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silvervi Sep 26
Wir schreiten vor
Der Winter steht bevor
Und keine Ahnung
Ob der Sommer
Und der Herbst
Das war, was es sich wünschte,
Unser Herz.

Zwischen dem Blick
Zurück und dem nach vorne,
Entreißen wir uns immer wieder
Dem Moment.
In all den Wünschen, Träumen, Illusionen,
uns zu verlieren ist unser Talent.

Vertrauen zu entschlüsseln,
Zu uns und zu den anderen,
Verliert sich in den Tausenden
Scherben des Misstrauens,
Zweifel und Unsicherheit,
Verfolgen uns wie ein Pfeil.
Und eh wir uns versehen,
Hat die Angst uns in den Krallen.

Wir dürfen bluten.
Oft ist's uns fast egal,
Wir wollen nicht vor Schmerzen schreien,
Hauptsache niemand weiß,
Wie's um uns steht.
Und niemand weiß,
Wie es uns wirklich geht.

Verhält ein Held sich so?
So Selbstvernichtungs-froh?
Wir opfern uns dem Überlebensmechanismus,
Denn lieber rennen wir das ganze Leben,
Als zu uns selbst zu stehen,
Uns selbst zu sehen,
Verdammt, wir sind nicht hier,
Nur um zu überleben!
09/2024
Und eigentlich sind wir immer in Sicherheit. Oder?
Jann F Dec 2023
Schnee bedeckt die Baumspitzen
Wir halten uns warm
mit unseren Blicken, Küssen
und den schlechten Witzen

Schnee bedeckt die Felder
Wir stehen wie angewurzelt
umringt von eisiger Kälte,
den Raben und der Stille der Wälder

Schnee bedeckt die Wege
Wir geben uns Halt, Arm in Arm
hören uns zu, jedes Wort, jeder Satz
jede noch so lange Rede
hält uns warm

Schnee bedeckt fast jeden Ort
In uns schmilzt jegliches Eis
jede erdenkliche Schneefläche
ganz plötzlich, direkt, sofort

In uns herrscht kein kalter und bedrückender Winter
In uns herrscht warmer und unbeschwerter Sommer
Mateuš Conrad Jul 2018
.wow, i never thought it would ever be possible,
i'm sorry, i have no empathy for these youtuber "creators",
any idiot can regurgitate the news,
venture into vulture journalism,
  then again: gone are the days of closely associated
with people like Bob Woodward and Carl Bernstein...
they are really gone: what the hell was gamer-gate
compared to watergate? gate after gate,
and all i'm hearing is response videos,
it should have never come to this,
whereby journalists are as untrustworthy as politicians,
and of what remains, come the saturday and
the sunday editions, when the petty bourgeoisie
come out of the woodworks of a week,
album reviews, book reviews, t.v. reviews,
restaurant reviews: real, real journalism,
all the grit you'd expect from a warzone...
           journalists forgot they were not kindred spirits
of politicians: but immediacy historians...
the front-line history chroniclers...
i find... these days, esp. these days...
    you know why i like heidegger so much,
and forget the fact that he joined the **** party?
in 1938 he was already disillusioned by it...
so the ad homine fallacy bites the dust...
   even a **** deservers a redemption...
but i find that these days, of all days...
   man, as a historiological creature has to bow
before the unshakeable facets of the biological man,
esp. in the english speaking world...
    in terms of history and biology:
     history has all the fun stories,
and a sensible "concern" for time,
   well... if not "concern" then at least a bearbable
time-frame...
                  after all, i am the one who said:
all the great deserts of the world,
akin to sahara? they were once great
mountain ranges... you already know where
to look between a mountain range akin to the alps
and a desert... bound to h'america...
   monument valley: utah...
  a mountain becomes a rock after a while...
while the desert expands...
    ayers rock (uluru)... but monument valley (utah)
is a transition period between a mountain range
and a desert, if we're going to stand outside
of all space and time, and look back in...
we have plenty of time to catch-up on...
           just like i believe that black holes
are actually 2-dimensional objects:
   that spin really fast, giving an impression
of them being 3-dimensional objects:
as usually represented by a gravity dip associated
with them pulling matter into themselves...
i think that black holes are paradoxes...
since how can a 2-dimensional object
actually exist in a 3-dimensional space?
   that depends on the size of the "3-dimensional"
object / space... the universe is a medium,
it's defined as a "space" but to me...
      it's beyond space... it's only space on the grounds
of isolated time, 365 days,
the time and space it takes for the earth
to orbit the sun... which is an isolated example,
outside? well: there's atmosphere on earth,
outside? vacuum!
who's going to prove my theory wrong?
               not anyone in my lifetime -
besides the point with these youtube content
"creators": where credit is due, credit is due,
but once might have cared for their vulture
journalism... two old farts akin to felix (black pigeon
speaks) and sargon of akaad talking about how:
the youth are congregating to youtube to listen
to music: that's what i've always done...
  i discovered these youtube "creators" by accident,
i just wanted my jukebox back, man,
i wanted my algorithm back, my imprint back,
now that the devil's dozen scenario took hold
of the platform: 1 video playing, 12 back-ups...
and they're all the same, unrelated, *******...
        talk all you want, please, just give back
my algorithm imprint, where i can discover new music...
again... i never thought i'd see another
compilation video, 173 videos bound to one...
and, mind you... after finding about 6 googlewhacks
(googlewhack? when you use the sort of
language that provides you with only one search
result on the behemoth platform of billions
of results, 1 is grand, but 6? it's becoming too
predictable)...
                        so here's what i found
   (band - song):

wooly mammoth - mammoth bones / kyuss - space cadet,
rainbows are free - last supper / grand magus -
                                                mountain of power,
zed - lies / om - cremation chant I & II,
    smoke - hallucination / weird owl - white hidden fire,
orchid - son of misery / witch - seer,
               unida - you wish / black mountain - old fangs,
b.r.m.c. - ain't no easy way /
              jack daniels overdrive - ****** to death,
shrinebuilder - blind for all to see,
                   datura - mantra / the heavy eyes - voytek,
the machine - infinity / clutch - the regulator,
   colour haze - mountain / maligno - son of tlalocan,
dozer - twilight sleep / gomer pyle - albino rattlesnake,
blockback - dead mans blues / greenleaf - witchcraft tonight,
cactus jumper - right way / borracho - bloodsucker,
alabama thunderpussy - motor ready,
                    earthless - sonic power,
my brother the wind - death and beyond,
   zaphire oktalogue - carrion fly / siena root - reverberations,
unida - slaylina / pothead - toxic / sungrazer - mountain dusk,
   rotor - costa verde / blizaro - it's in the lighthouse,
planet of zeus - woke up dead,
     kongh - pushed beyond / ufomammut - smoke,
high on fire - to cross the bridge,
              the secret - bell of urgency,
      unida - wet pussycat / dozer - big sky theory,
cavity - chloride / brutus - swamp city blues,
the grand astoria - something wicked this way comes,
sasquatch - the judge / pharaoh overlord - skyline,
baby woodrose - love comes down / kamni - **** of satan,
lay with me - the flying eyes / cowboys & aliens  -
                                                out of control,
sons of otis - liquid jam / hainloose - recipe,
    ridge - rancho relaxo / bongripper - ****** sutherland,
skraeckoedland - cactus / grails - satori,
    lo-pan - chicken itza / five horse johnson - people's jam,
blind dog - don't ask me where i stand,
     wiht - orderic vitalis / hisko detria - nothing happens,
liquid sound company - leage for spiritual discovery lives,
   goatsnake - black cat bone / gandhi's gunn - rest of the sun,
the egocentrics - wave / propane propane - it's alright,
heliotropes - ribbons / mother mars - price you pay,
che - the knife / annimal machine - condenado,
   earth - tallahassee / the whirlings - delirio,
orchid - heretic / maeth - horse funeral,
siena root - rasayana / graveyard - longing,
           tia carrera - hell / hainloose - recipe,
      burner - five pills (and a bottle of whiskey),
dala sun - guilty for ****** / vulgaari - lie,
        slo burn - muezli / stonehelm - zombie apocalypse,
smallman - evolution / spiders - fraction,
         shakhtyor - e. jaspers / earthmass - lunar dawn,
evoke the lords - dregs / colour haze - silent,
     sutrah - el septimo viaje...

  

who are "these" people,
who: "supposedly" live for the future...
they always cite it,
as the one motivational
momentum of the present -
it's as if they've never seen
a bull itch the ground
with its front hoofs -
   imitating building up momentum
before a charge...
or how a slingshot,
or how a bow works...
   to these people,
the ******* sideways movement
of a bow against a violin...
sometimes...
      you do not retreat into
the past, to hide, to amount
to nostalgia...
     sometimes
the only reason for the reflexive
affirmation, confined to maxims
and aphorism, nay: even poems!
is to look back...
     to reap what was once
sowed, rather than sow blindly,
and reap: what no one wants
to reap...
    drunk? getting there...
       it felt so relaxing paying off
a 100 / 250 part of a debt
i owe her...
            while buying a russian
standard liter,
   asking for a 100 cash-back
of the supermarket cashier,
- the limit is 50,
   but if you buy something else,
i can give you another 50...
- oh... ok...
   so me went to and took a bottle
of shveedish cider...
   rekorderlig...
   mind you? the swedish,
what they perfected fermenting
better than what the the irish claim
to fame is?
    sorry... magners:
               irish? stick to the guinness...
(it's actually the only cerveza
i'd go into an english pub to
drink from the tap... bottled? canned?
not the same)...
     but with such swedish delights
such as the above mentioned,
  ålska and K  ö   nigsberg
                            *œ
?
no competition... the suede(s) just
do one thing grand...
    cider...
- what was i talking about?
  ah... the "dreaded" past...
     the people who say:
  but you can't live out a life,
   holding onto a private past,
a memory...
    so... these other ******* were
allowed to implant a false
past, unrelated to me,
teaching me whether it was
Newton, or Leibniz who first
invented the infinitesimal calculus
method?
                i'm betting on Leibniz...
after all... he took the position
of a ******* librarian...
   and he wasn't buried with pomp
& circumstance at Westminster Abbey...
sometimes...
         one person can't have it all...
but if the education system
is a system that is indicative for
the erosion of memory, esp. private
matters... and juggernauts in
with these selective rubrics of science
and history...
fair enough the basic
implants: numerical arithmetic,
and lettering arithmetic -
    and then... lessons in mental
entertainment... when applied
           to menial labour...
memory is: supreme...
          i can't give my memory up...
that's what: killer proteins
eating the fat tissue of the brain
like starvation in reverse
        of a case of Alzheimer's?
memory is: cameo cinema -
    however distorted it might be,
although i beg to differ on
whether time per se,
  is not the better psychedelic
component
when coupled with memory -
esp. the cinematic aspect of memory...
there was never a "living" in
the past -
      there was a point about memory
to sharpen the edges of
    "dasein"... all speculation and
questions regarding consciousness,
as championed through
a chimpanzee's *** are somehow
pointless:
    given there's a higher tier of
conceptualization -
   working from dasein...
            hierjetzt -
      or in english?             presence...
- because why would i treat
a personal memory,
like some inorganic entity of
a schooling system,
under Catholic measures,
  that made it necessary to include
Pythagoras... but not Horace?
that's inorganic memory...
and unless i turn into some
inorganic entity -
   the organic aspect of my psyche:
my past, my cameo cinema?
   that's going to be a leech,
attached to me...
  and i'm not going to give it up,
just like... when i walk about
my door, and enter the england
that i know on the peripheries...
i'll speak the lingua franca -
     but with my privacy?
    you'd better cut my tongue off
before i stop speaking
my western slavic heritage...
    and it pains me...
when certain groups of immigrants...
don't know the POINT
where immigration becomes
insensible... self-lacerating...
           i once hated their approach...
now i just pity them...
anyone ****** can juggle
     two oranges rather than three...
p.s. old school cure for a cold?
forget the pills...
   glass of warm milk,
  an egg yolk,
     and a good scratch of butter...
  (on the rare occasion,
  milk infused with garlic)

mixed together...
before bedtime...
  if the ****** won't sweat out
the bacteria during the night...
     well... stick to the synthetics...
i'm pretty sure i know why i drink...
certainly not to: PARTY PARTY PARTY...
i always aim for
the one safety net of "pharmacology"...
ssssssssleeeeeeeeeeeeeeeeeeeeeeep.

p.s. so much for children loving their
parents...
        in vitro and the whole
m.g.m. debacle:
so, sweet little *******,
       no *******, no chance for your
for a quickie satellite launch date from
Tehran, under all the weight of
monotheism turned secular...
christianity: the only "monotheism"
with overt tinged of polytheism,
lutheran, baptist, catholic, orthodox...
just today i opened my door twice...
once to a confused curry house delivery man:
did you order some food:
i too replied with a confused look
and the word: huh?! no.
then a black woman with a a white ol' granny
came by with a leaflet...
the jehovah's witnesses were on my trail...
lucky of my grandfather,
   the profanity brigade of the hebrew name
i will not dare utter came by...

  and if you have lived a good enough life:
memory? memory beats hollywood
technicolour and CGI...
at least in the cinema of memory i always
get to play the cameo (role)...

oh i get the youtube creators:
   living with his parents... still. aged 33...
funny that i don't mind them,
since they're getting older they're settling
into their solispsism,
        annoying as ****, but i stand them,
thank god the protruding caduceus veins
on my phallus protected me from
a circumcision...
  i can ******* like a girl with a web-cam...
no scented candles:
the no. 1, 2 & 3 on the throne of thrones...
the toilet, simultaneously masaging my ****
and prostate...

men were not exactly supposed to derive
pleasure from ***: they were,
supposed to give pleasure,
and in giving pleasure to one outlet,
they were subscribed to finding out what
best pleases them: ergo?
women would always derive more of
the people from *** than men would ever...
*** is not a story of bragging about
a harem... the woman lies flat...
the man pumps her...
after all... she is the one burdened
to carry a child, why wouldn't she be
the one deriving more pleasure from *** than
a man could ever?
72 virgins! ha ha!
   ah ha ha!
             what's the ratio?
   last time i checked... a 3 hole caravan...
of a woman's worth...
   mouth, ******, ****... and man?
only two points of entry, well...
"entry"...
                    seems that the tomatoe,
really is a fruit, but is treated like a vegetable
nontheless!
homosexuality in the 1960s...
william burroughs in Tangiers...
                    when Islam was quiet radical...

well... i cook, i clean...
                what are my other options of continuing
to write and living the ed gein "lifestyle",
i tried getting social housing in england,
but, i'm not a somali with two wives and a dozen
kids...
              rent, in london?
extortion...
                   housing shortage...
                 well there's me hating my parents,
the outside world just needs to see
an ed gein imitation...
               or there's me living off acorns
in the woods, or rummaging on the streets,
making the N25 bus from oxford st. to ilford
my own personal mobile hotel as a homeless
man in london...

   i think it's time to succumb to your
parents prejudices, if only for the jokes,
no point in making ethical high judgements
to fit into a zeitgeist narrative surrounding
yourself with people: you'd never eat a meal with...
that's how i define the highest form of respect:
if i'll eat with you: implies that i respect you...
i drink alone...
a high school fwend once thought he could
bribe me with his company,
that i "had to" drink with him...
      no... not really...
          i much prefer drinking by myself...
these days you're not expected to honour your
mother and your father,
i.e. make them proud...
               honour is a double-edged sword...
just don't be ashamed of having
a mother or a father...
not that hard: given western divorce rates...
i.v.f., frozen eggs... yadda yadda yadda...
lucky me in having went to university...
oh... really? so much cooler in a cosmopolitan
environment with your contemporary
flat-mates?
               get the picture?
                 paying rent while literally living
in a diguised cardboard box?
i can't help the fact that poetry doesn't pay...
that there are economic factors beyond
my control in play...
   maybe if i was the grandson of my parents,
born in england, and not elsewhere,
there would be some sort of + leverage...
for a bricks and mortar start-up...
plus... i hoard...
         books and music...
                     mind you:
neither of my parents spoke english as their
mother tongue...
  neither did i...
they didn't teach me this tongue:
i had to teach this language by myself:
for myself...
           aged 8: thrown into the deep end
of the pool: now swim ******, swim!

i just feel sorry for the immigrant parents
who gave birth to their children into the *****
of the land they immigrated to...

two days ago i found a heartbreak,
a romanian couple, with a child...
the father was stubborn in teach his daughter
his / her native sprechen...
romanian... but she was already speaking
perfect antithesis of accent kindergarten english...
and almost non-responsive to her tongue
alligned to her biology...
    clearly she was born in england,
but her parents were both romanian...
i've had that conundrum in my head
for a long time...
   what if i married an english girl...
and i was unable to teach my offspring
my native language,
what if i had to silence my native tongue,
"forget" it, or only speak it by myself,
via reading a book in western slavic?
what if the woman i married:
wouldn't see the benefits of bilingualism,
outside of the mainstream economic
mantra of ensuring your children
learn either german or mandarin or arabic?
that worried me...
          oh believe me, i enjoy my lapses
into english: since i am providing the groundwork...
but in the case of having offspring...
e.g. teaching them the western slavic tongue
so they could speak to their grandparents
(i.e. my parents)...
       even my grandparents lament
the scenarios when a woman would marry
an austrian... and she wouldn't teach
her children her native tongue,
and when the grandchildren would visit their
grandparents... they'd be speaking
a crude variation of braille, morse,
   sign-language: na migi...
               i know that my mother is alive
in me even under this veil of english...
because she's more than the womb,
the genitals of my conception, the breast fed off...
she's also the Atlas of my vocabulary
of the "hiding" tongue beneath this one...

