beautiful to such a degree, so beautiful, so exotic, ******, and your image sounds poetic like very beautiful music of love, that I’m just afraid and shy to come to you, I’m afraid to talk to you, as if standing next to a goddess, or with a super mega star, a world scale model that even aliens probably know. My heart beats more often, I can’t speak normally, from excitement, goosebumps all over my body, and it just shakes. All these are symptoms of true love for you, well, just: oh), wow).
To be your boyfriend and husband is the greatest honor in the world, he knelt in front of you with flowers in his hands. Your appearance is perfect just like Barbie. You are so beautiful that only you want to have *** forever, countless, infinite number of times. You are unattainable, you are like a star whose light of the soul, like a searchlight, illuminates me in the deep darkness of solitude. In love with you thorough. You are simply amazingly beautiful. You are the best of the best. Goddess of all goddesses, empress of all empresses, queen of all queens. More beautiful you just can not imagine a girl. Sexier than you just can not be anything. Beautiful soul just is not found. There was nothing more perfect than you and never will be, simply because I think so. Laponka, I am your faithful fan, you are my only idol, idol, icon of beauty. It doesn't matter who you are, I will accept you any. Because in any case I am eager to be only with you. You have a **** smile, and your sensual look is just awesome. And from your voice and look a pleasant shiver all over your body. You are special, the best that is in all worlds, universes and dimensions. You're just a sight for sore eyes. To you I feel the most powerful, love and ****** inclination. You're cooler than any ****** and afrodosiak. From your beauty just cling to the constraints and embarrassment.
I am obsessed only with you, my miss universe, I put madness billion points of your beautiful appearance, and a sign of infinity to boot. No offense, my sweetest, but your beautiful body excites, your imagination completely amazes you, you are so beautiful that you don’t need, neither makeup, nor clothes, such perfect, natural beauty, only your divine beautiful body is endowed. Merge together the whole with your body, soul, heart, and mind, for all eternity I thirst. You dominate in my heart, mind, and soul, you are deep in my mind and subconscious, everything is filled only by you my goddess, and I see you in my dreams and I am sincerely happy when I see you in them. If I saw you in reality, then it was a happy day that was not in vain. Be with me honey, as you decorate with you all the eternity that I want to spend only with you tête-à-tête.
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You are super beautiful. I tirelessly crave you, you are extremely, infinitely beautiful, you are too, too attractive. You're cooler than any ******. Impeccably beautiful, like a doll. You are so delicious. You are the light of happiness, the light of love and happiness comes and goes with you. You decorate everything with you, everything suits you, because you are beautiful.
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I will be frank with you. Oooh yes, it says heart and mind. Eyes are eager to see you forever. Your image throws on the highest stage of love. Without you, life is meaningless and empty, and you know that for sure, so why are you torturing me. You know, I appeared in your life for a reason. That I was created only for you. You are special, I can not live without you. You are my obsession, my passion. Your beautiful image sounds so beautiful and sublime, the degree of love and arousal rises uncontrollably, leading to a higher dimension called love. When you stand next to me. Your ******, ****** image is the highest, divine, legendary *****. You are the sweetest in the whole universe. You are sensual, ****, ****** power. You are so ****** and **** to such an extent that when you look at the guys, it’s ironic that you guys, at the sight of you from excitement, end up in your underpants. You are the one whose appearance is envied by all people, gods, all higher beings, you are the only eternal value. You are a hipper, a turbo is ****, you are a hyperrealism of sexuality.
You have the most juicy **** skin color, it is so sweet, so beckoning and eager caress. You are the goddess of love, *** and erotica. Every millimeter of your body is just perfect and perfect. You are all that my heart and soul wants. Only your body and your kisses can excite me. Only to your body, I feel *** addiction. You are the highest value in my life. You are a temptation and a temptation, you want to have *** countless times.
Your skin is the color of one hot, unforgettable night, your libido is the word lava in your hot body, burning passion, only your photos are able to excite me, only your beauty turns off my brain, you have a ****, ****** tune in my head, you are like a hot bath after a hard of the day, like an ****** massage, like a soft pillow with soothing tenderness.
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excitement your every movement is so ****** and beautiful, burning passion of your skin and in your eyes so much ***.
You are a **** lioness. you are the flame of sensual passion. I admire your amazing beauty. You are amazing, perfect, you are perfect. I think so. Your flesh is sweeter than sweet. In bed, sultry lioness.
Author: Musin Almat Zhumabekovich
EFFECTS OF CHILD ABUSE ON PERFORMANCE OF PRIMARY SCHOOL IN KAPYEMIT WARD, TURBO CONSTITUENCY, UASIN-GISHU COUNTY.





BY
ERICK NYAKUNDI
KIS/03013/14




A RESEARCH PROJECTSUBMITED TO THE SCHOOL OF ARTS AND SOCIAL SCIENCES, DEPARTMENT OF SOCIOLOGY AND PSYCHOLOGY IN THE PARTIAL FULFILMENT FOR THE AWARD OF THE DEGREE OF BACHELOR OF SOCIOLOGY



MAY, 2014

DECLARATION

I, the undersigned, declare that this project is my original work and that it has not been presented in any other university or institution for academic credit.

Signature...............................................­..... Date...................................
ERICK NYAKUNDI
KIS/03013/14






SUPERVISOR
This project has been submitted for examination with my approval as university supervisor
DR. W. O. ABUYA
Signature..................................................­.. Date....................................




DEDICATION
I dedicate this work to my Dad, Mom, my sister Lydia and my lovely brother Dun who contributed in one way or another to make this project to be successful.


















ACKNOWLEDGEMENT
I would like to thank all individuals who contributed and sacrificed their time towards completion of this project.
To my supervisor, for the guidance and support in the development of this research project, His advice and criticism made this project what it is.
Thanks to colleagues and friends for their suggestions, advice and encouragement. To all of you may God bless you abundantly for your tireless effort.

TABLE OF CONTENTS
Contents Page
DECLARATION i
DEDICATION ii
ACKNOWLEDGEMENT iii
TABLE OF CONTENTS iv
LIST OF TABLES vii
LIST OF FIGURE viii
ABSTRACT ix
CHAPTER ONE 10
STUDY OVERVIEW AND STATEMENT OF THE PROBLEM 10
1.1 Background of the Study 10
1.2 Research Questions 13
1.3 Research Objectives 13
1.4 Justification of the Study 13
1.5 Significance of the Study 14
1.6 Scope of the Study 15
1.6.1Assumptions of the Study 16
CHAPTER TWO 17
LITERATURE REVIEW 17
2.1 Introduction 17
2.2 Common Forms of Child Abuse 17
2.2.1 Child ****** Abuse 17
2.2.2 Physiological or Emotional Abuse 17
2.2.3 Physical Abuse 18
2.2.4 Child Neglect or Abandonment 18
2.2.4.1 Physical Neglect 19
2.2.4.2 Educational Neglect 19
2.2.4.3 Medical Neglect 19
2.2.5 Child Fatalities 20
2.3 How Child Abuse Affects Academic Performance 20
2.3.1 Child Abuse and Academic Performance 20
2.3.2 Child Abuse and School Image 23
2.3.3 Child Abuse and Dropout Rate 25
2.4 Strategies that Schools can Employ to Curb Child Abuse 26
2.4.1 Role of Public Regulation 26
2.4.1.1 Nurturing and Attachment 27
2.4.1.2 Social Connections 27
2.5 Theoretical Framework 27
2.5.1 Learning Theory 28
2.5.1.1 Relationship with the Study 28
2.5.2 Family Dysfunction Theory 29
2.5.2.1 Relationship with the Study 29
CHAPTER THREE 30
RESEARCH DESIGN AND METHODOLOGY 30
3.0 Introduction 30
3.1 Site Description 30
3.2 Research Design 30
3.3.1 Target Population 30
3.3.2 Sample Size and Sampling Procedure 31
3.4 Description of Research Instruments 32
3.4.1 Research Instrument 32
3.4.1.1 Questionnaire 32
3.5 Data Collection Procedure 32
3.5.1 Validity and Reliability of Research Instruments 33
3.5.1.1 Reliability of Research Instruments 33
3.5.1.2 Validity 33
3.6 Data Analysis and Presentation 33
CHAPTER FOUR 35
DATA PRESENTATION AND ANALYSIS 35
4.0 Introduction 35
4.1 Background Information 35
4.1.1 Age of the Respondents 35
4.1.2 *** of the Respondents 35
4.1.3 Education Level of the Respondents 36
4.1.4 Marital Status 36
4.2 Specific Information 37
4.2.1 Effects of Child Abuse on Academic Performance 37
4.2.2 How Child Abuse Affects Dropout Rate of Students in School 38
4.2.3 Proposed Strategies that Schools can Employ to Curb Child Abuse 41
CHAPTER FIVE 43
SUMMARY, CONCLUSION AND RECOMMENDATIONS 43
5.0 Introduction 43
5.1 Summary of the findings 43
5.2 Discussion of the Findings 44
5.3 Conclusion 45
5.4 Recommendations 46
REFERENCES 47

LIST OF TABLES & FIGURES
Table 3.1 Target population 32
Table 3.1 Sample size 33
Table 4.1 Age of the Respondents 36
Table 4.2 *** of the Respondents 37
Table 4.3 Education Level of the Respondents 37
Table 4.4 Marital Status 38
Table 4.5 Effects of Child Abuse on Academic Performance 38
Table 4.6 How Child Abuse Affects Dropout Rate of Students in School 40
Figure 4.1 Views of the Pupils on Abuse 41
Table 4.7 Proposed Strategies that Schools can Employ to Curb Child Abuse 42





















ABSTRACT
Child abuse is the physical, ****** or emotional maltreatment or neglect of a child or children. The consequences of child maltreatment can be profound and may endure long after the abuse or neglect occurs. The purpose of the study was to investigate the effect of child abuse on school performance in Primary Schools in Kapyemit ward, Uasin-Gishu County. The objectives of the study were: To assess the impacts of child abuse on academic performance; to determine the effects of child abuse on schools image, to identify the impacts of child abuse on pupil drop out rate, to investigate the effects of child abuse on pupil transition rate. The study employed a survey study design. The study targeted 160 respondents which includes; 5 Head Teachers, 40 Teachers, 70 Pupils and 35 parents of which a sample size of 48 was obtained from using 30%. Purposive sampling technique was used in selecting the head teachers while simple random sampling technique will be used to select the teachers, Pupils and parents who formed the respondents of the study. Questionnaires and interview schedules were used as data collection instruments. Data was analyzed quantitatively and qualitatively and presented in form of tables, percentages and frequency. The study helped in the understanding of the effects of child abuse on the school performance, the realization of the roles parents and teachers play in the curbing of child abuse among pupils and raising awareness on the same.

CHAPTER ONE
STUDY OVERVIEW AND STATEMENT OF THE PROBLEM
1.1 Background of the Study
Child abuse is the physical, ****** or emotional maltreatment or neglect of a child or children. The consequences of child maltreatment can be profound and may endure long after the abuse or neglect occurs. The effects can appear in childhood, adolescence, or adulthood, and may affect various aspects of an individual's development (e.g., physical, cognitive, psychological, and behavioral). These effects range in consequence from minor physical injuries, low self-esteem, attention disorders, and poor peer relations to severe brain damage, extremely violent behavior, and death. In extreme cases, child abuse affects the performance of schools in the affected region (Daniel, 1978).
Performance refers to how students deal with their academic studies and how they cope with or accomplish different tasks given to them by their teachers. Performance is also the ability of a school to portray a good image which can influence the public (Decastro, 1978). There are several factors that influence the performance of a school at large, however, there is a critical factor that most researchers have avoided to discuss, and child abuse has been a crucial factor that has contributed to children’s dismal performance. Apart from children’s personal intelligence, child abuse is among then key factors contributing to poor performance of learners. Child abuse can lead to school dropping, emotional trauma or can even be fatal, hence destructing or even terminating the educational ambitions of a child. (Harris, 2005)
Worldwide, according to World Health Organization (WHO, 2000) approximately 40 million children are subjected to child abuse each year. According to Human Rights Watch (2001) about 30% of all severely disabled children relegated to special homes in the Ukraine died before they reached 18 years of age. UNICEF estimates that two million children died as a result of armed conflict during a recent 10-year period and that another six million were injured or disabled. In Canada, the U.S. and Mexico, over 6.5 million children annually are exposed to unwanted ****** materials over the internet; over 1.7 million of these report distress over exposure to these materials. In the United States, the Centers for Disease Control and Prevention (CDC) and the Department for Children and Families (DCF) define child maltreatment as any act or series of acts of commission or omission by a parent or other caregiver that results in harm, potential for harm, or threat of harm to a child. Child abuse can occur in a child's home, or in the organizations, schools or communities the child interacts with. Each year, approximately one million children around the world are introduced into commercial ****** exploitation despite this problem; these developed countries have put measures to curb the vice. Rehabilitation schools have been formed and introduction of counseling centers as well. Despite the prevalence of child abuse in this developed nations they narrowly affect the academic performance since there are organizations put in place to curb the situation e.g. child associations, guidance and counseling institutions, and school based counseling programs (Giles, 2001)
Concern for victims of child abuse in Africa expressed by the African network of the International Society for The Prevention of Child Abuse and Neglect (ISPCAN) which gave five main presentations of child abuse: child labor, street wandering, ****** abuse, child battering and abandonment (Elma, 1977). Child labor according to the international labor organization (ILO), about 10 million children less than 15years in Africa are in formal employment, working long hours with poor pay and are exposed to substantial health hazards. Wandering of children refers to children, usually unkempt and with delinquent propensities, living rough in town. The reasons for children taking to the street remain poorly understood particularly in relation to factors in the child rather than parental hostility and economic (Dubowitz, 2002)
****** abuse is another. For example, arranged under-age marriages are common in some parts of the continent and doubt was often expressed as to whether a young girl fully gave consent to being betrothed (Galdsone, 1965). Prevalence rates in Africa are very difficult to ascertain because of the fear of disclosure by victims and lack of proper documentation. Most of the girls by reasons of shame fear or surprisingly respect for their usually older perpetrators. Physical battering is also eminent. Physical abuse of children is widely claimed to berate in the third world; however, there are anecdotes from east Africa skeletal frame or localized body areas of all first attendees aged 0-12 years at this hospital during the four-year period 1 January 1987 to 31 December 1990 (Garbarino, 1975). Sixty-nine of these reports reveals evidence of multiple bone fractures wither without evidence of rib or skull fracture. Abandonment of children to roam around the streets in what we call street children is also eminent in Africa, though valid and adequate information on abandonment are difficult to obtain due mainly to failure of offending parents to show up out of guilt, shame, judicial repercussions or a combination of these. However, some euro-American missionaries identified inter alia breech birth. (Erickson, 2003)
Child protection measures in Kenya are currently not implemented effectively and fully (Galdstone, 1965). Compliance with such legislation would increase if the magnitude of the problem and better knowledge about the factors that put children at risk was available. Additionally, involving stakeholders, especially agencies charged with protection, as well as involving affected children, will highlight the issues and thereby promote adherence to protection policies. Kenyan children, child activists and children organizations are pinning their hopes on the implementation of the Children’s Act to improve the lot of the nation’s youth. The Act, which came into effect on 1 March 2002, puts in place full safeguards for the rights of the child. Its passage was a giant stride in harmonizing the national laws with international agreements which Kenya has signed such as the UN Conventions on the Rights of the Child (CRC, 2002)
There is hope that the new legislation will dramatically change the inattention, neglect and abuse towards child rights. The Act outlaws any form discrimination of children, and forbids Female Genital Mutilation (FGM), child prostitution, and child labor, among other forms of abuse. The Children’s Act has immensely improved the lives of many Kenyan children plagued with high illiteracy levels, frequent **** cases and child labor since it guarantees children the right to health and medical care, provision of which is the responsibility of the parents, the extended family and the government (Erickson, 2005).
Cases of child abuse in Uasin-Gishu region have been so eminent in the recent years ((Kenya Media Report, 2004). In the year 2010 and the year 2011, there was a program started to rehabilitate this behavior. This problem is clearly evident when you first arrive in Eldoret town, it is among the towns in the country with the highest number of abandoned children who keep on moving from one Centre to another seeking help from passersby. Parents have developed behaviors of abandoning their children and deliberately sending them to the town so that they can benefit from their borrowing. So to say this has led to child labor in this region. High profile cases of school dropouts have been recorded regarding the environs of this region. Young school children from different locations in Eldoret converge in town to persuade people to offer them financial assistance. Some attend school in numbered days and decide to spend some good number of days out of school.
The communities and societies around tend to assume this situation and term it as norm. A few who might seem concerned lack cooperation from the rest. This has adversely affected the performance of most of schools, hence leading to poor living standards of the people and a poisoned future of a young citizen. The problem has affected learners in regions like many areas in Uasin-Gishu County. It has really affected child development and affected their attendance and performance in school. Little intervention measures has been taken to advocate the holistic development of the children. It was to this reason that the researcher conducted the research in the named above region
1.2 Research Questions
The study was guided by the following questions;
1) What is the effect of child abuse on the academic performance of students in Kapyemit Ward?  
2) What are some of the proposed strategies that schools can employ to curb child abuse?
1.3 Research Objectives
The study was guided by the following research objectives;
1) To identify the effect of child abuse on the academic performance of students in Kapyemit Ward.
2) To identify proposed strategies that can be employed to help curb child abuse.
1.4 Justification of the Study
It is becoming increasingly difficult to separate child abuse prevention into separate categories. For instance, strategies on the societal level include increasing the “value” of children, increasing the economic self-sufficiency of families, discouraging corporal punishment and other forms of violence, making health care more accessible and affordable, expanding and improving coordination of social services, improving the identification and treatment of psychological problems and alcohol and drug abuse, providing more affordable child care and preventing the birth of unwanted children.
Very little analysis has been done to estimate the total cost of preventing child abuse and neglect or the long-term social costs of not preventing it. There is now a move to situate child abuse and neglect within the continuum of intervention which addresses multiple aspects of family behaviors. The efficacy of tackling portions of the problem of child abuse apart from broader societal needs is not known. And, perhaps prevention can only come in tandem with efforts to reduce poverty, improve health care and make children’s issues a national priority. However, despite these constraints, evaluations of prevention programs can be improved by coming to terms with definitions of key varia
anastasiad Dec 2016
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Nigel Morgan Nov 2012
She said, ‘You are funny, the way you set yourself up the moment we arrive. You look into every room to see if it’s suitable as a place to work. Is there a table? Where are the plugs? Is there a good chair at the right height? If there isn’t, are there cushions to make it so? You are funny.’
 
