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Keith J Collard Dec 2012
I still have flashbacks, horrifying and spectral: of conference meetings, projectors and efficiency meetings...corporate metrics, acronymic value cards that read like a Masonic Temple's pledge.. ...honesty, commitment, sacrifice, the dutiful worship of mercury and saltpeter; also customer satisfaction.
           Those flashbacks frequent my mind alot--especially when I am ramming my co-workers into the trash compactor with the blades of the fork truck. They say " ooooh" and " ahhhhh" as if they are getting a massage. They dull my blades with their dull heads.
          I have to ram them with the blades of the fork-trucks, or they will scramble out. They still say things like, " make sure that has a tag,".....and " wear your safety goggles," making chills run down my spine. I haven't put all the workers from the " Do-Wee depot" in the compactor only corporate cadavers and not zombies.
          But I have to forewarn, the zombies are not a threat, it is a few cadavers and the "consumers" that pose a threat to me and what I have built. The zombies are producers, even only if it is moans and putrefaction, but they are good sports, and my only friends.
         Some co-workers, who I was friends with before, I have spared from the compactor--owing mostly to that the part of their brain that was corporate, either fell out on the floor, or was gnawed on by a fellow zombie rendering them good sports and not cadavers.
        I use the building material section to chain them to their previous aisles. Jose, was my best friend, he was shaped like a slug, with a huge lower lip, and slicked back greasy hair, he always cheered me up, how busy it was and how slow he remained. Him and I worked together in the ' outside-lawn-and-garden' section. Even his zombie self has kept his lisp.
          I chain him to the outside lawn and garden section, where he likes to water the flowers. He lunges at me sometimes, but the chain is thick, and Jose is still a cool zombie.
Angry Joe is out there too. He is chained to the 'reach' truck. He is always mumbling about overtime.....or " Im not staying late."
         I have disabled the riding engine, so he just stands on it and runs the fork blades all the way up then all the way down, beeping the horn the whole while. He is the only one I kept, that has some vestige of corporacy in his brain, for the reason that he watches the back gate. The consumers are constantly probing this outside metal fence gate, and Joe has eaten all of them. Don't get me wrong, Joe can be a good sport, when he is not drooling about 'overtime' or ' I havn't took a lunch yet.' He can be quite funny.
          He banters with Ryan from inside 'lawn-and-garden' all the time. Ryan is alot younger, alittle younger than me. He has a mullet(what I call a mullet and he say's a hockey cut) and verily is--before he become a zombie-- the laziest person ever, and now that he is a zombie, well let's just say, I don't have to chain him anywhere, I know where to find him.....at the back gate smoking a ciqerette backwards with his mullet on fire or in the break room. He had the most squeeky voice when he was a human, but now odd fully enough, he sounds like Tom Jones.
         " You ate my cosumer Ryan," drools Angry Joe, " No I didn't Joe, you ate your own consumer," Ryan rejoins in his acapella voice ( I like hearing Ryan's deep zombie voice).
There are others, in the various departments of the Do-Wee Store, but this journal is to relate the first most pressing concern, two cadavers have escaped the compactor.
             The store manager Joyce and her minion(the assistant manager Damien) have escaped. They were ******* humans, and remained so in corporate cadaver form. They hide from me, as I plow through the aisles with the inside forklift. I have used wire from the fencing aisle to reinforce my forklifts. Sometimes a cadaver co-worker will jump out with a price gun, drooling " where is your spootterrrr...."( a safety regulation in the store).....I run them over with great gladness, but then wishing I heeded their advice of safety glasses."Splat."
            I have my theories, on how everyone turned to zombies. It started with over-ocurring routine, which my a.d.d could have been impervious to. But I couldn't have been the only one in the store with a.d.d? But that seems the case. The first day when I showed up to ' outside-lawn-and-garden' it took me six hours before I noticed everyone was zombies. I didn't notice they were zombies until I noticed them in good spirits.
               But the first day of the zombies, was concurrent with the rise of the consumers--ever more dangerous, greedy, and audacious are the consumers. They consume everything in their path, they consume good conversation, good manners, and replace with their mark, which is this....your life with the current moment is to be sacrificed to get them what they need to continue resuming their lives. They do not enjoy shopping, but enjoy holding you in place, consuming you and your values into their value, which has no value at all, since their mind has consigned the present moment that has you and not them, to a number that always has too much value, and they will bring you and it down while you are subject to time and they are not.  
             They turned my friends into prisoners of arbitrary time; and like putting a rabbit in a dank dark basement, with plenty of food and treats and space, it will slowly get diarrhea and die.  Everyday I marked the sunrise, and I would always pay thanks to it, no matter if I was on break or not.  The nine hour day could not ruin me, but my friends being ruined, that started to ruin me.
                       And that is what I believed started all this, nature has no room for two kingdoms of Consumers. So the producers(zombies) were created from the routine of being divested of life, and from nothing they came to produce: producing gases, vile ****** smiles, human  cannibalism, hearty conversation, practical jokes, moaning questions to the infinite sky.... they were created human again, given value, and most of all, I have my friends back, and they are happy again. But, the corporate cadavers that escaped the compactor , put my creation in risk, they look to let in the consumers again, they are up to something...
             But presently with the corporate cadavers gone, and the consumers held at bay, I have my Depot of Eden, I can grow anything, make anything, and soon will be able to ferment everything, especially fuel.   Now monday morning conferences that threaten you to pick it up because there are alot of people out there that want your job( iterated by the frizzy headed gangly Joyce) are replaced with 'zombie dance parties'.  
            " Zombies, what is the first rule of zombie dance party," they reply to me, " dohmp talk bout damp party," then we make a music video.  I let loose a couple of cat's in the break room, and presto, an agile cat make's flesh eating zombies look like Micheal Jackson.  Even I get busy with them, I feel so comfortable with them; dancing to Juvenile "back that *** up,".the best dancer gets to eat the cat...sure beat's listening Joyce's depressing morning pep talks about quotas while I am watching a bird outside the front glass trying to eat a dragonfly, " Keith you paying attention."  I just want to say, " No I am not you frizzy headed gangly walking skeleton key(she is skinnier than the gang of keys jingling on her belt)."    I will find her and put a roofing nail in her temple and her plans.
                The sound of zombies walking in here is music to my ears, like gypsys walking barefoot on a strawberry patch.  I don't know what that has to do with anything, but I like it, and don't care who knows.

            I fortified the outside of the store with everything within the store. I grew a garden, with all the fertilizers, and acids and alkilines of outside garden. I also use the garden chemicals to sprinkle on the brains of my co-worker zombies to change their acidity(almost like a hyrdrangea shrub). The purpose to get them somewhat coherent to play poker and darts in the breakroom. I figured out how to make explosives, with the nitrogen fertilizer and pool cleaning acid, well actually HeyZues did, he always eats both, and one day he moaned really loud  " BLOOOONDEEE " ( his nickname for me from The Good The Bad And The Ugly) and  gestured his expanding stomach, he blew up and gave me my first wound, he destroyed my dart board.   I took his head and posted it on the back loading dock, I know there are consumers trying to infiltrate when he sounds off with " BLOOONDEEEE..."  resounding through the whole store (almost like when he was a human).   I created another dartboard, I can create anything here, sometimes I think, that feeling is what........
                But the point of this journal is the two who escaped the trash compactor, Joyce and Damien. They haunted me before and haunt me still. When I leave to venture outside for gasoline for the generators(the only thing I need, not for long hopefully) they run amok. I will see new ' sale signs' in zombie penmanship, and I can see that they have hidden co-workers to have cadaver meetings, where they talk about ' customer satisfaction.'  I can sometimes hear keys jangle, it has to be Joyce, for the sound is to the cadence of her John Wayne walk, like she has been on horseback her whole life.
            Outside is very dangerous. There are many consumers out there.
                 I was outisde in the parking lot, where consumers still wallow around when a consumer asked "which product is better." I had to drop a cinder block pallet on him with the forklift; they are more adacious then my zombie co-workers. Even after a pallet of concrete is forklifted on them, they wave fliers with sale advertisments from underneath.
            Well, this particular trip, I returned inside and was startled by the loudspeaker, it was Damien's voice, the same as before, paging the hardware department. I jumped on the fast slim forklift to hunt for him. There are phone terminals everywhere, and he could be in the upper level offices. I saw Joyce's shape through the window once.
          They are up to something.
Everytime I ventured outside, the store became altered. I even saw a consumer waiting in line with the cashier machine now on. I sent the consumer to Angry Joe, who was due for a lunch break.
          There is a gap in my wire somewhere, I know it.
            I was at the gas station, getting propane and gas, when a consumer was scowling " where is the gas attendant, is everyone stupid or what?" while he was trying to figure out how to pump gas. I disabled the safety pumps, they do not shut off, and do not coincide with numbers, you hold the handle it pumps out as much as you need.
              He was pacing around like a little kid denied recess and suffering from sounds of frolic and kickball--dragging his feet due to the fact he had to pump his own gas, I heard a scraping metallic clicking noise. My eyes were caught by a bright glare on his shoe tread, I gripped my nail gun..... then he dropped the hose and walked back to his car with gasoline gushing as his wake. I saw what it was on his tread, I had no time to flee....it was a push button grill ignitor with the orange tint of a " Do-Wee" label on it......" ****."
              The last thing I registered was the consumer saying " ahhh don't touch me," apparently talking to flames. I woke up in a ditch, the big fork truck and my gas station destroyed.
I limped back to the " Do-Wee" store, and utter horror greeted my singed and surprised eyebrows.
              " Grand Re-Opening, 50% off everything." I squeezed the trigger of the nail gun, the nail harmlessly echoed off the parking pavement at which it was aimed. "They set me up at the gas station. "
               They had to do better than that to separate me from my zombies.

