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"ripeness" poems
I’m a child and not a bride, but Last month you made me marry you. You know it wasn’t love that made me say yes But the fear of what shape my death could take If I were to turn you down. Of course I had no voice. I could only muse to myself In the dark closet and imagine myself A mother at thirteen: would it be awesome? Would it be dreadful? Would it…? I died of anxiety. Last month you made me marry you. I had no time to discover me for myself: Who I was, what I was, what I wanted to be; I had no time to think before I had to say yes. But it pains my bones to the marrow. I am an unripe fruit for the eating. I am a piece for the show-glass. Last month you made me marry you. I spent nights upon nights weeping over how you’ve Broken me; how you’ve set my life ablaze Like a forest in a wildfire; And now the once-upon-a-time sweet sounding music Of my soul is burnt into silence. I have forgotten the dialect of my soul. I hush. I hush. I hush. I hush. I hush. You have beaten silence into me, And now I have to prepare to moan and wail Beneath your weight, while I watch you helplessly As you bite into my innocence, As you suckle the un-ripeness out of me, As you dig into my childhood and pleasure yourself In the childhood screams you hear from me. But it isn’t the fun that makes me scream. It is the bitter pain of knowing, of remembering That my life ended at thirteen: Broken like a fallen calabash In the hands of a fifty-five year old man.
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Jun 24, 2014
Jun 24, 2014 at 12:05 AM UTC
LAST MONTH YOU MADE ME MARRY YOU
Mine are grapefruit halves Bitter Salted Easing the transition into awake Perfect juicy handfuls But I know girls with cantalopes Seems to me you'd need a map To navigate those And hands like Melonballers just to make an impression Raspberry, Blackberry, Cherry ******* A fruit salad of peaches And mangoes and apples It's a world made for peelers And paring knives I world where a sweet tooth Can thrive We plant our women in orchards Cultivate them in careful Organized rows With expert farmers and the latest fertilizers Leading them on Into ripeness Harvested at just the right time So that no man ever need know hunger
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Aug 27, 2013
Aug 27, 2013 at 7:17 PM UTC
*****
Sometimes she walks through the village in her little red dress all absorbed in restraining herself, and yet, despite herself, she seems to move according to the rhythm of her life to come. She runs a bit, hesitates, stops, half-turns around... and, all while dreaming, shakes her head for or against. Then she dances a few steps that she invents and forgets, no doubt finding out that life moves on too fast. It's not so much that she steps out of the small body enclosing her, but that all she carries in herself frolics and ferments. It's this dress that she'll remember later in a sweet surrender; when her whole life is full of risks, the little red dress will always seem right. Lord: it is time. The summer was immense. Lay your shadow on the sundials and let loose the wind in the fields. Bid the last fruits to be full; give them another two more southerly days, press them to ripeness, and chase the last sweetness into the heavy wine. Whoever has no house now will not build one anymore. Whoever is alone now will remain so for a long time, will stay up, read, write long letters, and wander the avenues, up and down, restlessly, while the leaves are blowing.
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13.4k
Child in Red
Around the table, Literacy discussion turned elitist... Bemoaning some poor Johnny, Son of a plumber who does not read Beyond the practical need, And has no desire to. I stopped to check my sense of what I had just heard... Was transported to a prairie farm; Thought of my Father, then in his eighties Who felt no need and no sense of loss For not having read Shakespeare nor Kant For missing Milton's Paradises and Hemingway, For by-passing Black Elk Speaks and C.S. Lewis. Every morning, he read his Bible; Some nights he read the mail's Motley collection of literature: Ads and politicians and fanatics, Demanding money and his time, But mostly money. "I don't have time to read!" He'd shout when I suggested a novel. What literature he had was in his head, Poems memorized when he was a boy In a two room school, or His own lines, written as a young man, Describing work and friends Long distant now, but still alive In memory. Dad taught me how to read In different literacies and different texts: Nuances of sky to read the weather - What chill or storm or drought was on its way ("Storm's coming, boys! Let's get that hay!"); Cows and calves and bulls, (Which one was sick or well, dry or bred); Ways to diagnose mechanical ailments ("Start with the easiest options first"); Metals, to know which welding rod applied ("Aluminum sags, and cast iron cracks"); Grain, rolled crisp between hard hands, (a test of ripeness); Cement, to blend the perfect mix, ("Clean gravel/sand, no dirt, not too much water!); Conservation, ("Always keep some grain on hand" &   "Keep your fuel above half-tank"). So many literacies... Dad, the Master Reader of them all... No wonder he'd no time for books.