i already knew the "game" was rigged from
the get-go... i've seen how one hindu woman
suffered being married to a scouser...
she never managed to pass on her language
to her children,
she bought a library, thinking her children
would succumb to learning: however poor
they might end up being...
but she was suffocated by the english
tongue of her husband...
and her children didn't express even the most
vague of desires to learn their mutterzunge...

that's what worried me to begin with,
marrying an english woman i was afraid
of the ignorance that someone bilingualism
was en route toward a psychiatrist disorder
i was diagnosed with: schizophrenia...
this anglophonic ignorance still scares me...
like: everyone is expected to speak the revisionist
globalist lingua franca: this anglo lingua...
if i didn't meet a bilingual / polyglot woman,
i'd return to rearing idiotic children...
anglo lingua was only supposed to be a middle-ground,
a "no man's land"...
             a language of trivial economic transfers...
a language primarily orientated around usage:
rather than an ethno-centric basis for "englishness"...
to **** with: god save the queen...
the british grenadiers' fife & drum...
                 old scot dragoons': auld lang syne...
those where my forever anthems...
see...
        what gave birth to a jihadi john?
his mother "forgot", his father "forgot":
his "mother" forgot, his "father" forgot to speak
the "ancient" tongue...
there's a point to integration of the immigrant,
an immigrant is a forgetful creature,
an ever pleasing creature...
never to mind himself as an ex-pat...
you ****** forget your mutterzunge...
you'll be speaking in cockney accents
with broken affairs of arabic beheading people
for zombified reasons of grandeour!
*******...
          you, you: you are to blame!
you were so ashamed of your parents that you
delved on honoring them to the point
of thinking giving pride unto them was very
much akin as keeping shame away from
their girdle of the wedlock of your own existence!
death has not made your a martyr...
i guess you deserve those 72 mishaps,
those 72 annoying voices...
and i pray to god that you receive your reward!
i hope that among the 72 you will never find
a chance a repose to find your: self!

integration is one thing,
pandering to the "elites": plebs who think they
are kings among the plebs,
is quiet another...
plebs who go places and think english
is a universal tongue: just because
uncle sam says so...
of those i respect:

y cymraeg: pwy dal eu tafod...
an gàidhlig: cò fhathast bruidhinn an cuid teanga...
i nawet moim: co ma mówić
to nawet tyle: co znaczy tak niewiele!

there are boundaries... learn the customs
of the natives, but ensure you retain the customs
you were born with...
a child, born in a foreign land,
ought to ensure his parents teach him
the words to speak to his grand overseers...
complete immersion,
this cultural abortion,
this cutting of the umbilical chord
from: i have never met a people so
content at having been subjugated outside
the indian sub-continent,
cricket... for ****'s sake...
       as to demand other europeans
to treat them as superiors,
when sitting alongside an englishman...
****-bud-bud, the **** are you on about?!
once again: england has become the circus
for the grounding of what began
with engels and marx...
   wasn't communism born from
engels and marx observing english society?
sure... first experimented en masse in
mongolia... but its origins?

   so of course i had problems finding a suitable
mating partner... i was afraid that my nativ-zunge
would die a slow but solemn death...
that an english bridge would not consider
the worth of a bilingual child, or a polyglot,
or that she would repress the chance of my
"biological continuum nuance" to respond outside
of the anglo lingua refrain of: beside the english language?
there are quiet a few one might want to learn...

it's not easy being a first generation immigrant,
esp. if you moved aged 8, mute as a wolf
to a domesticated dog's barking...
but hey, no jihadi john in me...
           jihadi john should have been raised
bilingual... i wouldn't be the one speaking broken
tourist arabic while beheading someone...
jihadi john spoke tourist arabic...
the dichotomy of the mind to the biological
reality, beside the current, western,
"biological relativism" debate...
      clearly darwinism was "wrong"...
man is, these days, left with neither a biological
reality, nor a historical reality...
              but there is a historical reality:
but it's so knit-&-picky...
come on... philip augustus of the capetian
dynasty?
                 casimir III...
                        jeremi wiśniowiecki...
konrad I of masovia...
                           kuno von lichtenstein...
alles ist gott: und gott ist alles -
  gott mit, uns!

              mit eine leben wert leben:
    erinnerung ist die nur kino
             wert sehen eine film beim;

hell... could be worse:
   i might have translated some latin
of horace into pig-trough comfort food.
Souleater Dec 2017
Ein bisschen Wein und Bier
und schon sind wir weg hier
Flasche im Rucksack stecken
wird schwer sein uns morgen zu wecken
keine Gedanken an den Tag danach verschwenden
du wirst sehen, morgen geht es und blendend

Sitzen einfach nur da und reden
ich weis es ist nicht was für jeden
doch können sagen was wir denken
sind uns gegenseitig vertrauen am schenken

Spielt keine Rolle ob gut oder schlecht
denn es ist echt
kennen uns seit ner Ewigkeit
daher auch dir Vertrauenswürdigkeit
Weis auf dich ist immer Verlass
nie ein Grund zum hass
Gott was haben wir nicht alles zusammen gemacht ?
im Matsch gespielt und gelacht
Kerle kennengelernt
darüber geredet wie es unser Herz erwärmt
Gemeinsam diskutiert
Momente erlebt in denen man sich verliert
uns aufgefangen
und dann gemeinsam weitergegangen

Egal wer, wo oder wann
gegen uns kommt man nicht einfach so an

Könnte mir nicht vorstellen wie es ohne dich wäre
bin mir aber sicher es würde mein Leben erschwer'n
All die Erinnerung die Wir teilen
sind Dinge die unsere Wunden heilen
Zeigen uns wir sind nie allein
werden immer zusammen sein
Freu mich auf jedes treffen erneut
ich weis das es dich genauso freut
Ich will dass ihr mir vertraut
Ich will dass ihr mir glaubt
Ich will eure Blicke spüren
Ich will jeden Herzschlag kontrollieren

Ich will eure Stimmen hören
Ich will die Ruhe stören
Ich will dass ihr mich gut seht
Ich will dass ihr mich versteht

Ich will eure Phantasie
Ich will eure Energie
Ich will eure Hände sehen
Ich will in Beifall untergehen

Seht ihr mich?
Versteht ihr mich?
Fühlt ihr mich?
Hört ihr mich?

Könnt ihr mich hören?
Wir hören dich
Könnt ihr mich sehen?
Wir sehen dich
Könnt ihr mich fühlen?
Wir fühlen dich
Ich versteh' euch nicht

Ich will

Wir wollen dass ihr uns vertraut
Wir wollen dass ihr uns alles glaubt
Wir wollen eure Hände sehen
Wir wollen in Beifall untergeh'n - ja

Könnt ihr mich hören?
Wir hören dich
Könnt ihr mich sehen?
Wir sehen dich
Könnt ihr mich fühlen?
Wir fühlen dich
Ich versteh' euch nicht

Könnt ihr uns hören?
Wir hören euch
Könnt ihr uns sehen?
Wir sehen euch
Könnt ihr uns fühlen?
Wir fühlen euch
Wir verstehe'n euch nicht

Ich will
http://www.youtube.com/watch?v=gnkVjkJEouQ
--
I want you to trust me
I want you to believe me
I want to feel your eyes
I want to control every heartbeat

I want to hear your voices
I want to disturb the peace
I want you to see me well
I want you to understand me

I want your fantasy
I want your energy
I want to see your hands
I want to go down in applause

Do you see me?
Do you understand me?
Do you feel me?
Do you hear me?

Can you hear me?
We hear you
Can you see me?
We see you
Can you feel me?
We feel you
I don't understand you

I want

We want you to trust us
We want you to believe everything from us
We want to see your hands
We want to go down in applause - yeah

Can you hear me?
We hear you
Can you see me?
We see you
Can you feel me?
We feel you
I don't understand you

Can you hear us?
We hear you
Can you see us?
We see you
Can you feel us?
We feel you
We don't understand you

I want
Rolling down St. John's Heritage Highway
after Sean, my grandson's birthday party
I belt out my pioneer song with vigor
echoing across the vast beauty,
wide open, sacred spaces
pristine vistas

Norman Rockwell cows grazing
in bygone pastures happily
moo along

Driving past the yellow deer crossing sign
Florida woodlands giddyap near the edge of the road
long brown antlers prancing to
a timeless rhythm

I hope and pray that I can somehow
kindle a spark of appreciation
in my niece and grandsons
so that they may behold
the baffling greatness
and mystery that is our universe

These young'uns are mighty attached to the
virtual reality, world and landscape
of computer technology

A sprinkling of cowboy stars flash
an omnipresent wink
Sunset bonfire explodes across
the frontier horizon

Turning the corner onto Emerson Drive
smoldering scarlet orange embers
reflecting lights
shoot fireworks, launch rockets
through an ever expanding field of vision
Anon C Jan 2013
Schau hin

Wenn ich sehe, wie es vielen Menschen geht
so hätte ich gern ein Neubeginn!
Es wird Zeit das ihr euch eingesteht
dass die Kids hier so verloren sind!
Schau Aussichtslos und Hoffnungslos,
denn wir stellen uns alle blind, doch wir stellen uns alle blind

Wenn andere nichts mehr sehen dann schau hin
Denn wir sehen soviel dass nicht richtig ist,/ We see so much that isn’t right
also versperr dich nicht und hör hin
Sie sagen soviel, so vieles ohne Sinn! /They say so much, so much without sense!

Was ich will
Sind Taten und kein Wortgefecht
irgendwie hat jeder Recht
haltet doch was ihr versprecht
Weil viele Menschen so verloren sind
Ausgebrannt und Mittellos!
Denn wir stellen uns alle blind
Alle doch wir stellen uns alle blind

Warum sind wir so blind
Hin Schau hin
Vielleicht wachen sie auf und
schaun hin..
Zwischen das Glück zwischen Ruhm
zwischen all' diesen Dingen
merkst du nicht was wichtig ist?
Auf der Suche nach dem Sinn
ich mach meine Augen jetzt auf und schau hin!

Look

When I see, how may people are
I would like to have a new beginning
It´s that you admit
that the kids get lost here
Desperately and without hope
because we all act as if we are blind
we act as if we are blind

When all the others can´t see anything
look there
because we see many things that are not alright
do not avoid and listen carefully
they say so many things without meaning

What I want
is action and no battle of words
somehow everybody is right
keep your promises
because many people are lost
Desperately and without hope
because we all act as if we are blind
we act as if we are blind

When all the others can´t see anything
look there
because we see many things that are not alright
do not avoid and listen carefully
they say so many things without meaning

Why are we so blind
look there
Maybe they wake up and
have a look...
In between luck and glory
in between all those things
don´t you recognize, what´s really important
While looking for the sense - for the sense
I open my eyes now and look there (watch out)

When all the others can´t see anything
look there
because we see many things that are not alright
do not avoid and listen carefully
they say so many things without meaning
This is sung by Muhabet. Something to be said here. So much pain seen in the world so many turn a blind eye and would not wish to fight for a better day. Translation I had to grab offline. I do not speak German.
SG Holter Apr 2014
Sometimes I feel **** alien, even in the
Most familiar of surroundings.
Instead of spinning, pointing,
Naming everything Home,

I shut myself, and turn inward.
Day after day the first one at a
New school in a foreign country,
As far from a cool kid as the

Overweight teacher's pet with a
Stutter. I don't even know how to
Speak my own name in their
Incomprehensible language.

Nothing here is for me, and
At least E.T. had a home to phone; all
I have is the space i possess as I walk
Through it, eyes firm on borrowed

Footing. No single road leads to my
Rome, and somewhere inside the
Timelessness of my innermost, the
Old, old man watches the young'uns

Talking, dressing, adressing,
Preferring, doing it all the way
Young'uns do, with pale, tired eyes
And simply just

Can't, -tries, but- just doesn't
Understand.
Jann F Oct 2018
Wir finden und verlieren uns im Moment,
Im letzten Atemzug den wir uns gemeinsam teilen
Um uns herum fängt es an zu regnen,
Es scheint, als ob die Welt wüsste wie
es in unserem Inneren aussieht.

Der kurze Augenblick zwischen Sonne und Regen,
Der kurze Moment zwischen Freude und Traurigkeit.
Es kommt und geht, das Glück zwischen zwei Menschen

Was für ein trauriger Moment, du sagtest mir wir sollen uns nichtmehr sehen
Dein letztes Bild verblasst im Tageslicht,
Zeit heilt was sie kann, doch nichts ist für immer
Und man sagt , es wird schon wieder,
Doch nichts wird wie es einst war

Die Einsamkeit von gestern nimmt mich wieder in den Arm,
Fühlt sich an wie jeder Tag,
In Gedanken bei dir, irgendwo anders
An einem Ort wo es egal ist, verloren zu sein

Es wird immer vergehen, und nie so bleiben
kommt mir vor wie damals,
Damals auf dem Balkon also du die Sterne gezählt hast
Mama ist gegangen
Sie lebt nicht mehr
Sie hat Mutter Erde verlassen
Sie ist auf dem Friedhof
Mama ist weiter weg
Sie ist hier und dort, wirklich
Mama ist weg
Und nicht mehr hier
Bei uns, unter der Sonne
Mama ist im Himmel
Sie sieht uns an und sie kann hören
Sie hat Spaß, in einem Traum
Uns jammern und schreien zu sehen
Mama ist bei der Jungfrau Maria
Beide hören uns zu und lachen
So sehr, dass sie im Paradies weinen
Wo niemand stirbt
Das ist ein Fauxpas
Was für eine Reise! Mama ist gegangen
Wir können sie kaum auf den Wolken sehen
Mama ist immer noch bei uns
Sie ist unsichtbar in uns
Wie wir es anderen Müttern wünschen
Fröhliche Aufenthalte auf dem Friedhof
Möge die Erde leicht und weich sein!

P.S. Dieses Gedicht ist allen gewidmet, die trauern.
Translation of “ Mommy Is Dead” in German.

Copyright © Avril 2024, Hébert Logerie, alle Rechte vorbehalten.
Hébert Logerie ist Autor mehrerer Gedichtsammlungen.
Die Welt
Die Welt fällt um uns herum
Und Splitter
Splitter reißt durch die Luft
Und wir stehen
Denn es gibt kein Versteck
Aber die Liebe
Die Liebe wird uns dort beschützen

Und wir küssen uns
Als ob nichts passiert wäre
Und die Bomben
Fallen Sie weit zur Seite
Und die Kugeln
*******nicht so erschreckend
Und nichts so Auffälliges
Wie die Verlangsamung der Zeit

Und die Nacht
Die Nacht bricht um uns herum ein
Wegbrechen
Bis zum Morgengrauen kommt Licht
Wie der Rauch
Der Rauch setzt sich um uns herum ab
Wir stehen immer noch
Zur Niederlage beider Seiten

Dann sind wir helden
Nur diesen Tag

Und wir sind dann Helden
Nur für diesen Tag
This is the original way it was written.
katewinslet Sep 2015
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Jonas May 16
Stille
Einmal kurz durchatmen
Die einzige Leerstelle im Gehirn
Die ich mag
Schön, dass du da bist
Schön dich zu sehen
Hier bei mir

Viele Kleinigkeiten machen ein Leben aus
Wir sammeln sie
Geben weiter und nehmen mit
Tragen uns gegenseitig durch die Welt
Bis zum letzten "Aus"

Und doch zerbrechen wir uns den Kopf bei den großen Dingen
Zumindest wenn sie groß klingen
Lasst uns trauern
Zwischen gemeinsam und alleine
Lasst uns feiern, lasst uns essen
Am Ende muss man lernen
Immer weiter zu machen
Weiter zu leben

Schon wieder etwas verloren
Jemanden
Auf dem Weg gelassen
Schon fasst vergessen
Schon wieder etwas mehr allein
Aber nur scheinbar

Vieles geht im Alltag unter
Großer wie Kleines
Manche Dinge kommen wieder
Manche schleichend und leise
Manche plötzlich, schreiend, laut

Lasst uns einen Moment verweilen
Hier und jetzt
Zusammen schweigen
Tritt ein *******zurück
Und lausch
Betrachte das Ganze
Schau was du sehen kannst von hier

Genieß den Ausblick
Solange du magst
Und dann komm langsam zurück
Zurück zu mir
Michael R Burch Feb 2020
Liebes-Lied (“Love Song”)
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

How can I withhold my soul so that it doesn’t touch yours?
How can I lift mine gently to higher things, alone?
Oh, I would gladly find something lost in the dark
in that inert space that fails to resonate until you vibrate.
There everything that moves us, draws us together like a bow
enticing two taut strings to sing together with a simultaneous voice.
Whose instrument are we becoming together?
Whose, the hands that excite us?
Ah, sweet song!

Original text:

Liebes-Lied

Wie soll ich meine Seele halten, daß
sie nicht an deine rührt? Wie soll ich sie
hinheben über dich zu andern Dingen?
Ach gerne möcht ich sie bei irgendwas
Verlorenem im Dunkel unterbringen
an einer fremden stillen Stelle, die
nicht weiterschwingt, wenn deine Tiefen schwingen.
Doch alles, was uns anrührt, dich und mich,
nimmt uns zusammen wie ein Bogenstrich,
der aus zwei Saiten eine Stimme zieht.
Auf welches Instrument sind wir gespannt?
Und welcher Geiger hat uns in der Hand?
O süßes Lied.

