Sundays on the ranch are somethin',
Just after morning chores are done,
I head up to the house on a dead run,
I've called the herd and put the buckets out,
Fed the chickens, called the horse, "Old Son,"
Heard the rooster yammering at the rising sun;
Old dog is baying loud to add some fun....

Meanwhile, at the house,
The wife has rattled up the kids and lined em out,
When I come in, they clear the bathroom out,
So I can get a shave and morning shower,
And off we'll head to church in half an hour.

Or so we think....
It's then the neighbor calls to say our milk cow's swinging by,
Bell clanking off-step time to her butter-churning udder,
"She's headed north toward town!" he chortles mirth,
"Maybe she wants to hear old Pastor Perth!" I mutter.

All jokes aside, I hang the phone and grab my cap,
We pile in the truck to try and get her back....
We have a chance if we can turn her 'round above the hill....
Why is it Sundays sweet Dolly becomes such a pill?
A simple rule of nature I wish I could avoid,
Is if a plan is put in place, as sure as Lloyd,
Our Guernsey chooses then to go out on a spree,
And Pastor Perth in town prays extra hard for me.

Matilda.
The light of my life.
The poem of my tongue.
The fire of my chest.
The wind of my *****.
The hate I loathe.
The beauty I view.
My lady.
My dream.
My hesitant rainbow.
My fearless tears.
My coverlet and starlet;
my blanket and dainty amulet.
My distant promise and cautiousness;
but in all my darling; looking ever so stately-
yet not like yon faraway, morning dew.

Matilda.
The hands I adore;
the fingers I want to kiss.
The solitude I live in;
the fate I was born in.
A pair of eyes ever to me too divine,
A charm that loyally strikes, and glows and shines.
A lock of hair that petulantly sways and sweats.
A midday tale of love; as how it is mine,
a beauty that this world ensures,
but cannot adore.

Matilda.
Even the brisk turquoise sea
is ever less glossy than thy eyes,
for their calmness is still less harmful,
unlike unbending, thus insolent tides, at noon.
Ah, Matilda, thou art yet too graceful,
but tricky and indolent, as the puzzling moon!
Thy purity is like unseen smoke,
tearing the skies' linings like a fast rocket,
making me ever thirsty, turning my heart wet,
but still this attentive heart thou canst not provoke;
thou art a region too far from mine;
but still luck is in heart whose fate's in thine.
And as thou singeth a tone I liketh to sing
I cannot help but more admiring thee;
And as thou singeth it genuinely more,
thou capture all my breath and give it all a thrill;
for I realise then, that thou canst be stiff, as sandless shores;
but thy beauty canst so finely startle,
and whose startledness
canst ****.

Matilda.
But deadness, and ever desolation
are vividly clamouring in thy eyes;
Thou art but distinct, distinct indeed-from serenity;
for thou warble thyself, but gladly-away, from thy sullen reality.
Ah, Matilda, how canst a soul so comely
be hateful to fame, and dishonest just from its frame?
Matilda, to those merciless hearts indeed thou beareth no name;
Thou art a shame to their pride, and a stain to their bitterly fevered, sanity.
Yet still, thou art to innocent to understand which,
and in love naively, as thou just art, now-
with that feeble shadow of a pampered young fellow,
Whose stories are also mine,
for his father's money is donned,
and coined every day-by my servant's frail hands;
The sweat of my palms obey me in doing so-
I am my master's son's poor sailor,
and he his sole heir-and soon is to inherit
an indecent boat; full of roaming paths, doors, and locks
And at nights, costly drapery and jewels shall be planted in their hair-
yes, those beastly riches' necks, and skin fair,
And thou be their eternal seamstress,
weaving all those bare threads with thy hands-
ah, thy robust ****** hands,
whilst thy heart so dutifully levitating
about his false painting, and bent even more heartily, onto him.
Ah, 'tis indeed unfair, unfair, unfair-and so unfair!
For such a liar he was, and still is-
Once he was betrothed to a bitter, and uncivil Magdalene;
Uncivil so is she, prattling and bickering and prattling and bickering-
To our low-creature ears, as she once remarked,
She who basked in her own vague hilarity, and sedate glory
And so went on harshly unmolested by her vanity, and fallibility;
But sadly indeed, occupied with a great-not intellect,
As not sensible a person as she was;
At least until the winds knocked her haughty voices out-
and so then hovering stormy gales beneath,
took her out and gaily flung her deep into the raging sea.