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Dec 20, 2011
Dec 20, 2011 at 9:26 PM UTC
RR No Time For Books
Around the table, Literacy discussion turned elitist... Bemoaning some poor Johnny, Son of a plumber who does not read Beyond the practical need, And has no desire to. I stopped to check my sense of what I had just heard... Was transported to a prairie farm; Thought of my Father, then in his eighties Who felt no need and no sense of loss For not having read Shakespeare nor Kant For missing Milton's Paradises and Hemingway, For by-passing Black Elk Speaks and C.S. Lewis. Every morning, he read his Bible; Some nights he read the mail's Motley collection of literature: Ads and politicians and fanatics, Demanding money and his time, But mostly money. "I don't have time to read!" He'd shout when I suggested a novel. What literature he had was in his head, Poems memorized when he was a boy In a two room school, or His own lines, written as a young man, Describing work and friends Long distant now, but still alive In memory. Dad taught me how to read In different literacies and different texts: Nuances of sky to read the weather - What chill or storm or drought was on its way ("Storm's coming, boys! Let's get that hay!"); Cows and calves and bulls, (Which one was sick or well, dry or bred); Ways to diagnose mechanical ailments ("Start with the easiest options first"); Metals, to know which welding rod applied ("Aluminum sags, and cast iron cracks"); Grain, rolled crisp between hard hands, (a test of ripeness); Cement, to blend the perfect mix, ("Clean gravel/sand, no dirt, not too much water!); Conservation, ("Always keep some grain on hand" &   "Keep your fuel above half-tank"). So many literacies... Dad, the Master Reader of them all... No wonder he'd no time for books.
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49
I am trapped inside an hourglass these affections are shut tight like knots within my chest I am waiting for the test of time to pass and that is something only silence does best While every grain of sand falls to rise against the air I breathe my heart is refined by endurance there is no sweeter alternative than to taste the fullness of love in the ripeness of its season
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Oct 21, 2014
Oct 21, 2014 at 6:24 AM UTC
Hourglass
You are pathology incarnate The sweat on your brow trick of the light You were the first female But you are no woman Just a beast in the shape of a girl Plucked one year before ripeness A major at everything A minor one way Your eyes betray your true nature Sharp, louche and depravity reined Soot-yellow and one dollar green Some might call it hazel I call it dirt against your aryan gold hair If you offered me fruit I’d force myself to take a bite So my soul won’t witness my guts feasted in the gutter Carnivorously carnival-carved cadaver Stamped under your cigarette-stained heels Cherry cola chipped out of chapped lips Cos I didn’t dare take a chockfull You’re the first girl who has ever touched me But I’m just the fly on your fruit Lilith Haefelin The girl before Eve.
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Apr 7, 2021
Apr 7, 2021 at 11:33 PM UTC
Girl before Eve
Loving you was like eating green grapes. Pushing, pushing, then pop through the skin. Tasting the sweet success Letting it flood my mouth Only making me want more. But green grapes are sour at their peak of ripeness, at their most beautiful. The sour sting in my jaw is what it feels like after your sweetness was gone, Affter I couldn't think about you without wondering if maybe that thick skin was thick for a reason. That maybe green grapes should come with a warning label.
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Jun 6, 2015
Jun 6, 2015 at 10:47 AM UTC
Grapes
Around the table, literacy discussion Turns elitist... Bemoaning some poor Johnny, Son of a plumber who does not read Beyond the practical need, And has no desire to. I stop to check my sense of what I have just heard... Am transported back to a prairie farm And think of my Father, now in his eighties Who still feels no need and no sense of loss For not having read Shakespeare or Kant For missing Milton's Paradises and Hemingway, For by-passing Black Elk Speaks and C.S. Lewis. Every morning, he reads his Bible; Some nights he reads the mail's Motley collection of literature: Ads and politicians and fanatics, Demanding money and his time, But mostly money. "I don't have time to read!" He shouts, when I suggest a novel. What literature he has is in his head, Poems memorized when he was a boy In a two room school, or His own lines, written as a young man, Describing work and friends Long distant now, but still alive In memory. Dad taught me how to read In different literacies and different texts: Nuances of sky to read the weather - What chill or storm or drought was on its way; Cows and calves and bulls - Which one was sick or well, dry or bred; Equipment to diagnose mechanical ailments; Metals to know which welding rod applied; Grain, rolled crisp between his hands, a test of ripeness... Cement to find the perfect mix, So many literacies... Dad, the Master Reader of them all... No wonder he'd no time for books.
