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Oct 2014 · 2.6k
Hans Litten
MereCat Oct 2014
I have studied **** Germany
Someone stood and preached to me
All the ‘important’ names
All the ‘important’ dates
I wrote them down like longshore secrets
And debated over them
Like they were the pencil sharpenings
With which I littered the floor
‘Excellent analysis’ she said
I have even stood by the gas chambers
And the gallows
At Sachsenhausen Concentration Camp
And written insensitive poetry about insensitivity
But have I heard of Hans Litten?
Of course I haven’t.
I have stood in the Berlin gestapo office
And formed philosophies that feel more like profanities
Wondering how it can ever be appropriate
To take a school trip to a genocide
But tonight my ‘important’ education
Feels like the greatest atrocity
My guilty ignorance beats almost unbearably
Around my rib-cage
And waits for the shatter and the shards
Because I have never heard of Hans Litten
We all know six million
But who knows the six million?
We remember names that we stored away
Because mentioning them in an essay
Might bring about a higher grade
Displaying ‘a highly developed and complex level of understanding’
We remember names like we remember shopping lists
Or science lessons;
A few particular points
No attachment necessary
In fact, clinical detachment is far more becoming
When it comes to essay questions
They never told us about Hans Litten
Or about the men who also ran in the race to be in history books
Or about their mothers
And their fathers
And the people they shared cells with
And the people they shared graves with
My God, they never told us about Hans Litten
And Hans Litten is better known
Than most of those phantom dead
Those cracked-open voices that dared to raise
Until they were too loud for anything but the conveyer-belt
Concentration Camp system.
And the thing is that six million is not such a big number anymore
Because there are 49,506,514 views of Simon Cowell crying
And nearly 300 million of One Direction singing a song which is not so beautiful after all
And people are so desensitized to the number six million
That they believe that the world
Would not have enough **** in it
Without them posting hatred after obscenity after hatred in the YouTube comments
And Hans Litten, I can’t help feeling that I’ve failed you
My generation could tell you the private lives of their idols
But would not know your name
And we will still pour into school on Monday morning
And chorus our tireless fatigue and our lack of motivation for life
And I will still pour into school on Monday morning
And let myself complain and moan and grapple for sympathy.
I’ve acquired this abstracted self-loathing recently
That is less a hatred of myself than a hatred of what I have made of myself
Of my ingratitude and self-centred inability
To compose poems that do not start and end with Me
And of my procrastination and my ceaseless desire
To live something other than the life I’ve been given
Like I asked for extra cheese and got given Margharita
****.
I’m insufferable.
Hans Litten your list of injuries was ten times longer
than the list of all the wrongs I’ve had done against me.
Last night I went to watch a play called Taken At Midnight... it's about Hans Litten, in case you hadn't guessed... it tore me to shreds and then made whatever was left of me want to be ripped up too.

It is brilliant.

http://www.telegraph.co.uk/culture/theatre/theatre-reviews/11138692/Taken-at-Midnight-Chichester-Festival-Theatre-review-harrowing.html
Oct 2014 · 904
The best days
MereCat Oct 2014
The best days
Are not the Best Days
Or even the good days
They are the unremarkable
Inconsequential
Days
When you take a step away from yourself
And observe the rise and fall of a moment
From beyond its swell
When you are driving fast
Through a slow-moving night
And the headlights are smearing themselves on the roads
Like they’re trying to redecorate
And the radio is singing Yellow
And you turn your head out the window
To find a moon hung there
Blue-tacked to the infinity of sky
As thick and yellow as your grandmother’s smile
Or when it is winter and the sun has set
But the world doesn’t want the day to be over
And so pulls a musty, mustardy-grey blanket
Right up to its neck and prays
That the time for streetlights
Will insist on running ahead of it
Or when the shadows grow long in summer
And they fall like dust on the sand dunes
You run down to the sea
And try to hold it in your hands
Until the tide prises it from your clenching fingertips
Or when the sunrise is pink
And the cloud caps skid
Like ice-creams on hot plates
And you can’t help but bask in
The creativity of God
The painter
Who’s masterpiece could simply not be framed
And hung on your kitchen wall
And for a little while you want to be able
To lick the colours and candyfloss
Until someone says that little rhyme
About red sky in the mornings
And a shepherd’s warning.
Last night I was driven fast through a slow-moving night while the cars redecorated the roads and the moon smiled in the same colour as a Coldplay song on the radio
Oct 2014 · 539
Autumn Years
MereCat Oct 2014
I miss summer
I miss all its apparent infinities
Possibilities like pebbles on a shingle beach
I drowned in them
The infinite skies
The infinite ocean
And clouds strung up like garments on a washing line
Time was like bubble-gum
And my freedom could be stretched by just breathing into it