Still he wiggled not, and seems still-in a seance every night,
whenst he but cries childishly and calls out to her name in fright.
Her but all dead, dead name;
'Till his father tears him swiftly out of his solitude
And with altogether the same worried face
but drags his disconcerted son back into his flamboyant chamber.
Ah, and I caught thee again, Matilda,
Bowed over the picture of yon young sailor;
'Twixt those sweet-patterned handkerchiefs
On thy lil' wooden table, yesterday
And curved over yon picture, I was certain;
I caught some fatigued tears in thy eyes-
for from thy love thou wert desperate,
but still unsure even, of the frayed tyings of cruel fate.
Ah, Matilda, your hair is still as black as the night
The guilty night, though nothing it may knoweth, of thy love,
and perhaps just as unknowing it seemingly is;
as th' tangled moon, and its dubious arrows
of unseen lilies, above
Shall singeth in uncertainty; and cordless dignity
And which song shall forever be left unreasoned
Until the end of our days arrive, and bereft us all
of this charismatic world-and all its dearest surge of false,
and oftentimes unholy, fakeness.
Oh Matilda, but such truest clarity was in thy eyes,
And frightened was I-upon seeing t'is;
As though never shrouded in barren lies
Like a love that this heart defines;
but never clear, as never is to be gained.
Ah, Matilda, and such frank clarity dismays me;
It threatens and stiffens and chortles me,
for I am certain I shan't be with thee-
and shall ever be without thee,
for thou detest and loathe me,
and be of no willingness at all-
to befriend, to hold, or to hear-
much less reward me with thy love,
as how I shall reward thee with mine.

Matilda, this love is too strong-but so is, too poor
And neither is my heart plainly bruised;
For it is untouched still, but feeling like it has been flawed
Ah, why does this love have to be raw-and far indeed, too raw!
I, who is thy resilient friend, and fellow-sadly never am in thy flavour;
for in his soul only-thy love is rooted;
And this love is forever never winning-and it is sour,
Like a torn, mute flower; or like a better not, laughter.
And my heart is once more filled with dead leaves-
Ah, dead, dead leaves of undelight, and unjoy;
Whose cries kick and bend and strangle themselves-
all to no avail, and cause only all its devouring to fail,
For his doorless claws are to strong,
Stealing thy eyes from me for all day,
and duly all night long.
How discourteous! Virtual, but too far, still-
corrupting me; ah, unjust, unjust, and discourteous!
Tormentingly-ah, but tormentingly, torturously, insincere!
Ah, Matilda! But soon as thou prayeth,
every single grace and loveliness thou shall delicately saith;
Thy voice is as delightful as nailed, or perhaps, cunningly deluded vice-
Which I hath always feigned to be refuting tomorrow,
but is only to bring me cleverer and cleverer sorrow
'Till hath I no power to defy its testy soul,
that for no reason is too shiny and bold,
but so dull, and bland as a hard-hearted summer glacier,
and too unyielding as hurtful, talloned wines.
Oh, but no appetite I hath, for any war
against him-for he is fair, and I am not,
He is worthier of thee, than my every word;
He who to thee is like a graceful poem,
he who is the only one to smirk at
and hush away thy daylight doom.
Matilda! For evermore thy heart is mine;
and mine only-though I canst love thee
only secretly, and admire thee from afar,
Still cannot I stand bashful, and motionless-too far,
For I wish to hath been born, for thy every sake
Though it shall put my sinless tongue at stake
And even my love is even gentler then blue snowflakes;
and more cordial than yon rapturous green lake.
Ah! Look! Upon the moors the grass is swirling,
so please go back now; and be greedy in thy running.
Still when no music is playing,
all is but too painful for thee,
which I liketh to neither witness, nor see,
for upon thee the moon of love might not be singing,
as it is upon all others a song,
But somehow to nature it not be wrong,
for he cannot still be thy charm, nor darling.
O-but I hate thinking of which affectionately,
when thou crieth and which sight, to my heart, is paining.
Ah, Matilda! For even to God thy love is but too pure;
for it is faultless as morns, and poisonless-
like those ever unborn thorns;
Of yon belated autumn melody,
But is, somehow, fraught and dejected
With sorrow, for it is him, that yesterday and now
Thou loveth softly and securely,
Two hours later and perhaps, in every minute of tomorrow.