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Jun 15, 2014
Jun 15, 2014 at 10:02 AM UTC
No Time for Books
Her face- A thousand suns, A cosmic dance under The ever-expanding escape; The curtains that fall heavily Upon the eyes of oblivion. Her hands- A fox running Through the meadow; The open cages that Confine gloom back Into its prison. Her eyes- An indefinite eternity, Through which both Dark and light speak; The great Illusionist. Her lips- A bitter moonlight Casting its shadow upon Persisting glow; The ripeness of a Mango in its season. Her feet- A battered road Folding upon itself As it struggles to find Its way home; The seeds scattered In every empty hole. Her- A desolate daydream That runs through Unbounded space; The deep ocean trench I’ve completely Drowned in.
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May 7, 2017
May 7, 2017 at 12:02 PM UTC
The Blanks
August is a time for remorse. A time for memories, swelling up and distorting one's vision. The ripeness of summer has withered under the harsh July heat, leaving behind a shriveled skeleton of time. August is a time of love. Emotions that have been accumulating through June, subtly burst through the seams, oblivious to the Goodbyes, lurking right beyond the bend. August is a time of forgotten promises, of the misled see you later, so often mumbled from lover's lips. The scent of leaving lingers in the air, creating a bitter aftertaste, mixed with the flavor of devotion. For, forever doesn't mix well with farewell. August is a time of silence. A time where a single word might betray a hidden feeling, that is swelling up beyond the bend of casual conversation. August is a time of noise. Where "I love you" and "see you soon", drown out the static of reality. Where loneliness is judged by the tangible, and everyone is afraid of being left. August is a time of leaving. Minutes become muddled with sentiment, moving like molasses, dripping slowly into the oncoming hour, overflowing with empty formalities. August has no tolerance for long goodbyes; which fester like an open wound in the middle of the day. No, August is parting in silence, with one's final words uttered in the darkness, the moon and stars as the only witnesses. August is a time of closure, not the type seen in movies, full of mundane routines. Accompanied by tears and terse observations, "Your coat appears worn thin, my dear". August is the closure that comes in the middle of the night, when it is least expected. It is neither welcomed, nor is it pushed aside. It comes as easily as sleep, nestling into the deepest corners of one's soul. Sometimes August isn't recognized, until December. After it has faded into the hazy realm, which all past months inhabit. Its only legacy is etched upon our souls, haunting our every thought, in the most lovely way: August is a time of growing up, of forgotten forever's, full of the sweetest intent.
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Jul 30, 2011
Jul 30, 2011 at 7:35 PM UTC
August
August is a time for remorse. A time for memories, swelling up and distorting one's vision. The ripeness of summer has withered under the harsh July heat, leaving behind a shriveled skeleton of time. August is a time of love. Emotions that have been accumulating through June, subtly burst through the seams, oblivious to the Goodbyes, lurking right beyond the bend. August is a time of forgotten promises, of the misled see you later, so often mumbled from lover's lips. The scent of leaving lingers in the air, creating a bitter aftertaste, mixed with the flavor of devotion. For, forever doesn't mix well with farewell. August is a time of silence. A time where a single word might betray a hidden feeling, that is swelling up beyond the bend of casual conversation. August is a time of noise. Where "I love you" and "see you soon", drown out the static of reality. Where loneliness is judged by the tangible, and everyone is afraid of being left. August is a time of leaving. Minutes become muddled with sentiment, moving like molasses, dripping slowly into the oncoming hour, overflowing with empty formalities. August has no tolerance for long goodbyes; which fester like an open wound in the middle of the day. No, August is parting in silence, with one's final words uttered in the darkness, the moon and stars as the only witnesses. August is a time of closure, not the type seen in movies, full of mundane routines. Accompanied by tears and terse observations, "Your coat appears worn thin, my dear". August is the closure that comes in the middle of the night, when it is least expected. It is neither welcomed, nor is it pushed aside. It comes as easily as sleep, nestling into the deepest corners of one's soul. Sometimes August isn't recognized, until December. After it has faded into the hazy realm, which all past months inhabit. Its only legacy is etched upon our souls, haunting our every thought, in the most lovely way: August is a time of growing up, of forgotten forever's, full of the sweetest intent.