Keywords/Tags: German, translation, Rainer Maria Rilke, love, song, music, soul, vibrate, vibration, dark, space, darkness, instrument, bow, strings, hands, voice
Mateuš Conrad Mar 2021
beginning with a title... the transcendent bicycle...
because it really is just that...
if you have walked as much as i have:
a marathon from Romford
to St. Paul's and back...
a marathon from Romford to Epping
and back...
       i don't know but i do know that
i might have been aiming for: flesh of my flesh...
aged 34... but i'm still "trapped" inside
the dimension of the bicycle like
i'm ******* quicksilver / the flash...
i haven't ridden a bicycle in well over a decade...
today i found out i have ghost muscles...
the bicycle became the antithesis of
prosthetic limbs...
   it's hardly a Descartes contemplating
a desk and / or van Gogh's chair...
beauty in pickling... depths of thought in:
picking, juices...
how a second birth happens with
the advent of thought...
when... penetrating inanimate things...
to think about objects is to...
become more objective?
         it's not like i'll summon...
a Freudian complex...
using a bicycle... as a Deleuze
did when ushering in the bicycle from
a Beckett's perspective...
  beside the "village bicycle" i hardly
want to give sway to some ******* metaphor...

the bicycle is more than a chair
a chair is such a fermentation process
since you can sit on it...
but can hardly concern yourself
with making a ******* gallop on it...
but a bicycle is not a horse...
but a bicycle is not a horse...
writes the man that...
yes... i have ridden horses...
all the equestrian clubs in Essex can shy away
from the detail of...
i have allowed myself to ride a horse
to a gallop... neck, sore... entangled in:
want of massage... yes...
but a bicycle is not a horse!
it's a dog... at best... it goes where you want
it to go...
the leash of gears the muzzle of the breaks...

the **** i need a car for?
in London... even if it's outskirts /
kilt Loon'don?
     ha ha FARKER TARTAN WILLIAMSSON...
blah!
enriched with hidden energies of
newly discovered... otherwise plainly
shelved sensations of motion...
there's nothing new about a bicycle...
said the man who withheld a smirk
when attesting...
a gap... the same centre of gravity... though...
almost like the buoyancy arrived at
when swimming...

oh how my father tried to teach me...
how peer pressure taught me instead...
it's this exasperating O oh and ah...
that's not really becoming of adding any more
detail to a rekindled love for life...

notably concerning England...
and outer-suburbia...
- when you have been walking these
labyrinth streets for months...
to be suddenly injected with
a very new, but at the same time:
a very old concept... dimension: which sharpens
the genesis of thinking about the sentence...
a new dimension of... speed...
time, space are their own affairs...
invoked for a day by a day...
walking is merely movement...
cycling? that's not merely movement...
that's...             speed...
because... there's a whole chi focus
of X yes precisely X...
        only half an hour's worth of cycling
and i covered the whole peninsula of the area...
unbelievable the detail of acquiring
traffic coordination...
a shared responsibility that a mere
pedestrian might take for granted...
      
tomorrow's a Sunday and i'm supposing
come circa 7am the
traffic should be "slim"...
having tested the breaks and the gears
somewhat proper...

bicycle bicycle... where have you been
all my past decade...
bicycle: grandfather Joseph...
death toll murk... fill the bells!
let them not resound in the night
while i reclaim the wind for my own...

- that i sometimes drift in and out
of solipsism...
yes... that solipsism is
laboratory minded experimentation
with states of autism...
but you're given the excuse
of riding a bicycle...

i wonder what wings might feel like....
a bicycle is not a horse...
a bicycle is more or less a dog...
it's certainly not a cat... meow...
if there was an advent of wind to harness...
but there's me... merely pulverising forward...
the leash the muzzle
all that's frame and the breaks:
downhill...

the lullaby of emotions intrinsic in:
blocking all rancid thinking... all thinking
like so...
Zen by ***... it's not that i know more...
i know... different... but first you have to walk
said distances... before loopholes...
wormholes appear gesticulating the mind
with a provided for, otherwise...

i'm 34 and i feel like i've just...
accomplished more than
having shed feather of my virginity...
never make me feel so entrusting...
never make me feel so demanding "x"...
peddle ******* peddle...
tread-water.... in your pyjamas...
i do remember, like an elephant's cranium
might... details of a historical tattoo...

philosophy books are...
paupers of metaphor...
language is ever hardly elevated into
a bouquet...
i don't want to be in love again...
i don't want to be such an...
undemanding... lack of ambition...
lack of sacrifice...

take me into the woods
and shoot me in the back of the head...
but before you do...
i'll merely ask...
take me into the sort of woods
where the deed be done...
but appreciate walking me so far
off the well trodden path
that you might not remember
how to retrieve a safe-footing back...
take me into the woods of no known
horizon...

guarded by a strict wall of a mile of trees
that block out the otherwise pleasant
azure of the sky come hiding the sun
at sunset... or sunrise...
in that zenith of immobile grey
between the hours of commotion
when nothing is to be salvaged as one's
own... but... abhorred as it too must be...
somehow... shared...

some privy in on England... a land
of fertile imaginings...
when Descartes had his table, and chair...
to fist & fester on...
i'll lay clamour to the debris of alt...

yes: an overbearing load of sensation:
delusional.. let's put him in his "right"
place... let him believe the sole provided
the psychiatric source of angst
no purpose = no posit of transcendence...
no bicycle...
   custard... pie-load...
angst...
               jerking off from "excess" libido...
well... exercise the "excesses" of libido elsewhere...
exert well squid parallels
and more: firm grasp... "tentacles"...
see the same within the confines
of an "elsewhere"...

how ***** i became being so...
muscular abiding... simultaneously... docile... too...
it's not a Lamborghini it's not
a British T... triumph motorcycle...
it's a peddling ingenuity of
somewhat self-origin...

i could have eaten up a Solomon's share
of ****** and *******
that same of wisdom...
should i, could i, would i have
demanded less than was already left available
from the Tetragrammaton...

how did "we" ever learn to laugh...
how was HA... the hebrew definite article spawned
those biggest,
no... those grieving questions...
how a monotheistic deity might be all
good... yet somehow not all powerful...
yet all powerful but not all good...
bling alley... cul-de-sac view:

the algebra not solved: attempted by
numbers...
letters later sieved...
and more letters sieved...
played the party pooper with membrane knowledge
of katakana and Hangul...
because... Latin script does slip...

chi-focus?
the multiplication ascend of:
what was walked prior...
can now be cycled... shortened because no
"lost" time was ever to be grieved...
although... the front suspension is...
an unwelcome addition...
ha ha... privy me on details
like... excesses that are there...
21 gears and when there was a rigid frame
throughout and rising up from
a sitting position is not necessary...

no... i'm not gearing up for motorcycles...
i like the idea...
but also... subsequently... the experience...
of a double-decker... bus...
of a bus of being the transit mahjong skeleton...
pieces... mein alles!

mein alles!             gott, mit... uns!

yes... unbelievable... the demands for yachts...
for ******... diminished into a fizzle....
when a Beijing demand for bicycles
skyrocketed... and all that was left to salvage
was... promises of a Sunday,
circa 7am...

hidden gems of plied-play-dough-esque:
sort of truths...
sort of beefing up... doubting pork...
within the confines of chops...
between me and a prisoner...
between me an a prisoner...
it's hardly the yacht...
the hardly any nuance of bother...
believe the existence of hierarchy...
because the Bolsheviks didn't
come about the first time around...
second try...
escape the English cwown they said...
escape the litany of squares
they-void-thought... "said"...
herr omar bin sa-id...
conquest of the Hey-Brews... "said"...

don't undermine the intricate
tribal workings of...
half-possessed...
half truant... thereby almost totally... true...
associates of Casimir the Great...
there be a god of wisdom
and there be a god of fire...
there be a god of letters...
if so...

the same god will be inclined
to mind...
an apostrophe as much as a surd (letter)
in Ęgli-sh...
when not minding... "it"..
lay an Ę to the side to wreck havoc with...
ha ha!    Щ...

  Ę / Щ... the **** are you looking
at me... like i were the one
who killed your mother with a *******
harmonica / what have these galoshes to do with
"these" galoshes...
what has this pumpernickel to do with
this windmill... "this" is an obstruction...
the proverb states...
what has a pumpernickel to do with
a windmill?

exactly... ****-all!

two-riddle *******' worth... worth of...
newly ******* jargon... and crust of...
for the load that might be minded
invigorating life... as life in prospect...
re-orientating man toward the clamour
of detailing sky...
not on foot...
not on horse...
not via car... will you...
to hell with running down...
a stampede of perspective...

planet... luancy? is that where we are all,
from?
i am born of madness...
i am this salty precursor of i think...
clearly i first arrived...
later... i somehow managed to "think"...
i didn't think first
but i certainly didn't either:
i think therefore i am therefore i think...

i was more on the lines of...
from the lineage of:
trouble...
i am therefore i think therefore i am...
i am not a spider i'm not all emptying and detailing
the filling of gob-***** with
i am hungry i am vector...
i am therefore i think therefore i am...
but this... ****** of french...
premature *******....
of i think therefore i am... therefore i think:

honestly? thinking is sometimes not...
necessary...
sometimes water needs no... glue, metaphor...

Amsterdam's open mouth darkseid
apocalypse abode...
le trio joubran - masar.... a finite quest...
primo.... detailing conquest...
handling crux....

            the cat's in the riddle...
the yard is in a mile...
scrutiny of the Levant...
           leverage of hark... -ing
denote: closure... of "ambition":
this lesser "king"...
brow of the most dignified...

                   keeping with allowance
(an)
  justly, met...
  
give me wind:
   give me... air...
not... hair... i laugh... i laugh too little...
i chisel my teeth...
i scream: nothing primo!
my life but q.
there are more lived importances
that matter, thus...
cradle... diamonds...

"the end".
Victor Marques Jan 2014
A Nossa Existência como seres humanos

      Nascemos em qualquer lugar e somos filhos de quem quer por amor ou desejo simplesmente de procriar ou prazer puro. Não engrandece ou diminui a nossa natureza de seres humanos que nascendo por amor ou não! A partir deste início comprometedor existimos para gáudio de uns ou tristeza de outros. Milhões de células se uniram para fazer nascer seres nossos semelhantes com qualidades e defeitos que de uma maneira ou outra vão tentar sobreviver numa sociedade desproporcional e incapaz de controlar: os devaneios, crises, empreendimentos, crimes, loucuras de uma sociedade débil e moribunda.
Mas humanos resistem com paixão, inteligência e idealismo puro para tentar combater: a fome, guerra e construir muros de paz. Sim com consciência temos homens que labutam por um mundo melhor e uma sociedade que fomente uma existência menos penosa e permita uma recompensa para a outra vida mais conveniente e digna.
      Todos nós temos direito à abundância de coisas boas nesta vida. O universo é totalmente gratuito para todos com uma harmoniosa junção de todos os fenómenos temporais que durante as estações de ano se manifestam na perfeição em sinfonias elaboradas por Deus eterno, infinito e Senhor. Deus nós ama feliz com uma amor intemporal e manifesto no amor de Jesus por todos nós. Com sua morte na cruz e sua Ressurreição exaltou os homens bons a viver com amor e por amor ao seu semelhante.
     Vivemos num sociedade global e intransigente em que os seres humanos coabitam nos mais diversos lugares. A nossa existência como seres será leal e justa se dermos todos as mãos uns aos outros e fazer algo nesta terra que nós faça orgulhar muito mais tarde no Céu. A nossa existência como seres humanos deixava de ser importante se não houvesse uma recompensa por tudo que divinamente o homem bom faz nesta vida terrena. Deus com sua infinita bondade disse ao homem para se multiplicar e difundir seu imaculado amor e ditou suas leis universais baseadas numa fé irracional e num amor de coração.            
     Cabe a todo o ser humano justificar a sua existência com um amor inadiável a todos os seus semelhantes. Através da escrita e com tudo que Deus criador me deu não passa um dia nesta minha vida de passagem sem lhe agradecer por minha existência e por este planeta terra maravilhoso em todos os continentes e latitudes.

Abraço amigo
Victor Marques
seres,humanos, Deus, fé, amor
Nat Lipstadt Jul 2013
Wrote this eons ago, tonight, once more,
spend some human capital, editing...
Something to think about
as we tuck ourselves in.

the young'uns keep on asking me for tips,
secrets, to this art, magical poetry gig,
as if I had any left unrevealed.  

recalled this old'n,
from a vintage poetry year,
as a suggestion,
a stating-starting place,
for young poets:

do not self-chain,
let the words take you where
they lead, write them up
for the rhyme is waiting,
in the heart chest deep down,
not on the screen.

I read you Goodnight Moon,
Falling asleep beside you.


<•>

People stop rhyming...

When first you overcome your fears,
And dare to put on paper your tears,
Give it up, set yourself free from the shackles,
Of thinking a rhyme is a necessity for a
Rooting tooting writing of a
**** good poem

If you feel lost,
Want to share the cost,
Feel not bossed,
By a newbie's need
to believe that if it rhymes
Everyone will like your poem
Just fine

And if you get past this stage,
And advance to the next page,
Do not think that writing down a sentence of
Your mind's first up, innermost thoughts,
Is something that will make you
Less lost, heralded, worthy of a parade,
And be blessed with an A  
In your Teacher's pet grade book

My heart broke.
I feel bad.
I feel sad
Cause my man/woman left me
And I hope
Someone kicks his or her ***

That Ain't No Poem Neither...

And if you can't help but complain repeatedly
How life ***** and you're feeling blue
extremely indiscreetly,
Don't make me try on your scribblings
intimately indiscriminately,
Read a million, even wrote a few myself

You think you can write?

Then employ a word outside your comfort zone,
Go it alone,
Write just four sentences that will make
The hopeful reader stand up and you,
Twice as much, and shout

Hallelujah *******.

Work. Poetry is work. Hard work.
Don't fret. But, think on it.
Let it come easy, then let it rest,.
Then spend days editing every comma,
And when you love it so much,
You are chest busting bursting,
Why have you not pressed Send already?

Have the sweetest dreams.
In the morning, when you but awake,
A poem will be aborning in thy mind,
And dare I say it, you will find a new freedom
In free verse.
(I know you will slip in a rhyme or two,
I can't help but do it too)

G' nite!
Why is that parents plant ideas in your brain as you're falling aslee..............

Just a suggestion....what do I know,
Mateuš Conrad Jan 2020
.h'america.... the last theological playground of... whatever the mind left behind in the decrepit bulwark that's europe... oh... and those mid-western died-hard hitchcock platinum-blondes in a-waiting... my typo pristine dutch-girls-go-to-church mantra... otherwise? no b'ooh'y'ah! chugger-chugger-chugger-chuck-cherry-choppy-chops-you-*******-cuc­­k-chuckie! quasi-whitman wannabe... billy was a butcher... a thematic long lost gun... billy was a butcher... and all the ripe choppers of pork... gave us a belief in snow; and what some heaved with a falling-of-a-star of dis-.belief: i too was bound to glorification of: what was expected to be known! and the subsequent: wow! i have met only the most limited of men... i have therefore met all men... the "all" men of this rubric of a year, a decade... all that's bygone of a yawn; swear it sn't so! a so! that's not be be sown! i am here too: upon the whim of expectation... merely... waiting... a man comes to be born come his 30s... his 40s? his nostalgia "moment"... former known name of: Jack Lil Lick 'Em Boots... and the crescendo of pauper's black lining of the Wall St. "better oiled"... scalp the ******! and send him unto the rabbi's true blessing... in the cusp of the scalp of the kippah!  and now... you take... your anglo-spreschen-tangle... into the salt-wounds of your h'america! first born: young... i don't like your revision... looking toward Europe with a hope for a sensibility... this pseudo deutsche: pseudo dutch, anglo-; this is no loss of the French or the Slav! this is our celebration! does one have an irish phrasing in uns to be at in it or one? beyond this grip boyo bound glue? this clerical spare of the otherwise leftover skivvy? we have made barons of these minutes.... as if we were to be kings of the coming years... and how we didn't become gods of the atoms... and the men of the suns and planets... that is our... most worthwhile conundrum in a da pacem domine bound; you're going to Beirut on me... or something?!

in my haitus away from this canvas:
naive me thought: perhaps a surge...
again proven wrong -
albeit not disappointed -
so i had to look elsewhere -

i had to look for a clarity of diction...
i had to move away from
the western lands and their:
death of god and their death by metaphysics...

even in this barren english...
i could not figure out:
why are these people,
apologetics from the central leftists...
these liberals...
ditto: i will butcher this name...
i will butcher the pronunciation
of this word...

if there are "questions" regarding
what's being phonetically encoded...
so much for me "learning to code"...
i too once wrote a html encoding...
with all the < and < and > toys...
spacing... {[( gradations... etc.,

i had to look east, after a while writing
schlechtdeutschegrammatik...
bad german grammar...
again: it's posthumous "Latin"...
it might be...
bad grammar german...
or german bad grammar...
deutscheschlechtgrammatik...

spelling is the mathematical equivalent
of... arithmetic...
but grammar? you need a ping-pong
table...
you need something cymru-esque...
a scandinavian-esque bilingual cushioning...

english alone will not solve the matter...
it's not french, it's not german,
it's certainly not spanish...
spanish and how post-colonialism was
settled with a post-racial attitudes of
Brazil...
england has taken too much time
looking up and out of the h'american
*******...
no grand satan 'ere...
no silk road bazar of fruits exotica from...
Teheran...
something more... subtle...

i had to go back to the "tsar"...
and the цэркйэв: 'cerkiew'...
and there i was amused how...
well apparently...
there are a lot of words
that do use the sz'cz...
enough... to deviate from
the Latin bollocking represented via
шч = щ....

that's perfectly logical...
i'm done with "perfectly logical"
if it exists outside of the realm of
orthography...

szczypta soli - pinch of salt...
in russian...
щ... that's a bit of a "question"...
yes, yes it is complicated...

szczery / szczera (he's honest /
she's honest)...
szczerość (honesty)...

no it's not... you german fickle-wit!
you forget the ы!

ah! well then... щыптa....
**** me... disorientating...
they could do all that with greek and glagolitic...
but they still had to keep...
latin: roman: holy roman empire: GERMAN...
lowercase lettering...
akin to a... e... c doesn't count...
since that's a greek cedilla "missing"...
ç... or... sigma... ς -
otherwise known in english as that S
after the apostrophe...
when something is called being:
the possessive article...
a (indefinite) the (definite) - some -ism to mind?!
no... but 's is... a bit like the SS...
in greek...
all in lower case: stephen's and...
στεφηνς...
σtephenς: that very much desired: ha!
ridiculous gag... the "much desired"
alternative to an apostrophe S ('s)...

it's Stephen's! it's Stephen's!
it's Sylvester's!
three articles in english:
the indefinite article (a)...
the definite article (the)...
and the possessive article ('s) - apostrophe S...
eS eS!

russian accents...
ъ, ы, ь...

but i only know of one "hard sign" example...
and that disqualifies the J ever needing a lower-case
"dot"... ȷ... namely... зъ: ż... alternatively
also: rz... and ж...
żuk! beetle! somehow the caron makes it...

szczyt! zenith!
щыт!