Matilda! But still tell me, how can thou securely love a danger?
For I am sure he is but a danger to thee, indeed;
Once I witnessed how his face
grotesquely thrusted into furtive anger
As he burst into a dearth of strong holds,
of his burning temper-under the blooming red birch tree;
And as every eye canst see,
He is only soft, and perhaps meek-as a butterfly,
Whenever the world he eats and sleeps and feeds on in-
Tellest him not the least bit of a lie;
Ah, Matilda, canst I imagine thee being his not,
ah, for I shall be drowned in deflating worry, indeed-I shall be, I shall be!
I dread saying t'is to thee-but he, the heir of a ruthless kingdom,
and kingdom of our God not-within their lands and reigns of scrutiny,
His words are but a tragedy, and a pain thou ought not to bear;
O, Matilda, thou art but too holy and far too fair!
Thy soul is, so that thou knoweth, my very own violin-
To which I am keenly addicted;
I am besotted with thy red cheeks-;
As whose tunes-my violin's, are thy notes
as haunting and sunnily beautiful,
And cloudless like thy naivety,
Which stuns my whole nature,
and even the one of our very own Lord Almighty.
Ah, Matilda, even the heavens might just turn out
far too menial for thee;
and their decorum and sweet tantrums idle and unworthy;
Thou art far, far above those ladies in dense gowns,
With such terseness they shall storm away and leave him down.
But why-why still, he refuses to look at thee!
Ah, unthinking and unfeeling,
foolish and coquettish,
unwitted and full of deceit-is himself,
for loving should I be-if thy smile were what I wished,
and thy blisses and kisses were what I dreamed;
I wouldst be but warmer than him,
I wouldst be but indeed so sweet,
I wouldst be loftier than he may seem;
and but madden thee every sole day, with my gracious-
though sometimes ferocious-ah, by thy love, ever tender wit.

I hath so long crept on a broken wing,
And thro' endless cells of madness, haunts, and fear,
Just like thou hath-and as relentlessly, and lyrically, as we both hath.
But not until the shining daffodils die, and the silvery
rivers turn into gold-shall I twist my love,
and mold it into roughness-
undying, but enslaved roughness;
that thou dread, and neither I adore;
For for thee I shall remain,
and again and again stay to find
what meaningful love is-
Whilst I fight against the tremor
and menace this living love canst bring about-
To threaten my mask, and crush my deep ardor.
Ah, my mask that hath loved thee too long,
With a love so weak but at times so strong;
and witnessed thee I hath, hurt and pained
and faded and thawed by his nobility
But one of worldliness; and not godliness
For heavens yonder shall be ours, and forever
Shall bestow us our triumphs, though only far-in the hereafter;
Still I honour thee, for holding on with sincerity-
and loyalty, to such contempt too strong
For thou art as starry as forgiveness itself,
and thus is far from yon contempt-and its overbearing soul;
And perhaps friendly, too unkind not-
like its trepid blare of constant rejection, and mockery
And as I do, shall I always want thee to be with me;
For thou art the mere residue, and cordial waning age of the life that I hath left;
For thou art the only light I hath, and the innate mercy I shall ever desire to seek;
and perhaps have sought shall, within the blessed soul of my 'ture wife.
Oh, Matilda, thou art the dream t'at I, still, ought not to dream,
thou art the sweetness I ought' only charm, and keep;
As thou art the song, that I may not be right'd to sing;
but the lullaby; which in whose absence, I canst shall never sleep.

After taking a gulp of water, M. opens a new Word document, inhaling deeply. He begins to write a sort of Introduction or Author’s Note:

‘This is to be my first real poem. No *******, cheesy rhyming or painfully forced verbiage. I am now only a seeker of truth…’

M., having just crushed two Focalin pressed pills, rolls a five-dollar bill and proceeds to insufflate, pausing momentarily when the line is halfway finished; he exhales before immediately finishing it off. His sinus burns fiercely. There is something masochistic about his preferred method of ingestion w/r/t pills. And but with a sudden albeit expected (in fact, M. was utterly beholden to it) rush of vitality, M. spends the next ten minutes finishing his half-page poetic manifesto [sic] (which term he actually wrote as a heading. “Poetic Manifesto”, that is), before beginning what he considers to be the first stanza. He likes that the location of the beginning of his poem is ambiguous. And so he begins thusly, consciously avoiding conventional rhyme scheme, instead opting for what he considers to be abstract.