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56
Under this canopy of dark gleaming stars I now sit allow my body to take residence in the aura of my own glowing       let thoughts              of reason          slowly unravel until they become one      long            thread connecting my mind but releasing it to the air Molecules, like the tiniest of crystals, gently whir energetically              about me in almost invisible stirrings letting the power of energy centers take over: Red,     for my root             for I am                tethered           to this earth        Orange, for the passion so strong                 and truly knowing          my own worth Yellow, for             my gut,                 instincts open               and a-light        expanding into universes, broadening my sight Then my heart washed through and through in shades of green its own incandescence filled with verdant,                      fiery sheens It beats a lantern of vitality in this ocean of pain sending a beacon in the darkness helping to break old, patterns prompt them to          snap like rusty chains Here it pumps in growth of leafy, budding  light Guiding my spirit       in ripeness full and bright I rise up into the indigo-turquoise of my throat as words burst forth                         in surges, in the salty froth of ocean spirals              they float, get pulled by mysterious urges Like waterfall mist just kissing the tips of eyelash                  flickers these words that have the power                  to calm or make my blood                  run quicker And then: the deep purple of my crown that tapers into a shimmering white           and I know I can now receive myself, calm, in queenly presence of mind of spirit in my highest                   form of                              light
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Jul 5, 2016
Jul 5, 2016 at 3:39 AM UTC
A Reception of Light
Under this canopy of dark gleaming stars I now sit allow my body to take residence in the aura of my own glowing       let thoughts              of reason          slowly unravel until they become one      long            thread connecting my mind but releasing it to the air Molecules, like the tiniest of crystals, gently whir energetically              about me in almost invisible stirrings letting the power of energy centers take over: Red,     for my root             for I am                tethered           to this earth        Orange, for the passion so strong                 and truly knowing          my own worth Yellow, for             my gut,                 instincts open               and a-light        expanding into universes, broadening my sight Then my heart washed through and through in shades of green its own incandescence filled with verdant,                      fiery sheens It beats a lantern of vitality in this ocean of pain sending a beacon in the darkness helping to break old, patterns prompt them to          snap like rusty chains Here it pumps in growth of leafy, budding  light Guiding my spirit       in ripeness full and bright I rise up into the indigo-turquoise of my throat as words burst forth                         in surges, in the salty froth of ocean spirals              they float, get pulled by mysterious urges Like waterfall mist just kissing the tips of eyelash                  flickers these words that have the power                  to calm or make my blood                  run quicker And then: the deep purple of my crown that tapers into a shimmering white           and I know I can now receive myself, calm, in queenly presence of mind of spirit in my highest                   form of                              light
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101
Listen to the stories
 men tell of last year 
that sound of other places
 though they happened here Listen to a name
 so private it can burn
 hear it said aloud 
and learn and learn History is a needle 
for putting men asleep
 anointed with the poison 
of all they want to keep Now a name that saved you
 has a foreign taste
 claims a foreign body
 froze in last year’s waste And what is living lingers
 while monuments are built
 then yields its final whisper
 to letters raised in gilt But cries of stifled ripeness 
whip me to my knees 
I am with the falling snow
 falling in the seas I am with the hunters 
hungry and shrewd
 and I am with the hunted
 quick and soft and **** I am with the houses
 that wash away in rain
 and leave no teeth of pillars 
to rake them up again Let men numb names
 scratch winds that blow
 listen to the stories
 but what you know you know And knowing is enough
 for mountains such as these
 where nothing long remains 
houses walls or trees <~> “I would recommend On Hearing a Name Long Unspoken. This poem is from Cohen’s 1964 collection, Flowers for ****** which deals with the trauma of the Holocaust and its legacy in 1960s Canada. In this book Cohen describes himself as a ‘front-line writer’ trying to understand totalitarianism, and the poems aim to critique his readers’ complacency in the violence of the world wars, anti-Semitism and colonialism. In On Hearing a Name Long Unspoken, Cohen asks his readers to consider how atrocities ‘that sound of other places’ also ‘happened here.’ He wants us to remember the lives of real people, to remember where people have found solidarity and protection, as well as how they have been oppressed because he is concerned that the stories that are told about the past will make it feel distant and unreal.” KAIT PINDER, assistant professor of English at Acadia University
