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Wen Ao Long Nov 2014
Hello snorer, I hope you didn't sleep any poorer
when I stayed up all night typing this not-poem
I meant you no harm, but I had to stay up
Because I couldn't make music out of your obnoxiously loud cacophony of windpipe crap, er "music".  Time to not-pretend to absolutely hate your snoring under the guise of being perfectly okay with it for the sake of setting the tone a bit nicer to all who must hear it, so they can BEAR to, for otherwise it would be absurd.  Not as absurd as anyone hating to have aural drills applied to all their chakras all night, but still absurd enough to get a chuckle out of me (I hope it didn't wake your fine specimen here). It was never my intent, though it was always my ethical concern (if only everyone could be as reciprocal as you and I).   Oh, my not-pretend hatred is very thinly veiled.  I wasn't totally defeated by your snore-sound armies so that I couldn't type words, but I may have lost some of my desired effect due to the sometimes wincing distraction they caused to my piece of mind at this or that time when I needed it the most (even though I was awake, which is no crime if snoring at night and keeping me that way isn't).

Well, I did ask you if you'd mind if I typed,
I did tell you that you could tell me if its quiet purr of clicks would bother your precious sleep
But I never felt a need to be concerned, because whenever I
was typing, I heard you snore, and whenever I was in the heights of
some new discovery or epiphany, your sharp sudden thunderstroke of near death
corrugated metal vibrating in the torrent of some sudden gale force gust of wind.

These were signs to me of your restful sleep.  So I simply didn't worry about your sleep.  I was certain that my electronic beeps were every now and then music to your ears, just as they were to mine.  This is because in the midst of these I heard you snore, and when you snored, I took you to be asleep.

Ah but then again, then again, these are fanciful constructions which simply say that what is wonderful for me should be just fine and dandy with you, at a bare minimum, and on those grounds of very unsymmetrical attitude about right and wrong I would have to begin my music tirade of words as well.  But I don't view justice and propriety along such selfish lines as these.

What I see is that duplicity is your thesis.  I have anecdotal accounts which are marvelous to behold first hand, but the details of the absurdities cannot be done justice in the language of men, for the intensity of such insanity can only be borne lightly by the frailest frayed ends of my sanity for having lived through your acoustically maddening inanity.

You didn't ever admit to me that my noises were not music to YOUR ears.  Indeed  you claimed never to be bothered by them because you never voiced up against them.  I suppose you might as well voice up against them in the street as well if it turns out not all of you snorers-go-a-viking types like to hear my mouse clicking away like a tapping noises on a metal plate in your skull.  Sorry if it is another non-snorer-who-must-stay-up-late-and-so-be-occupied person whose nocturnal joys were misinterpreted as direct assaults on the dignity, spirit, or just basic mental viability of your wounded snoremonster troop of anti-late-stayer-uppers, because in fact, we used to be sleep-at-night-entities like you, but that was before you showed up, thoracic marching band in tow.  Marching bands are musical also, to some people.  And for some all hours of the night are perfect for a marching band.  Who am I to tell them otherwise.  

Well let me know the next time a marching band is given special permit to come through your neighborhood at night, and I'll be glad to point out to you the first Snorer'sville, because only they should be expected, in all justice to live with the macroscopic manifestation of their personal narcissistic paradises.

Let you all go to your own place and form your own nation, and see if you can consistently demand everyone else find music in your ****** and accursed racket!  But until then I expect some of you will have to take the damage returned by the growing number of people who are very much tired of living under the horrors of your infliction upon us, your demonic and evil tyranny of mind-crushing hate that is your ****** noise.  We will do yoga and breathe, and stretch, and some light calesthenics to relax and seek some focus and composure, whenever our spirits require, and this will be unchallenged by you so long as you are asleep, and it will be unchallenged by you so long as you are awake too.  For in the latter case you are already awake (and so still are we, usually) while in the former case it is far quieter than your snoring, both in its valleys and peaks.  And moreover it has not kept you up, but in fact I have noted that you wake yourself up with your own music when it reaches a certain crescendo.  

Unless you want to say that those crescendos are some sort of involuntary complaint about MY crescendos of spirit, when I start typing about 20% faster than normal, with perfect focus and accuracy while reaching an aesthetic pleasure approaching ****** as I realize that it is almost unerringly in the midst of such an experience that I hear your crescendo resound. And since it was no more intended to be a distraction for me, then surely my music must have also gone undetected by your ears, as well as your spirit. Or is it fairer to say it was the very cause of your crescendo, or at least its inspiration?

Therefore I needn't worry that it is I that is keeping you up, even if for only brief stints at a time, especially by comparison to my all-night vigils.  Not so, but it is you who are so enraptured by my occasional laughs or giggles as I edify my weary, sleep-deprived mind on some bit of morale boosting entertainment.  With headphones on of course.  It's also courteously plugged into the computer to prevent my favorite bit of Judas Priest from hurting your ear drums, or else overstimulating your music appreciation centers, which are verily attached to your ear-drums by a nerve bundle (and what nerve you all have there).  This means I've spared you too much distraction from any already-abundant music of the spheres effect you may be savoring which might have emanated from my bumbling around in the dark (to keep the lights out of course, after all people are sleeping).

Yes but that is a minority of you perhaps, who would lie about that and in fact who ought to say that our nocturnal emissions are not what you'd call restfully mind-relaxing crickets in the dead of night with an occasional hoot in the distance...  But they are a minority, the rest of you are so definitely in good faith.

But then why do I always run into those of your tribe who have strange and unethical habits, such as destroying others' lives by ruining their one perhaps most preciously personal and inalienable need second only to air and water, and that is sleep.  It is, in terms of acute necessity, in many ways more needed than food, though in the long term food catches up.  But food catches up only because not eating food is a  lot like not getting sleep, but just a lot more intense on the body when it drops to some critical point because we know from experience it is on raw nerves that we can go for a while in search of food, but if the food can't be found (perhaps because of our lack of sleep ruining our cognition in some way), then we will not eat, nor sleep, because we'll be dead.  

But either way, we'll be dead, for lack of sleep kills, both directly and indirectly, if suffered over a short time and/or in a diluted form over a long time.  That would be poetically commensurate to the sadistic similitude of the types of snoring sounds with the types of ways to die from being deprived of sleep according to two modes (acute and chronic), over many keys of incident, accident, lost opportunity and ill-stared fate, all of which can be mapped in some way back to that auditory persecution of our very souls of which your kind are in some swelling numbers quite proud.  Just think of all the car accidents, work accidents, altercations, fits of rage, inability to concentrate well or sometimes at all, and other life-damaging conditions of the mind, and also of the body, which accrue from lack of proper and healthy sleep at night!

Good thing for most of you though, right?  Because surely our music is also sweet, and I really hope I've inspired many to face this need for equality, and be on their guard against any unjust whining or groaning from those who seem in point of fact to value their sleep just a good deal more than they value anyone else's.  Not only because they really really love to get those zzz's but because they think that in the natural order of things, before people suddenly went mad and evil, people went to bed and slept well even partly BECAUSE of this brachio-esophageal orchestral lullaby.

But we'll be on our guard against those complaints, because we know you have plotted to take to the streets against us to defend your noisiness-all-night-every-night rights.  So we'll be on guard to defend ours, TO THE LAST FIBER OF OUR BEING.

Because you insufferable ******* are cruel, and cruelty no one should abide.  No one in my world, in my society of people, will be allowed to inflict cruelty on another person, nor be callously prejudicial in their own favor when injuries do occur because of their actions merely on the grounds that the damage it causes coincides with the fulfillment of a need on their own part, even while that fulfillment is of a need which is obstructed from satisfaction in the other part, and by THAT VERY SAME REASON, so that your sleep depends on keeping others awake.  UNLESS you can somehow con or coerce them into developing some form of Stockholm Syndrome and confuse the torment you inflict upon them with a sign of your love and wonderfulness to be around.

Yes, I know you hear me typing now, through your well-behaved proxy.  I feel it. If not he per se, then in a parallel universe not too far off, there's a version of him who does.  Perhaps not the one I know now, on day one of having moved into this room, but perhaps one represented in this universe by someone who has found himself in some sort of circumstances found later on during his stay, this mixed with the fact that familiarity breeds contempt... He'll start making some righteous demands of some kind, and I might not be in a such a good mood about that due to lack of proper sleep, and this will coincide with said contumacy against my own rights (such as to breathe, type, surf the net, or do other nocturnal things other than snoring which might keep others up).

As to that last point in parentheses, snoring is an activity which you perform in conjunction with your getting sleep, and it therefore means not well for your notion of fairness to say things as they are, and simply say the truth, which is that your getting sleep deprives others of theirs, but it can be logically deduced.

It can also be logically deduced that the don't give flying **** if you don't like the fact that we don't like your ear-**** night after night, which is a good name as any, but should perhaps at times be amended to body-demolishing soul-****** of a mortally sinful nature, and with an ethical incongruity to good character of a person to maintain it, all the more to sings its praises to us and call it "good poetry".
My tirade is intended to be expressive of a sincerely felt Truth, manifested in this which is only one of many forms, where things are never neutral, but divided neatly and perfectly into either Good or evil, so that no thought, word, or deed can be trivialized as mundane, neither in its innate import nor in its exported impact for others.  This is of the essence of ethics and has many metaphysical groundings which can be rationally demonstrated, but only to rational people.
Mateuš Conrad Aug 2018
where was i? right, anywhere but here,
listening to some medieval music,
i sometimes sit in one place,
fade, and then find myself sitting
in the same place with a question
on the tip of my tongue: where am i?!

hard not to notice:
heaven reigns supreme with
a "st." michael coming down
with the sword...
depiction, please!
where's satan?
  coming from below armed only
with a tongue...
fair fight, by anyone's standard:
i'm dripping sweat from both
ridicule and sarcasm...

st. michael comes down with a sword...
satan rises up with a flaming tongue,
does satan lick michael's sword
to draw the blood required for
running the heart factory?

               medieval people and their
"nuanced" explanation...
so many images contra words
contra literacy of the people outside
the realm of monks...

   satan rises from the depths of
     hell saying: i wish a socratic dialectic
with god...
god replies: michael i will send armed
with swords...
who ever said: the quill is mightier than
than the sword,
implied: when the tongue has
to be necessarily silenced? then!

      das schwart,
          das feder,
    das zunge...

       how many definite articles are
there in deutsche? das, der, die?
too many or too few?

         always with "st." michael armed
with a sword...
and satan... armed with only his tongue!
i guess, the tongue becomes a tank,
while the sword becomes a feather's
tickling effect...

    angehoben das teufel von der
    tiefe: und gab sie namen...

  (raised the devils from the depths:
  and gave them names)...

why is satan only armed with a flaming tongue,
while "st." michael is armed with a sword?
is god, the god-dialectic / theology
so afraid that it has to remain topped
with unchallenged imagery
                         of sword contra tongue?

ich werden anfangen:
   ich werden treffen du hälfteweg...
            im schreiben...

                  satan rose to a depiction
with "st." michael: disarmed...
  tongue in mouth: which should have been
his hand, "st." michael descended with
a sword... come to think of it,
with satan's tongue cut off...
it still spoke to "st." michael within his
hand...
  the sword overcame the medium...
and so writing was born...
once upon a time when satan's tongue
in his hand began licking the sword
of michael...
            and? if the contemporaries
should hope to know:
writing is the res extensa medium
of res cogitans:
            writing is an extension of thinking:
it's not an invitation to speak...

writing cannot be speaking,
however much commentaries you leave
behind...
writing is an extension of thinking:
it's not an invitation to speak...

it's no disguise...
    in terms of the depiction...
enough of Milton and Dante and...
satan came to the summit
  without his armour without his weapons...
the summit of the plateau...
tongue in gob and joke in cheek...
while "st." michael descended
wit a sword and a missing tongue...
it would appear that god cut out
"st." michael's tongue before his descent
while arming him with a sword to
cut the conversation even shorter
than it was supposed to be, to take place...

the aspired to monotheistic monogamy
of king Solomon,
to imitate swans...
    Muhammad's lost enterprise of
the: greatest harem the world has ever
seen... sorry... Muo-Mo-Hammie:
the macedonian alexander beat you to
the count of 365 concubines...
as did genghis khan...
           so many pakistanis with khan
as a surname...
             your failed harem ambition?
compared to the otherwise world "greats"?
with the ******* promise of 72 virgins
post-mortem? that ship is sinking in my head...
muhammad failed in the ambition
of averaging a 100+ concunbine **** fest...
so he promised 72 for those that believed in
him...
   and if he was ever competing with
king solomon? look at solomon...
         he chose monogamy in the end...
i guess it's a noble enterprise to come back
among the lizards...
to spawn from an egg: from an womb
made external by an egg in the form of a bird...
birds: half mammal half lizard...
            muhammad failed at having
an envious harem...
                which makes me a little bit envious
of him... compared to the others...
he's quiet honest...
        but if he was illiterate...
    who the **** wrote the Quran?
    what's that book, in praise of older women?
andrás vajda...
   who would have written the first
verses (if not the last) of the Quran if not
khadijah **** khuwaylid?

i'm sorry to say: the feeling of conversation
soon turns into a feeling of conversion,
me, beer in hand, park, bench,
an old pakistani walks up to me...
flips out a digital Quran,
tries to convert me...
     opens the book on surah al-baqarah...
i point at three words...
what are these, i ask?
he replies: oh... only allah knows...
really?! really?! i ask myself...

    the three words?
   alif. lam. meem.

           allah knows?!
guess i'm allah then...
given alif: أَلِف  (α, א) a-lif
                 lam: لاَم (λ, ל) l-am
   and meem: مِيم (μ, מ) m'eem...

so yeah, "god" knows...
   how was this old pakistani going to convert
me, supposing i was simply some european
"drunk" sitting on a bench, drinking beer,
assuming i was ease target for
isis propaganda?!

    "god knows"... when it comes
to old pakistanis trying to
             recruit young europeans...
god knows ****!

if this old pakistani was seeking an easy target
like some paedo, he was much mistaken,
what does a pumpernickle (has) to do with
a windmill?! zilch!
i'm not going to exactly crawl out
of my walther von der vogelweider:
        palästinalied
that much easier...
i won't....
   i just think:
the yids have tight defences
against proselytes... they abhor converts...
islam, welcomes them,
at their own peril...
          and there i was thinking that
urdu was "superior" to sanskrit...
an old pakistani tells me "god knows"
in relation to alif. lam. meem.

             i guess the quran has an inbuilt
proselyte defence mechanism:
in reverse... ask a muslim what alif. lam. meem.
means... if they tell you: only god knows...
ha ha...
              hello stupid...
                            is the islamic world playing
a jewish game of gematria?
are the three letters supposed to represent
some sort of "covert" message?
A.L.M.?
        what, based on the hebrew alphabet
where "a" is not an an A but a consonant(s)
akin to ayin and aleph?!
the gay genesis?
          
                really?
                 we: the europeans were perhaps
the barbarians in the medieval years,
harrowed by the cold...
lucky us: lucky me: we did learn to read...
so ignorant of the pakis to presume
such and such...

             that we are still unable to read
and will fall for the next sort of *******...
look at us! we even began to question
christianity with the unearthing of
the nag hammadi library where
jesus played chinese whispers with
st. thomas!

   next time i'll be listening to a camel jockey
or a magic carpet ride aladdin
i'll ask them: you dehydrated, or something?!
oh forget h'america,
their evangelical ******* is worth
as much as a free microwave or a toaster...

_

hell man...
    i mean my neighbor smokes
16 8ths in a spare of the week...

wha?
    ****...
   i remember i used to smoke
an 8th over the week...

yeah... an 1/8... of an ounce...
he smokes two ounces
in a week,
  
gets the **** on discount...
but still has to cough up
over 100 quid for the stash...

but... but... these organic
cigarettes you're pushing?

ha ha... **** me... holy basil
(tulsi leaves) -
and the peppermint and green
tea leaves?
   in ******, whatever you want
to call it, rolling paper...

i've seen the inner sleeve -
big fan of hunter s. thompson,
i suspect...
   otherwise you wouldn't
have used the second, plastic
filter...
  
   tell you what... don't put
that plastic filter on every cigarette -
halve it...
     or provide two or three...
it's reusable -
        i smoked one of your
placebo marijuana joints...
  and then i'm going to smoke
a red Indian cough-up...

   ah... these blue Indians...
Vishnu centrists -
   beyond blue blooded,
more blue skinned herbalists...

dunno... the effects are subtle...
you can only tell the difference
if you actually smoke tobacco...

but sure as hot **** on a street
in Calcutta -
    it beats the Arabic portable
hookah pipe...
   i.e.?  
         vapping - or vapourißing -

i'd say less a cure for tobacco smokers,
and more a cure for
the dope-heads...
    he (my neighbor) smokes
2 ounces a week,
   and somehow manages to stay
down on a job...

    no ******* way...
    he says it helps him to sleep...
like me...
   a liter of ***** and two
paracetamols,
    or one naproxen (if i'm lucky),
or two paracetamols
  and one amitriptyline (25mg)...

sorry, what? sound of mind?
sound of mind to the point
where i'm mindful of grammar
and spelling?