             I entered through the store in a nun-plussed state. I woke out of my unbelieving stupor with the sound of Jose's voice. " Welcome to Doooooo-Weeee....can I eat your...."
            "Jose it's me, who chained you to the entrance?"
         " Dammian, Keeeeeth, they are waiiiting....here's a newsletter...." --he smacked me across the face with the newsletter.
        " I don't want that ****.....' as I clutched the newspaper the loudspeaker went off in Dammians annoyingly over-polite and late-night-voice.
       " Attention shoooppers. all prices are feeeefty percent off, ask our associate Keeeeeth for a 80% discount, he is the skinny deleeecious looking kid with spicy skin, and a boston red sox hat on."
Hundreds of consumers pivoted their heads to my direction. " Hey, that kid has a Boston Yankees hat on."
         " Run Keeeth," zombie-lisped Jose.
           Fifty million imbecilic questions assailed me at once......" can I return this sprinkler for a jacuzzi.....can I get 120% off.....can you come to my house and fix my television for free"-- it was unabashed audacity, survial of the most annoying and repetitious; and the corporate cadavers have let this consuming flood in on me and my poor zombies.
           I needed to find my steed, my inside forklift. It was not where I left it near the entrance.            
        Surely they have sabotaged it. " the riding mowers," the thought uplifted my fading resolve. I darted past wallowing consumers before they could get my scent. I heard a consumer, " you obviously don't know what Im talking about," talking to zombie George, who was munching roofing nails.
         The consumer grabbed me, and said "here he is, this is Keith, he is wearing a Phoenix red sox cap"--panic bit into my brain, this consumers grip was implaccable. The grip that holds the steering wheel tightly driving nowhere fast, with anything in that interstice of commuting, not worthy of manners and the least of which being a friendly wave to 'go ahead.'
           They formed a wall of uttering stupidity, escape was cut off. They scratched at me, hissed, tore at my flesh and screamed demonistically in my ears. I caved and and called the hoard m'am and sir, they choked me, and loosened their grip only so I could tell them " Im sorry, sorry for your inconvenience, take my life and personality as tribute, take my imagination rendered prostrate by these sceptic corporate words that this mouth emits, betraying my personal form, the human element to this lifeless purposeless machine....destroy me, for finding the infinity between letters of corporate law and none between nature's laws......"
        I was almost unconscious, giving a speech to imagined hooded phantoms......" destroy me, for valuing friendship and imagination, and seeing infinity, in the shadow of a letter, eternity in the numeral of a number, and for defying the order to see things as others do....."...." destroy me, for seeing that people are unhappy and trying to uplift people for the sake of seeing them smile....destroy me, destroy my smirk, and add a lifeless smile to my corpse."
              I heard a horn, the riding floor mopper/buffer, it was Ryan, he commandeered the machine with precision-like drunkenness. He knocked down the consumers like twenty pin bowling. " What's up ***** cat," he possibly said, and I climbed to my feet.
         I walked to the riding mowers, and turned the key on the floor model. I sped the main aisle, with caresses of consumers that would be deep clawings at a slower speed. I dodged stupid question, and swerved from unabashed frugality. I turned up the tool aisle, grabbed a battery nail gun.
              " It says batteries are included, but are they included?" I answered with a 12 gauge nail, and resumed my course to the upper offices, that for too long looked down on me and my friends. I climbed the stairs and entered. The office was abuzz in corporate banalities. " Hello, this is Damian how may I help you.....oh helloooooo keeeeeth, one minute.......sir hold one second thaaaanx."
                I aimed the nail gun muzzle at his ugly overly polite mug." I finally found you, I will get the store back in shape Damian...."
          He cut me off, " no yoou woonn't, they are pouring in, we will meet our quota for the year...."
        " Me and my friends
aviisevil Jun 2018
Gandalf: a character ( wizard) from the legend that is lord of the rings
...

chapter - 0:



he was walking past the useless lake on a breezy autumn day when the gust of wind brought with it the scent of a thousand abandoned garage bags littering the corner of this semi unorganised semi-civilised halli part of a mega city.

his home was about three thousand kilometres away and a dozen hundred dialects removed from where he chose to pursue his 'higher' education.

a term he took literally and to heart.

he was almost always high, if that's what you call being semi awake and always clawing somewhere deep, both mentally and sometimes even physically.


but as soon as the cacophony of a thousand different bad smells hit his soul, he knew the trip was over.

he jolted back to existence from an escalating thought process leading him to the discovery of a new and a better universe.

he took a deep breath and immediately regretted his decision, almost screaming in horror.

and while he was battling a lost battle trying to defeat an invisible and impossible to contain force of population and pollution,

his smoked eyes latched onto a figure emerging from the corner of his smoked eyes.

he suddenly realised where he was. and it wasn't where he thought he was about two seconds ago.

leaf-less and life-less trees stood where he could swear was just an empty slightly orange and red sky a few milli moments ago  

the lake had turned from blue to a shade of green or was it still blue ?
he wasn't interested at all, so he just gave up reasoning in mid-process..

what difference does it make ?

but suddenly his mellowed mind  realised the threat, and his attitude changed from i-don't-really-give-a-**** to oh-****.

there was something else there too, and he, like a ******* cat- turned around just in time to see what it was,

and the time stood still. he couldn't believe his eyes.

it was    gandalf.

**** it. he was sure. ******* gandalf.
with a ******* stick, his beard and that grey whatever. gandalf.

he took a deep breath again. it didn't hurt as bad as before. maybe it was growing on him. he took another breath just to make sure it wasn't. it wasn't.


and as gandalf started becoming bigger and bigger, he could see his mighty white beard dancing in the wind more clearly. he could sense his aura radiating a wonderful positive force that was almost impossible to describe with a naked eye and with an F  in communication skills.

gandalf was finally a stone throw away from the boy. he could throw a stone at him. he could but he wouldn't. no, he thought about it but no. it wouldn't make sense. it was too insane of an idea too. he wasn't yet ready to accept his true human nature that enjoyed the absurdity of violence.

though he was a hard-core stoner.  ah irony and puns.


instead he took the more scenic route and almost mumbled " gandalf?! what?!?! "


it took the old white man a second to register but he managed a sudden " gand elf, what?!? "

it wasn't awkward yet. but it was india. so it kinda' was.

the boy almost trained in apologising professionally and profoundly, mumbled " oh, no.. I'm sorry.. I just.. you know.. there's this .. dude.. people do cosplays now.. and I was a little high... ahem.. I mean I was thinking.. I mean I saw.. you.. I mean, I swear you're looking like a ******* gandalf.. I mean gandalf ?!?! "


another gust of wind and they both frowned.

gandalf responded " who .. what the **** is gand elf ?!?!"


the boy " he was supposed to be a dwarf like something.. but he become a wizard and tall, you know .. fought a dragon.. and rode giant birds.. ?!?! "


not gandalf " what the **** are you talking about, what is wrong with you, you're not making any ******* sense and I, I'm .. hey, you see.. just saying, I'm very good at making sense, that all "


the boy " so, are you like a ******* teacher or a .. scientist?!? "


not gandalf? "ummm.. well you can say that.. something like that "


the boy " what do you mean, for all I know you could be a perverted ******* who also happens to wander the woods doing weird cosplays and killing people. "

not gandalf " the ****, kid ?! jeez.. simmer down.. that TV is insane, you guys ******* love it.. **** man.. I should have stopped that from happening... and video games! god, they ****.. I should have just killed the lot of you.. " and on went a rant the strange man


the boy " wo.. wo.. whoa.. wait, you're talking like you are better than the rest of us...are you on crack ? what are you even saying you ***... you're more like someone who pulls on broken strings on a hand down guitar on some shady corner of an immaculate subway... you're just a boomer, are you not, mister ? "


strange man not gandalf " well, in a way I am.. I am.. well, I am everything and everyone" he whispered..    a satisfying smile almost breaking out


the boy " the ******* mean ******* ?!? "

this was too much for the old man who was just having a walk and minding his own business

he whispered more angrily his time " oh you punk, you little punk I'll tell you! I'm ******* god, you **** .. yeah, **** it.. I'm not even kidding.. I'm ******* god, yeah!... **** it *****!. "


he took his hand and pointed to the sky and the clouds parted.


the boy couldn't believe his eyes, and almost suddenly the clouds began to form a shape.

he couldn't make it out at first, all he could see was that the old man who claimed to be a god, drawing something in the air.

he looked up and finally realised what it was.

God was drawing a giant duck in the sky.

and as he was staring up in a mixture of disbelief and horror,  the old man spoke loudly " that's you.. you sick ****.. it's your little duck. "


old-man-now-god-went on "... I mean it looks like a big duck 'cause you couldn't see it otherwise.. but drawing to ratio... it's your little duck.. and the whole world can see it now.. and they know it's small.. and not as big as it appears because it had to be big enough for everybody to see.. "


the boy was now going insane. anybody would. people just don't turn up, part clouds and draw ducks in the sky.. that doesn't even happen in movies.



the boy went on- a little horrified of what he had just witnessed " what kind of a god are you, I mean... what in the god's name was that ? how did you do it. ?"


God responded with squinty eyes " which part of i-am-a-*******-God did you not understand.. you.. you stupid mortal. "

from the depths of darkness a flicker of light emerged in the boy's mind, and he realised something very important..


the boy " hey, you can't be god, god won't ******* curse! he's god. " screaming cautiously at the stranger...


God had heard petty arguments and had gone through all that phase of  people taking some time to turn around and warm up to the idea of the literal god in front of them, he'd been over that all his life.

but this was the single dumbest thing he had ever heard since he made the decision to create the universe in a hurry.

God thought to himself " I should have paid more attention. meh. "

one more thing- the boy went on " why are you a he ? not a she ? I mean if you're a god why be ... I mean an old man with a stupid beard. why not somebody hot, and cool... and with a nice body and a face... slightly better... or maybe much better..  you get the point, right ? I mean.. you're god, right ? "

God just stood there and soaked in his own filth.

the boy went on hysterically " oh my... did you hear my answer even before I said it ? did you ? I mean can you ?... and did you ? or was it you that gave the answer.. 'cuz if you made the universe.. you made me too, right ?. "


God was annoyed. like really annoyed at this point and he blurted out " you think I made you ? you think one fine day I woke up and I thought to myself.. oh! I've created this beautiful but empty place full of darkness and the cold, spectacle of fire dancing in nothingness- breathing life in ***** of all kinds circling around the stars and what not.. and you think I was like 'what am I missing ?'... oh yes, right! I'm missing one ungrateful ******* snake with a little duck. "


the boy stunned " God ?!.. No, **** no! "

god almost curios " why would you say that. why did you even speak , why! "


the boy " my duck .. you know.. ain't that ... small. "



God almost smirking " shut up, *****. "


the boy " oh, yeah.. right you... really know how to abuse your own species. jeez. "


God " I didn't make you ... I ******* dropped my dope in the ocean once and you ******* things came out of it. "

he went on " I thought you'd die on your own but nah.. life's too nasty.. ugly and ... you know... it's.. admittedly... quite beautiful. "

time stood still as soon as he said that.

and it was a beautiful moment. both god and the boy trying not to turn red or cry.



" but the sad part is.. " God whispered with the love of a thousand cuddling pandas " you guys found me, I mean... oh my God! that brain thing really worked ... extraordinary! my subordinates tell me ... very expensive.. err... I mean to design... "


the boy " people work for you ? what ?! that's like.. you have a staff ?!.. weird. "


God " *****, i'm ******* god.. I don't have a staff.. I ******* make the staff. and no that's not even an iota of weird.. but you know what's weird ...truly weird, a fact so crazy that it'll blow your mind and give you enough wisdom to tear through the fabric of the world I've made and undiscover all its secrets, science and gossip?!  "


the boy was now as curious as a teenage boy in teenage, he replied " what?! tell me.. is it here on earth ?!"



