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The path concave to life
we must not strife
it just let's us fall down
on the wrong ways of life

Breaking everything we have
as we all go astray
our minds may be honest
but not without dismay

But I have experienced
when we have tried for the good
we come up way short
of the glory of God

So I must ask of you
for a soul that's so rife
why do you continue to walk
on the concave side of life ?

I have chosen to walk a new path
to a golden star , shining so bright
God heals all of my broken bones
gives me wings , let's me take flight

Life would turn and show us this new path
we’ll walk through green pastures
ahead the golden star shining so bright
God heals all of the broken bones
He gives super wings, let’s take the flight


by
Thomas and Sylvia
January 2015
Joint Poem, two poems melted in ONE
Thankful to Thomas, that this co working has finally come to sight and posted Today, Sunday 4th January 2015. Thank you so much Thomas, that you kept asking me. Thomas is our life long (since he has been writing so many years) and he is still writing now,  a fervent poet. Thank you Thomas for your patience. My premier co working with a classic poet.
Wanderer Aug 2015
Wham Bam Thank you, Ma'am
Has never really sat well inside this vessel
Toeing that ever chalked Georgia peach line
We are but passing ships in harbor
Your vaulted sails much more impressive
When full of all that hot air
Once out of range of my compass
The needle spins towards greener pastures
Where I get freckles in the sunshine
But you will never kiss them from over there
Tasting the sweet sweet deep of an Appalachia summer
Muscles ache to leap off of Bear's Den from Skyline Drive
Spread wings and soar above the highest peak
Replace this hollow that has grown thick with ditch ****
Clear it out to welcome something colorful
Someone bold
A healing kind for me
We all could use a new breeze, a little gardening...
THE LORD Is Our Shepherd, We Shall Not Want.. He makes Us to Lie Down in Green Pastures; He Leads Us Beside the Still Waters.. HE Restores Our Soul, HE Leads Us in thy PATHS Of Righteousness for His Name's Sake. Yea, though We Walk through the Valley Of the Shadow Of Death, We Will Fear No Evil, for GOD Is With Us, thy Rod and thy Staff, they Comfort Us.. Thou Prepare A Table Before Us in the Presence Of Our Enemies, Thou Anointed Our Head with Oil, Our Cup Runs Over... Surely Goodness And Mercy shall Follow Ours All In All, All the Days Of Our Life, and we shall Dwell in thy House Of The LORD Forever More IJN.. Amen And Amen.!!!


GOD Is Our Strength,
GOD Is Love,
GOD With Us,
GOD Bless,
Peace n Love.!!!
Amen And AMen IJN.!
LIKE a huge Python, winding round and round  
The rugged trunk, indented deep with scars,  
Up to its very summit near the stars,  
A creeper climbs, in whose embraces bound  
No other tree could live. But gallantly        
The giant wears the scarf, and flowers are hung  
In crimson clusters all the boughs among,  
Whereon all day are gathered bird and bee;  
And oft at nights the garden overflows  
With one sweet song that seems to have no close,          
Sung darkling from our tree, while men repose.  

When first my casement is wide open thrown  
At dawn, my eyes delighted on it rest;  
Sometimes, and most in winter,—on its crest  
A gray baboon sits statue-like alone        
Watching the sunrise; while on lower boughs  
His puny offspring leap about and play;  
And far and near kokilas hail the day;  
And to their pastures wend our sleepy cows;  
And in the shadow, on the broad tank cast          
By that **** tree, so beautiful and vast,  
The water-lilies spring, like snow enmassed.  

But not because of its magnificence  
Dear is the Casuarina to my soul:  
Beneath it we have played; though years may roll,        
O sweet companions, loved with love intense,  
For your sakes, shall the tree be ever dear.  
Blent with your images, it shall arise  
In memory, till the hot tears blind mine eyes!  
What is that dirge-like murmur that I hear        
Like the sea breaking on a shingle-beach?  
It is the tree’s lament, an eerie speech,  
That haply to the unknown land may reach.  

Unknown, yet well-known to the eye of faith!  
Ah, I have heard that wail far, far away        
In distant lands, by many a sheltered bay,  
When slumbered in his cave the water-wraith  
And the waves gently kissed the classic shore  
Of France or Italy, beneath the moon,  
When earth lay trancèd in a dreamless swoon:      
And every time the music rose,—before  
Mine inner vision rose a form sublime,  
Thy form, O Tree, as in my happy prime  
I saw thee, in my own loved native clime.  

Therefore I fain would consecrate a lay        
Unto thy honor, Tree, beloved of those  
Who now in blessed sleep for aye repose,—  
Dearer than life to me, alas, were they!  
Mayst thou be numbered when my days are done  
With deathless trees—like those in Borrowdale,        
Under whose awful branches lingered pale  
“Fear, trembling Hope, and Death, the skeleton,  
And Time the shadow;” and though weak the verse  
That would thy beauty fain, oh, fain rehearse,  
May Love defend thee from Oblivion’s curse.
Dear spotlight,
i must have died upon meeting
you, that night,
surely, lost my ways when you
befriended me,
your chanels led me to the
nothing i have turned into
and the funs you gave me,
cheered me to sixfeet under
the expensive cars i drove in,
the funcy colours you dressed me,
the bigger picture you made of
me,
made me believe heaven was down
here on earth
the king you made me,all the
greener pastures you fed me
kept me far from the exit door,

Dear spotlight,
you gave me fame, riches and
power,
made me forget my innocent self,
you got me hanging on the
eleventh hour,
contemplating on how i would love
to jump out,
out of the main stream and
continue to daydream
in your arms, i found my strength,
in my strength, i found my pride,
in my pride, i lost my way,
i lost my soul, then i lost my wife,
but before i lose my life,
i want out!
out of the main stream
and continue to daydream
Notes (optional)
Anusri Mukherjee Jul 2011
This ain't a poem, its simply a random sketch of my mind's space!

With the rising of the Sun, hopes soar high like kites caught in a gusto of the ever prevalent wind… A moment of happiness brought forth. I don’t know where the darkness plans to interrupt… But a candle I have, and with this I shall light my torch with a hope that the waterfall doesn’t affect it. I walk ahead with a sole proviso to conquer my foe, a ruby in the hilt of my sword and a pearl on my finger. I wish to make peace but the war rages on. Helpless and flightless the dove has fallen onto the bare ****** mud field. Although I wish to caress it I’m on ice that refuses to melt. Suspended on an ailing bridge I try to cross over to the fine green pastures with a beautiful day and an equally wonderful night… Extraordinarily I gaze on the sweet bliss entwining me in a floral band. Never to rise again I fall asleep in the waiting arms of the Omega… I have lived but not lost…
Em MacKenzie Nov 2018
I read a disturbing truth someone questioned on the internet,
“the world didn’t end in 2012, but since then have you truly felt alive?”
I don’t wish to presume, but I would be more than willing to bet
that you feel the same, that you’ve fully lost your drive.
Marking calendars like clockwork, each box an imposing X,
but you’ve lost your absolute and essential favourite red pen.
We live as NPC’s but I’d like to believe we’re far more complex,
though we make the same mistake over and over again.

