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Eleete j Muir Jan 2012
Ignorances innate wove curtain of veils
Cut usunder heretofore obscuring
Bodhicittas valedictory wintry gloom torn
Of enlightenments will factioning the
Silenced mammonish city kingdom truced
As the wings of Azrael clinch
Earthly thistles; monolithic raiments
Deposed Hull, Hell and Halifax parcae
The willowing of light unfettering Fenrirs
Durance, howling aconite psalms suspiring
Suffrage relict paving with mewed stars
Redemptions tithed talents bequeathed
Of Heavens sinister prayer burning
Acinta dusts thine ashes threading
The wilful sword of Gods destruction.


ELEETE J MUIR.
Seán Mac Falls Mar 2015
Sun-shower dressed tree,
Rain left bright silver jewels,
  .  .  .  Beads on evergreen.
sweltering heat
feet on the pavement
yesterday's lovers
are gone with the raiments
of dresses and gowns
demented clowns
forage in the forest for surface tensions
instant regression
legacies of salvation and solvents somatically
dissolving
i am collapsing time and space
a moment, a face
of distress
and immanence
a destiny of cooperation
a corporeal corporation
the heliosphere is spinning
winning, remaining steady
its harmony saves our lives
L B Jun 2017
I was wrong about the rain
Robins are calling for it
Fragrance of honeysuckle and pine
have joined the ozone--
Priest in swirling raiments
dangling sensor on a chain
waving it in air before the altar

clink   clink   clink

Releasing smoke that bends the mind
before the monstrance of the sun
with storm surrounding
Clouds sift through the rays and rain
Bowing thrice--

clink   clink   clink

He waves it in the air before the altar
releasing smoke
into the high and holy
Inchoate murmurs
follow
incense hands
down
into the nave
As Catholic kids, we were dragged to mass pretty regularly.   Between being terrifically bored, I got my little spirit elevated by all the pageantry of bells, and music, art and statuary,  the Latin litany with its dead language, foreign sound.  I was especially fascinated by worship of the incense-- the atmosphere it created.

The nave is the main rectangular hall for worshipers. Related to the words ship and belly.
There is no peace at all for the wicked.

Stinging, ruthless words that pierce through mind and heart
Swiftly, precisely, from lips of clay depart
Arrowheads dipped in green poison find their way
To an unwary target, without delay.

There is no peace at all for the wicked.

The tongue is a sinister, crushing weapon
Who dares resurrect one fatally bludgeoned?
“He deserves my verdict!” Rage seethes in defense.
“He smashed my fortress with the least reverence.”

He is without excuse.

Yet the comely victim-prince says, “Follow me…”
He with the sad, compelling eyes
And nail-scarred hands offered gently, steadily
To a soul vanquished by frantic, chaotic “I”

He whose dazzling raiments from the throne hang
unused
Willfully submits to slight, beating, abuse
As leather sandals cushion dusty, wounded feet
He weeps; Fallen creatures smite head and side–they bleed.

Still the comely victim-prince says, “Follow me…”
Now, therefore, beyond excuse,

Man is guilty.
spysgrandson May 2014
the only jeans with holes,
the polo shirt with "passionate peach" paint
from the kitchen remodel she wanted, the yard work shoes
these were the raiments he chose for his final drive, the one in "park"
in the garage, with the engine idling, its humming a monotonous lullaby
sung by compliant pistons

he wandered through the house
like a sated forager, looking at everything, for nothing,
old pictures on the walls--children, parents, one of himself,
the Yale mortar board tilting on a face who could
have been a stranger, and was, that last afternoon
books on shelves, mostly read, their stories now forgotten
even Moby ****, his favorite--eight silent vertical letters
replacing a white whale he relentlessly pursued with Ahab
a sink with one small plate and the disposal's shining ring,
the burial ground for his last, uneaten meal

those were the visions he chose
before writing his notorious note,
"BYE, ALL MY PAPERS ARE IN THE ROLL TOP"
taking the keys from the peg, and taking his final steps
into the cluttered gray garage, to his 2011 Volvo

