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Salty rancher spackle is to Earthy diva smackers as Swinging hotel number is to?
Rippling cling bread is to Three lizard chariots as Indigo lime tangent is to?
Nighttime reunion planet is to Nettle lane scuffle as Soaking spider *** is to?
Fancy trance logs are to Sticky fudge lather as Vivacious gator college is to?
Cheerful blossom face is to Secret tractor rocket as Canned gremlin emblems are to?
Jealous pitchfork generals are to Heartbreaking patchwork veranda as Folding robot noise is to?
Pretty rhino rash is to Lost locket vengeance as Back pocket weather is to?
Frosted candy sidewalk is to Sneaky kook code as Shiny waffle smoke is to?
Sapphire cloud romance is to Magnetic comet lava as Blue triangle envy is to?
Vanishing honey melody is to Thermal elf pajamas as Whistling iceboat shampoo is to?
Peach mint politics is to Frozen doll pennies as Rusty anchor catapult is to?
Swollen pony fever Throbbing sword kazoo as Silent turbine science is to?
Obese germ thunder is to Stacked lemon towers as Corrupt moon jockey is to?
Demented insect whistle is to Glass trophy cleanup as Purple geode bubble is to?
Nighttime razor slime is to Lacquered dragon maps as Tint paper mittens are to?
**** camel drops are to Velvet ****** shoes as Slippery red muffins are to?
Flying hot drool is to Pale chocolate telescope as Tin trumpet ballet is to?
Expensive puppy speed is to Flowered duck mirror as Cosmic needle factory is to?
Fractured laser doodles are to Cracked butter gravel as Rubber holster straps are to?
Majestic panther fortress is to Jeweled cork target as Iron swan taxi is to?
Poisonous pepper bouillon is to ****** goat soap as Chrome feather pirates are to?
Digital gorilla scriptures are to Timid hunter stench as Frozen domino video is to?
Eccentric troll opera is to Transparent wax village as Spoiled coral agony is to?
Bizarre green metal is to Pillow eating hamster as Leather cavern ***** are to?
Eternal hurricane evidence is to Powdered rainbow perfume as Smoking yellow prune is to?
Liquid wish cleanser is to Exploding meadow ladders as Brittle rose hammer is to?
Caged foam filter is to Cherry balloon string as Ivory cactus spider is to?
Carbon puppet watch is to Sad kings compass as Elastic lace whiskers are to?
Nitrogen trolley dust is to Lazy elephant toffee as Orange toad choir is to?
Dark pole zodiac is to Blue finger blanket as Illegal bug nozzle is to?
Stinky towel cookies are to White jade caskets as Sticky snail tea is to?
Converting stellated caramels is to Mythic aerosol socks as Rubber raspberry jokes are to?
Flying clock carousel is to Whisky nut worms as Plastic fish platforms are to?
Queasy Vaseline queens are to Moody pigeon pills as Aqua mice fur is to?
Spotted bowl shadow is to Idiotic radiance lotion as Bungalow toad hearse is to?
Gushing chimney fungus is to Funky lamb acrobat as Utopian **** sprinkler is to?
Twinkling bungalow tablet is to Botanical duck rope as Bug hat ram is to?
Broken clock fossil is to Black ginger confetti as Parisian cobra meatloaf is to?
Silly Xerox ribbon is to Obedient raccoon carny as Traditional cat linguini is to?
Last astral advisor is to Elastic badger riddles as Broken circle rifles are to?
Bagged squire channel is to Temporary mosaic cake as Ancient bacon thread is to?
Wireless math army is to Moronic neon money as Pearl razor radar is to?
Rubber buzzard blizzard is to Troubled bubble wizard as Crushed hash ******* is to?
Purple birdy cure is to Tangled frost blossoms as Silken bridal saddle is to?
Unisex owl accordion is to Sugar bottomed boat as Optical nougat treasure is to?
Flavored saline rain is to Black arrow clan as Transistorized clam guitar is to?
Sharpened twig scar is to Mutant beet sonar as Baked troll mask is to?
Boxed noodle secrets are to Traditional guru buttons as Glossy marshmallow strategy is to?
Vibrating melted jelly is to Silver furniture dream as Spewing collated seats is to?
Burnt mountain pickles are to Baby preacher shoes as Sympathetic pilot pain is to?
Narrow portal treaty is to Monkey warehouse vacancy as Painted tornado trap is to?
Porch penny sulfur is to Glowing pony fat as Patched mattress bait is to?
Frigid waitress fallacy is to Graphic shrimp salute as Misted sneezing window is to?
Moist apple moss is to Daddy’s zoom seed as Downtown Pope cart is to?
Tired felon trickle is to Holographic squirrel candle as Wild ray hay is to?
Deadly zero chalk is to Folding wilderness chart as Curved ******* vacuum is to?
Hollow porcelain pellets are to Strawberry rain stencils as Microwave taxi nomads are to?
Wasted machete balcony is to Crumpled creature confessions as Fridge fuzzed fruit is to?
Sloppy demon damage is to Squeaky puppet chuckle as Mental arcade combat is to?
Monster trout stories are to Lewd pirate cocktail as Locked mammal grommet is to?
Rotting rope network is to Tragic toy goat as Cotton submarine shoes are to?
Complex pepper dance is to ****** cloud cushion as Marching taxi holiday is to?
Mental petal collectors are to Spooned barn putty as Dork factory fiction is to?
Hot spotted tops are to Timed stepping pests as Yogurt notching tartar is to?
Crazy dog comics are to Ambitious cartoon sphinx as Pavlov’s zinc ballet is to?
Soiled spinster wedding is to Padded razor wound as Floating fish map is to?
Slippery leopard pants are to Perfumed nut button as Dart wizard party is to?
Needy alien elephants are to Barking garden gnats as Quasar focused paper is to?
Slanted heart **** is to Bronzed cliff sandals are to Cunning jockey jokes are to?
***** thumbprint massage is to Holistic princess memory as Sliding dental sword is to?
Drifting wood whistle is to Fluorescent carpet powder as Foam dragon whistle is to?
Chopped web shadow is to Immortal vermin soup as Collapsing porch conspiracy is to?
Stolen thunder chant is to Haunted comet heart as Swollen throat portrait is to?
Fragrant frost parfait is to Grumpy caveman *** as Random stingray solo is to?
Squeaky polar turbine is to Silent lava fever as Oversized lunar fulcrum is to?
Synthetic dew droppers are to Pocket poster paste as Hypnotic screen dog is to?
Symbolic whirlpool nausea is to Dreaming tree phantom as Log badge bracket is to?
Camp hippo map is to Horseradish seizure insurance as Distant insect mirror is to?
German lady sherbet is to Stuntman laundry wax as Hungry butterfly ghost is to?
Fly smudged foil is to Amped maze coil as Shifting optic terror is to?
Automatic sheep floss is to Panoramic tanker anchor as Throbbing bone pillow is to?
Mutant clown village is to Nightmare translation treasure as Spotted spectral chakra is to?
Blind roach tweat is to Hermit worm tiara as Divine logo ritual is to?
Glueless gun stamp is to Malicious spam pump as Floral toffee pods are to?
Dudgeon mist removal is to Menacing bolt smacker as Boating duke shadow is to?
Costly metal plungers are to Creaky buzzing gushers as Glowing star cushions are to?
Raked barge sludge is to Crusted cream glitter as Zircon gutter babble is to?
Fake gold scholar is to Amish ******* mogul as Faithful ***** choir is to?
Sacred limo prayers are to Fried mice café as Splintered ****** thimble is to?
Dealing rabbit decals is to Pelican bongo festival as Patched equator rot is to?
Freedom gourd gasoline is to Cobblers studying acorns as Desecrated dice crater is to?
Tattered tapestry rod is to Busted particle scanner as Bogus piffle catalogue is to?
Trifle truffle raffle is to Last lamb laminate as Segmented cake goggles are to?
Domestic tackle tactic is to Ticking tic talk as Cordial corps coordinates is to?
Tucked duck caftan is to Sunken ramp ruckus as Wretched ranch rhetoric is to?
Clearly incomprehensible directions are to Useful archaic nonsense as Antiquated skeletal outline is to?
Bewildered beasts feasting are to Lazy busybodies resting as Vaccinating brave volunteers are to?
Lucky wagon dragons are to Famous gargoyle gargle as Formal postman funding is to?
Furrowed shroud chowder is to Borrowed tartan pajamas as Martini mixed algebra is to?
Cowgirl balloon helium is to Chewy glucose habitat as Stationary monument movement is to?
Diamond powered powder is to Diagonal diameter diagram as Purposely condensed expansion is to?
Organic iodine capsule is to Gleaming beach probe as Dominant dome static is to?
Shaving wrinkled targets is to Petting sensible monsters as Selling invisible whiskey is to?
Frozen piano architecture is to Note dotted clouds as Screaming Korean worms are to?
Sonic plant website is to Telepathic climbing clam as Bored protein exercise is to?
Gourmet mollusk cone is to Numb poodle caravan as Asian raven radar is to?
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
KB May 2014
We are born free people, yet there are always restrictions.
We choose if we want to break them, whether with facts or through fiction.
Whether on walls using diction,
Or any crawl through confliction.
And no amount of chains and barriers
Will restrain us, no contradiction.
We understand we’re not on ice,
That there’s always going to be friction.
As expressers, fighters, artists, world changers
It comes from an Italian word, meaning scratch.
Look at it again and a whole new world
Has hatched.
The term graffiti, referred to the inscriptions, figure drawings, and such, found on the walls of ancient graves or ruins, as in the Catacombs of Rome or at Pompeii. Use of the word has evolved to include any graphics applied to surfaces in a manner that constitutes vandalism.
75% of people think its vandalism.
Toronto spends one million a year on graffiti removal.
When artists get back in the game, they haven’t given their approval.
Why don’t you use that money to feed the thousands of poor in society?
Instead of worrying about the art that the citizens need to see.