No sun burnt out, no moon fell,
but I swear the galaxy has changed,
we’re dazed and living under a spell,
our lifestyle’s completely deranged.
There was deviation from the reservation
that fate held out for us.
Abandoned salvation for sedation
the golden pastures have turned to dust.
But there’s got to be a link between worlds.

I know there’s growth in destruction
instead I loathe interruption.
Can silence be considered a confrontation?
I know there’s redemption in healing,
but I take each hit without showing feeling.
Can violence be considered mediation?
Decipher every word’s meaning
while performing spring cleaning
we’re all the same; we just want a good purge.
Ignoring every clear right sign
but complain about the fuzzy line
the one that’s crossed when you can’t resist the urge.

No sun burnt out, no stars died,
but the dimensions sure are blurring.
Auto pilot’s on and gravity’s been defied,
and no one sees this all occurring.
There was deviation from the reservation,
that fate held out for us.
I trade motivation for inebriation,
the golden pastures have turned to rust.
But there’s got to be a link between worlds.

Time isn’t so strong when you can break the clock
you know it’s possible to push back the hands.
For fate is chosen but destiny you can mock
from the deep seas to the hottest sands.
The past is already written
the ink is already dry.
The fire’s already been lit and
the flames are reaching towards the sky.
I’ve explored every emotional cave
and I’ve trekked through every lonely field.
When you’re scared it’s the only time you can be brave,
so grab your sword and don’t forget your shield.

No sun burnt out, no seas ran dry,
but the world suddenly stopped turning.
the world’s a game and life’s a lie,
but we must keep internal fires burning.
There was deviation from the reservation
that fate held out for us,
I replace meditation with self deprecation
the golden pastures I no longer trust.
But there’s got to be a link between worlds.
I built my soul a lordly pleasure-house,
    Wherein at ease for aye to dwell.
I said, "O Soul, make merry and carouse,
      Dear soul, for all is well."

  A huge crag-platform, smooth as burnish'd brass
    I chose. The ranged ramparts bright
From level meadow-bases of deep grass
      Suddenly scaled the light.

  Thereon I built it firm. Of ledge or shelf
    The rock rose clear, or winding stair.
My soul would live alone unto herself
      In her high palace there.

  And "while the world runs round and round," I said,
    "Reign thou apart, a quiet king,
Still as, while Saturn whirls, his steadfast shade
      Sleeps on his luminous ring."

  To which my soul made answer readily:
    "Trust me, in bliss I shall abide
In this great mansion, that is built for me,
      So royal-rich and wide."

* * * *

  Four courts I made, East, West and South and North,
    In each a squared lawn, wherefrom
The golden gorge of dragons spouted forth
      A flood of fountain-foam.

  And round the cool green courts there ran a row
    Of cloisters, branch'd like mighty woods,
Echoing all night to that sonorous flow
      Of spouted fountain-floods.

  And round the roofs a gilded gallery
    That lent broad verge to distant lands,
Far as the wild swan wings, to where the sky
      Dipt down to sea and sands.

  From those four jets four currents in one swell
    Across the mountain stream'd below
In misty folds, that floating as they fell
      Lit up a torrent-bow.

  And high on every peak a statue seem'd
    To hang on tiptoe, tossing up
A cloud of incense of all odour steam'd
      From out a golden cup.

  So that she thought, "And who shall gaze upon
    My palace with unblinded eyes,
While this great bow will waver in the sun,
      And that sweet incense rise?"

  For that sweet incense rose and never fail'd,
    And, while day sank or mounted higher,
The light aerial gallery, golden-rail'd,
      Burnt like a fringe of fire.

  Likewise the deep-set windows, stain'd and traced,
    Would seem slow-flaming crimson fires
From shadow'd grots of arches interlaced,
      And tipt with frost-like spires.

* * *

  Full of long-sounding corridors it was,
    That over-vaulted grateful gloom,
Thro' which the livelong day my soul did pass,
      Well-pleased, from room to room.

  Full of great rooms and small the palace stood,
    All various, each a perfect whole
From living Nature, fit for every mood
      And change of my still soul.

  For some were hung with arras green and blue,
    Showing a gaudy summer-morn,
Where with puff'd cheek the belted hunter blew
      His wreathed bugle-horn.

  One seem'd all dark and red--a tract of sand,
    And some one pacing there alone,
Who paced for ever in a glimmering land,
      Lit with a low large moon.

  One show'd an iron coast and angry waves.
    You seem'd to hear them climb and fall
And roar rock-thwarted under bellowing caves,
      Beneath the windy wall.

  And one, a full-fed river winding slow
    By herds upon an endless plain,
The ragged rims of thunder brooding low,
      With shadow-streaks of rain.

  And one, the reapers at their sultry toil.
    In front they bound the sheaves. Behind
Were realms of upland, prodigal in oil,
      And hoary to the wind.

  And one a foreground black with stones and slags,
    Beyond, a line of heights, and higher
All barr'd with long white cloud the scornful crags,
      And highest, snow and fire.

  And one, an English home--gray twilight pour'd
    On dewy pastures, dewy trees,
Softer than sleep--all things in order stored,
      A haunt of ancient Peace.

  Nor these alone, but every landscape fair,
    As fit for every mood of mind,
Or gay, or grave, or sweet, or stern, was there,
      Not less than truth design'd.

* * *

  Or the maid-mother by a crucifix,
    In tracts of pasture sunny-warm,
Beneath branch-work of costly sardonyx
      Sat smiling, babe in arm.

  Or in a clear-wall'd city on the sea,
    Near gilded *****-pipes, her hair
Wound with white roses, slept St. Cecily;
      An angel look'd at her.

  Or thronging all one porch of Paradise
    A group of Houris bow'd to see
The dying Islamite, with hands and eyes
      That said, We wait for thee.

  Or mythic Uther's deeply-wounded son
    In some fair space of sloping greens
Lay, dozing in the vale of Avalon,
      And watch'd by weeping queens.

  Or hollowing one hand against his ear,
    To list a foot-fall, ere he saw
The wood-nymph, stay'd the Ausonian king to hear
      Of wisdom and of law.

  Or over hills with peaky tops engrail'd,
    And many a tract of palm and rice,
The throne of Indian Cama slowly sail'd
      A summer fann'd with spice.