            **** man...
  the content is transcendent
    of whatever the receiving end deems
it to be...

i might actually buy into
this... placebo marijuana -
given that i am a tobacco smoker...
  ha ha! holy basil:
  like Basil Fawlty...

   as you see...
there are people, and there are "people",
there are neighbors,
    and there are "neighbors",
i don't see how the natives
can dictate universal laws of
     private property ownership...
esp. over such... trivial...
meaningless...
          sitting down on a cactus
****-naked "problems"...

i hate being mean,
   i hate telling someone to *******...
i really do...
    i compromised -
i stopped smoking cigarettes
out of my window...
  but yesterday's confrontation?
over a ******* barbeque...
    oops... the compromise
has just been revoked...
  
   music blasting into my ears
through my earphones...
the next thing my cuntish neighbor
will "hear" is sign language...
  
oh yeah... that primary school
lesson:

(a) WHY     (b) DON'T  
        (c) YOU    (d) ****    (e) OFF

(a) index + middle fingers
    slapped on the left palm knuckles up

(b) index + middle fingers
    slapped on the left palm knuckles down

(c) scissor index + *******
   into the side of the left hand

(d) fist, vertical slam onto the left
  palm

(e) thumb's up moving away from
  the palm of the left hand...

because?
      i just can't be bothered trying
to reason with some people...
     they might as well be put in zoological
confinement, and put under observation...
but i'd feel sorry for the chimps
and other animals, have to share a close
proximity.
Mateuš Conrad Nov 2018
.and there are plenty of reasons why western Europe commemorates the end of the first world war, and while eastern Europe commemorates the end of the second world war... sure, they were Jews, but they were ****** citizens... and whatever ****-show the first world war was... it was a war within a family... wasn't Wilhelm II the grandchild of Queen Victoria? so... George V and Nicholas II... so basically a ****** fest manifest of inter-familial ties... the second world war i can understand, given the catalysts, like the treat of Versailles... Weimar Republicanism... whatever... but the first world war? no wonder Western Europe commemorates the first world war more, than than the second world war... the first world war was.... not the war to ends all wars... it was just the most pointless, ******-infested war of our time... oh... look... no Helen on the horizon! now let's shoot up some ground down poppy seeds... or bake us a poppy-seed cake... because this... i'm not into tattoos... my psyche is already tattooed with vague dates... 1914 or 1918 11:11:11 isn't one of them.

it always feels like a guilty pleasure,
being raised in England...
how the **** i learned the language
i will never know...
  thrown into the deep end of the pool...
i remember Ms. Jarvis
at St. Augustine's primary school
(halfway between Gants Hill
and Barkingside)
   giving me a folder with pictures
of objects and their names...
PAJAMAS...
      i remember that distinctly...
learned the language by myself,
learned to swim by myself...
being mute for most of the time
at the primary,
i used to spend lunch hours in toilet
cubicles, ashamed at being unable
to speak, or in the classroom book
section reading...
then one day: and there was light...
bilingualism is not much,
i'm not a polyglot...
but i know more than merely speaking
several languages...
i know how to think about them...
for example:
why does English, not apply diacritical
markers...
thinking it's the descendent
of Troy, and subsequently Rome?
- and why do the modern Greeks
overuse diacritical indicators?
the first English word i properly learned
was back in Poland...
i was told to write C L O W N
and then draw a picture of a clown...
then came the ambition...
to speak the native tongue than
the natives...
                          to become covert...
chameleon...
                    so... why cat?!
   and not... chatterer? or, rather:
care-taker?
       the linguistic diversity of
this tongue is unbecoming,
  it's exhausting,
paradoxically a universal language
in the form of the lingua franca...
but then the ******* Amazon of
biodiversity of unchallenged particulars...
and English is littered with
its set of particular...
                  how the English think
that English is a difficult language
is beyond me...
   the fact that it is a lawless language,
without any diacritical markers
indicating a clarity of syllable cuts
intra-verbum is one thing...
   and then... people just run along
with whatever is the new vogue...
                                                 CUL8ER...
a moral disintegration i can handle...
all the hedonism, i can handle that...
but when it comes to the orthodoxy
of language?
                        this, "neo cyber punk"
*******?
                            i don't want to get it...
it's the same ******* crap of
slang being the language of exclusivity...
sure... when you're trying to guard
yourself against rogue actors...
like pedophiles online...
             but i didn't learn this *******
language to respect its degeneracy into...
quasi-hieroglyphics...
     oh right, the original point...
it's so ******* weird writing about my
history, having been subjected
to the English historical perspective...
like...
            Rome never made it...
the northern crusades...
                      Mongols...
        weeee'ird;
 ­         like... should this be even mentioned
using this tongue?
or should it be spoken in
the native?
                       and like the new
continent of H'america...
back in Europe... there's no concept
of Hispanic...
                   there is just the: Spaniards,
and their Barcelona,
  and their Madrid...
and their Lisbon...
and their own unique pride,
Hispanic sounds like...
what, a bunch of mongrels?
i'm a psyche mongrel...
                    basically **** up when
listening to the H'americans.
Hal Loyd Denton Oct 2012
This piece was started earlier in my mind now I apologize if it is openly to raw and telling but let me tell
You try to give something with this idiocy going on it’s a tall order when you read that a young new
Afghanistan bride was beheaded because she wouldn’t submit to prostitution we have the little girl in
Pakistan shot by the Taliban because of her love of peace and liberty I add this it’s a pretty sick system
And without any power if it must prey on little ones to continue what kind of vile concoction do those
Men in that part of the world take I know that answer it’s the only place that they openly lick the poison
Right from the devil’s Godless finger tips I will repeat my own encounter with a demon back home in
California he’s speaking trying to act as God’s Holy angel in my spirit I saw this creature with a body of
Bubbling sores and then I knew evil at its core all that reject God’s holy love has only one thing left that
Thing that talked with me and causes men to do these unbelievable acts and before you say oh that’s in
The Middle East children today just turned in a cell phone of a young American woman in Oregon who
Worked at Star Bucks is missing it was five minutes from her home they find the cell phone in a field
The filthy oozing thing I spoke of just moved up the coast it’s a global problem children to the most part
Don’t have cell phones they are found in fields and the little ten year old was also beheaded to try to
Hide her identity that was in Colorado we have a sin problem that only a Holy God can give answer to
But he does work through the life and voice of certain people the person I will relate to you is real this
Story comes about on this wise was it partially contributed to the dare devil sky diver who broke all the
Records in Roswell on the same day or was it because of the night it’s easy to see strange things in the
Dark anyway a man was taking a walk in the quiet night his walk always took him by this pond he carried
A lantern I think he did it as a connection with the past but as he entered the old familiar path he saw
This strange site a Swan was on the water how many years can you live some place and not see a Swan
So he was befuddled and then as he watched it headed for shore and then the thing went totally Roswell
Because it turned into a woman or did it one thing she was different as he would soon find out his
Curiosity demanded he go over and speak to her he introduced himself but he had his back turned and
Must have been nervous not speaking as he usually would it was ether Jim or Tim she being more
Caution of the two didn’t give her name their accidental meeting was cordial enough that one of them
Gestured that they set down he set the lantern down that held them both in the light in a confused and
Brutal world where the enemy moves practically unchallenged I believe the woman to be a messenger
Sent to guide and turn the tide in the degree that people are stripped of the father’s immediate love He
Works in a way that is not the perfect expected way but still gives comfort they put it to song but long
Before that it was a story offered in dramatic cinema The Heart is a Lonely Hunter much truth is spelled
Out and also it is relentless the hurting contend without end for solace and also the mind is a crying one
Who seeks through the most unsearchable distillable thought to find the way that leads safely and true
This is some of the things she offered the disarming the most attractive and perfection of her creation
Vulnerability it’s told in wisdoms ultimate terms a soft word turns away wrath but in her she is most
Empowered when though her femininity she opens the gates that on the other side are nothing but ruin
When any one tries to use power and force but her demure acts ushers in victory it is burnished it
gleams it is blinding the total error of fools are shown their destructive path a sword can slay in this
Situation but you wound your own self without remedy was our friends mouth hanging open at her
Physical appearance the way she presented herself and the words she used defiantly so he set by a pond
But the pool of her soul flooded the most desperate recesses of his hurting existence she would empty
Herself and it might seem barbaric but she would slay her own self on the altar of sacrifice and duty for
Him and others the gift demands nothing less you must go forth bearing the marks of blood look for God
Sake beyond the obvious they are killed physically as this piece has spoken of but the pretty show
Outwardly is the enemy’s greatest conjuring trick what could possibly be wrong look at what all I have
She said this first you talk like this and you will die among friends they want a world of pleasure
Truth has too many sharp edges it doesn’t make you free without cutting away the lies you are the most
Sought after prize in an all out war fare for the souls of men and women it would be sad tale indeed if
Some of your words about yourself were made public you wear a garland on this plane it is like the
Greek contestants in the ancient Olympics that Garland is a promise of the gold you will wear and a robe
Of purest linen now hopefully you can follow the flow the super being wants to honor His children all
The finest Jewels will make up your home it all rides and falls on this one thing obedience and her words
That say this when I see the blood I will in all total reality welcome you into joy for ever more yes by a
Simple earthen pond she touched this individual with brilliance that contained all of time plus as she
Walked through his heightened awareness wisdom without compare created in his life pillars and a
Structure that was without equal no enemy would ever penetrate the sanctuary she described to him
In detail she took darkness that surrounded them turned it inside out reveled to him colors that were
Foreign to his natural mind she laced it with passion that was as the eruptions of volcanoes he fell back
In consternation but then basked in what she said it’s like living in a garbage heap you were born there
You know nothing else then your circumstance change you see the ocean the forest mountains the first
Time if only in the eyes of a seer then her voice is soft her eyes flash lighting her eyes retell primordial
Findings astonishments that foundationally explains the world and at your most breathless moment she
Says now let me tell the other world that supersedes this one a timeless world aloneness is unknown
Feel anxiety loss seem like your heart is barren peace joy and love can’t be explained on the level that it
Will exist in the near future she says only this about that there was a time in the mountains when this
Blessing of those three things were given she had to cry after the Holy one no more anymore and this
Mortal frame will give out well let us deal with what we can handle she rose and by now he didn’t know
What to expect she walked to the center and she did just this simple act she twirled around but in that
Movement womanhood was reveled to him he already knew but he wasn’t able to know and give
Expression call the wild things in all their diversity in to your hands feel vibrancy in its maxim degree
Pass beyond the pond go to all places that ***** and fall away with sweetest tender grace your getting
Only the outer understanding of what a woman is she was so minded to show him more yes Sherlock
Homes would fail in the attempt of telling what he felt how she made him feel give up every ounce of
Your being your dreams and hopes you have entered the staging area of dreams still melancholy where
Want was first ever made and handed to the untrained in its use next and most formable is to offer your
Heart most divine act but cruelest of beast dwell in these surroundings you are powerless is there is no
Savagery that can inflict this kind of pain your face tells of your dance in paradise boundless profane
And there is no explanation or end as someone said lost love opens up on the high way of infinity its
Worth her affection but if she must ever say never will I open my arms of love again know a most
Wonderful sea harbor that holds mist crashing waves highs and lows of pleasure fulfillment of the
Highest order nothing more tender flows between man and women yes *** is a mystery it fuses the
Whole person higher than natural mountains and truly deeper than any ocean nowhere else can
Tenderness Employ such grace such truth such caring and can end with the admixture of both partners
With the Unbelievable gift of a child that you can even love more than your selves if there is any greater
Art than that if there is any greater I don’t know of it this is the end of this encounter know this he was
Enriched and is most thankful he sometimes broods about southern climes it’s understandable Jim
If that’s your name you have been in the presence of a special one
DJ Thomas Apr 2010
No stabbing pointy bits
Comfortably thin and wide
Yet sharp, so precise

Unchallenged dexterity, ranging
intimidating in-sight
hidden held secret

Interesting restful beauty, with
a swinging-kissing-singing bite of genius

The Chinese cleaver
used since Cambodia

Joyous Valley Girl’s hidden past
a poetic heroic fame

Travel companion to my
extended Sashimi blade*

.
copyright©DJThomas@inbox.com
1273

That sacred Closet when you sweep—
Entitled “Memory”—
Select a reverential Broom—
And do it silently.

’Twill be a Labor of surprise—
Besides Identity
Of other Interlocutors
A probability—

August the Dust of that Domain—
Unchallenged—let it lie—
You cannot supersede itself
But it can silence you—
Stanley Mungai Jun 2012
I see a flash
A sight to behold
The work of an immortal sculptor
Walking straight in elegant pride
Worth of a princess of the sun
Firmly transfixed in her twelve
Moving into the emptiness of an invalid society
Her innocence screaming
In an unchallenged clarity

And only twelve moons
The framework of her modeling salivates
Wolves in men
Who’s been exposed to the virus
Emerging from the bush land of their desires
To seek their vengeance in a fanatical hatred
And poor me the princess
With the *** lunacy roaming the streets,
Sanity of abstinence is the greatest challenge.

Swung from poverty to adolescence
A pendulum of fates
Hunger at home for the family
And her homestead a moonscape of desolation
The two hundred shillings does the trick
She trades out her innocence
And virginity too; a girls pride
And alongside the legal tender
Comes the virus
The minute monster
Savoring a society of huge minds.

There is the tuberculosis
In a hospital ward
Full of undug graves and shrines unnamed.
Drawn into the vacuum of her fate
Eyes wide open in dismal finality
The princess
Lie in freeze frame of death
A pyramid of events
Molded out of her last several terrible seconds
Lamentation for the society
A dull eulogy for our girls.
*AIDS! The parasite feeding on the rotten end of our Morality.*
theaphile Aug 2013
LOVE? Connotative of so many different things, one conjures up vastly intricate definitions of the word. To what extent their truth reaches is indicative of their author’s own relationships, childhood, future and past. To be asked what love truly is, is to allow another to peer inside of your soul, to reach the depth and breadth of your entity and to relinquish your fears and dreams to them, simultaneously. Asked today for my opinion, I deferred my response, realizing I myself hadn’t considered a solid definition. Seemingly such a simple concept; really a foundational core, underpinning our self worth, self adoration and self identity.

Love is unique, to everyone. It can be explained through the use of analogies. Stereotypes. In some ways, our ‘idealistic love’ is a window for our selfish, impeded selves to climb out of. We expect our lover to propel us into some sort of surreal, unchallenged fairy-tale romance, irregardless of the modern day reality we’re living out. We expect worlds to stop, planets to align and stars to shower upon us in some picturesque dream come true.  However, referring to love in stereotypes can be impersonal and superficial. I find love can be best defined by a persons own experiences, dreams, fears and desires.
A lover can help realize and form these definitions.

To me, love is resting my head between the curve of his shoulder and my sheets. Love is watching a summer storm roll in together, dry and safe. Love is observation; of passion, of fear and of delight. Love is acceptance. There’s nothing more beautiful than knowing and being known. Nothing more beautiful than opening yourself up to someone, being with them in complete serenity, complete coexistence and honesty.
Rolling over and looking into their eyes, and silently whispering, “I love you.”
That to me is love.

- c.m
Stanley Mungai Feb 2012
I see a flash
A sight to behold
The work of an immortal sculptor
Walking straight in elegant pride
Worth of a princess of the sun
Firmly transfixed in her twelve
Moving into the emptiness of an Invalid society
Her innocence screaming
In an unchallenged clarity

And only twelve moons
The framework of her modelling salivates
Wolves in men
Who's been exposed to the virus
Emerging from the bushland of their desires
To seek their vengeance in a fanatical hatred
And poor me the Princess
With the *** Lunacy roaming the streets
Sanity of abstinence is the greatest challenge.

Swung from poverty to adolescence
A pendulum of fates
Hunger at home for the family
And her homestead a moonscape of desolation.
The two Hundred shillings does the trick
She trades out her innocence
And virginity too- a girl's pride
And alongside the legal tender comes the virus
The minute Monster
Savoring a society of huge minds.

There is the tuberculosis
In a hospital ward
Full of undug graves and shrines unnamed
Drawn into the vacuum of her fate
Eyes wide open in dismal finality
The princess
Lie in freeze frame of death
A pyramid of events
Molded out of her last several terrible seconds
Lamentation for the society
A dull eulogy
For our girls.
Robert G Page Mar 2015
by
rgpage

In this quiet time of night, I lie alone and prey to the bitter pain of
joy's absence. Lost in my mind's shallow thoughts the sharp fragments of
happy memories since shattered ***** at the sensitive fringes of my sleep.

Sleep: Nature's sanctuary

A quiet haven, an island set apart
from the daily consciousness of life
where my thoughts may at last run free.

An island with white sandy shores as
far as the eye can see. Blemished only
by my solitary figure walking the blue
water's edge.

And the forests of my paradise, their
deep green density gives substance to
my world. Often I stop to ponder their
far reaching greenness.

The warm subtle breeze carrying the
fragrance of this foliage across my
face, fills my nostrils with the pleasures
of nature.

And occasionally a gull overhead,
drifting unchallenged on the soft
warm currents of the azure, as free
in his world as I in mine; lends companionship.

All of the sudden in the beat of a heart,
from no where a large black cloud appears
to smother the sun's warm light, turning
the blue sky and green foliage black
and the white sand that I once walked
upon a cold gray.

And just ahead of me lying there in
death's humiliation, my winged companion;
soaked and scorned at the dark water's
edge.

I awaken:

This cold room and bed the greatest part of my conscious moment, and the sound of a distant train bell mocking the destruction of my comfort; its havoc upon my sleep done it now moves on. Saddened I once again wade through the shallow bogs of my loneliness, and the pains of memories of the love and life i'd wasted return. This painful sleepless night a most cruel retribution for my past. So firmly entrenched it seems I may never return to my paradise; yet remain in this cold room to suffer the long night's tortures.

Returning:

The warm sunlight, and gentle caress
of the water's pulse upon the white
sand.

And overhead my pure white friend
again drifts on the warm currents of
air, heralding not my return
but praising my presence....

...for my presence alone, gives
life to this warm yet oh so precariously
balanced paradise.

The white beach with its warm sand
leads me on my journey to the morning,
as I walk the blue water’s edge.
Jozef Vizdak Jun 2016
Light gave itself to the blind
(forming the tones of a rainbow
in front of their souls)
but they did not know it
and being scared and scarred
by many a sound or touch
in their eternal night
forced on them in simplest
evilest waves of rain
(and choruses of thunder)
they rejected the perspective
forever in their halls of shadow
each one separately dwelling
on cold stones of time
with wheel spinning round
the world as explicitly
as the moon and the sun

Then when the Light left
in search for open shores
they felt a backstab on the
top of their spines (a gentle
pich that span their believes
out of line with the dark
in their hearts) but it was
just the closing starless night
(and it was far too late )
that brought false order
back to its unworthy place
(where it was then and now
and will be unchallenged
alone)
Mateuš Conrad Oct 2018
.you do know that the light emanating from the moon, at night, absorbs the clarity of relevance when you're squinting your eye... of a camel absorbing the light of the sun, in a desert storm of gushing winds... the moonlight become shrapnel... but a distinct ray of light, passes the eye, and penetrates your forehead... as if... the travel of light... bends much more than time... squint your eye when looking at the moon, the uttermost tier of moonlight shrapnel... it misses the eyes... and heads straight to the forehead; funny, eh?

dude... i heard that before, white dude?
that's new...
only Lebowski is a, "dude" aged
over 40...
         me? readied for the wrinkly old
man...
        and it's not Lay-bouw-skee...
               *******...
                               Le-bov-skí -
tightening longbow men's tugs of war,
strings, ****...
  a job for a semi-glad tailor...
playing the violin or shooting
a bow?
                     ah... ah! that's what was
the problem!
          the modern man is just as afraid
as the ancient Greek with
regards to expressing a dialectics...
mind you...
um...
            modern technology?
****... sorry... but this is actually
accurate...
       a "public" debate...
no bench, no park, what the ****
is public about it?
             i couldn't give a **** about
free speech,
i'm a tier above the argument for
free speech,
  me? i care much more for dialectics...
which counter rhetoric...
which counters speaking freely,
or as freely as freedom "demands"...
see...what i find...
free speech that exists in an
echo chamber,
a free speech without
a dialectical engagement...
no... the comment sections
do not count:
i never left any, or if i left any
they're complimentary...
because?
   now... why would i find it necessary
to troll someone,
when i have no reason to do so?
just for the per se?!
just for the per se reasons?!
**** that...
                 it has become a ****-show
of pseudo-solipsistic "dialectics"...
oh... look    a hyphenated word
and "air" quotes...
                        -    "      "
kinda looks like Braille...

                   free speech is one thing,
but engaging in dialectics, another...
right now i'm spewing opinions
that are not defended by dialectics:
i.e. counters...
     but rather...  solipsism...

              there is no modern "dialectics"...
there is simply a pulverizing overt-presence
of sophistry,
again the rhetoric,
  again the rhetoric,
again the rhetoric...

       me? i don't require myself to
the avowal of speaking in public...
         i'm not the one for constitution market
of ideas to become dogma...
but let's face it...
freedom of speech is one thing,
but what counter a freedom
of speech is...
isn't freedom of speech simply
a monologue?
    can't that be wholly internalized?