God " yes, it is my child.. indeed it is! such joy!... and it is also right here where we stand. "


the boy's mind went into an overdrive.. maybe this was all his design.. the almighty has come to show him the path.. out of these woods he's lost in.... and also a path of divinity and happiness.. and also he had watched Bruce almighty a dozen times or so... he was ready.


almost in a poetic voice filled with a general sense of elation.. the boy asked god " tell me.. please what is it pleaseeee ? "


the god smiled, in a way only a father smiles to her new born daughter.. knowing she's going to be paid less, has to go through the cycle of being temporary insane every month ( or that's what female's had been telling him .. it doesn't matter.. you a guy.. you see a woman in pain.. you *******... that's 10 hours of her ******* the life out of you. and you still wouldn't be a good listener or attentive according to her even if you give up in the 9th hour.

the boys repeated desperately " what is it! I'd be a good boy but please tell me pleaseeee! "

and the god smiled. he smiled and pointed to him. " that there , that is it.. that ugly ******* little duck of yours. "


and immediately burst into a laughter more grandeur than any sound in the world. I mean right after radiohead but whatever.


the boy saw his finger and tried to trace it's path. and almost in a moment.. it was over.


he had lost it- he screamed at the creator " you think you can make fun of me 'cuz you a big guy ? you think you can make fun of me because you're the most powerful thing there is and can literally turn me into 50 hands and no ducks... just living life in pure agony.. " he trailed off looking a bit distant towards the ending..

God " jeez. kid. you don't have to be so dark and imaginative unnecessarily.. see, okay I'm sorry... I hurt your little heart...which by the way I have made and do own the materials to.. and that's why you're alive... basically all of you and everything.. now to think of it.. it does make me a big guy... or more than that... but that's not the point. "

he went on " the point is i should've known better... because you know I made it all.  even the concept of being better..  booom! blows your mind ain't it.. chuck it.. and the point is.. I should've known better, so I'm  sorry!.. you can tell people I said sorry but they're not 'gonna believe someone like you "


the boy " **** do you mean someone like me?! " back in his form


god " oh you know... someone with a small...... ******* duck !"

and the god fell down laughing hysterically and immediately as soon he said the words..

rolling all over the soft grass and the boy's face.


the boy had enough- he screamed " **** like you can spend two minutes being a human... who's to tell you didn't have a small duck and then just made yourself one big enough " his voice trailing in the wind


god hadn't been spoken like this since the invention of languages.. oh how much he despised languages..a ******* constant annoying noise in his head specially the bengali.. **** them.

God spoke back " oh, so you think being a snake is better than being the almighty ?! "


the boy " I'm not a snake.. I'm a human.. what school did you got to ? "

God " you can be a ******* rock for all I care ... just be nothing.. you know.. instead of being everything.. the idea of it... it's is rather.. you know... so beautiful. "


and at that moment the boy realised that even god wasn't immune to something that he didn't know.


the god " I'll do you a deal, you be two seconds in my place and I'll be two seconds in your place... and then we'll know.. I'll know the fear of being nothing and you can know the escatsy of being everything. deal dawg ?"


the boy " but.. like two seconds .. awful less of a time to enjoy any kind of escatsy "

God " running late, mate. "


the boy " okay okay.. let's do it "



God smiled a bit and immediately a giant light came down from the sky roaring with a thousand thunderstorms...

wind was growing stronger by the second and it was almost impossible to hear anything... or analyse anything for that matter...

God screamed at the boy " it's going to go in your *** and out of your mouth.. and your soul will be passed to mine.. "

the boy screamed back in oh-my-god-that-face horror barely making any coherent sense.


God rolling on the floor laughing
" jeez. I'm kidding you punk.... that face tho.. so woke.. so woke..."

it took some time but he picked himself back up and screamed at the boy " it's going to happen... three..two.. one.. " and boom


the boy felt what can only be described as the best ****** anybody has ever had.


the god felt like what can only be described as the hardest kick to the nuts in the history of universe.

two seconds after... bam! everything stood still.. like nothing had happened.


both stared at each other for a while..
God went first " so, ... ?! "


the boy " yeah. "


God " pretty tense...yeah.. *******.. I mean.. God!.. you guys are awful to be.. it *****.. I gotta' change that thing... you know... about people taking their own life... and going to hell... I get it... I mean..  yeah.. you know... like whatever."

God went on " how was yours. "

the boy " yea.. pretty chill.. ... "

God " that it, boy ?! "

the boy " yeah. .. mostly "


God " hmm.. woke.. woke... so were you clever enough to do something for yourself ? "

the boy " oh..yeah..pretty much.. nice cars and girls.. stuff.. " his voice cracking with a very refined i-don't-give-a-**** attitude


the wind was still now. butterflies were flying between the blooming flowers and singing AC/DC for some reason. it was pleasant.


god snapped his finger once and said " so.. yeah i should go now... apparently somebody's supposed to take a picture of me in the sky.. gotta flex up.. chow~ "


God snapped his finger a second time and lo behold!  like that he was gone ****!...


the boy stood still for a moment longer. he smiled and walked away.




(4 days later...)



god was in the alps...looking out of the large window wondering how dreadful it is to be human..  

and as he was crawling in and out of different dimensions he smelt something. something interesting.


it was alcohol. ( he's god so it's very easy for him to figure out such little things.)

so he went over the fancy bar and poured himself some *****.. " ah potatoes.. at least they turned out to be just right.." he thought out loud.

and then he proceeded to drink himself to death.. countless times. 'cuz he could do that. he was god.


over and over again. glass being neither full or half or even ******* empty.

drink after drink. and soon late enough he went into a deep slumber because of course god loves a good sleep. who doesn't ?


he slept through the entire life span of many insects and until the breaking dawn.

the first rays of the sun hit the mighty alps as well as the face of this almighty being on a white bed in a red hotel by a blue lake who had forgotten you do your own curtains in the human world.

his first thought was to destroy the sun- it took a lot to not lift his finger.

slowly but surely he regained his infinitum consciousness, and got in touch with the multi dimensional universes sprawling all over every  second in past and future simultaneously... but **** that 'cuz the head ache oh! so painful.. almost made him forgot he could just not want it and it won't happen.

God did not enjoy most human banalities.. but he did enjoy a rather a peculiar one...even more than drinking and kissing death. the one of peeing.

and he had to ***. bad.


God, with a hint of a smile lifted his finger and boom he was right by- where the deed is done in a civilised community. he imagined what would people think if they came to know why he's always more often than not a 'he' than a 'she'.

he was in his stark boxers, standing almost naked with a smile on his face enjoying the rush.

pink floyd started playing out of the thin air. an autumn's calm spread through the veins of this sudden universe. I kid you not, shahrukh khan was there with his arms wide open.

slowly the god began the almost holy ritual.

pull down the garment. admire. take it out. admire. do the deed, keep admiring. put it back. sigh. very well organised and neat.

so god took a deep breath, looked at the alps one more time, looked down with a smile on his face, and slowly pulled down the garment... his consciousness in a rush.

and then god screamed. there was a duck.
I don't think it's your average run of the mill tale. there should be more than what's meeting the eye usually.
Sally A Bayan May 2019
East...and west, are we?
north, and south?.....maybe...
we were nurtured with love,
our eyes and our minds opened
to different isms that helped shape our
values...we were brought up, bearing our
folks' customs, traditions and principles...
we have different faiths...some practice...some
don't...some, don't even subscribe, yet, survive.

we have dry and monsoon season...in
other parts, pleasant weather, cold winds,
and in some parts, snow.....turning to ice

we are  a mix of white skin, seeking for a tan,
and brown-skin, hiding from the sun;
one's night, is the other's day,
there are surfers among us, playing with the waves,
there at the cusp...gambling...daring fate...
there are those who hide from silent freezing winters,
finding warmth and comfort in long hot summers...

countless points of comparison,  
yet, we've something beautiful in common,
a connection of feelings, of words...our poetry,
flowing like blood, through our veins...endlessly
feeding, fueling our hearts and minds, with classy,
themes....sometimes bold, mushy, or....sassy...
no set skeds...we do it even through adversity...

we write......

we tell about our escape from life's banalities,
mindscapes, landscapes immersed in frivolities

yet, we await the marvels of each  morning we wake,
remembering gratitude, in every breath we take...

years have passed us by,
still, plays this soft music that mollifies
and inspires......heard only by you and i
prodding us, through hours, of day or night

while you exist in your own part of the world,
as i, in my hot, humid cosmos, long for cold.
::::::::::::::::::::::::::


Sally


© Rosalia Rosario A. Bayan
    May, 19, 2019
(a love poem, edited...for all Hello Poetry writers)
DaSH the Hopeful Jun 2016
Once when I was young,* I was told you could swing so high you'd be able to just *fly away.  

   I learned early on
               That not everything we're told is true
               The fantastical can sometimes amount to a pile of plastic bags scattered in the wind
                    The end isn't always happy and there's not always closure
      Punctuations are more often question marks than definitive periods
                And looking for a definite explanation took prevalence over allowing our imaginations to fill in the blanks.
         Play time was replaced with study time,
             And before we knew it, it was time for work
                      We strayed from the playgrounds of our youth,
      Never returning to the top of the slide, we'd hit the ground a bit too hard to keep the enchantment of seemingly endless possibilities going
                                              Carriages became pumpkins long before midnight,
              And the school bell rang before we could finish our fun
                       But to tell the truth, sometimes,
     When everyone else has gone inside, back to the real world, full of logic and banalities,
         I sit on the old swingset kicking my feet
    Hoping it will let me *soar
Seán Mac Falls Mar 2015
Simple, smallish thoughts,
Held so high by the clueless,
  .  .  .  Now trend on HP.
Sally A Bayan Sep 2017
( ) ) (( )(())

No cold wind blew
to abate this afternoon's heat...
no rain showers brought out
that sweet smell of very dry soil
...........touched by rainfall

tonight, my mind is occupied by
the transience of things
all thoughts are fleeting
inspirations are hard to capture...they're
soap bubbles, flying...bursting in the air

"bubbles"......made me turn to my left
where a wineglass stood, and sparkled...
my eyes stopped, stunned...a bottle of Prosecco,
was within reach......it beckoned...

ahhhhhh......sips came one after the other,
much delight in its bubbles...in its taste...
i want to be numb from nagging pain,
from the cries...the anguished sighs
that can never go, without a tear falling...
bubbles of pain...slowing down
the passing of days....but all these
will wane one day,....and be part
of the banalities of my diurnal life...

just like in the past, this, too, will pass...
this late hour, again, i raise my glass,
and drink away my days of woe...high
to the bright lights
for, a different kind of radiant yellow
drives away my trail of shadows
i will just smile
even for a while
and enjoy its bubbles
::::::::::::::
:::::::::
::::::
::::
::
::
::
::
::::::::­:::

Sally

Copyright September 15, 2017
rrab
.hard to resist sparkling wine :))
Mateuš Conrad Oct 2018
.i somehow found myself in a predicament, i can only read German philosophers in English, and that's my sole exclusion "manifesto"... basically i can't fathom reading the genre of philosophy in the English tongue.... i can't... unless they're German... i have to return to the Slavic intricacies, whereby my consciousness is occupied with a translation perspective... English was never supposed to aim as high as speaking of philosophy, the English were never adept in asking questions: given they always gave the answers in technological, scientific, architectural foundations; the people of practicality... their downfall? tickling Marxism translated out of economics, and into culture... their one downfall... and.. it looks, partially, as it worked.

