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There's this air in South France
So alive you can almost touch it
Soft enough, it blows away the candles
Numbered seats, train wagons, I wish I had taken with you

Warm hands on my frozen nose
a memory in red burning
Your arms, your hair, my cheeks

There's this air they call it Mistral
So loud and you can almost hold it
Light enough, it carries the grains of sand
Kaleidoscope films, sad endings, I wish you'd wipes away my tears

A stolen kiss in a forgotten dream
A wheel in Marseille, spinning
My scarf, my gloves, your lips
Aditya Bhaskara Oct 2012
it's a torched wind rushing into my arms
like a dreary pale leaf that wants an embrace
in dusty minuscules of sullen, sultry soil
i step out, open my heart to the sun-dried soul

glutinously holding back to me in sunk roars
the wind drinks every drop of my fluid state
i shiver in languor, i bear up with strength
and thus is revived the breeze everyday
Ken Pepiton Nov 2018
A contest twixt reasons to be

Con test ants take your po
si shun

push sush slow n stedya

There's a being, I once thought fellow who needs this test
to pass,
he has studied with masters and knows near as muchas Faustus
but he is scared there could be hell to pay,
some day.
(Catholic maybe, but he believes some lies about what he doesn't
believe for a good reason, maybe boomers with non-hero dads,
them and priests imagined some hellish **** make Loyola nuts.)

just breathe and be wit
be wit me
meinthee'n'theeinme and this ain't ***, kid.

This ain't ceasing for a moment to be me meditation, this
is Sisyphus being happy out loud

in a crowd, you know how that feels everybody
shouting hallelujah like it means everything

and it does again and not everybody, but many bits
of everybody, knows that I don't know what. I don't

know what Hallelujah is supposed
as meaning,
you ax me glory must first be defined,
compared to what
Hallelu?

Jah, right tuff won, the Name, Ha Shem

but glory, what is glory?
What's it weigh?
Worth-y or light?
Air or stone, or iron, or silver, or allah those and gold?

Time,
value that. Why?
Navigation needs a clock, for the test,
minus the lag as the rock rolls free from time to time
        Looky
        here, the alchemy guy say:
Uranium to lead for a clock to find, or
the missing helium that implies, to the wise.

A word's enough,

fu'few,

Loser vibe. Phone rings. It's a robotic femaivoice saying
power may be cut to me due to high fire danger

Are hopes prayers? I hope so,
and wishes could be I think, if they were in this realm

no evil imagined here makes it past the third and final
in sane un sane in cip I sent sentient cons eee ince

test. So, know, dear reader, we mere words,
weal build worlds witcha
but we won't lie.

Book of Life, first chapter, look it up.

The Jails burn around my kind,
minstrels in the woods still sing of men like me.
mistrals, the winds, wrap the world
and, listen,
you know
mistral whispers to sirocco as they

send swirls of spirational science-eance to form

ideal angels dancing
pirouette on the point of my pen.
2 per angstrom.

----
Those winds are in a mind I manage mine,
I make right use of them by
responding to the signals,
the prods, needles'n'pins, now

Rock and roll saved my rubber sole,
my mnemonic savior rescued me

Sisyphus, ah, we all think you happy and

hallelujah, too. To you, Mr. Cohen,
thank you. You got me through a few...

Contention only comes from pride,

and momma don'low no pride in heeyah

Stick that in yer ear, and smoke it.
Here we get along
or we ain't,
see.

Crazy guy with the dog collar, remember him?
He's gone. Outa here.

Don't fret, he is one of the first in every cycle to recall
Nietzsche thought God dead and Sisyphus happy.

Was he mad or sad?
Sad I say. Sad to say he never knew a great
god almighty that he liked enough to get caught
up in a joy explosion of hallelujahs and such,
he never dared

e=motions you know where those go.

I do.
They go to the fuzzy edge of everything ever realized yet.

But no one, so far, has realized that all at once, in time

the rock stops rolling and we, if you imagine
happy ever after is re-alivable,

spiritually, you know, in your dreams or such,
not religion
bad word,
whoa puppy, did somebody beat you for your own good?
Poor idle word, abuse of such a strong idea
a bandaid on reality,
who could hate
your idea?
re-connect, better, okeh?
not religion.
Just made a connection. Okeh.

we live here, feel at home

Well, jus as well we rest and see if we agree with what we just,
just always means everything it ever does now,
tis ne're an idle word here nomo. Nor discouragin' ones.