when some hand turned the key,
igniting a welcoming flame, a few intrusive notes
of a Beatles song came through the six speaking speakers
yanking something in his gut, pulling his hand
to the handle to open the door, to return to the house,
the pictures, the stories on the walls, but the other,
the right hand, ejected the CD, rejecting the beguiling voices
that would have him stay, for another dull, deaf day

he folded his hands in his lap,
allowed his chin to rest on his chest
where his eyes could see the holes in his threadbare denim
taking solace in the fact that he had chosen the right clothes
so those still in the house, yet in the blur called life
would have only whole and clean reminders of him
to fold neatly, and leave on the porch
for the Salvation Army
Jim Sularz Jan 2013
© 2013
(by Jim Sularz)


Atop a secret hillside,
high above a babbling brook.  
Where passions once entwined,  
when time would never look.

He, in his threadbare raiments,
and she, at her wedding’s best.
Vowed with a kiss and promise,
to never cross that rivulet.

But, soon possessions and envy,
days, far too busy to woo.
It was when they cherished secrets,
when they had most to lose.

Both aged with lost tomorrows,
held hostage by gain and work.
And lived with an understanding,
that chained denial never spoke.

Buried deep atop a hillside,  
      an empty tomb left behind.
Just across from a rushing river,
where their true love went to die.
Seán Mac Falls Mar 2015
Haiku  ( splendour )

Youth spins out of dream  .  .  .
Children are made as they play,
  .  .  .  In green leaves of grass.



Senryū | Haiku  ( verity )

She walks in beauty  .  .  .
Shines without delusion,
  .  .  .  Certain as starlight.



Haiku  ( choral works )

Sun sings in morning  .  .  .
Music of light starts each day,
  .  .  .  Song birds joining in.



Haiku  ( raiments )

Sun-shower dressed tree,
Rain left bright silver jewels,
  .  .  .  Beads on evergreen.



Haiku  ( showcase )

Wild flowers touring  .  .  .
Fine art pieces we all see,
  .  .  .  Pollen rides with bee.



Haiku  ( changeling )

Echoes from stone walls,
Rain bleeds rocky into being,
  .  .  .  Water drips to wells.



Haiku  ( great blue angel )

With forgotten wings,
Walking on shallow waters,
  .  .  .  So proud stalks heron.



Haiku  ( maddening )

Sun— my nemesis  .  .  .
Even moon is foe with arms,
  .  .  .  Light embraces her.



Senryū | Haiku  ( scrumptious )

Two eyes glazed over  .  .  .
First time naked with my love,
  .  .  .  Icing on our cakes.



Senryū | Haiku  ( rainmakers )

My eyes indifferent  .  .  .
Made hers well as we made love,
  .  .  .  Both crying for more.
Seán Mac Falls May 2017
.
Etched in smoke, burnished by olden sun,
The runner grasses wave below into maze,
For eyes in cloud to clutch on mottled vermin,
Higher in stations, a judgement for all grazer,

Pleated feathers arched in weightless stone,
Are blades as steely as any burnt ploughmans
And airs that break, lift hawk far into sun shone,
As quake of earth strikes up a still haired louse,

For blades of green shall call, bleed in grasses
And whisper will shout, downing smallest might,
Tiny beasts who crawl among waveing masses,
To hawk over hill, sheering in raiments of light.
I have nothing to say to you
You who killed me with
Kindness coated psychosis
Sublime smile subtly secreting
An insidious succubus
A devil draped in
The raiments of salvation
Holding my sins
In your personal vault
Grand schemes of subterfuge
Disguised to convince me
I was wholly beyond repair
And only whole under your care
Twisted morality and values
Repackaged as love and adoration
Sold at a discount, no warranty
Which I bought, no questions asked
Slick salesman snake tongue
Singing it's seductive sales pitch
Across my soul
Grasping, understanding, and manipulating
My penchant for shiny things
You had my credit at your disposal
So adamant were you that the defects
Lie within the buyer alone
Never once alluding to the
Damaged goods that
Lie within the lie
Seán Mac Falls Jan 2016
Etched in smoke, burnished by olden sun,
The runner grasses wave below into maze,
For eyes in cloud to clutch on mottled vermin,
Higher in stations, a judgement for all grazer,