‘My first poem, ostensibly an attempt at catharsis, was in fact a failed expression of my latent desire to be accepted. For today it’s a poem and last week a novel; tomorrow I’ll ferociously ******* some fashionably obscure, formidably pretentious prose [sic]. Consuming all but absorbing nothing…’

If he is to discover vicious truths [sic] in his writing, he cannot hold anything back. He thinks of a double-entendre using the word ‘blunt’, but decides not to employ it. Perhaps yesterday. Suddenly, M. begins to ruminate on his poem from the day before, which had earned him the opposite of acclaim from his peers. He must simply do the opposite of what he had done before! When he resumes writing, M. eventually begins to subconsciously fall back into the 12-syllable AABB rhyme scheme of his yesterday’s poem.

‘…Perhaps the following phase will stick for more than a wretched week.
Why have I wasted words on wan, vapid, wheezing lines
Of sickeningly phony, sophomoric, pseudo-sentimental ****?
Surely you see the salient theme,
That from which I hide,
Refusing to acknowledge life’s flaccid, tan **** as it floats in front of me,
Beckoning me forth,
A one-eyed, furiously fetid viper...’

M. chortles at his alliterative stanza’s ending. ‘This is how I write,’ he mutters to himself, maintaining a straight face. He writes without pause for nearly an hour. He is pleased.

‘…A generalist—that’s what I tell myself I am,
Because simply knowing a few facts,
Even for forty or fifty fields,
Is surely worthy of that
Respect which is given to those men and women
Who earn it by grinding away
At that which determine the sycophant vermin
Is worthy of lifting a lash…’

Hours pass. The poem approaches two thousand words in length. After taking a truncated cigarette break (the break, not the cigarette, was truncated), M. continues where he left off.*

‘…Believe you not for a second the frost-bitten-phallus,
That Freudian façade [sic],
The false faces I display to fake friends
Whose frequent fornication
Fills my mind with fossilized fleas,
******-spiritual formication [sic]
For which there’s no vaccine…

…Once I’ve come down from the mountainous apogee atop which I sit,
Calmly surveying the ever-receding landscape through the lens of fleeting euphoria
Which, fading faster always, gives way to—no, I will not say it—I refuse to legitimate her lies.
As I descend with increasing speed,
specters of judgment torment me into insanity…
    
B  r  e
a   t  h
     e  ;

...this feeling I simply cannot bear—
their sirens threaten to burst my eardrums.
Although it’s undoubtedly pathetic,
I can no longer lie to myself;
I desire the approval
of those specters
who haunt
m-
e
...’

M. begins to hyperventilate, panicking at his embarrassment at publishing such a bad poem the day before. He grasps his heart, which is beating out of his chest. The fear of cardiac arrest simply increases his anxiety. Laying down on the ****-carpeted floor, M. attempts to meditate, imagining this to be how it might feel to do TM on *******. Minutes then an hour pass.
Suddenly, a much-welcomed epiphany presents itself to M.; as if it fluttered through his window and hovered, eerily still in the way that only hummingbirds can be, just in front of his face. So obvious does it seem (the epiphany) that he begins to laugh maniacally in the pitch of a female voice either pre-pubescent or near-dead; a kind of

YEE!    

YEE!      

YEE!    

HEEEE!

HE!

HEE!                      

HEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE!

sound.
After minutes of uncontrollable mirth, M. holds his abdomen and makes the lugubrious [sic], delirious noises of tired suffering. After a few more YEE’s and HEEEE’s escape, he begins to regain control, trying not to focus on what he’d realized w/r/t futility as it relates to shame, but certainly ensuring that he won’t forget. M. sits in his chair with a old-man grunt, the sort of noise over which wives divorce their husbands.
He sips water.
M. opens a new document and begins to type:

For what do we write, we talentless wretches?
To publish some
gooey garbage
in hopes
that some fleet of demonic tween-age sociopaths
adopts our work as part of the canon of cuntiness?  

Not we, the veritable “un-poets”,
Our haphazardly-conceived writing stinks,
No, it reeks of fetid, smegmatic phalluses;
Of a ****** of maniacal madmen,
Blue-balled after an abysmal night/morning
Tossing crumpled ***** of money
At Patti’s plump-lipped, positively putrid-looking

&&&&               *****               &&&&

In an I-95 truck stop;
“Taste **** and *****
At Trucker Tom’s ***** Taphouse
                                        Where friends meet
                                            and literally throw money
                                              into syphilitic snatches.”

We write for the duty of identity,
We who might be found with a serious face on,
Writing rhyming, rhythmic,
quasi-**** lines of lead-heavy, snobbish lifeforce-larcen.
The sort of **** that keeps you from getting up in the morning.

But of course we are writers, as sure as the sea
Is blue, the day is long, who daresay that I am wrong?
And he who
doth [sic] dare,
I point to that long
******* I posted
ere the day began.
There lies his evidence though it belongs in the can.