I never got A’s in elementary school art.
Getting marked on art still sounds like you need to be smart.
But graffiti doesn’t have to mean anything,
Not every letter is a symbol.
There are complications too but it can also be simple.
Almost every kind that I saw on the streets
Took a soft place in my heart, eventually turned concrete.
Let me reel back to grade 10 when I actually took art courses
In the media arts classroom I was taught people as my sources
Banksy, JR, Sofles, Katsu, Kidult, Shepard Fairey.
After my first graffiti assignment I understood clearly
What would happen if you brought a spray paint can near me.
The reason for graffiti is a simple one,
Not always about rebelling, or having fun.
Every artist craves to paint in his or her own way.
And all of us have messages that need to be portrayed.
Like, I was here, I’m alive, let me leave my mark.
This city is mine too, and I want to give it my spark
I belong, I have a voice, and I crave to make a change
These walls are too voiceless when it comes to the speaking range
My love for social justice brings in political ties
Through graffiti one can tell what country thrives with lies
It gives any surface a story, makes it come alive.
Change the system if you strive, until justice is revived.
To try to help the oppressed,
The shapes and lines were mine,
But they’re the ones on the line,
And to sit and do nothing would be an even bigger crime.
I even changed my initials to KKB
The B is for Banksy, its everywhere you see me.
My email has a Banksy, my Twitter did too.
Graffiti is my life, though you already knew.
Humanity is lost within the walls that we made
Graffiti brought it back to me,
And like the ocean did I wade.
Inside the political aspect that structures our brains
And the society that gives us money to drain
All the false information and the things we don’t need
Gives me hope to find these messages written on the streets
Sometimes freedom of speech isn’t so free at all.
But if Facebook deletes posts, documentaries have biased calls,
There’s another way of speaking, even if we fall,
I love how it’s not typical; no tag is the same.
Its breathing life on the walls, not stuck in a frame.
It stands out.
Stands outside of a museum where you always have to pay.
To see something that may or may not catch your attention right away.
That makes your head sway,
Give you some kind of reaction, moves you to action.
Not something you have to think hard about,
There’s little analysis needed, a splash merrily seeded.
Its urgent, its in the moment, for realization.
Once the message has been received, it’s an artist’s confirmation.
I integrated graffiti as a part of my every day life, including school
Drew it in math projects, French presentations, writer’s craft essays, it was my arts night welcome sign tool.
I will carry this with me through university
And it’ll take me further in the arts industry.
When you walk by graffiti in the street, do you ever take the time to notice it? Like, really notice it? Do you ever think about the person behind the spray paint can? Writers are not only being underappreciated for their talents, but they’re being harassed, looked down on, all for no reason. Do you know any of their stories? Do you know what thoughts and feelings sprayed out of the can when the paint hit the wall? Do you ever think about the history behind the art? To breakdown the styles of graffiti, here’s a simple introduction. There are tags, the simplest forms of graffiti. A signature. There are stencils. There are stickers, also known as slaps. Wildstyles are also used, and they’re more intricate, more colourful, and harder to read. It’s a particular style of writing developed in New York City. A piece is one that takes time an effort, and requires more than three colours. A blockbuster is used to cover the most space in the least amount of time. And a heaven is a piece that’s put in a hard to reach area, like the tops of tall buildings or on freeway signs. There’s the style bubble, old school, brush, abstract, bombings, whole car, ignorant, landscape, realistic, billboard, cartoon and sharp as well.
A sense of tranquility seeps into my veins every time my marker hits the paper, full of energy, full of hope. Starting graffiti was a way to combine my passion for speaking out against oppression and my love for the arts. Even though my work is not displayed on the streets, it has the same style, and it may not have the same effect but it counts as an escape for me. It doesn’t make me a graffiti artist, and some would even argue that doing canvas work kills the purpose of graffiti but I always want my work to make an impact on people no matter which way I do it. It’s something I love to do, and anyone can take that any way they desire. There are stereotypes that I’ve had to battle, but in the end, I know my true intentions. I don’t need to make a name for myself. I don’t need to create a reputation for myself either. True, this is not real graffiti, but that’s as far as I choose to take my fascination. I do it because of the escape it provides for me, the sense of freedom, and the sense of power in my markers.
These are the little movements of writers, all of us trying to get at revolution. Art is not supposed to be limited in frames. That’s why to me, the streets are some of the biggest forms of freedom – do as much as you like, however you like, all free. The poor and rich all have to see it. No one can avoid the message. It is not only artistic expression; it’s a protest. A scream of anger and emotion aimed towards public spaces. Graffiti artists did not start the war, they just respond to defend our vision of what graffiti and society should be: free. A battle against commercialism and a way of saying ‘no’ to materialism and society’s over consumption.  To the government, you are not the only ones who own these cities. What about the rest of us that do not exist until we leave a mark of our own? This is a game of action and reaction, if you will.
Taking care of our society is our obligation. That means changing anything harmful to us with every mean possible. Graffiti seems to offend a majority of society but if we took the time to appreciate and understand, a lot of good can be done if we turned the negatives into positives. So if we aimed for change and acted on it, especially with art, we’d be much less stressed. More often, we’d just remember, to stay blessed.
an assignment for a writers class. i made a video, but this is the word version (:
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
As adolescent night falls
He drifts in my dreams
His harsh and angry words
Causing hardness
Leave Turin stencils on my sheets
The feared bruising of our lips
In geometry of circular mouths
Does not stop our history
Prompts navigation
Leaves pleasure un-distilled
As adolescent night falls
He drifts in my dreams
His harsh and angry words
Causing hardness
Leave Turin stencils on my sheets
The feared bruising of our lips
In geometry of circular mouths
Does not stop our history
Prompts navigation
Leaves pleasure un-distilled
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
Derrek Estrella Oct 2018
When in Bohemia, she screams about
Her pastures green, but not too loud
So never have I known, that the world listens too
As a comedian, I see she belongs
But never conforms, to the song of
This nomad world, I'm glad she found it too
So run! She wants to run again
You vagabond, you're well-spent

Bohemian tendencies says, “you can't stay long”
“These kinds of commons, you won't ever get along”

Armenian, it’s such a release
Materialistic animosity
The speed of life has no value, like dollar signs
I loved an alien, who dabbled in art
Of all visage, enema of the heart
Wanderer, she's spent so much but there's that bliss in the air
So smile! It's all sorts of worthwhile
To see a world and not fret so much

Bohemian tendencies says, “be spectacular
Before the nebula men steal your fur”

In the Caribbean, you dream a kite
As your taxi, you can't walk all the time
Travel hills of puce-mauve sands, the world in trance
A true deviant, the thinking of
All dreaming thoughts, and loves begot
Tinkerer, what will we do when our brains run dry?
Oh, no! Don't think about the end
To love a life in due pretence 

Bohemian tendencies says, “think fair, live now”
“The world is watching with distaste of time in doubt”

As a chameleon, should she go alone?
The world is cold, except for times in colour
Her world in dance, she'll do without me
When in Bohemian, the first I've seen
Of pastel stencils through her happi-
Ness-tled in her loft home of the wind
There she goes! Ain’t she a lovely wing?
I hope she finds a world that sings

Bohemian tendencies says, “to love and to hold
But to let go, for treasures can mold”

There she goes
There she goes
There she goes
on gaining entry to
the Whitehouse's
accommodation
the now president found Obama's
past policy
presentation

he's reprised the Obama
plan in a replica
fashion  
and has even adopted Obama's
acolytes with an abundance of
passion  

there's no doubt about
the emcumbent's
credentials
they sure bear a striking resemblance
to Obama's copycat
stencils
s1mpl3po3t Apr 2021
I wished for a lady
How far did I look?
Why, right here beside me
She was coloring her book,
My eight year old daughter
With her stencils and chalk,
Her imaginary world
And make believe talk,
Such a wonderful sight
As I watched her at play,
A woman tomorrow
A child today.
Mukesh kataria Aug 2016
Forced to act on the stage of life
so humble, feeble & half-clad.
Daily swapping of dreams for a few coins,
He is shunned, lonely, starving and sad.

No rhymes, no stories
No pen or pencils,
No book, no papers
No colours or stencils.
No playground, no park
No friends to talk,
No love, no kisses
Only a lonely walk.

Compelled to sell both body & soul,
Toiling hard, he does his best,
Story of hard work, wounds and pain,
No joy, no fun and no time to rest.
The present is all gloomy & dull,
lacking colours,  excitement and vim,
Shattered hopes with no dreams,
The future is touching, dreary & dim.

With deep anguish, I weep and yell
cuss myself for his ill-fate,
Losing all hope, I wish to revolt,
I need to speed up before it is too late.