the critique comes with the concerns
for dialogue...
a dialectic...
           hell, speak whatever the hell
you want...
            but that isn't the point,
the point is, the ability to entertain
a dialogue, a dialectic,
an intellectual boxing match...
it's no good exploring being offensive
by being offensive
in the ideological ring with
a lax on using boxing gloves...

        did sports take over our
perceptions?
   and kissing our middle-man
point of exit for talking out
our differences?
   what the **** happened?

dialectics has died, a boring death
worthy of: in his sleep, aged 84...
if we can rekindle the basis of
dialectics, replace the, "moderator"
with a simple park bench...
     you'll be me...
talking about bicycles,
grand-children, and drinking
alcohol in public with some
retired cockerel...

                 who's old age...
bred an insomnia he's trying to wake
from, by dying.

no... this is not a war against
free speech...
this is a war for free speech,
within the confines of dialectics,
an exercise of...
    why?
      free speech presumes
the posit of undefended opinions...
unchallenged opinions...
oh i'm pretty sure...
      with however many comment
section narratives...
everyone's sheepishly nodding
along...
              
i abhor the case for a "freedom of speech"...
here's my posit:
i am complying with a defense
for dialectics...
which implies a freedom to speak,
but also a freedom to counter,
subsequently begging for a debate /
a resolve / a momentum of what
will forever be known as: forward /
the cyclic ontology of time.

we're all bound to solipsistic / cyclops
echo-chambers of opinions,
whether challenged, or unchallenged,
rarely discussed within the confines
of the canvas of civility...
when the civilians become more
militant than the actual soldiers...
    that's the problem of the citizen stature...
not all civilians are citizens...
some civilians are counter-productive
to the status of citizen...
British Muslims are civilians...
but with their views?
              they're not citizens...
given they're also militarily subversive
of the status: civilian...
hence... hence?! home-grown terrorists!
what?! the status quo asked
me to refine nouns...
     and pronouns...
                  my hands are tied...
              something hits me,
i react by hitting it back...
i.e. this language... in the wrong heads,
mouths, tongues, hands.

p.s.
   oi! white western girl!
"dude" my *** the next time you see me;
savvy?
don't worry... hand does the same
as ****; i don't know,
but i'm sure of the same firm cavity.
Mateuš Conrad Sep 2016
even hegel read jakob böhme                   (boo m'eh) -
to keep the democratic spirit - obviously the Kardashians don't
know a hairbrush from a toothbrush - but that hardly matters -
what matters is how Pearl Harbour turned into karaoke applause -
the idea of an american in europe: spaghetti slurping  -
even that considering the "special"
       relationship of anglophiles -
    anatomy of antagonism:
        spaghetti swindlers of talk -
slurping that tangle into an easily sold
global affair would never juice up the idea
to think about my neighbour as someone
i'd care to be;
          and as common with the postmortem
childhood educators, the curriculum of such
people always stated: learn otherwise -
       no wonder their screened the
personal vanities of Versailles in the 21st century
coming from the 18th and 17th century -
learn the truths concerning the genesis
of the 21st century in the 24th century at least...
i'm under the righteous impression:
most of the people i live with have
been savaged by science fiction,
and the slowness of science in itself
that they are tattooed with a care for now,
but never tomorrow... imagine living in a society
that pays its workers in month's wages than
in week's wages... can you imagine it?
the two re- debate: again quick (reflexive),
and the again slow (reflective) -
if i'm glorifying the latter than the former?
oh, that question... you have to reply with:
usury and why the libido of old men
equips young girls to the same libido,
and why young men are worthy of a war memorial
and the mud of trenches...
and why young men can't with enzyme-fervour
bind of the satiated young woman sexually
compete... and why so many say: **** it.
one *** spends its youth barraged by usury -
and all other hamster wheels,
the other *** parties with the cocksure crowd:
and then you expect a withstanding human bond?
ha ha.    forget it... hey lady, how's that old man
treating you? he's the pope, i know.
                         forged from the Martian
        ashen heat cooling: in how she thought
the two would meet and raise a family in the mythology
of Eden... when she got paid her student fees
by sugar daddies, and he got spit to extract feeding
handshakes - that only turned into jacking off
                                                                ­      gambles.    
  she now the happy soul fathomed as the bigoted
              entrenchment in this world: as forever
  and if only trying: then at least expecting war
to solidify the point.
                just the other day in Camden Market:
she's complaining about her libido with older men,
   he's complaining: your problem is that you go
for older men... oh ****, then all the problems of
natural correlative assertions, and children to
masquerade the real problems... and pop culture
and what's being gagged (apart from the gimp,
forever caged and clad in leather, and a mouth
that's really an ****) -           the children suffer
    from would otherwise been a beneficial anti-evolutionary
suggestion: that i was recipient of the outside environment,
rather than the inside environment of some benefiting
sir esquire toff -                 give me my tail and fur back!
   i don't care for gymnastics or vogue! give it back!
******! this ain't an improvement,
                 who heard of primeval predators building
guillotine scaffolds (although, i admit, that's humane) -
or ****** Mary being beheaded with a blunt blade -
or gas chambers... when i think of tigers i think of
humanity greater than man with his apple i7 phone -
i think of vampires... i find it hard to believe
we evolved from what was already perfect...
                   to improve what? we were always outsiders...
    narrators - then again, if i'm the sort of
"creationist" scumbag, then i can just say:
Chinese and Welsh dragons and dinosaurs...
   and to be honest: history is obsolete given the
two timescales of the big bang (what a ****** name
to start things off... heard a bang in a vacuum?) -
              and monkey -
                                             which is no wonder
why history died given the timescales, and why we
are overly saturated with journalism, the 24 hour reels
and nothing really happening in those 24 hour counting
                   mechanisms:
which is no surprise journalism resurrected a pseudo-dialectics,
   i.e. an opinions section - and there they are,
like third world dictators, unchallenged, journalistic
freedom is the last thing to fight for right now,
   not when journalists don't have any journalism to give,
  and invoke the need to be opinionated,
and in thus being the above said: unchallenged.
                 Colonel Falafel? sign me up!
Shaded Lamp Aug 2014
They walk aloof among us
Three percent of the population
They reluctantly dine with us
Quietly, stifling their frustration
They don't look back as you pass
They don't want your conversation
Empathy is just an alien concept
They focus only on self preservation

But here's where it gets strange

We worship them with huge salaries
We beg them to lead us the way
We ignore their blatant deceptiveness
We hand them our hard earned pay
If they say bail out the banksters
Or send your kids to a dubious war
We offer them our kids and cash
Knowing that they will ask for more

Stranger still

Our history has been sculpted by them
We raise bronze statues proudly in their honor
Through our plain idleness and cowardice
They can reduce this planet to a nuclear goner

"How did this madness occur?" We question
Why do psychos run banks and governments
Checking world history offers a suggestion
To why we (the population) are slaves for rent

We are simply afraid of those
That successfully navigate life
With reckless irresponsibility
Unchallenged by others strife
It is those destructive characters
We plead to take political risks
In return for obedience and cash
To buy more power and obelisks
I do like an obelisk, but rewarding  those lacking any moral compass  because they can perpetuate the continued *******  of  the many by the few seems like the lunatics are indeed running the asylum. Or am I mad?
Nat Lipstadt Nov 2018
strike my eyes lovely


for S. B.

by way of introduction,
when you have gone to confession,
freely admitting you have nothing left for others to harvest,
no seed to plant a new crop, and lies and laughter, interchangeable,
there is no poetry left, not even raisin scone crumbs,
one good friend informs that a forgotten five month old poem,
a computer has selected & resurrected, for distinction

so months later you snicker for you have been seriously
self-kicked away from writing, all your vocabularies,
trite and yellowed overused, and you read
really good poetry and are
slapped-seen-outed by the impoverishment of
your own no-winsome word-smithy,
no delusions, even this, but a-quick script, more a thank you note,
and it’s the only lasting quality is the
genuine nature of its intent
but the poem itself falls bottom of the cliff, short on quality,
a victim of your dissatisfaction

let me explain better

she messages you while the time difference works in her favor,
she reads while you sleep the sleep of the soul-exhausted,
she, scoffing at your claims of motivation deprivation,
as she cherishes this forgotten one,
with words that cannot be ignored

the poem

                 strikes her eyes lovely

daggered, this morning phrase cannot go unchallenged  

for this a compliment that any poet would
weep for, be inspired by, stung into action,
provoked, ego flattered and challenged to-do more-better,
what writer could want for anything more!

who can own this ability  
accept this ultimatum of success, a cross-word crucification

to strike down lovely
the readers eyes, almost all once,
almost excuses me forever
for trying and failing so many times

you smile
but not in the chest where
lovely
needs to strike you

for if you cannot strike the readers eyes again and again, then...
let the moment gleam, and then disappear,
again and again, stored but not restorative

11/21/18
Miami
Kevin T Wilson Jul 2013
They all seem discursive and scattered,
Why would these curses ever matter?
Who will command stillness to wickedness so desolate and dead?
Partly I lay feeble in the head.

I am leisurely in limbo and moderately consoled.
I'm uncalled for and ribald ,but accounted.
Everything fit in place!
Ethical with a little slowness ,and a touch of corruption.
What was happiness is now a presumption,
Evolving and clawing threw this crushed creation.
Living is somber with a fatal fixation,

With all these things taken into consideration...
I am completely unchallenged with this sad situation.
palladia Dec 2013
some information cannot be found – you can only originate it. facts are often recycled in attempt to clear a logjam that has prevented us from finding ourselves. when i look at the billions of directions my life could have taken, you have to admit we're a very tough bunch, because, who else would have tagged along at this point? we're a recipe for disaster, but that's alright, because we already racked everything. we're bottlenecked. we're deadlocked in ourselves, and there's no way out.

strength cannot be given – it is only self-acquired. we can think of ourselves as vessels of change, but it won't be gifted to you. it has to be done by yourself. it's a real grabber. and once we take it to heart, it works.

axiology—the study of judgments. choice is so vital in postmodern culture, there's a whole branch of study attributed to it. should i take this opportunity, or should i decline it for another? should i rear success with my horns, or wait ecstatically for it to poke me? should i recline, take an easy ride, or work for it? – no matter which outcome, you're still going down the drain because you haven't established the most important part (yet).

i am struggling to understand economics, as well as applied mathematics. wall street certainly does not hang easy for me, but there is more to discuss than stocks and bonds. society has put us in stocks and keeps us in ******* – that’s wall street for you! there are still certain mysteries, such as you cannot put a negative number inside a radical. and all parabolas will have a reflecting twin, no matter how you look at it.

i fell asleep to a black and white movie, and it was still playing when i awoke. however it was in colour. i rubbed my eyes and sat there dazed until i concluded i was dreaming in colour. i woke up again and it was over. now i think that i watch the same movie, but colourized in my dreams, and that i can dream reality, while that reality is a dream within itself.

much reflection has been cast upon theoretical and unchallenged interest in scholars, for example. some presume we can only perceive one – ten-thousands of the universe but of course this can never be proven along with life's destiny and life's purpose, and indubitably, life's meaning. much dark and invisible matter perhaps comprise the rest, but the threads of an unroped cosmos are far from being knitted. can you prove your eternal existence by way of religiosity or science? Jesus rose on the third day and so did the interstellar medium situated in the midheaven. i sleep with a book of philosophy under my pillow, and i'm not in the least ashamed. Alexander the Great slept with a copy of the Iliad, and Mary Shelley, her late husband’s heart. at least philosophy doesn’t stain.

total uproar soars through the galaxy when i begin to think. the terror strikes, and i cower discrediting the truth. my trine is Jupiter, Saturn, and the sun. i’m an Aries, like the one of Judea. constant virtue is what i can believe but i speak in the revolutionary sense. i can enhance my life as long as i am able to try. there is always room to improve a man and i attest to that.

a literary device isn't useful at all until applied in context. an ambition isn't fully good until it is launched. Newton was right, after all. a body is motion will stay in motion until acted upon by an outside force. you are an artist as long as you keep your creative process going until somebody threatens you. then you hide. you establish a force field, which protects you, and you trudge on, because all that matters is your art, in the end. it's everything.

think... Ω-style. one day lofty things won't take pleasure looking at you, because you’ll be confronting them head-first. machtprobe, a german word for showdown. like the one you'll be taking with yourself if you don't buckle down and unravel your weaknesses.

this morning i woke up and stared at myself in the mirror. i was depressed at the condition of my life and my position in the world. my reflection stared back and held up its ******* at me, saying "what are you going to do about it?" not knowing how to answer, i fumbled around possible responses, but it kept going, "it's not that simple, isn't it? life can be tricky when you've got no motivation. it leaves you in a rut until one morning you wake up, depressed about the condition of your life and your position in the world and your mirror's reflection holds up that *******, insuring you're completely aware of the awaiting consequences." it finally shut up and i stood there contemplating its message. "how bad do you want this?" were its last words i heard before i knew that 'initiative' was the one i would soon fall in love with and meet at the chapel to wed.

"either you take it all the way, or you're gonna go astray." it's either one or another, a choice that we have to make. and i don't my reflection to pose a threat to my self-esteem again, so i'm gonna take it all the way...because really. how bad do i want this?

i don't want to have a shoot out with myself again. so when you ask, i'll just tell you algol sent me.
I've been fostering this one for a long time: my ruminations that I've collected over the past year. It's a mini-autobiography of my life over the past year and what I hope to change in the future. It's those New's Years resolutions we keep for about a week and then banish until December 31 the next year. And now I'm taking a stand again and want to reclaim myself from the miserable ruts I fall into. So, it's more of a personal poem, as a sort of get up and go for the future of myself and my art. And I cannot fall back. Think: "how bad do you want this?"

This poem is written in anti-traditional form: no rhyme, meter, lines, or verses. It's more of an essay, because I am especially fond of writing them, when the topic is left up to the author to describe.
Pax Sep 2015
I played the game, alone.
I talk to the air,
Imagining a friend who isn’t there.
My brain’s dual thinking.

- Checkmate -

Personification in strike
Persona’s colliding stake

- Stalemate -

Hello there my stuffed friend
Looks like we are a matched.
We’re Latched,
Encased in the four corners of our walls.
You know I feel restless looking at your frozen face.
Playing with stillness is a hollowed void.
Engross with my ever changing fantasy.
Choosing to ignore reality.
A sad case of my mortality.

- Workmate -

Music patched the necessary unattached realm.
Stories powered the desires to dream the unchallenged dream.
Life is a walking daydream.

- Lostmate -

There are those would think I am coward
And then I box myself not to move forward.
I fear what lurks behind someone’s soul,
Fearing I am not worthy of my own coal.
A charade of personas, hiding.
Tilting the crowd as if I am never there, post acting.

- Soulmate -

Believing you are near,
somewhere far behind that unseen chamber door.

- Castmate -

Sometimes I am just tired of this game.
Whispers of the wind, believing I am tamed.
Sometimes all I need is a real friend
That will hug-out the negative trend
For me to transcend
To the realistic perspective
Waking the sleeping life’s motive.
7 poems in one
" - would there be someone that will say I am still worthy... " That's what i said when i wrote this awhile back....
Mateuš Conrad Oct 2017
two sudokus down, one pending, and the drinking is insatiable, peering into the stack of books, there's a copy of seven years in tibet and in start to wonder: what sort of interesting life should ever produce a book? the majority of me is asking: really? 7 years in 7 sittings of reading this?! who imagines writing a book, having "completed" an interesting life, does not imagine the majority of the readership, discarding the actual book, and being tibet bound... jealousy is such a cheap emotion, to be honest jealousy is the cheapest of all emotions, cheaper to pay a ******* for an hour's service, than take a fine girl to dinner; what, was someone expecting an "oops" with that?

i sometimes can't imagine the quality of pop,
it's not a pedantic "observation" -
it's just: well, could have done better,
but then again: you clearly couldn't have.
    i like rereading shakespeare and thinking
than minor additions would make the works
stand in greater clarification,
notably in shrapnel -
- 1st witch: why, how now, hecate?
you look angerly.
- hecate: have i not reason, beldams as you are,
saucy, and overbold? how did you dare to trade
and traffic with macbeth, in riddles,
and affairs of death,
  and i, then mistress of your charms,
   the close contriver of all harms,
  was never called to bear my part,
   or show the glory of our art?
such minor revisions, pedantic, of course...
i.e. - how did you dare to *trade and
make trivia
with macbeth -
      better still: trade & trivialise -
         and
   - in riddles, and in the affairs of death;
suppose we don't live in times
of man's "omniscience" etc.?
                but we do, and categorising ourselves
as such, we can only seem to test
knowledge via answering trivia question -
the triviality of knowledge oozes out
of game shows: where enough to be
knowledgeable is enough to known the most
encyclopedic set of facts...
    having to encompass all of man's
endeavours seems rather mundane...
             heidegger's aphorism 91 ponderings VI...
and the arrogance of writings maxims /
aphorisms...
        you read them as if they are basically true,
but then again: they're written as
propositions, rather than as presuppositions...
there's not a single word in the works
of nietzsche or la rochefoucauld
that supposes an observation to be true:
        a bit like the legal system dichotomy of
the english vs. the european courts:
  a. innocent until proven guilty, vs.
b. guilty until proven innocent...
                it's the ****** bombast of writing
maxims as propositions,
   there's no room for "error":
said content is: necessarily true,
                         but unnecessarily observed;
most of the time maxim notation is
an erosion of common sense, and subsequently
the killer proteins of alzheimer eating
away at the fatty tissue of the brain...
          mental exercise?
      who the hell wants a schwarzenegger's worth
of brain, i.e. exercise what?
           i don't like nietzsche's style precisely
because i don't like aphorisms or maxims...
          they're bombastic in assuming they're
true,
   i.e. once observed: forever replicated
to the same summa summarum...
  i think it's unsavoury to presume that one's
observations are fit for purpose of replica
observations taking hold of the reader...
if, perhaps, these aphorisms were written with
an overtone of presupposition,
             and left in the la la land of: supposing so -
they would be guarded by an element
of surprise...
                      an encroachment moment,
with an element of surprise...
         if only the loss of propositional bombast,
and the mediation of supposing-so,
   with an undertone of prepositional discretion...
stating the obvious in that stating
the obvious is stating an: unchallenged truth,
an unchallenged observation shared between
to people, well, aren't we talking about
  simply observing the perpetuated plagiarism
of what is "observed", without ever
deviating back into the "unobservable"?
       i believe that aphorisms (as a medium)
are plagued by a certainty inversion -
             sure, they're true, but they are also
true without a guarantee of replica -
                 for the most part they are placebo
ridden...
                and the only aspect of philosophy
that is unscientific...
                for the most part the style of writing
that's aphoristic is placebo,
        and not res replica...
           unless offensively forced - stereotyped.
if only the writing of an aphorism was
plagued by presupposing rather than proposing
a conclusive play on a voyeuristic act -
             the presuppositional attention to detail
would be tactful - and part of the cartesian
continuum...
             but propositional observations,
akin to making stereotypes, have no element
of founding one's thought in the cartesian dynamism
of doubt... there either is, or there isn't -
existentialism akin to the genesis in nietzsche
was born with the cartesian roller-coaster
of fusing an emotional regard for feeling,
i.e. doubt... negation being the prime ingredient
in existentialism, is oh so boring...
         ego negare, ego quasi cogito - ergo..
      i deny, i sort of think -
                                             therefore;
pretty obvious, we had to change the song -
we know so much already, in the current times,
that doubting would be pointless -
    doubting used to have a thrill of purpose
never being finalised,
   existentialism replaced doubt with denial...
so few things can be doubted,
   and when so few things can be doubted,
  we purposively lie, deny, lie, deny, to somehow
muster an origination of awe in emotive
experiences, which only bring failure -
  awe does not coexist with denial -
           you can't be in awe via purposively lying
to yourself...
  you can only seek awe by being forced
  into an emotional system of doubt...
but since existentialism eradicated doubt and replaced
it with denial...
     as already mentioned:
we deny, therefore, we sort-of think -
      we deny, therefore, we "think";
as the zeitgeist suggests - robotics, and other
forms of automation are taking over.
the argument still stands:
  if only the medium of writing aphorisms,
or succinct "truths" could be universally tested,
or at least universally observed as being true...
     if only there was a lost propositional(!) bombast
behind these pieces of writing,
or rather: a presupposition(?),
     since both approaches still converge in the realm
of supposes;
   a position is taken and one is for it -
while a supposing is given and one predates
it with a spontaneous unearthing of unnecessarily
having an opinion about it -
to presuppose is to not suppose -
since presuppositions are more archaic in always
being unforced observations,
  whereas propositions are enforced results
of having forced oneself to think: about something
with the end result of: a maxim,
or the extended maxim, i.e. an aphorism.
          - so who would actually want to make
language, and easy, and accessible, to the majority
of man?
          did not the power reside among
the priesthood who spoke latin, while the general
populace didn't?
   so why would anyone not decide upon:
speaking an english, within english,
   that the common englishman could not understand?
Mateuš Conrad Mar 2016
you see, i came to england when i was eight years old, and i still retain the primitive early structuring of being born in poland, e.g. i identify my father from the ages of 4 to 8 as a voice on a telephone and the odd package of gifts, my mother between the age of 6 to 8 as a mad doberman a parting gift... and the fact that i can't read philosophy books in english but in polish, whereby i translate what i read into english... the english language is terrible at expressing itself philosophically, too much shrapnel (i.e. too many little words in between graffiti like usage of the bigger words: conjunctions, prepositions, articles over-burden such catchphrases like zeitgeist, global capitalism etc.), i read poetry and fiction in english, but philosophy i read in polish; and i do speak four languages in that i can speak posh anti-essex-accent english, speak a polish accentuation of english, speak plain polish and speak pleb village-idiot polish; polish immigrants are overweight to soar like canadian geese introduced into england because of the trill of the r (mind you, introducing grey squirrels mirrored the seemingly perpetual overcast of the english weather) - indeed, the english use of the letter r is tongue-numbing-curl - instead of trilling the r the english curl it like an apprehensive turtle / hedgehog - and too the oddity of the h, hatch hay-puck-itch hey-a-haystack? two of the many more linguistic anomalies in the english tongue included.*