Just now. Perfect oh, that which

concerns you. How would that be if it were perfected?

Say, you know? no, me neither. true, rest. smunchemup= trust
trust me. You lost? Hell?

Every body sing with the Kachinas

Nobody knows the trouble I seen,
nobody knows but jee ee ee sus

as they fade…
so there. amen. and the sunshine's in and we are seeing
novel mercies never thought,
new in every detail,
no lie. Life wins.
Death is in on it.

It's fixed, it can go on as long as you may imagine you can.
More of the Sisyphus myth where nobody is thinking suicidal solutions to temporary mortal problems.
There is a choir and an orchestra
and I talk less
when I know they're there,
somewhere an accordion plays, a busker,
me
in other days would prefer to hear
the street performer,
the troubadour,
the wanderer with his songs wrapped up and on his heart, trapped in the keys, he plays the accordion, at ease with all,
a penny for the guy.

Each note, a wave that reaches land, and slowly waits, almost hesitates to touch on ears and the ocean in his tunes fill me with something only I can see,
others hear and see so differently, but that is fine,
he becomes the metaphor for wine, the wind red cheeks of time, the autumn when the leaves turn green, the Northern lights, a postcard scene but others hear and see it differently than me and that is fine.

No less a choir and an orchestra, the wanderer who roams at will to fill me one again with the pain of never,
in the tunes
I
will be
forever
lost.
Mateuš Conrad Jun 2016
write with the ambition: no one is going to write a book about me... i might as well write a book about myself - Hollywood vanity, the ones who can't write out the mundane with ferocious appetite to excite have hardly put a chunk of meat in their mouths, anaemic vegetarians, mantra chanters - well, anaemic vegans - the great debate about abortions, women's rights and the clinics condensed into an egg: is it a chicken? is it a chicken chow mein? no! it's a runny yum yoke boiled in 5 minutes! it's a completely different entity! what with the half-formed fetus that hasn't been ***** trained and hasn't developed **** or bladder muscles - is awake but is practically asleep - consciousness develops after the two precursor developments, it's not walking, it's still finding it easier to suggest onomatopoeia from words: it sounds like the great equation of putting an algorithmic-like interchange of vowels and consonants is creeping, but when it's there, there's nothing, a blank, no concepts stemming from the second other-worldly impregnation from the so called "imaginary" being, how long does a fully mature fetus spend time in the dark? 3 weeks? 2? the cut-off point from full maturity to: get me the **** out of here! i'm not an aquatic creature, i'm part amφiβiaν part cross-dressed monkey - or something like that.

i could be an entertainer after i stop being a monkish
poet, recluse and a father of the black wood
(since i don't have the desert like St. Augustine
the Penitent-Self-Reformist - a bit like Edward the Confessor, me),
the sober me doesn't like the idea of forgetting my
role as a poet-optometrist, still drilling out
the slightest differentiation into memory
between ν and υ - from now on - just so i don't stand
a 1950s style trial due to McCarthyism - i'll be
writing it as: θυκ - but wait... take the northern monkey's
perspective, a southern fairy picked it up with
upsilon - it's more like app Saigon - well, a salon -
so the alt. variation would be the northern θωκ -
but still the three letter aesthetic problem -
the missing c - **** you Byzantium! i haven't read enough
Greek to find an aesthetic pair where one acts as a surd
in pronunciation but not in the optics -
there's no equivalent kappa double to add - and i just
can't put in υω - but i guess i'll have to - what is
the de-digital format of contemplating such a feat?
handwriting - how easily could you write
microsoft equivalent typography of *mistral
θυωκ?
i guess quiet easily - much of "ancient" orthography
(20th century) has changed, letters (due to the digital
adventure) have come akin to numbers, we can write
large sums of them because of the lost art of handwriting,
it's lost, i mean you can still practice some sort of
fancy typography, but i guess you wouldn't write
a book with a style like mistral, more like Coca Cola
or: beware of the dog. what is this leading to?
i admire, oddly enough, writers like J. D. Salinger
and Harper Lee, i wouldn't exactly call them constipated
writers like Bukowski would, or A. Dumas,
i just don't get the idea about how they treated writing
without any addictive tendencies, i have two worlds:
one things, indian spices, televisions, sun, moon,
clouds (which i kinda find as beautiful as a pile of ****)
and a world of encryption - symbols - silence and symbols,
the roots of all thinking being spared a constant daily
narrative, a moment to take something back, much
akin to programming, although, given the status of language
as the earliest way of making children see and recollect
and respond on a gravity-prone-pivot of balance
(modus primo - anti-Cartesian res absorbuit, a sponge
like thing, not a fully mature res cogitans / thinking thing) -
with those authors, i can't see how they could write
a book like that, and not even tread a mediocre path
of writing, i can't spend a day without looking at these
symbols... oh, and by the way, if Arabic will not punctuate
in a digital format its users will not find peace, mandarin
and hebrew are already cut up - the Latin users already
did away with the "painful" act of cutting up letters and
losing handwriting, Arabic should do likewise,
otherwise all they'll post online are jihadi beheading videos
as proof of their so called Islamic civilisation -
and for that part of inventing numbers? look,
the only thing akin to punctuation comes with the dizzy
heights of 1,000,000 (that's a billion), otherwise you
have the spiral π - and i am being condescending and sarcastic,
given the Koranic ref. to Jews: children of Israel...
well... kindergarten of Saudi Arabia.
Nigel Morgan Feb 2013
09/09/10 13.26
Just eaten the last of your figs x
End
 
