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IN A CHANG’AA DRINKING SPREE

(ONE ACT PLAY)

BY

ALEXANDER   K   OPICHO










CASTE
Advocate; self-styled advocate, his real job is insurance agent
Sampaza-changaa drunkard
Teacher-brother to Sampaza, also a changaa taker
Monica-changaa seller
Austeen-a lad, son to Monica
Watchman-changaa drunkard
Rono-friend to watchman
Njeri-friend to Monica, single mother
Atieno-friend to Monica, single mother
Driver- changaa taker and a smoker
Barasa-changaa taker and electrician
Ndhiwa- changaa taker, brother to barasa
Yator-changaa taker brother to barasa
Mavachi-changaa taker, with a fallen out wife
Mandila-relative to mavachi
Agnesi-wife to teacher
Music
*chang’aa is homemade alcoholic spirit consumed by the peasants in east and central Africa.




ACT ONE
In a slum area of Eldoret town, very many ramshackle muddy walled houses are seen; the setting takes place in the house of Monica the Changaa seller. There is low tone music humming from the DVD, playing Vincent Ongidi’s ‘mother is better than father.’
Music; Bakeni Nebekhale, bukula indika,
           Bukula indika samwana, Udimake kungeni
          Khusoko busia, bukula indika omusumba,
          Bakhwee nebechile, bukula indika
          Udimake khusoko yaya, bukula indika….
Driver; (dancing with a tumbler of chang’aa in his hand) let me dance! This is my best Sunday, let me dance, I am son of a woman. Sing! Sing! Sing! For us Vincent, you son of Ongidi, (pointing at the DVD).
Advocate; the problem you are only dancing with your class a half empty, moreover, you are not following the rhythm , I thought you dance to this song by shaking your shoulders, but instead you are gyrating your waistline.
Driver; (still dancing) let me dance because when I will go to the grave I will not get another chance to dance.
Advocate; (gulps from his tumbler) will you buy me chang’aa of ten shillings?
Driver; let me finish dancing first, I will see what to do about it.
(Enters Sampaza and teacher, as music goes off)
Sampaza; why are you dudes stopping the music on my entering?
Driver; it is not us who have stopped the music; you go and ask Vincent Ongidi why he did not sing a long song.
Sampaza; (sits at the old couch) where is Monica?
Driver; you burn us a cigarette before you ask for Monica, were you not with Monica upto the mid of last night?
Sampaza; why were you spying on me upto the mid of the night?
Advocate; (to Driver) give Sampaza time to introduce his friend to us
Sampaza; (to teacher) sit on this stool, forget about this drunkards.
Teacher; will this stool not break and sent me down like humpty dumpty? (Shakes the stool and sits on it)
Sampaza; It cannot even Monica herself sits on it and she is more huge than you do
Advocate; (to Sampaza) this is your brother?
Sampaza; now listen all off you
All; Sampaza we are listening to you all of us
Sampaza; had I killed our mother, he could not have born, (pointing to teacher).
Driver; if someone had not told me, there is no way I could know that this man is your brother. You are totally different from one another. Look, he is fat, strong, clean, well shaven and groomed brown and is like he took a bathe in the morning before he came here to chang’aa place, but you Sampaza tell us when you last washed your clothes? Even forget of washing your body.
Sampaza; (to driver) if you want to beg chang’aa from teacher just beg without using your desperate tricks of false praises.
Advocate; but me, I could easily know that teacher is a brother to Sampaza by simply comparing the shape of their heads, they look alike.
Teacher; who is serving chang’aa today?  I want to buy some for you guys.
Driver; it is Austeen, let me call him for you (goes at the door shouting) Austeen! Austeen! Aha! This boy is as earless as a female monitor lizard, (comes back) I have called him for you.
Teacher; thanks, let me believe he won’t take time, I am really thirsty.
Advocate; you can mitigate your thirst with this one of mine (gives teacher a tumbler).
Teacher; (sips) it was not a bad stuff (passes the tumbler to Sampaza)
Sampaza; (takes a full swig) uhm! The stuff is really the tears of the lion.
(Enters Austeen)
Austeen; My God, Sampaza is here again! Sampaza, why did you run away with my money last time? You take the beer and run away, even you made my mother to quarrel me yester night.
Driver; (to Austeen) you boy manage your mouths, don’t you see Sampaza is the age of your mother?
Austeen; wait! Sampaza must give me the money, give me the money you Sampaza!
Teacher; let me pay for him, how much was it?
Austeen; imagine Sampaza took off running into the darkness of the night after taking chang’aa of fifty shillings. Imagine a whole tumbler of fifty shillings.
Teacher; that was bad, Sampaza you did something very bad. You know Monica is a single parent and you run away with her money. This chang’aa is like Monica’s husband, so please let us be honest and pay our bills;
Austeen ;( to teacher) are you paying for Sampaza?
Teacher; yes, but before that; pour a tumbler of chang’aa worthy fifty shillings for each of these elders, including Sampaza. I am going to pay that one myself. But serve me with a tumbler of chang’aa that goes for a hundred shillings. May be it can quench my thirst.
Driver; brother you are a man (shakes teacher’s hand).
Austeen; (to Advocate) stand up for some minutes; I want to remove a grenade from your chair.
Advocate; you mean I was just sitting on the tears of the lion?
Austeen; yes (he fishes out a yellow plastic container, feels each tumbler as required).
Sampaza; you boy! What are you doing? Fill my tumbler to the brim, why are you now conning me off my chang’aa?
Austeen; (politely) Sampaza listen, you know my hands always shake when I am holding something. I didn’t want to spill chang’aa by struggling to fill your tumbler to the brim.
Teacher; (sipping, closing his eyes) Austeen now play for us another music.
Driver; yaah! The music, play for us Marashi ya karafu.
Austeen; my mother has not yet bought the DVD for Marashi ya karafu, let me play for you this one (shows him the DVD), it will thrill you to your bone marrow, (inserts the DVD in to the player).
Music ;( playing) ukiwa wa enda nyubani kwangu heee,
                          Umwambie stella mimi  sitakucha,
                         Umwambie stella mimi nimefungwa jela,
                      Anisalie mtoto mama nitaleaaaa!
Driver; ndio hiyo! (Stands up to gyrate his waist swiftly) that is my best song from Tanzania. How I wish I was still in prison on Christmas day of last year.
Sampaza; (sipping at his tumbler) if you want to be in prison go and make love to your goat and call people to help you.
Driver; look at you, with all this women, why should I go for a goat?
Sampaza; (standing up to dance, shaking his shoulders) because you want to be in
Prison.
Austeen; (giggling and shouting) look! Look! Look at Sampaza, he does not know how to dance, he is waving his hands like wings of a chicken.
Sampaza; you dance and I see (daring Austeen)
Austeen ;( dancing) look! Look! Fire! Fire! Fire! (He goes to sit)
All; (laughing loudly and clapping) Austeen! Austeen!
Advocate; this boy Austeen, became old while in his mother’s womb
                     (Enters Monica, Rono and watchman)
Driver; here comes Monica, (provokes Monica for a dance, they both dance).
Advocate; (joins Monica and driver to dance) Monica! Monica! Daughter of Zinjathropus, Waa!
Monica; I am an early woman, yaani! Womanopithecus africanus (dancing).
Driver ;( pushing away advocate), dance away from here, why are you bringing here this evil smelling sweater of yours?
Advocate; I am sorry.
Driver; that is empty jealousy, you only saw Monica’s pelvis touching mine and you jumped here to disrupt my gusto.
                               (Music stops and they all get sited)
Monica; (to Austeen) give watchman and his friend chang’aa of twenty bob, I will pay myself.
Austeen; yes mama (serves watchman and Rono chang’aa)
Rono; Kongoi, I mean thank you Monica, you are such a generous woman? (Takes a full swig).
Monica; Karibu, don’t mind I am always and I will be always an early woman.
Sampaza; (to watchman) when you came in I thought you were the crow.
Watchman; (sipping) who? Me, I was a policeman ten years ago but I was ******.
Driver; (to Sampaza) this man is not a muriakole, he is not a cop. This is a D.D.O.
Advocate; meaning?
Driver; daily drinking officer, hmmm! The DDO.
All; laughing loudly.
Monica; (to advocate) how is your brother and his witchdoctor of a wife?
Advocate; Monica, just keep quiet, my brother is in problems.
Monica; which problems? I told him to marry me and he refused because I did not have book education.  I am now making more money from chang’aa in a day than even he does from his education. Let that man, that brother of yours, chew the full scale of his misfortune. Now tell me which problem has he?
Advocate; today very early in the morning I heard my brother screaming, of course from his house. Out of anxiety I rushed there to find out what was happening. Jesus! What I so…..
Driver; what was it? Just say.
Monica; a man has nothing to fear just say.
Teacher; where is Austeen?
Austeen; I am here
Teacher; serve each of us chang’aa of fifty shillings, start with him (pointing at the advocate) give Monica, your mother a tumbler, that one of a hundred shillings.
Austeen ;( serving as he sings) how long will they ****,
              Our brothers, while we stand watching them,
                Redemption songs, Bob Marley! Sons of ghetto!
Sampaza; Austeen you are always not measuring my chang’aa to the money given, now look, does this grasshoppers spittle qualify to be chang’aa of fifty shillings?
Austeen; Sampaza, I told you my hands are not steady, they always shake whenever I am holding something.
Sampaza; (to Monica) I will bring a medicine man to give some manyasi to this son of yours, so that he stops shaking his hands like an epileptic.
Monica; Sampaza, you drink your chang’aa and to hell with your medicine-man. Let us listen to what happened to the brother of advocate.
Advocate; now, as I was saying I found my brother’s wife had swollen my brothers ***** to its base, the ***** was full deep in her mouth, my brother was screaming but the was dead silent ******* the *****, her teeth tightly gripping it at the same time.
All; laughing loudly
Teacher; Maybe it was oral ***, but not domestic violence
Monica; oral ***!?
Teacher; yes, it is possible
Advocate; but why was he crying?
Monica; because his wife was ******* his *****
Teacher; that is the case
Advocate; if at all it was pleasurable then why was my brother screaming?
Teacher;  maybe he was on ******* ecstasy, the same way a woman can be when you suckle or even ****** her *****.
Monica; but I can’t allow a man to suckle the eye of my breast.
Driver; even me, I can’t suckle my wife
Teacher; why?
Driver; even also, in my culture, one is not allowed to suckle a woman’s ****
Teacher; is that sexuology or culture?
Watchman ;( to driver) yes, answer that! Answer that question from teacher.
Monica; but it is only a foolish woman who can allow a man to suckle her *****, or if she can then she is not serious with that man.
Teacher; (to Monica) then which man do you like? Sampaza?
Monica; Me do love Sampaza?
Teacher; yes, Sampaza
Monica; this Sampaza, is always as miserable as a corpse in the grave without a coffin.
Advocate; you are as miserable as a corpse in the grave without a coffin.
Sampaza; I am not, I know am great
Teacher; yes, and capable to love the early woman like Monica.
Sampaza; (to Austeen) play for us some better music.
Austeen; which one mama? Which music can I play?
Monica; play for them Pamela Nkutha (sings) Nakula ebusi,
                  Nakula ewunwa, lalalaa! Lalalaa! Laaaa!
Austeen; Mama, that one we don’t have. Let me play for them Brenda *****.
Music; (playing) Songea nikubambe, songea nikubusu,
                          Nakupenda, nakubusu ehee monica eheee!
Austeen; Kula Ngoma; he who does not have chic let him embrace a stone (exits)
All; (dancing violently) Monica! Monica waaaaaaa!
Watchman; (dancing) Sampaza can you suckle the ***** of a woman?
Sampaza; ask driver that question.
Driver; I cannot suckle the ***** of my wife.
Teacher; I depend with nature of a woman you are in the bed with.
Watchman; correct , some women has fallen ******* like chapattis, but if a chic has ***** and pointed breast, I  can ****** and suckle her like nothing else in this world. I can even suckle her *******.
Teacher; by the way, ******* are the fountain of pleasure to a woman, when you suckle her she will just moan; Sampaza! Sampaza! Sampazaaaaa!
All; laugh raucously
Monica; these men are drunk.
Driver; no, they are now happy, pick one of them for yourself.
Monica; the man that I can love now must be having a death certificate.
Teacher; what does it mean? Me I thought you need a dark skinned man like Sampaza, you know the dark the skin of a man the greater the ****** pleasure ehee…
                       (Enters Njeri and Atieno)
Njeri; Monica, are you not aware that were are late for Chama? Look you are still *****, you have not even combed you hair.
Monica; Njeri come in why are rioting at the door, look at Atieno she is as miserable as usual.
Njeri; she was flogged by the husband.
Atieno; (to Njeri) you! Watch your mouths, I don’t have a husband.
All; laugh, (Njeri and Atieno sits).
Sampaza; look at this one (pointing to Njeri) can I give you some money so that you do me a favour.
Njeri; which favour?
Sampaza; of this…(Makes a sign of *** with his fist).
Njeri; I don’t sleep with chang’aa drunkards
Atieno; even me
Sampaza; (staggering, and then falling on Njeri’s laps) I want! Truly I want!
Advocate; Sampaza is drunk, let me take him home (pulls Sampaza).
Sampaza; (resisting, avoiding to be pulled out by advocate) leave me alone! You thief! You are an insurance thief! Who told you that you are an advocate? You are not! You want to steal my money. No, all these people are thieves, Monica is a big thief, and they want to steal my brother’s money!  Teacher! Come out of here! This is a den of pickpockets! They will still your wallet, come we go! Thieves! Thieves!
                        (Advocate pulls Sampaza out, as they both exit)
Driver; Sampaza does not have manners.
Njeri; Imagine he fell on my laps, what if my husband found him?
Monica; He would have now divorced you for eating rats.
Njeri; When I have not eaten any rat, it was only a drunkard supporting himself on my legs.
Atieno; he has spoken a lot of words.
Driver; and all the words were total lies.
Monica; no, whatever is in the inner heart of a sober man is always on the tongue of the drunkard man.
Teacher; to mean what? Anyway, forget about Sampaza.
Watchman; by the way
Rono; I am also off my senses, I am seeing each of you having seven heads, and the heads are a
Sometimes the feeling of loneliness becomes so tangible that the void seems to swallow you from the inside out, emanating from the stomach and reaching out, engulfing the body like a fist closing around a tumbler of whiskey.
This void takes on a weight; light at first, bearable. The tumbler of whiskey with a resting hand around it. Then the fist begins to close so forcefully and the cylindrical glass of the tumbler has no choice but to shatter from it. The glass shards scatter and the whiskey flows and the fist still keeps closing. Always closing. Never resting.
Never resting.
Sometimes when I miss you, when I feel like a tumbler of whiskey enclosed in your fist, I imagine your voice inside my head singing along to your favourite song. I imagine your arms around me, your hand spreading warmth up my thigh, your tongue dancing along my collarbones, up my neck, and tracing the bottom of my earlobe. I am not beautiful but your mouth has me almost convinced that I could be.
Sometimes when your arms are around me, I feel like that tumbler of whiskey encased in a fist. When you kiss me, I feel myself shatter and I feel the whiskey run. But it's not whiskey, it's love. It pours out of me whenever you sing the wrong lyrics to your favourite song.
Catch me cradling the shards of what we once were, humming something soft that almost sounds like your favourite song.
A PLAY