that's the problem i have integrating
into a post-colonial multicultural
society, i know i should celebrate
the english defence of poland should
a war with germany take place,
the short lived re-emergence of poland
quickly gulped up by the joint
expedition of **** german and soviet russia,
the exported government of poland
to london, the plight of polish and english
pilots over the skies of england in
the battle of britain, i should technically
be experiencing a great assimilation sensation,
but multiculturalism has really complicated
things, esp. when you turn on the radio
a first hear things about the emergence of
recorded sound, the gramophone,
the iconic jack terrier before the machine
and a very old acronym of music outlets:
h.m.v. (his master's voice),
or that in poland - knowing of the mass emigration
of poles to england the tabloid newspaper
the sun is cited with the highest credibility
(never mind the toned down **** on page 3
of that newspaper, which prompted *******
to do likewise) - currently i'm sifting through
the power broker pages of the newspaper
the times, i.e. the editorial pages, just
after the opinion pages... you see, the editorial
pages are almost anonymous, they're filled
with a major investment, high profile
people (usually professors and sirs and what not)
seeking attention of the editor, beginning with
something like: sir, at a time when european
challenges of security... and then indeed about
three articles of unchallenged dialectics by
the editor himself, e.g. (monday march 7 2016)
headlines: an autocrat in ankara; plan obsolescence;
cripes! (https://goo.gl/EzCbDO),
as i said, i find it overbearing to integrate into
english society, it's paradoxical actually,
so i have to integrate (tick), speak the tongue (tick),
become eloquent and gentlemanly (tick)...
but i can't acquire the history (a prime social
relation coordinate), and i certainly can't feel
pride... unlike those from the colonies integrating
and feeding this strange strange national pride
of identifying england as if by them originally
possessed; maybe three years in scotland fed
my alienation, i really did love mingling with
the scots, the only place on these islands where
the presence of the irish is limited by that
funny existential curiosity of a sikh speaking
a wee trill here, a wee trill there...
maybe that's it... because, you see, the oddity
comes after hearing the story of rash behari bose,
the one who was the shadow of peaceful gandhi...
who spoke like adolf ****** who actually
collaborated with ****** to no avail, who
then collaborated with the japanese -
how am i to assimilate into english society if english
society is a barren wasteland where newton
and michael faraday used to roam?
i'm just too bewildered in this sense of integrating
like a prerequisite of becoming a chameleon -
it's nauseating just to think of it - all this
psychological complexity to simply use a tongue
that's favoured for commerce and political
stagnation into the iron stage of a status quo
of russian and chinese oligarchs creating
a mortgage inflation from their power-source
that's london? this immediate sense of what used
to be mass propaganda has turned into
mass political correctness, same ****, different cover,
i really don't know how to integrate fully,
esp. with faked results that disallow falsification
because they're already false in that would-be
"science" of psychology which is just a crippled
humanism... how can you be a serious psychologist
when you focus on the interchange of the invading
barbarian word self and then become pompous
with so many theorisations of a single sound, ego?
after all we're, in the majority using the sound self
as an affirmative of 'i'm here, yes, check the utility
manual of my spine moving my fingers typing,
no descartes wasn't trying to prove he existed,
don't be stupid, what, because such a proof is
not compatible with you after his death proves
he was trying to prove himself a recipient? i too
buckle on the nonsense of some people, even my own
is worth a rusty door hinge and doorknob.'
and poetry will always remain the safeguard medium
of abstracting, poetry isn't a happy science as one
man suggested dying at the dawn of the 20th century...
poetry's eager spontaneity makes it an abstracting science,
there's no point arguing truth, in that abstraction is
required to cite a momentary pigmentation of
the everyday grey realism with a poem.
Butch Decatoria Nov 2018
(For Black History Month 1998)


i have a wish
to be profound...
   to be proud and stronger
   and carry myself like the **** poets on Def Jam
voices of Kenya and kings, emblazoned
with wisdom, respected / permanence
tanned in words of Malcolm & Martin's reign...
   to have passions of Nubian queens
   wear a crown to herald my approach
head held high
   without raising a calloused hand,
   copper polished hearts
A presence that only demands simplistic
of silences in the awe, the inspired
unchallenged in my reverence--an African / American ability
   choreography / invention
   the first to dance, when others fear to
to keep it real and say it loud
my human wishes, strong, profound, proud...
sometimes
   gentille...

i wanna be black...
like King Cobra, a hood to umbrella fright
with venom from just my stereotypical sight
   immobilize and paint caucasians whiter
   to be well endowed yet humbly
complicated,
angry but with proven reasons unrequited,
to be singled out by mere appearance
alone, a Halley Berry poster, child - dealing drugs,
   respected yet in the poetry of chains
   creative even in these multi-colored pains
from a thousand lands of strife
music is sister, artistic is brother life
become ingenious
   saxophones in the moody blues,
   athlete of hurtles, jazz / boxing fights / sang...
gold medals, worthy for full frontal
news...

do i amuse you, with these longings?
think do you - it's a cursed delight?
   but life only
   excels with each challenge: our battles
against ignorance / shame defines
the worth we're given
our lot mostly restricted, our lions tamed
perseveres - tho' weep the dust of our ancients names,
and bleeds these,
our cotton soft truths some mistakes
   and Dolby stereotypes revealed
   re-assigned
now worn like brand new:
a garden painted stronger
roots - and robes of shackles' / thorns
sharp with unlocked prejudices
   brown can do no more (for you sir)
   criminal confidences find the unmoving wave of faith
a prominent jaw-line, obelisk-lips
kiss and smack / wet with loving lengths
it is ... no hurt in these earthen eyes
   evident
   stoic, strength, serenity
mine to dance and sing my apathy instead...
about the history, i wish to dis
yes, re-avow
empty empathies before,
   experience my thousands, marching
   Melato’s at the founding fathers' doors, will show
you how to open house
these ghettos of / our violent villages / of tar & soot
shadow our poor ever the more
our stars shine on
   broadway be our stage / Stomps / in the heart, hopes,
   styles rap / songs to battle racial profiles
racial cops in devil blue,
beating brothas, home video tell our news,
while our rich forget the rest
******* **** in their cribs
re-pimped, yes, ******* new money & *****
   of course, they are the talented ...
   almost gods on Apollo / knock on wood...
the music is still
the song still is
the foot is stampeding
the noise will be loud,

i will be proud
i will be profound
   in this time of redefinition,
i will be strong
(i wanna be black) like Etta James
at last...
Tom Orr Jun 2013
The wild jazz solo of the oscillating wind,
tossing the great waters,
out-singing the sheer sighs of the unruly sea.
The clouds dressed grey, in mourning
the sun will peek
only to be swallowed by fishermen's mist.
Flickering bolts greet thunder rolling
with unchallenged prevalence,
shaking the Earth into fear.

Nature's response.
Jorge Guerrero Nov 2012
A lonely heart walks in pair, never beating with the other's rhythm. A strong mind lies unchallenged, its wisdom rarely meant, its thoughts never asked for.  An internal fire once burned bright, so hot that passion was never missed, but now darkness has taken its place.  I walk a path in which my sight is clouded.  Many times I've reached out my hand, and never was it met.  So alone I've walked my path forgetting my pains.  And on I've gone for quite some time, with a vague memory of things once better.   Suddenly from within the dark my hand met yours, and my heart skipped a beat; forever altering its rhythm.  My mind started to race with your words, and suddenly my world didn't seem so lonely.  When your lips met mine, the moment froze, as well as my thoughts.  You challenged mind of what I thought was right and I saw that in some ways I was wrong about the path I've walked.  I craved yet another kiss from your lips, so soft so tender they were and yet with so much passion your lips met mine once more.  My eyes opened and my sight was cleared, and as lovely as I could imagine your eyes met mine.  When our bodies were pressed against each others, the passion sparked my fire.  I never wanted to release you; at that moment I wanted all of you.  Still I said nothing for my voice was gone, I could not think for all my thoughts were of you.  So beautiful you look in the half lit night, so wonderful your fragrance, so rapid my heart beat for your kiss had stolen my breath.  Although the night is over, I remember it so well, I crave to fell your touch, your skin, but most of all your kiss.  And still my path is dark, but my steps are lighter, for my rhythm has been changed, my mind has been challenged, my fire rekindled,  and my hand had met yours if only for that night, and now I sit and wait for my lips to find yours once again.
Mateuš Conrad Oct 2016
only today i learned ø denotes
        an encoding of diameter,
and it's Scandinavian,
                     or how the globe is
past the equator,
         and the lob-sided earth,
winters in Australia in the Summer months
in Europe.

    high philosophy begins with Beijing
dialectical highs,
    but take the route of lower philosophy
and encounter diacritics rather than dialectics,
because that matters, too,
        θought, a moral ought,
   and φilosoφy - and missing ought -
          and the two being irreversibly twins
in said... or θought an immoral ought,
                 sure, tubes, mistook ø74 for something
akin to φ...
    high philosophy never acquires a diacritical
dilemma...
                  or why local don't do anything
but actuate automatic application
   and those immigrant, or bilingual troops question...
    ø = diameter, not to be confused with the θ;
             higher philosophy begins with dialectical
beginnings,
               "lower" philosophy also begins with
dialectics, but it ends with diacritical application,
rather than utopian: nowhere from nothing.

what am i going to say next? *machado de assis's

philosopher or dog? introduction.

          ........................................­..................................
..............................­......................................................
..........­.................................................................­.........
.......................................................­.............................
...................................­.................................................
...............­.................................................................­....
............................................................­...........
(or a paragraph on the pleasure of drinking,
    or how to save you an optometrist appointment,
or how to take an interlude,
   to do the opposite of the Andy Warhol stipend
for making enough buggers hearing your
opinion, unchallenged,
                    but never having a diacritic concern).
hence the pending, or what everyone seems to
desire these days, circa 100 years later,
     how to provoke an interlude, how to hunger
for interludes rather than fame,
           i also drew a sketch before starting,
       shat -
                  and hey presto!
           ****!
                   yuck in orange in florescent.
yellow (florescent), F, pretty pretty pretty,
          in pink the bit about diameters and phi,
           again in yuck orange: swigs and the wiggle...
a paged concern for graffiti.
                  again, pending, yet to be hottie
and poster boy of a poem,
        again the impromptu break worth of fame that
actually isn't fame, but a chance to compare
                   how much whiskey makes up for the
Niagara continuum.
        again, (pending):
............................................... (how the hell do you
write pending ~15 minutes later?!)

the concept of Monday is greatly undermined
by Darwinism,
    as is Tuesday through to Sunday,
generally the function-able week desists the idea
of an Iron Age, as does the pantomime
of all that's worth celebrating -
generally speaking Darwinism is anti-history,
theology has nothing to ask of Darwinism
to argue against,
                             theology isn't a history,
but Darwinism is the purest variation
of history, variance of how we define logic
and its applicability, whether it's
i + think            /             1 + 1
    and have the moral attraction toward a 2
         or variate a moral action into a 3:
cos Radiohead simply sang 2 + 2 = 5 in a song:
cheat! matchstick principle regarding counting!
machado de assis? Darwinism is peppered with
overt imagery than salted with:
you get to sneeze a lot...
             a writer's voice: irony, mockery,
         consolidating the lessened counter-productiveness...
Flaubert, Dickens, Zola, Balzac, etc.,
                    homie, rap that **** out, condense it,
i thought Brazil was half the way America should have
endeared you? i had problems with Prussia
Austria and Russia... guess i was wrong how thuggish
i had to be with the Orpheus *******...
       cos the lyre was dumbo blunt deaf and therefore
cacka...
     higher philosophy begins with dialectics,
"lower" philosophy begins with diacritics -
     a return to the source, a debate with Ivory scales
concerning the Rosetta - a neo-formatting of
what's quiete
                           right: Sophia: hence anew: Rosetta.
and all for the pear that's woman and whether Satan
chose the fruit prudently according to Milton.
or the progress of a drunk:
centipedes and Fitzgeralds, Hemingways,
lust and last said...
                           the cf. of every apparent transitory
made to provoke the quasi and quack,
              ducking the Donald and the *****,
in agreement,
                     a happiness toward the tiresome
encrusting of what's worth being stated,
and then the deviatory,
                              as marketed a deviation
from a Louis Napoleon -
                                    because no Belarus was
to be chequered by an impeding force...
                      hence the cha cha cha...
                                    and hence the stanzas of
Argentinian tango...
              juicy and later the cruelty choking
of what some might make of Macbeath's habitual thinking
                                       worthy of a classroom
                audience; and that too is
exposable in return for being disposable.
higher philosophy is regarded as such with
dialectics,
                        but "lower" philosophy is
yet to be regarded as such with diacritics -
     not a case of what's to be said, and thus bedded,
but a case of how's something said,
                                and thus given a freedom
of: bedded, wedded, pimped, or whimpered into
                                     surviving writing a poem about;
also achieved by Humphrey and that chuckle of
revising Casablanca for an unnecessary quote dynamic /
diatribe when Hiroshima said
                 much more than the above certified:
boom! 1 million ******* dead.
       that's an overt-quote that gropes the many
amens among the citations of Marilyn, and still gets away
with                     a memory of J.F.K.,
           because that ****-honing masterpiece
was needing my memory rather
                                   than a b. b. q.    scewing.
          i find people rather forgetting:
jeopardy battered boundless gym orientational
                     thoughtless two shots of tequilas
            and three paraphrases of sours in biting a lemon
to upkeep a trough of a suntan with the H-He:
boom boom, higher tier laughter,
             ingesting that inflation of prop
                    boom boom, v bomber,
                     squeeze...
                    lob-side lo & behold,
                                       'n'        - squiggly extra thus born.
Marshal Gebbie Sep 2014
Ya gotta be proud of ya country
When ya wear it around on ya sleeve,
Ya gotta be proud of ya people
When they really know how to believe,
Ya gotta feel pride in ya product
when ya fashion & craft it with care
..and ya gotta repulse all the *******
when the rest of the world won’t share.

For man, as a species is poisonous
and God threw the towel in for sure,
When adam  & Eve ate the apple
and threw up all over the floor.
They broke all the rules at the outset
they muddied the waters so bad,
that confusion and greed ran in tandem
and mankind was fast going mad.

Eruptions of steel fly in carbombs
in the streets of Iraq every day,
Ethiopian babies are buried
before they are graced with a name,
and the great wheel of life turns in circles
and the rich play golf with the brave
and who gives a ****
that we’re stuck in the muck
Just so long as that mortgage is paid.

The Parlimentarian’s lying
The coppers are taking the graft,
the oilmen are creaming us all now
and the banks are so rich..they just laugh!
Society’s falling asunder
and we all stand around ******* beer,
can our kids now be blamed
when they all get inflamed
and inhale and inject and turn queer.

Our taxman’s making a killing
he’s fleecing the populace bare,
the small businesman’s plunged
cos he’s chucked in the sponge
and there’s nothing but vacuum left there.

There’s the segment that run high and lofty
their ideals are as white as the snow
for abortion’s as black & the **** is as slack
and GE and PC are go
The fingers are pointed at others,
the hands, lily white, seek refrain
sanctimonious soul seeks  unseekable goal
and the whole lot gets flushed down the drain.

Our PM is staunchly unchallenged
she adjusts her adjustments just so’
her manouvers adroit ‘
the election’s in site
and Labour is flush with the dough.
Minorities step up beside her,
the lesbians snap to their feet
and the marraigeless mothers
and **** ups and others
all cluster to be so discreet.

But the weather is turning up roses
the exchange is bullish so far
and the girls are as pretty
as the **** in the city
and the door to the future’s ajar.
Perhaps there’s some system to it.
Maybe I’ve missed the great plan
for religion has zeal and Christ made a meal
of repairing his mess with elan.

So you see I’m reconciled to it.
I’l glide along for the ride
It’s futile to fight the humungous great might
in it’s institutional slide.
So I wrap myself in my solace
embalm myself with my pride
for in my little world
this old flag is unfurled
.. and Kiwi I’l stand by your side.