There is just so much to know about the fig.
Andre Gidé, D.H.Lawrence,
Gabriela Mistral
Poets all
Have tried
To decode
Its secret enclosed form.
 
Since nothing escapes
the smell becomes succulence and taste.
A blossom without beauty, yet a fruit of delights...

 
A year ago
When I brought autumn to your table
I tried to explain
The fig’s ****** nature . . .
and failed.
I was too shy
And mumbled something about
Its gynaecological aspect.
 
Now I know you better
And your hand has cupped
My testicles
Can you not
Appreciate the similarity?
The size and shape is
. . .  similar
 
It seems male
This secretive fruit
But when you come to know it better,
You’ll agree with Catullus,
It is female.
 
Oh fig, fruit of female mystery where everything happens  invisible flowering and fertilization,and fruiting in the inwardsness of your you that eye will never see till its finished and you’re over-ripe and you burst to give up your ghost.
 
Yesterday
(After we had eaten figs
From the blue bowl
Bathing in the golden light
Of your September garden)
I felt that ripe and secret cleft
Open to my ***** touch
And kiss and kiss
Kiss and kiss
 
*Touch me: it is softness of good satin, and when you open me, what an unexpected rose! Poets have not known the colour of night, nor the figs of Palestine. We are both the most ancient blue, a passionate blue, richly concentrating itself because of its ardor. I spill my pressed flowers into your hand. I create a deaf meadow for your pleasure. I shower you with the meadow's bouquet until covering your feet.
SE Reimer Nov 2018
~

along the golden sands she runs,
swinging arms, matching stride;
crashing waves bring seagull crumbs,
deposit treasures with each tide.

sea shells scattered on the sands,
like incantations on the wind;
she gathers them amidst the strands,
blending voice above the din!

each gusty wave of her baton,
the wind is maestro to this band;
from cockle’s flute the highest pitch,
to conch’s cello, deep & rich.

the tulip’s voice of brass cornet,
of scallop’s rippling clarinet;
the kettle drum of florida’s cone,
and hammered strings of angel’s wings!

instrumental simplicity,
ancient chords, rehearsed refrain;
her call to join each voice unique,
each grain of sand, each clapping wave,

leaping toward orchestral stage,
calling forth their joyous praise.
till mistral bows in whispered hush,
a thunderous crash, their glad applause!

~

maestro -
a distinguished musician, especially
a conductor of classical music.

mistral -
a strong, cold northwesterly wind
that blows into the Mediterranean.

~
post script.

i walked upon the sandy beaches,
my lover’s hand in mine;
from ev’ry step ’cross rippling reaches,
flows their song from ancient times;
a song with every crashing wave,
of every ghost these waters claimed;
fills the air with hopeful longing,
song of love, their chorus haunting;
for each body held in depth’s repose,
each soul in song is lovingly released.
touka Jun 2018
the wind is drunk on its liquor

a subtle slurring

lilies stir on the lilt of its voice

as harsh a requitement
again, I find no respite

as lithe as the life
in those ever-rearing gold rows of wheat

mistral born, on the rise
like prying eyes

I am thrown
into some tumult,
where some enemy rages on
shakes his staff against the cold

where the lighter chaff is tossed
toward the salt that laps the sand
on the sweet breath of its benthos

I am withering
but the wind blows on

whiles along –
drones its tepid mourning song
springs the dew
from its calloused palms