what, what what have we 'ere?!
   bobby on the beat...
lookie lookie, lookover here,
the jokes runs...
and the priests in Eastern Europe
are known as crows...
krúki...
     as a peoples who weren't
invaded by the Romans?
   looks like i've learned a thing
or two... about orientating myself
with the said letters...
no... St. Cyril didn't come past my parts...

etymology:
   sve-                (self sight /
           swoje         /       my)
  -to-                    (that / this)
    -vid               (widze, i see) -

basically?
the god, "in question"?
                 what i see, myself...
i see, as myself,
and  what is, self,
is what, i see...
detached from anyone else
that sees...
  (i see what i want to see...
i see my own, and as my own,
this is what, i see).

the priests are crows,
the police-officers are dogs...
i love crows...
ever see crows mate in daylight,
akin to pigeons?
  i've never seen crows mate
in daylight, in public...
they leverage their courtship
to the night,
in secluded areas...
             crow knows best...
a crow will to imitate a pigeon...
a crow will mate with a female
at night...
   and notably: in a secluded
march of a land...
a crow is not a pigeon is
not a reverse exhibitionist...
     a crow is a crow is: crow...

just like with the German philosophers...
some, i can actually read in English,
rarely, but i can...
within the confines of the obscure works,
esp. their revisionist texts...
e.g.
               via the variant:
da-ist-sein...
                      there is being...
well not **** Sherlock...
i've just encountered it about
the "second" time for the past 32nd year!
but da-ist-sein...
  well... there's no a priori schematic
to encompass the statement with...

   how the people prance citing Hegel,
while forgetting the basic building
block of Kant... like Beethoven mattered...
when Handel was the orientating
composer to pay attention to...

sure... da-sein can have an a priori
and an a posteriori reality...
but da-ist-sein doesn't have an a priori
contingent plan for rhetoric...
a sophistry...
      mind you..
  we live in the times where
sophistry married solipsism,
and said:
           take some time to reflect
spending time with transitions,
airport banalities of trans-national
transit, in terms of people...
taking a bus trip seems like
a breeze these days...

                 fascinating,
the English educational system involves
the Roman Empire...
oddly or rarely considered luckily am
of a people not conquered by the
pre kilt pansies...
                          and i'm scratching my head,
thinking...
                    but up to a certain year:
i seem to have no past,
just like you...
lost to the vehemency of institutionalizing
Darwinism as a replacement
of whatever history is implied
at that point...
not physics, not geology...
  thank **** that chemistry is not prone
to exert a historiological influence...
where i was born?
a flint-stone colony... half an hour's
worth of a bike-ride...
flit-mining... flit-stones...
   whenever science teases the humanities
by incorporating a "study" of history?
i lose it... chemistry never does this
sort of *******...
but biology with its historical Darwinism,
but physics with its historical Big Bang theory,
these sciences play both science
and a humanism game...
   bad idea...
  chemistry at least affects
the romantic movement...
what is a day in the day of the month
of the year, of a day, within the confines
of james joyce's Ulysses?
           oh look...
the double standard of the maxim:
an insignificant spec of dust that's a worth,
somehow, worth investigating...
nonetheless a spec of dust...
   the larger the universe becomes,
the smaller the human cognitive potential
becomes...
but the smaller the universe becomes,
the larger the human cognitive potential, is.
SG Holter Nov 2015
Take all of my belongings; pictures of
Beloved ones and grandmother's bible.
Just leave me a piece of paper and my
Will to describe the memory of my losses.

I take the pen for granted, as one does when
Leaving a bank in deeper debt.
One man's advertisement is another poet's
Tool.

I, Poet, would arise in the morning and praise
My tiny square of window, even with its
Iron bars.
I'd find poetry in prison wall profanity.

I love losing. Crying over love, over
Tragedies the size of full history book pages,
Timeless art lost in gallery fires, bad poetry
Gone viral and unpublished classics discarded.

I, Poet, laugh out loud in disbelief at sunsets
And other banalities.
Take spring rain showers and act at times
Like a hipster on ether; a hippie kissing his  

Last tab of acid with the heart of his tongue.
I care less than the unfree.
Drink water; wash my feet with wine    
And walk miles and miles of fire.

I, Poet.
Ink in my veins, fountains of blood on my
Pages. I write no diary, keep myself between
The lines.

The areas of white between the words.
The opposite of
Nothing. It is where gods,
Truths, and the poet's way of loving

A dual life lie. As
Unseen as
Unhidden, in
Broad daynight.
it’s simply awesome
how much energy
is spent to document
the newness of the news
    no matter how repetitive
    may be the words of the reporters

the hype needs to be built
no matter whether right or stilted
driven by fear the topic might be wilted
a minute later

and half an hour later
you hear the same with minor variations
adorned with various speculations
so that the viewers may get the illusion
it’s NEW – though it is old,
    and just repetitive

an endless loop of hyped-up trivialities
     of who did what and when and why
     maybe with whom   or not
makes you aware that even new banalities
rarely include what really matters
to the majority of people on this globe
Mateuš Conrad Aug 2016
as with any plaster work, or draping muscles and bones and
organs in skin - i knew i reached a zenith of some sort:
forever introspective, that chance momentum
that never reaches a museum of retrospective
finalised banalities -
and with that's happening in America,
i get a chance glimpse into that part of the world
so bogus, so *****-like, so haphazardly
put together - the chance to see the rats (artists)
jump ship and head to Tangiers, Paris, London
(for the pillars of the movement to come,
London especially, but might i suggest Edinburgh?
the capital of the offshoot that's to come
from Scandinavian novels?) -
i wouldn't suggest heading to Prague -
or Budapest - never to tourist hot-spots, obscurity is
what you need - Edinburgh out of season,
then the theatrical circus isn't there -
***** poetics: poncy monologues and Annabel
art-house flea markets... but that's the beauty,
flea markets in France, charity shops in England...
but i did exhaust this one musical avenue,
i dropped the ᚱᚢᚾᛖᛋ - it got boring after a while:
all that charged up mythological feeling -
the way we always wanted: myths to feel with,
to eat, rather than the sterile scientific facts...
i've learned enough to later ditch them,
even a Professor of Chemistry will have a postcard
of Edward Hopper's painting by his desk,
that window to view the world that doesn't
necessarily encompass sun moon and constellations...
how anyone would be foolish to scrub off
some inspiration from such things bemuses me,
the lowest of the low of poetic expressions is
sung to things that manage too much: the moon
and the sea tides, the sun and the seasons and
phototropism - it's a double edged sword...
only from one art to another do we get to see
our labourers of attention, else the same old deficit:
god... who in his glee took offence at anyone
having more awe-inspiring sense to please such
things... no alone can you master contemplating
both the beauty and the utilisation behind such
objects as a single man... however well...
it's impossible... you're sharing the bronze platform
with those that simply wrote of the shallow
beauty, and those that found these objects
were not simply aesthetic, but meaningful in
the machinery of things... it was never up to
us to find that electric genius of combining the aesthetics
with the machinery as one...
for in that sense god is a form as fraction
of 9/1, 8/1, 7/1, 6/1, 5/1, 4/1...
the fraction of wholeness... a complete set to start with...
man has already proved the limit as a fraction
with the base 3... 9/3, and that didn't really end well...
at best man is composed of a fraction base of 2...
by sharing the world through marriage to a woman,
or through a learned devotion, a crumb of what a woman
is, a philia (love) of his interests, a soloist voyage...
some just say: you will either take to being faithful
to philology and yourself as its devotee,
or you'll take up a wife... oddly enough chemists are
defilers of marriage having any purpose other than
to distract... but as i said: you can rarely write
decent things when trying to admire celestial spheres...
more ambition comes from the distraction of the zodiac
"prophets" and astrologers... a poem about the moon
is just a poem that is levelled with a poem
about a dustbin... but hey... Top Cat lives in the dustbin,
Neil Armstrong bopped along the lessened gravity
surface... but which is easier to acquire for a smile?
Benny... cue the violin theatrics of lamenting to a comic
end.
well... we have to juggle each other's impressions,
taking at hacking the raw meat will not give any of us
medium-rare barbecue steaks marinated...
taking the moon as something else is: nice...
and you know how nice things end up as... as tacky
suburban *******... if you're going to tackle the
thing with all the rawness... i'd first spend looking
looking at that thing of your attention in a graveyard...
just to get the feel to the idea: well... my fellow daisies
sniffed from the roots up would probably have
said something sulky similar.
but it's like that, you get to exhaust certain musical avenues...
i'm currently at a period where i have enough
stash of jazz records to rekindle my interest in it...
on today's menu? the real McCoy (McCoy Tyner,
Joe Henderson, Ron Carter and Elvin Flynn -
Flynn makes his mark, even though not the star
of the album, Art Blakey has a match) -
then onto the tragedy of Sonny Clark with his
cool struttin' alongside Art Farmer, Jackie McLean,
Paul Chambers and Philly Joe Jones...
i must admit that after watching the film whiplash
my ear-buds staged a coup to move from a certain
type of music into this... and even though
i already said that the climate in America at the moment
is very a second attempt at a Beat movement...
it's very much different... i guess jazz makes all the sense
in a pure urban environment...
jazz and urbanity, the hipster parties where wine flows
like poetry and people get to do their wild marijuana
******... but Bukowski changed everything
by bringing a taste of the classical into the scene...
it feels just like that these days...
there's no jazz on the radio...
going back to watches and radios, mono-utility things
that are the glamours of the inoffensive cluttering of a room...
no digital screen... the radio position at the back
of my head, behind me, the little fly-eye Rubik cube
ahead of me...
that's the odd thing with coming with jazz these days...
it's like Bukowski in the shadows of the beat movement
back when it was the beaten track...
so i said that jazz and urbanity are perfect partners...
well... take jazz from an urban environment and put it
in a outer-suburban environment, in a place
about 30 minute walk from farming fields with bulls
and horses... foxes the thieves rummaging in people's
trash... and... as classical music took to
teaching us the language of celestial bodies,
Holst... in this kind of environment jazz does the same...
jazz becomes equal to classical music with celestial
bodies... i'm just wondering if there are enough
instruments to arrange the solar system...
Mercury the Trumpet...
         Venus the Double Bass
Earth the Piano
                       Mars the Drums
Jupiter the Tenor Sax                                   (comparatively,
                Saturn the Soprano Sax                using a Holst
                                                           ­        schematic, the reverse,
                                             yet citing Jupiter, not as a planet,
                                           well, the bellowing voice of paternal fury)
Uranus the Clarinet
                                           (takes sheer magic to play that thing)
so that just leaves us with an Neptune as either
   Alto Sax or Trombone...
but that's how jazz morphed since it last came across
poetry... someone stole it from its urban environment
of busy streets and ugly manners and quick quick snappy
and the millionth time i could compare it to a spontaneous
encounter with someone in a bar... jazz lost its cool there...
people said the same thing about jazz
as Kaiser Joseph II did of Mozart... "too many notes"...
translate this urbanity into an outer-suburban environment
and put it against that kind of backdrop?
well... personally, there are just enough notes in each piece...
you looked outside the window? you could hear
a **** from a mile away and no tree would even sway
in nodding approval even with a galeforce wind slapping
them... jazz lost its synchronisation with the urban environment
it emerged from... but in so doing, it managed to mature
like good wine on the outskirts of large cities,
where it literally became the only thing that could ably
make a Kandinsky moment from semi-detached houses.
NEWSFLASH... what is this concern about art being
subjective? i don't see where these arguments go...
i thought art was about revealing the intimate,
not revealing the objective shallows of a method...
of limited scope like any philosophical systematisation...
if Christopher Columbus ever did things
objectively he might have discovered Lisbon or the Canary Islands...
art can't be objective... trying to argue that art is
"only a subjective" expression... well, if it was to be
a "greater" expression objectively, an artist would
walk into an art gallery, take all the paintings from
the canvases, and turn to the public and say:
now let's see your subjectivity, otherwise go ponce
off the art critics to take something they said to your
date about how: the light contorts the features of expressions
blah blah blah blah blah... the point of art being
superior as a subjective vehicle is so that i can feel someone
else's feelings... as opposed to thinking someone else's thoughts...
art is the sensual, not the premeditated dogmatic funeral -
which all philosophers attend: they're objective to the
point that they're afraid of having a personal attachment
to their outputs - they will hardly ever want to invite
a criticism of their objectivity, because they're such emotional
paupers - they fear criticism of their subjectivity to such
a point, that you can simply look at their pronoun usage
strategy, they really do use these words like kings -
but when Mozart is criticised by the Kaiser... he thought
nothing of it... he actually thought, nothing of it,
perhaps his vanity was wounded, but his virtue wasn't...
which is why he remains with us...
for the fatal wound incurred is not that of virtue,
but that of vanity... and true virtue is unafraid of criticism,
there's this cognitive blockage that enriches the
heart and leaves the mind blank... the sort of blank
that accommodates the Pyramid of Vanity:
bishops, priests, doctors, kings, queens, portrait artists,
Versailles... such things are so ****** void of anything
but scare-mongers, sycophants, leeches and finally tourists...
for whatever you take from the realm of Hades,
there's a stamp-duty on each precious element from that
realm... each thing is stamped: worthless...
you couldn't extract penicillin from Hades...
changing gold into a ring is worthless if such symbolism
of a union of monogamy end with the ring being
nothing more than a thing disputed over the divorce settlement.
vaishax May 2015
Early morning sunlight barges through the curtain holes
There is no hiding after
All the misgivings of last night and all nights before
Must disappear faster