  Or sweet Europa's mantle blew unclasp'd,
    From off her shoulder backward borne:
From one hand droop'd a crocus: one hand grasp'd
      The mild bull's golden horn.

  Or else flush'd Ganymede, his rosy thigh
    Half-buried in the Eagle's down,
Sole as a flying star shot thro' the sky
      Above the pillar'd town.

  Nor these alone; but every legend fair
    Which the supreme Caucasian mind
Carved out of Nature for itself, was there,
      Not less than life, design'd.

* * *

  Then in the towers I placed great bells that swung,
    Moved of themselves, with silver sound;
And with choice paintings of wise men I hung
      The royal dais round.

  For there was Milton like a seraph strong,
    Beside him Shakespeare bland and mild;
And there the world-worn Dante grasp'd his song,
      And somewhat grimly smiled.

  And there the Ionian father of the rest;
    A million wrinkles carved his skin;
A hundred winters snow'd upon his breast,
      From cheek and throat and chin.

  Above, the fair hall-ceiling stately-set
    Many an arch high up did lift,
And angels rising and descending met
      With interchange of gift.

  Below was all mosaic choicely plann'd
    With cycles of the human tale
Of this wide world, the times of every land
      So wrought, they will not fail.

  The people here, a beast of burden slow,
    Toil'd onward, *****'d with goads and stings;
Here play'd, a tiger, rolling to and fro
      The heads and crowns of kings;

  Here rose, an athlete, strong to break or bind
    All force in bonds that might endure,
And here once more like some sick man declined,
      And trusted any cure.

  But over these she trod: and those great bells
    Began to chime. She took her throne:
She sat betwixt the shining Oriels,
      To sing her songs alone.

  And thro' the topmost Oriels' coloured flame
    Two godlike faces gazed below;
Plato the wise, and large brow'd Verulam,
      The first of those who know.

  And all those names, that in their motion were
    Full-welling fountain-heads of change,
Betwixt the slender shafts were blazon'd fair
      In diverse raiment strange:

  Thro' which the lights, rose, amber, emerald, blue,
    Flush'd in her temples and her eyes,
And from her lips, as morn from Memnon, drew
      Rivers of melodies.

  No nightingale delighteth to prolong
    Her low preamble all alone,
More than my soul to hear her echo'd song
      Throb thro' the ribbed stone;

  Singing and murmuring in her feastful mirth,
    Joying to feel herself alive,
Lord over Nature, Lord of the visible earth,
      Lord of the senses five;

  Communing with herself: "All these are mine,
    And let the world have peace or wars,
'T is one to me." She--when young night divine
      Crown'd dying day with stars,

  Making sweet close of his delicious toils--
    Lit light in wreaths and anadems,
And pure quintessences of precious oils
      In hollow'd moons of gems,

  To mimic heaven; and clapt her hands and cried,
    "I marvel if my still delight
In this great house so royal-rich, and wide,
      Be flatter'd to the height.

  "O all things fair to sate my various eyes!
    O shapes and hues that please me well!
O silent faces of the Great and Wise,
      My Gods, with whom I dwell!

  "O God-like isolation which art mine,
    I can but count thee perfect gain,
What time I watch the darkening droves of swine
      That range on yonder plain.

  "In filthy sloughs they roll a prurient skin,
    They graze and wallow, breed and sleep;
And oft some brainless devil enters in,
      And drives them to the deep."

  Then of the moral instinct would she prate
    And of the rising from the dead,
As hers by right of full accomplish'd Fate;
      And at the last she said:

  "I take possession of man's mind and deed.
    I care not what the sects may brawl.
I sit as God holding no form of creed,
      But contemplating all."

* * * *

  Full oft the riddle of the painful earth
    Flash'd thro' her as she sat alone,
Yet not the less held she her solemn mirth,
      And intellectual throne.

  And so she throve and prosper'd; so three years
    She prosper'd: on the fourth she fell,
Like Herod, when the shout was in his ears,
      Struck thro' with pangs of hell.

  Lest she should fail and perish utterly,
    God, before whom ever lie bare
The abysmal deeps of Personality,
      Plagued her with sore despair.

  When she would think, where'er she turn'd her sight
    The airy hand confusion wrought,
Wrote, "Mene, mene," and divided quite
      The kingdom of her thought.

  Deep dread and loathing of her solitude
    Fell on her, from which mood was born
Scorn of herself; again, from out that mood
      Laughter at her self-scorn.

  "What! is not this my place of strength," she said,
    "My spacious mansion built for me,
Whereof the strong foundation-stones were laid
      Since my first memory?"

  But in dark corners of her palace stood
    Uncertain shapes; and unawares
On white-eyed phantasms weeping tears of blood,
      And horrible nightmares,

  And hollow shades enclosing hearts of flame,
    And, with dim fretted foreheads all,
On corpses three-months-old at noon she came,
      That stood against the wall.

  A spot of dull stagnation, without light
    Or power of movement, seem'd my soul,
'Mid onward-sloping motions infinite
      Making for one sure goal.

  A still salt pool, lock'd in with bars of sand,
    Left on the shore, that hears all night
The plunging seas draw backward from the land
      Their moon-led waters white.

  A star that with the choral starry dance
    Join'd not, but stood, and standing saw
The hollow orb of moving Circumstance
      Roll'd round by one fix'd law.

  Back on herself her serpent pride had curl'd.
    "No voice," she shriek'd in that lone hall,
"No voice breaks thro' the stillness of this world:
      One deep, deep silence all!"

  She, mouldering with the dull earth's mouldering sod,
    Inwrapt tenfold in slothful shame,
Lay there exiled from eternal God,
      Lost to her place and name;

  And death and life she hated equally,
    And nothing saw, for her despair,
But dreadful time, dreadful eternity,
      No comfort anywhere;

  Remaining utterly confused with fears,
    And ever worse with growing time,
And ever unrelieved by dismal tears,
      And all alone in crime:

  Shut up as in a crumbling tomb, girt round
    With blackness as a solid wall,
Far off she seem'd to hear the dully sound
      Of human footsteps fall.

  As in strange lands a traveller walking slow,
    In doubt and great perplexity,
A little before moon-rise hears the low
      Moan of an unknown sea;

  And knows not if it be thunder, or a sound
    Of rocks thrown down, or one deep cry
Of great wild beasts; then thinketh, "I have found
      A new land, but I die."

  She howl'd aloud, "I am on fire within.
    There comes no murmur of reply.
What is it that will take away my sin,
      And save me lest I die?"

  So when four years were wholly finished,
    She threw her royal robes away.
"Make me a cottage in the vale," she said,
      "Where I may mourn and pray.