- and since i'm no longer writing:
i'd be writing if i were monolingual...
or... if i was animated by
the sort of Knausgardian bilingualism
of chop of swede: marker norgie...
but... i'm painting...

i forgot how to write when i could
see "synonyms" of sounds...
entombed in two different phonetic
encodings, namely elevated latin
and "pan-greek": cyrillic...

the variations between:

й and ы...
i.e. via е - "ye"
ё - "yo" (there's an umlaut in russian?!)
"у" - yew and you...
the gamma subscript...
ю - "yu"...
and... я - "ya"...

with regards to this rubric...
i am in the middle...
i can see a distinction between
a "y" (whine why and no I)...
hardly a jotted anecdote...
and yes... the closest the russians
ever come to Cracow is with ы
to a western slavic y...
ask me: toй - ask me: toȷ...
who needs a dot above the J
in the lower-case... if...
if... there's no absolute need for it to
be there: unlike some greenwich mean time
focus?
it ȷust so happens that...
the better clasp of the equator is
married to Greenwich: London...

dr. who time lords:
bellybuttons of the world: the english are...
again: i have to remind myself...
ı am not wrıtıng... ı am... paıntıng...

1(one), l(el)... I and ı(ıota)...
i guess an apostrophe would suffice...
ıf it's not an "ı"...
ı'ota... ı: oath...
sure as fıgurative "****" it's not...

ı must wrıte some more examples
in russıan...
to get me off me mark into
some "wax lyrıcal"...
ıslander mentalıty of the hen'glısch...

see how "the dot" can appear...
and disappear, as one see fıt?
and ıt makes: no little bıt of...
"dıfference"?!

i need to sleep on thıs "exercise"...
dot-pop-up...
dot-fold
dot-pop-up...
dot-fold...

w­­ıll eyes gets it?
hardly...

the rest of these cosmopolitan *******
focused on gwaffiti awt...
which is welsh for: GRA GRA...
when was the last time you heard
an englishman trill an R?
ı can't remember...
give me a night to soak up the pickling
juıces... i can't remember the last time
i heard an homest trIll eıther!
pauper me...

it's probably because of the welsh:
GWA GWA! gwadleıth cowonew...
or coroner row row row a rombat into a rue:
or a woo...
rhyme: contorts...
shapes and disappearing: oopses...
a whole multıtude of 'em...
come like the tıde...
leave... lıke a tilde... quası N:
it's a... H is a zeus...
and J is a Ha Ha Ha wrap-up rap of
laughter: in spanısh: of course...

i don't wrıte... ı paint...

impromptu interludes, quickened:
i'm a marriage of two continents...
and one island...
east of moscow...
asia... west of warsaw and...
these gloomy island pits of
idiosyncracy... never quiet the icelandic
answer to norway...
or greenland's answer to denmark...
but an island... nonetheless...

- to hell witth cascading linear cascades
of narrative: i'm blind to the optics
of "the narrative" in the paragraph
format...

i will look back east...
i will look at the russian script...
i will look at it as a time in ******
history equivalent to:
why didn't you just think of it as Greek?
but "my people" didn't...
and i'm not exactly a "why / didn't"...
i'm part of the excavation machinery...
i come with what was served...
i will leave without
leverage...

and here is the russian icon translated
from the Babel...
the following are orthodox letters
shared by one and all
to the western lands...

а б в г д e з и й
к л м н o п р c т
у ф

a b v g d e z i j
k l m n o p r s t u
f

now we leave: łen łill that be?
we should all somehow know...
to łork out a When a Where
(notably with the "h" being but a surd)...

mother how should i further this?
herbata
hasło (ha-s-woe)
hołd (**-**-w'd)

to no other: otherwise only in scotland:
the loch of tipsy work...
albeit: orthographic distinction...
хęć - a whim a desire...
a loch is no: cheat of a lake...
latching onto the otherwise boredom caron
exposed...

дух (ghost) with a душa (soul)...

else there's c dissociated from the s...
and more so with a kappa kaput...
the drumstick slick on a wet snare of: tss...
ц - almost...
then morphing into a ць -
yet in my version: no so silent...
ćma: moth...
цmokaць / cmokać: to click with the tongue...
to kiss smackingly -
to ingest food via a smoczek...
a smoчek - a smoček... the baby soother...

this is my third day having to return to
this canvas...

first thing's first:
palatization (palatißation)
is not... a name of german crusader song:
palästinalied...

this is one of the main reasons why
i can't imagine myself as being able:
to write a novel -
i can't bear this birth of words into
this pseudo-Kandinsky -
it would be much easier with painting
something for a year -
than writing for a year -
the same thing, over and over again...

if i write a "poem" or, rather, a poo'em...
i expect the concept of
ensō: a circle has to be drawn with
a single uninhibited stroke...
when the body is set free and the body
merely complies...

comparison... if one were to draw
a most pristine ensō...
one would never achieve an ouroboros
depiction... it's quiet impossible
to use one volume of ink
attached to a stroke to complete
a circle... let alone a depiction
of an ouroboros...
what starts off as concrete soon...
fades away... thins out...
until there is so little ink left
on the brush that individual hairs
of the brush start appearing...

a pristine depiction of life...
but never the hardline ouroboros
depiction: this cerberus of reincarnation:
i never would have believed in it -
given that: there would have to be
a limited number of souls...
the thought that i might be introspective
enough as to be one of these: "elites"...
and the rest... were "n.p.c." drones...
zombie-esque drifters...
that had no psychological infrastructure
to have memory and rubric of learning
bound to them to be: invested in?

i am still going to write this Kandinsky...
one way or another...
but i can say only that:
i can imagine myself returning
to a painting - and painting it for a year...
but a book?
if a poem can't be written in one sitting...
it's not a poem...
this is not a poem: this is a novel
equivalent...
the best to my ability: which is none...

all i will ever manage with this
is a pedantic scrutiny of russian orthography,
how i don't follow metaphysical arguments
of the germans, the english or the french,
because i don't dream that often,
and when i do dream?
i dream up nonsense...
last time i dreamed that a hiena was
biting at my arm like a corn-cob...
but it wasn't biting to draw blood...
it was biting and cackling in order
to tattoo me... it bit into my arm and detailed
indentations akin to braille...
a pianola roll...

and that's the only details of the dream
i can remember...
perhaps i strained memory...
perhaps people who dream...
are fond of forgetting...
perhaps i don't dream because i can
remember being 4...
a shadow (my maternal great-grandfather)...
a large piano, a small piano...
he worked a retirement as a security guard
in a kindergarten...
i once spent an afternoon with him...
i have seen pictures of him...
but i don't remember the face in the photographs...
he sat me before a bonsai piano
while he sat at the large piano...
and i guess: we were going to be the new
Chopins or something...
he's still a shadow... a grey form...
perhaps a extract of memory that reaches
back 29 years is the reason why i don't
dream... then again...

what if i were to have recurrent dreams?
i've heard people have recurrent dreams...
i just have details of dreams...
i'm not complaining but...
it has become exhausting to simply sleep sometimes...
to replay that lullaby of the void...
yes: yes... i will return to russian orthography:
give me a moment!

well, on my "haitus" i had to look beyond
"conventionality"...
there was a period where i found
the glagolitic script - i said to myself:
there must be an equivalent alphabet to match
the runes...

there must have been a way to encode
without the romans and greeks...
after all... there is the St. Cyrill alphabet
and that of Methodus...
how many ethnic groups are there
on this old, yawning continent -
minor point: old age is not plagued by
yawning - only youth yawns...
old age is cured of yawning -
hanging over them the yawning death...
when father - when father - will this old
ponce come into my *****?

glagolitic and cyrillic?
well Ⰱ Б...
Ⱂ and P... which is not exactly lent-greek...
i guess it's only "wise"
to go back into the modern scribbles...

there are so many branches
to be plucked off a pine
to reserve yourself with ending up
to owning a pike...
so what would it help me:
if i had to reverse and ezra pound
my way forward...
bubble bulging roma notations?
i see: when that chisel in marble
V is not supposed to be a U...

EVROPA... etc.

i need to bring to the fore my own
distinctions...
spread: universally within the confines
of the people that speak it:
i even had to made balkan additions...
like the caron S and caron C...
to hide the english gimmick
of SHarp and CHeat...
evidently we use the Z to replace
the H when stressing our "demands"...
Šarp and Čeat...

so back into russian?
i almost forgot that i said...
their orthography is not worth the dog's
bollocking of a lick...

i was wrong, obviously...
but even the russians are supposed
to be allowed their idiosyncracy -
their orthographic pedantry...
russian orthographic pedantry?
ah...

when е met э...
was also the time when э didn't meet з...
this is pedantic...
another russian pedantic "detail"...
how many Y's or J's do you need...
to detail: the elongated-iota?
before... "****" becomes confusing...
within the confines of gamma...

i'm pretty sure the russians have
fixated their attention on the Y/J "debate"
working from their central premise of
the english AYE... I... the pronoun bunker...
der deutsche affirmative: ja!
yah in the hebrew respective for: wisdom...

let's see... i'm pretty sure the russians
have all the vowels bow to this mecca
of Moscow, cite me: and please reiterate...
that i use J and Y interchangeably...
i don't imply: to jot - to "dz"ot...
or Joseph in Ypres...

otherwise: a yeti climbing a yew shouting: yes!
it's not exactly jargon -
but... a prefix y- in english...
is not a suffix -y in english...
which just... "out of the blue"...
demands to be associated with the iota
of: ply... and yet: it's no i.e. e'et...
it's neither ate or the fwench and (et)...
it's a yeti... but not a jetty!

never mind... back into the fussy russian...
i'm pretty sure you will find all
of the pentagram (vowels) bowing before
the altar of pseudo-gamma:

                                     ю (yu)
                                    /
(details in) й ------ я (ya) -- ы (oh look, solo!)
   the above"rant")  |
                                  у (which is a u)
                                /   \
                     e (ye)       ё (yo)

almost... but i'm far from learning russian...
i find these orthographic details...
coexisting...

зъ = ж = ż = rz = ř / ž...

eastern, mother slavic...
beginning with a western slavic translation
"innovation"...
central / western slavic...
balkan slavic...
oh we are such famous clarinet players!
because what happens
when the caron is sliced into two...
and an acute ****** pops out?!

hence the зъ beginning...
yes... it's not "silent"... it's simply not
palatalißed... the tongue doesn't tip-off
the palette... the sound escapes via
the gritting of teeth...
with it: the tongue can rattle and a trill
R is heard...

зъ (ż) contra зь (ź) -
życzenia - well wishes| źródło - source...
now to only write these words
in russia - without knowing the russian
noun-denotations...
for orthographic purposes...

жыченя... or is it... жычениa?
зьруд... problem... can't find the english
W in russian... or the ****** Ł...
there's the english V... the ****** W...
but russian doesn't translate (Вв)
so vell into wery: not so weary but
nonetheless very not so, so...

my problem is not about that though...
this poem this poo'em this:
a pigeon drops a zeppelin-****
on your top-hat implies good luck...
no 13's or black cats crossing your path either...
i could most honestly spend
100 years of each of the 100 individuals
bound to the salt mines in the vicinity
of Beijing... and i would still find myself...
without tears...
because this is the most inexhaustible
crux: it's really bugging me foundation stone...

i won't even mind the modern greeks
at this point... they do use diacritical markers
too... but over-do it... as if compensating
or trying to compete on level par
with their metaphysical dittos...

чaхa: czacha... almost slang term for:
czaszka... чaкшa...
and this is by no means "smart"...
i can't solve crosswords puzzles...
well i can: but i need to find myself
in the company of my grandmother...
in the morning...
i would have had to drooled over some novel
from 7am until she gets out of bed
come 9am... we'd drink coffee and i'd
smoke cigarettes...
and it would be a month prior to christmas
or easter, or the interlude...
and... i'd be freed from writing or
reading anything in english...
either me looking at diacritical distinctions
in the realm of orthography between:
russian, ******, balkan...
or... me never learning french,
or attempting to: ever, again!

******* suffix-eaters...
dyslexics in reverse...
say one thing: write another thing...
this is probably born from my frustration
at being unable to learn french...
perhaps after having acquired english
i was given german to learn...
but no... first hurdle... french...
flop!
now it's a diet of no crosswords...
some sudoku from time to time...
and my new hobby after having found
"too many" googlewhacks...

so there's nothing smart about this:
this is in no way useful to anyone -
being the sort of person
to "mind" whenever one's being asked
to spell their surname...
it's hardly that difficult but...

would i go for the echo sierra charlie
hotel lima echo romeo tango...
or go out full greek with it?
perhaps the greek...
since that would solve the problem
i've had for a while,
concerning the eta / epsilon "debate"...

how does a greek laugh -
what is the crux letter via which
a greek laughs?
you see a H shape on the horizon...
but you... hear the noun: eta...
you later see the name eta...
but that's eta: without an apostrophe...
the apostrophe 'eta being the "surd" H...

in greek then...
epsilon sigma... **** it... there's no "sch"
of a german worth in greek...
let's cut it out:
epsilon lambda epsilon rho tau...

otherwise in russian...
once more:

ś(lub) - wedding - сь(люб)
"soft" sign - ' - apostrophe -
or ACUTE elsewhere...
why not сьлуб?
i don't know... it's not like сь is even
minded in russian...

ah! my favorite!
goń! gonitwa: a race -
the verb impetus: race! chase after!
гoнь!

since ы is the "odd" one out between
the application of "ь" and
and "ъ"...
come to think of it...
ы gave birth to: ю (yu), я (ya),
у (u), й ("y"), и ("e")...
i... i.e. and... in ******...
akin to those languages that use e...
to also imply and...
ё (yo)... how did i miss the umlaut
infiltrating the russian 'bet...
i blame catherine the great!
and... е (ye)...
is that the pentragram?
u, a, e, i, o... yes! we have it!

i truly had better days when sudoku was
the better puzzle to fill a day with...
not this... from glagolitic, to greek,
to roman, to post-roman to russian
and back into...

if we are all "supposedly" literate...
begs the question why: why oh why the emoji...
the *******-wanking hieroglyphics...
the :) and what not...
i guess to better escape this sort of
headaches... minor chances of everyone
becoming a bilingual:
but what's there to brag about
being bilingual!
i guess the polyglots do not have such
headaches of detail...
they just... bypass these rules and regulations...

to better guide me:
if i managed to sift through james joyce's
finnegans wake... and didn't find any
diacritical markers in it?
can't i compensate?
i'm compensating right now!
if the 2010s as a decade was a decade
filled with... sisyphus titans akin
to kant, hiedegger, kierkegaard,
knausga(a)rd, joyce...
beckett - yes...
again that hollowed "y" distinction!
it's not a sisi: yes yes problem...
hardly me being ***** either...
e'ver... i'ver...
ain't that a *****...

clarity of diction... the best motto there is...
crab-bucket-intellectualism:
alternatively the focus away from
any ontological stressors of "example" -
ontological and its variant of
a priori:
perhaps, given that the ontological
is an a priori argument...
here's my crossword puzzle -
ref. thesaurus rex...

and by no means... at all...
etymology is the better variant of any known
history...
when this bundle of words:
that an ontological dialectic can be achieved:
that ontology can be given within
as much as an a priori: bigot! focus...
with as much as an a posteriori:
wizened unicorn quid pro quo tanz!

hamsterwheel loopholes or:
crab-bucket intellectualism...

now: i really could have put these words
to better use... to make them linear...
less cryptic... but how can i?
i'm solving a crossword puzzle in reverse!
i don't expect the easily scared moths
to entertain this fire...

i expect midgets to be dancing...
before my eyes...
whenever i listen to
faun's tanz mit mir
or in extremo's rotes haar...
when the bagpipes and the flutes
kick in...