10 Haiku of Raven

        1
black God

Huge cumulus clouds,
Exploding into the blue,
  .  .  .  Shadowed by raven.


        2
valley morn

Dark hands working fields,
Raven tracing mountain crests,
  .  .  .  Carnal tillers wake.


        3
Raven spell

Dark sound raven makes,
Chortles top fir tree, haunting—
  .  .  .  Druids incantation.


        4
unfaithful

Snow covers valley—
Solitary raven staining world,
  .  .  .  Love has turned black.


        5
outcast

Many years alone,
Suddenly— old thoughts of her,
  .  .  .  Lone raven in sky.


        6
mischief

Lone raven cackles  .  .  .
Clouds splinter across the sky,
  .  .  .  Mist cuts down the woods.


        7
marked

Full moon crowns tall pine,
Raven landing in cross hairs,
  .  .  .  Dark angels halo.


        8
Loki

Raven knows a charm,
A child's costume jewelry,
  .  .  .  Colours a black eye.


        9
tall tale

Zenith of winter—
Lone raven in naked tree,
  .  .  .  Spring only legend.


       10
dark angel

In his feathered dress  .  .  .
Raven shrouds beneath the clouds,
  .  .  .  Even eyes are black.

breaking ice in my mineral water
lime spritzing the air and
dripping down my fingertips
as i twist it and sip its tang
hot sunlight radiating on my
body until the sweat glistens
at even the slightest movement
the rustle of well-worn pages
his sharp Adam's apple
rolls ever so slightly with a swallow
of the sparkling glass
the bubbles, like tiny diamonds
the hiss of the sprinkler next door
and the squealing chortles
of the neighbor kids running in it
chocolate melting on my tongue
chair squeaking when I recline

Happy is as happy does, but
I'm thankful happy's mine.

I'm sorry
If I woke you up last night
My pen told me secrets in whispers
And I carved scars and tales
Of silly incantations and
old fallen trees
Of silver days in summer breeze
and tattered amber sundresses
Of apple bites and ripe grapes
near the broken glass on the carpet; they decayed
Ashes danced on my lips; sculpting poems on my skin
and flicking cigarette on my wounds
Smudged mascara and dulcet memories
Leather fabricated journals of vintage times
hiding crisp carcasses of yellow daises
Euphonious chortles and
early morning smiles
Forgotten tea leaves in the teapot
and ginger bread turning cold
Sun rays, like gold dust, sparkling in the air
Through the tall trees of a forest
hanging on the clouds in despair
First day of Spring, magical it is
like a caterpillar's fate
Silky cocoon, shiny chrysalis,
emerging out as a butterfly
Leaving as old and embracing the new
Igniting the sky over my purple roof

Fathercraft
has been passed down
from father to father
losing and gaining
at each slow bequeathing -
less heavy-handed there
more soft-hearted here
as each generation rejects
the disciplines of the past.
So much so that I wonder
what's left of the original art
and what we've lost.

This is my food for thought
as I feed my daughter -
crumbled digestive
with mashed banana -
perhaps a favourite of mine
and my father's,
while she grins and chortles
blowing biscuit dust
and spittle bubbles
with absolute child-delight.

Food for thought
as I drink in her smile,
wipe my cheek
and laugh along,
prolonging the rare perfection
of this father moment.

standing in front of the pacific
sea salt hair, frothy finger scooping
water back into the sea
gulls hungry desperate endangered
if not for stranger's crisps
clawed baby *****
pincers at the ready
crushed by babies human
shell fractured by skin
hands held together by other hands
threaded together like a lifeline
families laugh, dolphin-like chortles
over nothing
at all
and sons and daughters
forgo their differences, chuck them
into waves with grey shore rocks, protect
their towels and castles and bodies
with sand moats, a starfish
plunked dead center
far away from home
iridescent sea shells collected
as jewels, worn around pretty
bruised necks of housewives
content in their one-day
ocean excursion turned revolution
solitude as i watch
and sit and think and think and
feel and watch some more
eyes like those saccharine
candy floss treats, cloying to
tongues and fingertips, alone
in another universe i am
with a family
tossing our children into ocean waves
dunking ourselves into the deep
collecting glinting shells for
our jewelry, breaking them
as they are shoved into plastic bags
but today
in this universe
i am the crab
crushed by skin
and flesh
and bone
a soulless thing
careful to observe, cautious, fleeting
miniscule
to be fed upon, ******
dry by trauma,
licked off the fingers of
would-have-been acquaintances
a carcass of longing
for moremoremore

yet never quite certain
how to crawl towards it
lest i be
stomped upon
again

so i sit on the beach
inhale saltwater and laughter and affection
through my skin
and make friends with sea creatures
as lonely as i am
as insignificant
as me