  "Yet pull not down my palace towers, that are
    So lightly, beautifully built:
Perchance I may return with othe
Talarah Shepherd Feb 2014
Recently, things exploded
Violent threats and screams
Aimed in a general direction
No one of us could have predicted
Eruption casually erased two
Of the whole who now drive off
Maybe for the better

What am I to say?
You don't choose family
This muddied bloodline
This displaced gathering
This collection of lives all picked from the same strained places in history
All grown in and picked from the same orchards and pastures of ****

Well

What am I to say?
You can push away if you want to push
It's that recently I've had a chance to
Meditate

And

What am I to say?
I agree with no sentiment at all that you share
And you all share your opinion on the same subject
Nightly, Nightly, Nightly
What am I to say?
I don't talk anymore since I tire of your ignorance
Not comprehending how you hold such hurtful views
Highly, Highly, Highly
What am I to say to the world about you?

While it would help my image completely to hate you so deeply
This little life support system survives and I like it enough to provide
Coleen Mzarriz Apr 2020
Beyond words
beyond feelings
beyond music
beyond, you.

Soaking into words
seemed sillier than plunging into water
the lake in the twinkling moonlight.

Beyond words
that I could imagine
the artistry in your eyes
to tell you
how wonderful
the flowers
the lush pastures
the wild greenflies
of the forest.

Beyond feelings
the untouchable kisses
of the moonlight
beaming into the pond
How spectacular?
To look at the wet lilies
lying there it found its tranquility.

Beyond music
the harmony of the crickets
the birds' songs moaning
into the midnight
finding some nests
to have rest
beauty isn't the perfect phrase
that drives it sufficiency
to understand its hymns.

Beyond you
peering at the dear sky
the blueness of your existence
makes it heavier
to lose the sight
of the awe-struck
lips that I couldn't pick up
what you were telling.

My heart-beat echoing yours
it was beyond paint
beyond melodies
of how I wish to define the place
the feelings,
the sonnets,
and you.
Never compare yourself to anyone.
You are great yourself—not greater than anyone, not better than everyone.
But better than your lying mind.
Jake Bentley Jun 2013
I rest my temple on the windowpane,
Not a thought in my head
save for the clouds in the sky.
Looking at greener pastures
Looking inside golden souls and ashen holes.
I want to find the right place, the right one
And I'll write to her everyday.

Refracted light while raindrops fall
A sunshower amid the cloudy nights
She glows, she glimmers, blinding to the naked eye
Reminding of the image in the corner of my mind.
She's alone, she's home, a golden soul in an ashen hole

Your heart you can hear, rejection you fear, you require more bear
To say the right things, at the right time, to the right one,
You overthink, your thoughts stink, is she the missing link?
glaze Jun 2013
As I pass
kingdoms of green
the softest blade I've ever touched
home now to lakes
swelling at the lowest points
flat and soaring across pastures
but as I look in I see only mud

Beneath a night sky
not blue but unforgiving coal
I ask
When will I look past and see the stars beyond the sky?
Has ever the earth moved as I caught a strangers eye?

Water, unforgiving black, is this it?
Jonathan Firmin Aug 2013
My friends were all off on their own adventures
No more evenings tearing up the town
Boyhood days would never be forgotten
But cops and buzzards were all they left around.

So I set out from my home for greener pastures
Where I could work and rest my troubled head
I spent my days just trying to fill my table
And spent my nights just trying to fill my bed.

Then time began to move on oh so quickly
The women they sure seemed to do the same
Work got slow, it seemed that my green pasture
Had taken light and sprung to orange flame.

So I packed a bag and left that town this morning
The road rises up to meet me where I tread
My mind is free of cares, I'll worry when I'm there
But I'll be rambling till the day I'm dead.
F C G
F C G
F C G Am
F C G
David Barr Apr 2014
Leprechauns abide in pastures of Gaelic folklore where those who are susceptible to their mischief will be spellbound by galloping horses across medieval dunes in the name of allegiance to the King.
We need to cross the causeway at the correct time, in anticipation of tidal waves which approach a finite limit.
Have you ever consumed whiskey in a culture of superstition?
An environment of dark precipitation is atmospheric, especially when the ghosts of ancient battles exonerate our ignorance amidst our blatant lack of understanding.
Let us bow our knee in humble acknowledgement of those phantoms of olde, who teach us about seeing.
Nigel Morgan May 2015
In a distant land, far beyond the time we know now, there lived an ancient people who knew in their bones of a past outside memory. Things happened over and over; as day became night night became day, spring followed winter, summer followed spring, autumn followed summer and then, and then as autumn came, at least the well-known ordered days passed full of preparation for the transhumance, that great movement of flocks and herds from the summer mountains to the winter pastures. But in the great oak woods of this region the leaves seemed reluctant to fall. Even after the first frosts when the trees glimmered with rime as the sun rose. Even when winter’s cousin, the great wind from the west, ravaged the conical roofs of the shepherds’ huts. The leaves did not fall.

For Lucila, searching for leaves as she climbed each day higher and higher through the parched undergrowth under the most ancient oaks, there were only acorns, slews of acorns at her feet. There were no leaves, or rather no leaves that might be gathered as newly fallen. Only the faint husks of leaves of the previous autumn, leaves of provenance already gathered before she left the mountains last year for the winter plains, leaves she had placed into her deep sleeves, into her voluminous apron, into the large pockets of her vlaterz, the ornate felt jacket of the married woman.

Since her childhood she had picked and pocketed these oaken leaves, felt their thin, veined, patterned forms, felt, followed, caressed them between her finger tips. It was as though her pockets were full of the hands of children, seven-fingered hands, stroking her fingers with their pointed tips when her fingers were pocketed.

She would find private places to lay out her gathered leaves. She wanted none to know or touch or speak of these her children of the oak forest. She had waited all summer, as she had done since a child, watching them bud and grow on the branch, and then, with the frosts and winds of autumn, fall, fall, fall to the ground, but best of all fall into her small hands, every leaf there to be caught, fallen into the bowl of her cupped hands. And for every leaf caught, a wish.

Her autumn days became full of wishes. She would lie awake on her straw mattress after Mikas had risen for the night milking, that time when the rustling bells of the goats had no accompaniment from the birds. She would assemble her lists of wishes, wishes ready for leaves not yet fallen into the bowl of her cupped hands. May the toes of my baby be perfectly formed? May his hair fall straight without a single curl? May I know only the pain I can bear when he comes? May the mother of Mikas love this child?