BY



ALEXANDER   K   OPICHO









THE CASTE
1. Chenje – Old man, father of Namugugu
2. Namugugu – Son of Chenje
3. Nanyuli – daughter of Lusaaka
4. Lusaaka – Old man, father of Nanyuli
5. Kulecho – wife of Lusaaka
6. Kuloba – wife of Chenje
7. Paulina – Old woman, neighbour to Chenje.
8. Child I, II and III – Nanyuli’s children
9. Policeman I, II and III
10. Mourners
11. Wangwe – a widowed village pastor

















ACTING HISTORY
This play was acted two times, on 25th and 26th December 2004 at Bokoli Roman Catholic Church, in Bokoli sub- location of Bungoma County in the western province of Kenya. The persons who acted and their respective roles are as below;

Wenani Kilong –stage director
Alexander k Opicho – Namugugu
Judith Sipapali Mutivoko- Nanyuli
Saul Sampaza Mazika Khayongo- Wangwe
Paul Lenin Maondo- Lusaaka
Peter Wajilontelela-  Chenje
Agnes Injila -  Kulecho
Beverline Kilobi- Paulina
Milka Molola Kitayi- Kuloba
Then mourners, children and police men changed roles often. This play was successfully stage performed and stunned the community audience to the helm.













PLOT
Language use in this play is not based on Standard English grammar, but is flexed to mirror social behaviour and actual life as well as assumptions of the people of Bokoli village in Bungoma district now Bungoma County in Western province of Kenya.

























ACT ONE
Scene One

This scene is set in Bokoli village of Western Kenya. In Chenje’s peasant hut, the mood is sombre. Chenje is busy thrashing lice from his old long trouser Kuloba, sitting on a short stool looking on.

Chenje: (thrashing a louse) these things are stubborn! The lice. You **** all of them today, and then tomorrow they are all-over. I hate them.
Kuloba: (sending out a cloud of smoke through her tobacco laden pipe). Nowadays I am tired. I have left them to do to me whatever they want (coughs) I killed them they were all over in my skirt.
Chenje: (looking straight at Kuloba) Do you know that they are significant?
Kuloba: What do they signify?
Chenje: Death
Kuloba: Now, who will die in this home? I have only one son. Let them stop their menace.
Chenje: I remember in 1968, two months that preceded my father’s death, they were all over. The lice were in every of my piece of clothes. Even the hat, handkerchief. I tell you what not!
Kuloba: (nodding), Yaa! I remember it very well my mzee, I had been married for about two years by then.
Chenje: Was it two years?
Kuloba: (assuringly) yes, (spots a cockroach on the floor goes at it and crushes it with her finger, then coughs with heavy sound) we had stayed together in a marriage for two years. That was when people had began back-biting me that I was barren. We did not have a child. We even also had the jiggers. I can still remember.
Chenje: Exactly (crashes a louse with his finger) we also had jiggers on our feet.
Kuloba: The jiggers are very troublesome. Even more than the lice and weevils.  
Chenje: But, the lice and jiggers, whenever they infest one’s home, they usually signify impending death of a family member.
Kuloba: Let them fail in Christ’s name. Because no one is ripe for death in this home. I have lost my five children. I only have one child. My son Namugugu – death let it fail. My son has to grow and have a family also like children of other people in this village. Let whoever that is practicing evil machinations against my family, my only child fail.
Chenje: (putting on the long-trouser from which he had been crushing lice) let others remain; I will **** them another time.
Kuloba: You will never finish them (giggles)
Chenje: You have reminded me, where is Namugugu today? I have not seen him.
Kuloba: He was here some while ago.
Chenje: (spitting out through an open window) He has become of an age. He is supposed to get married so that he can bear grand children for me. Had I the grand children they could even assist me to **** lice from my clothes. (Enters Namugugu) Come in boy, I want to talk to you.
Kuloba: (jokingly) you better give someone food, or anything to fill the stomach before you engages him in a talk.
Namugugu: (looks, at both Chenje and Kuloba, searchingly then goes for a chair next to him)
Mama! I am very hungry if you talk of feeding me, I really get thrilled (sits at a fold-chair, it breaks sending him down in a sprawl).
Kuloba: (exclaims) wooo! Sorry my son. This chair wants to **** (helps him up)
Namugugu: (waving his bleeding hand as he gets up) it has injured my hand. Too bad!
Chenje: (looking on) Sorry! Dress your finger with a piece of old clothes, to stop that blood oozing out.
Namugugu: (writhing in pain) No it was not a deep cut. It will soon stop bleeding even without a piece of rag.
Kuloba: (to Namugugu) let it be so. (Stands) let me go to my sweet potato field. There are some vivies, I have not harvested, I can get there some roots for our lunch (exits)
Chenje: (to Namugugu) my son even if you have injured your finger, but that will not prevent me from telling you what I am supposed to.
Namugugu: (with attention) yes.
Chenje: (pointing) sit to this other chair, it is safer than that one of yours.
Namugugu: (changing the chair) Thank you.
Chenje: You are now a big person. You are no longer an infant. I want you to come up with your own home. Look for a girl to marry. Don’t wait to grow more than here. The two years you have been in Nairobi, were really wasted. You could have been married, may you would now be having my two grand sons as per today.
Namugugu: Father I don’t refuse. But how can I marry and start up a family in a situation of extreme poverty? Do you want me to start a family with even nothing to eat?
Chenje: My son, you will be safer when you are a married beggar than a wife- less rich-man. No one is more exposed as a man without a wife.
Namugugu: (looking down) father it is true but not realistic.
Chenje: How?
Namugugu: All women tend to flock after a rich man.
Chenje: (laughs) my son, may be you don’t know. Let me tell you. One time you will remember, maybe I will be already dead by then. Look here, all riches flock after married men, all powers of darkness flock after married men and even all poverty flock after married. So, it is just a matter of living your life.
(Curtains)
SCENE TWO

Around Chenje’s hut, Kuloba and Namugugu are inside the hut; Chenje is out under the eaves. He is dropping at them.
Namugugu: Mama! Papa wants to drive wind of sadness permanently into my sail of life. He is always pressurizing me to get married at such a time when I totally have nothing. No food, no house no everything. Mama let me actually ask you; is it possible to get married in such a situation?
Kuloba: (Looking out if there is any one, but did not spot the eaves-dropping Chenje).
Forget. Marriage is not a Whiff of aroma. My son, try marriage in poverty and you will see.
Namugugu: (Emotionally) Now, if Papa knows that I will not have a happy married life, in such a situation, where I don’t have anything to support myself; then why is he singing for my marriage?
Kuloba: (gesticulating) He wants to mess you up the way he messed me up. He married me into his poverty. I have wasted away a whole of my life in his poverty. I regret. You! (Pointing) my son, never make a mistake of neither repeating nor replicating poverty of this home into your future through blind marriage.
Namugugu: (Approvingly) yes Mama, I get you.

Kuloba: (Assertively) moreover, you are the only offspring of my womb             (touching her stomach) I have never eaten anything from you. You have never bought me anything even a headscarf alone. Now, if you start with a wife will I ever benefit anything from you?
Namugugu: (looking agog) indeed Mama.
Kuloba: (commandingly) don’t marry! Women are very many. You can marry at any age, any time or even any place. But it is very good to remember child-price paid by your mother in bringing you up. As a man my son, you have to put it before all other things in your life.
Namugugu: (in an affirmative feat) yes Mama.
Kuloba: It is not easy to bring up a child up to an age when in poverty. As a mother you really suffer. I’ve suffered indeed to bring you up. Your father has never been able to put food on the table. It has been my burden through out. So my son, pleased before you go for women remember that!
Namugugu: Yes Mama, I will.
(Enters Chenje)
Chenje: (to Kuloba) you old wizard headed woman! Why do you want to put    my home to a full stop?
Kuloba: (shy) why? You mean you were not away? (Goes out behaving shyly)

Chenje: (in anger to Namugugu) you must become a man! Why do you give your ears to such toxic conversations? Your mother is wrong. Whatever she has told you today is pure lies. It is her laziness that made her poor. She is very wrong to festoon me in any blame…. I want you to think excellently as a man now. Avoid her tricky influence and get married. I have told you finally and I will never repeat telling you again.

Namugugu: (in a feat of shyness) But Papa, you are just exploding for no good reason, Mama has told me nothing bad……………………
Chenje: (Awfully) shut up! You old ox. Remove your ears from poisonous mouths of old women!
(Enters Nanyuli with an old green paper bag in her hand. Its contents were bulging).
Nanyuli: (knocking) Hodii! Hodii!
Chenje: (calmly) come in my daughter! Come in.
Nanyuli: (entering) thank you.
Chenje: (to Namugugu) give the chair to our visitor.
Namugugu: (shyly, paving Nanyuli to sit) Karibu, have a sit please.
Nanyuli: (swinging girlishly) I will not sit me I am in a hurry.
Chenje: (to Nanyuli) just sit for a little moment my daughter. Kindly sit.
Nanyuli: (sitting, putting a paper-bag on her laps) where is the grandmother who is usually in this house?
Chenje: Who?
Nanyuli: Kuloba, the old grandmother.
Namugugu: She has just briefly gone out.
Chenje: (to Nanyuli) she has gone to the potato field and Cassava field to look for some roots for our lunch.
Nanyuli: Hmm. She will get.
Chenje: Yes, it is also our prayer. Because we’re very hungry.
Nanyuli: I am sure she will get.
Chenje: (to Nanyuli) excuse me my daughter; tell me who your father is?
Nanyuli: (shyly) you mean you don’t know me? And me I know you.
Chenje: Yes I don’t know you. Also my eyes have grown old, unless you remind
me, I may not easily know you.
Nanyuli: I am Lusaaka’s daughter
Chenje: Eh! Which Lusaka? The one with a brown wife? I don’t know… her name is Kulecho?
Nanyuli: Yes
Chenje: That brown old-mother is your mother?
Nanyuli: Yes, she is my mother. I am her first – born.
Chenje: Ooh! This is good (goes forward to greet her) shake my fore-limb my
daughter.

Nanyuli: (shaking Chenje’s hand) Thank you.
Chenje: I don’t know if your father has ever told you. I was circumcised the same year with your grand-gather. In fact we were cut by the same knife. I mean we shared the same circumciser.
Nanyuli: No, he has not yet. You know he is always at school. He never stays at home.
Chenje: That is true. I know him, he teaches at our mission primary school at Bokoli market.
Nanyuli: Yes.
Chenje: What is your name my daughter?
Nanyuli: My name is Loisy Nanyuli Lusaaka.
Chenje: Very good. They are pretty names. Loisy is a Catholic baptismal name, Nanyuli is our Bukusu tribal name meaning wife of an iron-smith and Lusaaka is your father’s name.
Nanyuli: (laughs) But I am not a Catholic. We used to go to Catholic Church upto last year December. But we are now born again, saved children of God. Fellowshipping with the Church of Holy Mountain of Jesus christ. It is at Bokoli market.
Chenje: Good, my daughter, in fact when I will happen to meet with your father, or even your mother the brown lady, I will comment them for having brought you up under the arm of God.
Nanyuli: Thank you; or even you can as well come to our home one day.
Chenje: (laughs) actually, I will come.
Nanyuli: Now, I want to go
Chenje: But you have not stayed for long. Let us talk a little more my daughter.
Nanyuli: No, I will not. I had just brought some tea leaves for Kuloba the old grandmother.
Chenje: Ooh! Who gave you the tea leaves?
Nanyuli: I do hawk tea leaves door to door. I met her last time and she requested me to bring her some. So I want to give them to you (pointing at Namugugu) so that you can give them to her when she comes.
Namugugu: No problem. I will.
Nanyuli: (takes out a tumbler from the paper bag, fills the tumbler twice, pours the tea leaves  into an old piece of  newspaper, folds and gives  it to Namugugu) you will give them to grandmother, Kuloba.
Namugugu: (taking) thank you.
Chenje: My daughter, how much is a tumbler full of tea leaves, I mean when it is full?
Nanyuli: Ten shillings of Kenya
Chenje: My daughter, your price is good. Not like others.
Nanyuli: Thank you.
Namugugu: (To Nanyuli) What about money, she gave you already?
Nanyuli: No, but tell her that any day I may come for it.
Namugugu: Ok, I will not forget to tell her
Nanyuli: I am thankful. Let me go, we shall meet another day.
Chenje: Yes my daughter, pass my regards to your father.
Nanyuli: Yes I will (goes out)
Chenje: (Biting his finger) I wish I was a boy. Such a good woman would never slip through my fingers.
Chenje: But father she is already a tea leaves vendor!
(CURTAINS)


SCENE THREE
Nanyuli and Kulecho in a common room Nanyuli and Kulecho are standing at the table, Nanyuli is often suspecting a blow from Kulecho, counting coins from sale of tea leaves; Lusaaka is sited at couch taking a coffee from a ceramic red kettle.