I miss summer
I miss wading in blue rather than grey
Or brown
Or orange
Because the trees played
Ring-a-ring-o-roses
And the wind sang the refrain
The sunsets used to suspend themselves just for me
Like a child was commissioned to paint all over
That great big blue tarpaulin

I miss summer
I miss procrastinating minus guilt
I miss flicking through my life
Like the weeks were library shelves
I miss sitting by the fountain in town
Until the word ‘Deadline’ had no meaning
I miss catching busses and the sun dust on the windows
I miss the fact that we had forever
To lick windows and ice-creams
I miss flip-flop days
And catching-rain-in-T-shirts days
And pretending to be limitless

I’ve lived about a decade and a half
So The Time Of My Life is just about due
But I walk home from school
Via the swing sets and roundabouts in the park
And watch the kids who’ve not yet learned
Why trees scrape back their leaves
And strangle themselves with gossamer nooses
In autumn
They fling like drunken spinning tops
And down their hysteria like shots
And I can’t help feeling old
I’m not a young and beautiful love affair
I’m a cast-aside leaf
Who’s only too aware that she’s thin as paper
Shrivelled as morning bed sheets
Grey as the cigarettes God’s smoking
I’ve started to wonder
Why these aren’t known as my Autumn Years
Because breathe me out
And watch me fall
Oct 2014 · 453
Funeral for my Thinking
MereCat Oct 2014
I’ve always thought that buildings are like graveyards for memories;
The dead preserved between walls like flowers pressed in pages,
The lost parts of our selves hung up like portraits or calendars; Reminding us of our lives.

I’ve taken to wondering about why we got our kitchen re-done
While we let the rest of our house fall apart
And I think I’ve found the answer.

We don’t want to remember our dead.

Over the summer we striped back the tiles
And painted the walls with sunshine;
The washing machine and the microwave migrated
And the floor space receded
To make way for all our cupboards to be empty.
We dragged the evidence out into the yard
And scribbled over it like it was a spelling mistake.

The kitchen was the room where we’d all died several times over
And so the cemetery had to be uprooted and annihilated
Before we began to smell the decay of the past versions of ourselves.
We had to prise mould from the corners
And resolutely redecorate the place where Anorexia had been most prominent.

It was ironic really

That this purge was to rid ourselves of Anorexia When purging had, so frequently, been a means of feeding it.

It was pointless really

Because the kitchen might have been the part of the house that got bombed the most heavily by my brother’s eating disorder
But it was not the only room with bullet holes punching through the paintwork.
Each wall is avalanched away by postcards and snapshots and letters home
That my fourteen-year-old -self framed with fear and anger and hate.

What my home means to me is the bed I saw my mother howling on
And the scales my brother teetered on
And the doorway my father swore from.
When I see the painting on my brother’s wall
I think not of art but of a children’s hospital
And when I see my blue bean bag
I think not of film-watching but of the practise of crying tearlessly.

We know a family who lived in the same little Mental-Illness-Bubble that we did.
“We’ve still got the lamp shade that she threw her plate of tomato pasta at,”
They say whenever we see them.
“We have a good laugh about that,”
And they explain the way they deal with their history
Like the person who taught them optimism did a better job with them than ours did with us.
We’re four cynics crouching under one roof
Like we’d rust in the rain that we miser over.
Unable to move on.
We attempt but it is too hard, too rigid, too stiff.
My joints have more titanium than my grandmother’s –
No, not titanium; lead.
Every time I try to step away from anorexia
I find that there is too much grit behind my patella,
Too much debris lodged between my brittled bones.
Debris that’s left over from all the toxins and dirt and tears that I couldn’t manage to cry.

I hug myself on the staircase and wonder
How many years it will be before I can watch the front door without watching for dying Crane Flies.
How many times must I sit opposite my brother before I can forget sitting opposite a skeleton?
How long will it take to stop seeing ***** stains in the toilet and the writhing veins in my brother’s arms?

I’m waiting for the day when we can throw away blood-stained lampshades
And remember instead how, as children, we threw paper aeroplanes down these stairs.