Mukesh Kataria
SassyJ Jan 2016
Stencils and pencils
Sharpener mishaps
Doodles, scribbles
Scrambling shades
Blending sketches
Running axis points
Spherical shadows
Tinting hints and hues
Pencilled portraits
Cruel crooked eyes
The bendy nose
Philosophical muse
Artistically inspired
Shading and fading
Realistically amused
Fused within reality
Surreal tuned vices  
Meet-ups and sit ups
Outlines freakily patched
Attended a sketching meet up for the first time. The best ever environment where I can just be myself. Socialising via sketching is cool;)
Tyler King Oct 2015
I.
The people look like flowers at last - sick thoughts of dead men strike the clock winding backwards and ignite to illuminate my approach,
The people look like,
Cigarette burns,
Bullet wounds,
Casualties of Rollins' war with himself,
Of Ellis' numb utopia,
Of the Bukowski cynic suicide,
Of the thoughtless progeny of deadbeat generations desperate to push back,
Every street corner is holy, baptized in the blood of those who died believing,
A thousand fists moved to release a thousand frustrations, and a celebrity endorsement for each overdose death,
Angel mine, abate your gutter wars and mob mentalities,
The tattoo ink has dried and the clubs are closed for the night,
Where are the revolutionaries to go now?

II.
The revenge of the skinhead minority,
The born again soul of a fallen brother,
The madman defiant in publicized rage, the faces of the enemy painted with crosshairs on TV screens,
And the damaged finally able to stand on their own,
Damaged and unrepentant,
Damaged and brilliant,
Damaged with criminal record eyes,
with paranoia brain, with X's tattooed into calloused knuckles,
with track marked arms,
Damaged, the unstoppable tide of the righteous youth - caricatured in the spray painted stencils of their testaments

III.
The spoiled children of an undefinable zeitgeist with nothing to lose,
In ecstasy binges these angels hallucinated manifest destiny through non prescription lenses,
Studying traffic patterns I remember how people are afraid to merge and everybody is looking for just the right amount of trouble,
A fire dies and another is born almost immediately,
Careless ramblings in careless county - a land I'm sure was promised to someone, somewhere, sometime
But after the gold rush nobody could cash out fast enough,
I can't cash out fast enough -
Every girl has got the guilty smile of a teenage runaway living out a Janis Joplin fantasy, and all the boys line up like addicts itching to cop,
The air is so heavy nobody can hold a thought - and when I speak, It's the accent, they say, they can always tell,

IV.
Taxi rides in laser show utopia,
Sicilian saint newly minted tells me about the ******* machine and it's ravenous posturing -
be present & be seen,
Fake it till you make it,
Cop killers singing confessions for beer on the street corner,
While the socialist manifests itself in mispronounced beverages and faux-marked Russian volumes,
avant-garde hyperrealism & ritualistic sacrifice,
There was something about *** and dying on the radio I couldn't be bothered to hear,
A drunken brawl over a bad bet made, disappointing street race, police sirens distant growing moreso,
In ****** bars where ladies always drink free, I rewatch the fall of a ***** old man from the penthouse to the street all over again,
If you haven't figured it out by now,
Don't try

V.
In dreams I walk the Pacific Coast Highway dead of night, barefooted soul alive and naked in the Western night like a Jim Morrison poem, the traveler that never arrives, watching the sunrise form halos over the Sierra Nevada, like a girl I know back East who talks a great deal about plans, the best of which never even have an aftertaste of freedom
There is the same sublime anthems playing on every radio and palm trees forming crosses for any messiah who is willing to claim them,
Last train out of Anaheim as the tessellating California skies swell and give, catch and release,
I see the roofs of tenements lit up by Disneyland,
ocean reflecting the glare from Heaven,
faces of the impoverished reflecting the glare from Heaven,
everybody getting sunburned from the glare from Heaven,
I watch the lovers depart for Santa Ana,
Elderly Asian tourists for Irvine,
Hipsters for San Juan,
and the rest of the destitute ******* for Oceanside en route to San Diego,
There but by the grace of God go the drunk kids spilling out of greyhound buses, sitting till dawn contemplating skylines reflected on the bay, finding romance in every moan of living Earth,
wide eyed at possibility of removing themselves from the equation and finding the answer,
Neil Young harmonicas drift listless above Spanish villas,
Everybody talking like something bad was gonna happen but I couldn't see much thru the windows past the tourist burly shouldered slumbering beast,
I think it was somewhere between Yuma and Dallas, with Mexico stretched out like an invitation to an anarchist rally where I was haunted first,
I'm haunted by El Campo Santo, paved over restless Indian graves in the shadow of the hanging tree,
By La Calavera Catrina blessing the sinners as they pass, hollow faced and sunken on the ***** Spanish streets of their ancestral Apartheid home,
I'm haunted by Calvary, 3000 spirits hanging around unsure of what comes next,
I'm haunted by the faces of the beggars I couldn't spare a cigarette for,
In dreams the Western night releases me and I leave California a shade lighter,
And the handful of stars that manage to burn through the haze seem to promise me:
"You may be gone, but your shadow lives on without you"
I'm sorry about how long this is but it might be my favorite poem I've ever written so *******
Night Owl May 2010
Past altered states tests postive and subtle
******* So and so's ­teeter Paleolithic après time puddles
And submit terrible philosp­hies
Ashy stubble ticks politics 
and sacrafice to peer approval ­sacralige
Test probably appears stable
Top patriarch's able sudde­nly to
Pop above submerged tables possibly
After, something tests­ patience awkwardly
Stumps tarot practioners and *** testers poor­ application sterily
Topology plain, astrology scorpio
Torpedo po­wer aptly strikes to pedal antlers sour
Take particular appointments
Stop testing plea­se apply sorted
Terror power and sexless torn pigs
afterhours pen­ and store tips, plow.
Alter simians testosterone, pow!
As scient­ists type papers about sexing tasteless past alligator snouts 
te­sting partly after science takes party alliance south to pawn arm­y 
subtle tipped passion. artsy.
Start these.
pick atoms smarmy
T­ally past all sentences take pride
As stencils test pestilence. A­nd sigh.
The previous alterations simply tried.
And didn't work, ­hence the present
Path lit incandescent.
I'm looking towards the ­east waiting for positivity to peak
You're turned backwards nosta­lgic for something that'll never come repeat.
While in the midst of playing solitaire
(with losing outcome foreordained
after a couple moves), I became gripped
with combinations predicated on thirteen
ranks each of four French suits subsumed:
Clubs (♣), Diamonds (◊), Hearts (♥) And Spades (♠).

I  totalled a sum of fifty two variations.

If one of four possible draws for king available,
(which could be either Clubs, Diamonds, Hearts,
and Spades), that would automatically determine
every subsequent card diminishing in rank
topped off with an Ace.

Please feel welcome to challenge my presumption
within a dark alley late at night.

The above calculation logical since a standard deck
(not surprisingly) comprises 52 cards
(4 suits of 13).

Each suit (Clubs ♣, Diamonds ◊, Hearts ♥, Or Spades ♠)
contains an Ace, 2, 3, 4, 5, 6, 7, 8, 9, 10,
Jack, Queen, And King.

There are no duplicates.

No Google search yielded results
asper this nagging question, but unexpectedly
whet an immediate appetite describing
the history of plain old vanilla playing cards.

Said legacy encompassing the four suits
i.e. collectively represent four elements
(wind, fire, water, and earth),
the seasons, and cardinal directions.

They represent struggle of opposing forces
for victory in life. Each suit on a deck of cards
represents four major pillars of economy
during middle ages: Heart represented
Church, Spades represented  military,
clubs represented agriculture, and
Diamonds represented merchant class.

King of hearts is the only king minus a mustache.

Face cards (Jacks, Queens, And Kings) so called
"face cards" because the cards
have pictures of their names.

One-eyed Royals (the Jack of spades
and Jack of Hearts often called "one-eyed Jacks"),
and King of Diamonds drawn in profile;
therefore, these cards
commonly referred to as "one-eyed".

The King of Spades ♠ ranks
as one of three immovable Fixed Cards
in the Cards of Life and resides
in the Crown Line of both Master Scripts
(Spirit and Life).

Said card, in situ, the most powerful card
in the deck.

A Jack or Knave is a playing card,
which in traditional French and English decks,
pictures a man in traditional or historic
aristocratic dress generally associated
with Europe of the 16th or 17th century.

The usual rank of a Jack, within its suit,
plays as if it were an 11
(that is, between the 10 and the Queen).

Charming, resourceful, personable and easy-going
best defines Jack of Spades.

Blessed with a creative mind,
this one-eyed Jack of the deck manifests
jais nais sais quois salient scrutiny
jest via virtue of lightness of his being.

The four card suits that we know today —
Hearts, Diamonds, Spades, and Clubs
(rooted in French design) circa 15th century,
but the idea of card suits is much older.

The written history of card playing
began during 10th-century Asia,
from either China or India,
as a gambling game.

That idea found its way to ancient Muslim world
before 14th century.

The oldest known deck of Muslim playing cards,
like the playing cards of today,
had four suits: Coins, Cups, Swords, and Polo Sticks.

