Submit your work, meet writers and drop the ads. Become a member
stopdoopy Jul 2018
(In a vacant church Little Girl and Big Man sit on a parish
a few feet apart, in between them lies a book titled"My Feelings".)

(The curtain opens. Little Girl sits staring at Big Man. Big Man gets up and goes to the statue of himself in front of them for a closer look.)

Big Man: Will talking in person really make a difference?

Little Girl: I like to think it does.

Big Man:  (turns to look at her incredulously.) What wishful thinking, you're so naïve.

(Little Girl opens her book and starts to read aloud.)

(Big Man cuts her off with a noise every time she starts to say something until she falls silent.)

Big Man: Just as I thought, it doesn't change anything.

Little Girl: But you don't-

Big Man: (cuts her off again.) You just can't let things go, that's your problem. I told you I didn't want to do this, yet you dragged me out here. It didn't accomplish anything!

Little Girl: That's because you don't even want to listen or try to talk, you just want to yell and blame me!

Big Man: That's enough, this conversation is over. (Walks off stage right.)

(Little Girl screams in anger and throws "My Feelings" at the Big Man Statue.)

(The Curtain closes.)
I wanted to try something a little different! I've never written stage directions or a play before but I thought this would be a nice change. I didn't really convey the raw anger or passion, nor was it the scene what I originally wanted but maybe it's a step in the right direction. Trying out different styles is neat. Not happy with this piece though but... oh well.
Jellyfish Feb 2016
He feels the same pain that she does
Which makes her feel sad because...
The mask she wears,
he takes off and puts on,
But she sees the cuts behind the sleeve
Along with the smile that everyone believes.
Ashley Chapman Aug 2018
These days have ebbed
as Love's swell was checked:
the waters in some places
- all but dammed!

But now at last
I sense the rising tide
and thank Temese
for the current's turn;
now following that great writhing snake
to where its pulsing head will rake;
over the mucky soiled watery beds
of Woolwich
Greenwich
Limehouse
- and under -
Tower Bridge

     To that great gloating sight
                A crown of a billion lights
     Blazing day and night:
                And somewhere within
     In the slick oily warmth
                Our flood tides mesh,
     As over each other we wash.

Hard thrusts
wicked deep cuts
given and received
are recorded in that great mirror smoked!
where with a tug and a shove
on the banks
in the streets
through the loopy twists
everything prospers in the glow
as the decades decaying flow;
each ***** bud
red with new blood
one after t'other
flowers
before their purple petals scatter.

Let's on the luck o' the dice
(you 'n' me!)
ride out
on the flotsam and jetsom
that has carried us this far
and as pleases
merge.
London, a city with a rhythm, the Thames, which I sailed upon one Saturday morning - not a soul at this end of this magestic river, this city, in which I have lived for forty years...And love - a wonderful woman - and how I desire us to pull at each other as tides do, tugging at each other, two flows running over reeds and muddy shelves searching for each other in the cool green depth.
Jellyfish  Nov 2014
Abuse
Jellyfish Nov 2014
Tears,
Shatter.
The floor,
Cracks.

Against the splashes,
You hear them splat.
Your heart beats furiously.
The girls heart breaks.

She falls.
Eyes shut.
The hits,
Leave cuts.
Her smile,
Vanished.

Against her own will,
She lashes.
Screaming,
"Mother, no!"
Nat Lipstadt Aug 2018
<>
The Instigation:
Edmund  Black, commenting on “weary weighted,”

I agree with Kim; This is poetry at its best :)“

<•>

both of you shush!

there is no “better” in poetry

mine yours theirs, alive or not,

just gasps tears and blood
whimsical smiles and isles
cuts and burns of pained revelations,
hidden in fog,
that words try to delete away,
through the shrouded mists of
human tissues,
unconstrained by the
bounded shape
of the human cell,
our first, our own
self-imposed jail

tissue, too,
baby soft, or,
purple beating majestic bruised blotches
by those weaklings whose
kindness never
fully developed;  
or old man mine whose
skin cells erodes, so poems and light
weary weighted, lightly flake off
for your “betterment”
mostly tho for worse

good humans all await,
in patientce lightly hidden,
residents of dark sunspots
in the glaring existence exposer
of the unlit lighthouse whose time will come

they get it

how we get there unimportant

get there

GET THERE

get there
that is the poetic
mission critical

no path best or style preferred-
no compare just, but,
any path that
lifts and elevates,
to the commonplace


the common place

where all costarred, universal,
where common is the temple mount
of highest praise, holy smoke rising,

a place that
that discloses and closes,
is scribed/described honestly as
a connective,
which is the simplest
successive

call my poems,
blessedly common!