Kulecho: (to Nanyuli) these monies are not balancing with your stock. It is like you have sold more tea leaves but you have less money. This is only seventy five shillings. When it is supposed to be one hundred and fifty. Because you sold fifteen tumblers you are only left with five tumblers.
Nanyuli: (Fidgeting) this is the whole money I have, everything I collected from sales is here.
Kulecho: (heatedly) be serious, you stupid woman! How can you sell everything and am not seeing any money?
Nanyuli: Mama, this is the whole money I have, I have not taken your money anywhere.
Kulecho: You have not taken the money anywhere! Then where is it? Do you know that I am going to slap you!
Nanyuli: (shaking) forgive me Mama
Kulecho: Then speak the truth before you are forgiven. Where is the money you collected from tea leaves sales?
Nanyuli: (in a feat of shyness) some I bought a short trouser for my child.
Kulecho: (very violent) after whose permission? You old cow, after whose permission (slaps Nanyuli with her whole mighty) Talk out!
Nanyuli: (Sobbingly) forgive me mother, I thought you would understand. That is why I bought a trouser for my son with your money!
Lusaaka: (shouting a cup of coffee in his hand, standing charged) teach her a lesson, slap her again!
Kulecho (slaps, Nanyuli continuously, some times ******* her cheeks, as Nanyuli wails) Give me my money! Give me my money! Give me my money! Give me my money! You lousy, irresponsible Con-woman (clicks)
Lusaaka: Are you tired, kick the *** out of that woman (inveighs a slap towards Nanyuli) I can slap you!
Nanyuli: (kneeling, bowedly, carrying up her hands) forgive me father, I will never repeat that mistake again (sobs)
Lusaaka: An in-corrigible, ****!
Kulecho: (to Nanyuli) You! Useless heap of human flesh. I very much regret to have sired a sell-out of your type. It is very painful for you to be a first offspring of my womb.
I curse my womb because of you. You have ever betrayed me. I took you to school you were never thankful, instead you became pregnant. You were fertilized in the bush by peasant boys.
You have given birth to three childlings, from three different fathers! You do it in my home. What a shame! Your father is a teacher, how have you made him a laughing stock among his colleagues, teachers? I have become sympathetic to you by putting you into business. I have given you tea leaves to sell. A very noble occupation for a wretch like you. You only go out sell tea leaves and put the money in your wolfish stomach. Nanyuli! Why do you always act like this?
Nanyuli: (sobbing) Forgive me mother. Some tea leaves I sold on credit. I will come with the money today?
Kulecho: You sold on credit?
Nanyuli: Yes
Kul
this is a manuscript of a play, please guys help me get any publisher who can do publishing of this play
i  will appreciate. thanks
CHAPTER ONE

My geographic movements during the past year could be called “A Tale of Two Couches.” So as June draws to a close, I assume the position here again on Couch California. I am back in Hemet, the place the smug among us call Hemetucky--as if there was nothing a couple of Mint Juleps and a **** of Blue Grass wouldn’t cure. It is the year of our Lord, 2014: so far an interesting year for women. There was a woman who wore socks to bed. There was always my long-time, here today-gone tomorrow, long time companion, currently teaching somewhere remote on the Big Rez, a southwestern Navajo concentration camp near the 4 Corners.  Next, there’s my current object of affection, that fine and frisky lady from The Bronx by way of Bernalillo--currently at home in Laguna Beach, Orange County. Trixie: my main squeeze at the moment.

And now, completely out of the ******* blue this afternoon, my cell phone rings and it’s ******* Juanita--my all-time favorite woman, Juanita Mi Favorita de La Quinta--a Coachella Valley town and desert wadi, extending its lucrative winter tourist season to become a significant, year-round retirement venue and a robust service economy feeding off it.  Juanita arrived there in the late 80s, in middle of her early forties.  She was unemployed, homeless, just a suitcase to her name and a two-year old toddler in tow. Her parents were there, as was her Aunt Peggy.  Juanita was always Peggy’s favorite niece, her favorite child, actually, Peggy herself being childless, never married.  Aunt Peggy put her maternal instincts to work on Juanita Rodriguez, her Sister Rosalia’s second favorite twin daughter.

Maria, Rosalia’s first favorite daughter, Juanita’s twin sister—MARIA: lives in Newport Beach and acts as an extra in many commercial ads shot in southern California and elsewhere, an irony never without sting for Juanita. “Que lastima!” Poor Juanita: as her would-be Hollywood Movie star aspirations disintegrated over the years, along with her unrealized lower expectations to be TV star, and even those semi-glamorous modeling gigs at trade shows and fairs—the elephant’s graveyard of the acting profession—failed to materialize, and now her celebrity habitat shrunken even further, to that sporadic but consistent mockery of stardom, I refer to any would-be thespian’s ignominious one-celled visual protozoan: The Extra Call List.  And—*******-- what happens next? Juanita’s sister Maria starts getting these parts, starts getting hired by filling out a ******* postcard, starts getting paid to look good in the background. *******: no professional education or instruction, no agent, and no need to **** off both the producer, the producer’s cousin Morey, the director and the director’s wife’s huge Golden retriever, Genghis--actually a mighty handsome animal--or needing to spill $4K on that Derma-brasion, Juanita inflicted on herself last year.

Juanita, as you already know, was the second favorite daughter and the second favorite twin of the family. She became the third favorite child in her three-child family upon the arrival of her slick baby brother Nico-- the Golden Child, who grew up to be a glib Merrill-Lynch stockbroker, office and residence, Beverly Hills 90112.  (Enter forcefully into the narrative, His Nibs himself, Sir Nicodemus of Hollywood, Juanita and Maria’s baby brother Nico. He speaks: “Excuse me, stockbroker my ***, as it says in a 11 point Rockwell Boldfont, right here on my gold-leaf embossed business card: Senior Large Capital Investment Counselor.”)

No, Juanita had a hard time just treading water in that Cleveland shark tank. And though she lacked nothing in the cuteness department, she had this one fatal flaw, namely, the gift of ***** and sass and a reflex to speak truth to power. Juanita: rejected by Rosalia as a threat to her hegemony as Boss of the Girl’s Club, was cast adrift on a tempestuous childhood cruel Montserrat sea, out there on the briny deep . . .  
                

                                      



High Seas: where many a tuna has a Sorry Charlie moment: “Star-Kist don’t want no tuna with good taste; Star-Kist wants a tuna that tastes good.”

Finally, Juanita is rescued, taken aboard the Good/Soul Aunt Peggy—that wayward bark Elisabeta Rodriguez, home-ported in Southside, Chicago, Illinois—the rescue at sea performed in classy, rather low-key manner; no Andrea Doria drama, but understated:

{Camera One, Helicopter above, zooms over turbulent ocean surface. Peggy, an oasis of calm, aboard the raft Kon Tiki with Thor Heyerdahl and his crew, floats by, whispering, “Going my way, Honey? Climb aboard. Have a homemade oatmeal cookie and a small glass tumbler of Jack Daniels.” Okay, no, that’s not fair. Sure Aunt Peggy drank, but never got round to offering you a drink until you were well into your 30s. Let’s just say she offered you a warm glass of milk, the mother’s milk deprived you by your mother, her sister Rosalia. Dear Aunt Peggy: a seasoned survivor herself, flawed by early childhood deafness and grotesque speech.  Yet, she had refused to settle for life in an asylum. She made a go at life.  She learned; she prospered; she flourished. And when the time came, she was there for you in the Coachella Desert, there for her feisty niece Juanita Ann.  Aunt Peggy: a loving spirit personified, became Juanita’s special confidant and counselor, her personal cheer squad of one. Juanita, of course, a former cheerleader herself--an early hint of greatness to be sure, a highlight, perhaps the highlight of her life, shown off every Halloween, still celebrated at American high schools each Fall. She is the Principal’s secretary at a huge suburban high school in Indio. Each Halloween, if the date falls on a school day, Juanita arrives for work wearing that scrupulously preserved, vintage 1966 cheerleader uniform, looking real foxy still, snug now in all the right places. Eternal Truth: Juanita has always and will always be good looking. Life with Juanita is perpetual “ooh la-la.”

So, I am on the couch that afternoon, reading more of Gramsci’s prison notebooks, specifically the philosophy he calls “Praxis.”  Completely out of the ******* blue, Juanita calls me on a RESTRICTED phone, as I said, Juanita, a torch I’ve kept burning for years, flaring up like a refinery flame--oil still very much in the present energy mix--hope springing eternal as they say, and instantly my mission in life is rekindling our lost love. Juanita’s conceived her mission prior to her phone call:  using me to keep her son from being whacked by the local Eme--the Mexican Mafia—that ethnic-pride social club that the RICO-squad-- using family tree socio-grams and other expensively-printed graphics, the one RICO keeps trying to convince us is some sort of organized crime conspiracy. The Mexican Mafia: like everything else practical and utilitarian in this world: THAT’S ITALIAN! And, if you are starting to sense a bit of ethnic chauvinism on, between & below the lines, you are barking up the right tree.
                                                           ­     
      
                                                            
(AUTHOR’S POST-SCRIPT EDIT: And, an ad for dog food right here? Not the best choice of sponsors, perhaps, at the moment. Juanita was far off from the ****** ***** that start looking not half-bad at 2:30 in the glazy morning, not anywhere near those beasts you find lingering in the airport bars you usually frequent near closing time on Saturday nights. No, I remind you that Juanita was all “ooh la-la.” In my next printing—and my Lord, there have been so many, haven’t there, Paulie “Eat-a-Bag-of-****” Muldoon? I will change out the Alpo ad, plugging in a spot for Aunt Jemima pancake syrup or Betty Crocker whipped cream, you know, something more apropos.)

Juanita, I really must hand it to you. You showed the greatest staying power, year after year as I moved further and further away from La Quinta, California. Juanita: you embraced what was good in me, ignored my flaws and strengthened me with your love for so many years. As far as you and Peggy, I guess it was a case of the “apple not falling far from the tree” one of many endearing Midwestern metaphors you taught me.  Peggy taught you, taught you to be kind and then you taught me. No matter what bizarre venue I pulled out of my ***, you showed above-average staying power, continued to visit me wherever I went, Casa Grande & Buckeye, Arizona, Appalachia, West Virginia, and even Italy, when I thought I’d try Europe again after so many years.  With each move, each time, Juanita renewed her commitment to the relationship. Meanwhile, I continued to test her, quantifying her dedication, undermining her sense of mission to disprove my worldview on the expendability of women. Surely, you know that one: the unreliability of women, women who disappear without saying goodbye. That old deeply etched conviction to never get attached to a woman, any woman, based on the empirical fact that women have been known to suddenly die, a fact seared into my still tender metal by the surprise death of my mother on 11 January 1962.

1962. It was already an insecure world, to wit:  The Cuban Missile Crisis. Nikita Khrushchev, in his time both Dr. No and Dr. Evil, namely the Premier whom we Baby Boomers saw as Boogey Man of All Time (Although Putin is showing potential, lately)—the Kennedy ****** (what else could you call it?). All these events scary, whether or not I got the chronology right . . . I remained on high alert for any threat to my delicate adolescent psyche.  My mother-Rosa Teresa Sekaquaptewa-died at 2 o’clock in the morning, screaming in agony while apologizing to my father for not having his dinner on the table when he walked in from work that prior afternoon. She’d already been in bed since noon, attended by two of my aunts--both my father’s sisters--who loved their Hopi sister-in-law, Rosa.  Also present was Lafcadio Smirnoff, M.D.--last of the house call medicine men--a dapper, mustachioed, swarthy gentleman, misdiagnosing her abdominal pain as a 24-hour virus, while she bled out internally for at least eight more hours, her whimpers alternated with screams, well into the wee hours of the morning.

I was upstairs in that dormer bedroom listening to her die. An hour later, Father Numb-nuts of Our Lady of Lourdes Parish teleported in, beaming directly into my bedroom from the parish rectory.  Father Seamus Numb-nuts, an illuminated Burning Bush . . . not quite the bush I ‘d conjured at other times, so many times alone with Gwen Wong, ******* Playmate of the Year, 1961, one of Hefner’s hot centerfolds. No, give me a ******* break, you momo! Whacking off is the last thing on a libidinous, adolescent guinea’s brain when his mama is being tortured and killed by God. Even Alexander Portnoy, Philip Roth’s early avatar would have drawn the wanking line at that unforgettable moment.

No, perhaps what I’d had in mind was The Burning Bush Golf Course where so much of Fletcher Kneble’s political mischief and government shenanigans got cooked up. You remember his books, some of the Cold War’s finest: Seven Days in May, Vanished, etc.