As the fine autumn days moved towards the feast day of St Anolysius, the traditional day of departure of the winter transhumance, there was, this season, an unspoken tension present in the still, dry air. Already preparations were being made for the long journey to the winter plains. There was soon to be a wedding now three days away, of the Phatos boy to the Tamosel girl. The boy was from an adjoining summer pasture and had travelled during the summer months with an itinerant uncle, a pedlar of sorts and beggar of repute. So he had seen something of the world beyond those of the herds and flocks can expect to see. He was rightly-made and fit to marry, although, of course, the girl was to be well-kept secret until the day itself.

Lucila remembered those wedding days, her wedding days, those anxious days of waiting when encased in her finery, in her seemingly impenetrable and voluminous wedding clothes she had remained all but hidden from view. While around her the revelling came and went, the drunkenness, the feasting, the riotous eruptions of noise and movement, the sudden visitations of relatives she did not know, the fierce instructions of women who spoke to her now as a woman no longer a young girl or a dear child, women she knew as silent, shy and respectful who were now loud and lewd, who told her things she could hardly believe, what a man might do, what a man might be, what a woman had to suffer - all these things happening at the same time. And then her soon-to-be husband’s drunk-beyond-reason friends had carried off the basket with her trousseau and dressed themselves riotously in her finest embroidered blouses, her intricate layered skirts, her petticoats, even the nightdress deemed the one to be worn when eventually, after three days revelry, she would be visited by a man, now more goat than man, sodden with drink, insensible to what little she understood as human passion beyond the coupling of goats. Of course Semisar had prepared the bright blood for the bridesbed sheet, the necessary evidence, and as Mikas lay sprawled unconscious at the foot of the marriage bed she had allowed herself to be dishevelled, to feign the aftermath of the act he was supposed to have committed upon her. That would, she knew, come later . . .

It was then, in those terrible days and after, she took comfort from her silent, private stitching into leaves, the darning of acorns, the spinning of skeins of goats’ wool she would walnut-dye and weave around stones and pieces of glass. She would bring together leaves bound into tiny books, volumes containing for her a language of leaves, the signs and symbols of nature she had named, that only she knew. She could not read the words of the priest’s book but was fluent in the script of veins and ribs and patterning that every leaf owned. When autumn came she could hardly move a step for picking up a fallen leaf, reading its story, learning of its history. But this autumn now, at the time of leaf fall, the fall of the leaf did not happen and those leaves of last year at her feet were ready to disintegrate at her touch. She was filled with dread. She knew she could not leave the mountains without a collection of leaves to stitch and weave through the shorter days and long, long winter nights. She had imagined sharing with her infant child this language she had learnt, had stitched into her daily life.

It was Semisar of course, who voiced it first. Semisar, the self-appointed weather ears and horizon eyes of the community, who followed her into the woods, who had forced Lucila against a tree holding one broad arm and her body’s weight like a bar from which Lucila could not escape, and with the other arm and hand rifled the broad pockets of Lucila’s apron. Semisar tossed the delicate chicken bone needles to the ground, unravelled the bobbins of walnut-stained yarn, crumpled the delicately folded and stitched, but yet to be finished, constructions of leaves . . . And spewed forth a torrent of terrible words. Already the men knew that the lack of leaf fall was peculiar only to the woods above and around their village. Over the other side of the mountain Telgatho had said this was not so. Was Lucila a Magnelz? Perhaps a Cutvlael? This baby she carried, a girl of course, was already making evil. Semisar placed her hand over and around the ripe hard form of the unborn child, feeling for its shape, its elbows and knees, the spine. And from there, with a vicelike grip on the wrist, Semisar dragged Lucila up and far into the woods to where the mountain with its caves and rocks touched the last trees, and from there to the cave where she seemed to know Lucila’s treasures lay, her treasures from childhood. Semisar would destroy everything, then the leaves would surely fall.

When Lucila did not return to prepare the evening meal Mikas was to learn all. Should he leave her be? He had been told women had these times of strange behaviour before childbirth. The wedding of the Phatos boy was almost upon them and the young men were already behaving like goats before the rut. The festive candles and tinselled wedding crowns had been fetched from the nearest town two days ride distant, the decoration of the tiny mountain basilica and the accommodation for the priest was in hand. The women were busy with the making of sweets and treats to be thrown at the wedding pair by guests and well-wishers. Later, the same women would prepare the dough for the millstones of bread that would be baked in the stone ovens. The men had already chosen the finest lambs to spit-roast for the feast.

She will return, Semisar had said after waiting by the fold where Mikas flocks, now gathered from the heights, awaited their journey south. All will be well, Mikas, never fear. The infant, a girl, may not last its birth, Semisar warned, but seeing the shocked face of Mikas, explained a still-birth might be providential for all. Know this time will pass, she said, and you can still be blessed with many sons. We are forever in the hands of the spirit, she said, leaving without the customary salutation of farewell.
                                               
However different the lives of man and woman may by tradition and circumstance become, those who share the ways and rites of marriage are inextricably linked by fate’s own hand and purpose. Mikas has come to know his once-bride, the child become woman in his clumsy embrace, the girl of perhaps fifteen summers fulfilling now his mother’s previous role, who speaks little but watches and listens, is unfailingly attentive to his needs and demands, and who now carries his child ( it can only be a boy), carries this boy high in her womb and with a confidence his family has already remarked upon.

After their wedding he had often returned home to Lucila at the time of the sun’s zenith when it is customary for the village women to seek the shade of their huts and sleep. It was an unwritten rite due to a newly-wed husband to feign the sudden need for a forgotten tool or seek to examine a sick animal in the home fold. After several fruitless visits when he found their hut empty he timed his visit earlier to see her black-scarfed figure disappear into the oak woods.  He followed her secretively, and had observed her seated beneath an ancient warrior of a tree, had watched over her intricate making. Furthermore and later he came to know where she hid the results of this often fevered stitching of things from nature’s store and stash, though an supernatural fear forbade him to enter the cleft between rocks into which she would disappear. He began to know how times and turns of the days affected her actions, but had left her be. She would usually return bright-eyed and with a quiet wonder, of what he did not know, but she carried something back within her that gave her a peculiar peace and beauty. It seemed akin to the well-being Mikas knew from handling a fine ewe from his flock . . .

And she would sometimes allow herself to be handled thus. She let him place his hands over her in that joyful ownership and command of a man whose life is wholly bound up with flocks and herds and the well-being of the female species. He would come from the evening watch with the ever-constant count of his flock still on his lips, and by a mixture of accident and stealth touch her wholly-clothed body, sometimes needing his fingers into the thick wool of her stockings, stroking the chestnut silken hairs that he found above her bare wrists, marvelling at her small hands with their perfect nails. He knew from the ribaldry of men that women were trained from childhood to display to men as little as possible of their intimate selves. But alone and apart all day on a remote hillside, alone save for several hundred sheep, brought to Mikas in his solitary state wild and conjured thoughts of feminine spirits, unencumbered by clothes, brighter and more various than any night-time dream. And he had succumbed to the pleasure of such thoughts times beyond reason, finding himself imagining Lucila as he knew she was unlikely ever to allow herself to be. But even in the single winter and summer of their life together there had been moments of surprise and revelation, and accompanied by these precious thoughts he went in search of her in the darkness of a three-quarter moon, into the stillness of the night-time wood.