that an honorable,
so gladly accepted
and
so much more meaning-full
than merely best or better



for that,
I’d gladly weep,
for no praise
ever been
bettered





8/2/18 406pm
on the jitney to my isle
the instigation: Edmund black › “weary weighted, I agree with Kim .... This is poetry at its best :)“
Maggie Emmett Jul 2015
PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery hell;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi
This poem is part of a longer poem called Seasons of Terror. This poem was performed at the University of Adelaide, Bonython Hall as a community event. The poem was read by local poets, broadcasters, personalities and politicians from the South Australia Parliament and a Federal MP & Senator. The State Premier was represented by the Hon. Michael Atkinson, who spoke about the role of the Emergency services in our society. The Chiefs of Police, Fire and Ambulence; all religious and community organisations' senior reprasentatives; the First Secretary of the British High Commission and the general public were present. It was recorded by Radio Adelaide and broadcast live as well as coverage from Channel 7 TV News. The Queen,Tony Blair, Australian Governor General and many other public dignitaries sent messages of support for the work being read. A string quartet and a solo flautist also played at this event.
CK Baker Feb 2017
it falls through the glow of the wintry trees
building a cover under the breeze
luminous lights sparkle and hatch
snow pack high on the briar patch

pine cones fall from rustic fir
squirrel and robin shuffle and stir
sitka spruce at tunnel bluffs
ravens roost on the cedar rough

dusted peaks at hurley pass
snowline cuts the avalanche
fox and lynx are on the prowl
hollow eyes from spotted owl

cool winds up the valley trail
whirling snow round diamond vale
chilling flakes in candle hands
moonlight shines across the land

northern lights in krypton green
the sounds of verve are bitter sweet
curtains hang from a cold dark sky
counting stars, a lullaby
Melissa Koe Nov 2014
The wind blew strongly. Out at sea, the fisherman’s small boat swayed in rhythm with the waves. He stood up and adjusted the sail, in case the wind blew it off. After so many years of earning a living as a fisherman, he has made peace with the sea – he no longer feels sea sick. Oh, but he feels a certain kind of sickness…… a different kind. His eyes filled with tears as he shifted his gaze from his worn out canvas sails to the horizon where the sun is just about to set. The sky above him is slightly orange – but is dulled by the gray of the storm clouds shifting in.

                He thanked the gods for the sky above and the sea below him, albeit the upcoming storm. He has recently lost his daughter, Fatema to the sea. His grief is still fresh, it still cuts deep. He lost his daughter to the tsunami that destroyed the fishing village. He has lost all his belongings – but nothing belonging to him will ever be as valuable as Fatema. Yes, grief makes him sick – and he has a good reason for that. When they found her, her body was trapped between five pieces of driftwood – it was a gruesome sight. How ironic is it? The arms of Neptune have always supported him throughout his life – making sure he earned a living and yet, the same menacing arms betrayed him and took Fatema away.

                For that, he was angry with the gods. How could they take away a life as easily as they gave it? He snapped out of his thoughts and raised the back of his hand to his eyes to wipe away the tears. His musings aren’t going to help. He has to begin sailing to find a shelter from the storm that is rolling in or else he won’t make it through the night. For the past week or so, he has been living in his small boat, making sure his stomach is full by fishing for small fish and crustaceans. He fixed his sail and began to sail in the direction of a small cove he is familiar with which will provide adequate shelter for tonight.

                As he sailed, he started to feel lonely. He reached his hand into his pocket and pulled out a locket with Fatema’s picture in it. He brought it to his face and gently kissed it, gripping it in his hand. As he sailed nearer the cove, moonlight began to illuminate the prow of his boat. When he is near enough to the shore, he skillfully measured the depth with sight alone, and lowered the anchor to make sure his boat remained in that position till dawn.
                As he descended from his boat, he waded through the water. Both of his arms are full of dried driftwood for him to start a fire tonight. He heard the distant sound of crickets and an owl. He walked toward the beach, heading towards a small cave and entered it. He checked the ground to make sure it was dry before he started a fire using the driftwood. The crackling of fire accompanied by the distant rumbling of thunder brought comfort to his ears. The flames that rose and vanished combined with the smell of the smoke left a silage – a lingering presence that soothed him. They reminded him of how he used to read stories of beasts and princesses alike to Fatema when she was a young girl until she fell asleep in his arms. Those days are long gone now. He stood up and headed back to his boat to set up the fishing nets for his meal later on tonight. He fixed the nets close to the shore before walking back to the cave to the warmth of the fire. He did not know what to do. He was supposed to sail back to the mainland by next week but the storm has been slowing him down. He listened to the rhythm of the waves crashing against his boat and drifted off to sleep……

                He opened his eyes. He did not hear any crackling from the fire nor feel the warmth from it. When he looked down, the fire has been extinguished. The moon was so high and bright now he only needed the fire for warmth. Just as he was about to stand up to fetch more wood from the boat, he heard a sound. Yes, there was a slight drizzle but it wasn’t the sound of rain hitting the sand. It was a soft, melodious voice which was….singing.
“May you sail fair to the far fields of fortune,
with diamonds and pearls at your head and your feet
and may you need never to banish misfortune,
may you find kindness in all that you meet.”