- since if i were to write a coherent sentence:
succumb to a linear narrative...
i'd people reading this to be also found:
easily talking about it...
perhaps i don't enjoy freedom of speech
as much as i enjoy the freedom to think...
perhaps i haven't written anything
worth speaking about, regurgitating,
making vogue, working for some intellectual
period-piece of "vogue"...
perhaps this is a shared problem,
hidden in a cipher...
of: how i can't heave this tool...
this tapeworm of existence,
this medium of god...
to later trash it, to have nothing better
to do with it other than play-games...
worded games... crossword puzzles...
perhaps i need a crossword puzzle to imply:
neighbour's share some words...
together... but then write them differently...
perhaps i require a crossword puzzle...
to read into some russian...
on the praxis base of english...
flying past Warsaw toward the itch
of the edge of Asia...
breathe the air - the heart of the continent...

perhaps i would have never managed
to escape this world if i ingested
mind-benders of the h'american 1960s
revolutionary schematics of the:
new-humanists... crash course in literature:
only one magic mushroom trip away!

фoрк ин дэ рoaд (fork in the road)

ИN...

some shared words, of etymological
curiosity...

(fork) вилка - wilka -
polish? wilka? that which belongs to
a wolf... widelec...
видэлэц...

(knife) нож - nóż -
well... orthography comes into play...
while people can have their...
ahem... in-the-meantime metaphysical
playground...
the ground, the word,
the geology is already here...
written alternatively?
нузъ...

i take a different stance to the common day
****** back east...
when russia starts slagging you off...
you put on a Boris Yeltsin mask on
and dance the drunk panda dance...

(spoon) ложка - łyżka -
in polish? ah those russians... ло ло...
лож: lorz...
lo lo and behold the translated
quasi-russian into the borders of europe...
ł.w.(ызъка)...

black and white (черный и белый):

czarny i biały: rho-si-ye!
char-nee-ye! bel'ye)...

perhaps the timing is a bit off:
the proper wording would be:

czarno na białym -
not: in black and white...
чaрнo на биa-wh-ым...

knocked-out to be honest...
the russians use ый like that?
YJ? oh right! i use it too!
in the prompt:

tyj! tyj ty grubasie!
hmm... -asie...
it would do me a lot of good...
if that iota didn't have a decapitated
head of a halo hovering above it...
why? so i could introduce the acute
slant over the S and surd it...
i.e. -aśιe...

тый! ты груб... exactly...
grub-               -aсьие
тый! ты грубaсьие!
to grow fat: тый!
              "problem": -aśιe vs. -aсьие...
well... it's there: сь...
but it also isn't there: и...

but it isn't: but it also isn't...
i just managed to find out that...
in warsaw (if i lived in warsaw)...
we have that conjunction: -ый-
however rare it is: it is there...

any more delegations from Moscow?
tyj! tyj ty grubasie!  
and i will write these last few words
and know why i don't really feel like
solving crosswords puzzles...
or doing those i.q. schematic tests...

**** it... the welsh should know and help me
out... concerning?
how it's YN and not IN...
how it's Y and not I when referring to THE gwyll:
dusk...
y gwyll o hywels: the dusk of powells...
only the welsh would know my "pain"...
yn y gwyll o y hywels:
in the dusk of the powells...

taking a step back - a step back...
yes yes, apologies... if my punctuation...
is too much of a ******* arithmetic!
too bad!

p.s. and yes... don't leave anything lying
around in the drafts or as private...
chances are... with a 2 day delay...
this will never be fed into the LATEST feed.
Thomas Steyer Jul 2021
Das Leben ist schön, aber auch schwer,
für manche zu kurz, für andere nicht fair.
Wenn es anders kommt als man denkt,
da ist der eine schon mal gekränkt.
Der andre sieht es mit Begeisterung,
so hat das Leben für ihn noch Schwung.

Aber wenn ein Virus die ganze Welt befällt
und alles zerschellt - das geht ins Geld.
Dann ist auch unser Wohlstand schon bedroht,
und die Lebensqualität gerät in Not.

Regierungen versuchen uns zu schützen,
auch mit Finanzspritzen zu unterstützen,
aber die Spritzen in den Oberarm
sehen Leugner mit größtem Alarm.

Nun dachte man, die Welt hat sich vereint
und kämpft gegen den gemeinsamen Feind,
doch gibt es Leute mit denen kann man nicht reden,
sie können alles stets anders belegen.
Sie meinen, auf die da oben kann man nicht zählen,
deren Plan sei, ihnen die Freiheiten zu stehlen.

Dieses Misstrauen könnte uns leicht zerspalten,
dann wäre ein Bürgerkrieg kaum aufzuhalten.
Wie könnten Leugner ihre Angst verlieren,
damit sie endlich neues Vertrauen riskieren?

Wir sollten gute Beispiele setzen,
uns kümmern um den Ersten und den Letzten.
So entsteht ein guter Gemeinschaftssinn
für alle Ausgegrenzten ein Gewinn.

Ein respektvoller Umgang miteinander, der oft fehlt,
ist was zählt, so sehr zählt, zählt und zählt und zählt.
Jann F Dec 2022
Zu später Stund
grüßen uns die Zweifel
und in unseren Köpfen
sagt die Angst
der ungewissen Zukunft
„Hallo“

Das große Nachdenken beginnt
und lässt sämtliche Szenarien
plötzlich so einfach, so nahe
aber doch so fern wirken

Gefangen
in den eigenen Gedanken
fällt die Flucht
aus diesen imaginären
wolkenartigen
und schwebenden Konstrukten
nicht gerade einfach

Momente zwischen
Realität und Gedankenspielen
lassen uns an unseren Taten, Emotionen
und Entscheidungen zweifeln
lassen uns die Vergangenheit ***** passieren

So unaufhaltsam
und so plötzlich
sich diese grauen Wolken
in unseren Köpfen eingenistet haben
so unvorhersehbarer
verschwinden diese wieder

Wach liegend
in meinem viel zu großen Bett
halte ich die Luft an
schließe die viel zu schweren Augenlider
meine unzähligen Gedanken
fliegen umher

von mir zu dir

Mit der Hoffnung
du fängst Sie ein
Donc, c'est moi qui suis l'ogre et le bouc émissaire.
Dans ce chaos du siècle où votre coeur se serre,
J'ai foulé le bon goût et l'ancien vers françois
Sous mes pieds, et, hideux, j'ai dit à l'ombre : « Sois ! »
Et l'ombre fut. -- Voilà votre réquisitoire.
Langue, tragédie, art, dogmes, conservatoire,
Toute cette clarté s'est éteinte, et je suis
Le responsable, et j'ai vidé l'urne des nuits.
De la chute de tout je suis la pioche inepte ;
C'est votre point de vue. Eh bien, soit, je l'accepte ;
C'est moi que votre prose en colère a choisi ;
Vous me criez : « Racca » ; moi je vous dis : « Merci ! »
Cette marche du temps, qui ne sort d'une église
Que pour entrer dans l'autre, et qui se civilise ;
Ces grandes questions d'art et de liberté,
Voyons-les, j'y consens, par le moindre côté,
Et par le petit bout de la lorgnette. En somme,
J'en conviens, oui, je suis cet abominable homme ;
Et, quoique, en vérité, je pense avoir commis,
D'autres crimes encor que vous avez omis.
Avoir un peu touché les questions obscures,
Avoir sondé les maux, avoir cherché les cures,
De la vieille ânerie insulté les vieux bâts,
Secoué le passé du haut jusques en bas,
Et saccagé le fond tout autant que la forme.
Je me borne à ceci : je suis ce monstre énorme,
Je suis le démagogue horrible et débordé,
Et le dévastateur du vieil A B C D ;
Causons.

Quand je sortis du collège, du thème,
Des vers latins, farouche, espèce d'enfant blême
Et grave, au front penchant, aux membres appauvris ;
Quand, tâchant de comprendre et de juger, j'ouvris
Les yeux sur la nature et sur l'art, l'idiome,
Peuple et noblesse, était l'image du royaume ;
La poésie était la monarchie ; un mot
Était un duc et pair, ou n'était qu'un grimaud ;
Les syllabes, pas plus que Paris et que Londres,
Ne se mêlaient ; ainsi marchent sans se confondre
Piétons et cavaliers traversant le pont Neuf ;
La langue était l'état avant quatre-vingt-neuf ;
Les mots, bien ou mal nés, vivaient parqués en castes :
Les uns, nobles, hantant les Phèdres, les Jocastes,
Les Méropes, ayant le décorum pour loi,
Et montant à Versailles aux carrosses du roi ;
Les autres, tas de gueux, drôles patibulaires,
Habitant les patois ; quelques-uns aux galères
Dans l'argot ; dévoués à tous les genres bas,
Déchirés en haillons dans les halles ; sans bas,
Sans perruque ; créés pour la prose et la farce ;
Populace du style au fond de l'ombre éparse ;
Vilains, rustres, croquants, que Vaugelas leur chef
Dans le bagne Lexique avait marqué d'une F ;
N'exprimant que la vie abjecte et familière,
Vils, dégradés, flétris, bourgeois, bons pour Molière.
Racine regardait ces marauds de travers ;
Si Corneille en trouvait un blotti dans son vers,
Il le gardait, trop grand pour dire : « Qu'il s'en aille ;  »
Et Voltaire criait :  « Corneille s'encanaille ! »
Le bonhomme Corneille, humble, se tenait coi.
Alors, brigand, je vins ; je m'écriai :  « Pourquoi
Ceux-ci toujours devant, ceux-là toujours derrière ? »
Et sur l'Académie, aïeule et douairière,
Cachant sous ses jupons les tropes effarés,
Et sur les bataillons d'alexandrins carrés,

Je fis souffler un vent révolutionnaire.
Je mis un bonnet rouge au vieux dictionnaire.
Plus de mot sénateur ! plus de mot roturier !
Je fis une tempête au fond de l'encrier,
Et je mêlai, parmi les ombres débordées,
Au peuple noir des mots l'essaim blanc des idées ;
Et je dis :  « Pas de mot où l'idée au vol pur
Ne puisse se poser, tout humide d'azur ! »
Discours affreux ! -- Syllepse, hypallage, litote,
Frémirent ; je montai sur la borne Aristote,
Et déclarai les mots égaux, libres, majeurs.
Tous les envahisseurs et tous les ravageurs,
Tous ces tigres, les Huns les Scythes et les Daces,
N'étaient que des toutous auprès de mes audaces ;
Je bondis hors du cercle et brisai le compas.
Je nommai le cochon par son nom ; pourquoi pas ?
Guichardin a nommé le Borgia ! Tacite
Le Vitellius ! Fauve, implacable, explicite,
J'ôtai du cou du chien stupéfait son collier
D'épithètes ; dans l'herbe, à l'ombre du hallier,
Je fis fraterniser la vache et la génisse,
L'une étant Margoton et l'autre Bérénice.
Alors, l'ode, embrassant Rabelais, s'enivra ;
Sur le sommet du Pinde on dansait Ça ira ;
Les neuf muses, seins nus, chantaient la Carmagnole ;
L'emphase frissonna dans sa fraise espagnole ;
Jean, l'ânier, épousa la bergère Myrtil.
On entendit un roi dire : « Quelle heure est-il ? »
Je massacrais l'albâtre, et la neige, et l'ivoire,
Je retirai le jais de la prunelle noire,
Et j'osai dire au bras : « Sois blanc, tout simplement. »
Je violai du vers le cadavre fumant ;
J'y fis entrer le chiffre ; ô terreur! Mithridate
Du siège de Cyzique eût pu citer la date.
Jours d'effroi ! les Laïs devinrent des catins.
Force mots, par Restaut peignés tous les matins,

Et de Louis-Quatorze ayant gardé l'allure,
Portaient encor perruque ; à cette chevelure
La Révolution, du haut de son beffroi,
Cria : « Transforme-toi ! c'est l'heure. Remplis-toi
- De l'âme de ces mots que tu tiens prisonnière ! »
Et la perruque alors rugit, et fut crinière.
Liberté ! c'est ainsi qu'en nos rébellions,
Avec des épagneuls nous fîmes des lions,
Et que, sous l'ouragan maudit que nous soufflâmes,
Toutes sortes de mots se couvrirent de flammes.
J'affichai sur Lhomond des proclamations.
On y lisait : « Il faut que nous en finissions !
- Au panier les Bouhours, les Batteux, les Brossettes
- A la pensée humaine ils ont mis les poucettes.
- Aux armes, prose et vers ! formez vos bataillons !
- Voyez où l'on en est : la strophe a des bâillons !
- L'ode a des fers aux pieds, le drame est en cellule.
- Sur le Racine mort le Campistron pullule ! »
Boileau grinça des dents ; je lui dis :  « Ci-devant,
Silence ! » et je criai dans la foudre et le vent :
« Guerre à la rhétorique et paix à la syntaxe ! »
Et tout quatre-vingt-treize éclata. Sur leur axe,
On vit trembler l'athos, l'ithos et le pathos.
Les matassins, lâchant Pourceaugnac et Cathos,
Poursuivant Dumarsais dans leur hideux bastringue,
Des ondes du Permesse emplirent leur seringue.
La syllabe, enjambant la loi qui la tria,
Le substantif manant, le verbe paria,
Accoururent. On but l'horreur jusqu'à la lie.
On les vit déterrer le songe d'Athalie ;
Ils jetèrent au vent les cendres du récit
De Théramène ; et l'astre Institut s'obscurcit.
Oui, de l'ancien régime ils ont fait tables rases,
Et j'ai battu des mains, buveur du sang des phrases,
Quand j'ai vu par la strophe écumante et disant
Les choses dans un style énorme et rugissant,
L'Art poétique pris au collet dans la rue,
Et quand j'ai vu, parmi la foule qui se rue,
Pendre, par tous les mots que le bon goût proscrit,
La lettre aristocrate à la lanterne esprit.
Oui, je suis ce Danton ! je suis ce Robespierre !
J'ai, contre le mot noble à la longue rapière,
Insurgé le vocable ignoble, son valet,
Et j'ai, sur Dangeau mort, égorgé Richelet.
Oui, c'est vrai, ce sont là quelques-uns de mes crimes.
J'ai pris et démoli la bastille des rimes.
J'ai fait plus : j'ai brisé tous les carcans de fer
Qui liaient le mot peuple, et tiré de l'enfer
Tous les vieux mots damnés, légions sépulcrales ;
J'ai de la périphrase écrasé les spirales,
Et mêlé, confondu, nivelé sous le ciel
L'alphabet, sombre tour qui naquit de Babel ;
Et je n'ignorais pas que la main courroucée
Qui délivre le mot, délivre la pensée.

L'unité, des efforts de l'homme est l'attribut.
Tout est la même flèche et frappe au même but.

Donc, j'en conviens, voilà, déduits en style honnête,
Plusieurs de mes forfaits, et j'apporte ma tête.
Vous devez être vieux, par conséquent, papa,
Pour la dixième fois j'en fais meâ culpâ.
Oui, si Beauzée est dieu, c'est vrai, je suis athée.
La langue était en ordre, auguste, époussetée,
Fleur-de-lys d'or, Tristan et Boileau, plafond bleu,
Les quarante fauteuils et le trône au milieu ;
Je l'ai troublée, et j'ai, dans ce salon illustre,
Même un peu cassé tout ; le mot propre, ce rustre,
N'était que caporal : je l'ai fait colonel ;
J'ai fait un jacobin du pronom personnel ;
Dur participe, esclave à la tête blanchie,
Une hyène, et du verbe une hydre d'anarchie.

Vous tenez le reum confitentem. Tonnez !
J'ai dit à la narine : « Eh mais ! tu n'es qu'un nez !  »
J'ai dit au long fruit d'or : « Mais tu n'es qu'une poire !  »
J'ai dit à Vaugelas : « Tu n'es qu'une mâchoire ! »
J'ai dit aux mots : « Soyez république ! soyez
La fourmilière immense, et travaillez ! Croyez,
Aimez, vivez ! » -- J'ai mis tout en branle, et, morose,
J'ai jeté le vers noble aux chiens noirs de la prose.

Et, ce que je faisais, d'autres l'ont fait aussi ;
Mieux que moi. Calliope, Euterpe au ton transi,
Polymnie, ont perdu leur gravité postiche.
Nous faisons basculer la balance hémistiche.
C'est vrai, maudissez-nous. Le vers, qui, sur son front
Jadis portait toujours douze plumes en rond,
Et sans cesse sautait sur la double raquette
Qu'on nomme prosodie et qu'on nomme étiquette,
Rompt désormais la règle et trompe le ciseau,
Et s'échappe, volant qui se change en oiseau,
De la cage césure, et fuit vers la ravine,
Et vole dans les cieux, alouette divine.

Tous les mots à présent planent dans la clarté.
Les écrivains ont mis la langue en liberté.
Et, grâce à ces bandits, grâce à ces terroristes,
Le vrai, chassant l'essaim des pédagogues tristes,
L'imagination, tapageuse aux cent voix,
Qui casse des carreaux dans l'esprit des bourgeois ;
La poésie au front triple, qui rit, soupire
Et chante, raille et croit ; que Plaute et Shakspeare
Semaient, l'un sur la plebs, et l'autre sur le mob ;
Qui verse aux nations la sagesse de Job
Et la raison d'Horace à travers sa démence ;
Qu'enivre de l'azur la frénésie immense,
Et qui, folle sacrée aux regards éclatants,
Monte à l'éternité par les degrés du temps,

La muse reparaît, nous reprend, nous ramène,
Se remet à pleurer sur la misère humaine,
Frappe et console, va du zénith au nadir,
Et fait sur tous les fronts reluire et resplendir
Son vol, tourbillon, lyre, ouragan d'étincelles,
Et ses millions d'yeux sur ses millions d'ailes.