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Apr 2, 2022
Apr 2, 2022 at 3:24 PM UTC
“On Hearing a Name Long Unspoken” by Leonard Cohen
Listen to the stories
 men tell of last year 
that sound of other places
 though they happened here Listen to a name
 so private it can burn
 hear it said aloud 
and learn and learn History is a needle 
for putting men asleep
 anointed with the poison 
of all they want to keep Now a name that saved you
 has a foreign taste
 claims a foreign body
 froze in last year’s waste And what is living lingers
 while monuments are built
 then yields its final whisper
 to letters raised in gilt But cries of stifled ripeness 
whip me to my knees 
I am with the falling snow
 falling in the seas I am with the hunters 
hungry and shrewd
 and I am with the hunted
 quick and soft and **** I am with the houses
 that wash away in rain
 and leave no teeth of pillars 
to rake them up again Let men numb names
 scratch winds that blow
 listen to the stories
 but what you know you know And knowing is enough
 for mountains such as these
 where nothing long remains 
houses walls or trees <~> “I would recommend On Hearing a Name Long Unspoken. This poem is from Cohen’s 1964 collection, Flowers for ****** which deals with the trauma of the Holocaust and its legacy in 1960s Canada. In this book Cohen describes himself as a ‘front-line writer’ trying to understand totalitarianism, and the poems aim to critique his readers’ complacency in the violence of the world wars, anti-Semitism and colonialism. In On Hearing a Name Long Unspoken, Cohen asks his readers to consider how atrocities ‘that sound of other places’ also ‘happened here.’ He wants us to remember the lives of real people, to remember where people have found solidarity and protection, as well as how they have been oppressed because he is concerned that the stories that are told about the past will make it feel distant and unreal.” KAIT PINDER, assistant professor of English at Acadia University
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43
~~~~~~~~~~~~~~~~~~~ *Verses crept under my   Selkie       like incarnatio Tattoos    billowing surface blood              streams          dream To break out like ripeness'        like Inevitability   opens up a delight of a persimmon   a passion, a mad devotion      transfering abundance                      to   satiate flesh flames a sentient transformation      from crystal clear primal        scream Journey to ethereal mind-    waves tumbling unending     down on my tummy     with yours            sweet sweat's    shimmering plankton       surrounds me as         your love's energy       u n en ding  u n d u l a ti on* ~~~~~~~~~~~~~~~~~~~~~~~
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Dec 30, 2015
Dec 30, 2015 at 5:05 AM UTC
Vermillion Sweet Verses
on this rumbling stretch of tundra no trees reach up to soothe the sky there is a pulling down of wind tunnel vortex like conifers in reverse an icy howl in the bonechill of time Translucent holes, perfectly round, are dug in glacial archeology and in the sea below gelid creatures lurk, half-frozen in the history of my soul Only moss and lichens grow on the rock, somehow softening the rugged textures of the wild landscapes that seethe just beneath my skin and there, just shy of the surface is a quickening a subtle pulse of veins that pumps life between the gales of my heart's steppes flushing out the pain somewhere deep within the private lotus of my being folioles unfurl leafy shapes around my organs wrapping them like gifts as they undulate in whorls opening my petals in renewed consciousness and deliberation as a new kind of stamen rises dusty pollen powdery budding ripeness bursting up and out of my deepest centered whirlpool pistil nectar dripping in viscous webs, to be caught upon the tongue of a new dawning My silky outer wings of vegetation, slender stalks of filaments and anther have been turned into hot steel They protect the tender vulnerable when burned as poison words held up to my watchful eyes, are properly discerned I give myself over to this new power, my back arched to fully embrace what is to come, a universe calling thunder, the old patterns undone I am ready to reveal my all as the goddess deep within comes to release my gold suffusing light through skin conjured from me a relentless strength, ever-growing, now tenfold rising way past soft-lit stratospheres and orbiting to bold
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Nov 5, 2017
Nov 5, 2017 at 6:05 PM UTC
orbit