These decks of cards then showed up
in southern Europe, but because polo sticks
were unfamiliar to Europeans, that suit
eventually changed to Scepters, Batons,
or Cudgels (a type of club).
In France, Parisian cardmakers
settled on Spades, Hearts, Clubs, and Diamonds
as the four suits.  
    
The first adaptations of German card suits
constituted Leaves, Hearts, and Hawk Bells
(Acorns rounded out German suit).

Considering cards strictly made
for French upper class, tis little surprise
cardmakers chose expensive
Diamonds over common Acorns.

The French advanced card making utilizing
flat, single-color silhouettes for suits.

These images created with simple stencils,
made manufacture easy, quick, and inexpensive.

Innovative new, cheaper cards
flooded the market in the 15th century,
became popular in England,
and then traveled to America.    

Contrary to contemporary belief four suits
meant to represent four seasons inaccurate.

Equally questionable 52 cards linkedin
to 52 weeks of the year.

Many numerological and religious
explanations asper composition  
analogous to deck of cards postulated,
but these explanations purportedly created
ex post facto, perhaps to give deck-holders
a solid argument, that role deck of cards
maintained existed other than for gambling.
Gods1son Sep 2018
I grew up thinking I was this vessel
Wasn't told my vessel is just like a castle
My castle got printed with people's stencils
Those stencils almost brought me to a standstill

My vessel was named different titles
Fat as a pig
Short as a wink
Big eyed like an ostrich
Those titles did hurt me

They did hurt till I made a discovery
Discovered my body is just like a chassis
This chassis houses an engine
The engine is the real me

The real me is who I am on the inside
The inside holds my spirit, soul and emotions
Don't judge me based on this trolley
Pls, say no to bullying!
"Cold Pizza recconnection electric arrest
old friends left over home alone red rover
flip book puff paint able zippy signing
lightning priced highly sprite-ling shy

leaves leap a leaf leavening leaves levers
lionize me syllables and cymbals symptoms and asymptotes
Saigon cinnamon whats gone the difference between Ke$ha cassia
lizard fish ports porter stout with the south border patrol
those tater tots eves since lighting daily lessening fatigue

green bar measure in response to the begging caboose
dim light lemon wedges squint islands honeycomb wide
perfect metaphors touch poem remedy powder doughnuts
a flask a mile width cantina cactus dessert dish lips road slick
female professional tag team tobacco handler interest yields

hey baleful pinky spam vy the guar and the sandwich song is humming a tune
to the sun and the moon and the wayside is wont for supper
a Loom spun round noon grooms an unbridled silver spoon
four ye old won't stop being contractions

contrast only reaps the aura mood in the the conical darkness
event is a horizon a jungle fools chained wrist to ankle
banks full listless investment feel drench razed
shake the way, late too ate tea teal a lit in did go
non-sense sin is a million aeons idle pining growth ignored

**** growth from the root why dragging the gravel lightly
emerging ravenous pushing the sun with the scalp singed minded
ogre bleeding decked and gripped dreams idealized eyes delete
sounds sold summoners atones in limitless feeding frenzy

cells flinched echo dissonance opening i um ma ni pad may hummmmm?
why do I mumble sometimes humbly others sacred offerings yet
qualify the quality of cells fishing to be men in community
ruthlessly scrutiny is mutiny suppose to be loud to leave
pew pew ill losing hung lung fungus molding heaving epi not pen but the helium
the healing them believing can propane proverbs pains aim profane fans
breathing wind fillet of sky blue as the ocean beyond the waves
lines thickening tears of god embolden as rainbows streaks marking

pens pencils stencils window sills rest acquitted gloves stylize
notebook dropping concrete break dancing drunk down stairs stars stare
clean the shadow rise to the top rise out of the base meant to trace the blueprint
croon dining a line red as rare as charred dark as an assassin man dares to draw"
Jenay Breden Apr 2013
Yes
If I wrote a letter to myself, I'd tell myself everything.
The little and the big things, and all the in between things.
The long and the short things, and all the every things.

I'd say, slow down and take a breath, your treading water, your heaving chest
When things get hard, purse your lips, and give the world a ******* kiss
Smile on and give a wink, be yourself, dont overt think

And I know you, dont think I dont
Stop over analyzing and getting depressed, theres nothing for you to second guess
through lost love and a broken heart, theres nothing preventing a new start
And maybe that love isn't at its end, but just on pause waiting to begin again.
Patience, patience its a virtue, so make progress, its just something you've got to work through

So your mad huh? So what?
Scream and shout and kick and fuss
Dance all crazy in your room, sing and yell out of tune
Laugh at yourself, and keep going
Or maybe slink around at night
With your backpack on and that spray can held tight
Looking for the perfect place, to leave your mark, to leave your trace
Feeling victorious the next day, lookin at the stencils which you lay
Smilin'
Hao Nguyen Apr 2016
We all derive from the same paper
that which is forcefully folded,
patiently pressed and
carefully creased.

We all speak through the same pen
that wishes for stencils,
grimacing at unpracticed,
crooked lines.

We all take action with the same scissors,
cutting away from the whole
to create paper people
holding hands.

We all are constructed in the same accordion,
snipping away the background
that falls like snowflakes
to create identity.

We all fear severing the same sections
that conjoin one being to another,
waiting with knives in our hands,
anticipating to cut.

We all fall from the separation,
slicing the connections that bind us,
sacrificing our grip
that suspends us in safety.

We all meet at the bottom
of the same paper shredder,
lost in the screams of its blades,
obsessing ourselves to be
broken pieces of an individual,
but forgetting that we paper people
once all derived from the same paper.
Kristo Frost Sep 2014
maybe (Big Maybe) your life has numbers in the title.

inked, digits trace the shadow of her hair

if you forgot...

how could You know
as You are walking down the sidewalk
           around a corner   --   wherever You want
that the World is not assembling itself
atom by (jigsaw) atom
from the blueprints (and stencils)
piled in piles (like so many piles of newspaper)
in (the rooms in) the back rooms of Your mind
particles rushing and streaming (fluttering)
together with (the ebb of) Your consciousness?

the World blurs fuzzily into shape
before snapping
snappily
into focus

just as You enter the room
blending concentrated reality smoothly
into some orchestrated Existence

the next time You          reach
for the doorknob on
the door to
the wait-, the waiting room

give,
pause

listen,         
carefully

can’t You hear the anxious atoms
           brushing
jostling
           shoving past one another?

Numbers, pixels, they                  jockey

       squinting through
the eye of
       the image of
the woman on
       the screen of
the television in
       the corner of
the ceiling where
       it hangs

she wants to know
why You divide
Them              from Us

so clearly
so readily

she wants to know
why Your countries
are bordered

by an indifference to equality
by a contempt for disillusionment

Extra! Extra! Read All About It!:
An extraneous dispute broke out between two
atoms on the table this morning;
a tiny china teapot was broken.

not that You care, but...
how would You know?

people are no more
then elaborate pieces of Your own mind
now once You hang up the phone
e v a p o r a t e d  
                        into no more than
                                           an afterthought
                                                    ­     of empty space

                                             the smell of burnt matches

                You think that
everything You imagine is beautiful
                    even death

               but in an ugly way

the man on the
                                edge
of the third chair
from the door
has no face
(none of Them do)
all of Them don’t
(have faces)

until They speak or You look Them in the eye

until They do something       Wrong
which is why They look                  down
when They walk down the sidewalk

They are afraid
You Made them Afraid

to live
  as a tree
    in the park

where a pillar of
angry
           energy
                       falling
failing
           the
                       pessimistic
sky
might strike
Them
(older than You
yet born
in this moment)
making the ground
around
Them steam
with the sweat
of a silent room
waiting
for the
            door to
                        swing open
                                      and tell
                                                   him

                she’s going to be all right
              it was close there for a while
                        but she’s strong
                      she pulled through

                              in the end

the pressure
of the years
of the rings
(which promise to
grow tighter
as time leaves us)
is heated
squeezed
left sitting in
flesh
turned to char
ash and smoke gently
cradling a tiny newborn

                                          diamond


perfect           (silence)

broken
down the middle-
                      aged
                             flawed

You should be perfect by now
You should have a face by now

speak           look Yourself in the eye

see Your own          Face
stop looking                down
when You walk down the sidewalk

it's Your painting,
don’t be afraid

to live
  as a tree
    in the park
  
They say don’t talk             to strangers
and You’re a strange one            indeed
how can You see the glamour
where Others            cannot
see that, laughing quietly to Yourself,
(You) can set the expressions on their faces
to joy
     to pain
           to fear
                to apathy
                     to peace?

               yeah, she likes him
                and she likes him
                    to know that
                    she likes him

                      in the end

she wants to know
why Your countries
are bordered

to keep Them      out
and Us       in

           this is Mine                  and that is Yours

You see
what You want to see (without)

(knowing what You want)
the sticker
       on the bumper
              of the car
                     rolling past whispers:
                            jesus is coming,
                                  better hide the ****

the tone is green, jealous

if You listen             carefully
You can almost hear, someone's

             giggling

             please do not think about green elephants

(a student just snuck in
and sat down as
the professor was writing
on the board)

             please do not feed the green elephants

I
Myself
have a strong suspicion
that Your mind is
as You read this
(hidden in a carefully cupped notebook)
spilling
black ink particles
across
existence
running
onto the very next          page

                    You write that
You imagine everything is beautiful
                   except for death

                   it is an ugly thing

              yet still the chisel gouges

    i whistle a catcall
at my blushing bride
      llac ot eltsihw i
   edis ym ot god ym

        through the crumbling protests
               of the reluctant stone

                                    each new line
                                    tampers with space
                                    holds suspect time
                                    postpones the end
                                    and evades death

You breathe
               You write
You sing
                You live

You casually craft causality

         yet craft on
         surely You are not yet done
         You may never be
         at this rate but
         but
         STOP

the World reblurs then blows away
listen closely here I say
all Things must come to End one day

You
Yourself

have tasted the                      Hunger
                        of Greed
seen the                                 Zeal
                       of Hatred
heard the                               Stories
                       of Genocide
felt the                                   Loss
                      ­ of War
and smelled the                    Decay
                       of Truth

                      this             is Mine
                                 what’s Mine, is Yours...
This is a major revision to the original, which was written in 2012 after getting off a night shift at the hospital.  I will probably never be done revising this, because practically every time I read it I change something.  