Le mouvement complète ainsi son action.
Grâce à toi, progrès saint, la Révolution
Vibre aujourd'hui dans l'air, dans la voix, dans le livre ;
Dans le mot palpitant le lecteur la sent vivre ;
Elle crie, elle chante, elle enseigne, elle rit,
Sa langue est déliée ainsi que son esprit.
Elle est dans le roman, parlant tout bas aux femmes.
Elle ouvre maintenant deux yeux où sont deux flammes,
L'un sur le citoyen, l'autre sur le penseur.
Elle prend par la main la Liberté, sa soeur,
Et la fait dans tout homme entrer par tous les pores.
Les préjugés, formés, comme les madrépores,
Du sombre entassement des abus sous les temps,
Se dissolvent au choc de tous les mots flottants,
Pleins de sa volonté, de son but, de son âme.
Elle est la prose, elle est le vers, elle est le drame ;
Elle est l'expression, elle est le sentiment,
Lanterne dans la rue, étoile au firmament.
Elle entre aux profondeurs du langage insondable ;
Elle souffle dans l'art, porte-voix formidable ;
Et, c'est Dieu qui le veut, après avoir rempli
De ses fiertés le peuple, effacé le vieux pli
Des fronts, et relevé la foule dégradée,
Et s'être faite droit, elle se fait idée !

Paris, janvier 1834.
Wir haben keinen Grund,
wir haben nur Ausreden.

Wir haben keine Hoffnung,
wir haben doch Täuschung.

Es gibt weder ein Gott noch Teufel,
ausser sie, wer innerhalb uns wohnen;
wessen mittels uns entfesselt sind.

Es gibt weder Gott noch Teufel,
sie sind nur das Gute und Übel,
deren mittels uns gesät sind.
We have no Reason,
we have only Excuses.

We have no Hope,
we have but Delusion.

There is neither a God nor Devil,
except those who live within us;
that are unleashed by us.

There is neither God nor Devil,
they are but the Good and Evil
that are sewn by us.
-

Sort-of a poem, sort-of a self-directed German exercise in the passive voice and genitive case. The two, after all, are not mutually exclusive!

I hope you don't mind my linguistic exercises.

Wann jede Deutsch kann, sag mir mal ob ich Fehler gemacht habe!
Immer gefällt es mir zu verbessern!
August Mar 2013
The world is lonely while they cry for help and
                    they reach their hands up.
In words, in books, in paintings,
                    they portray their loneliness hidden or blatant.
But even that isn't enough to highlight
                    the lowlights of our lives
It's in our blood, it's in our veins, our bones,
                    it's in the cigarettes that we smoke.
Which fills the air and wails out loud,
                    screaming a symphony of isolation.
It's hidden in the corners of the cities,
                     hidden in the tall green grass of the countryside
It's everywhere you look, in famous words,
                     in ancient books.
It fills your mind, it takes you hold, it's in the tiniest key hole,
                     but enough.
It's enough to spark a burning fire, to long for another's touch,
                     to feel desire
From another human being,
                     to share in what is the only thing worth keeping
Human company. We long, we dream, we scream for it,
                     and we hope it favors us too.
It's overwhelming, it makes me, it makes me long
                     like so many others
We are not alone in our loneliness
                     and what a queer thought that is

*“Wir können uns einreden, dass wir mit einem Buch nicht allein sind, wie wir uns einreden können, dass wir mit einem Menschen nicht allein sind.”
© Amara Pendergraft 2013
Robert N Varty Jan 2013
Uns,
geht alles gut.

Deine Augen, die hübschesten.
Dein Gesicht, das schönste.
Dein Lächeln, das hellste.
Dein Lachen, der glücklichste.
Dein Geruch, der beruhigende.

(Alles geht mir gut)

Dein Umarmung
Trost.
Deine Stimme
Ruhe.
Dein Kuss
Freiheit.

(Alles geht mir gut)

Meine Anerkennung deiner Liebe
Deine Anerkennung meiner Liebe

(Alles geht uns gut)

Aber dann gab es die Zeit,
Veränderung.
Unsicherheit.
Beklommenheit.

(Alles geht mir fremd)

Mein Misverständnis deiner Liebe
Mein Misverständnis deiner Anerkennung

Aber ich verstehe.
Verstehe ich gut.

Die Anerkennung ist nicht so.
Die Anerkennung gab es nicht mehr.
Die Anerkennung wird der Verlust

Der Verlust des Trostes
Der Verlust der Ruhe
Der Verlust der Freiheit

Der Verlust der Liebe.
Naziism gained it's foothold in Germany
when the Reichstag was burned down:
this gave them the pretext needed
to suspend the rights of the Citizenry indefinitely
to ensure "security".

Sound familiar?

It should be frightening how similar it in fact is to modern events:

This rhymes with modern American legislation:
CISPA, the PATRIOT acts, the NDAA, etc.

Governments have always used such events
to catalyze and capitalize their own motives:

Tread lightly.
We enter a new age of Oppression with each passing administration;
we are not immune because we are hubristic
if anything, we are more vulnerable for it.

Sieg Heil,
für Gott ist mit uns.
Wir können nicht verloren
denn Gott ist mit uns.
Sieg Heil,
Amerika über alles.
Sieg Heil,
Das viertes ***** wird herum.
Sieg Heil.
Sieg Heil.
All hail,
for God is with us.
We cannot lose
because God is with us.
All hail,
America over All.
All hail.
The Fourth Kingdom is about.
All hail.
All hail.

Say it in German, you're a ****.
Say it in English, you're a Patriot.
Olivia Kent Nov 2013
**** SAUSAGE!

*** and drugs and sausage rolls.
When once them drugs did get me.
*** crept up discreetly.
And bit me hard upon the ***.

The sausage rolls were palatable.
At times, I had the munchies.
Them drugs were very pleasant.
When I was rather young.

Now at fifty years old.
To take them drugs.
I would be bold or rather stupid.
Bring on ****** cupid.
Much more ****** fun.

The *** is bearable now and then.
But only with some weird men.
Always find the wrong uns.
Guess what?
A lesson learned.

Leave the drugs.
Miss not the ***.
Make sure them sausage rolls ain't burned!


By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)
Bit more childish stupidity! x
À Maxime Du Camp.

I

Pour l'enfant, amoureux de cartes et d'estampes,
L'univers est égal à son vaste appétit.
Ah ! que le monde est grand à la clarté des lampes !
Aux yeux du souvenir que le monde est petit !

Un matin nous partons, le cerveau plein de flamme,
Le coeur gros de rancune et de désirs amers,
Et nous allons, suivant le rythme de la lame,
Berçant notre infini sur le fini des mers :

Les uns, joyeux de fuir une patrie infâme ;
D'autres, l'horreur de leurs berceaux, et quelques-uns,
Astrologues noyés dans les yeux d'une femme,
La Circé tyrannique aux dangereux parfums.

Pour n'être pas changés en bêtes, ils s'enivrent
D'espace et de lumière et de cieux embrasés ;
La glace qui les mord, les soleils qui les cuivrent,
Effacent lentement la marque des baisers.

Mais les vrais voyageurs sont ceux-là seuls qui partent
Pour partir, coeurs légers, semblables aux ballons,
De leur fatalité jamais ils ne s'écartent,
Et, sans savoir pourquoi, disent toujours : Allons !

Ceux-là dont les désirs ont la forme des nues,
Et qui rêvent, ainsi qu'un conscrit le canon,
De vastes voluptés, changeantes, inconnues,
Et dont l'esprit humain n'a jamais su le nom !

II

Nous imitons, horreur ! la toupie et la boule
Dans leur valse et leurs bonds ; même dans nos sommeils
La Curiosité nous tourmente et nous roule,
Comme un Ange cruel qui fouette des soleils.

Singulière fortune où le but se déplace,
Et, n'étant nulle part, peut être n'importe où !
Où l'homme, dont jamais l'espérance n'est lasse,
Pour trouver le repos court toujours comme un fou !

Notre âme est un trois-mâts cherchant son Icarie ;
Une voix retentit sur le pont : " Ouvre l'oeil ! "
Une voix de la hune, ardente et folle, crie .
" Amour... gloire... bonheur ! " Enfer ! c'est un écueil !

Chaque îlot signalé par l'homme de vigie
Est un Eldorado promis par le Destin ;
L'Imagination qui dresse son orgie
Ne trouve qu'un récif aux clartés du matin.

Ô le Pauvre amoureux des pays chimériques !
Faut-il le mettre aux fers, le jeter à la mer,
Ce matelot ivrogne, inventeur d'Amériques
Dont le mirage rend le gouffre plus amer ?

Tel le vieux vagabond, piétinant dans la boue,
Rêve, le nez en l'air, de brillants paradis ;
Son oeil ensorcelé découvre une Capoue
Partout où la chandelle illumine un taudis.

III

Etonnants voyageurs ! quelles nobles histoires
Nous lisons dans vos yeux profonds comme les mers !
Montrez-nous les écrins de vos riches mémoires,
Ces bijoux merveilleux, faits d'astres et d'éthers.

Nous voulons voyager sans vapeur et sans voile !
Faites, pour égayer l'ennui de nos prisons,
Passer sur nos esprits, tendus comme une toile,
Vos souvenirs avec leurs cadres d'horizons.

Dites, qu'avez-vous vu ?

IV

" Nous avons vu des astres
Et des flots ; nous avons vu des sables aussi ;
Et, malgré bien des chocs et d'imprévus désastres,
Nous nous sommes souvent ennuyés, comme ici.

La gloire du soleil sur la mer violette,
La gloire des cités dans le soleil couchant,
Allumaient dans nos coeurs une ardeur inquiète
De plonger dans un ciel au reflet alléchant.

Les plus riches cités, les plus grands paysages,
Jamais ne contenaient l'attrait mystérieux
De ceux que le hasard fait avec les nuages.
Et toujours le désir nous rendait soucieux !

- La jouissance ajoute au désir de la force.  
Désir, vieil arbre à qui le plaisir sert d'engrais,
Cependant que grossit et durcit ton écorce,
Tes branches veulent voir le soleil de plus près !

Grandiras-tu toujours, grand arbre plus vivace
Que le cyprès ? - Pourtant nous avons, avec soin,
Cueilli quelques croquis pour votre album vorace,
Frères qui trouvez beau tout ce qui vient de **** !

Nous avons salué des idoles à trompe ;
Des trônes constellés de joyaux lumineux ;
Des palais ouvragés dont la féerique pompe
Serait pour vos banquiers un rêve ruineux ;

" Des costumes qui sont pour les yeux une ivresse ;
Des femmes dont les dents et les ongles sont teints,
Et des jongleurs savants que le serpent caresse. "

V

Et puis, et puis encore ?

VI

" Ô cerveaux enfantins !
Pour ne pas oublier la chose capitale,
Nous avons vu partout, et sans l'avoir cherché,
Du haut jusques en bas de l'échelle fatale,
Le spectacle ennuyeux de l'immortel péché

La femme, esclave vile, orgueilleuse et stupide,
Sans rire s'adorant et s'aimant sans dégoût ;
L'homme, tyran goulu, paillard, dur et cupide,
Esclave de l'esclave et ruisseau dans l'égout ;

Le bourreau qui jouit, le martyr qui sanglote ;
La fête qu'assaisonne et parfume le sang ;
Le poison du pouvoir énervant le despote,
Et le peuple amoureux du fouet abrutissant ;

Plusieurs religions semblables à la nôtre,
Toutes escaladant le ciel ; la Sainteté,
Comme en un lit de plume un délicat se vautre,
Dans les clous et le crin cherchant la volupté ;

L'Humanité bavarde, ivre de son génie,
Et, folle maintenant comme elle était jadis,
Criant à Dieu, dans sa furibonde agonie :
" Ô mon semblable, ô mon maître, je te maudis ! "

Et les moins sots, hardis amants de la Démence,
Fuyant le grand troupeau parqué par le Destin,
Et se réfugiant dans l'***** immense !
- Tel est du globe entier l'éternel bulletin. "

VII

Amer savoir, celui qu'on tire du voyage !
Le monde, monotone et petit, aujourd'hui,
Hier, demain, toujours, nous fait voir notre image
Une oasis d'horreur dans un désert d'ennui !

Faut-il partir ? rester ? Si tu peux rester, reste ;
Pars, s'il le faut. L'un court, et l'autre se tapit
Pour tromper l'ennemi vigilant et funeste,
Le Temps ! Il est, hélas ! des coureurs sans répit,

Comme le Juif errant et comme les apôtres,
A qui rien ne suffit, ni wagon ni vaisseau,
Pour fuir ce rétiaire infâme : il en est d'autres
Qui savent le tuer sans quitter leur berceau.

Lorsque enfin il mettra le pied sur notre échine,
Nous pourrons espérer et crier : En avant !
De même qu'autrefois nous partions pour la Chine,
Les yeux fixés au large et les cheveux au vent,

Nous nous embarquerons sur la mer des Ténèbres
Avec le coeur joyeux d'un jeune passager.
Entendez-vous ces voix, charmantes et funèbres,
Qui chantent : " Par ici ! vous qui voulez manger

Le Lotus parfumé ! c'est ici qu'on vendange
Les fruits miraculeux dont votre coeur a faim ;
Venez vous enivrer de la douceur étrange
De cette après-midi qui n'a jamais de fin ? "

A l'accent familier nous devinons le spectre ;
Nos Pylades là-bas tendent leurs bras vers nous.
" Pour rafraîchir ton coeur nage vers ton Electre ! "
Dit celle dont jadis nous baisions les genoux.

VIII

Ô Mort, vieux capitaine, il est temps ! levons l'ancre !
Ce pays nous ennuie, ô Mort ! Appareillons !
Si le ciel et la mer sont noirs comme de l'encre,
Nos coeurs que tu connais sont remplis de rayons !

Verse-nous ton poison pour qu'il nous réconforte !
Nous voulons, tant ce feu nous brûle le cerveau,
Plonger au fond du gouffre, Enfer ou Ciel, qu'importe ?
Au fond de l'Inconnu pour trouver du nouveau !
katewinslet Sep 2015
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Kann guy Wirklich beim abendessen auf anzeigen Ihren Nächsten Urlaub sitzen sowie bei Einem gebratenen Truthahn sterben same Weise? Truthähne kommen mit einen Gleichen Empfehlungen für Sauberkeit sowie Küche, pass on Hühner zu tun. Sie Müssen sicher sein, Sie sind Auf eine bestimmte Temperatur gekocht, other sicherzustellen Samsung galaxy s6 edge 64GB, Dass alle krankheitserregenden Bakterien Vollständig abgetötet. Sie sollten mit Bleich bereinigen Gegenraum, Erneut, um alle Bakterien abzutöten. Ations macht Ein überzeugendes Controversy to your Umstellung Auf eine vegetarische Ernährung, nicht wahr? Plötzlich, sterben Witze Über vegetarisches abendessen, durch Mutter Brote und Gemüse statt Fleisch, *******mehr Sinn machen Günstige Samsung Galaxy S4, Nicht nur aus gesundheitlicher Sicht, Sondern Aus einer humanen Concern genauso. Warum brauchen wir bleiben in Essen during Einer Weise, sterben uns ungesund macht sowie ist von Natur aus schlecht für uns? Für Sie Nächsten Urlaub abendessen, sollten Sie sterben möglichkeiten Eines Alle-vegetarisches Menü. Which means that viel von DM abendessen auf pflanzlicher Cycle zu Beginnen; Realmente es Ist Eine kleine Änderung in der Türkei durch Einem pflanzlichen Hauptgang Eulen zu ersetzen.
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Ria Nagpal Jun 2013
The mayhem and merriment,
Of Halloween’s magic glamorizes the excitement,
As the littl’uns skitter with their bags of candy,
Whilst the old’uns sip their brandy,
Trick-or-treat bags fill with assortment.

I love the orange glow of the pumpkins on the steps,
Fanatical dreams of Schweppes,
Florals and vines exuding a mystic glimmer in any light,
Illuminating the dead night.
Frightening one another with the threat of a terrible hex!

All the ladies wear the skimpy clothes
While the dudes eat cereal oats
They party wildly, that halloween night
Watching horror movies for a good fright
As the children run away from home.