It was always my brother’s plane that flew the furthest.
Sorry this is so long.
It was for school: "What does home mean to you?"
Oct 2014 · 517
An Ode to Words I Don't Say
MereCat Oct 2014
“I’m not going to begin with introductions because I don’t like my age.”
“It reminds me of how old I am.”
“When do you become old? – I was thirteen.”
“Who made this bus yours?”
“Don’t ‘**** school’ it’s unsafe.”
“I’m broken.”
“I do mind, actually.”
“Sorry.”
“You broke me.”
“I don’t want to grow up.”
“I’m clever.”
“What’s the point in learning to find the area under a curved line graph?”
“Do I know you?”
“I’m scared.”
“I’m scarred.”
“Why don’t facts make sense?”
“How are 21% of teens obese when I know more people with anorexia than obesity?”
“Why is the colour blue attractive?”
“Are you actually qualified to teach history?”
“Or anything?”
“I didn’t think so.”
“I prefer books that hurt me.”
“I tell lies.”
“Very well.”
“Am I a bad person?”
“I have never revised in my life.”
“I’m *******.”
“I’m glad you have such misplaced faith in me.”
“Stop dying your hair.”
“We were best friends aged 7, remember.”
“You do remember – you just don’t like remembering.”
“I’m scared of dying.”
“And of living.”
“My sides are splitting.”
“I hate my own sarcasm”
“I love you mum.”
“And you.”
“And you.”
In fact,
Now I come to think about it,
All my poems are just the words I don’t say.
Oct 2014 · 1.1k
Masked
MereCat Oct 2014
Each morning
You add another layer to your mask,
Eat another grain of eyebrow,
Bruise the fringes of your lids a little darker
Are you so afraid of your beauty
That it must be swaddled?
You singe you scalp,
And dye your lips
So that colours crumb in the creases.
Sometimes I wonder;
Do you even recognise your reflection?
Oct 2014 · 1.3k
Classroom Exchange
MereCat Oct 2014
You said:
“I’m sick of poetry.
I bet the first poet was ******
But they all just copied him.”
I said that
Poetry wasn’t like that
It was words spilling
From an overfilled glass;
They staggered and slurred
On the page until
They seemed to have a meaning.
And you said:
“Exactly.”
Oct 2014 · 859
Holiday
MereCat Oct 2014
The holidays are chocolate,
Like nectar on the first square.
Days piled up to mountain ranges,
With heady scents of dizzy sugar promises.
And the whole week, expectant
In my waiting palm.

I eat like the starving
My mouth sours with greed
And my throat is thick with time.
Time gulped and wasted and sickening.
Compelled by addiction to continue
Hewing the diminished peaks.

And then all that remains
Is the corner of weekend
That reluctantly melts itself out
In the cradle of my tongue. Bittersweet.
And the excess floods the cracks
Of my famished lips.
Half-term holiday starts today... determined not to procrastinate as much as I normally do...
Am already procrastinating.
Oct 2014 · 562
Ugly
MereCat Oct 2014
You took a bath
In the boiled blood
And pathological depression
Of the body you hated.

You’d made your incisions nice and neat;
That was your irremovable style.
No chance of missing the veins
That lay beneath your skin
Like sewage works
Churning the thick, weariness
Of your existence.