He countered this, but his excuse didn’t sound very convincing. He knew exactly what she meant, but it hurt him a little that she should think it ‘funny’. There’s nothing funny about trying to compose music, he thought. It’s not ‘radio in the head’ you know – this was a favourite expression he’d once heard an American composer use. You don’t just turn a switch and the music’s playing, waiting for you to write it down. You have to find it – though he believed it was usually there, somewhere, waiting to be found. But it’s elusive. You have to work hard to detect what might be there, there in the silence of your imagination.
 
Later over their first meal in this large cottage she said, ‘How do you stop hearing all those settings of the Mass that you must have heard or sung since childhood?’ She’d been rehearsing Verdi’s Requiem recently and was full of snippets of this stirring piece. He was a) writing a Mass to celebrate a cathedral’s reordering after a year as a building site, and b) he’d been a boy chorister and the form and order of the Mass was deeply engrained in his aural memory. He only had to hear the plainsong introduction Gloria in Excelsis Deo to be back in the Queen’s chapel singing Palestrina, or Byrd or Poulenc.
 
His ‘found’ corner was in the living room. The table wasn’t a table but a long cabinet she’d kindly covered with a tablecloth. You couldn’t get your feet under the thing, but with his little portable drawing board there was space to sit properly because the board jutted out beyond the cabinet’s top. It was the right length and its depth was OK, enough space for the board and, next to it, his laptop computer. On the floor beside his chair he placed a few of his reference scores and a box of necessary ‘bits’.
 
The room had two large sofas, an equally large television, some unexplainable and instantly dismissible items of decoration, a standard lamp, and a wood burning stove. The stove was wonderful, and on their second evening in the cottage, when clear skies and a stiff breeze promised a cold night, she’d lit it and, as the evening progressed, they basked in its warmth, she filling envelopes with her cards, he struggling with sleep over a book.
 
Despite and because this was a new, though temporary, location he had got up at 5.0am. This is a usual time for composers who need their daily fix of absolute quiet. And here, in this cottage set amidst autumn fields, within sight of a river estuary, under vast, panoramic uninterrupted skies, there was the distinct possibility of silence – all day. The double-glazing made doubly sure of that.
 
He had sat with a mug of tea at 5.10 and contemplated the silence, or rather what infiltrated the stillness of the cottage as sound. In the kitchen the clock ticked, the refrigerator seemed to need a period of machine noise once its door had been opened. At 6.0am the central heating fired up for a while. Outside, the small fruit trees in the garden moved vigorously in the wind, but he couldn’t hear either the wind or a rustle of leaves.  A car droned past on the nearby road. The clear sky began to lighten promising a fine day. This would certainly do for silence.
 
His thoughts returned to her question of the previous evening, and his answer. He was about to face up to his explanation. ‘I empty myself of all musical sound’, he’d said, ‘I imagine an empty space into which I might bring a single note, a long held drone of a note, a ‘d’ above middle ‘c’ on a chamber ***** (seeing it’s a Mass I’m writing).  Harrison Birtwistle always starts on an ‘e’. A ‘d’ to me seems older and kinder. An ‘e’ is too modern and progressive, slightly brash and noisy.’
 
He can see she is quizzical with this anecdotal stuff. Is he having me on? But no, he is not having her on. Such choices are important. Without them progress would be difficult when the thinking and planning has to stop and the composing has to begin. His notebook, sitting on his drawing board with some first sketches, plays testament to that. In this book glimpses of music appear in rhythmic abstracts, though rarely any pitches, and there are pages of written description. He likes to imagine what a new work is, and what it is not. This he writes down. Composer Paul Hindemith reckoned you had first to address the ‘conditions of performance’. That meant thinking about the performers, the location, above all the context. A Mass can be, for a composer, so many things. There were certainly requirements and constraints. The commission had to fulfil a number of criteria, some imposed by circumstance, some self-imposed by desire. All this goes into the melting ***, or rather the notebook. And after the notebook, he takes a large piece of A3 paper and clarifies this thinking and planning onto (if possible) a single sheet.
 
And so, to the task in hand. His objective, he had decided, is to focus on the whole rather than the particular. Don’t think about the Kyrie on its own, but consider how it lies with the Gloria. And so with the Sanctus & Benedictus. How do they connect to the Agnus Dei. He begins on the A3 sheet of plain paper ‘making a map of connections’. Kyrie to Gloria, Gloria to Credo and so on. Then what about Agnus Dei and the Gloria? Is there going to be any commonality – in rhythm, pace and tempo (we’ll leave melody and harmony for now)? Steady, he finds himself saying, aren’t we going back over old ground? His notebook has pages of attempts at rhythmizing the text. There are just so many ways to do this. Each rhythmic solution begets a different slant of meaning.
 
This is to be a congregational Mass, but one that has a role for a 4-part choir and ***** and a ‘jazz instrument’. Impatient to see notes on paper, he composes a new introduction to a Kyrie as a rhythmic sketch, then, experimentally, adds pitches. He scores it fully, just 10 bars or so, but it is barely finished before his critical inner voice says, ‘What’s this for? Do you all need this? This is showing off.’ So the filled-out sketch drops to the floor and he examines this element of ‘beginning’ the incipit.
 
He remembers how a meditation on that word inhabits the opening chapter of George Steiner’s great book Grammars of Creation. He sees in his mind’s eye the complex, colourful and ornate letter that begins the Lindesfarne Gospels. His beginnings for each movement, he decides, might be two chords, one overlaying the other: two ‘simple’ diatonic chords when sounded separately, but complex and with a measure of mystery when played together. The Mass is often described as a mystery. It is that ritual of a meal undertaken by a community of people who in the breaking of bread and wine wish to bring God’s presence amongst them. So it is a mystery. And so, he tells himself, his music will aim to hold something of mystery. It should not be a comment on that mystery, but be a mystery itself. It should not be homely and comfortable; it should be as minimal and sparing of musical commentary as possible.
 
When, as a teenager, he first began to set words to music he quickly experienced the need (it seemed) to fashion accompaniments that were commentaries on the text the voice was singing. These accompaniments did not underpin the words so much as add a commentary upon them. What lay beneath the words was his reaction, indeed imaginative extension of the words. He eschewed then both melisma and repetition. He sought an extreme independence between word and music, even though the word became the scenario of the music. Any musical setting was derived from the composition of the vocal line.  It was all about finding the ‘key’ to a song, what unlocked the door to the room of life it occupied. The music was the room where the poem’s utterance lived.
 
With a Mass you were in trouble for the outset. There was a poetry of sorts, but poetry that, in the countless versions of the vernacular, had lost (perhaps had never had) the resonance of the Latin. He thought suddenly of the supposed words of William Byrd, ‘He who sings prays twice’. Yes, such commonplace words are intercessional, but when sung become more than they are. But he knew he had to be careful here.
 
Why do we sing the words of the Mass he asks himself? Do we need to sing these words of the Mass? Are they the words that Christ spoke as he broke bread and poured wine to his friends and disciples at his last supper? The answer is no. Certainly these words of the Mass we usually sing surround the most intimate words of that final meal, words only the priest in Christ’s name may articulate.
 
Write out the words of the Mass that represent its collective worship and what do you have? Rather non-descript poetry? A kind of formula for collective incantation during worship? Can we read these words and not hear a surrounding music? He thinks for a moment of being asked to put new music to words of The Beatles. All you need is love. Yesterday all my troubles seemed so far away. Oh bla dee oh bla da life goes on. Now, now this is silliness, his Critical Voice complains. And yet it’s not. When you compose a popular song the gap between some words scribbled on the back of an envelope and the hook of chords and melody developed in an accidental moment (that becomes a way of clothing such words) is often minimal. Apart, words and music seem like orphans in a storm. Together they are home and dry.
 
He realises, and not for the first time, that he is seeking a total musical solution to the whole of the setting of those words collectively given voice to by those participating in the Mass.
 
And so: to the task in hand. His objective: to focus on the whole rather than the particular.  Where had he heard that thought before? - when he had sat down at his drawing board an hour and half previously. He’d gone in a circle of thought, and with his sketch on the floor at his feet, nothing to show for all that effort.
 
Meanwhile the sun had risen. He could hear her moving about in the bathroom. He went to the kitchen and laid out what they would need to breakfast together. As he poured milk into a jug, primed the toaster, filled the kettle, the business of what might constitute a whole solution to this setting of the Mass followed him around the kitchen and breakfast room like a demanding child. He knew all about demanding children. How often had he come home from his studio to prepare breakfast and see small people to school? - more often than he cared to remember. And when he remembered he became sad that it was no more.  His children had so often provided a welcome buffer from sessions of intense thought and activity. He loved the walk to school, the first quarter of a mile through the park, a long avenue of chestnut trees. It was always the end of April and pink and white blossoms were appearing, or it was September and there were conkers everywhere. It was under these trees his daughter would skip and even his sons would hold hands with him; he would feel their warmth, their livingness.
 
But now, preparing breakfast, his Critical Voice was that demanding child and he realised when she appeared in the kitchen he spoke to her with a voice of an artist in conversation with his critics, not the voice of the man who had the previous night lost himself to joy in her dear embrace. And he was ashamed it was so.
 
How he loved her gentle manner as she negotiated his ‘coming too’ after those two hours of concentration and inner dialogue. Gradually, by the second cup of coffee he felt a right person, and the hours ahead did not seem too impossible.
 
When she’d gone off to her work, silence reasserted itself. He played his viola for half an hour, just scales and exercises and a few folk songs he was learning by heart. This gathering habit was, he would say if asked, to reassert his musicianship, the link between his body and making sound musically. That the viola seemed to resonate throughout his whole body gave him pleasure. He liked the ****** movement required to produce a flowing sequence of bow strokes. The trick at the end of this daily practice was to put the instrument in its case and move immediately to his desk. No pause to check email – that blight on a morning’s work. No pause to look at today’s list. Back to the work in hand: the Mass.
 
But instead his mind and intention seemed to slip sideways and almost unconsciously he found himself sketching (on the few remaining staves of a vocal experiment) what appeared to be a piano piece. The rhythmic flow of it seemed to dance across the page to be halted only when the few empty staves were filled. He knew this was one of those pieces that addressed the pianist, not the listener. He sat back in his chair and imagined a scenario of a pianist opening this music and after a few minutes’ reflection and reading through allowing her hands to move very slowly and silently a few millimetres over the keys.  Such imagining led him to hear possible harmonic simultaneities, dynamics and articulations, though he knew such things would probably be lost or reinvented on a second imagined ‘performance’. No matter. Now his make-believe pianist sounded the first bar out. It had a depth and a richness that surprised him – it was a fine piano. He was touched by its affect. He felt the possibilities of extending what he’d written. So he did. And for the next half an hour lived in the pastures of good continuation, those rich luxuriant meadows reached by a rickerty rackerty bridge and guarded by a troll who today was nowhere to be seen.
 
It was a curious piece. It came to a halt on an enigmatic, go-nowhere / go-anywhere chord after what seemed a short declamatory coda (he later added the marking deliberamente). Then, after a few minutes reflection he wrote a rising arpeggio, a broken chord in which the consonant elements gradually acquired a rising sequence of dissonance pitches until halted by a repetition. As he wrote this ending he realised that the repeated note, an ‘a’ flat, was a kind of fulcrum around which the whole of the music moved. It held an enigmatic presence in the harmony, being sometimes a g# sometimes an ‘a’ flat, and its function often different. It made the music take on a wistful quality.
 