Light is beckoning you unto itself
Tears must be swept under the rug
Light illuminates as is on rich and poor
Could it be your only wake up hug?

So grab her hand and walk into the light
Make her your own
Leave the banalities of this world behind
Don't miss, don't mourn
the lone boatman Dec 2014
Herein lies the cycle of this existence. Replete with everyday banalities - placid and meaningless - the menials of survival give away almost suddenly, and I find myself plunged into the depths of an unperturbed silence... where a voice within resounds the Om. A rage drives me to divest all falsifications.. those sensuous pleasures and miserable burdens, insecurities and frustrations.. and all that exists/acts in a true sense of transience. I feel calm again - cleansed and breathless on the shores of this Reality. But alas!, the Silence fades.. slowly and steadily the noises of the world begin to seep in, like the first rays of sunshine after a long wintrous slumber.
Crests and troughs, this life of mine. A reckless indifference grips my heart; I exist, unbeknown of whether I am a benign Observer or the perverse Experiment, or evenly both.
Marshal Gebbie Dec 2009
Disillusioned, is the word I use
To show you what I know,
When ponderous poets empathize
With undeserved word flow.

Analysis of purpose made
Dissection of the theme,
This superficial commentary
To hints of depth... Unseen.

The need to  taste a stanza's flavour
To roll it on the tongue,
Like merlot spilt on burning stone
In searing midday sun.

Tossed banalities for empty lines,
Back scratching for the crew
Who choose to curry favour
With the elevated few.

Bring forth the real word smith, I say,
Release the razor's knife,
Carve substance to selection's choice
And breathe this site some life.

Marshalg
@theBach
Mangere Bridge
12 December 2009
ME Oct 2013
I don't like it !

Seriously, there's nothing all that great about it
It's all been seen, heard and done before
Everybody uses elaborate words to flaunt their knowledge in a field where intelligence is merit
Everybody uses dumbed down banalities to come across as the everyman, being outrages, yet funny
A cliché of a cliché
Oh' what a great life, but not really !

The newest installment of this comes as no surprise
In todays paper of "ordinary boring", we are presented with the two new buzzwords of the day;
Positivity and Health
Have you run a marathon yet ?
Are you a negative influence on your work place ?
Guide: How to ignore the painful truth and create fake energy
Is there anything more pathetic than every person in the world lying to themselves.
If it's not the blatant ignorance of; world hunger, personal problems, true opinions, it's lying to everybody around you.

You hate that dress ! You think that he's pathetic ! You know **** well what you like, so don't refer to me as if you know what I want, think or need !

A dishonest world is the observer's nightmare
The observer's nightmare is a dishonest world
Observe Dishonest World
World Observe Dishonest
Dishonest World Observe
Which came first and how can it ever change ?

I dislike the pretty words, I dislike the sentiment of "good" and "nice", because I understand that it will not bring something new, a change or move anything or anyone. Sometimes to get better, you have to get bad, and even that is ignored, to obtain the status quo of that which will never remain.
What is the point ?

True emotion, true feelings, truth in general is good.
The naked, ugly, discarded, frantic, ******, irresponsible, amputated and lonely truth.
TRY IT !
Saif Shaikh Mar 2013
Meaningless
pushed and pulled
through arbitrary dimensions
Emulating differences in the same,
the Fatal Contradiction
Redefining the sane!

Recombined
fused with idle spinning.
Forging the distorted lie,
these lines in between
with apparent coherency
and ingenious discrepancies
blurring the boundaries
of this new systematic hell!

Put in perspective
these inconsequential banalities
and childish banter
all but shape the future
reiterating the errors of yesterday

Skewed

Conceptualized
Vizualized
Realized
Quantized
.­.. Denied!
how long was it before i fell?

does it even matter?
when even these parallel thoughts repel...
Brent Kincaid Apr 2018
Flippy Hippie, what the heck is your trip?
We get things going fine and then you flip.
Your political lips are criminally zipped.
Because you are obviously losing your grip.
Tripping hipster, what were you thinking?
The ship of state is so obviously sinking.
Are you diddling with your own erections?
And too good to vote in our elections?

Hippy dippy, Flippy Hippie, you’re mental.
Apparently your adulthood is experimental.
You’re just tourists in your own realities
Blathering a lot of brainless banalities.
You make excuses not to use your brains.
You’re making choices you can’t explain.
To you all politics is just a boring game.
When we ask, you say they’re all the same.

Flippy Hippie, you make not much sense at all.
You’ll die too when they stand us to a wall.
We know you quit thinking in elementary school
And that explains why you’re such a big fool.
We understand the reason you are so dim
You don’t see it’s us or them. You’re not them.
Later, if they get their way and the US is dead
Just remember a lot is because you stayed in bed.
infinitetune Mar 2012
in Portugal austerity is biting...
good luck everybody.


Sat around the crowded table
Wrangling chair legs and buttering
Conversations about banalities whilst
Being bathed by full cool moonlight
Is of course a fair enough sweet delight.

Yet there is smoke in the air!
Then one by one my souls depart;
Stunning my heart yet keeping me close
Causing fears to become unshadowed.
As somehow, I must open my eyes to find
There is always a child quite near.

Oh how do I keep it fed?
Arun C Apr 2016
Is change coming
Do you hear that mighty strumming
Or feel the empty silence tear
In the distance of the near future
Something is happening
Economy politics fuel food climate credit germs cult personalties
Something is about to wipe out the banalities
I know it
I smell the rain
Pregnant in the wind
Has that become a sin
If not then why do we all still sit
Today's warnings simply do not fit
Will you hear the screams of fear
Change is coming
I know it is sounding
Because now all the brain's
Are simply trying to stay sane

This by holding on to the normalcy bias
But these are the times that particular bias
Becomes illusions in the highest


* Just because lightning has never ever struck you before it does not mean you should open a metal umbrella in a thunderstorm. Even if it keeps you dry,......till it doesn't.
-Just Arun
Brent Kincaid Jul 2015
Today, I was scolded
Was told that I was a boor;
That I had, inadvertently
Rendered some holy cattle
Of theirs a death rattle
A battle I won, without knowing
I had even fought, thought
I was just being amusing,
Somehow confusing my path
Down through the tulips
As a meander down the apse
Of some secret church.
Unfair! I was unaware.
And even now, I fear I care
Far less than they do
About their holy cows.
I didn’t then, I don’t now.

But, I have accepted, long ago
That, with social networking
I simply has to be so
That people will be offended;
Starting open-ended rancor,
Scoring slash after ****** slash
Across my Mr. Perfection sash
Granted me by nobody but me,
And that they will put a smudge
By bearing a grudge
About what I see
As a trifling inconsequentiality.
But is their cathedral,
Their Mecca to bow to
And thus I will be the target
Of slings and arrows.

Shall I be sure to only speak
If I speak plenty of inanities
Muttering banalities about love
And the weather and books
Shall I fear the looks, the scorn
Born of misunderstandings
Taken as mishandling
The hearts of the tender
And render myself informationless,
Opinion free, without personality
Speaking when spoken to eternally
So I don’t trip over hidden wires,
Don’t **** on burning fires
Of pet peeves, rip off the sleeves
Of hair shirts, do idols dirt?
Is that the way it should go?
I don’t think so.
But, what do I know?
I am the scurrilous, stumbling fool
Who ****** in someone’s pool
And told them it was raining.
Anonymouse Jane Feb 2017
“I love you cupcake,
sugar cookie,
double chocolate coffee crumble toffee almond cake.”

                                                         ­                             “I forgot my insulin
                                                         ­                               but that’s ok,

                                                            ­                           just please give me more,
                                                           ­                            we’ll figure it out later.”

“You’re my sweet living nightmare,
my small wondrous death,
my fanciful figure of false hope.”

                                          Come melt on my tongue.
                                          Send me into convulsions.


                                                  ­ Leave me here

                Choking on the chalky aftertaste of candy heart sentiments,
                Clumsy banalities dribbling out the corners of my mouth.

                                                      Mur­muring,

       “Forget the ******* insulin. Give me more. We’ll figure it out later.”
JP Goss Aug 2017
O, cry morning,      sun breaks again

In that history of banalities
Are written, I finished the cigarette
Before the coffee, twirling wind

O, sigh morning      as inverted

Could carry me to the rock wall, thinning grey,
Of the house where egos, bruised, seek guidance
The black bird builds a decoy nest

O, shy morning.         churlishly answering questions never

Asked before, “nah-uh, nah-uh, nah-uh,”
(A ****** is heard, of most[ly] fowl)
Spoken mostly to the fact:
It is what it is. Acceptance

O, belie morning.          builds a brutalist window, round by row

The they that walks whistles low with nebulous intent
To remind itself to forget
Abysm is a stranger in your city streets.

