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Shadow Paradox Aug 2015
~
I've traveled many lands
Had great many fortune
Until I met Assyria

The love was metal in stone
A magnetic gravity
Stuck was I
Lost in him
Branded to his being

But his love was a wilted blossom with poisoned rotting thorns
He cast me out of his bones
Fused my leftovers to the third and second vertebra, like damaged wings
Threaded to the veins of cities inside a marble statue

When the sun drifted away from the moon
He burned incense in my indigo blood
I shimmered in the gold of his mind
Broken to pieces like a smashed crystal
He dug his hands in my womb
Found the lost puzzles of yesterdays
He hooked it to the pearl on his neck

Am I his trophy?

To be worn like frost on his skin
As he braids Israel in my hair and stitch wars in my heart
I'm forced into his heritage yet I inherited nothing
That's why my blade found itself against his throat

I imagined his skin like desert sand
Gritty yet soft
I decided I will carve myself out of him
I will be the desert wind and I will blow away the sand
I will make him thirst then I will turn into a mirage

I will take my ink child,
Open my rib cage and
Place him there against my heart
We will leave this horrid place
Where memories are open wounds
We will walk into a different story
My ink child will evoke on a new journey
As he bleeds himself inside his pages

I will read him and smile

Assyria will never find us
Because he will never look
He's chained to the ground
His soul is attached in a storm cloud

When it pours
It rains

But only on his grave
~
RH 78 Aug 2015
Defender
                 Fiesta
                            Focus
                                       Zaphira
                            Vectra
                   Leon
         Astra
Ibiza
These car model names just fell into place.
Robert Ronnow Aug 2015
At dinner, Zach asks
about our nation's history, wars.
I say We're taking on everyone, one at a time.

First Britain, then Britain again: "He was the surly English pluck, and
      there is no tougher or truer, and never was, and never will be."
Next Mexico: "Death is indifferent to what hide he tans; life crushes
      men like flies."
The War Between the States: "Well done, Mr. Cromartie. Time now
      for rest."

Most of Latin America: "Not only humans longed for liberation. All
      ecology groaned for it too. The revolution is also one of lakes,
      rivers, trees, animals."
Then Southeast Asia: "The slight bump the mortars make as they kiss
      the tube goodbye. Then the furious rain, a fist driving home the
      message: Boy, you don't belong here."
Now the Middle East: "A land to be admired like all lands. Harsh
      mountains and deserts, indigenous plants and people, adapted
      ungulates, carnivorous mammals."

Can't forget the Krauts & Nips: "Then I heard the bomber call me in:
      Little Friend, Little Friend, I got two engines on fire. Can you see
      me, Little Friend?"
Nor the Commies: "You mixed up farewell to an epoch with the
      beginning of a new one. I put this book here for you, who once
      lived, so that you should visit us no more."
The original indigenous people say: "In time we'll become prosperous,
      or else we'll become martyrs. The force that placed us here cannot
      be trusted."
--with lines from Walt Whitman, Tristan Corbiere, Sterling Brown, Ernesto Cardenal, Kevin Bowen, Czeslaw Milosz and Ray A.Young Bear

--Whitman, Walt, "Would you hear of an old-time sea fight?", Song of Myself, 35
--Corbiere, Tristan , "Letter from Mexico", trans. William Meredith, Effort at Speech: New and Selected Poems, Northwestern University Press, 1997
--Brown, Sterling A., "Master and Man", The Collected Poems of Sterling A. Brown, HarperCollins Publishers, 1980
--Cardenal, Ernesto, "Ecology", trans. Marc Zimmerman, Flights of Victory/Vuelos de Victoria, Curbstone Press, 1995
--Bowen, Kevin, "Incoming", Playing Basketball with the Viet Cong, Curbstone Press, 1995
--Milosz, Czeslaw, "Dedication", trans. Czeslaw Milosz, New and Collected Poems, The Ecco Press, 2003
--Young Bear, Ray A., "A Drive to Lone Ranger", The Invisible Musician, Holy Cow! Press, 1996

www.ronnowpoetry.com
Manisha Uniyal Aug 2015
Ghughuti,the bird has come
Flying all across the hills
Far away from my land
She bought with her the blessings
Of my mother,for me to return

Ghughuti what you got for me
She said" your wife's tears
As she could hardly speak"
Tell me Ghughuti
How are my children
"Your children are very proud of you, they know that you are doing this for the country"

When you go back
Tell them that I'll come back soon
I miss them but duty comes first
My nation needs me and I must serve

Tell my land and the river
Watch for me, till I return
I owe a lot to you too
But first , let me finish this bigger mission

Manisha
Mark Parker Aug 2015
A shadow cast over days past,
like a mast spread for a wind blast
hailing from the wintery north.
Don't think it done until the day's won.
The mistake was made,
the spider web spun over a grenade
that landed on our shores.
They attacked our backyard,
yet we don't act scarred,
we brush it off despite
their continued shelling,
like we can refuse what they're selling.
Telemarketers don't send tapes yelling
that we're all gonna go to hell.
Only enemies that know
we have already fell.
Danae Rae Jul 2015
Mystifyingly our world still stands
Even though we pollute and commute
Our world is strong
The trees still rustle it the wind
The flowers still bend
and the birds whistle a tune.
The city hustles about.
The farmers harvest their crops.
The snow falls lightly
and the beauty isn't dying.
Still our world stands.
Yay Earth!
Here the veins of the earth trickle  between moss and rock,
Their passage held by soil and stone.
Who sees it? who is there to witness?
Who even cares?
The earth knows and turns.