I am thrown
as sure of war
as trees will shed and flourish
and shed and flourish
in seasons to and fro'
freshly disowned
by the earth and its shoulder

a carapace of autumn's
exhumed again
it seems so easy for trouble to find me
Carlo C Gomez Dec 2022
undecipherable loss
  • [it's steeper near the roses]

attenuation
  • [the mystery in the trees
  and the mistral sound of your breathing]

dreams of perfection: floral dress summer
  • [the apnea and the scream]

a touch of labyrinth to this world
  • [in the fair and harmless light]

imagine somewhere close by
  • [imagine him waving as you say goodbye]
for Jasmine
All your squid limbs
shake the leaves
off the mast of your
maple in this whirlwind
reaching skyward
with your last life~
Yet you scorn the storm,
and in uncertain lulls talk
your mind into soft
chimes of knowing

Written by Sara Fielder © Oct 2016
Having just climbed
  through ages
up what seemed an endless flight
of narrow winding gothic spiral stairs
I step out
right into the wind's brute force
   instinctively
my arms grasp for a hold
fearful lest I blend suddenly
with the white horses
and the fields of the Camargue
far down below

Wedged safely
in a nook of stone
a hefty tourist
leans out wide between the walls
toward the setting sun

her summer skirt is blown waisthigh
revealing
unexpectedly delicate lace
above sturdy thighs

her body opens
to the strong soft touch
of the Mistral

A little later
she walks past me
clothes gathered
level gaze calm  
and self-assured

and leaves me wondering
whether the mighty abbot
on his solitary tower
and his exclusive brotherhood of men
had ever understood
the wind that blew
and still blows
through two feet of stone
  like they were silk
and thrills a woman
to her bone

* * *
                                                              ­                        © Walter W. Hoelbling
Montmajour is in the Camargue, near Aix-en-Provence, France
I have in me a bit of Tuscan sun
The wildness of mistral
The calmness of a Cezanne village
I often walk around the countryside of Pissaro
And see the colors, still abundant, undefeated
I stroll around the lilies and the harbor of France where Manet painted being thrown out of his house, not able to pay the rent
I dance with the beautiful girls in high society Parisian parties of whom from Zola to Maugham spoke about
I learn art in silence, in the bright orange color of the day drawing the French young girl
Whose face is like Madonna
Her innocence, her laughter, her flawless body
Excite me, breaks me, creates me
I walk with clean head and red wine in the streets of Montmartre
Searching the gone and dusted studio of Renoir, Picasso, Monet
I stand exactly there where there is nothing old except the moon
And the Sacre Couer
In the morning I take the first train to Auvers Sur Oise
And walk into the cemetery
Where lie in the gorgeous French sun
Vincent and Theo Van Gogh
I utter to them, "Can dream ever be false?"
It is when I heard the footsteps
I turned
The girl in the yellow dress stands at the gate of the cemetery
Whom I draw every day but never captured her beauty
The French girl
We both stand there as it is
As if 
framed
paused 
Frozen
We, the Impressionists!
I begin my walk
on the circled asphalt path
behind the old Lutheran church
founded in 1790
the crickets chirp
a defiant roar
as I descend upon their quiet space
clouds are dark and a bit threatening
are they spirits taking form above me?
mistral winds on a windless day
seem to gather and fuse into words
sentences
held for a moment...clear
then lost to fuzzy and distorted whispers
'They are here...'
'Isaac'
'Listen to me...I must ****'
'I have an angel'
'power'

before departing
I stop at a headstone
I'm not sure why
but I attempt
to pronounce the last name of this departed soul
3 times
on the 3rd try I am interrupted by a young boy
who corrects me with the proper pronunciation
I turn at the gate and advise the spirits
that I am leaving
a friendly 'okay' came back to me

my God
I have walked in the living room of the dead
upon review of my 20 minute evp session in this cemetery, I came upon more than 30 anomalies including several direct responses. I have been doing this since 2013 and have never approached the level of activity I received on this walk. The response I got when pronouncing the last name on the headstone and being corrected...may be the one most fascinating evp I have ever captured.
Rumbles of
          Thunder
Light the candles of my mind
safely shielded from the
          Winds
of conflagration
Fire has never been my friend
There are
          Ashes
on my forehead
from the rubble at my feet