on this rumbling stretch of tundra no trees reach up to soothe the sky there is a pulling down of wind tunnel vortex like conifers in reverse an icy howl in the bonechill of time Translucent holes, perfectly round, are dug in glacial archeology and in the sea below gelid creatures lurk, half-frozen in the history of my soul Only moss and lichens grow on the rock, somehow softening the rugged textures of the wild landscapes that seethe just beneath my skin and there, just shy of the surface is a quickening a subtle pulse of veins that pumps life between the gales of my heart's steppes flushing out the pain somewhere deep within the private lotus of my being folioles unfurl leafy shapes around my organs wrapping them like gifts as they undulate in whorls opening my petals in renewed consciousness and deliberation as a new kind of stamen rises dusty pollen powdery budding ripeness bursting up and out of my deepest centered whirlpool pistil nectar dripping in viscous webs, to be caught upon the tongue of a new dawning My silky outer wings of vegetation, slender stalks of filaments and anther have been turned into hot steel They protect the tender vulnerable when burned as poison words held up to my watchful eyes, are properly discerned I give myself over to this new power, my back arched to fully embrace what is to come, a universe calling thunder, the old patterns undone I am ready to reveal my all as the goddess deep within comes to release my gold suffusing light through skin conjured from me a relentless strength, ever-growing, now tenfold rising way past soft-lit stratospheres and orbiting to bold
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94
Petty theft of pretty poetry so taut like my buttocks when I was twenty and did not appreciate the ripeness of my flesh. Or this – about an orange peel – the white is bitter the spits of oil not iridescent as oil might be lazed in a parking lot puddle. Try for size the heavy fur of winter cottages, blah except for holiday wreaths and the silent exhalation of smokes snaking from their top. Translate this grapefruit that is both sour and sweet and fulminates loss.
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Mar 9, 2018
Mar 9, 2018 at 8:11 AM UTC
Oil
Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eaves run; To bend with apples the mossed cottage-trees, And fill all fruit with ripeness to the core; To swell the gourd, and plump the hazel shells With a sweet kernel; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For Summer has o'er-brimmed their clammy cell. Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair soft-lifted by the winnowing wind; Or on a half-reaped furrow sound asleep, Drowsed with the fume of poppies, while thy hook Spares the next swath and all its twined flowers; And sometimes like a gleaner thou dost keep Steady thy laden head across a brook; Or by a cider-press, with patient look, Thou watchest the last oozings, hours by hours. Where are the songs of Spring? Ay, where are they? Think not of them, thou hast thy music too,--- While barred clouds bloom the soft-dying day, And touch the stubble-plains with rosy hue; Then in a wailful choir, the small gnats mourn Among the river sallows, borne aloft Or sinking as the light wind lives or dies; And full-grown lambs loud bleat from hilly bourn; Hedge-crickets sing; and now with treble soft The redbreast whistles from a garden-croft, And gathering swallows twitter in the skies.
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2.4k
Ode To Autumn
Rushing River The water rolls past the chain of rocks Studded steps stand single file Principles holding against the flood a mighty fortress Evil thoughts swirling down through the mind At the river’s edge the reeds bow Marshes tangled with shoots and flattened weeds Rich grasses carpet all in all bounty abounds The earth benefits water given free course this guarantees its purity Be quick to walk into the swirling spiritual waters your purity the sacred word is the water The natural shore a poisoning quagmire Work on the shore a duty but for life come to the spirit to barter The world’s biggest beggars have false wealth it keeps them from true riches Fruit is delicate with excess ripeness the result inedible Riches of the spirit or any endeavor needs proper care and management Without wisdom you become filled with hollowness The river contains the richest soil and never will spoil your life So come to the head waters of the heavenly tributaries Drink your fill over the land you will flow and spill Drought scorched hearts you can fill Their destiny a heavenly ocean fulfilling every emotion of being excepted and loved
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Nov 17, 2011
Nov 17, 2011 at 5:10 AM UTC
Rushing River
what I got was a january smile from a milkblooded boy. if only the pearl of your teeth were white as my eyes deertail flash in the dark and nowhere else to hide but five a.m. sheets and the smell of sunrise mumbles toofast weightloss: a late spring heart is drenched with its ripeness but rots if you leave it to the bees then the summer desiccation becomes winter starvation— in between, autumn comes to stay. purples, mostly maroons moth -eaten by the greengrass deadweight of so many depetalled flowers. Midnight never strikes soon enough. there have been no doves for weeks & maybe longer than that i haven’t kept count on you to teach me where they go when the seasons change but given time and tide rips the stains from your whites so i with patience await the first frosts; you are never far behind the snow. meanwhile your jewel-studded eyes & corsair heart glint in the moonlit touchmenot of your faraway skin keep your hair shirt on.