Marshalg /Mangere Bridge /Christmas 2005
Reposted old chestnut which reminds me that, in the interim, things haven't changed at all.
Michael R Burch Apr 2020
Kindergarten
by Michael R. Burch

Will we be children as puzzled tomorrow—
our lessons still not learned?
Will we surrender over to sorrow?
How many times must our fingers be burned?

Will we be children sat in the corner
over and over again?
How long will we linger, playing Jack Horner?
Or will we learn, and when?

Will we be children wearing the dunce cap,
giggling and playing the fool,
re-learning our lessons forever and ever,
never grasping the golden rule?

Keywords/Tags: kindergarten, golden rule, lessons, timeout, corner, dunce cap, fool, foolish, flunk, graduate, mrbchild



Mother’s Smile
by Michael R. Burch

for  my mother, Christine Ena Burch, and my wife, Elizabeth Harris Burch

There never was a fonder smile
than mother’s smile, no softer touch
than mother’s touch. So sleep awhile
and know she loves you more than “much.”

So more than “much,” much more than “all.”
Though tender words, these do not speak
of love at all, nor how we fall
and mother’s there, nor how we reach
from nightmares in the ticking night
and she is there to hold us tight.

There never was a stronger back
than father’s back, that held our weight
and lifted us, when we were small,
and bore us till we reached the gate,
then held our hands that first bright mile
till we could run, and did, and flew.
But, oh, a mother’s tender smile
will leap and follow after you!

Originally published by TALESetc



The Desk
by Michael R. Burch

for Jeremy

There is a child I used to know
who sat, perhaps, at this same desk
where you sit now, and made a mess
of things sometimes.  I wonder how
he learned at all ...

He saw T-Rexes down the hall
and dreamed of trains and cars and wrecks.
He dribbled phantom basketballs,
shot spitwads at his schoolmates’ necks.

He played with pasty Elmer’s glue
(and sometimes got the glue on you!).
He earned the nickname “teacher’s PEST.”

His mother had to come to school
because he broke the golden rule.
He dreaded each and every test.

But something happened in the fall—
he grew up big and straight and tall,
and now his desk is far too small;
so you can have it.

One thing, though—

one swirling autumn, one bright snow,
one gooey tube of Elmer’s glue ...
and you’ll outgrow this old desk, too.

Originally published by TALESetc



A True Story
by Michael R. Burch

for Jeremy

Jeremy hit the ball today,
over the fence and far away.
So very, very far away
a neighbor had to toss it back.
(She thought it was an air attack!)

Jeremy hit the ball so hard
it flew across our neighbor’s yard.
So very hard across her yard
the bat that boomed a mighty “THWACK!”
now shows an eensy-teensy crack.

Originally published by TALESetc



Picturebook Princess
by Michael R. Burch

for Keira

We had a special visitor.
Our world became suddenly brighter.
She was such a charmer!
Such a delighter!

With her sparkly diamond slippers
and the way her whole being glows,
Keira’s a picturebook princess
from the points of her crown to the tips of her toes!



The Aery Faery Princess
by Michael R. Burch

for Keira

There once was a princess lighter than fluff
made of such gossamer stuff—
the down of a thistle, butterflies’ wings,
the faintest high note the hummingbird sings,
moonbeams on garlands, strands of bright hair ...
I think she’s just you when you’re floating on air!



Tallen the Mighty Thrower
by Michael R. Burch

Tallen the Mighty Thrower
is a hero to turtles, geese, ducks ...
they splash and they cheer
when he tosses bread near
because, you know, eating grass *****!



On Looking into Curious George’s Mirrors
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon aka Seamus Cassidy

Maya was made in the image of God;
may the reflections she sees in those curious mirrors
always echo back Love.

Amen



Maya's Beddy-Bye Poem
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon aka Seamus Cassidy

With a hatful of stars
and a stylish umbrella
and her hand in her Papa’s
(that remarkable fella!)
and with Winnie the Pooh
and Eeyore in tow,
may she dance in the rain
cheek-to-cheek, toe-to-toe
till each number’s rehearsed ...
My, that last step’s a leap! —
the high flight into bed
when it’s past time to sleep!

Note: “Hatful of Stars” is a lovely song and image by Cyndi Lauper.



Sappho’s Lullaby
by Michael R. Burch

for Jeremy

Hushed yet melodic, the hills and the valleys
sleep unaware of the nightingale's call
while the dew-laden lilies lie
listening,
glistening . . .
this is their night, the first night of fall.

Son, tonight, a woman awaits you;
she is more vibrant, more lovely than spring.
She'll meet you in moonlight,
soft and warm,
all alone . . .
then you'll know why the nightingale sings.

Just yesterday the stars were afire;
then how desire flashed through my veins!
But now I am older;
night has come,
I’m alone . . .
for you I will sing as the nightingale sings.

Originally published by The HyperTexts



Lullaby
by Michael R. Burch

for Jeremy

Cherubic laugh; sly, impish grin;
Angelic face; wild chimp within.

It does not matter; sleep awhile
As soft mirth tickles forth a smile.

Gray moths will hum a lullaby
Of feathery wings, then you and I

Will wake together, by and by.

Life’s not long; those days are best
Spent snuggled to a loving breast.

The earth will wait; a sun-filled sky
Will bronze lean muscle, by and by.

Soon you will sing, and I will sigh,
But sleep here, now, for you and I

Know nothing but this lullaby.




Oh, let me sing you a lullaby
by Michael R. Burch

for Jeremy (written from his mother’s perspective)

Oh, let me sing you a lullaby
of a love that shall come to you by and by.

Oh, let me sing you a lullaby
of a love that shall come to you by and by.

Oh, my dear son, how you’re growing up!
You’re taller than me, now I’m looking up!
You’re a long tall drink and I’m half a cup!
And so let me sing you this lullaby.

Oh, my sweet son, as I watch you grow,
there are so many things that I want you to know.
Most importantly this: that I love you so.
And so let me sing you this lullaby.

Soon a tender bud will ****** forth and grow
after the winter’s long ****** snow;
and because there are things that you have to know ...
Oh, let me sing you this lullaby.

Soon, in a green garden a new rose will bloom
and fill all the world with its wild perfume.
And though it’s hard for me, I must give it room.
And so let me sing you this lullaby.



Success
by Michael R. Burch

for Jeremy

We need our children to keep us humble
between toast and marmalade;

there is no time for a ticker-tape parade
before bed, no award, no bright statuette

to be delivered for mending skinned knees,
no wild bursts of approval for shoveling snow.

A kiss is the only approval they show;
to leave us—the first great success they achieve.



With a child's wonder
by Michael R. Burch

for Jeremy

With a child's wonder,
pausing to ponder
a puddle of water,

for only a moment,
needing no comment

but bright eyes
and a wordless cry,
he launches himself to fly ...

then my two-year-old lands
on his feet and his hands
and water explodes all around.

(From the impact and sound
you'd have thought that he'd drowned,
but the puddle was two inches deep.)

Later that evening, as he lay fast asleep
in that dreamland where two-year-olds wander,
I watched him awhile and smilingly pondered
with a father's wonder.



Chip Off the Block
by Michael R. Burch

for Jeremy

In the fusion of poetry and drama,
Shakespeare rules! Jeremy’s a ham: a
chip off the block, like his father and mother.
Part poet? Part ham? Better run for cover!
Now he’s Benedick — most comical of lovers!

NOTE: Jeremy’s father is a poet and his mother is an actress; hence the fusion, or confusion, as the case may be.



Tall Tails
by Michael R. Burch

for Jeremy

Irony
is the base perception
alchemized by deeper reflection,
the paradox
of the wagging tails of dog-ma
torched by sly Reynard the Fox.

These are lines written as my son Jeremy was about to star as Benedick in Much Ado About Nothing at his ultra-conservative high school, Nashville Christian. Benedick is rather obvious wordplay but it apparently flew over the heads of the Puritan headmasters. Samson lit the tails of foxes and set them loose amid the Philistines. Reynard the Fox was a medieval trickster who bedeviled the less wily. “Irony lies / in a realm beyond the unseeing, / the unwise.”



The Watch
by Michael R. Burch

for Jeremy

I have come to watch my young son,
his blonde ringlets damp with sleep . . .
and what I know is that he loves me
beyond all earthly understanding,
that his life is like clay in my unskilled hands.

And I marvel this bright ore does not keep—
unrestricted in form, more content than shape,
but seeking a form to become, to express
something of itself to this wilderness
of eyes watching and waiting.

What do I know of his wonder, his awe?
To his future I will matter less and less,
but in this moment, as he is my world, I am his,
and I stand, not understanding, but knowing—
in this vast pageant of stars, he is more than unique.

There will never be another moment like this.
Studiously quiet, I stroke his fine hair
which will darken and coarsen and straighten with time.
He is all I bequeath of myself to this earth.
His fingers curl around mine in his sleep . . .

I leave him to dreams—calm, untroubled and deep.



The Tapestry of Leaves
by Michael R. Burch

for Jeremy

Leaves unfold
as life is sold,
or bartered, for a moment in the sun.

The interchange
of lives is strange:
what reason—life—when death leaves all undone?

O, earthly son,
when rest is won
and wrested from this ground, then through my clay’s

soft mortal soot
****** forth your root
until your leaves embrace the sun's bright rays.



The Long Days Lengthening Into Darkness
by Michael R. Burch

for Jeremy

Today, I can be his happiness,
and if he delights
in hugs and smiles,
in baseball and long walks
talking about Rug Rats, Dinosaurs and Pokemon

(noticing how his face lights up
at my least word,
how tender his expression,
gazing up at me in wondering adoration)

. . . O, son,
these are the long days
lengthening into darkness.

Now over the earth
(how solemn and still their processions)
the clouds
gather to extinguish the sun.

And what I can give you is perhaps no more nor less
than this brief ray dazzling our faces,
seeing how soon the night becomes my consideration.



Renown
by Michael R. Burch

for Jeremy

Words fail us when, at last,
we lie unread amid night’s parchment leaves,
life’s chapter past.

Whatever I have gained of life, I lost,
except for this bright emblem
of your smile . . .

and I would grasp
its meaning closer for a longer while . . .
but I am glad

with all my heart to be unheard,
and smile,
bound here, still strangely mortal,

instructed by wise Love not to be sad,
when to be the lesser poet
meant to be “the world’s best dad.”

Every night, my son Jeremy tells me that I’m “the world’s best dad.” Now, that’s all poetry, all music and the meaning of life wrapped up in four neat monosyllables! The time I took away from work and poetry to spend with my son was time well spent.



Miracle
by Michael R. Burch

for Jeremy

The contrails of galaxies mingle, and the dust of that first day still shines.
Before I conceived you, before your heart beat, you were mine,

and I see

infinity leap in your bright, fluent eyes.
And you are the best of all that I am. You became
and what will be left of me is the flesh you comprise,

and I see

whatever must be—leaves its mark, yet depends
on these indigo skies, on these bright trails of dust,
on a veiled, curtained past, on some dream beyond knowing,
on the mists of a future too uncertain to heed.

And I see

your eyes—dauntless, glowing—
glowing with the mystery of all they perceive,
with the glories of galaxies passed, yet bestowing,
though millennia dead, all this pale feathery light.

And I see

all your wonder—a wonder to me, for, unknowing,
of all this portends, still your gaze never wavers.
And love is unchallenged in all these vast skies,
or by distance, or time. The ghostly moon hovers;

I see; and I see

all that I am reflected in all that you have become to me.



Always
by Michael R. Burch

for Jeremy

Know in your heart that I love you as no other,
and that my love is eternal.
I keep the record of your hopes and dreams
in my heart like a journal,
and there are pages for you there that no one else can fill:
none one else, ever.
And there is a tie between us, more than blood,
that no one else can sever.

And if we’re ever parted,
please don’t be broken-hearted;
until we meet again on the far side of forever
and walk among those storied shining ways,
should we, for any reason, be apart,
still, I am with you ... always.



The Gift
by Michael R. Burch

for Beth and Jeremy

For you and our child, unborn, though named
(for we live in a strange, fantastic age,
and tomorrow, when he is a man,
perhaps this earth will be a cage

from which men fly like flocks of birds,
the distant stars their helpless prey),
for you, my love, and you, my child,
what can I give you, each, this day?

First, take my heart, it’s mine alone;
no ties upon it, mine to give,
more precious than a lifetime’s objects,
once possessed, more free to live.

Then take these poems, of little worth,
but to show you that which you receive
holds precious its two dear possessors,
and makes each lien a sweet reprieve.



This poem was written after a surprising comment from my son, Jeremy.

The Onslaught
by Michael R. Burch

“Daddy, I can’t give you a hug today
because my hair is wet.”

No wet-haired hugs for me today;
no lollipopped lips to kiss and say,
Daddy, I love you! with such regard
after baseball hijinks all over the yard.

The sun hails and climbs
over the heartbreak of puppies and daffodils
and days lost forever to windowsills,
over fortune and horror and starry climes;

and it seems to me that a child’s brief years
are springtimes and summers beyond regard
mingled with laughter and passionate tears
and autumns and winters now veiled and barred,
as elusive as snowflakes here white, bejeweled,
gaily whirling and sweeping across the yard.



To My Child, Unborn
by Michael R. Burch

for Jeremy

How many were the nights, enchanted
with despair and longing, when dreams recanted
returned with a restless yearning,
and the pale stars, burning,
cried out at me to remember
one night ... long ere the September
night when you were conceived.

Oh, then, if only I might have believed
that the future held such mystery
as you, my child, come unbidden to me
and to your mother,
come to us out of a realm of wonder,
come to us out of a faery clime ...

If only then, in that distant time,
I had somehow known that this day were coming,
I might not have despaired at the raindrops drumming
sad anthems of loneliness against shuttered panes;
I might not have considered my doubts and my pains
so carefully, so cheerlessly, as though they were never-ending.
If only then, with the starlight mending
the shadows that formed
in the bowels of those nights, in the gussets of storms
that threatened till dawn as though never leaving,
I might not have spent those long nights grieving,
lamenting my loneliness, cursing the sun
for its late arrival. Now, a coming dawn
brings you unto us, and you shall be ours,
as welcome as ever the moon or the stars
or the glorious sun when the nighttime is through
and the earth is enchanted with skies turning blue.



Transition
by Michael R. Burch

for Jeremy

With his cocklebur hugs
and his wet, clinging kisses
like a damp, trembling thistle
catching, thwarting my legs—

he reminds me that life begins with the possibility of rapture.

Was time this deceptive
when my own childhood begged
one last moment of frolic
before bedtime’s firm kisses—

when sleep was enforced, and the dark window ledge

waited, impatient, to lure
or to capture
the bright edge of morning
within a clear pane?

Was the sun then my ally—bright dawn’s greedy fledgling?

With his joy he reminds me
of joys long forgotten,
of play’s endless hours
till the haggard sun sagged

and everything changed. I gather him up and we trudge off to bed.



What does it mean?
by Michael R. Burch

for Jeremy

His little hand, held fast in mine.
What does it mean? What does it mean?

If he were not here, the sun would not shine,
nor the grass grow half as green.

What does it mean?

His arms around my neck, his cheek
snuggling so warm against my own ...

What does it mean?

If life's a garden, he's the fairest
flower ever sown,
the sweetest ever seen.

What does it mean?

And when he whispers sweet and low,
"What does it mean?"
It means, my son, I love you so.
Sometimes that's all we need to know.



First Steps
by Michael R. Burch

for Caitlin Shea Murphy

To her a year is like infinity,
each day—an adventure never-ending.
    She has no concept of time,
    but already has begun the climb—
from childhood to womanhood recklessly ascending.

I would caution her, "No! Wait!
There will be time enough another day ...
    time to learn the Truth
    and to slowly shed your youth,
but for now, sweet child, go carefully on your way! ..."

But her time is not a time for cautious words,
nor a time for measured, careful understanding.
    She is just certain
    that, by grabbing the curtain,
in a moment she will finally be standing!

Little does she know that her first few steps
will hurtle her on her way
    through childhood to adolescence,
    and then, finally, pubescence . . .
while, just as swiftly, I’ll be going gray!



Will There Be Starlight
by Michael R. Burch

Will there be starlight
tonight
while she gathers
damask
and lilac
and sweet-scented heathers?

And will she find flowers,
or will she find thorns
guarding the petals
of roses unborn?

Will there be starlight
tonight
while she gathers
seashells
and mussels
and albatross feathers?

And will she find treasure
or will she find pain
at the end of this rainbow
of moonlight on rain?

Originally published by Grassroots Poetry, Poetry Webring, TALESetc, The Word (UK)



Limericks and Nonsense Verse

There once was a leopardess, Dot,
who indignantly answered: "I’ll not!
The gents are impressed
with the way that I’m dressed.
I wouldn’t change even one spot."
—Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can’t sing,
but now, here’s the thing—
just think of the tunes you can carry!"
—Michael R. Burch



Generation Gap
by Michael R. Burch

A quahog clam,
age 405,
said, “Hey, it’s great
to be alive!”

I disagreed,
not feeling nifty,
babe though I am,
just pushing fifty.

Note: A quahog clam found off the coast of Ireland is the longest-lived animal on record, at an estimated age of 405 years.



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!

Until the great & mighty heron
brandishes his fearsome sword.



****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.

“Friend, I’m no sinner;
you’re merely my dinner!”
the wise owl replied
as the tasty snack died.

Published by Lighten Up Online and in Potcake Chapbook #7



hey pete
by Michael R. Burch

for Pete Rose

hey pete,
it's baseball season
and the sun ascends the sky,
encouraging a schoolboy's dreams
of winter whizzing by;
go out, go out and catch it,
put it in a jar,
set it on a shelf
and then you'll be a Superstar.

When I was a boy, Pete Rose was my favorite baseball player; this poem is not a slam at him, but rather an ironic jab at the term "superstar."



Keep Up
by Michael R. Burch

Keep Up!
Daddy, I’m walking as fast as I can;
I’ll move much faster when I’m a man . . .

Time unwinds
as the heart reels,
as cares and loss and grief plummet,
as faith unfailing ascends the summit
and heartache wheels
like a leaf in the wind.

Like a rickety cart wheel
time revolves through the yellow dust,
its creakiness revoking trust,
its years emblazoned in cold hard steel.

Keep Up!
Son, I’m walking as fast as I can;
take it easy on an old man.



Haiku

The butterfly
perfuming its wings
fans the orchid
― Matsuo Basho, loose translation by Michael R. Burch

A kite floats
at the same place in the sky
where yesterday it floated ...
― Buson Yosa, loose translation by Michael R. Burch

An ancient pond,
the frog leaps:
the silver plop and gurgle of water
― Matsuo Basho, loose translation by Michael R. Burch



Poems for Older Children

Reflex
by Michael R. Burch

for Jeremy

Some intuition of her despair
for her lost brood,
as though a lost fragment of song
torn from her flat breast,
touched me there . . .

I felt, unable to hear
through the bright glass,
the being within her melt
as her unseemly tirade
left a feather or two
adrift on the wind-ruffled air.

Where she will go,
how we all err,
why we all fear
for the lives of our children,
I cannot pretend to know.

But, O!,
how the unappeased glare
of omnivorous sun
over crimson-flecked snow
makes me wish you were here.