Or better yet, perhaps the greatest political slogan of the 20th century: “STAY OUT THE BUSHES!” Thank you, Jesse. “Thank you, Reverend Jackson,” I slip into my Excellence in Broadcasting mode, my very own private Limbaugh. Announcing my on- air arrival is El Rushbo’s unmistakable, totally recognizable bass line bumper, courtesy of Chrissie Hynde’s Pretenders band mate, guitarist Tony Butler: Dum, dum, dum-dum, Da-dum, dum-dum-dum-dum-da-dum-dum. Single, “My City Was Gone” by The Pretenders
Rush Limbaugh Song– YouTube www.youtube.com/watch?v=SScW9r0y3c4

I become Reverend Jackson. I emerge from the vapors, an obscure abyss of deep family pangs and disappointments, ever-diminishing public relevance and fade to black (no pun intended) and media oblivion. The only thing left is that line:  “STAY OUT THE BUSHES!” You will always own that line, Jesse--true political genius (to wit: Rainbow Coalition) Jackson that you are, despite El Rush-Bo’s virulent anti-Black animus, his predilection to mock you, Al Sharpton, Corey Booker, Barack “Hussein” Obama, and any other professional ***** in America. Isn’t it time someone came right out and tagged Mr. Limbaugh as the Father Coughlin of our time.

Meanwhile back in The Bronx, enter another man of the cloth:  It’s Seamus Numb-nuts, making one of his many well-documented spectral visitations, his splendiferous miracles and wonders. How much longer will the Vatican ignore this humble Bronx priest, this epitome of Sainthood; this reverent man, lacking only the stigmata for a unanimous consent vote? Quote the Numb-nuts: “God Works in Mysterious Ways.” An old standard to be sure, but a lovely, all-purpose bromide for explaining why evil exists in our world. Needless to say, I was underwhelmed; I lost God at that moment, consequently shooting myself in the foot--metaphorically-speaking-condemning myself to an unshielded life, life OUT THE BUSHES!  I went forth into the world without God, without that handy divine crutch, that Andy Devine metaphor for when one’s legs grow weary: a puff of smoke, a reverb twang and a nasty frog croaking “Hi-ya, Kids. Hi-ya, Hi-ya. Hi-ya.”

   Andy's Gang - Pasta Fazooli vs. Froggy the Gremlin - YouTube
► 3:55► 3:55
www.youtube.com/watch?v=H35odPm7b3w Aug 8, 2012 - Uploaded by jmgilsinger
Froggy the Gremlin -Tuba ... Andy Devine (Aug 24, 1952)

Life for me became lonely and purposeless. And probably explains my susceptibility to military discipline and a subsequent career in clandestine government service. In 1968--the very day I turned nineteen, September 25th of that year—that fateful day when I should have shot myself in the foot—literally not metaphorically--earning that coveted 4-F physical rejection, a draft deferment to be desired, that 4-F classification of unfitness for duty, a necessary loophole in U.S. conscript service law.  The Draft: last used during that great commonwealth Cold War purge, that culling out of the unwashed, uneducated children of immigrants, that cut-rate, discount, lower socio-economic ***** bank—the only bank where after you make a deposit, you lose interest, to wit: most Black, Hispanic and Poor White Trash parents.  We were cannon fodder, many of us got to be planted at Arlington and other holy American shrines, still wrapped in black or olive drab leak-proof body bags, doing our generational bit to strengthen the gene pool left behind. A debt, some would say, we owed the country and, given the sorry state of the global wicket, increasingly an obligation to the species. And if I had to predict an outcome, Fascism in America will arrive riding the white horse of the environmental, anti-nuclear Bolsheviks. One could argue that Communism has moved so far left on the political spectrum that it’s now the far right.  Concoct a legislative policy goal, accomplish it legally as the bill becomes Law, signed by the President, endorsed and blessed by The U.S. Supreme Court, the highest court in the land.

To wit: “Three generations of imbeciles is enough?” declared Oliver Wendell Holmes, Jr., an Associate Supreme Court Justice at the time, buttressing a majority argument harnessing the power of U.S. law as a legal means of purifying the race.  When euthanasia failed to win over American hearts and mind, the Federal Government played the war card again and again. Vietnam: undeclared and therefore unconstitutional--except for that Gulf of Tonkin ******* resolution. Vietnam: a cost-plus eugenics project, if ever there was one, although responsive, of course, to the needs of the Military-Industrial Complex.  ******* Ike: he warned us against Fascism in America. As usual, we ignored the man in charge.

Eugenics? Why didn’t the government just put all the retards on the stand, as John Frankenheimer did in Judgment at Nuremberg, a crafty Maximilian Schell humiliating a feeble-minded Montgomery Clift?  Why not, make everyone face a public tribunal, forcing all of us to testify in court, exposing our many substandard and borderline substandard cerebral deficits?  Why not force everyone to demonstrate just how ******* dumb we are, using some clever intelligence test, something l
mannley collins Jul 2014
Is such a big and impossible to miss step for a scribbler
of poetry free poems to trip over.
A step that cannot be ignored, except consciously and conscientiously.
Such a person as a scribbler of poetry less poems would be a person who cannot tell the difference between truth and truthfulness.
A person whose sole raison d,etre in pretending to be a poet is their lifelong angst in being unable to escape from being under the control of  their mind and its operating system --the Conditioned Identity.
The Conditioned Identity,which is the facetious and morally dishonest "I am a poet" mask that is the consciously adopted Conditioned Identity--the operating system for the Mind.
In the great scheme of things becoming just another member of the human GroupMind--one who doesn't count--not even on the fingers of one hand-.
One,who,in the grand scheme of things,never has counted and never will count-call them countless.
Shadows that flicker and dim on the walls of the Prison of political, racial,national,familial and religious conformity
And these worthless scribblers of poetry less poems do have an all consuming conditioned habit  of consciously ignoring truthfulness and integrity and substituting pathetic sub-teen lower middle class emo whinging "truth"--about their "art" and "insight"and "vision"and their "truth"--always their worthless "truth".
Sitting and mourning the fulfilling love that always evades them and always will evade them--unless they let go of the conditioned identity and the Mind--consigning them to the dustbin of history--where they rightfully belong.
Angst ridden whingers all--in love with their image in the mirror of Minds oh so believable deception.
Scribbling about a conditional possessive love that would have been a valueless truth but never can be the essence of truthfulness.
A conditional possessive love that never was and never will be unconditional and non-possessive.
Whinging about nothing more than conditional love and a truthfulness that never can be for them--- as we see openly here and there and everywhere there are scribblers of poetry less "poetry" who use sites such as this to scribble their pretentious infantile nonsense.
Poverty of values and integrity,orphaned from the Isness of the Universe, children of worthless technological consumerism and followers of false oligarchic hopes.
With their greedy gobs open for any crumbs falling from the rich peoples tables,like baby chicks in the nest--feed me feed me they screech.
Colluding with like minded betrayers of truthfulness,groupminds of
limp wristed bombastic poseurs.
Deluding themselves by babbling media made inane celebrities
empty insights and twisted conclusions--purveyors of puerile pettiness.
Oligarchic media celebrities noted only for the illusions between their ears,and the beguiling way they collude with each other to delude themselves.
Ludare!
Oh how they love to play mind games
Lives spent colluding with these babbling worthless celebrities who know the price of everything and the value of nothing,
Pompous posturing pretentious pissants of aesthetic poverty.
Bound together into a worldwide consumers Groupmind,
persuaded by perverts of PR into believing in the Illusion of Wealth and Demockery that the Oligarchy sells.
To step over the truthfulness threshold is,indeed, to  leave behind their
security blankets of "truth and beauty and revealed knowledge"
and the concomitment meaningless verbiage about "veracity" and "existence".
Shallow and unrequited attempts to own another that the weak and unwanted call "love".
Stomping through the quagmire of conditional love
up to their necks in the **** of consumer garbage.
The Conditional love of possessing another and grasping at thin air
as they submerge slowly in the seas of righteous stupidity .
poets cling to their misconceptions religiously,
poets cling to their ignorance avidly,
poets cling to their proto-fascist politics squeamishly,
with each word and stanza that they write.
Pouring out such pleasant and elegant and flowery and "deep"
words and verses(rhyming or not) that,at their core,
have only one meaning and aim.
Which is!.
To divert and confuse their readers with the"shallow beauty"
of endless strings of meaningless associated but fine sounding words .
To create a groupmind for their poetry business products.
Admire me--buy my product--join my groupmind--eulogise me,
let me rip off your energy--I need your praise,I need your lifes energy
gimme your money honey!.
The Publishing Oligarchy will bestow rewards and honours,
medals and diplomas--critiques fit only to wipe your **** on.
Book sales and the summer Poetry festival circuit--reciting and signing scribbles of narcissism--casting lecherous eyes over dripping **** or stiff wobbling **** in the adoring crowd of sycophants.
The  Media will fawn and adulate and cast its sly net
to entangle your desires in ---infamy awaits.
Come admire me and my use of other poets stolen words,
my criminality in even daring to think the word "poet" has any value.
These are my words about my inexperience and unknowingness they scream possessively in jaundiced teeny remembrance.
Remembrance of mediocre middle class homes and attitudes
of ingrained ignorance and wilful imagined self victimisation.
Eating societies poisoned dishes--.
Serve me up a burger of roasted babies on toast
from Vietnam--live on Channel Whatever.
Or chargrilled peasants from Afghanistan
with breathless commentary from
our "reporter on the spot".
Or homeless mental wrecks from the streets
of any Amerikan or World city big or small,
trailing acerbic criticism from the immoral majority.
Or dead celebrity  consumer junkies in 5 star hotels
complete with PR handouts and **** licking "friends"
positioning themselves for increased sales.
Or the children of the Oligarchs with their "I" newspapers
and inbuilt fascist attitudes.
Who spend their shallow lives hoping for the kind
of meaningless and worthless Honours and Validation
from those that do not have honour or validity..
Or the not just lame but crippled duck presidents with their finely crafted speeches that say nothing but I am a beard wearing  failure,
looking forward to penning lies and calling it a frank memoir
while holding out my hands  for the Oligarchies pennies.
Can anyone tell me where to get a bucket of truthfulness?.
A glass of honesty?.
A tumbler full of veracity?.
A beaker of back breaking honest labour?.
Can anyone tell me where I can find
a peaceful man or woman,of any of the 5 colours.
Not those merely observing a Cease-Fire
while they rearm their weapons of the lies of beauty and truth.
Oligarchy allowed social commentary.
Is there just one decent truthful man or woman out there?.
Judging by the world Id say not.
No Id say not.
Not.
There Ive said it.

www.thefournobletruthsrevised.co.uk
Sa dami ng mga trabahong tumambak dahil hindi mo pa nagagawa
Mga papeles na nagpatung-patong na
Yung lamesa **** inaagiw na dahil hindi mo alam kung saan at paano magsisimula.
At mga istoryang di mo pa maisulat dahil nangangapa ka pa.
Isama mo na rin yung katrabaho **** nakakairita na sa tenga.
Dahil crush niya daw si Justin Bieber
At paborito niyang frappe sa Starbucks ay Caramel.
Kahit mukhang ang afford niya lang ay Nescafe “Oo nga pala, French Vanilla” na iniinom ni Toni Gonzaga.
Pero wala siyang pambili ng sarili niyang tumbler.

Tangina.

Idagdag mo pa ang mga patay na oras na sunod-sunod ang mga buntong-hininga
Nahuli ka pa ng boss mo na nakatulala
Kaya hayan at napagalitan ka pa.
At dahil contractual ka, yung limang buwan na kontrata mo
Biruin mo, baka mapaaga pa ang endo.

Aminin mo na ang pagpatak ng alas-singko
Ay may kakaibang dalang saya.
Na parang sumagot na ng “oo” yung matagal mo nang nililigawan.
Nakulayan na rin yung mga pinlano niyong outing na buong akala niyo’y hanggang drawing na lang.
Parang pagbabalik sa Pilipinas ng kasintahan **** kumayod sa ibang bansa.
Parang ibinalita sa TV na hindi traffic ngayon sa EDSA.
Himala!
Kaya ang pagsapit ng alas-singko ay kakambal ng paglaya.


Wala sa’yo kung sa bus man ay tayuan
O kaya sa dyip ay makasabit man lang.
Basta makauwi ka lang.

Nakakasabik pa rin ang ideya
Na ang bawat pag-uwi
Ay kasing banayad ng mayroong sasalubong sa’yong ngiti
Mga ngiting papawi sa kangalayan ng mga binti.

Mayroong yakap na nakaabang
Ang mga bisig na nagmistulang pinakapaborito **** kulungan
Dahil doon mo nararamdaman ang tunay na kalayaan.
Mula sa pang-aalipin sa’yo ng lipunan.

Nakahain na rin ang hapunan.
“Mahal, ano ba ang ulam?”
Sabayan natin ito ng mahabang kwentuhan.
Simulan natin sa simpleng kamustahan.
Dahil pagkatapos, ay aabangan mo na naman ang alas-singko kinabukasan.
Ann Marcaida Jan 2013
I. Neptune’s Theater


A rock spins through the universal tumbler

and its warm blue pools calcify

as turquoise Neptune in his cloudy blue bath bath

builds a lace castle with his fingertips


Sculpts a submerged eden of crimson and emerald

where painted parrots chat up cardinals

butterfly and angel fry sway with wave pulse

and foliated coral fingers beckon from arched windows.


Neptune’s children are flat and bright, spined and notched

free yet entangled in lace mesh ecosystem

beneath an array of bioluminescent stars

as a gangly pretender watches and blows bubbles.




II. Sapien Siege


The hot acidic hand of death grasps

the mesh rends and tangles

the ecosystem shattered

reef’s loosed children scream beneath planet’s stars.