Halloween is a time of ghosts and goblins and all things scary.
Fangs and vampires that go haunting amongst trees of wild cherry,
For new flesh, raw bones, they sink their teeth
And eat you alive in your dreams.
So be careful to shut the closet door tightly!
MANY MANY THANKS TO HSET HSET, who contributed A GREAT LOT to the writing of this poem. This poem consists of 4 limericks combined together, hope you enjoy our upcoming poems.
Paul d'Aubin Mar 2017
« Des Hommes prophétiques en face de leurs époques face à la souffrance causée par les périodes de réaction et de reflux »

(Relation d’une conférence donnée le 13 janvier 1940 à Toulouse par Silvio Trentin sur le principal Poète romantique Italien Giacomo Leopardi)

Prélude à une commémoration

C'est à la bibliothèque interuniversitaire de l’Université de Toulouse-Capitole alors que je me plongeais avec ferveur dans la lecture des ouvrages sur les « fuorusciti » (appellation donnée aux exilés politiques Italiens) que je découvris un opuscule de 118 pages, issue d'une conférence prononcée à Toulouse, le 13 janvier 1940 devant le « Cercle des intellectuels Républicains espagnols » par Silvio Trentin. Cette conférence fut prononcée avec la gorge nouée, devant un public d'intellectuels espagnols et catalans, la plupart exilés depuis 1939, et quelques-uns de leurs amis toulousains non mobilisés.
L'intense gravité du moment ne les empêchait pas de partager une ferveur commune ce haut moment de culture la culture Européenne intitulée par Silvio Trentin : « D’un poète qui nous permettra de retrouver l'Italie Giacomo Leopardi »
L'émotion fut grande pour moi car cet ouvrage me parut comme le frêle esquif rescapé d'un temps de défaites, de souffrances, rendu perceptible par le crépitement des balles de mitrailleuses, des explosions d’obus s'abattant sur des soldats républicains écrasés par la supériorité des armes et condamnés à la défaite par le mol et lâche abandon des diplomaties. Silvio Trentin avait gravé dans sa mémoire des images récentes qui n'avaient rien à envier aux tableaux grimaçants de nouveaux Goya. Il avait tant vu d'images d'avions larguant leurs bombes sur les populations terrifiées et embraser les charniers de Guernica. Il venait de voir passer les longues files de civils, toujours harassés, souvent blessés, emportant leurs rares biens ainsi que les soldats vaincus mais fiers de «la Retirada ». Il venait de visiter ces soldats dont parmi eux bon nombre de ses amis de combat, parqués sommairement dans des camps d'infortune.
Ces Catalans et Espagnols, qui s'étaient battus jusqu'au bout des privations et des souffrances endurées, étaient comme écrasés par le sentiment d'avoir été laissés presque seuls à lutter contre les fascismes, unis et comme pétrifiés par un destin d'injustice et d'amertume.
Mais ces premiers déchainements impunis d'injustices et de violences avaient comme ouverts la porte aux «trois furies» de la mythologie grecque et une semaine exactement après la conclusion du pacte de non-agression germano-soviétique, signé le 23 août 1939, par Molotov et Ribbentrop, les troupes allemandes se jetaient, dès le 1er septembre, sur la Pologne qu'elles écrasaient sous le nombre des stukas et des chars, en raison ce que le Général de Gaulle nomma ultérieurement « une force mécanique supérieure».
Une armée héroïque, mais bien moins puissante, était défaite. Et il ne nous en reste en guise de témoignage dérisoire que les images du cinéaste Andrei Wajda, nous montrant de jeunes cavaliers munis de lances se rendant au combat, à cheval, à la fin de cet été 1939, images d'une fallacieuse et vénéneuse beauté. Staline rendu avide par ce festin de peuples attaqua la Finlande, un mois après, le 30 septembre 1940, après s'être partagé, avec l'Allemagne hitlérienne, une partie de la Pologne. Depuis lors la « drôle de guerre » semblait en suspension, attendant pétrifiée dans rien faire les actes suivants de la tragédie européenne.

- Qu'est ce qui pouvait amener Silvio Trentin en ces jours de tragédie, à sacrifier à l'exercice d'une conférence donnée sur un poète italien né en 1798, plus d'un siècle avant ce nouvel embrasement de l'Europe qui mourut, si jeune, à trente-neuf ans ?
- Comment se fait-il que le juriste antifasciste exilé et le libraire militant devenu toulousain d'adoption, plus habitué à porter son éloquence reconnue dans les meetings organisés à Toulouse en soutien au Front à s'exprimer devant un cercle prestigieux de lettrés, comme pour magnifier la poésie même parmi ses sœurs et frères d'armes et de malheurs partagés ?
I °) L’opposition de tempéraments de Silvio Trentin et Giacomo Leopardi
L'intérêt porté par Silvio Trentin aux textes de Percy Shelley et au geste héroïco-romantique du poète Lauro de Bosis qui dépeignit dans son dernier texte le choix de sa mort héroïque pourrait nous laisser penser que le choix, en 1940, de Giacomo Leopardi comme sujet de médiation, s'inscrivait aussi dans une filiation romantique. Certes il y a bien entre ces deux personnalités si différentes que sont Giacomo Leopardi et Silvio Trentin une même imprégnation romantique. Le critique littéraire hors pair que fut Sainte-Beuve ne s'y est pourtant pas trompé. Dans l'un des premiers portraits faits en France de Leopardi, en 1844, dans la ***** des deux Mondes, Sainte-Beuve considère comme Leopardi comme un « Ancien » : (...) Brutus comme le dernier des anciens, mais c'est bien lui qui l'est. Il est triste comme un Ancien venu trop **** (...) Leopardi était né pour être positivement un Ancien, un homme de la Grèce héroïque ou de la Rome libre. »
Giacomo Leopardi vit au moment du plein essor du romantisme qui apparaît comme une réaction contre le formalisme de la pâle copie de l'Antique, de la sécheresse de la seule raison et de l'occultation de la sensibilité frémissante de la nature et des êtres. Mais s'il partage pleinement les obsessions des écrivains et poètes contemporains romantiques pour les héros solitaires, les lieux déserts, les femmes inaccessibles et la mort, Leopardi, rejette l'idée du salut par la religion et tout ce qui lui apparaît comme lié à l'esprit de réaction en se plaignant amèrement du caractère étroitement provincial et borné de ce qu'il nomme « l’aborrito e inabitabile Recanati ». En fait, la synthèse de Giacomo Leopardi est bien différente des conceptions d'un moyen âge idéalisé des romantiques. Elle s'efforce de dépasser le simple rationalisme à l'optimisme naïf, mais ne renie jamais l'aspiration aux « Lumières » qui correspond pour lui à sa passion tumultueuse pour les sciences. Il s'efforce, toutefois, comme par deux ponts dressés au travers de l'abime qui séparent les cultures et les passions de siècles si différents, de relier les idéaux des Antiques que sont le courage civique et la vertu avec les feux de la connaissance que viennent d'attiser les encyclopédistes. A cet effort de confluence des vertus des langues antiques et des sciences nouvelles se mêle une recherche constante de la lucidité qui le tient toujours comme oscillant sur les chemins escarpés de désillusions et aussi du rejet des espoirs fallacieux dans de nouvelles espérances d'un salut terrestre.
De même Silvio Trentin, de par sa haute formation juridique et son engagement constant dans les tragédies et péripéties quotidienne du militantisme, est **** du secours de la religion et de toute forme d'idéalisation du passé. Silvio Trentin reste pleinement un homme de progrès et d'idéal socialiste fortement teinté d'esprit libertaire pris à revers par la barbarie d'un siècle qui s'ouvre par la première guerre mondiale et la lutte inexpiable engagée entre la réaction des fascismes contre l'esprit des Lumières.
Mais, au-delà d'un parcours de vie très éloigné et d'un pessimisme historique premier et presque fondateur chez Leopardi qui l'oppose à l'obstination civique et démocratique de Silvio Trentin qui va jusqu'à prôner une utopie sociétale fondée sur l'autonomie, deux sentiments forts et des aspirations communes les font se rejoindre.

II °) Le même partage des désillusions et de la douleur :
Ce qui relie les existences si différentes de Giacomo Leopardi et de Silvio Trentin c'est une même expérience existentielle de la désillusion et de la douleur. Elle plonge ses racines chez Giacomo Leopardi dans une vie tronquée et comme recroquevillée par la maladie et un sentiment d'enfermement. Chez Silvio Trentin, c'est l'expérience historique même de la première moitié du vingtième siècle dont il est un des acteurs engagés qui provoque, non pas la désillusion, mais le constat lucide d'un terrible reflux historique qui culmine jusqu'à la chute de Mussolini et d'Hilter. A partir de retour dans sa patrie, le 4 septembre 1943, Silvio Trentin débute une période de cinq jours de vie intense et fiévreuse emplie de liberté et de bonheur, avant de devoir replonger dans la clandestinité, en raison de la prise de contrôle du Nord et du centre de l'Italie par l'armée allemande et ses alliés fascistes. Bien entendu il n'y a rien de comparable en horreur entre le sentiment d'un reflux des illusions causé par l'échec historique de la Révolution française et de son héritier infidèle l'Empire et le climat de réaction qui suit le congrès de Vienne et la violence implacable qui se déchaine en Europe en réaction à la tragédie de la première mondiale et à la Révolution bolchevique.


III °) Le partage de la souffrance par deux Esprits dissemblables :
Silvio Trentin retrace bien le climat commun des deux périodes : « Son œuvre se situe bien (...) dans cette Europe de la deuxième décade du XIXe siècle qui voit s'éteindre les dernières flammèches de la Grand Révolution et s'écrouler, dans un fracas de ruines, la folle aventure tentée par Bonaparte et se dresser impitoyablement sur son corps, à l'aide des baïonnettes et des potences, les solides piliers que la Sainte Alliance vient d'établir à Vienne. »
C'est donc durant deux périodes de reflux qu'ont vécu Giacomo Leopardi et Silvio Trentin avec pour effet d'entrainer la diffusion d'un grand pessimisme historique surtout parmi celles et ceux dont le tempérament et le métier est de penser et de décrire leur époque. Silvio Trentin a vu démocratie être progressivement étouffée, de 1922 à 1924, puis à partir de 1926, être brutalement écrasée en Italie. En 1933, il assisté à l'accession au gouvernement d'****** et à l'installation rapide d'un pouvoir impitoyable ouvrant des camps de concentration pour ses opposants et mettant en œuvre un antisémitisme d'Etat qui va basculer dans l'horreur. Il a personnellement observé, puis secouru, les républicains espagnols et catalans si peu aidés qu'ils ont fini par ployer sous les armes des dictatures fascistes, lesquelles ne ménagèrent jamais leurs appuis, argent, et armes et à leur allié Franco et à la « vieille Espagne ». Il a dû assurer personnellement la pénible tâche d'honorer ses amis tués, comme l'avocat républicain, Mario Angeloni, le socialiste Fernando de Rosa, son camarade de « Giustizia e Libertà », Libero Battistelli. Il a assisté à l'assassinat en France même de l'économiste Carlo Rosselli qui était son ami et qu'il estimait entre tous.

IV °) Sur le caractère de refuge ultime de la Poésie :
Silvio Trentin laisse percer la sensibilité et l'esprit d'un être sensible face aux inévitables limites des arts et techniques mises au service de l'émancipation humaine. A chaque époque pèsent sur les êtres humains les plus généreux les limites inévitables de toute création bridée par les préjugés, les égoïsmes et les peurs. Alors la poésie vient offrir à celles et ceux qui en souffrent le plus, une consolation et leur offre un univers largement ouvert à la magie créatrice des mots ou il n'est d'autres bornes que celles de la liberté et la créativité. C'est ce qui nous permet de comprendre qu'au temps où l'Espagne brulait et ou l'Europe se préparait à vivre l'une des époques les plus sombres de l'humanité, la fragile cohorte des poètes, tels Rafael Alberti, Juan Ramon Jiménez, Federico Garcia Lorca et Antonio Machado s'engagea comme les ruisseaux vont à la mer, aux côtés des peuples et des classes opprimées. Parmi les plus nobles et les plus valeureux des politiques, ceux qui ne se satisfont pas des effets de tribune ou des honneurs précaires, la poésie leur devient parfois indispensable ainsi que formule Silvio Trentin :
« [...] si la poésie est utile aux peuples libres, [...] elle est, en quelque sorte, indispensable — ainsi que l'oxygène aux êtres que menace l'asphyxie — aux peuples pour qui la liberté est encore un bien à conquérir] « [...] La poésie s'adresse aussi "à ceux parmi les hommes [...] qui ont fait l'expérience cruelle de la déception et de la douleur».
Le 16 03 2017 écrit par Paul Arrighi
Edna Sweetlove Aug 2015
A bilingual "Barry Hodges" poem!

Ah, beloved Dachau!
Thou delightful Bavarian city of charm,
History has made thy name immortal
Yet cruel warfare has passed you by.
Thank God thy medieval streets and squares
Remain untouched by high explosives.

I took a lovely young maid there
For a weekend of rampant love,
But, after an immense meal of pork chops,
Sauerkraut, Blutwurst and Bratkartoffeln,
Her stomach exploded like a grenade
And her gorgeous body was ruined.

How cruel is life in our modern world!
As I sat weeping in the Pension Eichmann,
Looking through the contents of her wallet,
I decided to pay her a fitting tribute
By buying a night with the fat chambermaid,
Who swore she was you-know-who's ******* great-granddaughter.

O great joy, she said, since it was the low season in Dachau,
We would be joined by her bony bulimic friend Angelika
(Himmler's great-niece), two mouthfuls for the price of one,
Thanks be to God, it was the just right time of the month
For such a cosy little *******, because although I love raw meat
I am less keen on it being oozing blood, so ******* vampires.

And now for the German version!*

Ach, geliebte Dachau!
Du schöne bayerische Stadt mit Charme,
Die Geschichte hat deinen Namen unsterblich gemacht
Unt grausame Kriegsführung hat umgangen werden Sie.
Gott sei Dank, dein mittelalterlichen Straßen und Plätzen
unberührt von hochexplosiven Sprengstoffen zu bleiben.

Ich lockte ein schönes junges Mädchen dort
Für ein Wochenende der grassierenden Liebe,
Aber nach einer gigantische Mahlzeit von Schweinekoteletts,
Sauerkraut, Blutwurst und Bratkartoffeln,
Ihr Bauch explodierte wie eine Granate
Und ihre wunderschönen Körper ruiniert war!

Wie unfreundlich ist das Leben in unserer modernen Welt!
Wie ich in der Pension Eichmann weinend saß,
Beim Blick durch den Inhalt ihrer Geldbörse,
Ich entschloss mich, ihr ein passender Tribut machen
Mit dem Kauf einer Nacht mit dem großen Zimmermädchen -
Sie hat geschworen, war der illegitime Ur-Enkelin des Eichmann.

O große Freude, sagte sie. In der Nebensaison Dachau,
Wir würden uns von ihrer Freundin Angelika (Himmlers Großnichte),
Verbunden werden, zwei Bissen für den Preis von einem,
Gott sei Dank, war es die richtigen Tage im Monat
Für solch einen gemütlichen kleinen Orgie, denn obwohl ich liebe Fleisch
Ich bin weniger daran interessiert, wenn es Blut sickert. Vampire raus!
Schade.
Echt schade.

Schade
um dich
für dich
auf dich.

Schaden
bei dir
von dir
in dir.

Du bist schade für mich.

Wie schade.
Echt zu schade.

Jeder wer dich liebt
wird geschadet sein;
ist heute froh
wird morgen leiden.

So ist es gewesen,
also wird es immer sein.
Ich hab es miterleben,
hatte ihr zugehören,
war glücklich genug zu ihr zugehören,
und hab seit damit aufgehört;
und hab seit selbst davon angehört-
Stell dir das vor!

Zu schade.
Echt schade.
Stell dir das vor!

Du hast uns als Spielzeuge angesehen.
Du hast uns als verzichtbar angesehen.
Stell dir das vor!

War selbst glücklich genug dazu zugehören.

Jeder, wer dich liebt
wird geschadet sein
wird im Arsch gebissen
wird vergiftet sein

Jeder, wer dich liebt,
wird Mitleid kriegen,
doch nicht von dir
doch ja dienetwegen.

Tanz.
Tanz zu der Musik.
Tanz zu der Musik deiner Exen.
Tanz zu der Musik du anregtest.

Leider, sie sind nicht Liebelieder.
Nein, sie sind nicht Liebelieder.
Leid, sie sind doch Leidlieder.
Wegen Seelenqual geschrieben.

So ist es gewesen,
so wird es immer sein.
Stell dir das vor!
Wird ein Tag ein Lied sein. :)
Will one day be a song.

Please do not attempt to translate this with an online dictionary or translation service unless you are already familiar with the language. If you complain to me about how Google Translate told you it translates, I'm going to tell you to **** right off. This will NOT literally translate; it relies heavily on puns.

I will translate if asked, but it may take a while for me to get it accurately into english for the connotations I want.
katewinslet Nov 2015
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Sally A Bayan Apr 2017
(on a Black Saturday)


Sun beams touch the lustrous shells of
the capiz chime, dazzling the eyes and mind,
the walls on both sides of the big window are
newly painted, immaculately white, so bright,
....the pink blooms of the bougainvillea,
humbly bowed for almost two weeks now,
have turned to a faded brown.......wilting...

the strange nest had fallen, and gone
the young of the yellow green-breasted birds
have grown, flown away...all have found
............other trees to perch on

the sweet sop tree quivers
from its heavy fruits and birds on branches
enjoying their meal of fruits...ripe and juicy,
leaving some for the bats at night

a striped yellow cat rests on a shaded part
of the roof...i patiently wait for daddy long legs
to come out from the gutter...but in vain...
...paint still wet?...scent too strong, maybe?

maybe, the gravel and pebbles on the ground
weigh too much...did i unknowingly bury them?
i am missing the spectacle of an earthworm,
..........emerging from under the soil

big ants are restless...driven out...roaming,
the bricked wall's natural tan-beige shade
has surfaced...concrete wall is too hot...
these bricks, must be repainted white, as well

the ants, the spiders, the earthworms,
the bats, make their own preparations,
why can't we human beings do the same?
we prefer to suffer the consequences, and
deal with the results of unpreparedness:
el nino, earthquakes, unwanted people,
la nina, unexpected decisions, unwanted
changes...and all sorts of crazy "uns,"

townhouses have risen on my street
strange faces of new neighbors  
......pass me by...
......as i write...
the worst heat of summer is yet to come...