Pleated feathers arched in weightless stone,
Are blades as steely as any burnt ploughmans
And airs that break, lift hawk far into sun shone,
As quake of earth strikes up a still haired louse,

For blades of green shall call, bleed in grasses
And whisper will shout, downing smallest might,
Tiny beasts who crawl among waveing masses,
To hawk over hill, sheering in raiments of light.
Seán Mac Falls Sep 2015
Etched in smoke, burnished by olden sun,
The runner grasses wave below into maze,
For eyes in cloud to clutch on mottled vermin,
Higher in stations, a judgement for all grazer,

Pleated feathers arched in weightless stone,
Are blades as steely as any burnt ploughmans
And airs that break, lift hawk far into sun shone,
As quake of earth strikes up a still haired louse,

For blades of green shall call, bleed in grasses
And whisper will shout, downing smallest might,
Tiny beasts who crawl among waveing masses,
To hawk over hill, sheering in raiments of light.
Seán Mac Falls May 2015
.
Etched in smoke, burnished by olden sun,
The runner grasses wave below into maze,
For eyes in cloud to clutch on mottled vermin,
Higher in stations, a judgement for all grazer,

Pleated feathers arched in weightless stone,
Are blades as steely as any burnt ploughmans
And airs that break, lift hawk far into sun shone,
As quake of earth strikes up a still haired louse,

For blades of green shall call, bleed in grasses
And whisper will shout, downing smallest might,
Tiny beasts who crawl among waveing masses,
To hawk over hill, sheering in raiments of light.
Seán Mac Falls Dec 2014
So fine under sheets  .  .  .
Our souls clothed in only skin,
  .  .  .  Raiments for journey.
These soothings,
These enchanting fragrances,
These attires and transparent raiments,
These ogles on lush lashes brow,

These ****,sweet moist red lips
These hips good for pleasure,
These edges and curves
These damsels tall and slender,

These pointed shinning dangling ******* revealing,
These frontliners,these back set ups.
These wet lips as of Jazeebel's,
These provoking hips as of waves of oceans,
These hot thighs peeping through transparent leggings,
Hell bound me in lust,
These daughters of Jazeebel hold me a prisoner in a lust cell.
i see much temptation than i contain.
Tryst Nov 2016
If hempen cloth to paupers garb is made,
Grey daubed as hearth'd ash, rough as firewood kindling,
And for each king, gold silken raiments laid,
Bright as the jesters smock for courtly mingling,
What garment fit for thee Clotho would make?
Unto her spindle all threads are first woven,
And of thy lot? Why, Lachesis would take!
And gift to Atropos to see thee cloven!
Who then should fret to say my garb is drab?
Tis not thine outer skin three fates have wrought,
So of thine self, judge not thy bone, thy flab,
For in thee, fates have spun all thou has sought!
    Thy measured lot was cast afore thy waking,
    And strength in thee to set the heavens shaking!
You are my late September,  
When spring has long been forgotten  
With its newness, lush green and raindrops.  
The rambunctious giddy splendor of sweaty palms  
And arterial palpitations.  

You are not summer, hot and dripping,  
Air thick, smothering with inescapable heat,  
Panting breaths and desperate lips.  
Perhaps once or twice as we revolved around each other,  
If night airs could tell tales.  

You are not winter,  
Though we have shared Decembers.  
There is no place for you in my snow tipped trellises.  
No coordinate in my circumference that would hold you in ice,  
Frozen and forgotten under rippled white blankets,  
Though perhaps, under wrinkled white sheets.  