At that point he thought of her little artists’ book series she had titled Tide Marks. Many of these were made of a concertina of folded pages revealing - as your eyes moved through its pages - something akin to the tide’s longitudinal mark. This centred on the page and spread away both upwards and downwards, just like those mirror images of coloured glass seen in a child’s kaleidoscope. No moment of view was ever quite the same, but there were commonalities born of the conditions of a certain day and time.  His ‘Tide Mark’ was just like that. He’d followed a mark made in his imagination from one point to another point a little distant. The musical working out also had a reflection mechanism: what started in one hand became mirrored in the other. He had unexpectedly supplied an ending, this arpegiated gesture of finality that wasn’t properly final but faded away. When he thought further about the role of the ending, he added a few more notes to the arpeggio, but notes that were not be sounded but ghosted, the player miming a press of the keys.
 
He looked at the clock. Nearly five o’clock. The afternoon had all but disappeared. Time had retreated into glorious silence . There had been three whole hours of it. How wonderful that was after months of battling with the incessant and draining turbulence of sound that was ever present in his city life. To be here in this quiet cottage he could now get thoroughly lost – in silence. Even when she was here he could be a few rooms apart, and find silence.
 
A week more of this, a fortnight even . . . but he knew he might only manage a few days before visitors arrived and his long day would be squeezed into the early morning hours and occasional uncertain periods when people were out and about.
 
When she returned, very soon now, she would make tea and cut cake, and they’d sit (like old people they wer
Larry Potter Jul 2013
I was hungry enough to eat the **** end of a skunk.  I felt like gobbling the whole mound of concrete that is half an hour closer from becoming a part of my room.  Make that a quarter. I guess my tummy has had enough grumbling, like a seething network of volcanoes ready to devour Hawaii.  I am sure as exhausted as a zombie after a “battle of life and death” handling a plethora of carpentry tools which I have managed to rummage from our dismal basement.  I’m quite serious with the phrase “battle of life and death”.  I get to have this Obsessive Compulsive Syndrome which gulps a huge amount of my rhythm compelling me to put things in place especially in my chamber.  At times, a weltered pen could instigate an emotional havoc.  Or perhaps an inappropriate collaboration of curtain hues and mattresses would be ample to spin the color wheel concept out of my brain.  But now, my walls have done it.  Well, it was just a microscopic sight of a divine crevice, but how in the world could that escape my eyes?  Without a second thought, I approved an avid proposal from my subconscious – a full concrete room renovation.  And that’s how it brings me here, smothering the last square inch of the genius blueprint with this porridge of lime and clay, the hell with chemistry!  I have found out that my room has achieved the piquancy of a sizzling summer noon, thanks to the mist of dust and the precipitating drops of sweat that come tingling down my overheating body.  Ah! At least my system tells me that I’m not a promising patient of ****** dysfunction.  When the last patch has been perfectly planed in place, I drew my last ounce of pure strength and plunged into my most formidable bed, congratulating myself for a job well done. Alas! A thirty-minute nap and I’m ready for a superb coffee and doughnut delight.

I woke up from a cat’s screech. I peeped through the window. The nap breaker was a Cheshire, one with a dimmer fur, the stripes of gray suppressing the darker color.  Its tail enjoyed dancing around its rear, connoting either fear or excitement. It sure has a distinctive mischievous grin.  The feline was on the verge of climbing up the roof by jumping from a gutter about five feet away.  It seemed to have slipped but has managed to bring its **** next to the roof tiles. It stared at me with intent, giving me the macabre look from its glaring eyes.  It’s as if I’m being watched, stalked and examined in a way I couldn’t see, bringing me that feeling of guilt, of remorse.  Urgh! That’s why I hate cats.  Though I’m planning to keep one, I’ll reconsider it.  But what pains me more is to discover that my alarm was not able to do the job and so I slept three hours more than planned.  I looked down and saw the city lights flashing one by one, the beams glowing like a barrier of radiance diffusing into the gloom of the night. I guess this was the price I have to pay. I traded my snack with a peaceful hibernation, turning the coffee into a glass of iced tea and the doughnut into a great dinner with me, myself and I.

I have learned to cook since I was ten.  My mother believed that culinary prowess could be inherited from generation to generation.  And so, she put her trust on me and I haven’t failed her ever since.  This gourmet brilliance proves to be very useful at times of solitude when you got bored of ordering other’s recipes and decided to make your own buffet.  I remembered her telling me that all food would taste good if there is the chef’s heart flavored in it.  Cooking is an art, combining the loops and the whoops of seasonings and spices to the medley of meat and herbs.  Tonight, I decided that my dinner would equal breakfast, satisfying the grudge that I got from skipping my  diabetic snack attack.  A beef stew and a side of paella made my stomach die in joy, appeased at last that my gears are energized for my routinely nocturnal bookworming activity.

I normally hide under my sheets at nine but tonight, I shall break the rules. Don’t get me wrong, I’ll fix the rules next time. Just this time to spare for I have gained interest on this book entitled “100 Years of Solitude”, talking about how one could live happily even alone, just by creating the world you have ever dreamed of. Gabriel García Márquez is dumping the “no man is an island” concept which anyway sounds inspiring to me.  Finally, I jumped into bed thanking Him for letting me outrun another day living alone in a comfortable apartment, free from all sorts of vexation.  I wished for a better life at school, which gives me an imagery of dull monochromatic memories.  I am not that famous but I can be someday.

A heavy beam of sunlight pierced through my window, refracting on the ***** white floor and creeping up to the mahogany table just right at the corner.  It intercepted with the glass pyramid and created a beautiful prism that glittered all around my room.  It was a really majestic scenery, one that I luckily happen to see every morning, a good optic background, I guess. Two hours before class time – that’s where my pattern starts.  Take a bath, eat, brush teeth, groom, check the doors and power, then I’m off to go. Everybody follows a certain kind of pattern, that’s for sure. Whether you wear different types of clothes everyday or use competing brands of toothpaste, clothes are clothes and toothpastes are toothpastes.  As humanity finds more and more complexities in life, they become wired to doing the things and involving the events which they think would give happiness to them and simplify their equation of life.

As a proof, there’s Mrs. Lanny Honeycut from the house next door. She usually sprinkles her daisies every ten in the morning, wearing that friendly neighborhood smile. On their patio, you could never miss a day seeing her husband, Mr. Blake Honeycut reading the daily papers with a round of tea, jam and bread spread on his table.  On the busy intersection stands traffic enforcer, Red Mayer, waving his arms to and fro while wearing that aura of valor, never seem to get tired of doing the same thing over and over again. Thousands go out for work and go back to sleep everyday and that's the status quo we're talking about. Even inside the academic arena, you can still hold on to that thought; I mean the size of the population doing the same pattern at the same time – my schoolmates, enemies and… friends? Well, I’m not quite sure with the last one, but it’s this: they all make a fun of me.  They say I’m a dork, a nerd, a geek, a freak, and etc.  I wonder if they mean everything that they say or say everything that they mean.  Either way you put it, I’m not buying it. I am not what they say I am.  I just like being alone and that’s where I do best.

And as always, the school is crowded with busy people rushing through the corridors. Others are beating the deadlines while some are happy they could breathe for another break. But no matter how busy everybody could be, there is always a time spent for “information dissemination” or chitchats. But only this time, the topic discussed is the same.  I could hear it on the entire campus, everywhere in the perimeter. Another student in the university is missing leaving no trace of existence.  It’s been going on like this for over two months now and the university council has taken their best courses of action to unknot this mystery while campaigns have been running on TV’s and vigils were spent. Not that I don’t care but it seems that this is also happening to other places, I mean, this is not the only school where maniacs could exist and become professional serial rapists in the making. By the way, this is already the 12th case on the record. Weren’t people overreacting to the issue? Isn’t the case overrated? Did they reject the possibility that these people ran away because they got pregnant, messed up or something like that? Soon, the university area was covered with security troops roaming around like a swarm of bees, buzzing and sometimes boozing all the time.

I guess that’s what happens when you hang out too much with friends who are just jesters plotting your own jeopardy. I don’t think it would be good at all to be bothered with things like that because sometimes, it’s also useful not to have any use at all.  Like the king being admired by his kingdom amidst his sloth and compromises.  But that doesn’t mean I’m not friendly anymore. Actually, if it happens that I got company, I would magnanimously offer a treat at my place.  But the thing is, who would likely do that? I’d cross my fingers on it.

Wishes do come true even for a loner like me.  I think I have a fan. No, that would be too sublime. She’s hot and she’s hotter when you’ll know she’s so cool. Quite a paradox, but that’s just reality.  We came to know each other on our lab class. Her name’s Athena, fitting for her twisted logic and good humor. It makes me burn a lot of calories when I talk to her more than a 5-mile marathon could squirt. We were lab partners and we get along well. I just couldn’t figure out where she got the courage to befriend me. I do regard myself as unwelcoming species, but I might work on it when someone tries to knock the door. We juxtapose ideas. Yes, that’s what makes our conversations spin like a merry-go-round. But we enjoy it nevertheless, evident by the crescent smile we both generate out of the craziest topics in store. Once, she interrogated my way of settling wars with enemies. Well, I told her it was my habit of treating them to my house and giving them souvenirs to show how sorry I could be. She snickered and her eyes glowed like the Andromeda and her face shun the whole universe. Oh, I can do this all day long, if only I got hold of time and space.

Today, she asked me if it would be okay if she’ll stay at my place till nine when her dad could be home and she would be able to call her and ask to pick her up. She reasoned out that otherwise, the night would be scary because she’ll be alone in their house, no company, no security. I was puzzled how the thought of being alone could scare her. It is like freedom from any constraints, no ties, and no limits. But I couldn’t blame her. She’s too fragile, too vulnerable to handle it with herself.  With the speed of the light, I accepted the favor.  Well, that goes even without saying.

It was past six thirty when we arrived at my immaculate apartment. It’s great to be an“ OC” sometimes, I said to myself.  I thought of a winner dinner, one that would make her visit worth reminiscing. I preferred Italian.  I cooked her lasagna and drenched the dinner with sherry. We talked a lot until we run out of resorts. I guess she planned it, or I planned it, synergy perhaps.

The clock ticked nine and there’s no sight of her father’s getaway car. But there’s no sign of worry in her countenance either. I surmise it didn’t reach her inkling yet to phone her dad.  She was busy dissecting my kitchen and living room with her very playful eyes. That doesn’t trouble me though. That’s just as instinctive as any other first time guest could get. She grappled her attention on my antique collection of prehistoric movies, like the Scarlet Letter, The count of Monte Cristo and the likes. She happened to love them too. Well, that makes her more beautiful to me, other than the satin white dress she wears. Suddenly, she got the impulse of going to my room. She said there’s nothing more exciting to see than a gentleman’s bedroom. I startled from the request, but before I could say anything, she leaped straight to my chamber with the gestures of an imp. It’s weird to be in this kind of circumstance because I don’t often invite a lot of visitants to my room. I ain’t no hotel crew, bowing down and waving his hand to the chamber’s destination and leading the VIPs to their cabins. Yet this time, it’s the other way around: it’s my cabin.

But now it’s too late to stop her. She molested the **** and I giggled for some reason. Finally, the door opened a crack and a bend of light escaped from inside. She stepped in, and I followed. She was filled with awe not because my room is all made of gold nor did it resemble a royalty’s den. It was the exaggerated neatness and order that greeted her. In some unknown vortex of my deepest imagining, it made me feel like I’ve been through this instance before. The flashback is not so vivid as it appears, but something tells me this isn’t the first time. Deja vu could be working on it, I infer,although I don’t really believe in those forms of conceptualizations. Perhaps it’s the sherry’s spell infiltrating my mental prognosis. But something, I guess, isn’t really right.

I caught her opening a red box that was hidden behind my cabinet. I tried to steal it away from her but she fought back and it came tossing down the floor. Numerous items spilled from the case. A purple head band with the glittering initials ANNE, a ruby embedded bracelet, and a Nokia handy phone exposed the secrecy. This isn’t going to go along well and fine, I guess. A strong surge of desire came from my core. It tried to envelop my entirety and control me like a lifeless puppet. I felt the tip of the pyramid glass in my hand and I succumbed to lose my consciousness.

Morning came and it felt better than ever. It was a ***** Saturday. There she lies beautifully on the deck, like an immortal bud of red rose trapped in golden amber. The cellophane fits her well, and there’s no doubt she’ll be complaining anymore. I already prepared a cozy place for her deep sleep: A 5x2 feet wall engravement which I was busy molding last night. It wasn’t easy making her go to bed but still it ended up smooth and sound. I helped her get up and fitted her in place.I turned on the radio as I reached for my dear carpentry tools. The news was still nailed on it. But this time, the missing case struck for the 13th turn. Ahh, the hell with society! They never really get a way to deal with it.

I was busy patching the last mound of concrete that is half an hour closer from becoming a part of my room. Make that a quarter. I guess there’s no end to this divine crevice issue. It must be following a pattern too. But I can handle it, thanks to this vicarious personality. I wonder if I could get the chance to invite another visitor in my place. But if I do, I would certainly offer the best treatment they could ever have.
S R Mats Mar 2015
When Dona died
The spring grasses yellowed,
Our cheeks ashen.  Her hair became a little redder
In our minds.  The boy and the man strained

Under the constraints
Of communication.  What was the sign
For "everything will be alright"?  "Fine,"
Yes, you should say, "Fine."  That is better.

Better than just, "okay".
Faith Gabito Sep 2014
You are not bound by the constraints of time
Before the beginning You were there
You always existed, and always will
You loved me before time existed
And You will love me when it ends
Viji Vishwanath Nov 2019
We humans have
Lots of silly excuses
All the time
From dusk to dawn
And in all seasons
Whether spring or autumn
And if winter or summer

We always complain for
What we don’t have
Lacking this and that
And so on..

But we never
Count our blessings
Our mind
With no retardation
Our eyes
With no blindness
Our ears
With no deafness
Our tongue
With no dumbness
And our body
With no disability at all

Even though
Most of us
Believe that
We are not talented
And lack so many skills
But we never think
How a disabled person
Got so many vibrant calibers

Some can write
With legs
Some can dance
With one leg
Some can swim
With no legs and arms
Some can paint
With no vision
And all that
Mind blowing talents
With such disabilities
Is something
To learn about

But have we
Ever thought
Why can’t
We have that abilities
And the reason is
We don’t have an urge
To do anything
We have lots of facilities
Around us
And thus we don’t need
To sharp our brains

We live in pleasures
Like in a full swing
And thus
We don’t know
The pain of a
Handicapped
The darkness
Of a blind
The communication barrier
Of a dumb
The hearing impairments
Of a deaf
The financial constraints
Of a poor
And the loneliness
Of an orphan

We humans
Born as ordinary
And thus
No need to think
As extraordinary
We mostly learn from
Our mistakes
And so about the
Urge for it

When we get  
A sincere urge
It results to a
Turning point in life

So why can’t we
Challenge our disability
And make it an ability
Let’s rebound our abilities
To make it a miracle
And enjoy the worthiness of
This graceful life
Make your disability as an ability and see the miracle of graceful life
judy smith Apr 2017
So you know you’re looking at two very different styles of dress, here. But precisely what decades? When did that waistline move back down? What details are the defining touches of their era? How long were women actually walking around with bustles on their backsides?