Butterflies impaled

cyanide-swooning damsels

mesh-tangled angels hauled heavenward

coral to potash, corpses to coal.


The pretender to the throne blinks

rubs blurry lenses,

kicks plastic fins

and moves on to the next show


Unseeing and unaware

of the luminous filament in his wake.

Self-appointed divinity,

deus ex machina.

*****************­************

Ann says: All of the animal and human characters in this poem (except Neptune and The Pretender) are named after coral reef fish. Coral reefs, one of the most diverse ecosystems, are expected to be largely extinct within one human generation. Deus ex machina is Latin for “God from the machine.”

Copyright 2013 by Ann Marcaida.
Copyright 2013 by Ann Marcaida.

All of the animal and human characters in this poem (excepting Neptune and the quadruped) are named after coral reef fish. Coral reefs, one of the most diverse ecosystems, are expected to be largely extinct within one human generation.

Special thanks to my poetry coach, without whom I never would have gotten this poem to publication quality.  Also to anonymous reviewer G.W. who helped to steer me in the right direction.
Torin Feb 2016
Mind never stops
A rock tumbler filled with thoughts
Becoming polished jewels
Sumit Bhaintwal Jun 2015
Chocolate Milkshake!
Sweet love-child of milk and chocolate;
Drowsing inside my extra large take-away tumbler,
after a tiring roller coaster ride.

Chocolate milkshake!
Dark and delicious; Derived from the **desserted
district of dreamland.
Destroying me internally, you devilish seed of cacao tree.
Today, you are mine; And I’ll be the proud receiver of your sweet nectar.

Chocolate Milkshake!
You proudy  liquidy miracle of nature.
You self obsessed syrup of supremacy.
You won’t ever get over yourself, will you?

Chocolate Milkshake!
I have loved you enough, you mean juice of Zion.
Next time, I am gonna order a vanilla milkshake.
It might not be as magical as you are;
But again, I can’t hold onto you forever.
Alexander  K  Opicho
(Eldoret,Kenya;aopicho@yahoo.com)


Dear Beloved potential victim to my foul intentions,
How are you today and your family, I covet it most
I am a citizen of Sudan but currently staying in Burkina Faso.
My name is Miss Ngara Deng,24years old daughter of the richest Sudanese
My wealth in prankstery is spilling over the tumbler of truth,

We originated from Sudan the confused kingdom of penchant tribalism
I got your E-mail address/profile through my justifiable slyness
in the internet search from your country of prank victims,
In the national chamber of commercial fraudulence,
When I was searching for a good and trust worthy person
Who will be my friend  even I con him to the apex of my efforts,

And I believe that it is better we get to know each other
Better and trust each other so that I determine your degree of folly
Because I believe any good relationship depends on your callousness
Will only last if it is built on truth and real love of I frauding you,
My father Dr. Dominic Dim who gave birth to me
A universal queen of fraud an pranking
He was the former Minister for SPLA  contraband Affairs
And Special Adviser to President Salva Kiir in regard to tribalism,
As the main virtue of South Sudan.

My father Dr. Dominic Dim Deng, blessed be his name
And my mother including other top Military officers
And top government officials in this game of ours,
Had been on board when the plane crashed
On Friday May 02, 2008. May be Museven Knows
After the burial of my father, all pranks were there,
My uncles conspired and sold my father’s properties
To a Chinese expatriate and live nothing for me.

One faithful morning, gave a twist of fate;
I opened my father’s briefcase and found out the false documents,
Which he have deposited huge amount of fake money in one bank
In Burkina Faso with my name as the next of kin in prankster,
I traveled to Burkina Faso to withdraw the money
so that I can start a better prank life and take care of wiles.


On my arrival, full in arms as you know am a liar
The Branch manager of the Bank, a Burkinabe
Whom I met in person and desire he was my prey,
Told me that my father’s instruction, vicious ones
To the bank was the money is released to me ,
Only when I am married or present a ****** s trustee
Who will help me and invest the money conning guys overseas
I have chosen to contact you after my prayers and ploys.
I believe that you will not betray my trust.

But rather take me as your own sister in crime
Though you may wonder why I am so soon revealing myself
to you without knowing you to be good in pranking,
Well, I will say that my mind of a thief convinced me
That you are the true foolish person to steal from.

More so, I will like to disclose much to your folly
if you can help me to cheat the police  by hiding in your country
Because my uncle has threatened to counter prank me,
The amount is $8.4 Million and I have confirmed
From the bank in Burkina Faso that am only lying,
You will also help me to place the money in heavenly treasure
In a more profitable swashbuckling venture in your Country
However, you will help by recommending to me
A nice University in your country from when I get a diploma
In thieving and frauding,
So that I can complete my studies in this marketable field


it is my intention to dupe you properly
As you get trapped in my rackets;
The balance shall be my capital
In your illusive establishment
As soon as I receive your interest in helping me,
I will put things into action immediately
In the light of the above of the nonsense
I shall appreciate an urgent message from you
Indicating your ability not to sense a lie
and willingness to handle this transaction in foolish sincerity.

Please do keep this only to yourself as it is fortunes fool
You should contact with my prank email ID below;
missngarad@gmail.com
Sincerely yours,
Miss Ngara DENG
we can use poetry to fight cyber con men
Brandon Jun 2014
"They're ******. All of them." Bill said. Pounding his right fist on the bar top before sloppily grabbing his tumbler of whiskey, spilling small but significant amounts onto the wooden top, and bringing it to his lips and gulping it down in one swallow.

"More." He shouted at the old man behind the bar who begrudgingly obliged and poured another four fingers width into the glass.

Bill pulled another fifty out of the pocket of his ***** white button-up and slid it onto the bar top where it rested momentarily in the droplets of whiskey before the bartender picked it up and placed it in the register next to the other four fifty dollar bills that the man had already spent. Though the drinks were only twenty a piece Bill made no move for change so the bartender ignored his growing belligerence and continued to pour.

"They can't all be ******."
The man sitting next to Bill piped in.

"Yes they can." Bill ranted back. "Every last ******* one of them. They speak in lies and loose words. Turn everything around so they're the victim. **** em. ******. All of em." Bill downed his drinks but before he could shout for another the bartender was already pouring a drink for him.

Bill laid down another fifty and drank some from the tumbler.

"Maybe it's the ones you meet." Bill's neighboring barmate pitched in again attempting to offer some wisdom.

"I've met them all. I've worked with them all. I've ****** and been ****** by them all. They all want an Apple but ignore the tree the Apple grew from. Always in some sort of silly competition." Bill answered back.

He finished off his drink but asked the bartender for a soda water instead of another whiskey. The bartender filled another tumbler up from the spray nozzle and put it in front of Bill and said no charge.

Bill laid a fifty on the counter. "From all the ******" he said.

He stood up barely able to stand until he balanced himself by using the stool and once he gathered himself he walked towards the back of the room where the restrooms were.

Bill stumbled in and rested himself at the sink taking a look at the reflection in the mirror. His wire-rimmed glasses were smudged and hung slanted on his lean dorky face and his short cropped hair was a mess. It had been a few days since he last shaved and the admiration of a five o'clock shadow had began to make an appearance on his cheeks and upper lip. The suit he had been wearing looked like it had been through a war itself, all tattered and torn and crusted with stains.

He removed his glasses and attempted to clean them in the sink before drying them off with the untucked tail of his shirt. He put them on. It wasn't much better. Next he straightened out his hair the best he could, struggling to keep his much despised cowlick in place.

He unzipped his pants and pulled his **** out and went about relieving himself in the sink all the while staring at himself in the mirror. When he was done he shook twice before putting it away and zipping back up.

Bill went to wash his hands but looked at the sink and realized it had been clogged and now laid full of his *****. He chuckled and shrugged his shoulders and walked out of the bathroom.

His soda water was still on the counter and he started to drink it as the bar's front door opened allowing fresh sunlight to assault it's way in. A tall model-beautiful girl stood in the doorway wearing a suit that showed as much skin as possible. She scanned the room until her eyes laid at the disheveled Bill at the bar.

"Mr Gates" she announced, "the car is ready if you'd like to leave sir."

Bill ordered a whiskey with soda and left another fifty on the bar. His barmate said he understood now why Bill had said they're all ****** after seeing how the woman at the door was dressed. He was laughing as if he had made some grand joke.

Bill stood up off of his stool, knocked back his whiskey and soda, straightened his glasses once more, and threw a strong right hook towards the other man, sending him flying off of his bar stool and on to the hardwood floor. He laid sprawled out, conscious but not moving.

Bill shook his fist. It had been a long time since he had hit anyway.

He walked over to the downed man and told him to never disrespect a woman again.

"But you called them all ******." He replied.

"No you little ignorant man, I was calling everyone in the world of business a *****. There is no loyalty and the only thing that matters is profit."

Bill helped the man back up off the floor and back onto his stool. He laid out a hundred dollar bill on the counter and told the bartender that whatever the man wanted to make sure he got it. Mr Gates straightened himself up again and walked towards the door and after looking around the dingy barroom one last time walked out into the sunlight where a limo was awaiting him.
Justin S Wampler Mar 2015
Welcome to my home, oh won't you come in?
Allow me to show you around, would you care for a drink?
Tell me your poison, maybe a highball of gin?
I keep it in the kitchen with the coffeepot by the sink,

or maybe you'd prefer a tumbler of crown?
Whiskey is right in the foyer by the doorstop,
there's nothing like a nip right before I bounce.
And if it's wine you crave, it's in the living room atop

the tube television beside the VCR in it's place.
But if you've a tongue for peach schnapps
then make your way to the crawl space.

Whilst your up there I say, would you do me a fave?
Look in the attic for the bourbon, it's beside my baby pictures,
and bring it down for me. I'm sure that I saved
some from the last time I was up there alone with self-stricture.

Oh you don't care for bourbon, then maybe some brandy?
The cognac is somewhere down the basement,
but ignore the rope and the candies.

You're unsettled you say? Then ***'s how to spend
drinking the night away with me in the den.
OH! Just send a beer your way?! you should've just said!
A six-pack's in the bathroom, right next to the head.
Mimi Jun 2011
Late at night I am creative
in the form of a fizzing soda bottle
pomegranate deep purple liquid
poured into a glass tumbler three fourths full
standing on a chair moving cereal boxes

that tall glass bottle in the back of the cupboard
splashing it in the tumbler clear and sour

half a teaspoon of sugar and a squeeze of lime
mixing until I see the pink froth on top
drinking it down before I realize what I’m doing

Flash back to a few hours before
“you smell good” is what he said to me
leaning in, whispering it in my ear

Well how do you like me now?
breath full of fruit and something sharper
I can’t say you’d approve of the way my brain buzzes
but I know, secretly, you would understand
Meagan Moore May 2015
You pelted my stagnancy,
As gravid cloud to stone
In decrees of chaos
You rendered me to sand
And we formed breadths of creek bed
And waded amidst the other stagnant stones
Rendering them to new potential
5/10/15
meggie
was thumbing
through her
fair trade
“style with a
conscience”
holiday catalog

eyeing
baby organics
indulgent Alpaca’s
green gear for guys
dining as nature intended, and
the best reusable shopping bags, period!

“What do you want for
Christmas Dad?”

“just be a good girl, meggie.”
I answered.

“I’m gonna get you a pair of socks
for Christmas Dad.”

“I don’t need an expensive
pair of socks.  megs...

After a couple of washes
one always gets lost
inside the bottomless
tumbler.

Leaving only one to lay
inside a chest of drawers,
in the company of
happy matched pairs,
waiting to warm my
Lamisil wanting toes

One sock
alone and unhappy
its a really sad story.

Radio Arcade: Socks Song

Suffern
11/8/13
jbm
****** Mary sunset
Soft tequila sigh
Ivory teardrop tumbler
Disregarded sky

Street breeze through the window
Kettle on the stove
Chopin in the parlor
Empty pack of cloves

Resonance of redwood
Essence of the earth
Shrine to Mother Mary
Sacred ****** birth

Portraits on the table
Gazing toward the floor
Cobwebs in the dresser
Tucked behind closed doors

Violins descending
From the upper room
Dissonance impending
Lost in worry’s womb

****** Mary sunrise
Flower pillow sigh
Alka Seltzer tumbler
Halfhearted goodbye
Robi Banerjee Jan 2014
Poetry is sometimes easy like the wind rushing
to where there is not much wind, caressing in waves,
invisible and pliant like the air, as effortless as
breathing it. Poetry is sometimes impossible,
like turning the tumbler of a lock with your fingertip,
like climbing a mountain barefoot in a blizzard
of screaming, sliding sleet, like a tearing cry
that dies into a whimper in your throat as you
realize the futility of that which you do,
the implacability of the beast you fight.

Sometimes, there are no words that can describe
the machinations and the subtle ticking of a clock
that beats in time to the human soul. Not hearing
the rhythm, you forget the music until your heart
sings again and you dance free like a young ballerina
cutting ballet. No poem is a picture that captures
the fluttering, soaring and sinking in the heart’s chambers.
You choose a word that fits, discard ten of its brothers,
yet feel surprise when your sentences have no answers
for the questions in your chest. You mourn every phrase
you have lost as you fell asleep. Knowing not
what you forgot, you move on to new questions.