Listen... what will you hear but the birds,
The sounds of running water
And your breath?
What will you feel but the earth beneath your feet?
How dare you think
When nature takes you into her womb.

Why do you sit here friend
And worry about this and that?
Go to the forest and walk.
Watch the trees and the birds.
They will take your cares away
And ease your troubles.
Writen in Scottland April 2014. This was one of the first poems I ever wrote. I was in Scottland in the middle of nowhere and there was the most beautiful stream I ever saw. Probably very few people will ever see it but it's just there!
Walk your land...
   Eyes to sky
      Azure beauty
         Clouds etheric bright
Rock ashen black
  Trees of umber
    n' greens of grass
      Fresh and alive
Lay on earth
  Smell deep
    the essence
       moist or parched
Walk your land...
     Walk your land...
        Find your
          Home once again
                ☆
        
Copyright © 2015 Christi Michaels.
All Rights Reserved.
Remembering to Remember #3
Liis Belle Jun 2015
I often dream of a magical land
Where the beaches rolled with sparkling sand
The waters a calm clear diamond blue
The sky always filled with magnificent hues
The forests are thick with dancing trees
Enchanted creatures roam wild and free
When dark, the faerie lights come from the thickets
Illuminating the night’s peace and quiet
Occasionally the feared predator comes
Searching for prey, not one but some
They all would run to scatter and hide
Waiting for the time to pass aside
By morning the light creeps in again
And one by one, they’d leave their dens
To sing the bird’s early morning song
The days seem short even when they’re long
For there, in the land of dreams where dreams come true
It’s there that the old seem bright and new

But I wake up in the reality of morning here
In the world of sorrow and acid tears
Where the waters flow with filth and dirt
And every day more innocents get wrongly hurt
All the flowers are dead, deprived of sun
No living colours left, not even one
The streets are filled with frightened ghosts
Shadows slumped against burnt-out lampposts
I trudge along through the lifeless parades
Cowering in the safety of my shade
Walking home alone to lie in bed
Wondering what it would be like to be there instead
And there, in the land of fantastical dreams
Where the waters and skies all magically gleam
There, even though it’s not the truth
At least I can live in merry youth
Kiarra Dean Jun 2015
It’s odd when you realize how poetic you get whenever you talk about your favorite place. Mine seems to radiate smells of noxious fish and decomposing aquatic life; yet I find myself sitting there, basking in the sunlight and nose-offending odors, as if I myself were in a giant stir fry of the sea, the sun, and decomposition of life itself. To most, the odors would drive them away from the place where sea is held back from the land, but I find myself drawn to it. The giddiness I feel whenever I see it, just rising from the horizon as I approach, is inexplicable. As my feet touch the ever-changing, flowing particles of crushed stone, a lightness fills me. Spreading from my feet all the way up to my head, the tips of my fingers, my nose; the lightness turns to energy. Pure, unadulterated energy. As the walk I had seemed to achieve transformed into a run, the energy turns into static, and my body turns into no-see-ums, flying in the breeze and spinning. Creating a dance that moves and flows like the liquid nearby, forward and back, lapping at the granules of ancient sand and worn glass. As static-foot touches warm stone, my body fuses back together and I climb the steep hill of smoothed down, yet still rough broken-down boulders. Unshod feet touch comforting, sturdy baby-boulders, and my body automatically starts to climb to the top. The sights aren’t that great at the beginning, seeing that you are a mere four feet or so from the small, granulated stone pieces, but as I rehearse my dance with the stones, jumping and sprawling across them with ease, it gets, stunningly, much more charming. The salt-tinged liquid makes beautiful melodies as it navigates through the cracks and holes between moulded-together stone, creating creeks and, eventually, having reached its final destination; the shoreline. Walking for what seems like miles, finally ending up at the end of the moulded sculpture, I sit down and lay there. My arms and legs spread, seeping in the warmth from every possible angle, breathing in the salty breeze. My eyes see an array of puffy marshmallows, accented with hints of pink, purple, and various shades of orange and red. I take a deep breath, letting out my worries and fears in a sigh; the sea has always calmed me. The taste on my tongue is a mixture of fish, the sea itself, and the chicken fingers being cooked up by a nearby snack shack. Sitting up, I bask in the way that the stone feels against my skin; hard, firm, but warm and comforting. Slowly being worn away by the water’s constant lapping at it, begging to be let into the overflow-areas of the shore. Time and time again, I have explored the roots of the stones, jutting up from the floor of the ocean, hiding and housing its creatures within, as if the rocks themselves were their mother. This mass of broken-down mountain formed into a beautifully elegant bridge has a name that fits its magnificence; a Jeti. The jeti houses me from the water, protects me, lets me play on her. Yet the Jeti protects herself, too. Housing barnacles is only one way that Mother Jeti defends herself, making sure that passer-bys stay on their toes, as to not catch their feet on them, for painful cuts and bleeding shall ensue soon after if they do. I need not worry about the dangers of my Mother Jeti, for I have navigated her hard and scaly vessel since I was a wee child. My feet have toughened enough to not get hurt by her sharper edges, My muscles remember each divot, nook, and cranny engraved within her scaly skin. I know her weakest parts, and her strongest. I know, that if the wind blows just right, and the tide if far enough out, she sings to you; a melodious tune of lapping waves, hungry seagulls, and the swift, quick movement of wind through all of her cracks and holes. She makes a beautiful melody, a melody to lull and comfort all of her children into a blanket of safety and warmth. When it becomes my time to go, I say”Goodbye, Mother Jeti, I wish to see you soon.”, and swiftly retrace my steps backwards, turning into no-see-ums and departing, flying into the breeze, until I return yet again.
A poem-essay I did on the land I love. enjoy.
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