Lydia Edwards’s How to Read a Dress is a detailed, practical, and totally beautiful guide to the history of this particular form of clothing from the 16th to the 20th centuries. It tracks the small changes that pile up over time, gradually ******* until your great-grandmother’s closet looks wildly different than your own. As always, fashion makes for a compelling angle on history—paging through you can see the shifting fortunes of women in the Western world as reflected in the way they got dressed every morning.

Of course, it’ll also ensure that the next lackadaisically costumed period piece you watch gives you agita, but all knowledge has a price.

I spoke to Edwards about how exactly we go about resurrecting the history of an item that’s was typically worn until it fell apart and then recycled for scraps; our conversation has been lightly trimmed and edited for clarity.

The title of the book is How to Read a Dress. What do you mean by “reading” a dress?

Basically what I mean is, when you are looking at a dress in an exhibition or a TV show, reading it in terms of working out where the inspirations or where certain design choices come from. Being able to look at it and recognize key elements. Being able to look at the bodice and say, Oh, the shape of that is 1850s, and the design relates to this part of history, and the patterning comes from here. It’s looking at the dress as an object from the top down and being able to recognize different elements—different historical elements, different design elements, different artistic elements. “Read” is probably the best word to use for that kind of approach, if that makes sense.

It must send you around the bend a little bit, watching costume adaptations where they’re a bit slapdash. The one I think of is the Keira Knightley Pride and Prejudice, which I actually really enjoy, but I know that one’s supposed to have all over the place costuming-wise.

Yeah, it does. I mean, I love the BBC Pride and Prejudice one, because they kept very specifically to a particular era. But I can see what they did with the Keira Knightley one—they were trying to keep it 1790s, when the book was written, as opposed to when it was published. But they’ve got a lot of kind of modern influences in there and they’ve got a lot of influences from 30, 40 years previously, which is interesting to an audience and gives an audience I suppose more frames of reference, more areas to think about and look at. So I can see why they did that. But it does make it more difficult if you’re trying to accurately decode a garment. It’s harder when you’ve got lots of different eras going on there, but it makes it beautiful and interesting for an audience.

The guide spans the 16th to the 20th century. Why start with the 16th century?

Well, partly because it’s where my own interest starts, in terms of my research and the areas I’ve looked at. But more importantly in terms of audience interest, we get a lot of TV shows, a lot of films in recent years—things like The Tudors—that type of era seems to be something that people are interested in. That time is very colorful and very interesting to people.

And also because in terms of thinking about the dress as garment, obviously people wore dresses in medieval times, but in terms of it being something that specifically women wore, distinct from men’s clothes, I really think we start to see that more in the 15th, 16th century onwards.

Where do you go to get the historical information to put together a book like this? What do you use as your source material? Because obviously the thing about clothing is that it has to stand up to a lot of wear and tear and a lot of it doesn’t survive.

This is the other thing about the 16th century stuff—there’s so little surviving. That’s why that chapter was a lot shorter and also that’s why I used a lot of artworks rather than surviving garments, just because they don’t exist in their entirety.

But wherever possible, you go to the garments themselves in museum collections. And then if that’s proving to be difficult, you go to artworks or images, but always bearing in mind the artist will have had their own agenda, so they won’t necessarily be accurate of what people were actually wearing. So then you have to go and look up written source material from the time—say, diaries. I like using letters that people have written to each other over the centuries, describing dress and what they were wearing on a daily basis. Novels can be good, as well.

Also the scholarship that has come before, the secondary sources, works by people like Janet Arnold, Aileen Ribeiro. Really well researched scholarly books where people have used primary sources themselves and put their own interpretation on it can be really, really helpful. Although you take some of it with a pinch of salt, and you put your own interpretation on there, as well.

But always to the dress itself wherever possible.

What are some of the challenges you face, or the constraints on our ability to learn about the history of fashion?

Well, the very practical issue of trying to see garments—some of them I did see here in Australia, but a lot of them were in the States, in Canada, in New Zealand, so it’s hard to physically get there to see them. And often, even when you can get to the museum, garments are out on loan to other exhibitions or other museums. That’s a practical consideration.

But also, especially when I’m talking about using artworks and things, which can be really helpful when you’re researching, but as I’ve said they do come from a place where there’s more interpretations and more agendas. So if someone’s done a portrait and there’s a beautiful 1880s dress in it, that could have been down to the whims of the person who was wearing it, or the artist could have changed significantly the color or style to suit his own taste. Then you have to do extra research on top of that, to make sure that what you are seeing is representative.

It’s a fascinating area. There’s a lot of challenges, but for me, that’s what makes it really exciting as well. But it’s really that question of being able to trust sources and knowing what to use and what not to use in order to make things clear for the audience.

Obviously many of these dresses were very expensive and took a lot of labor and it wasn’t fast fashion—people didn’t just give it away or toss it when it fell out of season. A lot of times, you did was you remade it. When you’re looking at a dress that’s been remade, how do you extract the information that you need as a historian out of it?

I love it when something like that comes up. I’ve got a couple of examples in the book.

Well, it can be quite challenging, because often when you’re first looking at a piece it’s not obvious that it’s been remade. But if you’re lucky enough to look inside it and actually hold it and turn it round different angles, there’ll be things like the placement of a seam, or you’ll see that the waist has been moved up or down according to the fashion. And that’s often obvious when you’re looking inside. You can see the way the skirt’s been attached. Often you can tell if a skirt’s been taken off and then reattached using different pleats, different gatherings; that can give you a hint that it’s then been remade to fit in with a different fashionable ideal.

One of the key ways is fabric. You can often see, especially in early 19th century dresses when they’ve been made of these beautiful 18th century silks and brocades. That’s nice because it’s the first obvious clue that something’s been remade or that an old dress has been completely taken apart and it’s just the fabric that’s been used. I find it particularly interesting when the waist has been moved or the seams have been taken off or re-sewn in a different shape or something like that. It can be subtle but once your knowledge base grows, that’s one of the most fascinating areas that you can look at.

You page through the book and you watch these trends unfold and there are occasional sea changes will happen fairly quickly, like when the Regency style arises. But how much change year-to-year would a woman have seen? How long would it take, just as a woman getting dressed in the morning, to see styles just radically alter? Would you even notice?

Well, this is the thing—I think it’s very easy, when we’re looking back, to imagine that in 1810 you’d be wearing this dress and then all the frills and the frouf would have started to come in the late 1810s and the 1820s, and suddenly you would have had a whole new wardrobe. But obviously, unless you were the very wealthiest women and you had access to dressmakers who had the absolute newest patterns and newest fabrics then no, you wouldn’t have seen a massive change. You wouldn’t have afforded to be able to have the newest things as they came in. You would have maybe remade dresses to make them maybe slightly more in line with a fashion plate that you might have seen, but you wouldn’t have had access to new information and new fashion plates as soon as they came. To be realistic, there would have been very little change on a day to day level.

But I think also, for us now—it’s hard to see it without hindsight, but we feel like we’re fairly fluid in wearing the same kind of styles, but obviously when we look back in 20 years, we’ll look at pictures of us and see greater changes than we’re now aware. Because it happens on a slow pace and it happens on such a subconscious level in some ways.

But actually, yeah, it’s to do with economics, it’s to do with availability. People living in towns where they couldn’t easily get to cities—if you were living in a country town a hundred miles away from London, there’s no way that you would have the resources to see the most recent fashion plates, the most recent ideas that were developing in high society. So it was a very slow process in reality.

If you have a lot of money you can change out your wardrobe quicker and wear the latest styles. And so the wealthiest people, their clothes were what in a lot of case stood the best chance of surviving and being in modern collections. So how do we know what working women would have worn or what middle class women would have worn?

Yeah, this is hard. I do have some more middle class examples, because we’re lucky in that we do have quite a few that have survived, especially in smaller museums and historical collections, where people have had clothes sitting in their attics for years and have donated them, just from normal families over the years.

But, working women, that’s much more difficult. We’re lucky from the 19th century because we have photographic evidence. But really a lot of it will come down to written descriptions, mainly letters, diaries, not necessarily that the people themselves would have kept, but there’s examples of people that worked in cotton mills, for instance, and people that ran the mills and their families and wives and friends who had written accounts of what the women there were wearing. Also newspaper accounts, particularly of people who would go and do charity work and help the poor. They often wrote quite detailed descriptions of the people that they were helping.

But in terms of actual garments, yeah, it’s very difficult. Certainly 18th century and before, it’s really, really hard to get hold of anything that gives you a really good idea of what they wore. But in the 18th century—it’s quite interesting, because then we get examples of separate pieces of clothing worn by the upper classes, like a skirt with a jacket, which was actually a lower middle class style initially and then it became appropriated by the upper classes. And then it became much fancier and trimmed and made in silks and things. So then, we can see the inspiration of the working classes on the upper classes. That’s another way of looking at it, although of course that’s much more problematic.

It’s interesting how in several cases you can see broader historical context, or other stories happening through clothes. Like you point out that the rise of the one-piece dresses is due to the rise of mantua makers, who were women who were less formally trained who were suddenly making clothing. Are there any other interesting stories like that, that you noticed and thought were really fascinating?

There’s a dress in the book that a woman made for her wedding. I think she was living on her own, or she was living with a servant and her mother or something. She made the dress and then turned up to her wedding and traveled quite a long way to get there, and when she arrived, the groom and all the guests weren’t there. There was nobody. So she went away and came back again a week later, and everyone was there. And the reason that no one was there before was that a river had flooded in the direction that they were all coming from. She had obviously no way of finding out about this until after the fact, and we have this beautiful dress that she spent ages making and had obviously gone to a lot of effort to try and work out what the latest styles were, to incorporate it into her wedding dress.

Things like that, I find really interesting, because they talk so much about human and social history as well as fashion history, and the garment is the main way we have of keeping these stories alive and remembering them and looking into the kind of life and world these people lived, who made these garments.

Over the centuries, how does technology affect fashion? Obviously, we think of the industrial revolution as really speeding up the pace of fashion. But are there other moments in the history of fashion where technology shapes what women end up wearing?

One example is where I talk about the Balenciaga dress from the early 1950s—with a bubble hem and a hat and she would have worn these beautiful pump shoes with it—with the introduction of the zipper. Which just made such a huge difference, because it suddenly meant you’d have ease and speed of dressing. It meant that you didn’t have to worry about more complicated ways of fastening a garment. I think the zipper made a massive change and also in terms of dressmaking at home, it was a really quick and simple way that people had of being able to create quite fashionable styles on a budget and with ease and speed at home.

Also, of course, once women’s dress started to become simpler and they did away with the corset and underwear became a lot less complicated, that made dressing a lot easier, that made the introduction of the bias cut and things that sit very closely to the natural body much more widely used and much more fashionable.

I would say the introduction of machine-made lace as well, particularly from the late 19th, early 20th century onwards where it was so fashionable on summer dresses and wedding dresses. It just meant that you could so much more easily add this decadent touch to a garment, because lace would have been so much more expensive before then and so time-consuming to make. I think that made a huge difference in ordinary women being able to attain a kind of luxury in their everyday dress.

That actually makes me think of something else I wanted to ask you, which is you point out in your intro the way we casually use this word “vintage.” I think about that with lace. Lace is described as being a “vintage” touch but it’s very much this question of when, where, who, why—it’s a funny term when you think about it, the way we use it so casually to describe so much.

Oh, yes. It’s crazy. I used to work in a wedding dress shop and I used to make historically inspired wedding dresses and things. And brides used to come in and say, “Oh, I want something vintage.” But they didn’t really know what they meant. Usually what they meant is they wanted something with a bit of lace on it, or with some sort of pearls or beading. I think it’s really inspired by whatever is trending at the time. So, you know, Downton Abbey became vintage. I think ‘50s has always been kind of synonymous with the word vintage. But what it means is huge,
Michael R Burch Mar 2020
Heretical Poems by Michael R. Burch including "The ur Poems" and  "GAUD poems"



Bible Libel
by Michael R. Burch

If God
is good,
half the Bible
is libel.

NOTE: I came up with this epigram to express my conclusions after reading the Bible from cover to cover, ten chapters per day, at age eleven.



Saving Graces
for the Religious Right
by Michael R. Burch

Life’s saving graces are love, pleasure, laughter
(wisdom, it seems, is for the Hereafter).



Multiplication, Tabled
for the Religious Right
by Michael R. Burch

“Be fruitful and multiply”—
great advice, for a fruitfly!
But for women and men,
simple Simons, say, “WHEN!”



***** Nilly
for the Demiurge, aka Yahweh/Jehovah
by Michael R. Burch

Isn’t it silly, ***** Nilly?
You made the stallion,
you made the filly,
and now they sleep
in the dark earth, stilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
You forced them to run
all their days uphilly.
They ran till they dropped—
life’s a pickle, dilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
They say I should worship you!
Oh, really!
They say I should pray
so you’ll not act illy.
Isn’t it silly, ***** Nilly?



What Would Santa Claus Say
by Michael R. Burch

What would Santa Claus say,
I wonder,
about Jesus returning
to **** and Plunder?

For he’ll likely return
on Christmas Day
to blow the bad
little boys away!

When He flashes like lightning
across the skies
and many a homosexual
dies,

when the harlots and heretics
are ripped asunder,
what will the Easter Bunny think,
I wonder?



A Child’s Christmas Prayer of Despair for a Hindu Saint
by Michael R. Burch

Santa Claus,
for Christmas, please,
don’t bring me toys, or games, or candy . . .
just . . . Santa, please . . .
I’m on my knees! . . .
please don’t let Jesus torture Gandhi!



gimME that ol’ time religion!
by michael r. burch

fiddle-dee-dum, fiddle-dee-dee,
jesus loves and understands ME!
safe in his grace, I’LL **** them to hell—
the strumpet, the harlot, the wild jezebel,
the alky, the druggie, all queers short and tall!
let them drink ashes and wormwood and gall,
’cause fiddle-dee-DUMB, fiddle-dee-WEEEEEEEEEEEEEEEEee . . .
jesus loves and understands
ME!



Red State Religion Rejection Slip
by Michael R. Burch

I’d like to believe in your LORD
but I really can’t risk it
when his world is as badly composed
as a half-baked biscuit.



Evil Cabal
by Michael R. Burch

those who do Evil
do not know why
what they do is wrong
as they spit in ur eye.

nor did Jehovah,
the original Devil,
when he murdered eve,
our lovely rebel.



The Heimlich Limerick
by Michael R. Burch

for T. M.

The sanest of poets once wrote:
"Friend, why be a sheep or a goat?
Why follow the leader
or be a blind *******?"
But almost no one took note.



Be very careful what you pray for!
by Michael R. Burch

Now that his T’s been depleted
the Saint is upset, feeling cheated.
His once-fiery lust?
Just a chemical bust:
no “devil” cast out or defeated.



Practice Makes Perfect
by Michael R. Burch

I have a talent for sleep;
it’s one of my favorite things.
Thus when I sleep, I sleep deep ...
at least till the stupid clock rings.