Happily Never After (the Second Curse of the ***** Toad)
by Michael R. Burch

He did not think of love of Her at all
frog-plangent nights, as moons engoldened roads
through crumbling stonewalled provinces, where toads
(nee princes) ruled in chinks and grew so small
at last to be invisible. He smiled
(the fables erred so curiously), and thought
bemusedly of being reconciled
to human flesh, because his heart was not
incapable of love, but, being cursed
a second time, could only love a toad’s . . .
and listened as inflated frogs rehearsed
cheekbulging tales of anguish from green moats . . .
and thought of her soft croak, her skin fine-warted,
his anemic flesh, and how true love was thwarted.



Limericks

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride?"
"Nevermore!" bright-eyed Raven replied.
—Michael R. Burch



Autumn Conundrum

It's not that every leaf must finally fall,
it's just that we can never catch them all.
—Michael R. Burch



Epitaph for a Palestinian Child

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.
—Michael R. Burch



Salat Days
by Michael R. Burch

Dedicated to the memory of my grandfather, Paul Ray Burch, Sr.

I remember how my grandfather used to pick poke salat ...
though first, usually, he’d stretch back in the front porch swing,
dangling his long thin legs, watching the sweat bees drone,
talking about poke salat—
how easy it was to find if you knew where to look for it ...
standing in dew-damp clumps by the side of a road, shockingly green,
straddling fence posts, overflowing small ditches,
crowding out the less-hardy nettles.

“Nobody knows that it’s there, lad, or that it’s fit tuh eat
with some bacon drippin’s or lard.”

“Don’t eat the berries. You see—the berry’s no good.
And you’d hav’ta wash the leaves a good long time.”

“I’d boil it twice, less’n I wus in a hurry.
Lawd, it’s tough to eat, chile, if you boil it jest wonst.”

He seldom was hurried; I can see him still ...
silently mowing his yard at eighty-eight,
stooped, but with a tall man’s angular gray grace.

Sometimes he’d pause to watch me running across the yard,
trampling his beans,
dislodging the shoots of his tomato plants.

He never grew flowers; I never laughed at his jokes about The Depression.

Years later I found the proper name—“pokeweed”—while perusing a dictionary.
Surprised, I asked why anyone would eat a ****.
I still can hear his laconic reply ...

“Well, chile, s’m’times them times wus hard.”



Of Civilization and Disenchantment
by Michael R. Burch

Suddenly uncomfortable
to stay at my grandfather’s house—
actually his third new wife’s,
in her daughter’s bedroom
—one interminable summer
with nothing to do,
all the meals served cold,
even beans and peas . . .

Lacking the words to describe
ah!, those pearl-luminous estuaries—
strange omens, incoherent nights.

Seeing the flares of the river barges
illuminating Memphis,
city of bluffs and dying splendors.

Drifting toward Alexandria,
Pharos, Rhakotis, Djoser’s fertile delta,
lands at the beginning of a new time and “civilization.”

Leaving behind sixty miles of unbroken cemetery,
Alexander’s corpse floating seaward,
bobbing, milkwhite, in a jar of honey.

Memphis shall be waste and desolate,
without an inhabitant.
Or so the people dreamed, in chains.



Neglect
by Michael R. Burch

What good are tears?
Will they spare the dying their anguish?
What use, our concern
to a child sick of living, waiting to perish?

What good, the warm benevolence of tears
without action?
What help, the eloquence of prayers,
or a pleasant benediction?

Before this day is over,
how many more will die
with bellies swollen, emaciate limbs,
and eyes too parched to cry?

I fear for our souls
as I hear the faint lament
of theirs departing ...
mournful, and distant.

How pitiful our “effort,”
yet how fatal its effect.
If they died, then surely we killed them,
if only with neglect.



Passages on Fatherhood
by Michael R. Burch

for Jeremy

He is my treasure,
and by his happiness I measure
my own worth.

Four years old,
with diamonds and gold
bejeweled in his soul.

His cherubic beauty
is felicity
to simplicity and passion—

for a baseball thrown
or an ice-cream cone
or eggshell-blue skies.



It’s hard to be “wise”
when the years
career through our lives

and bees in their hives
test faith
and belief

while Time, the great thief,
with each falling leaf
foreshadows grief.



The wisdom of the ages
and prophets and mages
and doddering sages

is useless
unless
it encompasses this:

his kiss.



Boundless
by Michael R. Burch

for Jeremy

Every day we whittle away at the essential solidity of him,
and every day a new sharp feature emerges:
a feature we’ll spend creative years: planing, smoothing, refining,

trying to find some new Archaic Torso of Apollo, or Thinker . . .

And if each new day a little of the boisterous air of youth is deflated
in him, if the hours of small pleasures spent chasing daffodils
in the outfield as the singles become doubles, become triples,
become unconscionable errors, become victories lost,

become lives wasted beyond all possible hope of repair . . .

if what he was becomes increasingly vague—like a white balloon careening
into clouds; like a child striding away aggressively toward manhood,
hitching an impressive rucksack over sagging, sloping shoulders,
shifting its vaudevillian burden back and forth,

then pausing to look back at us with an almost comical longing . . .

if what he wants is only to be held a little longer against a forgiving *****;
to chase after daffodils in the outfield regardless of scores;
to sail away like a balloon
on a firm string, always sure to return when the line tautens,

till he looks down upon us from some removed height we cannot quite see,

bursting into tears over us:
what, then, of our aspirations for him, if he cannot breathe,
cannot rise enough to contemplate the earth with his own vision,
unencumbered, but never untethered, forsaken . . .

cannot grow brightly, steadily, into himself—flying beyond us?



Pan
by Michael R. Burch

... Among the shadows of the groaning elms,
amid the darkening oaks, we fled ourselves ...

... Once there were paths that led to coracles
that clung to piers like loosening barnacles ...

... where we cannot return, because we lost
the pebbles and the playthings, and the moss ...

... hangs weeping gently downward, maidens’ hair
who never were enchanted, and the stairs ...

... that led up to the Fortress in the trees
will not support our weight, but on our knees ...

... we still might fit inside those splendid hours
of damsels in distress, of rustic towers ...

... of voices heard in wolves’ tormented howls
that died, and live in dreams’ soft, windy vowels ...

Originally published by Sonnet Scroll



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron—
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.

And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful—
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.

We are walking somewhere that her feet know to go,
so I smile, and I follow ...

And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes—
I can almost remember—goes something like this:
the prince is a horned toad, awaiting her kiss.

She wiggles and giggles, and all will be well
if only we find him! The woodpecker’s knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me

rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

Originally published by Romantics Quarterly



Just Smile
by Michael R. Burch

We’d like to think some angel smiling down
will watch him as his arm bleeds in the yard,
ripped off by dogs, will guide his tipsy steps,
his doddering progress through the scarlet house
to tell his mommy "boo-boo!," only two.

We’d like to think his reconstructed face
will be as good as new, will often smile,
that baseball’s just as fun with just one arm,
that God is always Just, that girls will smile,
not frown down at his thousand livid scars,
that Life is always Just, that Love is Just.

We do not want to hear that he will shave
at six, to raze the leg hairs from his cheeks,
that lips aren’t easily fashioned, that his smile’s
lopsided, oafish, snaggle-toothed, that each
new operation costs a billion tears,
when tears are out of fashion.
                                             O, beseech
some poet with more skill with words than tears
to find some happy ending, to believe
that God is Just, that Love is Just, that these
are Parables we live, Life’s Mysteries ...

Or look inside his courage, as he ties
his shoelaces one-handed, as he throws
no-hitters on the first-place team, and goes
on dates, looks in the mirror undeceived
and smiling says, "It’s me I see. Just me."

He smiles, if life is Just, or lacking cures.
Your pity is the worst cut he endures.

Originally published by Lucid Rhythms



Child of 9-11
by Michael R. Burch

a poem for Christina-Taylor Green, who was born
on September 11, 2001 and died at the age of nine,
shot to death ...

Child of 9-11, beloved,
I bring this lily, lay it down
here at your feet, and eiderdown,
and all soft things, for your gentle spirit.
I bring this psalm — I hope you hear it.

Much love I bring — I lay it down
here by your form, which is not you,
but what you left this shell-shocked world
to help us learn what we must do
to save another child like you.

Child of 9-11, I know
you are not here, but watch, afar
from distant stars, where angels rue
the vicious things some mortals do.
I also watch; I also rue.

And so I make this pledge and vow:
though I may weep, I will not rest
nor will my pen fail heaven's test
till guns and wars and hate are banned
from every shore, from every land.

Child of 9-11, I grieve
your tender life, cut short ... bereaved,
what can I do, but pledge my life
to saving lives like yours? Belief
in your sweet worth has led me here ...

I give my all: my pen, this tear,
this lily and this eiderdown,
and all soft things my heart can bear;
I bear them to your final bier,
and leave them with my promise, here.

Originally published by The Flea



For a Sandy Hook Child, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails,
when thunder howls,
when hailstones scream,
when winter scowls,
when nights compound dark frosts with snow ...
Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?



Frail Envelope of Flesh
by Michael R. Burch

for the mothers and children of the Holocaust and Gaza

Frail envelope of flesh,
lying cold on the surgeon’s table
with anguished eyes
like your mother’s eyes
and a heartbeat weak, unstable ...

Frail crucible of dust,
brief flower come to this—
your tiny hand
in your mother’s hand
for a last bewildered kiss ...

Brief mayfly of a child,
to live two artless years!
Now your mother’s lips
seal up your lips
from the Deluge of her tears ...



Playmates
by Michael R. Burch

WHEN you were my playmate and I was yours,
we spent endless hours with simple toys,
and the sorrows and cares of our indentured days
were uncomprehended . . . far, far away . . .
for the temptations and trials we had yet to face
were lost in the shadows of an unventured maze.

Then simple pleasures were easy to find
and if they cost us a little, we didn't mind;
for even a penny in a pocket back then
was one penny too many, a penny to spend.

Then feelings were feelings and love was just love,
not a strange, complex mystery to be understood;
while "sin" and "damnation" meant little to us,
since forbidden cookies were our only lusts!

Then we never worried about what we had,
and we were both sure—what was good, what was bad.
And we sometimes quarreled, but we didn't hate;
we seldom gave thought to the uncertainties of fate.

Hell, we seldom thought about the next day,
when tomorrow seemed hidden—adventures away.
Though sometimes we dreamed of adventures past,
and wondered, at times, why things couldn't last.

Still, we never worried about getting by,
and we didn't know that we were to die . . .
when we spent endless hours with simple toys,
and I was your playmate, and we were boys.

This is probably the poem that "made" me, because my high school English teacher called it "beautiful" and I took that to mean I was surely the Second Coming of Percy Bysshe Shelley! "Playmates" is the second poem I remember writing; I believe I was around 13 or 14 at the time. It was originally published by The Lyric.




Children
by Michael R. Burch

There was a moment
suspended in time like a swelling drop of dew about to fall,
impendent, pregnant with possibility ...

when we might have made ...
anything,
anything we dreamed,
almost anything at all,
coalescing dreams into reality.

Oh, the love we might have fashioned
out of a fine mist and the nightly sparkle of the cosmos
and the rhythms of evening!

But we were young,
and what might have been is now a dark abyss of loss
and what is left is not worth saving.

But, oh, you were lovely,
child of the wild moonlight, attendant tides and doting stars,
and for a day,

what little we partook
of all that lay before us seemed so much,
and passion but a force
with which to play.



Kindergarten
by Michael R. Burch

Will we be children as puzzled tomorrow—
our lessons still not learned?
Will we surrender over to sorrow?
How many times must our fingers be burned?

Will we be children sat in the corner,
paddled again and again?
How long must we linger, playing Jack Horner?
Will we ever learn, and when?

Will we be children wearing the dunce cap,
giggling and playing the fool,
re-learning our lessons forever and ever,
still failing the golden rule?



Life Sentence or Fall Well
by Michael R. Burch

. . . I swim, my Daddy’s princess, newly crowned,
toward a gurgly Maelstrom . . . if I drown
will Mommy stick the Toilet Plunger down

to **** me up? . . . She sits upon Her Throne,
Imperious (denying we were one),
and gazes down and whispers “precious son” . . .

. . . the Plunger worked; i’m two, and, if not blessed,
still Mommy got the Worst Stuff off Her Chest;
a Vacuum Pump, They say, will do the rest . . .

. . . i’m three; yay! whee! oh good! it’s time to play!
(oh no, I think there’s Others on the way;
i’d better pray) . . .

. . . i’m four; at night I hear the Banging Door;
She screams; sometimes there’s Puddles on the Floor;
She wants to **** us, or, She wants some More . . .

. . . it’s great to be alive if you are five (unless you’re me);
my Mommy says: “you’re WRONG! don’t disagree!
don’t make this HURT ME!” . . .

. . . i’m six; They say i’m tall, yet Time grows Short;
we have a thriving Family; Abort!;
a tadpole’s ripping Mommy’s Room apart . . .

. . . i’m seven; i’m in heaven; it feels strange;
I saw my life go gurgling down the Drain;
another Noah built a Mighty Ark;
God smiled, appeased, a Rainbow split the Dark;

. . . I saw Bright Colors also, when She slammed
my head against the Tub, and then I swam
toward the magic tunnel . . . last, I heard . . .

is that She feels Weird.



Untitled

I sampled honeysuckle
and it made my taste buds buckle!
by Michael R. Burch



Poems about Man's Best Friend

Dog Daze
by Michael R. Burch

Sweet Oz is a soulful snuggler;
he really is one of the best.
Sometimes in bed
he snuggles my head,
though he mostly just plops on my chest.

I think Oz was made to love
from the first ray of light to the dark,
but his great love for me
is exceeded (oh gee!)
by his Truly Great Passion: to Bark.



Xander the Joyous
by Michael R. Burch

Xander the Joyous
came here to prove:
Love can be playful!
Love can have moves!

Now Xander the Joyous
bounds around heaven,
waiting for him mommies,
one of the SEVEN —

the Seven Great Saints
of the Great Canine Race
who evangelize Love
throughout all Time and Space.

                        Amen



Oz is the Boss!
by Michael R. Burch

Oz is the boss!
Because? Because ...
Because of the wonderful things he does!

He barks like a tyrant
for treats and a hydrant;
his voice far more regal
than mere greyhound or beagle;
his serfs must obey him
or his yipping will slay them!

Oz is the boss!
Because? Because ...
Because of the wonderful things he does!



Epitaph for a Lambkin
by Michael R. Burch

for Melody, the prettiest, sweetest and fluffiest dog ever

Now that Melody has been laid to rest
Angels will know what it means to be blessed.

                                                Amen


­
Excoriation of a Treat Slave
by Michael R. Burch

I am his Highness’s dog at Kew.
Pray tell me, sir, whose dog are you?
—Alexander Pope

We practice our fierce Yapping,
for when the treat slaves come
they’ll grant Us our desire.
(They really are that dumb!)

They’ll never catch Us napping —
our Ears pricked, keen and sharp.
When they step into Our parlor,
We’ll leap awake, and Bark.

But one is rather doltish;
he doesn’t understand
the meaning of Our savage,
imperial, wild Command.

The others are quite docile
and bow to Us on cue.
We think the dull one wrote a poem
about some Dog from Kew

who never grasped Our secret,
whose mind stayed think, and dark.
It’s a question of obedience
conveyed by a Lordly Bark.

But as for playing fetch,
well, that’s another matter.
We think the dullard’s also
as mad as any hatter

and doesn’t grasp his duty
to fling Us slobbery *****
which We’d return to him, mincingly,
here in Our royal halls.



Bed Head, or, the Ballad of
Beth and her Fur Babies
by Michael R. Burch

When Beth and her babies
prepare for “good night”
sweet rituals of kisses
and cuddles commence.

First Wickett, the eldest,
whose mane has grown light
with the wisdom of age
and advanced senescence
is tucked in, “just right.”

Then Mary, the mother,
is smothered with kisses
in a way that befits
such an angelic missus.

Then Melody, lambkin,
and sweet, soulful Oz
and cute, clever Xander
all clap their clipped paws
and follow sweet Beth
to their high nightly roost
where they’ll sleep on her head
(or, perhaps, her caboose).



Wickett
by Michael R. Burch

Wickett, sweet Ewok,
Wickett, old Soul,
Wicket, brave Warrior,
though no longer whole . . .

You gave us your All.
You gave us your Best.
You taught us to Love,
like all of the Blessed

Angels and Saints
of good human stock.
You barked the Great Bark.
You walked the True Walk.

Now Wickett, dear Child
and incorrigible Duffer,
we commend you to God
that you no longer suffer.

May you dash through the Stars
like the Wickett of old
and never feel hunger
and never know cold

and be reunited
with all our Good Tribe —
with Harmony and Paw-Paw
and Mary beside.

Go now with our Love
as the great Choir sings
that Wickett, our Wickett,
has at last earned his Wings!



The Resting Place
by Michael R. Burch

for Harmony

Sleep, then, child;
you were dearly loved.

Sleep, and remember
her well-loved face,

strong arms that would lift you,
soft hands that would move

with love’s infinite grace,
such tender caresses!



When autumn came early,
you could not stay.

Now, wherever you wander,
the wildflowers bloom

and love is eternal.
Her heart’s great room

is your resting place.



Await by the door
her remembered step,

her arms’ warm embraces,
that gathered you in.

Sleep, child, and remember.
Love need not regret

its moment of weakness,
for that is its strength,

And when you awaken,
she will be there,

smiling,
at the Rainbow Bridge.



Lady’s Favor: the Noble Ballad of Sir Dog and the Butterfly
by Michael R. Burch

Sir was such a gallant man!
When he saw his Lady cry
and beg him to send her a Butterfly,
what else could he do, but comply?

From heaven, he found a Monarch
regal and able to defy
north winds and a chilly sky;
now Sir has his wings and can fly!

When our gallant little dog Sir was unable to live any longer, my wife Beth asked him send her a sign, in the form of a butterfly, that Sir and her mother were reunited and together in heaven. It was cold weather, in the thirties. We rarely see Monarch butterflies in our area, even in the warmer months. But after Sir had been put to sleep, to spare him any further suffering, Beth found a Monarch butterfly in our back yard. It appeared to be lifeless, but she brought it inside, breathed on it, and it returned to life. The Monarch lived with us for another five days, with Beth feeding it fruit juice and Gatorade on a Scrubbie that it could crawl on like a flower. Beth is convinced that Sir sent her the message she had requested.



Solo’s Watch
by Michael R. Burch

Solo was a stray
who found a safe place to stay
with a warm and loving band,
safe at last from whatever cruel hand
made him flinch in his dreams.

Now he wanders the clear-running streams
that converge at the Rainbow’s End
and the Bridge where kind Angels attend
to all souls who are ready to ascend.