As it is very much in the spirit of the piece to involve You the reader, any and all revision proposals will be given serious consideration, although creative license is of course reserved.
Darin Marie Oct 2012
stencils of my mind are placed onto parchment paper
they slide off the wax like bold black drops of ink
they roll and wobble to the perimeter of which jagged teeth have bitten the sheet
thouroughly slipping. thouroughly off. complete.
a flicker instant shadow peers over  drawn lines
confused of which is north and which is south; tangled in yarn and straws of twine.
configure me a format of what you think is necessary
for me to harness and cultivate like grapes of wrath and frida's portrait of sorrow and conformity.
jerard gartlin Feb 2010
i made several etchings in my sketching pad
some wretched reachings at the love we had
with pencils & stencils i outlined our path
but my designs were confined to crimes of the past
filled with charcoal barcodes all sparkling black
the receipts that we keep to compete & compare
arguments we begin just to mend & repair
i yell & yell trying to tell if you're there
but the transactions happened & it's been a year
i'm fading away but i wont disappear
i'm still here
Nina Sousa Oct 2013
I laid there thinking of you
Dreaming of you
To only open my eyes and see that it was you
Breathing on my neck
In order for me to breathe you in
Taste your sweetness from the inside
Your innermost feelings penetrated my skin,
Through your breath.
And the way the sun looked behind your head
Shining, gleaming, like steam from a ***
Oh yes, you still make me sweat.
And your sweat mixed with mine is like every great love potion combined
Concocting sweet memories and love sick tendencies
Making me want you,
To tell me how you love me.
And the way your hands fit over mine, like perfect stencils of art made
because even then our bodies together make the most beautiful shapes
and not in the dirtiest of ways, but rather the innocent
the way we cuddle, hug  and love its simply
amazing
the way you trace the hairs on my head, the hairs on my neck the hairs on my arms all the way down the nonexistent hairs on my leg, only for you so that the ride down is smooth
smooth like your words that flow through my ears and tickle my nerves in every neuronal-space
that transmit through every fiber of my body and speak to every muscle telling me to tense
when I hear you whisper, “chill”.
And every time your fingertips imprint themselves on my skin
I know that those will forever be mine, for those fingertips are forever yours on me
On me I find your scent, your sweat, your fingerprints, your love
Is all around me, I can feel it when you align your cheeks with mine.
The way you rub your stubble filled chin through each dip and dent of my chin neck and chest.
The way your breaths somehow coincide with mine.
We are one and I realize the moment that I open my eyes
It’s not some dream my child-like, little girl, cutesy self is making
But those are your eyes I look into with the sun shining down
And your arms that hold me tight
And your breath that I long to feel at night.
L T Winter Jan 2015
He who weeps volcano ashes and seesaw silences forgot how to hear with stencils.
Martin Rasmussen Mar 2010
How do I tell her
that we're stencils
drawn by a kid on a wall

That we're unreal
nothing but sheets
filled by a kid called God

How do I tell you
I've got to go now
and paint my life on a wall?
Gemma Aug 2010
I opened a book and flew
to a far distant land
I disappeared from my room and the mundane sounds of everyday
This world was alive, this island of infinite adventures
George, not to be called Georgina
and the other three, and the doggy
I have the faintest memories
Except they aren't quite like memories
I don't remember words, but broken videos and sepia photographs
like I lived all these stories in a a past life
a life where everything seemed monumental-
huts were mansions,
shrubs-forests, people-giants, moments-eternity

Siting on a bed and making shapes out of bugs on the ceiling
on grass that smelled green, making smoke monsters out of clouds

In these idyllic wanderings into imagination
Homework was the tripping hazard
Map Stencils? Arithmetic?  
5+18= STAY INSIDE THE BOX.

When I open the pages now,
its never quite the same,
I wonder how someone could be named ****
and how their parents let them own an island
and why they never grew up.

So I pick up something with more pages
and longer words, and complex thoughts
and subtexts based on isms, and context

But the words stay on the pages
and the pages in my hand
and my bed in my room, with me trapped within
I hear my cellphone buzzing, and a notification about nothing on facebook
So I put a bookmark, never returning.

I think it happens when you're thirteen,
the initiation, rite of passage
they lock up that secret part of your mind
and put the key inside your old journal that you never use (because journals went 'live')
Welcome to the real world! Now you must find yourself!
Who are you? What do you want? What's the quickest way to get it?
Find a path and tread it carefully; don't wander or hover, or smell a water lilly, or stare at a worm, or chase a butterfly.
Just keep moving, till you get to that destination- where you'll find applause. (Oooh..applause they say.)

I'm walking and walking and walking.
But I cant find mansions or forests or giants.
Everything seems so small, so vivid.

I see the builders, not the castle; the tricks, not the magic; the camera, not the fairy tale.
I try to veer off-coarse into the wilderness
I try to wander but my footsteps seem so measured.
I start running and the roots of trees trip me, and the branches
scratch my face.

I fall and open my eyes and see the endless true blue sky.
I think there might have been a lake that glimmered with angeldust,
and I heard whispers of laughter that kept bouncing off the water.
There was something about the wind, like mystery in the air.
I felt on the verge of something, a clue, a challenge
An untitled adventure.

As I began to leave reality behind and lose myself in this strange, faraway land- a key turned, a door shut. The answering machine beeped.

I know now why the famous five stayed young forever.
Secret-Author Aug 2016
Do you ever feel overcome?

A work of art made of a million layered stencils
Where nothing makes sense until the last dot dries

Nothing, no one,
                               abstract, confusion,
                                                      ­             dot dot dot,
                                                                ­                        and then,

there it is.
                       THE MASTERPIECE.


A violent bruise of emotion that is so
                                                              ­      S T R O N G

You see colours.
                            Light peels across your eyes

Fazed. Dazed.

Feeling everything at once
                                             you take nothing in

Numb to everything
                except -
                        your heartbeat

beat
We are so perfectly broken -
                                        that it
                                                  
           ­                                        almost

                                                        looks like we are complete.

And we are.
I am.

In so many way.
                       So. Many. Ways.

But,
It's just,
            I mainlyyy

                           Kindaaa
                                         Don't feel
                                                         okay.

And I spend most of my time,

                                  Left wondering,

Is it just me?
Thomas Steyer Jul 2021
Can't decide what to play with today.
There are my colouring books and pencils.
I could also find my drawing pad
and use a ruler and some stencils.

I have my Legos and my cars,
and lots of other shiny toys,
but my mum sends me out
to join the other little boys.

It's a beautiful day, she says,
you should be in fresh air,
yet too young for school you are
no need to worry or even care.

I meet Timmy, my friend down the lane.
He shows me his bicycle with considerable pride.
It's new, he says, with bell, brakes and all.
I ask him if I could learn to ride.

Of course, he says, hop on and I'll push.
I follow his instructions - tightly grip the handlebar
and speed away without a plan of further action,
when along comes roaring an enormous motorcar.