It was your turquoise fingernails
That I turned my attention to
While they hauled you out
With the shower curtain.
They hung off your phalanx-fingers
With obscene prettiness.
Until your life spilled down
The crevices of your palm –
Heart, Head, Life, Fate –
And crept over the gloss paint.
All I could see was your rusted hand
And your knuckle bones.
Oct 2014 · 721
Self Portrait in Ink
MereCat Oct 2014
“Our characteristics smear through us,
Like colours in a stick of rock.”
He says to the audience of ties and blazers.
“If I cut you open, what shades
Would I find in your cross-sections?”
“If you cut me open,
There’d be a fair amount of red,
I should think.”
I say behind my sharpened teeth.
“And my parents wouldn’t be very pleased.”
Oh how witty I am
With my quick fire of sarcasm,
And petulant spasms of acrimony.
Eight miles away,
Our house is full of September;
Raincoats and Crane flies,
And I water my Guinea Pig’s tumour
With tears I owe elsewhere.
A teacher at my school
Committed suicide, people say,
While we skipped waves
And created poetry from the leaf-light.
They can’t tell us the details,
Of course not – sensitivity is key –
But that tells us all we thirst for.
School clockworks forwards
With a hole in the Geography office
And I forget about remembrance.
He drove a BMW and laughed
Small laughs that coughed with nervousness.
I sit in History, pen-chewing,
Thinking of all these more important deaths.
The school bells don’t hold silences
The year sevens don’t stand
Or bow their heads in room 180
We try making futures for ourselves
And apply ourselves to those things
That still have chances tied to them
Like clover leaves and birthday candles.
We turn on lights in the evenings
And I wake myself from darkness to darkness.
My life consists of the cooling,
Cotton-throated early mornings
And the bike that my brother bought new
Six years ago.
And the drag of my newspaper bag
That claws backwards from my peddling.
The world is blue and grey with rime,
I rip my fingers on letterboxes.
My shoes fall apart from the heels
My ballet shoes fall apart from the toes
My life enjoys unravelling itself
From wherever I’ve chosen to stitch it
And I fray and crimp at the corners.
I prefer to go barefoot
Across the rinsed, diluted garden
That smells of rotting apples.
Ballet tights rolled up my legs
So that my bruised toes get kissed
With grass slobber and the faded zeal of autumn.
Slugs crisscross pavements like surgical tape
Then get stuck and frazzled there
While the sun toasts them.
“Maybe I’d find hopes, dreams,” he says.
“Maybe you’d find organs.”
You’d find me weeping over pirouettes
And geometric lines and extensions.
You’d find a twice-broken arm
And an array of internal fractures.
There’d be shards lodged between each rib.
My parachute lungs, pumping filth,
Would continue to tear and furl
Until they wouldn’t resemble
The things we scalped in biology.
I re-write lists of ‘Things To Do’
In the hope that they’ll seem shorter
But I add all my flaws to them
For amendments and for procrastination.
For some reason people still expect things
From this emptying girl
Who actually thinks
That the one who cut into her
Would be in danger of finding
Nothing but a brittled, bitter hollow.
I highlight my essays
And highlight the cracks
I’m carving in my personality.
I paste impressions of myself
All over my exterior shell
Alongside character traits.
Who knows what lies beneath
The papier-mâché of well-played parts?
My fingers play music on the computer keyboard
More than they practice the piano.
But the songs they make are far from sweet
And rarely beautiful.
My parents think I’m working
On Hume, Bentham and Kant
But really, I write jaded poetry
Which forms its own philosophies.
“Your experiences would be evident,
Spread through your character.”
My brother ate away at his life
Until he starved.
They set him down in a mental unit
For the ‘Screwy’, ‘Freakish’ and ‘Insane.’
So I buried my childhood
In the side ward mazes
Of hand sanitizer and tubes and tombs.
“I’d find what makes you unique –
Your religion, perhaps.”
I laugh away the suggestion
That is actually the truth of how
My Sunday mornings fall under ‘Church’
And the afternoons are ‘Top Forty’ –
I don’t even like chart music.
How can I be ashamed of the faith
I try fervently not to doubt?
The sun drips from the evening sky
Like a squeezed lemon
And Monday cycles round again
I live in a little world of spirals;
Eternally coming back to the same place
Just worn a little further down.
I waste my life on the vanity
Of mirrors and self-deprecation.
Sometimes I think I must be arrogant
To make the pretty little assumption
That I don’t have to wear make-up.
It’s funny that I lay my skin bare –
Always –
But can’t manage to strip myself down
To the crudest, rawest truth.
I can only write for people I don’t know;
I let my parents believe blindly
That I’m a creative prodigy
Instead of human
By refusing them the blessing
Of honest words from ink and paper.
But the truth is;
I am not the faded mystery
That I pose as in my writing,
I’m just someone who sits in school assembly
And tries to make self-portraits from words,
And tries to forge intelligence,
And tries to never grow old,
And tries to be something,
And tries nothing,
And tries –
“But what I’d really want to see
Is compassion,” He says.
I turn my face down to my knee bones
And permit myself to agree.
Compassion, I tell myself
And, just for a minute,
I feel a little less
Superficial.
Oct 2014 · 783
Streetlamp Sonnet
MereCat Oct 2014
Although I’ve tried hard to forget I’ll always remember
With all its glaring effervescence my first ever sleepover
With my friend who was afraid of the dark and as she hung the walls of the night
With lamp light that squabbled with Sleep over my No-Mans-Land eyelids.
I wondered how you could fear something that wasn’t even a something
But a lack of something. Now I read the weather forecast
In the horoscope of Orion’s belt I wonder why we were so afraid
Of a world of muted colours. Like Light was an absent parent
That returned sporadically and left an aftertaste with each visit
And blew cigarette smoke in our faces.
Like Light was a worn-out lover too painful to label as X
Around whom we’d begun to orbit and organise our lives.
I stand in the dark we’re all afraid of and wonder if perhaps
The night is not lonely or cruel but simply wants to kiss the stars.
Oct 2014 · 1.8k
Broken
MereCat Oct 2014
They were broken children
Their scissored minds ran them
In spirals
Until they sat with crossed legs
And crossed lips
To press themselves flatter
They were cut-strings marionettes
Who danced
In an attempt to wring calories
From their balsa-wood bones
Which refused to give
And who pinned their painted smiles
A little tighter each morning
They were snapped-spines picture books
Who’d been warped too far by society
And had had their pages torn from the crease
So that words hung like razor blades
And spliced from each vertebrae

They took them to the circus
Where they were the **** of every joke
But when the clowns speared them with dripping eyes
And artificial mouths that were stretched over grimaces
Like the dust-jackets from different stories
They stared back glassily
Because how can you be afraid
Of the broken clockwork of your reflection?

— The End —