                It was the lullaby he sang to Fatema as a young girl. He began to feel excited and ignored the voice at the back of his head telling him he was insane. He looked out and saw her – Fatema, sitting on a rock. He called out to her and she looked back at him, saying something he has been yearning to hear from her – “Papa.” He was speechless and could not believe his eyes. She donned the black dress they found her in, but she barely had any scratches on her; she did not even look wounded. Instead of walking towards him, she flashed her sweetest smile and started walking towards the beach. She beckoned for him to follow her. He ran towards her, constantly calling out to her but she did not reply. She held out her hand for him to hold, and he did.

                One more step and she will reach the water now. “Fatema, what are you doing?” “Papa, just come along with me.” With those few words…..he felt like he was in a trance. There were so many questions running through the back of his mind but he ignored all of them. Was he hallucinating? He turned to his left as they waded nearer to the sea – the fishing net that he placed near his boat had a small crab in it. The moonlight that shone onto the sea reflected on her beautiful features – her curly, black hair and light brown eyes. With every step he took, he felt more nervous, confused, and excited at the same time.

                The water level is up to their chest now.  On the second day after Fatema died, when he was very much in pain, he made an analogy about grief by comparing it to the nearest thing to him. Grief is like the sea. It drowns you while everyone else is swimming. He felt more familiar towards it….. it did not seem as foreign to him anymore. If so, he is “literally” being consumed by grief as they waded deeper into the sea. He did not mind though – this is the story of a man who desperately wants his daughter back. He did not care if he was hallucinating or if she was a ghost. He does not know where she is taking him, but he wants to follow his daughter to who-knows-where; for to him, that is paradise, be it in the depths of the sea or the height of the skies.

                He can no longer see the moon.
An essay I wrote for English exam.
one hour write-up.
Mak  Jul 2014
my story
Mak Jul 2014
The room was silent. The only sound to be heard was the slow, steady dripping from my mother’s IV.      

“What do you mean, you’re dying?”

Multiple Sclerosis was, in short, a ***** of a disease. Somewhere along the span of my mother's 35 short years on this planet, her immune system made a giant mistake. For uncertain reasons, her body began to attack nerve cells, severely affecting her brain's processing ability and mobility. The only medication that had ever subdued the symptoms was beginning to **** her.

“It isn’t an immediate thing, Makayla. I still have plenty of time.”

Turning away from my mother, I wiped tears from my eyes. There was no way in hell I was going to let my family see me cry. Absolutely no way. This was a joke. My mom was not going to die.

“Kayla, baby, talk to us. It’s okay.”

With a deep breath, I forced a smile, as I often did, and blinked away all traces of tears from my gray eyes. Turning around to meet my parents’ worried expressions, I simply nodded.

“How long?”

The question came out as more of a statement than a question. The morbid implication of those two short words spoke worlds louder than any words I could muster.

“5 years, at the absolute worst.”

At that, I stood, and left. I ran, and ran, and ran. I ran until my lungs hurt, and then kept running. But no matter where or how fast I went, I knew I could not escape the horrible reality of the matter.

The woman who gave me life was losing hers.

I was always the type of person who knew how to talk my way out of any situation.

And this time, there was absolutely nothing I could do about it.

There’s no sweet-talking death.

And with that, I began to accept her demise, and my defeat.

///

The first sip burned my esophagus, and I felt the blaze continue to my stomach, where it left a lasting warmth. I coughed a little, as the hazy feeling of drunkenness set in, setting my head spinning and my insides ablaze.

The past two months (52 days, 4 hours, and 30-something seconds) were a continuous downward spiral into a constant intoxicated state. Instead of addressing my feelings in the endless sea of counseling sessions and semi-sympathetic family therapy hours, I isolated myself. When my mother asked how I was, my reply remained the usual, “Doing great, mom.”

I was not, in fact, doing great. The alcohol wrapped itself into me, braided itself within my better sense, and I began to let myself fall apart. The wall I so often hid behind, the wall of perfection, of cool, was crumbling. Short, yet deep cuts lined my thighs, just high enough to be hidden by the hem of my shorts.

My mother had the opportunity to save her own life. Russian research had found a possible cure for the disease that had been plaguing her very existence. 3 weeks of chemotherapy, followed by a few months of intensive care, and she would be normal once again.

My mother denied the treatment.

“Too much money,” she said.

“Too inconvenient,” she said.

Compared to the life of my mother, no amount of money nor convenience mattered.

I was furious.

I was drunk.