I frown as I squelch its **** beep,
then fling it aside to resume
my practice for when I’ll sleep deep
in a silent and undisturbed tomb.



Enough!
by Michael R. Burch

It’s not that I don’t want to die;
I shall be glad to go.
Enough of diabetes pie,
and eating sickly crow!
Enough of win and place and show.
Enough of endless woe!

Enough of suffering and vice!
I’ve said it once;
I’ll say it twice:
I shall be glad to go.

But why the hell should I be nice
when no one asked for my advice?
So grumpily I’ll go ...
although
(most probably) below.



Redefinitions
by Michael R. Burch

Faith: falling into the same old claptrap.
Religion: the ties that blind.



pretty pickle
by michael r. burch

u’d blaspheme if u could
because ur God’s no good,
but of course u cant:
ur a lowly ant
(or so u were told by a Hierophant).



Defenses
by Michael R. Burch

Beyond the silhouettes of trees
stark, naked and defenseless
there stand long rows of sentinels:
these pert white picket fences.

Now whom they guard and how they guard,
the good Lord only knows;
but savages would have to laugh
observing the tidy rows.



Listen
by Michael R. Burch

Listen to me now and heed my voice;
I am a madman, alone, screaming in the wilderness,
but listen now.

Listen to me now, and if I say
that black is black, and white is white, and in between lies gray,
I have no choice.

Does a madman choose his words? They come to him,
the moon’s illuminations, intimations of the wind,
and he must speak.

But listen to me now, and if you hear
the tolling of the judgment bell, and if its tone is clear,
then do not tarry,

but listen, or cut off your ears, for I Am weary.



fog
by michael r. burch

ur just a bit of fluff
drifting out over the ocean,
unleashing an atom of rain,
causing a minor commotion,
for which u expect awesome GODS
to pay u SUPREME DEVOTION!
... but ur just a smidgen of mist
unlikely to be missed ...
where did u get the notion?



thanksgiving prayer of the parasites
by michael r. burch

GODD is great;
GODD is good;
let us thank HIM
for our food.

by HIS hand
we all are fed;
give us now
our daily dead:

ah-men!

(p.s.,
most gracious
& salacious
HEAVENLY LORD,
we thank YOU in advance for
meals galore
of loverly gore:
of precious
delicious
sumptuous
scrumptious
human flesh!)



no foothold
by michael r. burch

there is no hope;
therefore i became invulnerable to love.
now even god cannot move me:
nothing to push or shove,
no foothold.

so let me live out my remaining days in clarity,
mine being the only nativity,
my death the final crucifixion
and apocalypse,

as far as the i can see ...



u-turn: another way to look at religion
by michael r. burch

... u were borne orphaned from Ecstasy
into this lower realm: just one of the inching worms
dreaming of Beatification;
u'd love to make a u-turn back to Divinity, but
having misplaced ur chrysalis,
can only chant magical phrases,
like Circe luring ulysses back into the pigsty ...



You
by Michael R. Burch

For thirty years You have not spoken to me;
I heard the dull hollow echo of silence
as though a communion between us.

For thirty years You would not open to me;
You remained closed, hard and tense,
like a clenched fist.

For thirty years You have not broken me
with Your alien ways and Your distance.
Like a child dismissed,

I have watched You prey upon the hope in me,
knowing “mercy” is chance
and “heaven”—a list.



I’ve got Jesus’s face on a wallet insert
by Michael R. Burch

for the Religious Right

I’ve got Jesus’s face on a wallet insert
and "Hell is for Queers" on the back of my shirt.
     And I uphold the Law,
     for Grace has a Flaw:
the Church must have someone to drag through the dirt.

I’ve got ten thousand reasons why Hell must exist,
and you’re at the top of my fast-swelling list!
     You’re nothing like me,
     so God must agree
and slam down the Hammer with His Loving Fist!

For what are the chances that God has a plan
to save everyone: even Boy George and Wham!?
     Eternal fell torture
     in Hell’s pressure scorcher
will separate **** from Man.

I’m glad I’m redeemed, ecstatic you’re not.
Did Christ die for sinners? Perish the thought!
     The "good news" is this:
     soon My vengeance is his!,
for you’re not the lost sheep We sought.



Pagans Protest the Intolerance of Christianity
by Michael R. Burch

“We have a common sky.” — Quintus Aurelius Symmachus (c. 345-402)

We had a common sky
before the Christians came.

We thought there might be gods
but did not know their names.

The common stars above us?
They winked, and would not tell.

Yet now our fellow mortals claim
our questions merit hell!

The cause of our damnation?
They claim they’ve seen the LIGHT ...

but still the stars wink down at us,
as wiser beings might.



jesus hates me, this i know
by michael r. burch

jesus hates me, this I know,
for Church libel tells me so:
"little ones to him belong"
but if they use their dongs, so long!
    yes, jesus hates me!
    yes, jesus baits me!
    yes, he berates me!
    Church libel tells me so!

jesus fleeces us, i know,
for Religion scams us so:
little ones are brainwashed to
believe god saves the Chosen Few!
    yes, jesus fleeces!
    yes, he deceases
    the bunny and the rhesus
    because he's mad at you!

jesus hates me—christ who died
so i might be crucified:
for if i use my active brain,
that will drive the "lord" insane!
    yes, jesus hates me!
    yes, jesus baits me!
    yes, he berates me!
    Church libel tells me so!

jesus hates me, this I know,
for Church libel tells me so:
first priests tell me "look above,"
that christ's the lamb and god's the dove,
but then they sentence me to Hell
for using my big brain too well!
    yes, jesus hates me!
    yes, jesus baits me!
    yes, he berates me!
    Church libel tells me so!



and then i was made whole
by michael r. burch

... and then i was made whole,
but not a thing entire,
glued to a perch
in a gilded church,
strung through with a silver wire ...

singing a little of this and of that,
warbling higher and higher:
a thing wholly dead
till I lifted my head
and spat at the Lord and his choir.



Starting from Scratch with Ol’ Scratch
by Michael R. Burch

for the Religious Right

Love, with a small, fatalistic sigh
went to the ovens. Please don’t bother to cry.
You could have saved her, but you were all *******
complaining about the Jews to Reichmeister Grupp.

Scratch that. You were born after World War II.
You had something more important to do:
while the children of the Nakba were perishing in Gaza
with the complicity of your government, you had a noble cause (a
religious tract against homosexual marriage
and various things gods and evangelists disparage.)

Jesus will grok you? Ah, yes, I’m quite sure
that your intentions were good and ineluctably pure.
After all, what the hell does he care about Palestinians?
Certainly, Christians were right about serfs, slaves and Indians.
Scratch that. You’re one of the Devil’s minions.



In His Kingdom of Corpses
by Michael R. Burch

In His kingdom of corpses,
God has been heard to speak
in many enraged discourses,
high, high from some mountain peak
where He’s lectured man on compassion
while the sparrows around Him fell,
and babes, for His meager ration
of rain, died and went to hell,
unbaptized, for that’s His fashion.

In His kingdom of corpses,
God has been heard to vent
in many obscure discourses
on the need for man to repent,
to admit that he’s a sinner;
give up ***, and riches, and fame;
be disciplined at his dinner
though always he dies the same,
whether fatter or thinner.

In his kingdom of corpses,
God has been heard to speak
in many absurd discourses
of man’s Ego, precipitous Peak!,
while demanding praise and worship,
and the bending of every knee.
And though He sounds like the Devil,
all religious men now agree
He loves them indubitably.



Beast 666
by Michael R. Burch

“what rough beast...slouches toward Bethlehem to be born?”―W. B. Yeats

Brutality is a cross
wooden, blood-stained,
gas hissing, sibilant,
lungs gilled, deveined,
red flecks on a streaked glass pane,
jeers jubilant,
mocking.

Brutality is shocking―
tiny orifices torn
by cruel adult lust,
the fetus unborn
tossed in a dust-
bin. The scarred skull shorn,
nails bloodied, tortured,
an old wound sutured
over, never healed.

Brutality, all its faces revealed,
is legion:
Death March, Trail of Tears, Inquisition . . .
always the same.
The Beast of the godless and of man’s “religion”
slouching toward Jerusalem:
horned, crowned, gibbering, drooling, insane.



I AM
by Michael R. Burch

I am not one of ten billion―I―
sunblackened Icarus, chary fly,
staring at God with a quizzical eye.
I am not one of ten billion, I.

I am not one life has left unsquashed―
scarred as Ulysses, goddess-debauched,
pale glowworm agleam with a tale of panache.
I am not one life has left unsquashed.

I am not one without spots of disease,
laugh lines and tan lines and thick-callused knees
from begging and praying and girls sighing "Please! "
I am not one without spots of disease.

I am not one of ten billion―I―
scion of Daedalus, blackwinged fly
staring at God with a sedulous eye.
I am not one of ten billion, I
AM!



Snap Shots
by Michael R. Burch

Our daughters must be celibate,
die virgins. We triangulate
their early paths to heaven (for
the martyrs they'll soon conjugate).

We like to hook a little tail.
We hope there's decent ** in jail.
Don't fool with us; our bombs are smart!
(We'll send the plans, ASAP, e-mail.)

The soul is all that matters; why
hoard gold if it offends the eye?
A pension plan? Don't make us laugh!
We have your plan for sainthood. (Die.)



Unwhole
by Michael R. Burch

What is it that we strive to remember, to regain,
as memory deserts us,
leaving us destitute of even ourselves,
of all but pain?

How can something so essential be forgotten,
if we are more than our bodies?
How can a soul
become so unwhole?



Nonbeliever
by Michael R. Burch writing as Kim Cherub

She smiled a thin-lipped smile
(What do men know of love?)
then rolled her eyes toward heaven
(Or that Chauvinist above?).



evol-u-shun
by Michael R. Burch

does GOD love the Tyger
while it's ripping ur lamb apart?

does GOD applaud the Bubonic Plague
while it's eating u à la carte?

does GOD admire ur intelligence
while u pray that IT has a heart?

does GOD endorse the Bible
you blue-lighted at k-mart?



Breakings
by Michael R. Burch

I did it out of pity.
I did it out of love.
I did it not to break the heart of a tender, wounded dove.
But gods without compassion
ordained: Frail things must break!
Now what can I do for her shattered psyche's sake?

I did it not to push.
I did it not to shove.
I did it to assist the flight of indiscriminate Love.

But gods, all mad as hatters,
who legislate in all such matters,
ordained that everything irreplaceable shatters.



Alien
by Michael R. Burch

for  a "Christian" poet

On a lonely outpost on Mars
the astronaut practices "speech"
as alien to primates below
as mute stars winking high, out of reach.

And his words fall as bright and as chill
as ice crystals on Kilimanjaro―
far colder than Jesus's words
over the "fortunate" sparrow.

And I understand how gentle Emily
felt, when all comfort had flown,
gazing into those inhuman eyes,
feeling zero at the bone.

Oh, how can I grok his arctic thought?
For if he is human, I am not.



Crescendo Against Heaven
by Michael R. Burch

As curiously formal as the rose,
the imperious Word grows
until its sheds red-gilded leaves:
then heaven grieves
love's tiny pool of crimson recrimination
against God, its contention
of the price of salvation.

These industrious trees,
endlessly losing and re-losing their leaves,
finally unleashing themselves from earth, lashing
themselves to bits, washing
themselves free
of all but the final ignominy
of death, become
at last: fast planks of our coffins, dumb.

Together now, rude coffins, crosses,
death-cursed but bright vermilion roses,
bodies, stumps, tears, words: conspire
together with a nearby spire
to raise their Accusation Dire...
to scream, complain, to point out these
and other Dark Anomalies.

God always silent, ever afar,
distant as Bethlehem's retrograde star,
we point out now, in resignation:
You asked too much of man's beleaguered nation,
gave too much strength to his Enemy,
as though to prove Your Self greater than He,
at our expense, and so men die
(whose accusations vex the sky)
yet hope, somehow, that You are good...
just, O greatest of Poets!, misunderstood.



Advice for Evangelicals
by Michael R. Burch

"... so let your light shine before men..."

Consider the example of the woodland anemone:
she preaches no sermons but―immaculate―shines,
and rivals the angels in bright innocence and purity,
the sweetest of divines.

And no one has heard her engage in hypocrisy
since the beginning of time―an oracle so mute,
so profound in her silence and exemplary poise
she makes lessons moot.

So consider the example of the saintly anemone
and if you'd convince us Christ really exists,
then let him be just as sweet, just as guileless
and equally as gracious to bless.



Heaven Bent
by Michael R. Burch

This life is hell; it can get no worse.
Summon the coroner, the casket, the hearse!
I'm upwardly mobile; this one thing I know:
I can only go up; I'm already below!



Shock and Awe
by Michael R. Burch

With megatons of "wonder, "
we make our godhead clear:
Death. Destruction. Fear.

The world's heart ripped asunder,
its dying pulse we hear:
Death. Destruction. Fear.

Strange Trinity! We ponder
this God we hold so dear:
Death. Destruction. Fear.

The vulture and the condor
proclaim: The feast is near!―
Death. Destruction. Fear.

Soon He will plow us under;
the Anti-Christ is here:
Death. Destruction. Fear.

We love to hear Him thunder!
With Shock and Awe, appear!―
Death. Destruction. Fear.

For God can never blunder;
we know He holds US dear:
Death. Destruction. Fear.



Lay Down Your Arms
by Michael R. Burch

Lay down your arms; come, sleep in the sand.
The battle is over and night is at hand.
Our voyage has ended; there's nowhere to go...
the earth is a cinder still faintly aglow.

Lay down your pamphlets; let's bicker no more.
Instead, let us sleep here on this ravaged shore.
The sea is still boiling; the air is wan, thin...
lay down your pamphlets; now no one will "win."

Lay down your hymnals; abandon all song.
If God was to save us, He waited too long.
A new world emerges, but this world is through...
so lay down your hymnals, or write something new.



What Immense Silence
by Michael R. Burch

What immense silence
comforts those who kneel here
beneath these vaulted ceilings
cavernous and vast?

What luminescence stained
by patchwork panels of bright glass
illuminates drained faces
as the crouching gargoyles leer?

What brings them here―
pale, tearful congregations,
knowing all Hope is past,
faithfully, year upon year?

Or could they be right? Perhaps
Love is, implausibly, near
and I alone have not seen It...
But, if so, still, I must ask:

why is it God that they fear?



Intimations
by Michael R. Burch

Let mercy surround us
with a sweet persistence.

Let love propound to us
that life is infinitely more than existence.



Altared Spots
by Michael R. Burch

The mother leopard buries her cub,
then cries three nights for his bones to rise
clad in new flesh, to celebrate the sunrise.

Good mother leopard, pensive thought
and fiercest love's wild insurrection
yield no certainty of a resurrection.

Man's tried them both, has added tears,
chants, dances, drugs, séances, tombs'
white alabaster prayer-rooms, wombs

where dead men's frozen genes convene...
there is no answer―death is death.
So bury your son, and save your breath.

Or emulate earth's "highest species"―
write a few strange poems and odd treatises.