And always he looks for those
who hugged him and held him close,
who kissed him and called him dear
and gave him a home free of fear,
to welcome them to his home, here.
Hal Loyd Denton Jan 2012
A standard man
This man we must remembered how would we have survived at the pool without his soda pops just a short walk to Mr. Johnson’s
Standard gas station always greeted by his quiet nature always seemed to be happily beaming his uniform his farm service shirt
And pants right inside the door there it set the big red coke machine setting so perfectly huge bulging with all kinds of refreshments
Especially Grapett Radar might have had Nehigh but we had grapett the man matched his manly station with easy conversation
And an easier smile his station lasted the longest after Beno and Rock Bennet’s went out and were torn down on the corner of Hickory
And Jackson and Hilyards going out of town on twenty nine east just past the Bear creek road maybe it was even his decision to tear it
Down but what a shame all that took its place was a bare spot we already lost the above ground swimming pool that was the
Unchallenged pearl of central Illinois now we have a ground level pool and some sheds to replace something that was so grand
This like Mr. Johnson he can’t be replaced nor would we want to they should name that spot his corner we can’t just keep losing
Great friends like him and Jack Jeffrey’s and others and seemingly go oh well there goes another one forty nine years that’s a lot of
Soda pop and more happy kids that was touched by this special man’s life he proved and improved hospitality over the years
With simple application to the golden rules smile a handshake service that was endearing Andy Griffith became famous for portraying
Such a man true to a fault agreeable principled a man that was a credit all those years to his community I will always recall him with
Fondness I was gone from here for thirty years but I purposely looked him up and was so happy to find him doing well the station
just a memorable mile stone in Pana’s history I know those long ago summers would have had a large hole if he hadn’t been at his
Post he will be sadly missed and never forgotten he had charm as long as a long warm summer day walk in kick back life even as a kid
Would slow and fall into gentle rhythms a cold bottle in your hand went well with soft conversation through the windows would float
The sounds of kids going full blast at the pool eventually they would stream in through the door take time making memories like so
Many of us have of this special place and this man just a gas station but so very much more an indelible mark added to your soul
While summer slipped by a marker shared by so many young and old just four walls where happy moments were made and will always
Endure thanks Mr. Johnson
vik Dec 2013
wouldn't the world be dull and louse,
without painted nails,skirts and blouse,
with delicate limbs,gestures demure,
how well do they us allure!

kohl-lined sparkling eye,
long tresses in henna dye,
melodious voice and tinkling toe,
without a sword behead their foe.

from Cleopatra to Helen unchallenged they rule,
taming brave warriors into innocent mules,
fair hand that cradle rock,
cruelly punish and shock,
its true that in our heart they lie,
but they are more than just.....'feast for the eye'
Michael R Burch Sep 2020
Poems about Children


The Desk
by Michael R. Burch

for Jeremy

There is a child I used to know
who sat, perhaps, at this same desk
where you sit now, and made a mess
of things sometimes.I wonder how
he learned at all...

He saw T-Rexes down the hall
and dreamed of trains and cars and wrecks.
He dribbled phantom basketballs,
shot spitwads at his schoolmates' necks.

He played with pasty Elmer's glue
(and sometimes got the glue on you!).
He earned the nickname "teacher's PEST."

His mother had to come to school
because he broke the golden rule.
He dreaded each and every test.

But something happened in the fall—
he grew up big and straight and tall,
and now his desk is far too small;
so you can have it.

One thing, though—

one swirling autumn, one bright snow,
one gooey tube of Elmer's glue...
and you'll outgrow this old desk, too.

Originally published by TALESetc



A True Story
by Michael R. Burch

for Jeremy

Jeremy hit the ball today,
over the fence and far away.
So very, very far away
a neighbor had to toss it back.
(She thought it was an air attack!)

Jeremy hit the ball so hard
it flew across our neighbor's yard.
So very hard across her yard
the bat that boomed a mighty "THWACK! "
now shows an eensy-teensy crack.

Originally published by TALESetc



Success
by Michael R. Burch

for Jeremy

We need our children to keep us humble
between toast and marmalade;

there is no time for a ticker-tape parade
before bed, no award, no bright statuette

to be delivered for mending skinned knees,
no wild bursts of approval for shoveling snow.

A kiss is the only approval they show;
to leave us—the first great success they achieve.



Picturebook Princess
by Michael R. Burch

for Keira

We had a special visitor.
Our world became suddenly brighter.
She was such a charmer!
Such a delighter!

With her sparkly diamond slippers
and the way her whole being glows,
Keira's a picturebook princess
from the points of her crown to the tips of her toes!



The Aery Faery Princess
by Michael R. Burch

for Keira

There once was a princess lighter than fluff
made of such gossamer stuff—
the down of a thistle, butterflies' wings,
the faintest high note the hummingbird sings,
moonbeams on garlands, strands of bright hair...
I think she's just you when you're floating on air!



Tallen the Mighty Thrower
by Michael R. Burch

Tallen the Mighty Thrower
is a hero to turtles, geese, ducks...
they splash and they cheer
when he tosses bread near
because, you know, eating grass *****!



Lullaby
by Michael R. Burch

for Jeremy

Cherubic laugh; sly, impish grin;
Angelic face; wild chimp within.

It does not matter; sleep awhile
As soft mirth tickles forth a smile.

Gray moths will hum a lullaby
Of feathery wings, then you and I

Will wake together, by and by.

Life's not long; those days are best
Spent snuggled to a loving breast.

The earth will wait; a sun-filled sky
Will bronze lean muscle, by and by.

Soon you will sing, and I will sigh,
But sleep here, now, for you and I

Know nothing but this lullaby.



Sappho's Lullaby
by Michael R. Burch

for Jeremy

Hushed yet melodic, the hills and the valleys
sleep unaware of the nightingale's call,
while the pale calla lilies lie
listening,
glistening . . .
this is their night, the first night of fall.

Son, tonight, a woman awaits you;
she is more vibrant, more lovely than spring.
She'll meet you in moonlight,
soft and warm,
all alone . . .
then you'll know why the nightingale sings.

Just yesterday the stars were afire;
then how desire flashed through my veins!
But now I am older;
night has come,
I’m alone . . .
for you I will sing as the nightingale sings.

NOTE: The calla lily symbolizes beauty, purity, innocence, faithfulness and true devotion. According to Greek mythology, when the Milky Way was formed by the goddess Hera’s breast milk, the drops that fell to earth became calla lilies.



Oh, let me sing you a lullaby
by Michael R. Burch

for Jeremy (written from his mother’s perspective)

Oh, let me sing you a lullaby
of a love that shall come to you by and by.

Oh, let me sing you a lullaby
of a love that shall come to you by and by.

Oh, my dear son, how you’re growing up!
You’re taller than me, now I’m looking up!
You’re a long tall drink and I’m half a cup!
And so let me sing you this lullaby.

Oh, my sweet son, as I watch you grow,
there are so many things that I want you to know.
Most importantly this: that I love you so.
And so let me sing you this lullaby.

Soon a tender bud will ****** forth and grow
after the winter’s long ****** snow;
and because there are things that you have to know ...
Oh, let me sing you this lullaby.

Soon, in a green garden a new rose will bloom
and fill all the world with its wild perfume.
And though it’s hard for me, I must give it room.
And so let me sing you this lullaby.



Springtime Prayer
by Michael R. Burch

They’ll have to grow like crazy,
the springtime baby geese,
if they’re to fly to balmier climes
when autumn dismembers the leaves ...

And so I toss them loaves of bread,
then whisper an urgent prayer:
“Watch over these, my Angels,
if there’s anyone kind, up there.”

Keywords/Tags: Nature, spring, birth, baby animals, babies, fawns, fledglings, angels, prayer, heaven, mercy, compassion, chesed



On Looking into Curious George’s Mirrors
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon

Maya was made in the image of God;
may the reflections she sees in those curious mirrors
always echo back Love.

Amen



Maya's Beddy-Bye Poem
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon

With a hatful of stars
and a stylish umbrella
and her hand in her Papa’s
(that remarkable fella!)
and with Winnie the Pooh
and Eeyore in tow,
may she dance in the rain
cheek-to-cheek, toe-to-toe
till each number’s rehearsed ...
My, that last step’s a leap! ―
the high flight into bed
when it’s past time to sleep!

Note: “Hatful of Stars” is a lovely song and image by Cyndi Lauper.



Limericks

There once was a leopardess, Dot,
who indignantly answered: "I'll not!
The gents are impressed
with the way that I'm dressed.
I wouldn't change even one spot."
—Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can't sing,
but now, here's the thing—
just think of the tunes you can carry! "
—Michael R. Burch



Generation Gap
by Michael R. Burch

A quahog clam,
age 405,
said, "Hey, it's great
to be alive! "

I disagreed,
not feeling nifty,
babe though I am,
just pushing fifty.

Note: A quahog clam found off the coast of Ireland is the longest-lived animal on record, at an estimated age of 405 years.



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!

Until the great & mighty heron
brandishes his fearsome sword.



Mother's Smile
by Michael R. Burch

There never was a fonder smile
than mother's smile, no softer touch
than mother's touch. So sleep awhile
and know she loves you more than "much."

So more than "much, " much more than "all."
Though tender words, these do not speak
of love at all, nor how we fall
and mother's there, nor how we reach
from nightmares in the ticking night
and she is there to hold us tight.

There never was a stronger back
than father's back, that held our weight
and lifted us, when we were small,
and bore us till we reached the gate,
then held our hands that first bright mile
till we could run, and did, and flew.
But, oh, a mother's tender smile
will leap and follow after you!

Originally published by TALESetc



Keep Up
by Michael R. Burch

Keep Up!
Daddy, I'm walking as fast as I can;
I'll move much faster when I'm a man...

Time unwinds
as the heart reels,
as cares and loss and grief plummet,
as faith unfailing ascends the summit
and heartache wheels
like a leaf in the wind.

Like a rickety cart wheel
time revolves through the yellow dust,
its creakiness revoking trust,
its years emblazoned in cold hard steel.

Keep Up!
Son, I'm walking as fast as I can;
take it easy on an old man.



Poems for Older Children

Reflex
by Michael R. Burch

for Jeremy

Some intuition of her despair
for her lost brood,
as though a lost fragment of song
torn from her flat breast,
touched me there...

I felt, unable to hear
through the bright glass,
the being within her melt
as her unseemly tirade
left a feather or two
adrift on the wind-ruffled air.

Where she will go,
how we all err,
why we all fear
for the lives of our children,
I cannot pretend to know.

But, O!,
how the unappeased glare
of omnivorous sun
over crimson-flecked snow
makes me wish you were here.



Happily Never After (the Second Curse of the ***** Toad)
by Michael R. Burch

He did not think of love of Her at all
frog-plangent nights, as moons engoldened roads
through crumbling stonewalled provinces, where toads
(nee princes)ruled in chinks and grew so small
at last to be invisible. He smiled
(the fables erred so curiously), and thought
bemusedly of being reconciled
to human flesh, because his heart was not
incapable of love, but, being cursed
a second time, could only love a toad's...
and listened as inflated frogs rehearsed
cheekbulging tales of anguish from green moats...
and thought of her soft croak, her skin fine-warted,
his anemic flesh, and how true love was thwarted.



Limericks

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride? "
"Nevermore! " bright-eyed Raven replied.
—Michael R. Burch



Autumn Conundrum
by Michael R. Burch

It's not that every leaf must finally fall,
it's just that we can never catch them all.



Epitaph for a Palestinian Child
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.



Salat Days
by Michael R. Burch

Dedicated to the memory of my grandfather, Paul Ray Burch, Sr.

I remember how my grandfather used to pick poke salat...
though first, usually, he'd stretch back in the front porch swing,
dangling his long thin legs, watching the sweat bees drone,
talking about poke salat—
how easy it was to find if you knew where to look for it...
standing in dew-damp clumps by the side of a road, shockingly green,
straddling fence posts, overflowing small ditches,
crowding out the less-hardy nettles.

"Nobody knows that it's there, lad, or that it's fit tuh eat
with some bacon drippin's or lard."

"Don't eat the berries. You see—the berry's no good.
And you'd hav'ta wash the leaves a good long time."

"I'd boil it twice, less'n I wus in a hurry.
Lawd, it's tough to eat, chile, if you boil it jest wonst."

He seldom was hurried; I can see him still...
silently mowing his yard at eighty-eight,
stooped, but with a tall man's angular gray grace.

Sometimes he'd pause to watch me running across the yard,
trampling his beans,
dislodging the shoots of his tomato plants.

He never grew flowers; I never laughed at his jokes about The Depression.

Years later I found the proper name—"pokeweed"—while perusing a dictionary.
Surprised, I asked why anyone would eat a ****.
I still can hear his laconic reply...

"Well, chile, s'm'times them times wus hard."



Of Civilization and Disenchantment
by Michael R. Burch

for Anais Vionet

Suddenly uncomfortable
to stay at my grandfather's house—
actually his third new wife's,
in her daughter's bedroom
—one interminable summer
with nothing to do,
all the meals served cold,
even beans and peas...

Lacking the words to describe
ah!, those pearl-luminous estuaries—
strange omens, incoherent nights.

Seeing the flares of the river barges
illuminating Memphis,
city of bluffs and dying splendors.

Drifting toward Alexandria,
Pharos, Rhakotis, Djoser's fertile delta,
lands at the beginning of a new time and "civilization."

Leaving behind sixty miles of unbroken cemetery,
Alexander's corpse floating seaward,
bobbing, milkwhite, in a jar of honey.

Memphis shall be waste and desolate,
without an inhabitant.
Or so the people dreamed, in chains.



Neglect
by Michael R. Burch

What good are your tears?
They will not spare the dying their anguish.
What good is your concern
to a child sick of living, waiting to perish?

What good, the warm benevolence of tears
without action?
What help, the eloquence of prayers,
or a pleasant benediction?

Before this day is gone,
how many more will die
with bellies swollen, wasted limbs,
and eyes too parched to cry?

I fear for our souls
as I hear the faint lament
of their souls departing...
mournful, and distant.

How pitiful our "effort, "
yet how fatal its effect.
If they died, then surely we killed them,
if only with neglect.



Shock
by Michael R. Burch

It was early in the morning of the forming of my soul,
in the dawning of desire, with passion at first bloom,
with lightning splitting heaven to thunder's blasting roll
and a sense of welling fire and, perhaps, impending doom—

that I cried out through the tumult of the raging storm on high
for shelter from the chaos of the restless, driving rain ...
and the voice I heard replying from a rift of bleeding sky
was mine, I'm sure, and, furthermore, was certainly insane.



Passages on Fatherhood
by Michael R. Burch

for Jeremy

He is my treasure,
and by his happiness I measure
my own worth.

Four years old,
with diamonds and gold
bejeweled in his soul.

His cherubic beauty
is felicity
to simplicity and passion—

for a baseball thrown
or an ice-cream cone
or eggshell-blue skies.

It's hard to be "wise"
when the years
career through our lives

and bees in their hives
test faith
and belief

while Time, the great thief,
with each falling leaf
foreshadows grief.

The wisdom of the ages
and prophets and mages
and doddering sages

is useless
unless
it encompasses this:

his kiss.



Boundless
by Michael R. Burch

for Jeremy

Every day we whittle away at the essential solidity of him,
and every day a new sharp feature emerges:
a feature we'll spend creative years: planing, smoothing, refining,

trying to find some new Archaic Torso of Apollo, or Thinker...

And if each new day a little of the boisterous air of youth is deflated
in him, if the hours of small pleasures spent chasing daffodils
in the outfield as the singles become doubles, become triples,
become unconscionable errors, become victories lost,

become lives wasted beyond all possible hope of repair...

if what he was becomes increasingly vague—like a white balloon careening
into clouds; like a child striding away aggressively toward manhood,
hitching an impressive rucksack over sagging, sloping shoulders,
shifting its vaudevillian burden back and forth,

then pausing to look back at us with an almost comical longing...

if what he wants is only to be held a little longer against a forgiving *****;
to chase after daffodils in the outfield regardless of scores;
to sail away like a balloon
on a firm string, always sure to return when the line tautens,

till he looks down upon us from some removed height we cannot quite see,

bursting into tears over us:
what, then, of our aspirations for him, if he cannot breathe,
cannot rise enough to contemplate the earth with his own vision,
unencumbered, but never untethered, forsaken...

cannot grow brightly, steadily, into himself—flying beyond us?



Chip Off the Block
by Michael R. Burch

for Jeremy

In the fusion of poetry and drama,
Shakespeare rules! Jeremy’s a ham: a
chip off the block, like his father and mother.
Part poet? Part ham? Better run for cover!
Now he’s Benedick ― most comical of lovers!

NOTE: Jeremy’s father is a poet and his mother is an actress; hence the fusion, or confusion, as the case may be.



Tall Tails
by Michael R. Burch

for Jeremy

Irony
is the base perception
alchemized by deeper reflection,
the paradox
of the wagging tails of dog-ma
torched by sly Reynard the Fox.

These are lines written as my son Jeremy was about to star as Benedick in Much Ado About Nothing at his ultra-conservative high school, Nashville Christian. Benedick is rather obvious wordplay but it apparently flew over the heads of the Puritan headmasters. Samson lit the tails of foxes and set them loose amid the Philistines. Reynard the Fox was a medieval trickster who bedeviled the less wily. “Irony lies / in a realm beyond the unseeing, / the unwise.”



Pan
by Michael R. Burch

... Among the shadows of the groaning elms,
amid the darkening oaks, we fled ourselves...

... Once there were paths that led to coracles
that clung to piers like loosening barnacles...

... where we cannot return, because we lost
the pebbles and the playthings, and the moss...

... hangs weeping gently downward, maidens' hair
who never were enchanted, and the stairs...

... that led up to the Fortress in the trees
will not support our weight, but on our knees...

... we still might fit inside those splendid hours
of damsels in distress, of rustic towers...

... of voices of the wolves' tormented howls
that died, and live in dreams' soft, windy vowels...

Originally published by Sonnet Scroll



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron—
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.

And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful—
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.

We are walking somewhere that her feet know to go,
so I smile, and I follow...

And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes—
I can almost remember—goes something like this:
the prince is a horned toad, awaiting her kiss.

She wiggles and giggles, and all will be well
if only we find him! The woodpecker's knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me

rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

Originally published by Romantics Quarterly



Just Smile
by Michael R. Burch

We'd like to think some angel smiling down
will watch him as his arm bleeds in the yard,
ripped off by dogs, will guide his tipsy steps,
his doddering progress through the scarlet house
to tell his mommy "boo-boo!, " only two.

We'd like to think his reconstructed face
will be as good as new, will often smile,
that baseball's just as fun with just one arm,
that God is always Just, that girls will smile,
not frown down at his thousand livid scars,
that Life is always Just, that Love is Just.

We do not want to hear that he will shave
at six, to raze the leg hairs from his cheeks,
that lips aren't easily fashioned, that his smile's
lopsided, oafish, snaggle-toothed, that each
new operation costs a billion tears,
when tears are out of fashion. O, beseech
some poet with more skill with words than tears
to find some happy ending, to believe
that God is Just, that Love is Just, that these
are Parables we live, Life's Mysteries...

Or look inside his courage, as he ties
his shoelaces one-handed, as he throws
no-hitters on the first-place team, and goes
on dates, looks in the mirror undeceived
and smiling says, "It's me I see. Just me."

He smiles, if life is Just, or lacking cures.
Your pity is the worst cut he endures.

Originally published by Lucid Rhythms



Child of 9-11
by Michael R. Burch

a poem for Christina-Taylor Green, who was born
on September 11, 2001 and died at the age of nine,
shot to death...