O, blithe morning.          Such cringing in place

Of those sleeping hours, parsing the drop-ceiling’s
Calligraphy: kings be draped in robes of flesh
To depose the anarchists in cerebral lands,


O, yes, my morning.                     a lechery for the heart,

That religion of my given path
Or its surrogate, the lawful rebels
Writing on every city row, so willing but rough,

My guest, O, my morning,                         such a pity!

Restless and genuflect, the they does not find itself
Swayed by the largess of absence
Craning neck eastward toward the perfect morning,
Ever on the cusp of the perfect twilight.
How wonderful to most away
be nothing from nothing
to cry in stardust
like we did in the beginning

Do I fear my end planned
the 12 12 12 of me
the blood and destruction
of poetry I will make of he

To have love and hate
in so many bounds of reality
all the come what may's
and suffer all the banalities

Even my own
stars of my own
thought somewhat
she will not call to him

Yet pity me not
as I have pity on you
for I conjugate
with the last and few

I care to end all I am
the silly ******* without a plan
one forgotten of broken deeds
for who would need one as weak as me

By Christos Andreas Kourtis aka NeonSolaris
Hedonic Nihilist Aug 2014
I wish that I was occupied by the banalities
Maybe then there would've been a you and me

Because we hide ourselves in the mundane
And ignorance is bliss, and I've spent my life seeking knowledge

But who am I to decide?
Emma Brigham Jan 2018
I delight in the way you hold me
my dear
and the way you make me laugh,
better than any drug.
And the surface of your skin,
nothing has ever felt so smooth.
Banalities seem not so banal
through the kaleidoscope lens of our love.
We shop for groceries
like pirates searching for treasure.
It's our secret
and no cannon can penetrate the planks
of our ship.

But I have loved others before
and may love another again.
For even ships are subject to decay
with the changing of the tides.
And my heart has many chambers.
Mateuš Conrad Jan 2018
if it ever wasn't despicable, poetry with conversational overtones, and yet all the more dear, than that rigid suit, matching socks, clean underware and even a popish demure... of yet another seance in the dead tongue classroom of: rules, rhymes and calibrated perversities worthy of a pedantic despot. if ever a chance to beautify language from the mud-stained dross of daily services, a thousandth 'thank you' from that mosquito-sting itch of the proverbial, formal toot-p-toot: citizens in cohort stringing pirouettes of lardy ballerinas.*

thus in ars díēs (the art of days),
   how not fill the mind with
darting footsteps when standing
immersed in scorthed & crackling
clay of pater tempus?
  a day-to-day epic?
  no affairs with a trojan war
to claim for one's own repertoire,
or thereby the warring eyes
  with magnolian scythe swoons
or that sabotage of mortal frame
whether a penitent man,
  or a patient man,
  the old woman still feigns
that a clock is the heart of a home:
to me its an annoying insistence
to imagine a phlegmatic
take on a carousel:
  + or -, depending on whether
you can fathom the near impossibility
of yawning when nearing
      lull and gaping nox.

but still no 30 years, no show
of cunning, courage or loneliness,
no adventurous scoops or a bargain
of lies, as notably a seemingly routine
banality from the annals of what
others scatter on menus of:
scollops, sand, frolicking,
  alternatively: holiday reading
  in unbearable frying dunes,
   while watching blinding diamond
pinches on the azure -
but to phrase it better,
even with that, twelve dwarfs
an arching temptation for
necromancy, a gypsy love for
ragabond set scenes,
  and all those desires man delves
into from behind a respectable
ordination toward an inconsequential
defeat, with no kiss nor
  tease nor joke aside from
teasing death - thus in patriarchal shroud,
with a mere laurel wreath and
a respectable salvo,
  there's still the endearing compulsion
to riddle and be riddle with
the banalities as if a giggling sparrow,
light-headed commands...

...the chance of phrase,
    the lottery of words,
    against beyond all horror of
imagining orc or jinn or shatter jaw
of wolves...
    
- not all thus said could ever strip
  the horror everyday,
  in pairs and in tiers,
     past the naked inferno
         and yucky gingerbread kneading
of body against body,
   escapism in bypassing courting,
friendship, toward the casual
  burning of bridges and dissociation
from artefact to artefact,
  from the shackles of
   both formality and informality,
a chance to confiscate a brief
   irreversible- opening,
      as said: the world is your oyster,
make sure you only keep it briefly.

alternatively even the monologue,
or one's idealism folds quacking,
  if it ever wasn't worth admiring
  a creaking floorboard or a chair,
as if to say that: worn shoes
                 and a cushioned lair,
  encouraging the slang throng give
up its slavish inclusiveness mantra:
  dictum vogue.

-

in that no-man's land
    or rather: upon the misnomer
savannah -
            a lion claims sight
  of a juicy blank,
  that instrumental pivot of
eye with no tongue narrative -
pristine sheen of two icebergs,
of what is two-thirds acid
   serpentine guts and vigor,
while only a third Pavlov,
pounce and squirming bellydancers
  of the lashes...

   again, on the misnomer savannah,
an image or a metaphor when
I compare the fresh effort
  and the breathing canvas meat,
and these as incision and tear marks?

am I not to say that:
   a. true virtue is not afraid of critique
      (supported by reason)
    with an exempli gratia,
         b. critics do not pass
              citation a., which is to say
   c. critics are like hyenas in
   comparison,
  the once breathing meat,
its gushing burgundy
    croaking bones, mussle sinew
  and the remaining assortment of
pâté crevices emptied,
  akin thus, with the satiated bulk
of a lion's share deserved,
  scavenging the carcass,
  less a feeding while more a looting,
are critics truly the thinkers
for the people who would
rather others think for them?
        
  perhaps poor wording forced
that sort of question,
    yet it still remains, stalled
and waiting,
             by the time i've made my final
  incision, the once pristine alba
      will become a carcass catatomb
  filled with hyenas' smirks and snobbery,
  of those lesser kind journalists -

...by the time I mawl my final gnash,
   there will never be a case
  for a critic's in situ case, comparable
     to an "uncomfortable matress",
prima dona in heaven's name theatrics!
yes, the pervasive argument,
counter: contra carcass.
The Bench

Here sits a man in a park
lost for the world,
he was trying to break down banalities.
Not knowing that 99% of our daily
conversations consist of trivialities,
Without this safety valve
people would be trying too hard to say
something sensible
and end up alone in a park
Wk kortas Jun 2018
Any gift which is lauded may become a curse
If it denies one office, or lightens the purse.
Though I once drank deep of the sweetness of favor,
My visions bear the taint of unpleasant flavor.
I have become, it seems, an inconvenience
Not to be moved aside with relative lenience,
But to be swatted roughly like some irksome fly,
To be excised as a nagging, untimely sty
An irritant which confounds and clouds one’s vision.
I stand before you, an object of derision,
A dustbin to collect your calumny and scorn
(Paraded in the roughest cloth, hair rudely shorn)
Likened to that which falls from a donkey’s behind.
No matter, then—one finds that young thoughts in an old mind
Foment suspicion rather than learned debate,
(Though I would likely decline to participate)
The upshot being unpleasant realities.
So shake your fists, and mouth your banalities,
Yoke me with the verdict of trial by fire.
You shall, soon enough, do your dance with the pyre.
Cedric McClester May 2015
By: Cedric McClester

Is it playing the race card
If the deck is stacked
And everything you state
Is an established fact
Michelle opened up
And almost got wacked
So we weren’t surprised
When she was attacked

Is it playing the race card
When you acknowledge
Certain social realities
Rarely taught in college
Or should all banalities
Suddenly be abolished
Because someone’s ego
Needs to be polished

Is it playing the race card
If you’re in a rut
And the cards you were dealt
Are all that you’ve got
Don’t preface your answer
With the usual but
Causing me to say
Tut tut tut

Is it playing the race card
Though politically incorrect
When it’s the only thing you have
What would you expect
It doesn’t require
A tremendous intellect
If you take pause
To stop and reflect











Cedric McClester © Copyright 2015.  All rights reserved.
The Race Card was inspired by the push back one gets from the politically correct crowd whenever race is mentioned, whether it's a factor or not.
The Big House  