You cannot miss what you’ve never felt, but you can yearn for
something you’ve forgotten. What is the difference to you
if you cannot remember the difference? The embryos of
the heart and mind are fragile. Your heart sings of a country
it cannot see anymore now that your back is turned,
you cast fishing nets behind you into the past blindly.
You remember that you have forgotten, and you forget
what bears remembering. You remember a day long past
not as the day that passed but as the memory of its passing,
yet feel surprise when years later and many forgettings hence,
it happened to someone else altogether.
(As seen on Apostatements: apostating.wordpress.com)
Owen Phillips Apr 2013
It's all gone out of me, the hammer falls and I'm not ready to answer
Trembling, weakness supporting a tub of jelly
The pollen-filled air flies past like the
Pelicans at the edge of the harbor
Taking us gliding for an unpleasant ride
Down the corridors of plastic colors
Through the one word answers that bubble forth from
10,000 years away in hyperspace
Where the mechanisms of language become so convoluted
That they disappear completely out at the vanishing point
Coming up behind you again to drag you into that smoky allure
You remember hating and pinching your nose from
And hiding in the car, but the new fear is of becoming addicted to it
Just like your addiction to ego games and
Intellect, just like your addiction to pleasure and constant validation

The validation's there in the eternal self, they say
But I'm an intellectual
Too impatient for meditation
And lost along the way to enlightenment
That I truly want,
But then I'll never have it if I continue to live this way

It's wilderness calling from a tame fool
Sticking up for you the overgrown horoscope signifies
The shapes of skydives,
He comes in and out of our dull lives
And there's an electric current that solidifies between
Him, Us, and his music
Iron rods jutting up from scorched earth
A broken paradise
Crumbling in a whisky tumbler
Blackened by fiber filters, creations
Unlocked by flowing ontological
Caricatures, open wounds gnashing
At attention-seeking osteopaths
Fortune seekers clamber down
Soccer field bleachers,
Somebody lost his sneakers in the woods
Once there was a set of barbells along the trail
We fell in line and started
Counting each other
One by one it seemed like the green apples would never fall
It was up to us to wait for the shower
It would feed our kin
We'd begin to rise up together
But it could never keep up with our pen
We wanted the ghosts to follow us and overtake our mortal foes
But we couldn't command the armies of the dead
We derive all our pleasures from films and campfire stories
We contrive our adventures but we wait for them to happen to us
We take a passive role in finding love
And it blinks lights at us across suburban streets through windows in the dark
The mind begins to writhe with new memories it composed of old
An idealized time of a child with the perverse mind
Of a hogtied adolescent
Guessing that the course of existence
Isn't determined by the speed of your calculations
Testing the warm water on a naked toe
We could dive in and forget to breathe
And the water could carry us forever
Alleviating gravity
All the obstacles we perceived in past lives
Remain with us like
Chimney swifts on the bottomless April days of a
Klu Klux **** telephone operator
Who believed in the spirit and the holy ghost
And burned a quiet altar to Satan's minions every Sunday night
Drinking nail polish and
Obscure references to the films of the
Ancient Greek philosophers, who
Saw the medium as a means to a message
And patronized the elitest filmmakers to study the ancient Runes
And reveal their findings to a power-hungry public
That would not outright reject it
But that would have to follow it down the rabbit hole
Through the wide mouth of the trumpet around brass fixtures
And into the tight hot moist mouth of the trumpeter
And the elemental warriors would strike oil beneath the whole affair
Ending the time we spent hoping for any entertainment to create itself before our barren psyches
Busying ourselves with incomprehensible tasks and letting our indolence take the reins until we found our heads again out there amid the vapors of
New car chem trails and old railroad bunkers where spruce and cedar grow through cement earth, they force apart the ground with just their roots

We weren't ready to keep watch the following weekend but we
Had no choice when the government bond expired
And we had only technological solutions left to hope for
And wrongly we abandoned our research posts to fight the enemies
With giant weapons and uncreative slogans
Our drummers played so fast we marched along and killed all that remained in record doubletime
Rendering the events of that victorious day immortal in the ingenious accounts of
Philosopher/poet/historian Michael Jackson
Who gave one final performance
To save himself from what must not be
Robert Zanfad May 2010
Bill played piano down by the bar,
moldy old show tunes
gray-haired folks listened to,
in youth they'd played over...and over.
He once told me he was terminal,
diagnosed with months left,
and had just one request
of his own to be met
before accepting eternal rest -
peace in the kiss
of a handsome young man
who's powder blue eyes
might make him feel young again.
I thought he would weep,
and heart aching, obliged,
gratified by the smile,
sweet joy it seemed to bring him...
'till Sarah stuffed a dollar
in the tumbler of tips
he kept perched on the edge
of the piano he played -
he'd won their wager
he could get the
straight kid to kiss him.
Sarah cooked in the kitchen
and I always wondered
what sort of mother
named her son -
Sarah Vaughn -
then heard the sparrow sing
on the radio, laughing
because the one I knew
squawked like a crow
and dressed
in wigs and woman's clothes
when work was finally done.
The coincidence seemed
a delicious, karmic prank,
payment for some past-life indiscretion.
Michael studied flamboyance,
raised to high art in sweeps of his hand,
head tossed back, as if to keep pace
with legs was annoyance.
Adolescent innocence ended
when I realized the only other
guy employed there
who was straight like me -
was really a she -
chest wrapped real tight.
anonymous Dec 2015
after julio cortázar*

my bourbon

i drink it at a bar, alone

its translucent honey-color is an axolotl's eye
looking into me

and, like a cortázar story,
little by little,
my bourbon axolotl steals my body,
its soul stealing through my eyes to evict me from this
honestly-not-that-well-kept apart
ment

and i feel my bourbon axolotl eye replacing me
as i am drawn out into its glass prison

and i stare up as my bourbon turns me
gently in my glass
as my bourbon raises me to its lips
sips me
no longer winces
or even registers any emotion on a calm-liquid-surface face
eyes wet and flat and blank as a tumbler ******* deep

and i don't know where i'm going or what i'm becoming but
this feeling of spiraling and draining and emptying
is everything that i know

and there is less and less of me as bourbon stares down
cold
unsmiling
neat
and silently consumes me
and i am disappearing
and i am gone

and bourbon stands,
calm, but not serene,
and bourbon walks to my car, each step carefully measured,
and bourbon drives my car to my apartment
and bourbon sleeps in my bed and goes to my job and collects my paycheck
and bourbon falls into habit and routine
and bourbon feels my
empty.

but having a body, a life, is better than being trapped in bottles and glasses
it's probably better, anyway

and bourbon won't go back, won't trade flesh back for silica,
will keep living unfeeling behind glass-eye walls until skin and sinew unknit

and bourbon is so alien and content that
it never wonders if there is anything more,
never despairs for its ending road,
treasures every drop

bourbon calls this body, this life
top shelf

bourbon knows that **** ain't cheap
magical realism drinking poem partially inspired by a short story
Edna Sweetlove May 2015
This is a prose tale about the great superhero, SNOGGO
(as told in the first person by SNOGGO to his amanuensis, Edna)

*'You can't have "Jew",' I said.
'Why not? It's a perfectly good word. Are you anti-semitic or something?'
'Jew has a capital J,' I said.
'Not necessarily. I've used it before.'
'Not with me you haven't. There's the dictionary. Look it up.'

Jumbo grudgingly picked up the Shorter Oxford and looked up "Jew". He sniffed loudly, slammed the dictionary shut and removed the tiles from the board. His replacement word was a sodding disaster.

'That's twenty-four points you've cost me with your nit-picking, you *******,' he said through gritted yellow teeth, his flabby body shaking with rage. 'The J was on a triple letter score.'

I sneered derisively and laughed long and loud, making Jumbo froth at his ugly fat nostrils with anger.

'Watch this and weep, Jumbo,' I said, playing out all seven of my tiles onto the board to create a stunning word: UNZIPPED. 'The Z's on a double letter score and it's all on a triple word score, so that's 90, plus 50 for playing all my tiles, 140 in total and the end of the game,' I declared in triumph. Jumbo was caught with 14 in his hand (remember: he still had the J) and thus I, the great SNOGGO, became Greenwich Scrabble Champion for the 25th year running. Not only that: but 25 consecutive defeats in the final for Jumbo.

Jumbo roared in frustration as he saw his hopes of taking the coveted 24ct gold "Queen Anne" cup away from me, SNOGGO, dashed to the ground yet again. And, by centuries old tradition, 25 consecutive victories meant the priceless cup was now mine to keep for ever. Jumbo's scream of uncontrollable, incandescent rage could have been heard as far away as the Vanbrugh Hill Municipal Waste Disposal Centre.

'******* you for all ******* eternity,' he bellowed unsportingly as he waddled out of the cheering hall. In so doing he flouted the gentlemen's convention of always staying to take part in the closing ceremony. He missed seeing me, the great SNOGGO, receive the shining gold cup from the gnarled hands of the Lady Mayoress, the Hon. Mrs Snotte-Wragge, who whispered in my ear 'Fancy a quick **** later, back at the mayoral parlour, SNOGGO dear?' For the fifth year in a row I told her to go and get stuffed as I didn't go for ugly old bats with arses on them like a double-decker bus.

Later that evening, as I sat in the splendid Georgian surroundings of Snoggo Manor, cradling the gold cup and admiring the row of 25 Championship certificates on the walls of my elegant dining room, finishing off my second bottle of Bollinger Grand Cru '89 and stuffing my 18th oyster down my happy throat, I heard a knock on the door. Who could that possibly be at nearly midnight?

It was Jumbo, my fat defeated foe. He looked downcast. 'SNOGGO,' he said, 'I've come to offer my apologies for my inappropriate behaviour earlier. You deserved to win, you are the finest scrabbler in all of Greenwich. I have come to offer you the hand of friendship and to invite you to my humble home for a midnight snack to celebrate your stirring victory.'

'Jumbo,' I replied, 'that's uncommon civil of you, old man. And your timing is excellent, as I've just finished my apéritif and was on the verge of kicking Mrs SNOGGO, my new 17-year old Thai mail order wife, out of her hammock to make my supper. So what's on the menu, squire?'

'Well,' said Jumbo, 'I was thinking of pâte de foie gras - naturally made by Mrs Jumbo using our own force-fed geese, with a bottle of Château d'Yquem '78 to start with. Then perhaps a kilo of blood-red filet mignon avec pommes frites, washed down with a rather good magnum of Brouilly '99. Then there's Mrs Jumbo's famed cheeseboard with a tumbler full of vintage port, followed by a dozen crêpes suzettes, a few petits cafés, a monster Armagnac and a giant Havana each.'

I considered the proposed menu carefully before replying. 'Sounds quite good to me, Jumbo,' I declared, glancing over his shoulder at the Bentley waiting outside. I could just see the peaked chauffeur's cap of the diminutive Mrs Jumbo peering myopically over the leather-covered steering wheel.

And so, having told Mrs Snoggo to tidy up a bit whilst I was out, I went off to dinner with Jumbo. In all our 25 years of Scrabble rivalry I had never once set foot into his house, so I was eager to check out what sort of lifestyle he enjoyed. Once inside Jumbo Villa, I cast my eyes over the luxurious furnishings with an expert eye, evaluating their immense worth and rarity with incredible perspicacity and knowledge.

'Not a bad pad you've got here, Jumbo,' I conceded. 'Not in the same class as Snoggo Manor, of course, but still ****** impressive.' He was visibly flattered by my compliment.

'A glass of sherry while we wait for Mrs Jumbo to serve us?' queried Jumbo jovially. I sniffed at the huge portion of delicious amber nectar appreciatively. 'Lustau Amoroso Bodega Marquès de Mierda '42?' I guessed instinctively. Jumbo nodded. '******* spot on, SNOGGO,' he admitted in stunned amazement.

I took an enormous gulp and felt the alcohol hit me like a slam in the abdomen from Cassius Clay's butcher and more vicious brother. The room spun and I closed my eyes in resigned delight.

When I came to I found myself hanging unclothed in chains on the wall of a dank cellar. My head was pounding and I felt distinctly below par. I looked over my shoulder and beheld Jumbo standing there with a sjambok in his hand. He was stark ******* naked, naked as the day he was born, and I have never seen anything so repulsive in all my life (with the sole exception of that incredible day when, as a child, I caught my paternal grandparents bonking on the Persian rug in the Great Hall at Snoggo Manor on Christmas Eve). Jumbo’s huge pendulous ******* sagged over his bloated fat belly, which itself hung so low his genitals were mercifully hidden from my view. He was a ******* monstrosity.

The tiny Mrs Jumbo stood to the rear of the cellar, also naked, pallid and with her public hair died a shocking pink. She was a skinny freak, a vision of *** Hell. I noticed the tattoo on her belly. It showed a depiction of the crucifixion which I felt was in dubious taste, especially with Jesus sporting an enormous *******.

What I, the wonderful SNOGGO, suffered in the next few hours was truly indescribable, so I will only summarise it. After a seemingly endless whipping from Jumbo (assisted by Mrs Jumbo, but her puny lash strokes were almost pleasurable), accompanied by their combined frenzied cries of demented hatred and loathing, I was forced to suffer the supreme humiliation. Jumbo mounted a set of fine Regency library steps, positioned his Hellish lumpen body behind me and unceremoniously inserted his tiny ***** into my outraged ****. Oh the shame! Oh the shame!

‘O Jesus Christ help me!’ I yelled in rain and pain. And suddenly a voice spoke unto me. 'O great SNOGGO,' it intoned, 'thou needst not suffer the slings and arrows of outrageous fortune so needlessly. Only have faith in me, the great loving Jesus, and I shall give thee strength to deal with thy ******* awful tribulations.'

It was a miracle! SNOGGO could and would be saved! Quickly I mumbled a couple of Ave Marias remembered from my youth as a leading mutual masturbator in the chapel choir, and I silently promised a quick twenty thousand quid to the local faggotty priest ******* fund, and my chains fell to the floor with a blast of heavenly thunder. Halle-*******-luliah!