Ah Lucilla. We might think that after the scourge of Semisar, the physical outrage of her baby’s forced examination, and finally the destruction of her treasures, this child-wife herself with child would be desolate with grief at what had come about. She had not been forced to follow Semisar into the small cave where wrapped in woven blankets her treasures lay between the thinnest sheets of impure and rejected parchment gleaned surreptitiously after shearing, but holding each and every treasure distinct and detached. There was enough light for Semisar to pause in wonder at the intricate constructions, bright with the aura of extreme fragility owned by many of the smaller makings. And not just the leaves of the oak were here, but of the mastic, the walnut, the flaky-barked strawberry and its smoothed barked cousin. There were leaves and sheaves of bark from lowland trees of the winter sojourn, there were dried fruits mysteriously arranged, constructions of acorns threaded with the dark madder-red yarn, even acorns cracked and damaged from their tree fall had been ‘mended’ with thread.

Semisar was to open some of the tiny books of leaved pages where she witnessed a form of writing she did not recognise (she could not read but had seen the priest’s writing and the print of the holy books). This she wondered at, as surely Lucila had only the education of the home? Such symbols must belong to the spirit world. Another sign that Lucila had infringed order and disturbed custom. It would take but a matter of minutes to turn such makings into little more than a layer of dust on the floor.

With her bare hands Semisar ground together these elaborate confections, these lovingly-made conjunctions of needle’s art with nature’s purpose and accidental beauty. She ground them together until they were dust.

When Semisar returned into the pale afternoon light it seemed Lucila had remained as she had been left: motionless, and without expression. If Semisar had known the phenomenon of shock, Lucila was in that condition. But, in the manner of a woman preparing to grieve for the dead she had removed her black scarf and unwound the long dark chestnut plaits that flowed down her back. But there were no tears. only a dumb silence but for the heavy exhalation of breath. It seemed that she looked beyond Semisar into the world of spirits invoking perhaps their aid, their comfort.

What happened had neither invoked sadness nor grief. It was as if it had been ordained in the elusive pattern of things. It felt like the clearing of the summer hut before the final departure for the long journey to the winter world. The hut, Lucila had been taught, was to be left spotless, every item put in its rightful place ready to be taken up again on the return to the summer life, exactly as if it had been undisturbed by absence . Not a crumb would remain before the rugs and coverings were rolled and removed, summer clothes hard washed and tightly mended, to be folded then wrapped between sprigs of aromatic herbs.

Lucila would go now and collect her precious but scattered needles from beneath the ancient oak. She would begin again - only to make and embroider garments for her daughter. It was as though, despite this ‘loss’, she had retained within her physical self the memory of every stitch driven into nature’s fabric.

Suddenly Lucila remembered that saints’ day which had sanctioned a winter’s walk with her mother, a day when her eyes had been drawn to a world of patterns and objects at her feet: the damaged acorn, the fractured leaf, the broken berried branch, the wisp of wool left impaled upon a stub of thorns. She had been five, maybe six summers old. She had already known the comforting action of the needle’s press again the felted cloth, but then, as if impelled by some force quite outside herself, had ‘borrowed’ one of her mother’s needles and begun her odyssey of darning, mending, stitching, enduring her mother’s censure - a waste of good thread, little one - until her skill became obvious and one of delight, but a private delight her mother hid from all and sundry, and then pressed upon her ‘proper’ work with needle and thread. But the damage had been done, the dye cast. She became nature’s needle slave and quartered those personal but often invisible
My child, my lover,
Come away to discover
Continents far and new!
To love and to sigh,
To dream and to die
In a land as exotic as you!
Humid suns wink
Behind cloudy skies
So alluring and charming
So strangely alarming
With crocodile lids blink
Like the tears in your eyes.

There, all is order, beauty and leisure
Luxury, calm, quiet and pleasure.

Wood panels beaming
Polished and gleaming
Would decorate our room;
The rarest of flowers
In the height of their bloom
We’d while away the hours
Inhaling amber in our lungs,
Walls with deep mirrors hung
Our souls would feast,
On the wonders of the East
Whispering a sweet native tongue.

There, all is order, beauty and leisure
Luxury, calm, quiet and pleasure.

The aqueducts have, nestled,
In a drowsy slumber
With vagabond vessels
Lined unencumbered
Their sails unfurled
They come from the ends of the world.
- The twilight sky clouded
Leaving pastures shrouded,
The canals, the entire town,
Glows amber and blue;
The night falls down
In a soft, warm hue.

There, all is order, beauty and leisure
Luxury, calm, quiet and pleasure.
A practice translation I did for my degree. I've tried my best to be true to the sense of the poem and the ideals of Symbolism, rather than making it either a direct translation or perfectly rhymed.
Love is abstract ,so it attracts.
One feeling  , universal  to all living beings.

Plants ,loved and nurtured ,swing and sway to the music played .
Holding roots, withstanding storms ,Going lush green when truly loved .
Bearing nuts and berries or flowers in bloom .
What a sight to behold .

Animals , you feed them ,pets or non pets ,they follow you everywhere ,
Wanting to have more and giving back even more ,Love that is .

Humans , blessed of all the beings,
We can express  ourselves through thoughts and words .
Love we receive from and reciprocate to
parents siblings spouse children friends and all fellow beings .

It's true that some barren fields do not yield
Should it stop one from looking beyond,
There are greener pastures waiting to be found.
God's ways and love is profound.

If I could , I would be a floating pontoon to the many lost souls ,
Bridging their path and holding them together,
Till eternity !!
Coz love in abundance I have found.
Once more , sharing it here  :)
Thanks
Show me the other side
Where the grass grows wild,
Over the fence
I go hunting,
For the rainbow
Fresh after the rain,
Washed away
The stains
From my jeans,
Faded tattered
One more hole
Not my pocket
Frayed cuffs
Come undone
I'm running,
Into the thick
Muddy rivers
Splashing happy,
There's no *** of gold
But I'm still golden;
Blue skies
Color me
Into the sloping hills
I've come to frolic
These are
Greener pastures...
© okpoet
Cailey Weaver Mar 2014
Once Upon a Time
as most stories go,
there was a prince
with an mule in tow

And what really made
a lot of folks balk,
was the weird fact that
the mule could talk

Now this grumpy prince
was not too amused
so he sat right down
and for a day, mused

What ever could he do,
with some old, talking mule?
He was a royal prince!
Not a babbling fool!