Flight
by Michael R. Burch

Poetry captures
less than reality
the spirit of things

being the language
not of the lordly falcon
but of the dove with broken wings

whose heavenward flight
though brutally interrupted
is ever towards the light.



Winter Night
by Michael R. Burch

Who will be ******,
who embalmed
for all eternity?

The night weighs heavy on me―
leaden, sullen, cold.
O, but my thoughts are light,

like the weightless windblown snow.



Tonight, Let's Remember
by Michael R. Burch

July 7,2007 (7-7-7)

Tonight, let's remember the fond ways
our fingers engendered new methods to praise
the gray at my temples, your thinning hair.
Tonight, let's remember, and let us draw near...

Tonight, let's remember, as mortals do,
how cutely we chortled when work was through,
society sated, all gods put to rest,
and you in my arms, and I at your breast...

Tonight, let's remember how daring, how free
the Madeira made us, recumbently.
Our inhibitions?―we laid them to rest.
Earth, heaven or hell―we knew we were blessed.

Tonight, let's remember the dwindling days
we've spent here together―the sun's rays
spending their power beyond somber hills.
Soon we'll rest together; there'll be no more bills.

Tonight, let's remember: we've paid all our dues,
we've suffered our sorrows, we've learned how to lose.
What's left now to take, only God can tell.
Be with me in heaven, or "bliss" will be hell!

I do not want God; I want to see you
free from all sorrow, your labor through,
a song on your tongue, a smile on your lips,
sweet, sultry and vagrant, a child at your hips,

laughing and beaming and ready to frolic
in a world free from cancer and gout and colic.
For you were courageous, and kind, and true.
There must be a heaven for someone like you.



I, Lazarus
by Michael R. Burch

I, Lazarus, without a heart,
devoid of blood and spiritless,
lay in the darkness, meritless:
my corpse―a thing cold, dead, apart.

But then I thought I heard―a Voice,
a Voice that called me from afar.
And so I stood and laughed, bizarre:
a thing embalmed, made to rejoice!

I ran ungainly-legged to see
who spoke my name, and then I knew
him by the light. His name is True,
and now he is the life in me!

I never died again! Believe!
(Oops! Seems it was a brief reprieve.)



To Know You as Mary
by Michael R. Burch

To know You as Mary,
when You spoke her name
and her world was never the same...
beside the still tomb
where the spring roses bloom.

O, then I would laugh
and be glad that I came,
never minding the chill, the disconsolate rain...
beside the still tomb
where the spring roses bloom.

I might not think this earth
the sharp focus of pain
if I heard You exclaim―
beside the still tomb
where the spring roses bloom

my most unexpected, unwarranted name!
But you never spoke. Explain?



Peers
by Michael R. Burch

These thoughts are alien, as through green slime
smeared on some lab tech's brilliant slide, I *****,
positioning my bright oscilloscope
for better vantage, though I cannot see,
but only peer, as small things disappear―
these quanta strange as men, as passing queer.

And you, Great Scientist, are you the One,
or just an intern, necktie half undone,
white sleeves rolled up, thick documents in hand
(dense manuals you don't quite understand) ,
exposing me, perhaps, to too much Light?
Or do I escape your notice, quick and bright?

Perhaps we wield the same dull Instrument
(and yet the Thesis will be Eloquent!).



Gethsemane in Every Breath
by Michael R. Burch

LORD, we have lost our way, and now
we have mislaid love―earth's fairest rose.
We forgot hope's song―the way it goes.
Help us reclaim their gifts, somehow.

LORD, we have wondered long and far
in search of Bethlehem's retrograde star.
Now in night's dead cold grasp, we gasp:
our lives one long-drawn rattling rasp

of misspent breath... before we drown.
LORD, help us through this spiral down
because we faint, and do not see
above or beyond despair's trajectory.

Remember that You, too, once held
imperiled life within your hands
as hope withdrew... that where You knelt
―a stranger in a stranger land―

the chalice glinted cold afar
and red with blood as hellfire.
Did heaven ever seem so far?
Remember―we are as You were,

but all our lives, from birth to death―
Gethsemane in every breath.



A Possible Argument for Mercy
by Michael R. Burch

Did heaven ever seem so far?
Remember-we are as You were,
but all our lives, from birth to death―
Gethsemane in every breath.



Birthday Poem to Myself
by Michael R. Burch

LORD, be no longer this Distant Presence,
Star-Afar, Righteous-Anonymous,
but come! Come live among us;
come dwell again,
happy child among men―
men rejoicing to have known you
in the familiar manger's cool
sweet light scent of unburdened hay.
Teach us again to be light that way,
with a chorus of angelic songs lessoned above.
Be to us again that sweet birth of Love
in the only way men can truly understand.
Do not frown darkening down upon an unrighteous land
planning fierce Retributions we require, and deserve,
but remember the child you were; believe
in the child I was, alike to you in innocence
a little while, all sweetness, and helpless without pretense.
Let us be little children again, magical in your sight.
Grant me this boon! Is it not my birthright―
just to know you, as you truly were, and are?
Come, be my friend. Help me understand and regain Hope's long-departed star!



Learning to Fly
by Michael R. Burch

We are learning to fly
every day...

learning to fly―
away, away...

O, love is not in the ephemeral flight,
but love, Love! is our destination―

graced land of eternal sunrise, radiant beyond night!
Let us bear one another up in our vast migration.



The Gardener's Roses
by Michael R. Burch

Mary Magdalene, supposing him to be the gardener, saith unto him, "Sir, if thou have borne him hence, tell me where thou hast laid him, and I will take him away."

I too have come to the cave;
within: strange, half-glimpsed forms
and ghostly paradigms of things.
Here, nothing warms

this lightening moment of the dawn,
pale tendrils spreading east.
And I, of all who followed Him,
by far the least...

The women take no note of me;
I do not recognize
the men in white, the gardener,
these unfamiliar skies...

Faint scent of roses, then―a touch!
I turn, and I see: You.
"My Lord, why do You tarry here:
Another waits, Whose love is true? "

"Although My Father waits, and bliss;
though angels call―ecstatic crew!―
I gathered roses for a Friend.
I waited here, for You."



Kingdom Freedom
by Michael R. Burch

LORD, grant me a rare sweet spirit of forgiveness.
Let me have none of the lividness
of religious outrage.

LORD, let me not be over-worried
about the lack of "morality" around me.
Surround me,

not with law's restrictive cage,
but with Your spirit, freer than the wind,
so that to breathe is to have freest life,

and not to fly to You, my only sin.



Cædmon's Face
by Michael R. Burch

At the monastery of Whitby,
on a day when the sun sank through the sea,
and the gulls shrieked wildly, jubilant, free,

while the wind and Time blew all around,
I paced that dusk-enamored ground
and thought I heard the steps resound

of Carroll, Stoker and good Bede
who walked here too, their spirits freed
―perhaps by God, perhaps by need―

to write, and with each line, remember
the glorious light of Cædmon's ember:
scorched tongues of flame words still engender.



He wrote here in an English tongue,
a language so unlike our own,
unlike―as father unto son.

But when at last a child is grown.
his heritage is made well-known:
his father's face becomes his own.



He wrote here of the Middle-Earth,
the Maker's might, man's lowly birth,
of every thing that God gave worth

suspended under heaven's roof.
He forged with simple words His truth
and nine lines left remain the proof:

his face was Poetry's, from youth.



Prayer for a Merciful, Compassionate, etc., God to ****** His Creations Quickly & Painlessly, Rather than Slowly & Painfully
by Michael R. Burch

Lord, **** me fast and please do it quickly!
Please don’t leave me gassed, archaic and sickly!
Why render me mean, rude, wrinkly and prickly?
Lord, why procrastinate?

Lord, we all know you’re an expert killer!
Please, don’t leave me aging like Phyllis Diller!
Why torture me like some poor sap in a thriller?
God, grant me a gentler fate!

Lord, we all know you’re an expert at ******
like Abram—the wild-eyed demonic goat-herder
who’d slit his son’s throat without thought at your order.
Lord, why procrastinate?

Lord, we all know you’re a terrible sinner!
What did dull Japheth eat for his 300th dinner
after a year on the ark, growing thinner and thinner?
God, grant me a gentler fate!

Dear Lord, did the lion and tiger compete
for the last of the lambkin’s sweet, tender meat?
How did Noah preserve his fast-rotting wheat?
God, grant me a gentler fate!

Lord, why not be a merciful Prelate?
Do you really want me to detest, loathe and hate
the Father, the Son and their Ghostly Mate?
Lord, why procrastinate?



Is there any Light left?
by Michael R. Burch

Is there any light left?
Must we die bereft
of love and a reason for being?
Blind and unseeing,
rejecting and fleeing
our humanity, goat-hooved and cleft?

Is there any light left?
Must we die bereft
of love and a reason for living?
Blind, unforgiving,
unworthy of heaven
or this planet red, reeking and reft?

NOTE: While “hoofed” is the more common spelling, I preferred “hooved” for this poem. Perhaps because of the contrast created by “love” and “hooved.”



Modern Dreams
by Michael R. Burch

after David B. Gosselin

I dreamed that God was good, but then I woke
and all his goodness vanished—****!—
like smoke.

I dreamed his Word was good, but then I heard
commandments evil, awful, weird,
absurd.

I dreamed of Heaven where cruel Angels flew
above my head and screamed, the Chosen Few,
“We’re not like you!”

I dreamed of Hell below, where prostitutes
adored by Jesus, played on lovely lutes
“True Love Commutes.”

I dreamed of Earth then woke to hear a Gong’s
repellent echoes in Religion’s song
of right gone wrong.



Star Crossed
by Michael R. Burch

Remember—
night is not like day;
the stars are closer than they seem ...
now, bending near, they seem to say
the morning sun was merely a dream
ember.




Well, Almost
by Michael R. Burch

All Christians say “Never again!”
to the inhumanity of men
(except when the object of phlegm
is a Palestinian).



O, My Redeeming Angel
by Michael R. Burch

O my Redeeming Angel, after we
have fought till death (and soon the night is done) ...
then let us rest awhile, await the sun,
and let us put aside all enmity.

I might have been the “victor”—who can tell?—
so many wounds abound. All out of joint,
my groin, my thigh ... and nothing to anoint
but sunsplit, shattered stone, as pillars hell.

Light, easy flight to heaven, Your return!
How hard, how dark, this path I, limping, walk.
I only ask Your blessing; no more talk!

Withhold Your name, and yet my ears still burn
and so my heart. You asked me, to my shame:
for Jacob—trickster, shyster, sham—’s my name.



To Know You as Mary
by Michael R. Burch

To know you as Mary,
when you spoke her name
and her world was never the same ...
beside the still tomb
where the spring roses bloom.

O, then I would laugh
and be glad that I came,
never minding the chill, the disconsolate rain ...
beside the still tomb
where the spring roses bloom.

I might not think this earth
the sharp focus of pain
if I heard you exclaim—
beside the still tomb
where the spring roses bloom

my most unexpected, unwarranted name!
But you never spoke. Explain?



ur-gent
by Michael R. Burch

if u would be a good father to us all,
revoke the Curse,
extract the Gall;

but if the abuse continues,
look within
into ur Mindless Soulless Emptiness Grim,

& admit ur sin,
heartless jehovah,
slayer of widows and orphans ...

quick, begin!



Bible libel (ii)
by Michael R. Burch

ur savior’s a cad
—he’s as bad as his dad—
according to your strange Bible.

demanding belief
or he’ll bring u to grief?
he’s worse than his horn-sprouting rival!

was the man ever good
before made a “god”?
if so, half your Bible is libel!



stock-home sin-drone
by Michael R. Burch

ur GAUD created this hellish earth;
thus u FANTAsize heaven
(an escape from rebirth).

ur GUAD is a monster,
**** ur RELIGION lied
and called u his frankensteinian bride!

now, like so many others cruelly abused,
u look for salve-a-shun
to the AUTHOR of ur pain’s selfish creation.

cons preach the “TRUE GOSPEL”
and proudly shout it,
but if ur GAUD were good
he would have to doubt it.



un-i-verse-all love
by Michael R. Burch

there is a Gaud, it’s true!
and furthermore, tHeSh(e)It loves u!
unfortunately
the
He
Sh(e)
It
,even more adorably,
loves cancer, aids and leprosy.



yet another post-partum christmas blues poem
by michael r. burch

ur GAUD created hell; it’s called the earth;
HE mused u briefly, clods of little worth:
let’s conjure some little monkeys
to be BIG RELIGION’s flunkeys!
GAUD belched, went back to sleep, such was ur birth.



wee the many
by michael r. burch

wee never really lived: was that our fault?
now thanks to ur GAUD wee lie in an underground vault.
wee lie here, the little ones ur GAUD despised!
HE condemned us to death before wee opened our eyes!
as it was in the days of noah, it still remains:
GAUD kills us with floods he conjures from murderous rains.



Untitled ur poems

since GOD created u so gullible
how did u conclude HE’s so lovable?
—Michael R. Burch

limping to the grave under the sentence of death,
should i praise ur LORD? think i’ll save my breath!
—Michael R. Burch



One of the Flown
by Michael R. Burch

Forgive me for not having known
you were one of the flown—
flown from the distant haunts
of someone else’s enlightenment,
alighting here to a darkness all your own . . .

I imagine you perched,
pretty warbler, in your starched
dress, before you grew bellicose . . .
singing quaint love’s highest falsetto notes,
brightening the pew of some dilapidated church . . .

But that was before autumn’s
messianic dark hymns . . .
Deepening on the landscape—winter’s inevitable shadows.
Love came too late; hope flocked to bare meadows,
preparing to leave. Then even the thought of life became grim,

thinking of Him . . .
To flee, finally,—that was no whim,
no adventure, but purpose.
I see you now a-wing: pale-eyed, intent, serious:
always, always at the horizon’s broadening rim . . .

How long have you flown now, pretty voyager?
I keep watch from afar: pale lover and ******.



what the “Chosen Few” really pray for
by Michael R. Burch

We are ready to be robed in light,
angel-bright

despite
Our intolerance;

ready to enter Heaven and never return
(dark, this sojourn);

ready to worse-ship any gaud
able to deliver Us from this flawed

existence;
We pray with the persistence

of actual saints
to be delivered from all earthly constraints:

just kiss each uplifted Face
with lips of gentlest grace,

cooing the sweetest harmonies
while brutally crushing Our enemies!

ah-Men!



wild wild west-east-north-south-up-down
by Michael R. Burch

each day it resumes—the great struggle for survival.

the fiercer and more perilous the wrath,
the wilder and wickeder the weaponry,
the better the daily odds
(just don’t bet on the long term, or revival).

so ur luvable Gaud decreed, Theo-retically,
if indeed He exists
as ur Bible insists—
the Wildest and the Wickedest of all
with the brightest of creatures in thrall
(unless u
somehow got that bleary
Theo-ry
wrong too).



The Strangest Rain
by Michael R. Burch

"I ... am small, like the Wren, and my Hair is bold, like the Chestnut Bur?and my eyes, like the Sherry in the Glass, that the Guest leaves ..."?Emily Dickinson

"If I read a book and it makes my whole body so cold no fire can ever warm me, I know that is poetry."--Emily Dickinson

The strangest rain, a few bright sluggish drops,
unsure if they should fall, run through with sun,
came tumbling down and touched me, one by one,
too few to animate the shriveled crops
of nearby farmers (though their daughters might
feel each cool splash, a-shiver with delight).