I could not live in a house with many people
Voices at all hour of the day no privacy the precious moment
When the world rolls slower and I can hear time's clock tick
In a house full of people there is a din of violence to come
And whispering sin at night
Flushing toilets, subbing feet
The tears of the misbegotten those who are cheated on
Drunken brawl screams and police sirens.  
TV that is full of banalities
Every news programs from the same supplier.
To live in a house full of people must be very lonely
With no time for reflection
Mateuš Conrad Oct 2017
the entirety of the english tongue's
"finalities" are nothing but,
banalities...
                  and yes, chris isaack,
could have been the new elvis...
  try or no try, there was no
train from st. petersburg to moscow,
and however women love party...
men are always in love with
a wrinkle...
  what of thinning hair,
         men age into lizard people,
women age into the graeae...
      the last one laughing stands...
   i'm thinking of conjuring pasta with
a poached egg akin to heston...
but it is as it is...
that gateway into the affair,
heidegger,
     VI, LVI,
   we really do live in an unquestioning
age...
     i love that phrase:
spiritually determinate...
no one is actually asking a question,
everything is "seemingly" intact,
readied for some glorifying plateau...
but we live in times when there is no
question, worth answering to,
in that there are too many answers,
and hardly a question to craft a usurp action
(usurp-tion)...
                    the tragedy being that:
we don't live in a questioning age,
we live in a paraphrase age,
             in an age worth reclaiming
an "original"...
                        you can fry lard all
you want, but after a while the game is up
having tasted the butter...
       chris isaak was the new elvis,
but he wasn't, because he got the J.F.K.
treatment;
retrogative in an age of completely unquestioning,
an age where the only question is
questioning perpetuated?
there's a possessiveness of "being there"?!
apart from journalism?
can dasein ever reach a dasein's dynamic?
thank **** not a lot of pdf. existentialists ever
read kant...
            i'd be worried had they ever done so...
sartre's novels are fun, his thinking though?
about at dry as an overcooked doughnut...
but we really do live in the age of a lost question...
          aetate quaestio amissa;
and for an age filled with answers, as ours is...
i find it obnoxious, too certain,
       too "truthful",
but also too fricative in what scientific
     fictionalisation provides...
    summa ut...
          age of a question omitted,
                  summed up to perpetuum sors:
id refero qua quaestio
    ut quaestio qua refero,
                 *** finis ping pong logica.
            and it is true:
why are we left so completely unquestioning?
as heidegger noted with my own
reinterpretation,
why is history simply a delayed end,
                   as it is: a falsified beginning?
falsified by the count of:
   the unglorified estimates of poetics
being allowed the burden of the images
cleaving to a claustrophobia of space...
we can't live for the next 100 years
by being satiated by the already "certain"
answers...
we never managed to call the planet
mars inhabitable, when we already stated:
earth was once uninhabitable...
   the once upon a time schematic needs
revising...
      i never bother a latin friction of
a "dictionary": i write pig,
i snorkel in piggish, and then i snort
a hog's affair of "compensating" grammar
in english grammar schooling (private)...
we live in an unquestioning age,
    an age riddled, rather than filled with:
all the answers...
      if i were my own, in the contemporary sense,
of being sharing a tempo history,
i'd begin to sound the bells of suspicion...
  i never warmed to this age,
it's neither road nor highway,
but a cul de sac...
                 and i will never warm to this
age, i will always be nefarious towards it...
because it has been oh so blatant in treating
a case of awe, as a worthy take on the carousel.
Nissim Apr 2020
I had unsuccessfully danced with the paradoxes of Reality,
Its feet were not in lockstep with mine.
And yet I sensed they were a lesser peak in the shadow of the mountain peak above all.
I went into the forest in a state of Chaotic confusion.
It was a cold day, my wispy breath wafted in front of me.
It was a sunny day, the sun's explosive light,
Through the trees bare and bright,
Exposed my body, my soul was nigh.
I walked into the forest as far as possible,
And then completed the journey on the half-way out.
I emerged at the precipice above a sea,
Its shoreline on the other side of a narrow and meandering road.
Across the waters were the North Shore mountains.
They were snowy and rugged and hoary.
The sea was a blue-green marble sparkling by the sun's strong light.
I sat at the precipice.
In front of me my feet dangled above a void,
And behind me the Autumn leaves were dying.
I reflected on Reality's paradoxes,
On what they are truly telling me.
I stripped them of all prejudices and banalities.
I pealed away their artifices and artifacts.
I aimed to see them with a Zen state of mind,
deconstructed and bare.
How to describe a state of Zen consciousness?
Imagine looking at a painting depicting a beautiful sunset.
This painting evokes powerful emotions in you.
Emotions of serenity and your soul's longing for communion with divinity.
You ARE Zen consciousness when,
upon pondering this evocative painting,
All you can see is a coat of paint.
Zen deconstructs reality and returns you to the white-eyed womb of Creation.
Imagine descending the branches of a tall and sprawling tree,
From child to parent branch,
And then repeated like nested mirrors,
Until you reach the trunk.
You are now communing with the Source.
When you descend the Tree of Existence it is for the void,
The nothingness, the ineffable truth at the core of Existence,
That you are yearning.
And when I fell into the Zen within me I saw a grand tree.
But the world of space and time,
The implicate order imprinted by the paradoxical,
Was only one branch and not its totality.
On each branch I saw a myriad of wrestling angels - the denizens of its dream.
They perceived only the completeness of their own branch,
But not of the totality.
And then a denizen of a branch's dream soared high above the tree,
And saw its entirety.
How naive he was to think its home branch was the whole tree.
How myopic to only aspire to wrestle its home branch,
Instead of yearning to dance with the entire tree.
To this wrestler it slowly dawned, freed from prejudices and tethers,
First a release of tension due to paradox resolution and then,
like a shadow illuminated by the light,
The paradox lost its fight.
And then I snapped out of my reverie.
I witnessed a sunset with a beauty transcending sight's domain,
And which can only be parsed as the soul dancing with divinity,
Reverberating within its innermost grasp - Creation's womb.
The sky splintered into crimson shards that pierced the wispy clouds,
And then the sun's turgid red ball hung low for an Eternity,
Above the sea's furthest edge,
And then sank into the void beyond horizon's ledge.
Parable Hippeis above the Eared One: “Kanti; Aristocratic hussar of steeds, a native of Crete, was broken down from servants as a possession of high rank from Thessaly and Argolis. In his frontal Parasinus he ruminated his psychic frontality of not being defeated for the sole fact of being subjected prolonged in helplessness, and stating what he was not capable of winning by defeating a Hippeis when he has imperturbability prior to a master. Therefore he was assigned from the Krepis or crepidorma to the Golden or Golden number. Dividing from all other paranasal sinuses, by less than the base of the kraníon by e long and factored by Pi ( ). In the Paraseno Spheno Palatino of him; the exterior colonnade in eurythmic balance or harmony was provided in order, optical correctness and rational geometric construction with parameters of the Parthenon and spheno ganglion of ribs of the peripteral octasil, surrounding the arcades of the expiration frieze, and exhaling from Zeus the anti-seismic vibrational integuments and neighs of Hippeis, like Kanti exorbitant and convulsive. In his Maxillary Parasinus; he was subjugated in the Architrave of the lower part of the entablature that rests directly on the columns, its structure worked on its servile lintel, to transmit the weight of the roof to the columns and duplicate banalities of the pontificate of the Samarios horses of Orondel. In the parasinus Turbinate Dorsal; a Metope, occupies part of the frieze where the Doric entablature of a classical building would rest, located between two triglyphs. Like a metope decorated with bas-reliefs, in taboric cliffs of Samaria and its horses in neatness of Hippeis blood. Medium Parasinus; the Stylobate, towards the upper step on which the temple rests, forming part of the crepidoma: on a stepped platform that raises the building above the ground level to give it prominence and greater poise. As a staggered middle to the largest of the great final step towards the Koelum, which joins them in their golden edging of the Equisetum like horsetails with green blood. Of the Ventral Parasinus; In The Opisthodome, a separate space located at the back of the temple, a special vestal element is attached together with the Pronaos (or portico) and the Naos (or sanctuary). Here they take refuge for the snout of their cheeks full of Pleiades evading the hunter of Oarion, each one in decreed steeds of Crete and Samaria, that shine in the transition of the oceanic foam that runs by its naturalness in high tides, and in exalted pause erogenous temptation to an Aphroditism. And finally the super Paraseno or Chamber of Canephore, governing and ruling the priestesses of Baal with the steeds of Orondel, for the purpose of sacrificing the sacred courtesans with their hooves that they consecrated in the stylobate, which esoterically became diffuse. Pro reign in the Canephores along with the Vestals, for dichotomous fajina with Hestia between fires and bonfires that will spill from the mysteries of Eleusis.

They had their six Parasenes separated from their numen septum in other castes that super endowed the confusion that came from Samaria in the kingdom of Israel, being a Hippeis of the Elite Greek cavalry. In the farms of this region, one hundred years after the Syrian ******* in this same analogue, Kanti was assigned to openwork in the meadows for agricultural work, adhered to all the Philistine plains. Plethora of exuberance with liters of pinkish Vine before longed for by some, they tore from vine shoots by snouts and Cinnabar sulfur, already encysted in presses and battles of implicit rows of vines burnished by the thickness of their sulfurous secretion, decanting on the exuberant and grassy carpet. In Thessaly Kanti stood out with its supremacy of hydric seed that raised a surplus of rain when the low waters of the Mediterranean rocked the gargoyles on their similar steeds. In the sagittal of his hoof, below the "U" all the Hippeis of Thessaly were marked with the Vox of ππεῖς, but not those of Samaria, they planted their fourth ends on the ground of Deuteronomy; “He fell in love with his mistresses, whose flesh is like that of donkeys, whose flow is like the effusion of horses. He told himself... You longed for the lust of your youth, when Egyptians touched your breast, caressing the ******* of your youth. Continuing in this way Kanti with his chronicles warned that in his militancies and privileges they did not dig select strings of vines when he had to clear his hooves, which were made of fire and steel from Hephaestus bars by order of Etrestles, who distended his agrazones, letting him levitate towards the clouds with the sweet potatoes of their grafted plantations, that burst those esplanades in hydrometeors of tested sweat on the thick legs browsed by the song of their prayers, and thorns that broke their spiky washdown dueling in the cumulonimbus clouds that lavished care that settled before the eyes of Hippeis foremen, where the strains did not ferment like wine that has no vent and makes them burst into new skins. Thus detonates the patience of the gifted steeds of Samaria, towards some new winemakers who would receive him for a grape harvester who brought spices and olives for a new millennium.

The deposits of credibility made everything in their steeds and genetics of a millennium, to be more effective and fruitful for all that Kanti has not stepped on all the Cyclades, Dodecanese and Messolonghi at the same time as Hippeis from Thessaly, but since the optics of the Orondel; who was the duplicate of Kanti Samaritano, bearing ten times the weight that will make him bear together in tons and more than a thousand oil presses that exceed what his body mechanizes like horse power, thus being able to lighten himself in pruning of other regencies that he does not they shake or shake the branches above the tops of Zeus and his molar that neither expectorates nor pulverizes the best without his terrace. Here, where before the trees grew, they grow in the orchard on the outskirts of the town, Kanti frees all the steeds of Samaria with his gravel in his gummed hoof, mining the lands of the kings and digging up napas valued more than all the fruit-bearing heritage, more than in a fifth year along with all the seas, to make of them the ones that are in other uncircumcised as a reward for those who hide from early taming and their slender task. Those gleaned in Thessaly were from pitchforks in the same cereals that gleaned from those who stopped feeding them and assembled in a grass fable of a rustic sower and fallow farm laborers. The spikes did not fall, the Hippeis with Kanti collected them with their extremities legs in provinces of harvest dragged in sheaves and corsican censers of Epha, like a rope of gold and incense of Sheba who thus brought enlargement to Judah and praise to Yahweh. Epha describes the land where the dromedaries arrive in Israel: "A multitude of camels will cover you, the young camels of Midian and Epha." Incense in a sprigs of Bethlehem, with delicious practices inherited from Ruth reaping the barley, oats and wheat in the same stampede of the Hippeis commanded by Kanti thrashing barley, in which an Epha cultivates the Primogen Gramineae of Thessaly”

(Procorus says: "in the defeat of the Persians by the Greeks, in the naval battle of Salamis, in 480 BC, marked the beginning of the decline of the maritime trade of the Phoenicians, here the East was completely extinguished when Alexander the Great took Tyre in 332 B.C., incorporating Phenicia into the Greek Hellenistic world. All the horses that came from Thessaly were all of the lineage of Hippeis de Kanti, with germines from Samaria and Chambers of Canephores)