///

My mind swam, speech slurred, fingers trembled.

My phone sat in front of me, propped up on a gray tissue box, which had been halfway expended due to that night’s waterworks. The Coca-Cola can which held my ***/coke concoction was long past empty. I was drunk, and screaming words like ‘sorry’ and ‘doesn’t deserve this’ into a pillow. I knew my mother deserved to live. Compared to me, she was a saint. I felt empty and pathetic. I deserved to die.

I convinced myself that maybe if I did something extreme, she would value her own life more than she did.

I held tightly onto the railing of my house’s only set of stairs, as I attempted to keep my balance. I walked drunkenly to the medicine cabinet, careful not to make noise and wake my parents. I grabbed as many pill bottles as I could carry.

Exactly 41 pills of assorted shapes, sizes, and colors sat in lines on my bed. Small to large, rainbow order. The comfort of organization wasn’t helping this time. I wanted to die.

Before starting my buffet of medication, my phone lit up. One new text.

“I know you were feeling upset earlier, and I just wanted to remind you that you are special. You matter.” I instantly felt even ******* for what I was about to do.

I laid down in bed, beginning to drown in my own tears, and let myself fall asleep.

Neither I nor my mother would be dying tonight.
I came upon a dandelion  
An ordinary, common ****.
Most people don't look twice
Unless it infected their gardens.
Then it is uprooted, stem and head.
Thrown away and then forgotten.

But that **** meant something different to me

It was sunshine and laughter
Bouquets made of thistle and lavender
Bunched together and given to my mother
It was rolled up jeans
That perfect summer breeze
Cuts and bruises on my knees

It was my childhood

Memories that I can't quite grasp
But what I can remember is the bright yellow,
Stark against the grass
Madisen Kuhn Feb 2015
my stomach is in knots
and i feel so sick thinking about you
holding anyone that isn’t me
and i don’t understand why you thought it’d be a good idea
to tell me that you’re falling asleep at night
with another girl in your bed,
even if you’re not kissing her goodnight,
i tried to drown out my sobs all day with
modern vampires of the city on vinyl,
but it still feels like someone
sunk fangs in my lungs

it’s only been a week, the cuts from your nails
from holding my heart so tight
are still fresh
and i never asked you to stop,
i never told you i wanted to try
to be more than friends again,
i never tried to paint your hands red,
but all you could seem to do is defend
yourself and repeat that you’ve done nothing wrong
“you said we’re just friends
you said we’re just friends
you said we’re just friends”

and we are just friends
i just wanted you to understand and acknowledge
that it still hurts

and you can say you’re sorry, you said sorry,
but i’m sure she’s tucked in beneath your sheets right now
and you’re still repeating in your head
i’ve done nothing wrong
i’ve done nothing wrong
i’ve done nothing wrong
we’re just friends
we’re just friends
we’re just friends

and i’m glad you’re comfortable,
i’m glad you know you’ve done nothing wrong,
i’m glad you have someone to hold at night,
i’m glad thoughts of me don’t rip your heart out,
i’m glad you’re okay with being just friends

i’m glad you’re fine,

but, i’m sorry,
i’m not.
He’s no musician.
He doesn't make melodies through violin and guitar strings.
Yet he composed, haunting ballads in dramatic tempos,
Rhyming every lyric,
Harmonizing, making it dance in a musical euphony.

He’s no seamster.
Yet he cuts and he traces,
plain words and printed phrases;
Then he sews and he weaves it skilfully,
into a lovely concrete poetry.

He’s no painter.
He just has a palette of pigmented letters,
splashing colorful lines on his blank canvass.
A blast of contained evocative memories,
Streaking and shading mixtures of kaleidoscopic imagery.

He’s no storyteller.
Yet from him, I heard the most romantic tales-
One, of the moon and its lover sea.
Reciprocating shy glances, whispering I love you’s,
while kissing behind the sprawling mountains.
Though the dawn will come, they do not fear.
For after the majestic tribal sun leaves his stage,
There’ll the lovers be once again reunited.

He's no poet.**
Yet he writes--
stanzas and verses.
And oh! it revives,
every strand of emotion,
every sense of intuition,
Inside me.
A lyrical perception,
Sheer perfection,
Arousing perpetual reactions,
From me.
I am not good at this. I just want to express my pure gratitude, appreciation and awe for you.

"I am no poet. Never thought of myself as one. Just a guy dabbling clumsily in words"
Yet even, everything you do amaze me.


Thank you all wonderful people on Hello Poetry. I just realized this moment that this poem was featured as Daily poem yesterday.  I have never imagined any of my work will be posted as daily. Thank you all for the hearts, re-post,share, comments and messages. You really made my heart and soul so happy. :)
And most of all, thanks to the man who inspire me to write this one. :)
(04.14.2015)
Next page