He took the mule to town
And put him up for sale
With an old bale of hay
and a watering pail

And so the mule was sold
to a very old man
and his very old wife
of the Coconut Clan

The family was nuts
but they gave the mule hay
and let him run amok
in the pastures all day

And at night the farmer
would talk to the mule
and when the mule talked back
all the neighbors would drool

No one would believe
that the mule could speak
and to all of them
the future was bleak

Until one day, the old man died
The man's wife and the mule cried
Then the woman went to sleep
Never made another peep

And the mule was sad
he ran far away
to a far off castle
all night and all day

He crossed the deep, dark moat
And went to the throne room
when the King saw the mule
he knew he'd met his doom

"Hello old prince" said the mule
"Hello" the prince replied
and ran for his life
despite all his pride

The mule sat on the throne
and let out a defeated drone
He didn't have a clue
for there was nothing else to do

"I guess I'm king now" he said
And placed the royal crown on his head
She knocks me
Locks me inside while outside her
The storm is still raging
She rocks me.

She makes me.
Takes me somewhere mysterious
In the dark so delirious
She shakes me.

She feeds me
Leads me to pastures so green
In dreams I never dream
She needs me.

But come the morning she'll float
In a boat she'll set sail
In the heart of beginnings
I wail.

Tonight she'll return
And with her fire she will burn me
With desire she will turn me
Into a wreck.
I dream of greener pastures
and I ain't getting any younger
struggling to find the time
searchin' my pockets for pennies
lottery tickets and sunshine dust
well I never put my eggs in a basket
imagining the fruits of my labour
were full of vitamin c
they always told me education was key

No, I don't rely on a teacher
or confide in someone who doesn't
confide in me
well I hope the demon's love is true
or I'll find myself even more lost
hopelessly used and abused
and I'm just killing time
oh yes, I'm just killing time
starting to think that time is killing me

Dreaming of things '*** I'm a dreamer
and we ain't getting any younger
you said you'd get married when
you're twenty-five and I said
I'd quite like to get married now
but I can't find the time
searchin' for the minerals to ask you
can't afford the wine or pleasantries
they always told us we need to believe

No, I don't believe any preachers
or confide in someone who doesn't
confide in me
well I hope the demon that loves me is you
or I'll find myself even more lost
hopelessly wasted and confused
and I'm just killing time
oh yes, I'm just killing time
starting to think that time is killing me

I dream of strength and closure
and I ain't getting any younger
once I was three weeks sober
searchin' for reasons to quit
starting to think that I never needed it
well I never had any eggs in my basket
but I always had a *** to **** in
and a window to throw it out of
they always told me that what goes up

No, I don't get my hopes up
or confide in someone who doesn't
confide in me
well I lie because I hope my dreams come true
or I'll find myself even more lost
hopelessly sinking without you
and I'm just killing time
oh yes, I'm just killing time
starting to think that time is killing me
.
.
a dreamers song
Robert McQuate Jun 2023
I look out at my hometown,
And what is it I see?
I see a stranger,
Bearded and haggard,
Staring back at me.

Oh, my hometown,
So filled with cherished memories,
What happened to your pastures and your fields,
Your farms and your special feel?
Where I explored so deep in my formative years,
Never able to uncover all of your secrets.

Your fields are now filled,
With cookie-cutter suburbs, million-dollar home-o-ramas, and strip malls,
Your farms a distant memory,
Your pastures destroyed and paved over,
Parking for the urban refugee.

You were a place of mystery,
A home for 8 generations before me,
But now you are nothing but a hollowed-out husk,
Gutted for profit and a name.
Cold **** Vampires- Zach Bryan
Hannah Christine Dec 2014
Take a breath, one last breath as the smell of sea salt drifts in the wind.
Go ahead, lean your head back, spread your arms, arms like makeshift wings, and feel as the wind flirts with your hair and hugs your body.
And smile, smile-true and full, as the sun reaches down and kisses your skin.
Capture this moment.
Inhale this, your sweet remedy.

This is freedom. This is healing. This is being whole.
There is no hate, no judgment. There is no sadness, no fear; nothing to bloom in your mind like a rose with thorns of poisons.
Nothing can ensnare you in your nightmares. Not here.
Ignorance is bliss.

Drive till the road gives way to the ocean waves, pushing and pulling, calling to your soul, begging you to release your demons of depression and screams of woe, begging you to allow your tears to mix with its salty embrace. The ocean waves beg you to release your pitied soul to its strong and willing hands.

Take me back to when I didn't give a ****, to when "he said, she said" didn't matter.
Take me home; take me back to my colorful sunsets and sunrises, to my sweet, sweet remedy.
Sing to me, laugh with me and show me that what we left doesn't exist, that it was all in our sick, ****** up minds.

My happiness, fueled by music, fueled by my desire, was lost in that concrete jungle; consumed by the lonesome green pastures and mazes of rivers.

Don't you want to know what the hot sand between your toes feels like? Don't you die to know what joy and a carefree life is like?
Let's go. Cut our ropes of doubts and fears and run. Just drive.

My happiness was destroyed back there, killed by my own mind, cut to pieces by that dreaded silver blade and blown to nothingness by the bullets that took a life.

So, will you take a risk with me?
Will you help me?
Will you heal alongside me?
Will you run with me?

So, won't you take me home?
Won't you take me to my sweet, intoxicating remedy?
john oconnell Jul 2010
Soft rains
falling
onto the quiet
unobstrusive
mornings
as seas lap
gently
against
the winter-weary
shores
of
hearts
and souls.

Buds
sprouting
and shooting
their green-rich
heads
towards
an inebriated
sun;
upwards
and outwards
in the delicate
art
of crowning
the bare bones
of skeletal
trees.

Wet grasses
slowly
changing hue
on desolate pastures
of brown
rot and decay.

Wood and soil,
flesh and blood
animated with an
optimism
going wild
with newborn
joy.
Harry J Baxter Feb 2013
It is so **** tempting
to leave this place
these pages
and these faces
just pack everything into my car
and drive west
for as long
and as far
as possible
never stopping
until I reach sunnier pastures
when life is like broad street
in rush hour traffic
and I'm trapped
stuck to street dividers
it seems like a good idea
to stick up my thumb
and see where it takes me
but I'm scared
scared that whats out there
will swallow me whole
a forgotten poet
penning his words
on the inside of a whale
and the truth is
I've been running for a while now
never moving anywhere
Jessie Nov 2012
I find that
Freckles seem to make the strangest shapes.