Brown oak leaves underfoot, last year's sodden
reminders that newness always ends. But
not today

while the creek, silent in summer, chortles
about last night's rain, full of spring vigor
far below

the limestone bluff edge where
I stand, chert nodules and fractals
peeking through

springy new undergrowth, broke down
limbs, leaf litter and dark soil.  I came
for morels


but it's too early, too chill yet. Tomorrow's
predicted sun may bring them out. Early
mayapple

sprouts fool me, draw me to admire other
understory plants: trillium, maidenhair fern,
spring beauty,

johnny jump-up and more whose names
I knew once but forgot. I came alone and
I don't need

names. Names mean nothing without
voices and other ears. I love the silence
I bring here.

It's a tale as old as time,
Like a fine wine that's aged.
Getting more bitter, rather than sweeter.

I look in the mirror. My reflections stares back at me.
The edges blur and fizzle, waiting to reveal, to see.
The face in the mirror resembles my face, only less clear.
Instead she looks at me, eyes wide with fear.
She snarls her nose, growls and hisses.
I look back, in time, she reminisces.
About the days we would share the same face.
About a time, we lived in the same place.

Now she shouts, WHAT DO YOU WANT?
I scream, she continues to haunt.
Why don't you like me? What's so wrong?
YOU ARE WEAK, I SHOULD BE STRONG.

I look away, count to three.
Ground my feet, think of me.
I am not weak.
I look at her again. I am NOT weak,
I say with a look so bleak.
YOU ARE she judges,
JUST LOOK AT YOU, she begrudges.

I bite my nail, look away again.
I try to hide the pain.
The girl in the reflection laughs and chortles
YOOU ARE FEEBLE, just like all mortals.

I AM NOT! I scream. I AM ME AND WHO ARE YOU TO SAY?
THAT I AM JUST SOMEBODIES PRAY?
But look at you, getting defensive against your own reflection
You could say it's merely a deflection,
Of your self worth
You might as well be a still birth.
You bring no value to this world.
She spits the words, lips curled.
I HATE YOU.
I HATE YOU TOO.
OH BOOHOO POOR ME POOR YOU.

I collapse on the floor,
I can't take much more.
What will the next face bring?
I rise from the abyss,
I can barely withstand this.

The next face is kinder.
Another meek body behind her.
Who are you?
I ask askew.
I am you, and you are me.
Let me show you what I can see.
I see a person whose been through a lot.
Every-time they get back up, down they are shot.

I nod cautiously, is this a trick?
Quickly she'll be coming back, I'll be quick.
There's many faces that you can see,
Be it you, us or me.
I understand the torture you hold inside,
Let it go, be free, we want to take your side.
But how? I cry, tears falling of my cheek.
Keep going slowly, week, by week.
I nod slowly, I cry a lot more.
My arms are shaking my throat is sore.
I can't keep fighting, the monster in my mirror.
Every day she keeps coming nearer.

That's okay, you will see.
One of these days you will be me.
And the little girl hiding behind you?
It's another face of you know who.
I shakily nod, and enquire,
Why she's hiding, as if about to transpire.
She's hiding from the face in the mirror.
Just like you, it's becoming clearer.
We don't like what we can see.
I don't like it anymore please believe me.
I know, I know, my reflection says.
But please let it be just a haze.
The girl in the mirror stood before you.
You can choose what she does do.
It's a hard rope to walk, and I walk it well.
I know it's hard, for you to tell,
But you have a choice, a voice, a speech and sound.
It's hard when she's screaming, I feel drowned.
Shush now, it will be alright.
I can't keep fighting this ****** fight.
I feel so tired, exhausted and spent.
I know, I'm sorry but it's time we both went.

I stare at my reflection. She stares back at me.
Eyes brown, hair soft, no expression to see.
She doesn't blink. I don't too.
We are now the only two.
Blankly looking out at me.
Wishing that we both were free.
Who are you? I mouth at her,
She copies me with silence despair.
I don't know and **** my head.
She does too, heavy as lead.
I'm so drained, she echoes my words.
Is she mocking me, like mocking birds.
She scrunches her nose, as do I.
We nod to each other and say good bye.

I avoid the mirror the next day or two.
Hiding from the reflection, keeping out of view.