Parable Ad Libitum Ex Varna: “In the lower and upper parts, a certain anti-demonic air carried a Kerí towards the candles of the Procorus rituals, extending the Eurydice ship that came from Rhodes. On the floor of his cell he had some Tamarisk branches such as Tarayes that vanished due to their quality when they expired at his own monk's feet to become lasting in his Oikodomeo, to raise with the Taray the essences of re-transformation of the lexeme of conventional greenness into Patmos, very deflowered in periods with high untemperances only with some secretions in which Procorus felt the re-flowering adventitious from there and then in the anemophilous advantages of the winds released from the belly in sedimentary veins of Rhodes. In its alchemical anemophilia or movement of inseminating winds, the subtle soil vanished with the force of the Sulfur Lion that derived from the Cinnabar with the Anemoi wind that impregnated the Tamarisk capsules, under the acolyte's feet. The aquifer of the water table of the subterranean waters in Patmos, remnants were scattered so that in Pro Nobis they lay of their demonologies, sponsoring Persian magics of the Lid Post-Gaugamela, with themselves in the Ex Varna with iridescences re-transfigured in the Mount Tabor. Says Procorus: “This Tamarix or Tamarisk has poured limits of our Oikodomeo, to re hold the superficial plate and reuse itself in the absorption of the burning under my feet, forcing them to readapt under the ground scorching concentrated in the Cinnabar residue, carrying the dermal prototype towards the saturated bottom of the salt larvae that prevailed in the pummeled beam of their skill, in some bundles of Tamarisk showing themselves innocuous in the imagination of the cloister suffocated right here by some Chaldean tribes, who felt like the illusionist stand of Ex Varna” . In the compaction of this epic hyper-fantasy, his urge was born from the consecration of the Gift of interpreting the subtlety of two-dimensional variety that would appear up to this moment, beneath the layers that were contaminated out of nowhere by the mere fact of the whim of the augur momentum, which finally it is restricted in the morphism of the Katapausis and chamber of San Juan Apóstol, finally supported by layers and blankets of subterranean aqueous filters towards a restructuring of the plane of Euclid, and towards the vicinity of plantar pedestrian zones of Procorus that were already three-dimensional in the construction of the Oikodome, for the foundation of the Náos or temple, which would go crazy when the Hexagonal Progeniture arrived to build the Vernarthian temple with gifts of multi-construction purgatory for the Oikos in Dwelling of the social unit of Aquarius or Aqua spirits that are terminates at the end of Capricorn dehorned. In mutual edifying peace between both zodiacal proximities of the Oikodomé, here every day specters purged and rubbed in the archetype of the Megaron that was intended to beoblations and in votive links in the massages that the manes of the Vernarthian universe gave them in their spiritual mortar, reconverted in their eternal brawl for living in the friction and brown partitions of the bloodless Megaron to inaugurate it as a solid bastion, in the weak regions of the Hetairoi that cellularly, it snatches energized vitality from their extremities, with total imbalance and wheezy guards maneuvered on their feet, dragging themselves towards the karmic Saetas de Velos Toxeumas and unharmed Dorus. But feverish and threatening their integrity when they were falling and plundering the Euclidean edge, opening up from the designs of the Hellenic palfrey, becoming parametric of Kanti's paranasals and spatiality that would surround the Parthenon of Fidas, with Ikríomas or scaffolding that made them collapse from their coordinates with Mamdilaria and Agiogitiko wine baths on the Vernarthian body between the column of the Sabines and Greek colonies of Lacedaemonians from the 4th century BC. C., already entwined in borders of synchronicity from the Erechtheion, falling from the Caelum, close to all his teachers who helped him install the final tiles of the temple, next to them intoxicated with Nepenthe, by intense vine rain stómas in the silent afternoon of the Inter-Cosmos of Athena, sending them the poison of Velos Toxeumas, a priori… and before attacking any skin that wants to revive itself in the inoculated Vernarthian dreams.

(Procorus, manifested himself solid in his loneliness when seeing that Lacedaemonians and beings of the night accompanied him, in contrast to the dark light that allowed him with a single candlestick to expand more inaccessible in the semi-glyphs in the grooves of the Megaron that shone synarchically in the plans of the new Monastery of Saint John the Theologian) ..

Parabola Megarón Dódeka Spathiá: “Procorus perceptibly saw how the sky of Patmos was crossed by heavy metalloids of bronze, tin and acroballistics; for the cavalry of Kanti and six Para Senos appeared, who used to ride on the roof of the Megarons belling to the sounds of the acroteras. In these episodes in twelve Swords that were multiplied in advance by thousands before the Megaron began to be built. In relevant dimensions and virtual foundation lines, acrostics of steeds from Thessaly on their palfrey mounted Polish Winged Hussars, carrying twelve wings of cuirasses with twelve horsemen, adjoining the halo of heavy cavalry in Katyn, being abducted by a circum-regressive parapsychological Ellipsis of the 1939 event in Poland. Each rider was strung in blood with golden wing feathers. In each of their hands they carried the curved saber Szabla, to cover up the unspoken target of oppressors and musketeer intruders from the armory hearth of the hypothetical enemy-unknown but outsider, assaulting the flanks of the rooftops in the Virtual Megaron of Patmos, using Kopias or pikes that schemed in the impetus of deadly resistance of the betrayed ancestry. The roof that pointed to the south west reflected the light of Orion by aerial forms of the Aegean choir, riding on the high seas with Votive offerings or offerings of Cyclamines and Red Poppies, hovering in majesty in their nomadic obtuse compass of Rhapsodas coffering epic elegies of the Megaron and of those revived venerable triumphs that stretched out on the banner of glory and bed of epiphany. Rhapsode proclaims thus: "In Katyn Wings of Golden Wood and Red Poppy, they adorned themselves with Bellis Perennis in twelve thousand rags in our steppes harassing their moan in blood wars, framed in large sections on the threshold of their mounted war. There were twelve thousand red poppies burning on the executory pilaster near Smolensk.” How much is there to get fed up in the Polish cavalry of the 17th century, that upon glimpsing the barbarous sounds of the temple that approached them to the altar of the Virtual Megaron, showing off in acquiescent ceremonial and counter-revolution of lifeless aristocracy in needy portals-living and mortal-living who posed in the rear of twelve thousand officers slain in the Forest of Katyn, such gentle medieval men in the contemporary untimely invasion. Here in this place the puffed winged horsemen went by destiny when they were sacrificed, like steel cushions they galloped on their heads sheltered by brotherhoods of Hussars that protected them with Lion and Tiger breastplates with retracted claws. Procorus, observed in the virtuous imagery as medieval winged specimens, protected the frontispiece of the Megaron in bullet-ridden super-existence and a trance of historic architectural dread. Here on a Patmian soil, each one of the officers was aided by each 17th century Polish cuirassier with ferocious wings, they were making them agonize with honor and glory, with those similar twice right there of their resemblance, with misty discrepant blood interwoven, executing on apocryphal witnesses who covered themselves with your looks, of overflowing evasion and truce of bodies stained with mourning and despair, with blankets of red poppies scattered adjoining a naive unarmed forest. Over exalted memorandums and secret cries of Adrastea procreating their kind with the nymphs, they drowned out the cries of cuirassiers like Didaskein, before sobbing in their topic, but of Pashkein in the foliage of rotten hopes, of those who hit them from behind, in analogous vexation to heroes of Katyn. Here neither Cronos nor Mother Rhea heard them, only Adrastea prevented the cries of the men-children who were atoned for behind their backs, from venting them from the foliage of the Didaskein-Pashkien, in tears of solid mercury. Kanti's steeds rise, carrying them the curved Zsabla sabers, before each is shot in the head as twelve thousand Winged Riders are caught in each Zsabla. These sacrificed them before they were killed in the waist of his head, not being expired by ammunition but rather by sabers of honor and glory of their own winged protectors, who would lead them by sharp weapons towards the holocaust of the Mashiach surrounded by red poppies. “The red and steamy cendal of the forest carried the souls of the Hussars to pass them through the sabers of their compatriots, before they were immolated by the Soviets, so their apostolic souls will be catechized by Zsablas of dyed airs of Red Poppies converted into air of respite from the heroes of the Katyn Forest, redeemed by the Golden Winged Riders of the 17th century”

(Procorus in the immensity of the voices and epithets that were heard, differed in the volatile and explosive metal sabers at the present time that were extinguished in their crooked armor and in Polish beings, in a rear that finally Procorus settled them in urdes of immaculate habit, suspended in twelve thousand Red Poppies flanked by his forehead before being shot from the cortex and occipital lobe, forging into golden sabers and cenobitic transvestites who received them in arms in the sublime stench of effluvium of their blood and hosts, never left and desisted from bubbling by the figures of the acrotera near the Megarón, ditto in the same Forest of Katyn, surrounded in a string of Rosary that dazzled in Procorus prohijando them)

Parable Fourteen Donítikos: “fourteen vibrations were polarized in the enthronement of Vernarth towards his brother Etréstles, making filial gradation in possible anti-filial conception of worship and death in who is suspended from one to the other under the condemnatory rhythm of past lives. It is typical of the facsimile of his own genetic shadow Cain-Abel, but of geomorphological gradation and time-space, which finally brings them together as blood relatives of the same Orbis Alius trunk. Dismissing by not accessing a vibrational anti-Asur (as a healthy creative mind in Genesis) as an energy that manages to restructure itself in any homologous way in the world of Asur as the son of Shem in Genesis..., as comparative and intergenerational mythology , enlivening socio-parental metaphors, pronouncing in cohesion and enchantment what happens in another similarity of gender or Mental field, staging the probability of a mental Sun that dies in a Super Man, and this comes to free us from the ties of existence and plane terrestrial not reflected of immanent and instance of Eon, in geological and sidereal lives. The scrolls of this semi-myth, is subsequent to hanging scrolls on the will of us existed for thousands of years linked to links and human characteristics of knowledge through professed and comparative feeling. Compensation of material distemper between the anti-pivot and life between both refers to the simultaneous undividedness of each specification as a phenomenon lacking hearing in winter and inclement periods. Here the outburst of retro involutions becomes cloistered in Menatira, daughter of Cránae, Queen of Eleusis Pro Eleusis tally fuzzy from the convulsing breath of both through the steppe of silence, both of them. Dodecahedron on an octagon in each one for each one that was interpolated in each area when Demeter was looking for his first-born Persephone.

“Etréstles metamorphosed, so that Metanira reunited them with the sub-mythology of their destinies and the preconception of the elucubrar of a final breaking of the abstract spell, which was mixed with the element of vehemence in their irascibility to wait for a next season in fourteen toasts followed by Ouzo, and goods with intact and distant deities in oscillation of life-maturity, making it after the eleventh Ouzo in determinism of autonomous eternal substances of the ritual of Elusis, appreciable power and coarseness of the one who has to compensate for the one who has everything and the that will never have it. (Eternal Life Spell)”

a) Abundance of rain of red blood cells, in quotation marks of the legacy of Bios as all deprivation of life file, rather for those who yearn for it between a physical trifle alibi...

b) Psujé for Vernarth, “For whoever wants to save the life of his soul, he will lose it”. But he will restore it if he is saved by divine psychology muscle."

c) Zoé, “radiosity and refraction of etherization and physicality, more than a biological physical body re-transformed into purging from the superior to the inferior multi-created, but in a Jesuit adjective and sphere of consequent concatenation towards the plane of the

Mashiaj as holistic of the human cave ecstasy, in inflexible marriage between heaven and earth Ad Aeternum”

(Procorus, auto-irrigated red blood cells, to deliver them both, and relevel the levels of red blood cells of the Mashiach's divine blood, which expected to be refounded in both brothers of the Vibrational in Fourteen Donítikos or Hellenic Vibrations, with the initial D in the lower left ear and the S in the upper right of the vibrational field of the Tinnitus of God, with their ears placed in their hands, take them by their ossicle and from them in the curvilinear dawn that vibrates in what He only wants to do to them Dodeká).
Procorus  IV

— The End —