I find that I lose myself
With the connect the dots game
On your face.
I count three on your neck
Below your soft forest of hair.
A pointed constellation.
I imagine inside the freckle triangle,
It says: kiss here.
And kiss you I do.

I find that
Your freckles tell me where to travel with my lips.
I am going down down down
And now there's goosebumps.
Ah, the land is not fallow yet.
Further and further.
One dot, two dots, small dots, big dots.

I find that
My mouth is growing warm with
The taste of your pastures
Enveloping it.
I am hungry.

I find that
The land further down is bare.
A desert.
No more freckles to follow.
I look up for the first time,
And there you are,
Gasping for air.

My turn.
Marguerite Jul 2018
What's better than tripping is falling in love
What's better than Letterman, Leno, Fallon, and all the above
What's better than popping bottles trying to ball in the club
Is the first caveman pops with his son, ball and a club
What's better than paper is ballin' it up
What's better than followers is actually fallin' in love
What's better than frolicking, follies, fallin' in mud
Rolling in green pastures, wanderin', followin' love
What's better than eating is feeding your fam
What's better than meetings is missing meetings to meet with your fam
What's better than leaning and needing a Xan
Is hitting your zan dreaming a dream could mean leaving the land
What's better than yelling is hollerin' love
What's better than rhymes, nickels, dimes and dollars and dubs
Is dialing up your darling just for callin' her up
It ain't nothing better than fallin' in love
IGH!
Lovelovelovelovelove
cg Mar 2014
From your Father,
When I grew up I lived in a small brick house that was cold in the morning no matter how many times your grandfather yelled at the fireplace, the world never let him dream, he had to earn it.
You will never meet him.
You will never be the small reminders and the soft tug on the bottom of my sternum helping me sleep at night, I will give you string and yarn asking you to weave silk and save me from the winter.
Your hands will be overflowing with apologies, the sink will always be filled with water that looks like it is pulsing at an open wound, and the gauze from your mother's gentle throat is never going to stop you from leaking out how sorry you are.
I was not raised to be what you need.
I am not going to love you the right way.
When you are 7 I am going to tell you that the way you carry yourself isn't tall enough, for your 9th birthday I will give you a mustard seed and a pocketknife and will ask you to grow cherry blossom trees throughout our back yard and in all the pastures of the city, and cut each of them down the very next day, and THEN I will tell you how to be a man.
When you are 17 you are going to cry so hard that God mistakes your mouth for the trumpets that were used to tear down Jericho and when your walls come apart I am going to color your heart with footsteps leaving the room.
I will show you how to miss a warm shower, how to pretend so hard your head cracks and your skull looks
like the coldest bowl of tomato soup I ever gave you.
You will not see that this whole time I have been staining your windows to see things in a better light, even if it is not clearer in the afternoon.
This is my blessing.
From your Mother,
I was raised with ***** hands and the only person who I ever looked at in the morning and loved back was the sun.
Your grandfather taught me how to ride a horse, and cover up a bruise, how to scrub blood stains out of my white blouses, and a whiter conscious, and how to grieve.
Oh how he taught me to grieve.
You will never meet him.
When you are 10, I am going to write down all the sins of your father on a piece of paper, slit your throat with it, and tell you that it's just a papercut, I will show you that faith does not move mountains, it simply makes them smaller.
You will stand up, shake the dust off your knees, and learn to clench your fists without worrying who will hear you.
I will try, but I will not love you correctly.
When you are 13 I am going to show you that what you see is not always on your side, you can love someone harder than you can stab them, but people are going to worry about ****** knuckles before they take a second look at a bruised heart, they're going to forget which one is more important.
I am going to tell you to forgive them, and I will never truly mean it.
Maybe I am sorry.
I am going to flirt with death until it blushes so hard that the blood from it's cheeks flows down to it's chest and gives it a heartbeat.
I am going to make you understand that GOD needs you just as much as you need Him, and there is power in prayer, in the way God might not be worth as much when people aren't giving Him their attention.
I am going to help you need less of the world, but a little more from people.
Your words will be full and deep, but never your pockets.
This is my blessing.
Eoin J Griffin Sep 2014
A house of cards since torn apart
And spirits broke before restarting.
A crow, whose ****** circles fast
Smells decay now from afar.

The marrow picked, and bleed, once tasted,
Fills the guts of those who've stuffed.
And fumbled in a greasy til
And still want more.
Insatiable. Craven.

Now rats who race to break the bones
Do hurry and scurry to survey these heaps,
All corners kept
quietly
questioning Questioning,
Festering, Venturing
these treacherous tendencies.

What once caused irk
now drives berserk
in shadows lurk acquiescent clerks.
Whose duteous work,
Cloyed wolves 'mongst herds,
venerate without exertion.

Can't *** the plants to break enchantment.
Now rubble strews the once green pastures,
Serpentine, exiled from gardens,
This concrete tomb, once womb of Gaea.

How barren plains once bloomed; need rain.
Her balding dusty broken frame
Now chokes with hate for beast with brain
Who slash deep wounds in soft terrain
Contempt, with only glutenous gain.
They reign.
SassyJ Jan 2016
The moonlight sways and swine
It whispers on the illumination of the stars
A mirage of the skies evens the pace

The stroll in the silence of the woods
A haste, the heat, a taste of the kiss
Amiss in the mist of the dense pastures

The evoke of passion, a poison
What a mission? Dissolution
A destitute encaged in iron bars

Redeemed to breath again
Expounded in light, bounded insight
A knight of a night....What a might?
A story line for short story I am writing. A girl is looking for a compatible lover and she tries blind dating. She connects with the guy and they head to the silenced woods for a walk... Is she still encaged or does she want the taste of the poisoned passion?
Julie Grenness Apr 2016
I reminisce on Grandma's hands,
Her visions of Heaven's lands,
Spectacles of repose so grand,
Summer floral perfumes,
Velvet pastures for rooms,
Eternal light so divine,
Ambrosia, sweeter than wine,
I reminisce on Grandma's hands,
Gnarled, old but natural,
Her songs, hymns so musical,
Her life well spent, faithful,
I reminisce on Grandma's hands,
Her dreams came true, that's grand,
Souls in repose, in Summerland,
Her visions of Heaven's lands,
Yes,  I recall our Grandma's hands.
Feedback welcome.
Prathipa Nair Jul 2016
Morning bride with ornaments
Of golden rays of sunlight
Foreseeing her groom
The jaunty striking wind to kiss
Giggling green pastures
Teasing the morning blush
Parasols of peacock feathers
Welcoming the groom
Showering of the night-flowering jasmines
Enchanting the breeze towards the bride
Presenting me a pleasant wedding
And making my day cheerful

— The End —