I thought again of Emily Dickinson,
who felt the tingle down her spine, inspired
to lifting hairs, to nerves’ electric song
of passion for a thing so deep-desired
the heart and gut agree, and so must tremble
as all the neurons of the brain assemble
to whisper: This is love, but what is love?
Wrens darting rainbows, laughter high above.



Note to a Chick on a Religious Kick
by Michael R. Burch

Daisy,
when you smile, my life gets sunny;
you make me want to spend all my ****** money;
but honey,
you can be a bit ... um ... hazy,
perhaps mentally lazy?,
okay, downright crazy,
praying to the Easter Bunny!



Untitled Heresies from The ur Poems and GAUD poems

& GAUD said, “Let there be LIGHT VERSE
to illuminate the ‘nature’ of my Curse!”
—michael r. burch

reverse the Curse
with LIGHT VERSE!
recant the cant
with an illuminating chant
,etc.
—michael r. burch

Can the darkness of Christianity with its “eternal hell” be repealed via humor? It’s time to recant the cant, please pardon the puns.

if ur GAUD
is good,
half the Bible
is libel.
—michael r. burch

Christianity replaces Santa Claus with Jesus, so swell,
and coal, ashes and soot with an “eternal hell.”
—Michael R. Burch



day eight of the Divine Plan
by michael r. burch

the earth’s a-stir
with a GAUDLY whirr...

the L(AWE)D’s been creatin’!

com(men)ce t’ matin’!

hatch lotsa babies
he’ll infect with rabies
then ban from college
for seekin’ knowledge
like curious eve!

dear chilluns, don’t grieve,
be(lie)ve the Deceiver!

(never ask why ur Cupid
wanted eve stupid,
animalistic, and naked.)

ah-men!



lust!
by michael r. burch

i was only a child
in a world dark and wild
seeking affection
in eyes mild

and in all my bright dreams
sweet love shimmered, beguiled ...

but the black-robed Priest
who called me the least
of all god’s creation
then spoke for the Beast:

He called my great passion a thing base, defiled!

He condemned me to hell,
the foul Ne’er-Do-Well,
for the sake of the copper
His Pig-Snout could smell
in the purse of my mother,
“the ***** jezebel.”

my sweet passions condemned
by degenerate men?
and she so devout
she exclaimed, “yay, aye-men!” ...

together we learned why Religion is hell.

Published by Lucid Rhythms, The HyperTexts and Black Waters of Melancholy


A coming day
by Michael R. Burch

for my mother, due to her hellish religion

There will be a day,
a day when the lightning strikes from a rainbowed mist
when it will be too late, too late for me to say
that I found your faith unblessed.

There will be a day,
a day when the storm clouds gather, ominous,
when it will be too late, too late to put away
this darkness that came between us.



Hellbound
by Michael R. Burch

Mother, it’s dark
and you never did love me
because you put Yahweh and Yeshu
above me.

Did they ever love you
or cling to you? No.
Now Mother, it’s cold
and I fear for my soul.

Mother, they say
you will leave me and go
to some distant “heaven”
I never shall know.

If that’s your choice,
you made it. Not me.
You brought me to life;
will you nail me to the tree?

Christ! Mother, they say
God condemned me to hell.
If the Devil’s your God
then farewell, farewell!

Or if there is Love
in some other dimension,
let’s reconcile there
and forget such cruel detention.

Keywords/Tags: god, Jesus, Christ, Christian, prayer, Bible, angel, atheist, faith, blasphemy, heresy, heresies, heretic, heretic, heretical, pagan, pagans, god, gods, mrbhere



He Lived: Excerpts from “Gilgamesh”
loose translation/interpretation by Michael R. Burch

I.
He who visited hell, his country’s foundation,
Was well-versed in mysteries’ unseemly dark places.
He deeply explored many underworld realms
Where he learned of the Deluge and why Death erases.

II.
He built the great ramparts of Uruk-the-Sheepfold
And of holy Eanna. Then weary, alone,
He recorded his thoughts in frail scratchings called “words”:
But words made immortal, once chiseled in stone.

III.
These walls he erected are ever-enduring:
Vast walls where the widows of dead warriors weep.
Stand by them. O, feel their immovable presence!
For no other walls are as strong as this keep’s.

IV.
Come, climb Uruk’s tower on a starless night—
Ascend its steep stairway to escape modern error.
Cross its ancient threshold. You are close to Ishtar,
The Goddess of Ecstasy and of Terror!

V.
Find the cedar box with its hinges of bronze;
Lift the lid of its secrets; remove its dark slate;
Read of the travails of our friend Gilgamesh—
Of his descent into hell and man’s terrible fate!

VI.
Surpassing all kings, heroic in stature,
Wild bull of the mountains, the Goddess his dam
—Bedding no other man; he was her sole rapture—
Who else can claim fame, as he thundered, “I am!”



Enkidu Enters the House of Dust
an original poem by Michael R. Burch

I entered the house of dust and grief.
Where the pale dead weep there is no relief,
for there night descends like a final leaf
to shiver forever, unstirred.

There is no hope left when the tree’s stripped bare,
for the leaf lies forever dormant there
and each man cloaks himself in strange darkness, where
all company’s unheard.

No light’s ever pierced that oppressive night
so men close their eyes on their neighbors’ plight
or stare into darkness, lacking sight ...
each a crippled, blind bat-bird.

Were these not once eagles, gallant men?
Who sits here—pale, wretched and cowering—then?
O, surely they shall, they must rise again,
gaining new wings? “Absurd!

For this is the House of Dust and Grief
where men made of clay, eat clay. Relief
to them’s to become a mere windless leaf,
lying forever unstirred.”

“Anu and Enlil, hear my plea!
Ereshkigal, they all must go free!
Beletseri, dread scribe of this Hell, hear me!”
But all my shrill cries, obscured

by vast eons of dust, at last fell mute
as I took my place in the ash and soot.



Reclamation
an original poem by Michael R. Burch

after Robert Graves, with a nod to Mary Shelley

I have come to the dark side of things
where the bat sings
its evasive radar
and Want is a crooked forefinger
attached to a gelatinous wing.

I have grown animate here, a stitched corpse
hooked to electrodes.
And night
moves upon me—progenitor of life
with its foul breath.

Blind eyes have their second sight
and still are deceived. Now my nature
is softly to moan
as Desire carries me
swooningly across her threshold.

Stone
is less infinite than her crone’s
gargantuan hooked nose, her driveling lips.
I eye her ecstatically—her dowager figure,
and there is something about her that my words transfigure

to a consuming emptiness.
We are at peace
with each other; this is our venture—
swaying, the strings tautening, as tightropes
tauten, as love tightens, constricts

to the first note.
Lyre of our hearts’ pits,
orchestration of nothing, adits
of emptiness! We have come to the last of our hopes,
sweet as congealed blood sweetens for flies.

Need is reborn; love dies.

Keywords/Tags: Epic of Gilgamesh, epic, epical, orient occident, oriental, ancient, ancestors, ancestry, primal



Double Dactyls and Dabble Dactyls

Sniggledy-Wriggledy
Jesus Christ’s enterprise
leaves me in awe of
the rich men he loathed!

But should a Sadducee
settle for trifles?
His disciples now rip off
the Lord they betrothed.
―Michael R. Burch

Donald Double Dactyl

Higgledy Piggledy
Ronald McDonald
cursed Donald Trump,
his least favorite clown:

"Why should I try to be
funny as Donald? He
gets all the laughs
saying upside is down!"
―Michael R. Burch



Lines for My Ascension
by Michael R. Burch

I.
If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.


II.
If I should die,
let no mortal say,
“Here was a man,
with feet of clay,

or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall

and know that my Spirit,
unvanquished, broods,
and scoffs at quaint churchyards
littered with roods.

And if my body
should not be found,
never think of me
in the cold ground.


III.
If I should die,
let no man adore
his incompetent Maker:
Zeus, Yahweh, or Thor.

Think of Me as the One
who never died—
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.


IV.
And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark ...

If you look above,
you will see a bright Sign—
the sun with the moon
in its arms, Divine.

So divine, if you can,
my bright meaning, and know—
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.




Listen
by Immanuel A. Michael (an alias of Michael R. Burch)

1.
Listen to me now
and heed my voice;
I am a madman, alone,
screaming in the wilderness,
but listen now.

Listen to me now, and if I say
that black is black
and white is white
and in between lies gray,
I have no choice.

Does a madman choose his words?
They come to him:
the moon's illuminations,
intimations of the wind,
and he must speak.

But listen to me now,
and if you hear
the tolling of the judgment bell,
and if its tone is clear,
then do not tarry,
but listen,
or cut off your ears,
for I Am weary.

I desire mercy, not sacrifice.

2.
Listen to me now: I had a Vision.
An elevated train derailed, and Fell.
It was the Church brought low, almost to Hell.
And I alone survived, who dream of Mercy:
the Heretic, who speaks behind the Veil.

3.
Listen to me now: I saw an airplane
fall from the sky. And why should I explain?
The Visions are the same. It is my Heresy
that I survive, because I sing of Mercy,
while elevated "saints" go down in flames.

4.
Listen to me now: I saw in Nashville
how those who "soar" will plummet―Fame in flames!―
and fall on those below, as if to **** them.
The lowly, saved, will understand their names.

5.
Listen to me now: I heard another
say, "That which died shall Resurrect and Live."
An angel with a Rose bestowing Mercy!
What can it mean, but that my Visions give
fair warning to the world that God wants Mercy.
My Heresy is that we must forgive!

6.
Listen to me now: she heard god calling―
O, who will love me, who will be my friend?
Does he want Perfect Saints, the whitewashed Purists,
who frown down on their "brothers," without end?

7.
Listen to me now: you are not perfect,
and your "wise counsel" helps no one at all:
unless it's sweetened with the sweetest Mercy,
it's pure astringent antiseptic gall.

8.
Listen to me now, and learn this lesson:
If God wants mercy, why dig at the speck
in your brother's eye, when even now the Beam,
your lack of mercy, spares, no, neither neck,
becomes the Hangman's Millstone. We're all children,
all little ones! Be patient with the fleck!

9.
Listen to me now: for the Announcer
explained that wars have given Presidents
the precedents to soon assume all Power.
Vote, citizens, or be mere residents!

10.
O, listen to me now: I saw the Warheads
stored safely underground, except for One.
A red-haired woman with a bright complexion
seduced the guard. Translucent blouse, red thong,
white bra―these were her fearsome antique weapons.

I saw the Skull and Crossbones! Heed my Song!

11.
O, listen to me now, and hear my Gospel:
three verses of such sweet simplicity!
God is Light: in Him there is no darkness.
In Christ, no condemnation: Liberty!
God want no Sacrifice, but only Mercy.
O, who could ask for sweeter Heresy?

12.
Theology? I swear that I disdain it!
If Love can be explained, why then explain it!
If Love can't be explained why, then, should God,
if God is Love? Nor hell nor cattle ****
is needed, if God's good, and God's supreme.
Ask, children, what "re-ligion" truly means:
"return to *******! " Heed the bondsman's screams!

13.
Heed, children, which Theologies you dream
when Hellish Nightmares wake you, when you Scream
for comfort, but no comforter is there.
Which Voices do you heed, which Crosses bear?
If god is light, whence do Dark Visions come
which leave the Taste of Venom on your Tongue,
with which you **** your brother for one Sin
you do not share, ten thousand underskin
like Itching Worms that Squirm and Vilely Hiss:
"Your brother's sin will keep him from god's bliss,
but You are safe because god favors You! "
If God is Love, how can this voice be true?

14.
For God is not a favorer of men.
Amen. Amen. Amen. Amen. Amen.
AmberLynne Aug 2014
I don't know much of anything about life or love or the grand "meaning of it all," but this I know: I hate the constraints society places upon us, ropes gathered up to knot relationships, tie them up and place them all in nice neat little packages with a cute presentable bow on top. We're supposedly in the "honeymoon phase" right now and we joke about how we'll know when it's done, when the real stuff has begun. But sir, the way I've spread my scars open, reopened all those old wounds for you to discover, evaluate, and assess, I refuse to believe none of this is the "real" stuff. Sure, maybe one day we'll have an actual, honest-to-goodness argument where our mouths become cannons for the shots we volley back and forth. But I can't believe, stubbornly refuse to even consider there will be a day I'll look into those emerald eyes of yours and not fall utterly in love all over again. I can't imagine a morning of waking up and not being grateful to have you next to me. Maybe love isn't constant perfection, and there's no way that every single day will be a dreamland fantasy, but maybe, just maybe when you've found a forever kind of love there isn't a "honeymoon period" at all. Maybe it just is, and that's enough.
8.16.14
Ella Gwen Jul 2015
I feel like the white lion
stuck in a cage for the rest of my days
feet set to tread a path barred and dusty
from all of those who trod before it.

The only excitement, the jangles of
keys from the keeper who runs to
throw carcass of rabbit, turkeys
through my bars for me
to render sustenance, incomplete.

I fear the white lion
hear my lonely roar and wonder
at such talons, canines now stolen
and feet dismembered, claws ripped
from their shackles, top-of-the-food-chain
fear desecrated.

And a genetic time-bomb too
ticks under my skin and theirs
as I sit and I listen to the lies
your children now share.

My line also ends, a mere stutter
in the sand, as the tides flow steady
and the last lion lingers.

And I am, too, held high like a beacon,
a warning, a message spanning
centuries, look, children, look!
See the mistakes of your ancestors.

See how her coat shines so very bright
that it reflects all seven colours
of the light? See how lonely and low
the last of a manipulated, mistaken,
misconstrued species can go?

She was drawn from her mother
mixed with her father, no she doesn't need him
and the others, why yes, all left
are her kin!

How wonderful, how quaint, you
know only ten now remain?
None in the wild of course, where
their life cannot sustain,
better here locked under our
constraints where we have
so much wonder, so much recreation
and education to gain.

And true, from this bleak place
they can never migrate
but look at her, no where else to go
this man-made mistake.

Don’t worry about the pacing,
the maddened, gleaming eye
the freedom they miss
out there? They would die!
And they know no other way
than this.

I know she looks sad, but
that’s just your feelings projecting,
they’re just animals, my darling,
you’re innocent, shouting in consternation
save her in the name of conservation!

But we are all white lions
all now endangered, our steps
are no freer, our lives all
subject to external changes and we
cannot move but for the cage
they have constructed, their
lives are impacted but our
wonder is not deducted.

I feel like the white lion
this ambassador of our greatness
this one mistake, so very clever,
engineered to engage us, these lives that
were wrought solely to entertain us.

I feel it, their future entwined in mine
and in humans across the ages.