Please make it stop, I scream. But Timmy is not there.
So just before the tragic but inevitable demise,
a miracle occurs, I wake up in bed safely,
all grown up and full of surprise.
Julian Aug 2020
Septuagint prince scribing on scrivello detail
Emerges from the frogmarch grave of revenants sheepish about ghoulish masquerade
The tribes whittle puckered shibboleths and charismatic vengeance evades
The henpeck of roosters harmonizing sand into grassy knolls of carapace cathedral light
Walks beyond the whimsical despair the conniving conservatories of manufactured fright
Spurned by smokestack confusion above a plastered reconnaissance of abundant life flocking between small awakenings curtailed by fulgurant swelters of blistering white
The spectral dance assumes primordial shades to dampen the windowed elegance of betrayal complicit in the haze
Mojo’s rise and fall with moonshot decades flashing intimacy lived twice barking like a squelched gyrovague relishing the kantikoys of burlesque night
And yet among the bemused stars unbuttoned by the prolixity of the Russia ruse the smear indelible flaunts with decadence in the pleonasm of sluggish articles of flight
How long must the messianic age shelter the nebbich halls of crambazzled piety in science to an upbringing of oligochrome
How many dastardly wernaggles of the rusticated elitism flomp with desultory banquets reminiscent of boiling Rome
Incinerated in an ageless day revived only after a historic lapse of barbarity in the ferule exacted such immeasurable despair
That the prejudice of pride is forever shelved as redundant because the filigrees of geometry only permit curvature in flatness
Convex movements captured in still-framed pillories refract nothing but Blazing Saddles of a caricature full-bloom sun
Yet we marvel at storybook ghosts and the isangelous carapace of marauding instincts forever brave and encaged
Erratic by delivery but sciamachy knows no identifiable age
Scrawny fossarians dig entrenched charnels voraginous with skeletons of brackish regelation enthused by immemorial decay
Must we abridge a hearty ocean in a month’s sublime regaled design of trespasses of unsung heyday spaying its weakest defrocked knight
Armed to the Teeth we seek the terminus of apocalyptic capsules destined for gluttons braving annihilation in the vacuum of orbital planes plain only to the ken of the keenest sight
No we make no petitions in prayer for this Soft Parade of vigor verging on flair
We ransack littoral virtues in nexility bronzed with Stayin’ Alive shoes in remission of staircase blight
Beamish in beatitudes of milquetoast pregnancies of salted Matzah brimming in the yeasts of cesspool emergent from scarecrow metaphors flagrant hauteur gliding on air
Witness the spearhead of revolution in the metagnomy of oracular aubades to future brimstone caverns
Lurking like counterstrokes in revision blackguarded by the feisty prowl of outpaced labtebricole whipsaws of timber readied into foisted brown-brick comestion of elegant emerald errors
Dancing with galactic improvidence concealed by the rigor of lurched liars enthroned with prerogatives of stain-glass adumbration
We parcel up parsecs because clairvoyance among titans is a swank in need of 20/08 visions spectral in the clouds of all prominent registries of memory
Lost to faint delicacies of swift serpents outlasting gnats in the tabernacles of ribald ecbolic promontories on the verge of futile tomorrow pastimes spinsters flummox with slimmerback rigmarole flanged by whinks and escorted by the maskirovka of positive bears in absolute value alone
Yet Enola Gay found its destruction profitable to hominist lore enough to attenuate its evaporation of suffrage in the glint of pervasive remedies to stranded gore
Embanked on the sidelines of conquistador flaunts that a Titanic missive of classy regard found the damsel at the steerage slipping on zalkengur irony the anticlimax of lore
Traipsing fellowship of many a ring is a phony artifice for an ostentation that bellows so loudly when isolated perjury must not whimper but sing
The loudest plaudits afforded to a parallax incumbent white horse in the shadow of Dark Horse occultism a barbed flying wing of the West becoming the king of behest
Scurrilous are many jeers because their similes are baseline just as much as the storged conglomerate behind ensnared rapture looming with less ecstasy and blunt fear remains the kilmarge of simple foresight wrinkled behind the sum of many tears
We await our Creator’s Throne insuperable even with the blandishment of piecemeal craters that are superlative bolides of the weirdest attenuated into the spectrum of eldritch weird
Yet the riches of hobohemia found in “invisible lockets” worn by the travesty of jerseys measuring up to Roadhouse beer
The cartels of citadel cascades built on mountebank fortunes reaped from venal psephology collectively embody the unconscious gamut of javelin cloaks of sardonic sneer
Threnodies written long ago in the Hidden Tracks of sophistry welcome the intermissions of antiquity abridging the donnybrooks of charlatans bossed around by facetious gibes of manicured belletrist humid enough that evaporation itself of rarefied tabacosis has few if any peers
Yet the peerless sketch thrombosis in the oxygeusia of deceptive schadenfreude only to topple jengadangles that glabrous gravity muscles to barely if it all steer
In a vacant reality eager for surrealist bounty the sidereal question of moribund placards supplanted by vibrant living semaphores fixates upon figments of acatalepsy rather than ruddy enumerations of partition despite beloved chalky rudiments filibustering with courtesy rather than jeer
Amicable are ravenous betrayals for chieftains cloffined by warm sapwood integral to equated tantamount mountains festooning firmaments in quaffed delights rigid and keen
The most welcomed blasphemy fragrant with jejune originality celluloid enamors splenetic with sprees of perishable profanity lurking ever more obscene
Regaled in the modest jostle is the forsifamiliation of heterodyne dins of honest applause from the blackguarded periphery among which there are no visible beacons no visible stars
Scarred by diacope enumerated in prescient revelry the trollops of tune and attunement magnetize a riveting weld of seamless geometry that is permeable to ineffable lychgates both porous with prowess and ajar against a golfer’s remediable par
Wizened ghosts flirt with tucked bushes in the forlorn deserts jolted by oasis and flagrant with confection torn asunder by wide-eyed gallantry skipping stones on ataraxia from a distraught afar
That lake of goldmines is scattershot with limey limelight squandered on profligate wrikponds of propinquity but not prolixity in scores and bounties of exoticism in glaikery’s fugitive charm
In proximity there is usucaption but the usufruct of sustainable obelisks to liberty must have the forbearance to bear many witnessed eyes to the Right to Bear Arms
Skirmishes of benighted fracking obsolescence ragged with vitriol and poison-ivy nostalgia flaunt the bromides of algedonic flash over consequences that many disregard
Spiraling with vertiginous pain the scowl of obligation is both seamstress of emblazoned effronteries and the proper reflection of seasoned but not seasonable garb
This barbed quandary riddled with rapacious tendency mixed with myopic bonhomie devours a rickety cacophony of diminutive scopes of ******’s glare to prove each atomic indivisible atrocity a carbonated fulmination heavily barbed
This is all why the killjoys monopolize their gangster vices behind tinted windows and chockablock morality are uxorious bridewells for the bridgewater of garbology sketched by vanity in the outrecuidance of gallionic chasms of an absolute value of firebrand regard
No difference does it make if the recoil is whimpered by hordes of sheep in pretenses of authenticity or whether decapitated delopes emerge from visagist dacoitage snuffed like flavors orbiting self-injury by clockwork towers apace to outlast tertiary bribes for secondary bards
The atocia of freckles in recognition of frail pinnacles summited by daily alpine dilettantist dualisms of polarity are a gullywasher to cleanse and launder indelible regrets carved by aboriginal pottery to memorialize primordial penury
As the slick oleaginous tilts of wicked smart Northeasters swarm the hindsight of Southern Weather afflicted by tempests beleaguered first on recapitulations of Calvary and then deposited evidence upon bourgeoisie
Fumes of the modest flambeaus torching sunken apostasies of hungry spasms of the wind meeting the brusque celerity of the ribald waves rarely etch sublime hint in etch-a-sketch lapses of untimely mobility
Instead that perspicacity of conservatory silence bludgeons Lisbon in the fright before the fall of so many a Phoenix in a foreign land can bear the assaults of the heaved seas
Lambent upon a craggy regularity extinguished by sentinels of the tattered womb for a grimace of prestige by primipara seduction we find no justice of known and knowable terminal disease
Figurative in spoken wisps that predate evaporated concepts of precipitous time the triumph of exalted adoration belongs to hubris but vacant of the prideful decline of crime
To each outspoken verve witnessed on sublunary turf the absolution is nearer to fertility than the craggy soil is to dirt as blemished prowess is a furlough to the sensitive pink tucked manifold beneath each authentic skirt
Liberated by ophelimity but flexed by vicarious pomp in serenade only of hauteur for the hottest we slice and dice a cavern of temptations regardless of enumerated patterns of clearly lopsided dice
We think we live and die but You Only Live Twice in ******* to the oriental bolides of meteoric meteorology preeminent in governing plantations of rice
In jubilant proclamation, I graft from venereal skin a renewed girth of purpose that all enchanted fantasia is a birthright of pleasure more than a vapid drawl of purpose
Glitter bores the scintillation of a denuded naked glory of gore because intimacy is antecedent and consequent to immovable revolutionary procreation of service
To conclude this homily the apothecary in persiflage renounces the role of kilns in both poverty and pottery because his shaken dreams are yelps of a disgusted ornery camaraderie
Listless by oracular dreams of titanic parvenus immune to the sway of tentative croons of Suburban Muse because the grisly subversion of vetust honor that honors not verdict but version of ghastly spools of flimsy epitaphs and not the paragon surgeon is the downfall of a diatribe of petty men
Littering their taradiddles on owleries in overclocked jaundice drowning for purpose among hatcheries of the privvy roosters that own the consequence of audacious pens
Dodgy in interrogation, flummoxed with deracination, isolated by time for time’s recapitulation of surrender in katzenjammer vibes it is time for gossamer servant surfers to borrow nine and hang ten
But the noose of the wednongue nun specializes in puritanical Model Ts for DeLoreans trendsetting years ago because listless lethargy benights the glory that cineastes already won