You are not fall,  
When autumn turns the ground dirt and dull.  
Trees shedding their raiments  
And reaching naked for the sky.  
Surrendering to the inevitability of winter’s approach,  
Drawing sap down to their rootwork,  
Waiting for another spring  

You are my late September,  
The earth still warm between my toes  
With the remembrance of summer suns.  
More vibrant than spring, and wiser than summer.  
Leaves full of tree-song  
Brilliant gold and fire,  
Blood orange and melancholy yellows,  
Blazing in defiant glory.
Seán Mac Falls Nov 2017
.
Etched in smoke, burnished by olden sun,
The runner grasses wave below into maze,
For eyes in cloud to clutch on mottled vermin,
Higher in stations, a judgement for all grazer,

Pleated feathers arched in weightless stone,
Are blades as steely as any burnt ploughmans
And airs that break, lift hawk far into sun shone,
As quake of earth strikes up a still haired louse,

For blades of green shall call, bleed in grasses
And whisper will shout, downing smallest might,
Tiny beasts who crawl among waveing masses,
To hawk over hill, sheering in raiments of light.
Wk kortas Oct 2022
Such raiments would be the province
Of those gated and corniced places
Up on the hillside, and even that milieu
Living on residue and recollection,
The glories of the past
Fading like so many past-peak October leaves,
Beautiful in the sense of such colors
They heretofore possessed,
Though in any case, the whys and wherefores
And relative merits of thens and nows
Secondary to more prosaic matters:
The price per gallon at the Gulf station down on Route 17,
Seasonal temps at Bear Mountain
Trying line up some other gig or side-hustle
Once the land locks and the leaf-peepers and hikers go home,
Those hoping corroded propane tanks and curled shingles
Can make it just one more winter,
And if the worried and wondering
Enjoyed the luxury of philosophic musing,
They might ponder upon what those earlier residents
Who had lived at the apex of Manhattan society
(And possibly even those earlier residents,
Jumbles of Patroon and Lenape blood
Who crouched forlornly in the Palisades
As that skyline came into being)
Would think of what became of this place,
Yet as they look up there are no ghosts of the ancients,
But merely the impassive, lazily circling turkey vultures,
Implacable, enduring, constant.
Wk kortas Aug 2017
There is, or so I am told, a debate raging
In fashionable rooms and the halls of government
Which concerns snowflakes: specifically, whether each one
Is of a unique and heretofore unknown shape and formation,
Or whether God sees fit to send down identical reproductions,
Like so many Wilton Diptychs being flogged at market.
I have, on the odd occasion, have seen the snow
As it piles up in billowing waves or lumpy bluffs
In the Alps and the Pyrenees,
And, although I lack such learning
Sufficient to dispute the notion of their individuality,
I can say that, in collections of the thousands or millions,
They are indistinguishable from one another,
And, I suspect, all of their like that has come before.

Like so many of her age, barely beyond the blush of childhood,
My poor sister saw her world in stark colorations;
Thunderclouds of black, endless sunbeams of white,
With no room in her orbit’s spectrum for anything in between
(Sadly, she left this life before she could learn to embrace
The beauty to be found in fine raiments of beige, gray, and taupe).
I have buried siblings, buried husbands and lovers,
Buried memories and mistakes,
And in the endless cycle of embrace and bereavement
I have learned of life
That it is the process of accommodation and compromise,
And that it is only dark, austere death
That refuses to give itself unto the joys of negotiation.