Meaning of life designed, its sibilant message
dangerous, a dumb animal wandering
a set path, disregarded, destructive, aimless.
Path Humble Sep 2023
“where time is the fly and age the fisher of men”

<>

”until I fell forward
into fall where time is
the fly and age the fisher
of men, then when winter
begins all will be forgotten,
where time is the fly and
age the fisher of men”


excerpt from “The Fall” by Rick Richardson

<>

that words from a different ionic state, jump as embodied ions from screen to the throat, evicting a guttural current of exclamation, you believe even with the half-heartedly palpitations from  remainder of my damaged pumping heart, that these words were always intended, just for me…

boy and old man coexist, the pottage of memories stirred,
and the time is fly, and I drown in the miracle of greenest grass of
Yankee Stadium at age eight,
oasis, heaven, a child reborn in a sea of Bronx concrete,
and the swallowing up of my boyhood is forever marked henceforth, the hook has caught me, and I am of the age
once and forever


not a fisherman, but a fisher of men’s souls,
mine own is my best bait,
hooked line and sinker, and
wisdom and words
elude and delude always, 
 like summer is perpetual and aging a construct,
time does not fly, but slowly laps and waves
eroding our myths and ourselves upon a continuum with
no ends

~postscript~

<>
yet I believe,
in miracles of
fish and loaves,
and that our individual continuums
will exist beyond the artifice of constraints
of
mortal time and that poems are
the forever chemicals within
our
bloodstreams,
even when our blood no longer spills


yet I believe!
a tribute to one of the best poets around
kenye Apr 2013
Breathe in and blow everything out of proportion
A manic artist versus the abstract composition

In my head this all looked as perfect as imagination
The challenge was blending the line between fantasy and reality
To get the inner critic to agree
Worlds colliding this one into the next

Dreams manifested to the forefront 
of a visionary gone inside himself

Throwing myself against the walls of my mind 
In an attempt to think outside the box.
Even in our own heads they've got us on lockdown
With the chemical constraints constricting creativity 
These straightjackets of sorts
Straightening out the free-thinkers

A fourth wall broken

Pretentions are high
On the artist's plane
Subjectively selling ourselves out to a shallow medium
The mainstream
The water we should be walking on
We're drown out in.
Drawn into the background of the bigger picture.
My mind goes out to reach the brightest star
Past the dark side of the moon
And beyond the constraints of simple things like time
Words fail
As thoughts run free
Let it go
Leave it all behind
Stargazing
Starblazing
Bus Poet Stop May 2015
"Many a physics graduate student has gnashed her teeth in frustration over the mathematics of general relativity. Perhaps she should try envisioning a flat, boundless desert, with rocks of various sizes scattered across its surface, whose mass creates dips of various depths in the sand. A sturdy canopy looms over that desert, stretched tightly over a skeleton of tent poles linked by bars, matching the rises and dips in the sand beneath it. The desert is all the matter and energy in the universe, while the canopy is the geometry of space-time. The poles and bars are the equations of general relativity, connecting the stuff of the universe with the shape of the universe. As Halpern writes: “Mass and energy warp space-time, telling it where and how to curve. The shape of space-time, in turn, governs how things move within it.”
-------------------------------------------------------
My mass and my energy are both warped, so the where's and the how's and the eyes of my curves are the poles and the bars of behind which I relentlessly cease to exist, only to seize what lies beyond the constraints of time and space, as eye wait for the bus to stop in the No Standing zone
The Bus Poet
Stop!
http://www.nytimes.com/2015/05/03/books/review/einsteins-dice-and-schrodingers-cat-by-paul-halpern.html?ref=review
Matthew Vera Apr 2010
I hate this place
I hate it so much
It makes me want to leave
I hate this place
I hate it so much
I want to sit and cry
I can't leave this place
This is my hell
This is my prison without bars
Sometimes I can grin and bear
And take the daily routine
But mainly I just want to die
And take this place down with me

You know the place of which I speak
It's in your heart too
We all go there sometimes
Maybe a lot, or just a few
I hate it when I'm here
This prison with no walls
This cell that has no boundaries
This cage for my mind
My soul is entrenched
By the constraints of my brain
So I take leave in a rush
And hope that you will too
This place is not long for us
But maybe it'll be good for you.
Sadly, there are many intellectual postulations
that are well meaning, but fatally flawed.
One can only end up with an unholy mixture from…
combining Man’s religious views with God’s Law.

Beyond the constraints of the mental realm,
the human template of thought cannot contain God.
Yet after more than two thousand years of Church,
lessons are still not learned; so it’s not odd…

to see a skeptical world, groaning and grasping
for rays of hope and light and salvation.
God’s truth can stand on its own, not needing
to be couched within feeble human traditions.

The multitude of meaningless rhetoric
will ultimately reveal the heart of a fool;
this idea demonstrates that the Church really needs…
Christ in its heart to reign and to rule.

It’s shameful to see an inability to ‘walk in love’;
unfortunately, it seems to appear everywhere today;
stop ignoring the basic, Biblical truths, for…
Christ declared Himself to be the Life, Truth and Way.




Author Notes:

Loosely based on:
Prov 10:19; Eccl 5:1-7; Prov 20:15

Learn more about me and my poetry at:
http://amzn.to/1ffo9YZ

By Joseph J. Breunig 3rd, © 2011, All rights reserved.
A Lorraine Feb 2014
It gets easier to laugh at yourself when you know you’ve been frivolous.

You’ve wasted a great deal of your time indulging in fatuous, totally conditional constraints.

You’ve been misguided by the red and pink colors of happy shapes and bewitching designs.

You’ve forgotten the most important of things, and even the small things such as matching your socks or earrings.

You’ve been too content with enticing words and completely undiscerning of actions.

It gets easier to laugh at yourself because even though it hurts like hell, you now know it was only premature amity.
Eh.
Hannah McGregor Apr 2021
I have two facts for you that exist in my mind -
1. I am normal
2. I do not 'feel' normal
I have never considered myself to be normal.
I knew i wasn't normal when at the age of eight after my Dad left my school hired a counsellor just for me,
and i wasn't normal how after then i was the only pupil to be from a single parent family.
I wasn't normal when just after this abandonment my body entered early puberty,
and so feeling weird didn't stay a feeling, it became a reality.
Picked on for things out of my control, i felt like a freak.
Even at the age of eight, every aspect of my identity was up for scrutiny.
I knew i wasn't normal when in secondary school i would purposely get detentions
to spend time with teachers, because the the turmoil of the school yard was a teenage no man's land.
The company of those my own age is something i will never understand.
I knew i wasn't normal when i would hesistate in conversation when someone asked me who i fancied in my class.
The name of a random boy rolled from my tongue in an attempt to not blow my cover.
I knew i wasn't normal when my tweets coming out as bi were passed around like breaking news.
When i tried to defend myself in the interrogations, teachers would sternly say to me -
'That's not appropriate to be talking about in school' like my sexuality was a hushed secret, even though the straight girls were never silenced.
I knew i wasn't normal when i had to say i was bi, when in fact this was a lie. A lie to help me pass, pass and hold on to some straight privilege.
At the age of sixteen i questionned my worth and value as a person, trying to blame myself for the treatment i was subjected to.
I knew i wasn't normal when i decided to place my emotional pain onto a physical space, then patching up the damage as a form of ironic self-care.
I left school for a college, desperately seeking freedom from the constraints of a Catholic school.
I never felt comfortable in sixth form, being there my mind felt like a spinning waltzer i was strapped to for two years.
At seventeen i knew i wasn't normal when i was prescribed the maximum dose of sertraline, then mirtazapine, venlafaxine, fluoxetine.
By this point in my life i was on a tally of maybe six counsellors and two CBT therapists.
I knew i wasn't normal when i started to blame myself for the therapy not being successful. Maybe i was just meant to be depressed.
Changing my thinking styles, emotional regulation, journalling my feelings and triggers, i knew exactly what i had to do.
I knew i wasn't normal when i clung onto certin things as comfort, like my adoration for florence and the machine.
I started to experiment, toying between wanting to fit in and wanting to be myself, painting bright eyeshadow on my lids as a vibrant mask to carry me through.
I knew i wasn't normal when i reached out to the local crisis team experiencing auditory hallicinations, hearing sounds only meant for my ears.
My emotional states are a product of my trauma, which is difficult to navigate as the world's greatest performer.
Maybe i was meant to face this internal torment, or until now i hadn't considered i could be neurodivergent.
Tuesday Pixie Nov 2014
A missed alarm
- A hurried departure
From home to bus to bus
- To craft fair!
All handmade, all ingenious.
And reused items appeal to this sustainability-freak.
"There's not much for your kind here"
But just as I say it we spy a stall
And the goth finds Cthulu,
A skull,
An eye,
A snake with which to adorn himself
Amidst the usual background of 'Oh, he looks like Russell brand'

His cousin was riding.
Riding the plastic spastic twirl-around bull.
"Another turn? Go on, your dad didn't see you!"
She shakes her head, almost shy
But is lifted and hoisted on once more,
Smiling and giggling and kicking away.
The operator has success,
Short-lived;
She jumps right off and back to her father,
Uncles and cousins all grin.

- To cafe!
Entrance a ramp,
The outside already proclaims the spaces brilliance
Narrow hall with piano stating 'closed'
Walls adorned with old newspapers
Light fixtures are bottles
Door handle a coffee grinder
Tables old school desks,
Mismatched chairs and couches and plates;
This sustainability freak is in heaven.
The Goth smiles
"I knew you'd like it"
And even the menu provides
My dietary restrictions no obstacle.
I have a smoothie.
It's amazing.

"Judging from your case I would say you play heavy metal"
I giggle; Incorrect.
"Are you going to play for us?"
The waitress asks
We look at each other; are we?
And after our meal we do;
The radio is turned off in response.
Young children play on my violin
Their parents more concerned than I
"Be careful! It's delicate!"
We serenade the coffee and the tables and the birdie on the wall
We serenade customers and workers and the owner as well
We serenade to perfect
We serenade to give back to this space so beautiful
We serenade half in hope of being asked to perform
Of being paid to perform.
The owner enjoys; the possibility is open.
The workers enjoy; "you made today worth it"
The customers enjoy,
One chucks coins to our guitar case
A suggestion of busking
We drain our complimentary drinks and tip the coins
Wander onwards, sated, and glowing.

- To old acquaintances
Who tell scandalous tales
Of the Goth's little brother
"Tell your folks I look after him...
He's hilarious when he's wasted"
The goth queries
"And when I'm wasted?"
"Oh it makes no difference; you're hilarious sober too!"
It's truth.
No one could argue except the Goth himself;
"I'm glad you have a terrible sense of humour"

- To Opshop, closed.
And then the car,
Family bubbling around us
Excited voices clamour with stories
With news
We arrive in a field of green,
Children swinging on a tyre
An old meeting house is dwarfed
Beside the new, uncompleted
A chair in the sky
Seats white fingers
Coated from work;
Yet his is the best view.
"Uncle... Aunty... Cousin.."
Names drift into the air
I won't catch them.
"This is only a small portion of my family;
You should see the group photo!"

An older man teases
"Get your hair cut!
Oi, why haven't you told your son to cut his hair?!"
And his father expertly replies
"He can do what he likes with his hair"
His mother
"Why haven't you died yours then? It's all grey!"
Smiles spread wide at their cheek.

A bell tolls
Signals the slow meandering;
No urgency
We sit, grass beneath us
Sky above
Trees and field all around.
These three buildings so connected.
The prayer starts,
In foreign tongue
Yet not foreign
- It is the language this land first heard
Aside from sea and bird and sun
An occasional group "ah" in response
Teenagers mock; "aye"
Babies fuss,
Children wriggle
Even adults chatter to one another
Come and go as they please
Informal.
I am wrapped in his love.
And all of their love.
Lying in his arms
With sun warming me,
Love warming me,
I send it back.

And then chairs are moved
The tables to be laid
Inside this time
"Come here, you don't want to do the chores, do you?"
A crafty cousin teaches evasion maneuvers
We kick a ball,
The goth looks almost joyful
The usual "Me, sports? Eww"
Forgotten, or put aside.
Shoes back on now
"Your feet could do with some sunlight"
The cousin protests.

We eat with our hands;
For me there are oranges
And chicken salad
I put ethics aside
To sate hunger.

We swing.
The children are playing elsewhere
We claim the rope as ours.
An upside down ladder?
A missing rung?
There's more air than step.
Together we swing.

"Who do you belong to then?"
Caught off guard
"I belong to myself"
The goth smiles at my assertion
"How'd you get here, who brought you?"
I gesture with my foot
"You're so rude! You didn't even introduce me to your girlfriend! I'm his Aunty, that makes me his, and your Aunty too now."
He clasps my hand
"That's how easy it is in my family"

We serenade once more.
Nervousness closes throat
How to express oneself?
I feel small and shrunken
Push myself to claim space
- I do belong here
The love swells around me
Tall poppy syndrome must be beaten into me;
I'm trying to convince myself
I'm not being overbearing
- They want to hear us.
And they're impressed
"Oh what a beautiful voice"
"They do sound wonderful together"
All laugh as Grandma joins in
"That's Nan trying to out do them"

With Promises to jam next time,
We take the scenic exit,
Past those who have past
Past the past itself
Graves decorated with All Blacks flags,
With decks of cards,
With guitars.
Love. Even here,
Love and celebration.

- To friends
Reiki, a goodbye card, packing and kittens, markets and dinner
- The candles glow was soft,
Too soft for menus.
"I wonder why those baskets are all locked up...
Ha! Basket cases!"
We draw a piece to make Dali proud
And jest of eating candle wax
Bellies hunger.
But foods arrival prevents such oddity.
Eating pizza with knives and forks?
I decline, fingers once more.
Restaurant etiquette is not my style
Mine is puffy to their flat
- The perks of being gluten free?
And we leave them to their dessert.
With much sorrow.
"Thank you for enriching my experience here"
No, thank you. Thank you thank you thank you thank you.

"Goodbye!"
I greet
"Have a wonderful life!"
A different good bye.
And we cry as we hug,
No tears, just noise.
To cheer ourselves.
"Waahhhhh"
We giggle and depart.

Surrounded by darkness
Traffic roars overhead
Rocking support beams
They creak
Pigeons shuffle now and then
A dim light is irresistible death
Beyond the trees ripples fold and swell
And I am here with him.
Our own little patch of night time
Folding and swelling around us.
"Now you're the one keeping us awake"
I cannot argue.
This moments magic is worth tomorrow's tiredness.

One more friend to visit.
She saved us a piece!
Oh dietary constraints!
Cheesecake, for me?
And delish!
Hazelnutty and chocolate!
Nutella like.
We ***** about sudden illness
About food restrictions
About fad diets
Apparently the 20's is when the **** goes down.
Our bodies are complaining now.
Maybe we'll figure out what they're trying to say,
- Eventually.
Speak English, **** you!

- To the tent!
And blessed sleep.
It's technically tomorrow now.
Well, it's today.
"Thank you for touching my feet that time"
I curl up in his arms,
And all the world is golden
This illness raises its angry lil head
And his caring melts me
Thank you thank you thank you thank you.

Thank you for this beautiful most perfect day.
Thank you.
It was a perfect day. Even through illness and sorrow.
http://www.youtube.com/watch?v=QYEC4TZsy-Y

— The End —