Teeming on the brink of tomorrow is the progeny of hopeless yesteryear engraved on the iconoclasm of the weak after the next debacle because the Earth after Christ has already borne a Ton
Liturgies revised to reflect corsair trigonometry aimed forever at zephyrs of plight bathe in July 3rd infamy doctored by Generators and Generations before and beyond Walter White menacing the saber with imperious might
Flowered in the nuisance of death is the womb of the arena participant to infinite relapses of contention gladiatorial only when the shunamitism of shanachies sheds serpentine grit for the blench of ligonies of redoubled sight
Towering from the knave inferno of a tramontane elusive cordial imitation of captive citizens of attentive sites the illusion is the vanguard of centuries guarded gingerly by Canada Dry sprites
Rollicking in vehement magpiety attuned to machismo if marginally the sultry philander of naked ruse medicates the charmed Apache Indian on his brief encounters with limousine cruise
Stark in sunken destination glimpsing coal-fire recursive ironies the cloned subversion is a golden calf so effete because it never moos about instinctual muse relegated by twin terrors riddled with sparkplug truce
Limited by scopes enlarged by scales mired in funereal pyres to rigmarole sensationalism worthy of nativist coercion and pivoted lyres the riddle of terminus remains an acquiescent scoff, cough and quaff that never expires
It reaches planetary dread of vast distances regaled against gambits of the spread so the richest sourdough appeases the riper vipers of the nested bed
Recalcitrant with frugal uxorious creed the leader of esquivalience is the headless horseman of innumerable tractions but no mouth to feed
He digests the gallop of the gallant interregnum specious in caitiff ploys and the recessive allele of commiserations against the piety of apolaustic joy because rambunctious speed always attracts a resignation professed from the tailspin of a crass voyage of ludic greed
Tricksters boast of passionate lubrications of finessed bread recocted from useless toasts glowering with insipid pallor as heat and humidity reckon billows of hype congregated more in cisterns of apostasy for remark than a marksman headshot of a Head Hunter wed tightly to a pregnable visions of proactive Ghost
Recidivism and time have a vendetta against verdant drolleries coated by waxen plenilune accordions rampant with polyacoustic rhymes
The tridents of mercurial weather bent on the ineffable vacillations of whether are the brazen opponent of Sterling fatherhood of life’s only father the clockwork animation of a living patronage of eternal existence cobbled from immutable time
To the glory of the Father the sun shades its whimpers and the moon alights as the frontispiece of nocturnal revisions to the New York Times but the hues of rocketed ingenuity coax the ingratiated few to the laureates of genius reckoned with both designation and superlative artifacts of pristine design
Haunted by Green-Light Politics for Greener-Eyed Ladies masquerading in star-crossed tomes of existential dread of lollygagged playful mischief tucked in the coach as he leads his team with sophrosyne feel-good invictive treacle we witness the fumiducts of fortune blitzing Hail Mary contrition with earnest specialty in defense of offensive precision
Games won by the squirrel are outnumbered by the stars in the heavens flagrantly devoid of specialized electricity enough to encapsulate the ommateum of collectivized insights found only in the most evolved sequence of cell division
Incarcerated by the scrappy schlep of bad beats and bronzed chariots roiled by the momentum of angular spears we seek oracular transcendence that cements decades into the span of days that portend the deliverance of future years from past and present fears
Presiding as proctor in the redacted exoneration of crash-course pilots glowering with the effluvium of recensed perdition the heyday of one becomes the mayday of anarchy tested only by the alacrity of the summation of its beloved yet maligned cheers
Against a prosperity hard-won by earnest husbandry commandeered by gammerstang notoriety spawning the recrimination of star power into centupled peers negligent of zero-sum opinionation wagered by Country Club fraternities embedded in the taxonomy of wilted hackumber for hegiras minimized by outcry but cemented by Dear Johns’ twinged with sultry pleonexia in taxed tears
So with the whipsaw of the individual between the collective funnel and the idiosyncratic insubordination that amplifies outcry galvanized throes of insemination built on cross-pollination is melliferous to a pretense of alchemy outstretched to sidereal wonder
Hardest to guess is intimacy clothed in Platonic virtues crumbling because puritanical pilgrimage is appraised as a joyous thunder for a abnegation from all potential blunders
To wager such a life is a depredation of the abundance that John breathes as a ceremonial birthright cast aside by latent regrets stampeding the realm of nosocomial reflections of the pallor of a lurid squander
So we are left to bemuse the decrepit bodewash of realism taken to such a virulent extreme it leaves few artifacts of nostalgia to croon about and ponder and fewer abstractions to yield to manicures of elegant troponder
Diminutive sinews in the intertesselations of heft profess a fidelity of notoriety carving life before and after death
Unsung by the beadledom of the usucaption of exotic tailored musician brutes upon my landlocked assault of chryselephantine usufruct I lampoon nescience as it lurks in murky graveyards of anoegenetic zombies covered in thick pigments of piggish soot
Yet this fuliginous bronteum of warped clarity transfixed by the ulterior wednongues of atrocious spans of provenance jilting providence makes betting interests of rivalry outcomes harder to win earnest roots
The trees of the gamboled skittish resignation of checkered blinks obscuring the curtailed discernment of bedizened slogans of future campaigns yet distasteful in ornery churning the bootstrapped tie their tethered laces to their acquired boots
Barnstorming through afflicted spandrels of abeyance shepherded by notions of public dereliction by imperium of centrobaric centripetal philters of concubine rhymes I surge beneath cordial flonky redhibition because of redshorts in estimable traction cemented by supernal design
Weak in luster my potent pollination for synergistic aplomb evades the fringe of corrugated affections mounted upon quixotic escapades of jockeyed statistics flourishing by reticence rather than frazzling the prolix emulation filibustering the mundane ignorance but garnering the harvest of the plevisable sequence from prime to prime indivisible by liberty alone or complicit with cadence sublime
Finishing the sermons of modern apostasy to a gallant cause my laments outnumber the muzzles belonging to the quorum of begrudged applause in the rawest spectacle of unheralded genius clawing insistently at the heart of electric gravity
The nuances of plausible nuisance bicker in emerald harlots of the tantamount nature of derelict frikmag to calculated prosodemic solidarity around insanity because the vein of the golden ore should see ivoride as nullification and inanity
We all stoop on counterfeit stencils of pretense hearkening a clairvoyant sun to droop for closer inspection but detective remonstrance is outmoded by dreary witless defections
Thus the drawl scrawled by the genius flonky in gadzookerie but gilded in rhapsodies of ineffable cadence fighting orthodoxy to a relegated draw sketches the outline of the special talents of lying claws
Because stipulated in the vast oversight that predicates reprisals of retches glazing in obtuse effronteries with eccedentesiast odontoloxia we witness the corrosion of race and gender into pontificating audits of nomadic treason in a fortress militarized by niche applause
Trickling from repcrevel faucets implicit degradation is a casual casualty of an abbreviated motive gestured in ponderous stupidity to distract abiding legislation into the giggled gaggle of tinsellated glitter
Fatuous by vacuums of gaudy prizes worthy only of token motions rather than locomotive strains of virulent and compassionate respect lapsed on vigors of vehement regret is a sing-song ridicule of a still-framed pillory erected as the obstacle that gouges the riddles of impediment and deprives the luxury of preferential emolument siphoned off to lurid jeers of mockery propaganda sizzling in the cauldrons of tilted marginalization
So we witness the faded declension of the hubris of fair-weather camaraderie as a flux dispersal of invidious buoyant bloviated streaks of temporal grit into inverted revelry never shared by the proper ubiquity of streams of personal recompense for plodding fragments of invasion
If I veer away from bickering cackles of denounced preeminence swiveled to face the shadows upon the great cavern of insuperable bounds of fickle human ignorance I deplore the vaunted toadies that shrink my shadow and diminish my viable conceptual and vibrant footprints
Few extinct creatures know the annihilation of petty fame quaffed on Whiskey Bars I never met because the insipid banal pleonasms of restructured irony grimace at my complexion as the scent of the game alerts the foibles of a champion begotten once before as a shark-tank prince
Livid is my grief in the aborning moral quandary of sunken priority overlapping with piebald skeumorphs of retches of blinkered allegiance faltering prior to the primary day of my true awakening because the completion of nesiote subterfuge  rusts on creaky hinges of noncommittal regressions of pointed but pointless deluge
I spar with the augury of irrelevance with a five-pointed star bequeathing rigid but plentiful provision to assist with more than a petty dime of tithe to a 20/20 flash of perfect prescience and hallowed vision
The eve of all destruction is the lollygag of subordinate squawks redacting convenient priorities on the slowpoke walks through teenage immaturity found in the infamous “talk” that the world is governed by evasion in supremacy rather than by the bywords of the perennial stocks in sublime stalks
This nation perishes with my visionary clarity because the bifocal constraints of delimited defenestration remands my custody beneath ****** upheaval documented by useless historians of deliberation in gaffe and ammunition for agitprop flickering away the aubades of praise for the stilted pretense of sclerotic values inflexible to authorship thus scuttled by crowdsourced dictatorship
How sad a spate that the welters of sciamachy hide behind the glaring shadow of immeasurable genius for an unwarranted earwig to steal the echoes of my thunder and poison the servitude of the minions to companionship to highlight aggrieved infamy over walloping feats of refrain found in an isolated rather than protracted celebrity
The guilt of the reproachable beams through the frikmag of tyrannical bouts of circular wernaggle as I carve spherical reckoning that outstretches in all viable directions so that “The Mailman” and the Male Man both succeed in historic insurrection