It has lately come to pass that the wretched and lovelorn have,
Seeing no way out of their particular predicament,
Began writing my long-dead sister letters
Asking for her advice, indeed her blessing.
Can you imagine such a thing?
The postmaster of Thurn and Taxis (a very old and dear friend)
Has taken to bringing me some of these abjectly weepy epistles.
I’ve long since stopped reading them, of course;
They sing no new song, tread no new ground.
I simply feed them to a good strong fire,
As anyone seeking the aid of a dead young girl
Has already passed beyond the refuge of last resort.
The author acknowledges that the era of the historical antecedents of Shakespeare's ubiquitous lovers and the that of the house of Thurn & Taxis' hegemony is matters postal are not one and the same, and that the existence of a second Capulet daughter is woven out of whole cloth.  The author hopes this does not distract from the meaning or enjoyment of the piece
Fairs are
Layers of surprises
The cacophony of noises
The beauty of the various
Human creations
On display
Awaiting their
Customers
O Cashmere silks
Flowing like cream
The twelve yard long
Sari occupying
The seat of glory
Among all its mates
Glowing with its zardozi
And glimmering
Bridal wear
Handsome kurtas
And glorious turbans
Waiting to adorn
Men no less
Than their show
Shawls and scarfs
Beautiful raiments
Not only
Serve the human insecurity
But go well beyond
They glorify one's
Personality indeed
Maybe soon
Gender neutral garments
Would adorn these shelves
The world is moving
Pay heed
But now
This fair is making me romantic
Thoughts of daydreaming
Seeing so much
Wanting to get all of them
O I grow more infant
But I also see
In secret delight
Young lovers
Exchanging glances
This fair unites them
At least from
The bottom of their hearts!
I have to move on
O I see
Mighty rides
Brimming with people
The Titanic ride
Shouldn't meet
Another golden tragedy
Happy faces
And cheerful hearts
Do greet me
O my stomach is rumbling
Food is something
Without which
Our life gets
Tumbling
O jalebis
Roundels of joy
Dripping with ghee
And heavenly
Sugar syrup
These colorful goodies
I can't resist or stop
O boy
Pakodas being strained out
From hot simmering oil
Looks delicious
O what joy
Candyfloss
And sweets varied
Rich with magenta
Green and hues
Rapid
Greet me like
Those air hostesses
I crushed on
As a child
They do take me
On a flight of imagination
On gulping all of
Them down
One by one
My sweet tooth
Can't resist
O not
I see handsome hunks
Engaged in eager fight
Showing their power
And masculine might
Do they really have
Any hatred
Oh no
They are just friends
And they enjoy
Thus merry sport
O the dreaming young boy
Not bold but coy
Watches in wonder
He could not get those
Wondrous sweets
O wait
The fair had something for him
He could get
Those do paisa candies
At least!
He is enjoying with his pals
The fair
Is the blossoming ground
Of his long lasting
Friendship
But I am reminded
As I see dancing maidens
In sheer joy
That men but do come and go
But this saga of fairs has been going on
Since time immemorial
Only uniting the hearts
Of those
Who come here
To deal and feel
Some moments of joy
In this world
So mundane and real
'Mundane' at times!
Gone to a fair
Share your experience
For sure!
Rachel Thomas Jan 2021
She lived beneath the spuming waves,
A crown of pearls atop her head,
And like a pearl her limpid face,
Her lips of fiery coral-red.
Her palace was a sunken cave,
With scalloped roof and amber walls,
While golden-paved and turquoise-domed
Were all the dark, rococo halls.
The candlesticks, the marble busts,
The amphorae and frozen clocks,
Were spoils from all those star-crossed ships,
That came to grief upon the rocks
And when the moon beamed through the waves,
She dreamt of life upon the land,
Of painted birds and pungent flowers,
Of honeyed fruits and sunbaked sand.
She pictured there a gorgeous prince,
His eyes like shards of peridot,
A youth with hyacinthine locks,
And raiments of forget-me-not.
But when she woke, she knew that she,
Would never tread upon the land,
Nor smell the flowers, nor taste the fruit,
Nor kiss her lover on the hand.
And as she held this solemn thought,
That they would always be apart,
She felt as if an icicle
Had struck her squarely in the heart.
Haiku  ( choral tunes )

Sun sings in morning  .  .  .
Music of light starts each day,
  .  .  .  Rainbow horse joining in.

Haiku  ( raiments )

Sun-shower dressed tree,
Rain left bright silver jewels,
  .  .  .  Beads on evergreen.


Haiku  (Invisible Poo)

Wild horse yawing  .  .  .
Fine art pieces we all see,
  .  .  .  No poo but winds with green.

Haiku (Puzzles)

Sedimentary
Mineral, igneous, shale
Solitary movement.