Sally


Copyright April 15, 2017
Rosalia Rosario A. Bayan
(the day had just started...
these are Black Saturday morning reflections...
  my late mother had often said before,
  Black Saturdays take too long to end...i don't know why)
Danielle Furtado Nov 2014
Nasceu no dia dos namorados. Filho de mãe brasileira com descendência holandesa e pai português. Tinha três irmãos: seu gêmeo Fabrício, o mais velho, Renato, e o terceiro, falecido, que era sua grande dor, nunca dizia seu nome e ninguém se atrevia a perguntar.
A pessoa em questão chamaremos de Jimmy. Jimmy Jazz.
Jimmy morava em Portugal, na cidade de Faro, e passou a infância fazendo viagens ao Brasil a fim de visitar a família de sua mãe; sempre rebelde, colecionava olhares tortos, lições de moral, renegações.
Seu maior inimigo, também chamado por ele de pai, declarou guerra contra suas ideologias punk, seu cabelo que gritava anarquismo, e a vontade que tinha ele de viver.
Certo dia, não qualquer dia mas no natal do ano em que Jimmy fez 14 anos, seu pai o expulsou de casa. Mais um menino perdido na rua se tornou o pequeno aspirante à poeta, agora um verdadeiro marginal.
Não tinha para onde ir. Sentou-se na calçada, olhou para seus pés e agradeceu pela sorte de estar de sapatos e ter uma caneta no bolso no momento da expulsão, seu pai não o deixara com nada, nem um vintém, e tinha fome.
Rondou pelas mesmas quadras ao redor de sua casa por uns dias, até se cansar dos mesmos rostos e da rotina daquela região, então tomou coragem e resolveu explorar outras vidas, havia encontrado um caderno em branco dentro de uma biblioteca pública onde costumava passar o dia lendo e este seria seu amigo por um bom tempo.
Orgulhoso, auto-suficiente, o menino de apenas 14 anos acabou encontrando alguém como ele, por fim. Seu nome era Allan, um punk que, apesar de ainda ter uma casa, estava doido para ir embora viver sua rotina de não ter rotina alguma, e eles levaram isso muito à sério.
Logo se tornaram inseparáveis, arrumaram emprego juntos, que não era muito mas conseguiria mantê-los pelo menos até terminarem a escola, conseguiram alugar uma casa e compraram um cachorro que nunca ganhou nome pois não conseguiam entrar em acordo sobre isso, Jimmy tinha também um lagarto de estimação que chamava de Mr. White, sua paixão.
Os dois amigos começaram a frequentar o que antes só viam na teoria: as festas punk; finalmente haviam conseguido o que estavam procurando há tempos: liberdade total de expressão e ação. Rodeados por todos os tipos de drogas e práticas sexuais, mas principalmente, a razão de todo o movimento: a música.
Jimmy tinha inúmeras camisetas dos Smiths, sua banda favorita, e em seu quarto já não se sabia a cor das paredes que estavam cobertas por pôsteres de bandas dos anos 80 e 90, décadas sagradas para qualquer amante da música e Jimmy era um deles, sem dúvida.
Apesar da vida desregrada que levava com o amigo, Jimmy conseguiu ingressar na faculdade de Letras, contribuindo para sua vontade de fazer poesia, e Allan em enfermagem. Os dois, ao contrário do que seus familiares pensavam, eram extremamente inteligentes, cultos, criaram um clube de poesia com mais dois ou três amigos que conheceram em uma das festas e chamaram de "Sociedade dos Poetas Mortos... e Drogados!", fazendo referência ao filme de  Peter Weir.
O nome não era apenas uma piada entre eles, era a maior verdade de suas vidas, eles eram drogados, Jimmy  era viciado em heroína, Allan também mas em menos intensidade que seu parceiro.
Jimmy não era hétero, gay, bissexual ou qualquer outra coisa que se encaixe dentro de um quadrado exigido pela sociedade, Jimmy era do amor livre, Jimmy apenas amava. E com o passar o tempo, amava seu amigo de forma diferente, assustado pelo sentimento, escondeu o maior tempo que pôde até que o sentimento sumisse, afinal é só um hormônio e a vida voltaria ao normal, mas a amizade era e sempre seria algo além disso: uma conexão espiritual, se acreditassem em almas.
Ambos continuaram suas vidas sendo visitados pela família (no caso de Jimmy, apenas sua mãe) duas vezes ao ano, no máximo, e nesses dias não faziam questão de esconderem seus cigarros, piercings ou qualquer pista da vida que levavam sozinhos, afinal, não os devia mais nada já que seus vícios, tanto químicos quanto musicais, eram bancados por eles mesmos.
Era 14 de fevereiro e Jimmy completara 19 anos, a vida ainda era a mesma, o amigo também, mas sua saúde não, principalmente sua saúde mental.
O poeta de sofá, como alguns de nós, sofria de um existencialismo perturbador, o mundo inteiro doía no seu ser, e não podia fazer muito sobre aquilo, afinal o que poderia fazer à respeito senão escrever?
Até pensou em viver de música já que tocava dois instrumentos, mas a ideia de ter desconhecidos desfrutando ou zombando dos seus sentimentos mais puros não lhe era agradável. Continuou a escrever sobre suas dores e amores, e se perguntava por que se sentia daquela forma, por que não poderia ser como seu irmão que, apesar de possuírem aparência idêntica, eram extremos do mesmo corpo. Fabrício era apenas outro cidadão português que chegava em casa antes de sua mãe ficar preocupada, não que ele fosse um filho exemplar, ele só era... normal, e era tudo que Jimmy não era e jamais gostaria de ser; aliás, ter uma vida comum era visto com desprezo pelos olhos dele, olhos que, ainda tão cedo, haviam visto o melhor e o pior da vida, já não acreditava em nada, nem em si mesmo, nem em deus, nem no universo, nem no amor.
Como poderia alguém amar uma pessoa com tanta dor dentro de si? Como ele explicaria sua vontade de morrer à alguém que ele gostaria de passar a vida toda com? Era uma contradição ambulante. Uma contradição de olhos azuis, profundos, e com hematomas pelo corpo todo.
Aos 20 anos, o tédio e a depressão ainda controlavam seu estado emocional a maior parte do tempo, aos domingos era tudo pior, existe algo sobre domingo à tarde que é inexplicável e insuportável para os existencialistas, e para ele não seria diferente. Em um domingo qualquer, se sentindo sozinho, resolveu entrar em um chat online daqueles famosos, e na primeira tentativa de conversa conheceu uma moça do Brasil, que como ele, amava a banda Placebo e sendo existencialista, também sofria de solidão, o que facilitou na construção dos assuntos.
Ela não deu muita importância ao português que dizia "não ser punk porque punks não se chamam de punks", já estava cansada de amores e amizades à distância, decidiu se despedir. O rapaz, insistente e talvez curioso sobre a pessoa com quem se deparara por puro acaso, perguntou se poderiam conversar novamente, e não sabendo a dor que isso a causaria, cedeu.
Assim como havia feito com Allan, Jimmy conquistou Julien, a nova amiga, rapidamente. De um dia para o outro, se pegou esperando para que Jimmy voltasse logo para casa para que pudessem conversar sobre poesia, música, começo e fim da vida, todos os porquês do mundo em apenas uma noite, e então perceberam que já não estavam sozinhos, principalmente ela, que havia tempo não conhecia alguém tão interessante e único quanto ele.
Não demorou muito para que trocassem confidências e os segredos mais íntimos, mas nem tudo era tão sério, riam juntos como nunca antes, e todos sabem que o caminho para o coração de uma mulher é o bom humor, Julien se encontrava perdidamente apaixonada pelo ****** que conhecera num site de relacionamentos e isso se tornaria um problema.
Qualquer relacionamento à distância é complicado por natureza, agora adicione dois suicidas em potencial, um deles viciado em heroína e outra que de tão frustrada já não ligava tanto para sede de viver que sentia, queria apenas ler poesia longe de todas as pessoas comuns, essas que ambos abominavam.
Jimmy era todos os ídolos de Julien comprimidos dentro de si. Ele era Marilyn Manson, era Brian Molko, era Gerard Way, Billy Corgan, Kurt Cobain, mas acima de todos esses, Jimmy era Sid Vicious e Julien sonhava com seus dias de Nancy.
Ele era o primeiro e último pensamento dela, e se tornou o tema principal de toda as poesias que escrevia, assim como as que lia, parecia que todas eram sobre o luso-brasileiro que considerava sua cópia masculina. Jimmy, como ela, era feminista, cheio de ideologias e viciado em bandas, mas ao contrário dela, não teria tanto tempo para essas coisas.
Estava apaixonado por um rapaz brasileiro, Estêvão, que também dizia estar apaixonado por ele mas nunca passaram disso, e logo se formou um semi-triângulo amoroso, pois Julien sabia da existência da paixão de Jimmy, mas Estêvão não sabia que existia outra brasileira que amava a mesma pessoa perdidamente. Não sentiu raiva dele, pelo contrário, apoiava o romance dos dois já que tudo que importava à ela era a felicidade de Jimmy, que como ela, era infeliz, e as chances de pessoas como eles serem felizes algum dia é quase nula.
O brasileiro era amante da MPB e da poesia do país, assim como amava ouvir pós-punk e escrever, interesses que eram comum aos três perdidos, mas era profissional para ele já que conseguira que seus trabalhos fossem publicados diversas vezes. Se Jimmy era Sid Vicious, Julien desejava ser Nancy (ou Courtney Love dependendo do humor), Estêvão era Cazuza.
Morava sozinho e não conseguia se fixar em lugar algum, estava à procura de algo que só poderia achar dentro dele mesmo mas não sabia por onde começar; convivia com *** há alguns meses na época, mas estava relativamente bem com aquilo, tinha um controle emocional maior do que nosso Sid.
Assim como aconteceu com Allan e Julien, não demorou muito para que Estêvão caísse nos encantos de Jimmy, que não eram poucos, e não fazia mais tanta questão de esconder o que sentia por ele. Dono de olhos infinitamente azuis, cabelo bagunçado que mudava de cor frequentemente, corpo magro, pálido, e escrevia os versos mais lindos que poderia imaginar, Jimmy era o ser mais irresistível para qualquer um que quisesse um bom tema para escrever.
--
Julien era de uma cidade pequena do Brasil, onde, sem a internet, jamais poderia ter conhecido Jimmy, que frequentava apenas as grandes cidades do país. Filha de pais separados, tinha o mesmo ódio pelo pai que ele, mas diferente do amigo, seu ódio era usado contra ela mesma, auto-destrutiva é um termo que definiria sua personalidade. Era de se esperar que ela se apaixonasse por alguém viciado em drogas, existe algo de romântico sobre tudo isso, afinal.
Em uma quarta-feira comum, antecipada por um dia nublado, escreveu:

Minhas palavras, todas tiradas dos teus poemas
Teu sotaque, uma voz imaginada
Que obra de arte eram teus olhos
Feitos de um azul-convite

E eu aceitei.


Jimmy era agora seu mundo, e qualquer lugar do mundo a lembrava dele. Qualquer frase proferida aleatoriamente em uma roda de amigos e automaticamente conseguia ouvir sua opinião sobre o assunto, ela o conhecia como ninguém, e em tão pouco tempo já não precisavam falar muita coisa, os dois sabiam dos dois.
Desejava que Jimmy fosse inteiramente dela, corpo e mente, que cada célula de seu ser pudesse tocar todas as células do dela, e que todos os pensamentos dele fossem sobre amá-la, mas como a maioria das coisas que queria, nada iria acontecer, se achava a pessoa mais azarada do mundo (e provavelmente era).
Em uma noite qualquer, após esperar o dia todo ansiosa pela hora em que Jimmy voltaria da faculdade, ele não apareceu. Bom, ele era mesmo uma pessoa inconstante e já estava acostumada à esse tipo de surpresa, mas existia algo diferente sobre aquela noite, sabia que Jimmy estava escondendo alguma coisa dela pois há dias estava estranho e calado, dormia cedo, acordava tarde, não comia, e as músicas que costumavam trocar estavam se tornando cada vez mais tristes, mas era inútil questionar, apesar da intimidade, ele se tornara uma pessoa reservada, o que era totalmente compreensível.
Após três ou quatro dias de aflição, ele finalmente volta e não parece bem, mesmo sem ver seu rosto, conhecia as palavras usadas por ele em todos os momentos. Preocupada com o sumiço, foi logo questionando sua ausência com certa raiva e euforia, Jimmy não respondia uma letra sequer. Julien deixou uma lágrima escorrer e implorou por respostas, tinha a certeza de que algo estava muito errado.
"Acalme-se, ou não poderei lhe contar hoje. Algo aconteceu e seu pressentimento está mais que correto, mas preciso que entenda o meu silêncio", disse à ela.
Julien não respondeu nada além de "me dê seu número, sinto que isso não é algo que se conta por escrito".
Discando o número gigantesco, cheio de códigos, sabia que assim que terminasse aquela ligação teria um problema muito maior do que a alta taxa que é cobrada por ligações internacionais. Ele atendeu e começou a falar interrompendo qualquer formalidade que ela viria a proferir:

– Apenas escute e prometa-me que não irá chorar.
Ela não disse nada, aceitando a condição.
– Há tempos não sinto-me bem, faço as mesmas coisas, não mudei meus costumes, embora deveria mas agora é tarde demais. Sinto-me diferente, meu corpo... fraco. Preciso te contar mas não tenho as palavras certas, acho que nem existem palavras certas para o que estou prestes à dizer então serei direto: descobri que sou *** positivo. ´
Um silêncio quase mórbido no ar, dos dois lados da linha.
Parecia-se com um tiro que atravessou o estômago dos dois, e nenhum podia falar.
Julien quebrou o silêncio desligando o telefone. Não podia expressar a dor que sentia, o sentimento de injustiça que a deixava de mãos atadas, Ele era a última pessoa do mundo que merecia aquilo, para ela, Jimmy era sagrado.

Apenas uma pessoa soube da nova situação de Jimmy antes de Julien: Allan.
Dois dias antes de contar tudo à amiga, Jimmy havia ido ao hospital sozinho, chegou em casa mais cedo, sentou-se no sofá e quis morrer, comparou o exame médico à um atestado de óbito e deu-se por morto. Allan chegou em casa e encontrou o amigo no chão, de olhos inchados, mãos trêmulas. Tirou o envelope de baixo dos braço de Jimmy, que o segurava como se fosse voar a qualquer instante, como se tivesse que apertar ao máximo para ter certeza de que aquilo era real. Enquanto lia os papéis, Jimmy suplicava sua morte, em meio à lágrimas, Allan lhe beijou como o amante oculto que foi por anos, com lábios fracos que resumiam a dor e o medo mas usou um disfarce para o pânico que sentia e sussurrou "não sinto nojo de ti, meu amigo, não estás morto".
Palavras inúteis. Já não queria ouvir nada, saber de nada. Jimmy então tentou dormir mas todas as memórias das vezes que usou drogas, que transou sem saber com quem, onde ou como, estavam piscando como flashes de luz quase cegantes e sentia uma culpa incomparável, um medo, terror. Mas nenhuma memória foi tão perturbadora quanto a da vez em que sofreu abuso ****** em uma das festas. Uma pessoa aleatória e sem grande importância, aproveitou-se do menino pálido e mirrado que estava dormindo no chão, quase desmaiado por culpa de todo o álcool consumido, mas ainda consciente, Jimmy conseguia sentir sua cabeça sendo pressionada contra a poça d'água que estava em baixo de seu corpo, e ouvia risos, e esses mesmos risos estavam rindo dele agora enquanto tentava dormir e rezava pra um deus que não acredita para que tudo fosse um pesadelo.
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Naquele dia, Jimmy, que já era pessimista por si só, prometeu que não se trataria, que iria apenas esperar a morte, uma morte precoce, e que este seria o desfecho perfeito para alguém que envelheceu tão rápido, mas ele não esperaria sentado, iria continuar sua vida de auto-destruição, saindo cedo e voltando tarde, dormindo e comendo mal, não pararia também com nenhum tipo de droga, principalmente cigarro, que era tão importante quanto a caneta ao escrever seus poemas, dizia que sentir a cinza ainda quente caindo no peito o inspirava.
Outra manhã chegou, e mesmo que desejasse com toda força, tudo ainda era real, seus pensamentos eram confusos, dúvidas e incertezas tão insuportáveis que poderiam causar dores físicas e curadas com analgésicos. Trocou o dia pela noite, já não via o sol, não via rostos crús como os que se vê quando estamos à caminho do trabalho, só via os personagens da noite, prostitutas, vendedores de drogas, pessoas que compravam essas drogas, e gente como ele, de coração quebrado, pessoas que perderam amigos (ou não têm), que perderam a si mesmos, que terminaram relacionamentos até então eternos, que já não suportavam a vida medíocre imposta por uma sociedade programada e hipócrita. Continuou indo aos mesmos lugares por semanas, e já não dormia em casa todos os dias, sempre arrumava um espaço na casa de algum amigo ou conhecido, como se doesse encara
D. Furtado

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