Child of 9-11, beloved,
I bring this lily, lay it down
here at your feet, and eiderdown,
and all soft things, for your gentle spirit.
I bring this psalm — I hope you hear it.

Much love I bring — I lay it down
here by your form, which is not you,
but what you left this shell-shocked world
to help us learn what we must do
to save another child like you.

Child of 9-11, I know
you are not here, but watch, afar
from distant stars, where angels rue
the vicious things some mortals do.
I also watch; I also rue.

And so I make this pledge and vow:
though I may weep, I will not rest
nor will my pen fail heaven's test
till guns and wars and hate are banned
from every shore, from every land.

Child of 9-11, I grieve
your tender life, cut short... bereaved,
what can I do, but pledge my life
to saving lives like yours? Belief
in your sweet worth has led me here...

I give my all: my pen, this tear,
this lily and this eiderdown,
and all soft things my heart can bear;
I bear them to your final bier,
and leave them with my promise, here.

Originally published by The Flea



For a Sandy Hook Child, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails,
when thunder howls,
when hailstones scream,
when winter scowls,
when nights compound dark frosts with snow...
Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?



Frail Envelope of Flesh
by Michael R. Burch

―for the mothers and children of the Holocaust and Gaza

Frail envelope of flesh,
lying cold on the surgeon's table
with anguished eyes
like your mother's eyes
and a heartbeat weak, unstable...

Frail crucible of dust,
brief flower come to this—
your tiny hand
in your mother's hand
for a last bewildered kiss...

Brief mayfly of a child,
to live two artless years!
Now your mother's lips
seal up your lips
from the Deluge of her tears...



This is, I believe, the second poem I wrote. Or at least it's the second one that I can remember. I believe I was around 13 or 14 when I wrote it.

Playmates
by Michael R. Burch

WHEN you were my playmate and I was yours,
we spent endless hours with simple toys,
and the sorrows and cares of our indentured days
were uncomprehended... far, far away...
for the temptations and trials we had yet to face
were lost in the shadows of an unventured maze.

Then simple pleasures were easy to find
and if they cost us a little, we didn't mind;
for even a penny in a pocket back then
was one penny too many, a penny to spend.

Then feelings were feelings and love was just love,
not a strange, complex mystery to be understood;
while "sin" and "damnation" meant little to us,
since forbidden batter was our only lust!

Then we never worried about what we had,
and we were both sure-what was good, what was bad.
And we sometimes quarreled, but we didn't hate;
we seldom gave thought to injustice, or fate.

Then we never thought about the next day,
for tomorrow seemed hidden—adventures away.
Though sometimes we dreamed of adventures past,
and wondered, at times, why things didn't last.

Still, we never worried about getting by,
and we didn't know that we were to die...
when we spent endless hours with simple toys,
and I was your playmate, and we were boys.



Children
by Michael R. Burch

There was a moment
suspended in time like a swelling drop of dew about to fall,
impendent, pregnant with possibility...

when we might have made...
anything,
anything we dreamed,
almost anything at all,
coalescing dreams into reality.

Oh, the love we might have fashioned
out of a fine mist and the nightly sparkle of the cosmos
and the rhythms of evening!

But we were young,
and what might have been is now a dark abyss of loss
and what is left is not worth saving.

But, oh, you were lovely,
child of the wild moonlight, attendant tides and doting stars,
and for a day,

what little we partook
of all that lay before us seemed so much,
and passion but a force
with which to play.



Kindergarten
by Michael R. Burch

Will we be children as puzzled tomorrow—
our lessons still not learned?
Will we surrender over to sorrow?
How many times must our fingers be burned?

Will we be children sat in the corner
over and over again?
How long will we linger, playing Jack Horner?
Or will we learn, and when?

Will we be children wearing the dunce cap,
giggling and playing the fool,
re-learning our lessons forever and ever,
never learning the golden rule?



With a child's wonder
by Michael R. Burch

for Jeremy

With a child's wonder,
pausing to ponder
a puddle of water,

for only a moment,
needing no comment

but bright eyes
and a wordless cry,
he launches himself to fly ...

then my two-year-old lands
on his feet and his hands
and water explodes all around.

(From the impact and sound
you'd have thought that he'd drowned,
but the puddle was two inches deep.)

Later that evening, as he lay fast asleep
in that dreamland where two-year-olds wander,
I watched him awhile and smilingly pondered
with a father's wonder.



The Watch
by Michael R. Burch

for Jeremy

I have come to watch my young son,
his blonde ringlets damp with sleep . . .
and what I know is that he loves me
beyond all earthly understanding,
that his life is like clay in my unskilled hands.

And I marvel this bright ore does not keep—
unrestricted in form, more content than shape,
but seeking a form to become, to express
something of itself to this wilderness
of eyes watching and waiting.

What do I know of his wonder, his awe?
To his future I will matter less and less,
but in this moment, as he is my world, I am his,
and I stand, not understanding, but knowing—
in this vast pageant of stars, he is more than unique.

There will never be another moment like this.
Studiously quiet, I stroke his fine hair
which will darken and coarsen and straighten with time.
He is all I bequeath of myself to this earth.
His fingers curl around mine in his sleep . . .

I leave him to dreams—calm, untroubled and deep.



The Tapestry of Leaves
by Michael R. Burch

for Jeremy

Leaves unfold
as life is sold,
or bartered, for a moment in the sun.

The interchange
of lives is strange:
what reason—life—when death leaves all undone?

O, earthly son,
when rest is won
and wrested from this ground, then through my clay’s

soft mortal soot
****** forth your root
until your leaves embrace the sun's bright rays.



The Long Days Lengthening Into Darkness
by Michael R. Burch

for Jeremy

Today, I can be his happiness,
and if he delights
in hugs and smiles,
in baseball and long walks
talking about Rug Rats, Dinosaurs and Pokemon

(noticing how his face lights up
at my least word,
how tender his expression,
gazing up at me in wondering adoration)

. . . O, son,
these are the long days
lengthening into darkness.

Now over the earth
(how solemn and still their processions)
the clouds
gather to extinguish the sun.

And what I can give you is perhaps no more nor less
than this brief ray dazzling our faces,
seeing how soon the night becomes my consideration.



Renown
by Michael R. Burch

for Jeremy

Words fail us when, at last,
we lie unread amid night’s parchment leaves,
life’s chapter past.

Whatever I have gained of life, I lost,
except for this bright emblem
of your smile . . .

and I would grasp
its meaning closer for a longer while . . .
but I am glad

with all my heart to be unheard,
and smile,
bound here, still strangely mortal,

instructed by wise Love not to be sad,
when to be the lesser poet
meant to be “the world’s best dad.”

Every night, my son Jeremy tells me that I’m “the world’s best dad.” Now, that’s all poetry, all music and the meaning of life wrapped up in four neat monosyllables! The time I took away from work and poetry to spend with my son was time well spent.



Miracle
by Michael R. Burch

for Jeremy

The contrails of galaxies mingle, and the dust of that first day still shines.
Before I conceived you, before your heart beat, you were mine,

and I see

infinity leap in your bright, fluent eyes.
And you are the best of all that I am. You became
and what will be left of me is the flesh you comprise,

and I see

whatever must be—leaves its mark, yet depends
on these indigo skies, on these bright trails of dust,
on a veiled, curtained past, on some dream beyond knowing,
on the mists of a future too uncertain to heed.

And I see

your eyes—dauntless, glowing—
glowing with the mystery of all they perceive,
with the glories of galaxies passed, yet bestowing,
though millennia dead, all this pale feathery light.

And I see

all your wonder—a wonder to me, for, unknowing,
of all this portends, still your gaze never wavers.
And love is unchallenged in all these vast skies,
or by distance, or time. The ghostly moon hovers;

I see; and I see

all that I am reflected in all that you have become to me.



Always
by Michael R. Burch

for Jeremy

Know in your heart that I love you as no other,
and that my love is eternal.
I keep the record of your hopes and dreams
in my heart like a journal,
and there are pages for you there that no one else can fill:
none one else, ever.
And there is a tie between us, more than blood,
that no one else can sever.

And if we’re ever parted,
please don’t be broken-hearted;
until we meet again on the far side of forever
and walk among those storied shining ways,
should we, for any reason, be apart,
still, I am with you ... always.



The Gift
by Michael R. Burch

for Beth and Jeremy

For you and our child, unborn, though named
(for we live in a strange, fantastic age,
and tomorrow, when he is a man,
perhaps this earth will be a cage

from which men fly like flocks of birds,
the distant stars their helpless prey),
for you, my love, and you, my child,
what can I give you, each, this day?

First, take my heart, it’s mine alone;
no ties upon it, mine to give,
more precious than a lifetime’s objects,
once possessed, more free to live.

Then take these poems, of little worth,
but to show you that which you receive
holds precious its two dear possessors,
and makes each lien a sweet reprieve.



This poem was written after a surprising comment from my son, Jeremy.

The Onslaught
by Michael R. Burch

“Daddy, I can’t give you a hug today
because my hair is wet.”

No wet-haired hugs for me today;
no lollipopped lips to kiss and say,
Daddy, I love you! with such regard
after baseball hijinks all over the yard.

The sun hails and climbs
over the heartbreak of puppies and daffodils
and days lost forever to windowsills,
over fortune and horror and starry climes;

and it seems to me that a child’s brief years
are springtimes and summers beyond regard
mingled with laughter and passionate tears
and autumns and winters now veiled and barred,
as elusive as snowflakes here white, bejeweled,
gaily whirling and sweeping across the yard.



To My Child, Unborn
by Michael R. Burch

for Jeremy

How many were the nights, enchanted
with despair and longing, when dreams recanted
returned with a restless yearning,
and the pale stars, burning,
cried out at me to remember
one night ... long ere the September
night when you were conceived.

Oh, then, if only I might have believed
that the future held such mystery
as you, my child, come unbidden to me
and to your mother,
come to us out of a realm of wonder,
come to us out of a faery clime ...

If only then, in that distant time,
I had somehow known that this day were coming,
I might not have despaired at the raindrops drumming
sad anthems of loneliness against shuttered panes;
I might not have considered my doubts and my pains
so carefully, so cheerlessly, as though they were never-ending.
If only then, with the starlight mending
the shadows that formed
in the bowels of those nights, in the gussets of storms
that threatened till dawn as though never leaving,
I might not have spent those long nights grieving,
lamenting my loneliness, cursing the sun
for its late arrival. Now, a coming dawn
brings you unto us, and you shall be ours,
as welcome as ever the moon or the stars
or the glorious sun when the nighttime is through
and the earth is enchanted with skies turning blue.



Transition
by Michael R. Burch

for Jeremy

With his cocklebur hugs
and his wet, clinging kisses
like a damp, trembling thistle
catching, thwarting my legs—

he reminds me that life begins with the possibility of rapture.

Was time this deceptive
when my own childhood begged
one last moment of frolic
before bedtime’s firm kisses—

when sleep was enforced, and the dark window ledge

waited, impatient, to lure
or to capture
the bright edge of morning
within a clear pane?

Was the sun then my ally—bright dawn’s greedy fledgling?

With his joy he reminds me
of joys long forgotten,
of play’s endless hours
till the haggard sun sagged

and everything changed. I gather him up and we trudge off to bed.



What does it mean?
by Michael R. Burch

for Jeremy

His little hand, held fast in mine.
What does it mean? What does it mean?

If he were not here, the sun would not shine,
nor the grass grow half as green.

What does it mean?

His arms around my neck, his cheek
snuggling so warm against my own ...

What does it mean?

If life's a garden, he's the fairest
flower ever sown,
the sweetest ever seen.

What does it mean?

And when he whispers sweet and low,
"What does it mean?"
It means, my son, I love you so.
Sometimes that's all we need to know.



First Steps
by Michael R. Burch

for Caitlin Shea Murphy

To her a year is like infinity,
each day—an adventure never-ending.
    She has no concept of time,
    but already has begun the climb—
from childhood to womanhood recklessly ascending.

I would caution her, "No! Wait!
There will be time enough another day ...
    time to learn the Truth
    and to slowly shed your youth,
but for now, sweet child, go carefully on your way! ..."

But her time is not a time for cautious words,
nor a time for measured, careful understanding.
    She is just certain
    that, by grabbing the curtain,
in a moment she will finally be standing!

Little does she know that her first few steps
will hurtle her on her way
    through childhood to adolescence,
    and then, finally, pubescence . . .
while, just as swiftly, I’ll be going gray!



The Sky Was Turning Blue
by Michael R. Burch

Yesterday I saw you
as the snow flurries died,
spent winds becalmed.
When I saw your solemn face
alone in the crowd,
I felt my heart, so long embalmed,
begin to beat aloud.

Was it another winter,
another day like this?
Was it so long ago?
Where you the rose-cheeked girl
who slapped my face, then stole a kiss?
Was the sky this gray with snow,
my heart so all a-whirl?

How is it in one moment
it was twenty years ago,
lost worlds remade anew?
When your eyes met mine, I knew
you felt it too, as though
we heard the robin's song
and the sky was turning blue.



Life Sentence or Fall Well
by Michael R. Burch

... I swim, my Daddy's princess, newly crowned,
toward a gurgly Maelstrom... if I drown
will Mommy stick the Toilet Plunger down

to **** me up?... She sits upon Her Throne,
Imperious (denying we were one),
and gazes down and whispers "precious son"...

... the Plunger worked; i'm two, and, if not blessed,
still Mommy got the Worst Stuff off Her Chest;
a Vacuum Pump, They say, will do the rest...

... i'm three; yay! whee! oh good! it's time to play!
(oh no, I think there's Others on the way;
i'd better pray)...

... i'm four; at night I hear the Banging Door;
She screams; sometimes there's Puddles on the Floor;
She wants to **** us, or, She wants some More...

... it's great to be alive if you are five (unless you're me) :
my Mommy says: "you're WRONG! don't disagree!
don't make this HURT ME! "...

... i'm six; They say i'm tall, yet Time grows Short;
we have a thriving Family; Abort! ;
a tadpole's ripping Mommy's Room apart...

... i'm seven; i'm in heaven; it feels strange;
I saw my life go gurgling down the Drain;
another Noah built a Mighty Ark;
God smiled, appeased, a Rainbow split the Dark;

... I saw Bright Colors also, when She slammed
my head against the Tub, and then I swam
toward the magic tunnel... last, I heard...

is that She feels Weird.


Keywords/Tags: child, children, childhood, son, daughter, grandchild, grandson, granddaughter, family, mother, father
Kim Yu May 2015
As I proceed I see no changes,
Everyone is still wearing the same guilty faces
Violence will forever live on
Just like the movement of the sun ‘til dawn,
Racism is one of the issues unchanged
Globally known yet it remains unchallenged…
Evergreen soldiers at the whim of Alraus
I've had a recurrent dream of the enlisted warriors
abandoning their post , occupying the fertile grassland
in a chess type move to gain control
Free of shade , of root-bound thirst , of choking
moss gathering unchallenged in overpopulated arbors
A celebration courtesy of the Robin Knights , the Chickadee troubadours ,
the Cardinal gentlemen at the Court of Queen Chestnut
Slash , sugar , loblolly and white oak
Persimmon , hickory , honey locust and dogwood
The myrrh of gardenia , magnolia , honeysuckle and tea rose
Earthen red clay , white sand , black loam and kaolin
Grasshopper cellist , cricket flautist , a chuckling crow with a
Spanish guitar
The toad trombones , a bluebird violin solo , a mockingbird reads
a touching poem that even sways the worker ants into a brief pause
The Old Forest becomes pasture and the grassland young woodland
The dove cue the night , the katydids croon to the moon ,
the bullfrogs 'pooka-dooka' and the lovers swoon* ...
Copyright October 20 , 2016 by Randolph L Wilson * All Rights Reserved
a m a n d a Nov 2016
we are protesting.

why we won't shut up.

because we are angry.
because we have had enough.
and we are throwing down
a line in the sand.

enough.

standing up for yourself
and other human beings
in the face of danger and adversity
is one of the hardest things
a person can do.

it takes guts.
it takes determination.
it takes strength.

and for that you mock us
like children.
calling us names.

you are reflecting in every way
what we find repulsive
in this man.

for months,
we heard every excuse
in the book to
get your man
off the hook.

about women.
about minorities.
about immigrants.
about refugees.
about the first amendment.

people continue to struggle
for things you take
for granted.

and instead of showing
kindness, empathy, and understanding,

you align yourself
with a demagogue

who has no problem
standing in front
of the world
complaining.
whining.
showing contempt
and ignorance for everyone
under the sun.
blaming everyone else for his problems.

shows absolutely no empathy
for anyone but a select few.

seeks, encourages,
and causes
division.

i'm not sure what is going on
inside you that
you can't see that.

that you can't recognize
danger when it is about
to engulf you.

that you can't remember
the cold facts of history.

when one group of
citizens' rights are threatened,
we are all threatened.

when one group is marginalized,
we are all marginalized.

you feel safe in this society.

and you don't
understand
those of us
who do not.

you do not put yourself
in the place of others.

some of us can.
and some of us do.
some of us have
seen injustice,
inequality,
and bullying
with our own eyes.

some of us realize
that even though you don't think
your way of life is in jeopardy,
it is.

and by standing up for ourselves
we are standing up for you.

we have to protect the most
vulnerable among us.

we are done with excuses.
with discrimination.
with sexism.
with victim blaming.

we are done.

so, yes
you are going to
see opposition.

and if you spread
lies, nonsense, and hatred

don't expect to go
unchallenged.

*because we are done.
David Watt Oct 2014
Give me love that is without limit,
Free ordained and with sincerest spirit.
To love is all I desire,
Bless it in eternal fire.

To feel complete in every moment,
Unchallenged by faithless heartless opponents.
I long to feel your guided linger,
trace my body on heart felt fingers.

To caress my lips with your very own,
To feel every rapture wholesome and owned,
To love you so tenderly softly and faithful
That in your world I feel wholesome and beautiful.

I love you is all I can say,
Year on year and every day,
May your heart beat the drum of my heartfelt love,
Purer than the Gods most beautiful Dove.

Submitted to memory,
And endless eternity.
Bound in spells of heart felt honesty,
Enraptured in words of eternal clemency.
Robert Watson Sep 2021
Plagued by crippling doubt,
You trudge through life,
Hesitant, confused, aimless.
Peril lurks behind you.

You cling to what you know:
A sweet, numb idleness.
You seek a badge of courage,
But are waylaid by hedonism.

Sinking deeper into sorrow,
The many colored beast nearby,
Whispering, “you are alone,
Worthless, inadequate, a corpse."

Night’s jaws envelope you,
As the taint burns your soul.
The beast prowls unchallenged,
Leaving the heart torn and gory.

About to concede to the Destroyer,
You are interrupted in the act,
By a still small voice,
And love embraces you.
You can't always conquer evil with your own resolve.
Michael W Noland Aug 2012
i am the broom that sweeps you into the dust pan

the capo garbage man

the lie left unchallenged

the true deceiver

i shine amongst ****

i collect your rejects

an unbeliever

believing in himself

with helping hands

ill smite you

with torch in hand

pointing out the path

my thorns have roses

— The End —