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Oct 7, 2012
Oct 7, 2012 at 3:20 AM UTC
eggshell walk
In the lazy late afternoon light when everything seems dreamlike she comes to me. Smiling coyly she undoes a clasp, her robe slips off the shoulder. I watch the fabric water like flow over her body. Hanging on her ******* heavy with the ripeness of youth, it pauses then slips over her ***** brown ******* One bouncing, then the other. Following her curves, past the hollow of her navel... exposing her crowning glory, her woman's furry triangle so warm and moist and welcoming. Like an admiring hand, the falling cloth traces the wonderful curve of her *** and down her long, smooth legs to pool languidly at her feet. She undoes her dark hair shakes her head and lets it fall. In all her glory she stands before me eyeing me hungrily... No seducer but prey am I.
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Feb 6, 2018
Feb 6, 2018 at 9:22 AM UTC
Late Afternoon Light
Magpie alights on the eaves tonguing a bitter wild berry ***** head left, right, decides against this spot and relocates to a new one out of sight. Autumn happened today, again. Same as every year. I was under the shade of the porch, coffee in hand, and smelt a change in the taste of the wind. It's been at least ten degrees cooler and I've donned the first piece of warm clothing since April. Magpie perches on the red wooden fence on my right, still gently squeezing that berry- as if testing its ripeness. Head ***** left, head ***** right, magpie flies away. The leaves will start to turn this week. Maybe next. My coffee is lukewarm now, same as the air. Magpie sits in the yard and carefully sets his lunch down, prods his beak into the soil, picks it back up, and buries it for later. Magpie flies away. A rush of cold air sweeps through me. Same as every year. I rise and walk, mug in hand, back inside.
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Sep 8, 2015
Sep 8, 2015 at 2:16 PM UTC
Notes on 9/8 (Magpie)
I said: ‘Nay, pluck not,—let the first fruit be: Even as thou sayest, it is sweet and red, But let it ripen still. The tree’s bent head Sees in the stream its own fecundity And bides the day of fulness. Shall not we At the sun’s hour that day possess the shade, And claim our fruit before its ripeness fade, And eat it from the branch and praise the tree?’ I say: ‘Alas! our fruit hath wooed the sun Too long,—’tis fallen and floats adown the stream. Lo, the last clusters! Pluck them every one, And let us sup with summer; ere the gleam Of autumn set the year’s pent sorrow free, And the woods wail like echoes from the sea.’
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Hoarded Joy
1 The irresponsive silence of the land, The irresponsive sounding of the sea, Speak both one message of one sense to me:-- Aloof, aloof, we stand aloof, so stand Thou too aloof bound with the flawless band Of inner solitude; we bind not thee; But who from thy self-chain shall set thee free? What heart shall touch thy heart? what hand thy hand?-- And I am sometimes proud and sometimes meek, And sometimes I remember days of old When fellowship seemed not so far to seek And all the world and I seemed much less cold, And at the rainbow's foot lay surely gold, And hope felt strong and life itself not weak. 2 Thus am I mine own prison. Everything Around me free and sunny and at ease: Or if in shadow, in a shade of trees Which the sun kisses, where the gay birds sing And where all winds make various murmuring; Where bees are found, with honey for the bees; Where sounds are music, and where silences Are music of an unlike fashioning. Then gaze I at the merrymaking crew, And smile a moment and a moment sigh Thinking: Why can I not rejoice with you? But soon I put the foolish fancy by: I am not what I have nor what I do; But what I was I am, I am even I. 3 Therefore myself is that one only thing I hold to use or waste, to keep or give; My sole possession every day I live, And still mine own despite Time's winnowing. Ever mine own, while moons and seasons bring From crudeness ripeness mellow and sanative; Ever mine own, till Death shall ply his sieve; And still mine own, when saints break grave and sing. And this myself as king unto my King I give, to Him Who gave Himself for me; Who gives Himself to me, and bids me sing A sweet new song of His redeemed set free; He bids me sing: O death, where is thy sting? And sing: O grave, where is thy victory?