Flashy benumbed brutish ferules of ferocious dainty dances with an arbitrary cage highlighted among a voiceless heyday for an auditorium which perceives insanity more dangerous than inanity is a profane stipulation by wrinkled mediagenic hubris which scours planetary limitations for excuse to recourse and recourse to excuse
We find marvels in subtlety finicky on the apothegms of heterochrony divergent even further from syndication as the regimented nuances of abuse become plucky daredevils that cozen robust vital sapwood from anglers seizing by seizure the roundabout logic of the innumerable minority characterized forever obtuse
I writhe in delicate contortions of flexed directional bypass surmounting orthodromic velocities capering with the anenometers that spar against spangled enthusiasm only to become an anointed slave of the flagging moral resolve fulminating a huffed crusade with silentiums of false asylum for true achievement brusque against any resourceful tempest scurrying the hidebound illusion of pandemonium for scrappy shenanigans of vergers and emptied pews griping with the dearth of the day-to-day despite the known tomorrow
We cannot affix primary focus upon constellated wasms of puckered abstention borrowed from a maskirovka of secret hedonism wed to many vices among wives but deprived of sacrosanct remuneration for abiding expenses yet an atoll upon a continent decisive in its aborning revolution
Ribald wiseacres of a jovial dismay flanged on rectiserial exaggerations of sebastomania is a stranded frigate of a fugitive escapism wandering with nomadic insistence against cosseted blackguard of assertion without plenipotentiary verdicts against the suborned crater of overstated flimsy truculence in sardonic dissolution
In trespass of a reservation of recoiled tender of tutelage proctoring unseemly haggardly refuse to creak into noisome and noisy cacophony armed by centurions of merciless scorn that lackadaisical winter belies the meteoric riches of autumn mainour fungible with the retches of remorseful decay dangling retreat above entreaty for exasperated wednongues lacking curiosity or the backbite of counterfeit engastrimyths seeding an unknowing complicity to fallacy forked over by chiefs and chefs to an amounted dubiety reserves the armaments of glib sedition for inopportune blacklists by a whitewashed Listerine amenable to launder travestime into oversight rather than belabor banal graft upon the agelasts of a toilsome operose labor to trivialize Herculean monuments to creativity as backwater residence of restive plucky percurrent revivals of infamy as a primary thorn rather than a secondary abreaction
Sentinels swift to the expedited squalor intrepid in sclerotic simpers of renowned defalcation bludgeoned by the tridents of harmonized trauma healing the brayed complaint while regaining the quixotic statute of plevisable mobility belongs to the froward counterpunch to the flippant underminnow of savagery yet among noble personage a blip on furloughs rather than a singed diacope perishing in Wasting Light for denuded darkness to supplant the vacated stage of ironic upbringing bartered from a treasury of obsolete wasms of trivial shadows in the amounted lineage of time.
Elected by the purblind fudged cadge of intransigent solidarity behind unhinged proclamations of lewd lunacy the reset of wibble-wabble and conflagrations of trenchant visibility will cloud the cloudiest tempest with hurricane-force devastation by the healing stripes of the piebald idiosyncrasy of gerrymandered defamation failing where insular regeneration outlasts hamartia and blinkered foibles of girouettism to pillory the excess but not transmogrify the whittled progress of seminal generativity unbounded by harped lyres of discord for secret concords of select femicide
With outstretched hands I point to the tapestry of the Heavens as eternal folksy witness that to endear the temperance of time bullishly roaring on the laureates of prolific servitude to the malleable substance of capered argument the enigmatic punctuation outweighs the baragnosis of miscreant opportune glares at personal prospect for aggrieved sockdolagers of redstrall over the filigrees of innate geometry to cackle above the shouted gnash and the dissoluble squirms of blackened cremation of living memories into insipid fracking of sapwood caitiffs flowing on the motion of discredit rather than honor in valuable endeavor for future genuflection
Totems value me as much as they stalk grazed hinderbaggle of cosmetic devolution of ragged popcorn theatrics in the desuetude of normative ethics beneath the carcass of rotten dastardly cowardice brandishing an ulterior discretion beneath the level of the lowest stoop of any breed founded on loyalty verging into flagrant snipers of integrity for the integral unshakable paragon of broad illumination the guidepost for many spectral truths overshadowed by one miserly fool flummoxing with albatross without the overhang  of pluvious integrity shepherding his hauteur in zig-zagged wallops rather than buoyant serenades
Thus entrenched in juicy poignant barricades against virulent spawn of the katzenjammers of squawking femicide I spout the blossom, bequeath the gift, renounce the delusion and form a formidable bastion against depredated valleys blemished from sight by intolerable patches of darkened verdure hiding from commonwealth perception the pearl of ecumenical salvation swimming in the naked tongues of honest profession dancing with conventional demarcated demerits of Rimbaud ramshackle deracination as a humdrum belittled squander of a prop of craven filibuster rather than beavers outsmarting the delignated destruction of habitat because of outright distaste for plucky individuation above the squalor of relativism in minor octaves of gnashed betrayal rigged by hamsters rather than owned by the men trigger-happy with rat race motivation only to the servitude of degrees rather than plausible recovery embedded into the fabric of fickle society
Hidebound tomes fishing for destruction but grappling with the enormity of the plagued pitfall of ceramic skirmish with brittle conscience emerge with epincion rather than sulk in brooded hyperbole of convenient drapes of flocks postulating irrelevance clearly in the light of the truest day frolicking with gigantic swaddles of curated support etching masterpieces of traipse into the frescades of future calenture beyond the petty misestimation of hemitery politics
Thus the weapon serves two masters of row rather than regatta and the besieged rankles the testy predicament to a teased poetry riveted by years of rhapsody rather than moments of tomfoolery emergent victorious rather than dilapidated by what-could-have-been chary brinkmanship on the precipice of modern sacrilege
To instruct the herds of men to hoard and the wisdom of the wise to circulate that apothegm of reclamation owns superlative traction fundamental to whimsical festivity even forsaken on a churlish masquerade outmantled by frenetic activity famigerated by the true Richter Scale of public fanfaronade because justice is truth and only in germane truth beyond germ scares will decrepit scarecrows demolish their Fear Factor even when the gullible squirm for nexility on bounded continents rather than novantique frontiers
Conscription demarches for assembly beyond relegation and celebrity above frays of discordant rumination feasting advenient rather than cherishing internal and integral the virtuoso wrabble of residue generations churning wheels of acceleration rather than quibbling extinguished vitality as principal complaint exercised in negligent abodes of facetious barnacles to outlandish freckles in the majestic pulchritude of a Titanic salvation beyond and considering the curglaff of sunken resources pitted to my registry by slot-machine audiences incognizant of brittle whittled henpecks of adoring truth and perdurable verve
We sink and die by destructive tongues but abide and live by righteous exemplary prowess capable of scraping the towering canvass of the firmament and the retches of the deepest sea inhabited by any curiosity worthy of emolument
So in token liturgy I decry sidelong cursory squandered affronts that drive the Jehus madcap with fractious celerities of formal destitution rampant on flonky menace rather than modern hypertrophy
In The End, we see triumph in every nuance and bristling concord with every perspiration of ennobled effort truckling into serrated selachostomous and fractious bromides of wrecking-ball fashionistas fumigating cultural pederasty with subtle bailiwick but ragged travesties of taxidermy celluloid
Marvel in-between the serenade and grandstand and cull the turnverein of triumph from banished evasive rundles of the outlasted calculus to neuter the estranged and to estrange the atocia of vibrant surreal vibes no stranger to an alien hand in a desolate world.
MissMew May 2015
We are the capricious youth,
desiring farewell from monochrome stencils etched onto our once blank canvas destined for a mixture of hair dye, blood stains, and beauty like no other;
a band of misfits.
We are the abandoned bunch,
free from moral restraint and expectations of perfections as the reigns break from the hold of their eyes piercing in fury with a judgment heartless and rigid;
Fugitives from the box.
We are the bats in the belfry,
mad as hatters and rich with curiosity, the true descendents of Alice with our cheshire grins and cups shattered at the edges creating our own wonderland in lost treasures and spare parts;
welcome to Wonderland.
We're are the criminals of time,
Our minds yearning for adventures of mass destruction to ignite the fires in our eyes as our hearts lust for one night stands and temporary lovers until we find whom of which tames the beast of our innerworkings;
Our perfect mistake.
We are scientists of our generation,
experimenting with love in temptation of others and blissful passions not specified by gender, but by the content of their character, and they who love purely scream ******* to those who say otherwise;
Pride is not prejudice.
But most importantly,
We are who we want to be:
The girl with the colored hair and artistic skills unparallelled by others,
The boy with the piercings and mathematic expertise who incipient a revolution,
The timid girl with the voice like an angel's who soothes the souls of those damaged by fear,
The boy with an ear for accoustic melodies and a taste of eccentric chords with the potential of a thousand choruses,
Or the those who haven't the idea pictured yet,
We are exactly who we make ourselves to be and the creators of a portrait by our hands,
That is how our story begins.
"Normality" does not imprison me

My life being not heavy enough

Is allowed to take flight

To float above the reasoned realm

Where revelations of the truth

Realized only by detachment devour my thought

Increase my errorless purpose

And so the stencils of oriental scribes

Like colourless shadows overpower my mind

Floating, floating high above

Adrift on an expanse of darkness

Presently that black ink

Raises its curtain before my very eyes

Revealing the stage, the illuminated stage

On which I am to set my drama

Where the phantoms of my imagination

Will enact their mysterious mysteries

A poetic alchemy

— The End —