Mainsails billow in my consciousness
as a crimson mistral sets my boat
Out to sea
to search for the
                    Giant Drum
That lightning plays upon
when dybbuks from the ocean deeps
                   Rise Up
To sink my craft and all aboard in
                      Flaming Parodies
Of a movie Viking funeral
        **ljm
Not quite sure where this ramble came from.  Or am I?
Mistral streams from the sea
Gusts over uneven terrain
Zephyr carries with purpose on its journey
Draft whirls leaves from a neat pile
Blast ***** my hair in my eyes
Sally arches well rooted trees
Breeze makes a baby catch its breath
Air current sways a free floating kite
Surge rotates cyclone with malevolence
Squall powers voluminous sails
Flutter lands spinning trash at my feet
Tempest moves on and is gone
Ô temps miraculeux ! ô gaîtés homériques !
Ô rires de l'Europe et des deux Amériques !
Croûtes qui larmoyez ! bons dieux mal accrochés
Qui saignez dans vos coins ! madones qui louchez !
Phénomènes vivants ! ô choses inouïes !
Candeurs ! énormités au jour épanouies !
Le goudron déclaré fétide par le suif,
Judas flairant Shylock et criant : c'est un juif !
L'arsenic indigné dénonçant la morphine,
La hotte injuriant la borne, Messaline
Reprochant à Goton son regard effronté,
Et Dupin accusant Sauzet de lâcheté !

Oui, le vide-gousset flétrit le tire-laine,
Falstaff montre du doigt le ventre de Silène,
Lacenaire, pudique et de rougeur atteint,
Dit en baissant les yeux : J'ai vu passer Castaing !

Je contemple nos temps. J'en ai le droit, je pense.
Souffrir étant mon lot, rire est ma récompense.
Je ne sais pas comment cette pauvre Clio
Fera pour se tirer de cet imbroglio.
Ma rêverie au fond de ce règne pénètre,
Quand, ne pouvant dormir, la nuit, à ma fenêtre,
Je songe, et que là-bas, dans l'ombre, à travers l'eau,
Je vois briller le phare auprès de Saint-Malo.

Donc ce moment existe ! il est ! Stupeur risible !
On le voit ; c'est réel, et ce n'est pas possible.
L'empire est là, refait par quelques sacripants.
Bonaparte le Grand dormait. Quel guet-apens !
Il dormait dans sa tombe, absous par la patrie.
Tout à coup des brigands firent une tuerie
Qui dura tout un jour et du soir au matin ;
Napoléon le Nain en sortit. Le destin,
De l'expiation implacable ministre,
Dans tout ce sang versé trempa son doigt sinistre
Pour barbouiller, affront à la gloire en lambeau,
Cette caricature au mur de ce tombeau.

Ce monde-là prospère. Il prospère, vous dis-je !
Embonpoint de la honte ! époque callipyge !
Il trône, ce cokney d'Eglinton et d'Epsom,
Qui, la main sur son cœur, dit : Je mens, ergo sum.
Les jours, les mois, les ans passent ; ce flegmatique,
Ce somnambule obscur, brusquement frénétique,
Que Schœlcher a nommé le président Obus,
Règne, continuant ses crimes en abus.
Ô spectacle ! en plein jour, il marche et se promène,
Cet être horrible, insulte à la figure humaine !
Il s'étale effroyable, ayant tout un troupeau
De Suins et de Fortouls qui vivent sur sa peau,
Montrant ses nudités, cynique, infâme, indigne,
Sans mettre à son Baroche une feuille de vigne !
Il rit de voir à terre et montre à Machiavel
Sa parole d'honneur qu'il a tuée en duel.
Il sème l'or ; - venez ! - et sa largesse éclate.
Magnan ouvre sa griffe et Troplong tend sa patte.
Tout va. Les sous-coquins aident le drôle en chef.
Tout est beau, tout est bon, et tout est juste ; bref,
L'église le soutient, l'opéra le constate.
Il vola ! Te Deum. Il égorgea ! cantate.