#AngelXJ
295
Her silken raiments,
Fashionably cascading,
In pools on the floor.
With beseeching ******,
And outstretched limbs, inviting.
vega Jul 2020
have you found your next darling spithole yet?
not meaning to come off rude but
i just don't have photo albums in my home anymore
of all those weathered stacks
of glossy tourist postcards and airbrushed polaroids and half-arsed private promises that led to
quick pity ***** and more simpleminded conversations (weather? news? one plus one?)
when you ran out of coffee grounds
and breakfast was cold
and the fingernail scars being shamefully picked on were still quite scarlet
like vampire tongues
fresh off a feast, a binge, a hellfest
of a hot-lipped hunger pang
how many towns did you ravage and terrorise and theatrically swoop over with your velvet raiments
how many people fainted
at the mere sight of your anaemic cadaver-sheet skin and anabolic empty marble glare
how many ****** pitchforks punctured your abdomen and how many furious torches
burned the inside of your pelvis and how many corroded teeth did you lose chewing on
leftover bones the next night
sitting all alone in your grandiose dining hall that smells of decaying rats and halitosis
spitting out the occasional tough marrow or stray spider leg (you never really got used to that odd brackish flavour),
how much of it was
worth it to you?
you were acting on impulse
instinct
some other impressive, egregious “i” word you have yet to figure out;
i can't blame you.
blame is too weak a word for anyone with half your brain to ever understand
i can't blame myself
except sometimes in the middle of the night when my teeth refuse to unclench (pissoffpissoffpissOFF)
i understand
you're the same as everyone else (nothing wrong with that i'm wrong i'm wrong so wRoNg) but
sometimes understanding doesn't mean forgiving
[just nod] yes i understand
okay fine, you crave makeup kisses
caked-up made-up fake love fake blood
painting broken boundaries all over brocade bedsheets screaming
slipping almost begging
WARNING don't cross this line and carefully step over the crude chalk drawings
where many unfortunate deaths have occured
splintered spines and shredded vascular systems and cannibal sick sighs
you barely even toed it and you lost an entire ******* arm
past that finish line
where they unhinged their jaws like singing serpents and gorged mercilessly
until their overbloated stomachs
ballooned up and burst into confetti just in time
for the next baby shower birthday party funeral eulogy
and you might be the next
victim
will you fall for that
a g a i n ?
never ****** mind that—
because we're all about acceptance here.
we're all about holy terrors cavorting with holey beggars
we're all about your tremulous callused hands on the inside of someone's delicate insides
coil up their wrenched guts again musicman
spill your unraveling lullaby all the softly shrieking butterflies have desperately searched for a way out
and you crushed them all
just to feel iridescent powder sparkling in your stained palms at 3 a.m.
reflecting the gentle throb of the glow-in-the-dark stars and the grating television static and the godless blue in your undilated pupils
when she's lying next to you fitfully asleep
dreaming of an infinite field where the weeping azaleas never bloom (she still wonders what it meant)
ribcage left ajar just a peep
cascading umber hair and stick-insect limbs splayed all over your worn pillows
sometimes unconsciously feeling your freezing nape
and you feel nothing
at all
i hope you're happy (satisfied?)
or i hope at least, that she rinses off your fraying toothbrush after she uses it to secretly purge in your newly-cleaned toilet
if that's not too much to ask for
and you also left some day-old lemonade and reheated battery acid by the fridge door
just in case
but you missed out on buying coffee grounds again
even though there's an unhealthy smattering of pinned yellow-note reminders
right next to her faded number
and you'll be moving out next week
oh well. oh well. unwell.
my obscene picture collection is still incomplete even though it's set to display on a national gallery next week [this is your cue to clap]
but you never called back so
i hope you're happy (****—sorry—satisfied)
she's not
and please, don't forget to gargle.
poetryaccident Apr 2019
Hangers take what they give
this is a purpose to which I’ll sing
evoke the muse within these words
to ascribe a mythic course
the imaginary is released
now made real by a thought’s need
by arrangements brought back and forth
from the closet of shuttered dreams

when the old is retrieved
marked with the dust of time
the raiments of past purpose
are now void in the light
the new is put in their place
euphoria found in the threads
transformation for the soul
while the outer is consoled

alignment is asked from the stars
garments worn to only please
to surely know joy's refrain
if only the mirror would share this claim
the confusion is foreseen
put aside when a choice is made
to grace a hanger with a garb
embellish life with due regard.

© 2019. Sean Green. All Rights Reserved. 20190411.
The poem “Hangers” is about the journey of finding personal fashion.  This is often accompanied by the inner critic, one that does not share the experienced joy.  This malefic voice has no place in the evolution of the individual.

— The End —