'Right, Jumbo you fat ****,' I snapped, 'you have ******* had it.'

And with one mighty blow of my right arm I smashed him against the wall. His huge hideous body crumpled as he slid to the floor, blood oozing from his fat gob. I gave him a ****** good kicking in the face and in the heart region and shortly he went to meet his maker, with a sickening grunt and expulsion of *****.

Then I turned to the horrified naked ugly skinny tattooed Mrs Jumbo and said: 'OK, *******, where's my ******* supper?'

She shrugged and headed upstairs to prepare the meal I had been promised by Jumbo earlier, as I was seriously hungry by this stage. Little did she know I would be obliged to put her out of her misery later. Or if she were lucky, I might offer her a position as unpaid toilet cleanser chez moi.

Yes, it was yet another stunning victory for the fabulous SNOGGO, thanks to timely divine intervention for which I am very much obliged.

And don't forget my luscious 17-year old Thai mail bride would be waiting to give me a really good ******* once I got back to Snoggo Manor. Either that or I would give her a good belting and send her back to her grotty poverty-stricken village with a demand for a full refund, chop chop.
katewinslet Nov 2015
I never spotted perfect with 7 many years, that may be, until eventually I just rode by having a snowstorm in Cheyenne, Wy piles. Neither of the two does That i of course bear in mind just how the results in difference in autumn for the east coast Cheap Fitflop Malaysia, and the way they will appear like fire flames lunging on the sky inside tones of persimmon, cardamom, peridot, wine red and rust. However not too long ago experienced this and much more by going to typically the Baltimore Booklet Pageant the day with Sept . 28, 2003. Even while I can look at using an superb meal inside the Renaissance Resort dismissing the actual have or use the handyroom I really performed at "Writing Entertaining Imagination," it absolutely was the seasons which often discussed in my opinion. Both these incidents-the excellent skiing conditions together with the results in changing-reminded us just how much I have got bad a pageantry with the gardening seasons. Simply because got time consuming relaxed excursion across the states, I thought overall regarding basically the la position for the third 20 a long time seems to have distracted myself towards swapping times. On the other hand, I don't know once this may possibly helped me to recognize an alternative growing months inside my living. We are in front of the imminent diminished my favorite ultimate surviving mother or father. Purchased, grow older Eighty three, who have serious osteoarthritis and rheumatoid arthritis, has worsened since I discovered her during the past year. Surprisingly, I would not think sadness, but a resignation, a feeling that this is part of the life never-ending cycle. Just like the music, "Everything will have to improve.Inch That is the totally different problem at the time We displaced our momma. I used to be now 100 % unprepared in the event that my favorite the mother was killed of your sudden cardiac event in December Just one, 1993 that we seemed some fury, nearly an important rail alongside God. How could You? Ways dare You operate the following women, exactly who I was really acknowledging has been my base, that carried us on the inside of your girlfriend, whose quite fingers moves We spotted mimicked around my own? This era ended up being to grow to be some tips i afterwards discovered for the reason that darkest winter season about wellbeing. Looking back, It is my opinion my very own problem was in fact a natural part of just what usually symbolizes have an effect on the original parent, in particular the momma. Those are the basic items, we all, just as novelists, will need to draw in our writing--the shifting months people day-to-day lives, people letters, on their trips and how many of our character types deal with these folks. As soon as the Baltimore Arrange Festival, I ended with Detroit. Even though presently there, When i had dad out from her brand-new residence-a nursing jobs home-to obtain a milkshake in Carl's junior, and even though moving him as part of his motorized wheel chair, I just sensed for instance the father or mother. I have been don't annoyed on the subject of his particular becoming people, his particular frailties, his own failings, (that have been far more obvious due to the fact my own maternal dna fatality.) Freezing imagined her to help you check out heat of the sun at her tissue-like pores and skin, whereby you could possibly begin to see the azure problematic veins. I actually sunken myself 100 % inside decisive moment. We've been experiencing the natural light. Irrelevant of the calling I'd received from my personal hometown, Detroit, concerning how ugly it is about Pop, "He's in that brand-new turmoil," or "that innovative crisis"-I wasn't extended irritated. Within the connected with a original public individual, To begin with . to help you reframe the matter. In contrast to contemplating my personal daddy's slower loss of life simply because Cheap Fitflop Shoes, "Isn't doing it awful the way in which become old in addition to die?In . here are currently being how a the seasons in everyday life transform. As a writer, we regularly come up with from the conclusion, "What however, if ...In I absolutely point out, can you imagine we all reframe a lot of the issues of joining the dinner generation-dealing along with children/grandchildren/elderly parents? Imagine this is often a festivity?

I really saw my best father's temper carry because instructed her just how blessed the guy would have been to now have some sons who have checked available for your ex boyfriend, not to mention three little girls. Exactly how skilled he's being a Ebony mankind, to get little children who may have prepared your partner's everyday living much better, for money, when you virtually all started. I really came across all the treatment inside brothers' face when i suggested it for the health care they've got brought to during the throughout the last 90 years many years, which includes settling your ex within a elderly care facility historically month, although it is often in opposition to my favorite daddy's choices, however was basically just for his / her better great. It struck me. My own inlaws and I are currently all the seniors. What's more, as an author, Now i'm currently a teacher-the little come to others meant for guidance.

We're trustworthy to give in the experiences as a result of preceding years to a new generation on the way, as being a people today, lived through, which describes why I think it is vital for american to write down our own articles. Sadly ,, for African-Americans, a great deal the historical past was initially damaged or lost as, though there was basically your dental customs, plenty of people still did not publish its testimonies documented on daily news. As a general penning tactic, When i came across a pattern. On paper, some remarkable summer often connote a trending up get out of hand in our characters' activities. As an example, typically the characters just fall in love, get a household, have a very the baby, and grab special deals. They are simply happy. Paradoxically, a new figurative fall and winter typically reflect some sort of volitile manner, which can be known as the "inciting occurrence,Within in a very report. Someone don't likes you and also results in one. A friend or relative dies out of the blue. Or simply a cherished one is definitely the sorry victim in mindless abuse. The smoothness becomes sorry. For a quick blizzard hard to bear a person's tidy daily life, typically the character's world is usually thrown away about stabilize. This can be the center with trouvaille. Loaded to listen about how exactly good your own character's a lot more. Imagination is centered on bother.

Now perhaps even the appropriate lifetime really ought to get hold of worried to keep your readers changing web pages. Concurrently, even though Fitflop Sale Online, It looks like that him and i ought to learn to look at the excellent of these downhill spirals and rehearse it inside our writing. Even while a lot of these awful instances are actually everything that compel you on, we have to reveal typically the advantage in this, much too. It really is usually while in the "symbolic" winter season that the character's mettle will likely be subjected to testing, and also reader will find out what they're constructed from. As a writer, you would possibly consult, so how exactly does the transform and also be because of this specific wintry year or so? May he / she range from sceptical to be able to optimists? Mistrustful in order to trusting? Mean to be able to non-profit (for example Scrooge)? The character could also read the undo of menstrual cycles. Sarcastically, equally winter time means loss of life, (like. loss of life from a connection, departure of our own children's, loss individuals illusions,) there is also a some part resurrection within this end scenario. Hard usually is when we experience a disaster, i am plopped level on our supports, occasionally essentially, and forced, (whether or not from much of our could,) to think. Exactly what privacy or maybe nutrition will the identity identify subsequently? In particular, presently, Simply put i gaze at how my mummy might be born-again again and again at a frosty working day when I drink a common tumbler connected with broth, that is certainly one of your ex lots of ways connected with taking care of.

Currently I'm wondering. Just what remembrances might your dads continue winter time bring in myself? Might it be the love on the good anecdote or perhaps her story-telling potential he given to if you ask me? I don't know. Nonetheless I understand. In the midst of daily life, we are now throughout demise, to be able people we will have to adapt to those exceptional, wonderful events that make up each of our humanity. In the end, mainly because Ruben Irving was concluded her epic saga around the world Depending on Garp, Inch ... business people are station incidents.In . Copyright (d) 2008 Dark-colored Butterfly Marketing
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The current political mood in Kenya is sombre and tense given the manner in which the former prime minster Raila Odinga is pushing for mass action destined to be held on 7th July of this year; 2014.He has labeled this day as saba saba day, in memory of former democratic struggles that were held on a similar date in the past by the then leaders like Martin shikuku, Masinde Muliro, Charlese Rubia and Keneth Matiba, just but to mention a few. The spirit of this political move has been inculcated into Odinga motivation during his holiday trip in America in the past three months. And the entire globalectics is eked on Raila’s personal advantages that Kenya and America has had soared relations because of Kenya’s substantial business dealings with China.
Tenseness of political feelings that are overtly observed in sombre moods of some Kenyans is based on the fresh memories of similar political behavior displayed by the same Raila Odinga in a few years before post election violence that erupted after 2007 elections. By inference,   Raila has nothing very critical that he wants to solve for Kenyans but he is only   aiming at execution of a very simple Machiavellian logic; He wants to use the mass actions to provoke international sympathy for himself as at the same time he anchors himself for the next presidential race which is barely three years to come.
It is a fact that there are some teething problems of political policy in Kenya. Like inferiority of the judiciary, biasness of the electoral institutions, insecurity, joblessness and tribalism as well as political cronyinsm.But these are usual features of politics in a developing country. They are the same things that Raila Odinga and Carol Omondi used as tools of maintaining power when the former was the prime minster and the later his aide de camp.
Effective solution to any  failures in public policy or even dysfunction in the public institution  is  usually what President Uhuru Kenyatta suggested; gentle dialogue by political representatives over a cup of tea, a class of wine , a tumbler of water or even a bottle of tusker not necessary raucous and  Arab spring like violent politicking at Kasarani grounds or Uhuru park. Raila only wants to misuse the poor masses in Kenya, the masses that are already infiltrated with deep sense of tribalism, to pile pressure on the incumbent government for his future political advantages that will go with presidential bidding. This is not reasonable.
Raila Odinga has a unique political psychology. Let me term it extra-masculinity. He has always portrayed a political signal that when he is not in power then there is no democracy in kenya.He is like Coriolanus and John Falstaff of Shakespeare. Thus by premise Raila Odinga suffers from a weakness in political thinking which can logically be branded political falstaffity. This is so when we subjectively analyze his public political behavior  in relation to Moi, Wamalwa, and Kibaki. And is still so when we soberly recognize some institutional success president Uhuru Kenya has registered during his two years as a president of Kenya. Uhuru has scored hundred percent on devolution, availability and open governance. He has already displayed promising efforts when it comes to infrastructural investiments.This is a kind the president that needs to be mentored through genuine support and criticism other than mudslinging him in every public rally  attended by masses on heat of ethnic political consciousness.
My present and tangible reason for this position is that already businessmen of kikuyu and kalenjin origin who of-course belong to Uhuru Kenyatta’s bandwagon are  now not travelling to kisumu, similarly Luos belonging  to Raila’s camp are not free in Eldoret town and Naivasha. Obviously business activities will also close on saba saba day of July 7th and as a matter of fact some people will suscetain mayhem, looted or even loose their lives. All these will happen because Raila Odinga has not seen a more reasonable way of carrying out national dialogue.


(Alexander k Opicho
Eldoret, Kenya).
Jeremy Betts Jan 3
...the melting ice shifts and strikes a familiar tone against the glass tumbler, abruptly snapping me back to my actuality
It pains me to call it reality but I'm forced to do so untill I change what I see or my surroundings change me
Both options frighten me...

©2024
Lawrence Hall Oct 2021
Lawrence Hall
Mhall46184@aol.com  
https://hellopoetry.com/lawrence-hall/
poeticdrivel.blogspot.com

                                   Ode on a Flintstones Tumbler

                        John Keats helped with this but refused
                        to take any credit. He must be modest

Thou still unmoving car of wood and stone
Forever carrying the Flintstones and the Rubbles
Off to the movies – Rock Hudson to be shown?
And a childhood half-hour of comic troubles

Heard yabba-dabbas are sweet, but those unheard
We’ll have to speak ourselves over milk and cereal
Wilma, of course, always has the last word
But we’ll contribute to the writers’ material

Fred’s feet are truth, not beauty, - but off they go
Taking us with them – so on with the show!
b e mccomb Apr 2018
i miss the way
coffee used to taste

i used to take the dregs
at the end of the morning
*** and pour them into a
steel tumbler

mix in handfuls of
refined white sugar
to fight the bitter
flavor i had not yet
learned to accept

then it went into a large
glass receptacle with
terminally stained
interior corners

mixed with milk until
pale and creamy
left to sit in the fridge
for a week

drunk from shimmering
crystalline glasses at
any hour of day or night
because consequences
didn't matter to me

my summer coffee tastes
different now
not so watered down
and drunk early
from plastic cups
through straws that crack

just because
it's there, not
because i took
the time to make it

and i miss something a lot deeper
than the way my coffee used to taste
but i cannot for the life of me
remember what it is
copyright 4/19/18 b. e. mccomb
EC Pollick Jan 2013
Do you know what it’s like
for me
looking at
a half empty
bottle of wine?

It is
Like it is
for a chain smoker
who sees
Cigarette butts on the ground
That are only half smoked.

It’s like when
The alcoholic
Sees the perfect tumbler
with just the right amount of ice
and with the pristine glass craftsmanship
that makes that
Satisfying “clink”ing sound
Whenever it hits the side table or counter.

I SUFFER
When I see such a sight.
And I wouldn’t call it
Addiction
As much as I call it
Jealousy.