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The Thread Of Life
1 The irresponsive silence of the land, The irresponsive sounding of the sea, Speak both one message of one sense to me:-- Aloof, aloof, we stand aloof, so stand Thou too aloof bound with the flawless band Of inner solitude; we bind not thee; But who from thy self-chain shall set thee free? What heart shall touch thy heart? what hand thy hand?-- And I am sometimes proud and sometimes meek, And sometimes I remember days of old When fellowship seemed not so far to seek And all the world and I seemed much less cold, And at the rainbow's foot lay surely gold, And hope felt strong and life itself not weak. 2 Thus am I mine own prison. Everything Around me free and sunny and at ease: Or if in shadow, in a shade of trees Which the sun kisses, where the gay birds sing And where all winds make various murmuring; Where bees are found, with honey for the bees; Where sounds are music, and where silences Are music of an unlike fashioning. Then gaze I at the merrymaking crew, And smile a moment and a moment sigh Thinking: Why can I not rejoice with you? But soon I put the foolish fancy by: I am not what I have nor what I do; But what I was I am, I am even I. 3 Therefore myself is that one only thing I hold to use or waste, to keep or give; My sole possession every day I live, And still mine own despite Time's winnowing. Ever mine own, while moons and seasons bring From crudeness ripeness mellow and sanative; Ever mine own, till Death shall ply his sieve; And still mine own, when saints break grave and sing. And this myself as king unto my King I give, to Him Who gave Himself for me; Who gives Himself to me, and bids me sing A sweet new song of His redeemed set free; He bids me sing: O death, where is thy sting? And sing: O grave, where is thy victory?
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(My lady in waiting Was a cougar crouched in the brush.) Brush it off, no big deal. I'll console myself By talking to strangers, Fraternizing with friends And enemies alike. Maybe old men Fornicating at my image Is better than true friendship, Tangible attachment or comfort. Maybe I never needed it. (The look and feel of Printed words on a screen.) (Maybe the chill was me, Maybe I am a bit nippy.) No time was spent Trying to harvest this field, Cold winter took all in bloom, Fresh compassion plucked Before ripeness came to play. What was I to you? We suspected a dream. I comforted you in The idea that I was there, That I could listen. (My lady in waiting Was a cougar crouched in the brush.)
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Feb 27, 2010
Feb 27, 2010 at 11:09 PM UTC
Flesh was Glass
1756 ’Twas here my summer paused What ripeness after then To other scene or other soul My sentence had begun. To winter to remove With winter to abide Go manacle your icicle Against your Tropic Bride.
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Twas here my summer paused
I Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eves run; To bend with apples the moss'd cottage-trees, And fill all fruit with ripeness to the core; To swell the gourd, and plump the hazel shells With a sweet kernel; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For Summer has o'er-brimm'd their clammy cells. II Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair soft-lifted by the winnowing wind; Or on a half-reap'd furrow sound asleep, Drows'd with the fume of poppies, while thy hook Spares the next swath and all its twined flowers: And sometimes like a gleaner thou dost keep Steady thy laden head across a brook; Or by a cyder-press, with patient look, Thou watchest the last oozings hours by hours. III Where are the songs of Spring? Ay, where are they? Think not of them, thou hast thy music too,-- While barred clouds bloom the soft-dying day, And touch the stubble-plains with rosy hue; Then in a wailful choir the small gnats mourn Among the river sallows, borne aloft Or sinking as the light wind lives or dies; And full-grown lambs loud bleat from hilly bourn; Hedge-crickets sing; and now with treble soft The red-breast whistles from a garden-croft; And gathering swallows twitter in the skies.
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To Autumn
I Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eves run; To bend with apples the moss'd cottage-trees, And fill all fruit with ripeness to the core; To swell the gourd, and plump the hazel shells With a sweet kernel; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For Summer has o'er-brimm'd their clammy cells. II Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair soft-lifted by the winnowing wind; Or on a half-reap'd furrow sound asleep, Drows'd with the fume of poppies, while thy hook Spares the next swath and all its twined flowers: And sometimes like a gleaner thou dost keep Steady thy laden head across a brook; Or by a cyder-press, with patient look, Thou watchest the last oozings hours by hours. III Where are the songs of Spring? Ay, where are they? Think not of them, thou hast thy music too,-- While barred clouds bloom the soft-dying day, And touch the stubble-plains with rosy hue; Then in a wailful choir the small gnats mourn Among the river sallows, borne aloft Or sinking as the light wind lives or dies; And full-grown lambs loud bleat from hilly bourn; Hedge-crickets sing; and now with treble soft The red-breast whistles from a garden-croft; And gathering swallows twitter in the skies.
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