For me, it’s torture
Realizing
That people buy the bottle
To get drunk
Or to have fun
Rather than
To forget
Like I do.
I'm not an alcoholic and this piece is not to make light of addiction. In fact, it's attempting to be perspective for how addiction builds. Hope you enjoy.
Brandon Sep 2014
Another cigarette slowly withers to ashes grasped between the bruised knuckles of my index and ******* just as another burning yellow sun begins to cascade down into the deep blue and pink horizon on another day built solely to bring everyone closer to death.

I take a long drag off the cigarette before taking an equally long sip from a tumbler of whiskey. When I pick up the glass there's a ring of sweat left on the table that reminds me of an eclipse I once saw in my younger years. This was a pointless memory that was soon replaced by the burn from the bright amber spirit.

I savor the taste in my mouth, how it mixes with the blend 27 smoke. I swirl it around and feel the way that it lingers on the tip of my tongue and the way it coats my gums with its warmth. It does nothing to dull the pain that has been building inside but I continue to drink, pouring more in the tumbler until the bottle is empty; never feeling any effects.

I've become numb to the world.

I take another cigarette out of the golden brown and white box, bring it to my lips and light it with a rusted zippo that I found lying on the side of some no-name road a few years back when I was hauling illegal chemicals across state lines. I inhale, letting the acrid smoke fill my mouth before settling deep in my lungs, and exhale the excess. A thick veil of smoke clouds up in front of me and for a moment I cannot see the letter I've nailed into the wall and for that smallest of moments I forget about my troubles, my growing pain, and feel the overwhelming joy of contentment. It is fleeting. The smoke parts, fading into the corners of the room; leaving me staring once again at the note.

My eyes scan the letter and settle on the words "...one month to live." The postmark on the envelope read September 25th. It was now almost Halloween. My chest ached and I felt it cave in under the news that I had read over a dozen times already. Each time felt like a new time, that it couldn't actually be happening. But it was.

It is happening I remind myself.

The pain in my head shot to a burning brightness and I squinted my eyes as if to shield myself from some external force though I knew it to be a useless gesture. The tumor had appeared quickly and spread even faster.

About two months ago I was rewiring outlets for a building that the previous contractor had butchered. It was a simple job and I did it mindlessly, going about the work as usual until there was a searing pain shooting thru my head and I collapsed. When I awoke I was in a hospital with nurses and a doctor standing over me. They were blurry outlines of human forms and their voices were muffled. I slipped back into sleep.

When I woke up again there was only one doctor and he was staring down at a medical chart. My medical chart. He noticed my eyes open and asked questions. I did my best to answer. He told me about the tumor that had spread across my brain, that it was inoperable and the outlook was not good. He said this with all the years of professionalism a doctor can utter. A few hours later I was released.

I stared at the empty bottle of whiskey. I stared at the empty pack of cigarettes. I stared at the letter nailed on the wall. I stared at nothing.

When I stood up a wave of nausea coursed its way thru my body and I caught myself on the kitchen banister before collapsing. I slowly regained my balance and walked over to one of the kitchen drawers. I slid it out and rummaged thru it until I found the smith and Wesson .45 and took it out. I sorted thru another drawer until I found the bullets for it and took them out. I went back to the chair I was sitting in and loaded the gun methodically. I took the barrel of the gun and rested it on the right temple of my head.

I stared at the empty bottle of whiskey. I stared at the empty pack of cigarettes. I stared at the letter nailed on the wall. I stared at nothing.

And then I pulled the trigger.
Nat Lipstadt Jul 2020
Hazy Day
————-

rose at 3:30am, anticipating an aria of glorious
thoughts needy of capture, encryption, preservation,
three hours later, an empty vessel rides high on the empty
white screen waters of the Bay of Zero, fed by Nada River,
emptying into the Atlantic Ocean, where microscopic is ordinary,
my, my, not~noteworthy contribution, noted for its worthlessness.

delivered the coffee at 7:00am, put on the music,
climbed onto a fresh sheeted mattress, yawning, yearning,
seeking to recover the lost hours and instantly tumbler-in,
inundating random notions, hazardous thoughts,
dispatched to keep me awake, as I trajectory into sleepyville,
each one an angel, coming down Jacob’s ladder for to wrestle
me home, even as the daylight reveled~reveals that a newborn
baby, will be new hot, dangerous, burning hazy day.


                                                    <!>

Hazardous Thoughts
—————————-

                                
“It is easier to give love than to accept it.” (Walter W Hoelbling)

Walter, Walter, what an accursed blessing you’ve given me!

This simple declarative is a racking, wrecking, symphonic
synopsis of this man’s life, crying out for une écriture monumental,
that somewhere in a hidden recess has commenced composition,
know not the where or when of it, but the why is a tightening noose,
squeezing my brain, choking my neck, impounding the heart beating,
because with succinct brevity betrayed out loud, my essential secret.


                                                     <!>

Every night I sleep with a woman and a man; the woman, you need
not know, nameless is what you shall call her, but the man, instantly
recognizable as just Leonard, descendant of the priests in the Temple. Me and the baffled King composing our hallelujahs.

                                                  ­    <!>

Art doesn’t not imitate life. It plagiarizes, embellishes, improves, with
tinkered recombinant DNA, shamelessly swiped, for which we forgive the audacity of its thievery, for with each attempt comes a Confession, remorse, nobody cares, whatever. Art supersedes, supplanting and superimposing, by grafting new branches upon old works, even occasionally improving what was once brilliantly original.

                                                     ­ <!>

Note to self: Do not forget to wake ‘n take the garbage, the recycling, and the corrugated cardboard and all previous poems to the Town Dump, before they stink up the garage. Post Office, Pharmacy for local weekly newspaper, no candy.

                                                     <!>

Dozy, sleepy. Sarcastic “great.”  I’ll never remember this poem;
**** these hazardous thoughts on a hot, dangerous, burning,
innocent hazy day.
note to self: dreamt yesterday in the early morn;, composed in the afternoon, listening to Jonas Kaufmann, edited, posted at 3:30 AM Friday listening to Kris Kristofferson and Janis Joplin.
3:35AM Fri Jul 24.

the precedent predecessor:

https://hellopoetry.com/poem/3096449/every-poem-is-a-test-of-character/
Tumbler in hand,
Without a stem,
Wine slowly warmed in your palm
The carboxyl-laden liquid gold

Daily medicine,
You prescribe yourself
And send your loving wife to pick up
From a clanking pharmacy

Returns
In lilac paper
A present you unwrap
For yourself.

A beauty,
More so than her
Or the daughter you both raised
You cradled your glass instead of her,
Sick, balding, bloated.

In the bathroom
Crying against the locked door
As you shout
To control, stop now
Her unregulated rate of mitosis
That was done in spite against you.
It’s her fault
That you cant fix it.

Unlike a mitral,
You cannot sow, stitch, or glue her in place,
She won’t stay where you put her,
But like this valve -
A pig.

She remembers nights you don’t,
Her memories your hangover
That you’ve grown resistant to
Like a bacteria.
The MRSA of our family,
Washing our hands of you,
Sterilised with alcohol.
© 2011 Hannah Aoife
glass can Mar 2013
I see he and his beauty in bottle on a shelf
Pour me a glass, I could use some myself
So make the light in your face stay forever,
neither furrows or sorrows, would it be better?
Conor Letham Dec 2012
pushed clouds out,
pursed lips like
whistling in a shell,

reverbs into tumbler
held down
and spirals back.

Then, as it rises,
Advocaat crackles
thunder-yellow,

tickling the insides
into familiar
house-warm feeling.
Shane Hunt Oct 2013
I reflect upon our shared moments
much the way
an alcoholic
stares into an empty tumbler
realizing
he can't afford a refill...
Micheal Wolf Mar 2013
A little twist a squirt of oil
A flick of the wrist the tumbler rolls
A petty thing to change the lock
Shows you really are a ****
I Imagine the look upon your face
As the smug smile is worn away
Yeah she's been and got her stuff
Your an amateur her friends are not
You came close but no cigar
So I've left you one as a souvenir
So big boy who hits on girls
Your MMA mates don't know that yet
I'd hide from them when it hits the press
Before they make your face a mess
Kari Feb 2015
I burnt the tip of my cigarette into my
Tumbler to **** two habits with one stone.
Though the **** coughed its last sigh and polluted a decently-priced
Rye, I don't trust that the addiction died.

Tipped my finger to the 'tender to fill a new glass,
Struck the flint to the tinder, a tobacco mask.
They poison slow, but the effects are fast.

You, like these habits, are in the past,
Waiting for me at the bottom of a flask, swearing always
"It'll be the last."
Always crawling back for more.
Charlotte Graham Mar 2012
Self-destructive broken infatuation.
Seeking redemption in every reflection,
Something worth clutching
interior quality worth keeping.
She sheds her skin
of lipstick, purple and frills
long hair and heels.
Applies an eyeliner mask,
Expanding the void in her ears,
and screams fervent spasticity
in an '88 Beamer after dark.
Sewing on a smile
As she submerges into her skinny jean costume,
Overtaking her uncertainty with spectacle.

In the Forest of seniors,
she thought she saw authentic attraction
in a kiss with less lips and more teeth.
A drummer with a conscience tells her,
the power out and rain pouring down,
he's looking for an easy target.
A year goes by, maybe she forgets.
She tries it again, the kiss just the same.
He says he's got another girl,
but it doesn't work out, and if she's available,
He'd love to hang out some time.
She never replies, forgets about him.
She walks into Costco, a smile on her face,
feels it fall like water nailed to a wall.

Cheap Canadian whiskey, no ice, no chase
in a Sierra Nevada tumbler
in a stale stranger's house.
**** past midnight,
falling into the walls,
narrating the motions.
Where's the ******* door?
A bombshell in department store lingerie.
Glass to lips, just to fill the silence.
He grabs her *** going upstairs.
Heat clings to the sheets,
Can't afford A/C,
Factory linoleum is heaven.
Half-uttered excuses go unnoticed.

She shivers on a bench beside
a black-dyed blond guitar player,
black nails and eyeliner,
husky tee shirt, sleeves cut off.
She's feeling a little gross,
cigarette smoke clinging to her clothes,
the taste of his mouth is sickening,
so she turns her face away.
Hides behind her pride,
As her clothes fall aside.
Tryst with a trailer park,
shallow musings lacking words,
bite marks on her neck.

She ships him off to San Francisco,
clings to an ex-addict,
pretty face, hair longer than hers,
with Hope for a name.
Shatters on a mattress on the floor,
and a fifteen minute break.
Fate rides Greyhound,
Falls in love with long distance.
A boy with Liberty spikes, skinny jeans
and naked with a red guitar.
Her best friend weaves words
better than she can, she feels worthless.
Shatters the morning after her birthday,
in the arms of a man like a brother.

Two years gone by,
She's tired of the mask,
sick of countless endings,
and not enough beginnings.
Two years of idiocy,
of love and love lost,
and in two weeks,
she's back where she started from.
But this time, she's pushing back,
standing tall, and another mask
is in the trash.
Two more years,
and her feet hit the pavement.
She's not sixteen anymore.
Elioinai Oct 2014
I have no right,
To blame,
Or hold a grudge against,
Anyone who caused me trouble,
For it's written,
In the first beginning notes,
That everything is stone and mortar,
Paint and gloss,
Diamond glass,
Or can be,
Nothing goes to waste,
And attention will turn,
Uninspiring dirt to delicate jade,
Harsh words,
To skilled ears,
Will polish the receivers,
And the foolishness of others,
God uses to make me shine
June 15, 2014
Josiah Wilson Feb 2014
This whimsical mask alight in my arms
Such a light, cheery laugh
Surely I mean no harm

Just a little, slight push and it's up on my face
Now I tumble and flip
To the clouds I give chase

For I am the tumbler, the jester, the clown
I make people smile
I chase away their frowns

With a flip of my hat and a twist of my tongue
I make all the oldest
Of tales seem young

I am the gleeman, the poet, the bard
I see your future
In the face of my card

So come watch me now, as I put on a show
I'll make you laugh
As this happy crowd grows
anonymous Dec 2015
enough time
turns lost love
into a cicada shell

a hollow melange of
lust and nostalgia
left abandoned under a tree

the ley lines and star alignments that drew us together
have all lock-tumbler shifted
and the combination is in a notebook
in a cobwebbed and dusty box
that i left on the curb for recycling
on some unspecified thursday in 2012
or 11, or 13
something a little unlucky

i miss you
in the same way that i miss
a dream, upon waking:
a sandcastle, built under the wrong moon, described to a stranger
shapes so thick with water that they can't hold,
but it was good, wasn't it?
it was probably good.
it must have been good.
i think i remember smiling.
Kendall Mallon Dec 2013
terrestrial siren call out
to me with your irresistible
song, ground me on the Earth
in the clouds, alone, I will go mad
alone without your melodies
to lure me back to a port
where I can furl my sails
and rest in your grounding solace

a song unlike the siren songs
Odysseus heard strapped to the mast
to resist temptation—he had only Penelope
while I have only you

you pull my ship back on course
away from the tangents I am prone

I want nothing more
than to bring
you aboard my ship
I know your telos
is rooted amidst the Earth
to heal and flourish
the ailing land
my telos to sail the sky
charting the heavens in search
of a key to turn the tumbler
of the lock to the universe

it tears my heart to be away
from your terrestrial song…

know: you will always be the port
where I return—for no reason other
than to hear your sweet song

one day, I will
roll my sails
un-step my mast
let the shrouds
hang loose
anchor my ship
permanently out
in the waters
of the celestial bodies

walk upon the Earth amongst trees, plants, and rock
rooting myself alongside you—ears open, listening,
solace in your song, in the port we built together
This is a revision of Sonnets from a Celestial Mariner to a Terrestrial Siren

— The End —