Lois, mœurs, maître, valets, tout est à l'avenant.
C'est un bivouac de gueux, splendide et rayonnant.
Le mépris bat des mains, admire, et dit : courage !
C'est hideux. L'entouré ressemble à l'entourage.
Quelle collection ! quel choix ! quel Œil-de-boeuf !
L'un vient de Loyola, l'autre vient de Babeuf !
Jamais vénitiens, romains et bergamasques
N'ont sous plus de sifflets vu passer plus de masques.
La société va sans but, sans jour, sans droit,
Et l'envers de l'habit est devenu l'endroit.
L'immondice au sommet de l'état se déploie.
Les chiffonniers, la nuit, courbés, flairant leur proie,
Allongent leurs crochets du côté du sénat.
Voyez-moi ce coquin, normand, corse, auvergnat :
C'était fait pour vieillir bélître et mourir cuistre ;
C'est premier président, c'est préfet, c'est ministre.
Ce truand catholique au temps jadis vivait
Maigre, chez Flicoteaux plutôt que chez Chevet ;
Il habitait au fond d'un bouge à tabatière
Un lit fait et défait, hélas, par sa portière,
Et griffonnait dès l'aube, amer, affreux, souillé,
Exhalant dans son trou l'odeur d'un chien mouillé.
Il conseille l'état pour ving-cinq mille livres
Par an. Ce petit homme, étant teneur de livres
Dans la blonde Marseille, au pays du mistral,
Fit des faux. Le voici procureur général.
Celui-là, qui courait la foire avec un singe,
Est député ; cet autre, ayant fort peu de linge,
Sur la pointe du pied entrait dans les logis
Où bâillait quelque armoire aux tiroirs élargis,
Et du bourgeois absent empruntait la tunique
Nul mortel n'a jamais, de façon plus cynique,
Assouvi le désir des chemises d'autrui ;
Il était grinche hier, il est juge aujourd'hui.
Ceux-ci, quand il leur plaît, chapelains de la clique,
Au saint-père accroupi font pondre une encyclique ;
Ce sont des gazetiers fort puissants en haut lieu,
Car ils sont les amis particuliers de Dieu
Sachez que ces béats, quand ils parlent du temple
Comme de leur maison, n'ont pas tort ; par exemple,
J'ai toujours applaudi quand ils ont affecté
Avec les saints du ciel des airs d'intimité ;
Veuillot, certe, aurait pu vivre avec Saint-Antoine.
Cet autre est général comme on serait chanoine,
Parce qu'il est très gras et qu'il a trois mentons.
Cet autre fut escroc. Cet autre eut vingt bâtons
Cassés sur lui. Cet autre, admirable canaille,
Quand la bise, en janvier, nous pince et nous tenaille,
D'une savate oblique écrasant les talons,
Pour se garer du froid mettait deux pantalons
Dont les trous par bonheur n'étaient pas l'un sur l'autre.
Aujourd'hui, sénateur, dans l'empire il se vautre.
Je regrette le temps que c'était dans l'égout.
Ce ventre a nom d'Hautpoul, ce nez a nom d'Argout.
Ce prêtre, c'est la honte à l'état de prodige.
Passons vite. L'histoire abrège, elle rédige
Royer d'un coup de fouet, Mongis d'un coup de pied,
Et fuit. Royer se frotte et Mongis se rassied ;
Tout est dit. Que leur fait l'affront ? l'opprobre engraissé.
Quant au maître qui hait les curieux, la presse,
La tribune, et ne veut pour son règne éclatant
Ni regards, ni témoins, il doit être content
Il a plus de succès encor qu'il n'en exige ;
César, devant sa cour, son pouvoir, son quadrige,
Ses lois, ses serviteurs brodés et galonnés,
Veut qu'on ferme les veux : on se bouche le nez.

Prenez ce Beauharnais et prenez une loupe ;
Penchez-vous, regardez l'homme et scrutez la troupe.
Vous n'y trouverez pas l'ombre d'un bon instinct.
C'est vil et c'est féroce. En eux l'homme est éteint
Et ce qui plonge l'âme en des stupeurs profondes,
C'est la perfection de ces gredins immondes.

À ce ramas se joint un tas d'affreux poussahs,
Un tas de Triboulets et de Sancho Panças.
Sous vingt gouvernements ils ont palpé des sommes.
Aucune indignité ne manque à ces bonshommes ;
Rufins poussifs, Verrès goutteux, Séjans fourbus,
Selles à tout tyran, sénateurs omnibus.
On est l'ancien soudard, on est l'ancien bourgmestre ;
On tua Louis seize, on vote avec de Maistre ;
Ils ont eu leur fauteuil dans tous les Luxembourgs ;
Ayant vu les Maurys, ils sont faits aux Sibours ;
Ils sont gais, et, contant leurs antiques bamboches,
Branlent leurs vieux gazons sur leurs vieilles caboches.
Ayant été, du temps qu'ils avaient un cheveu,
Lâches sous l'oncle, ils sont abjects sous le neveu.
Gros mandarins chinois adorant le tartare,
Ils apportent leur cœur, leur vertu, leur catarrhe,
Et prosternent, cagneux, devant sa majesté
Leur bassesse avachie en imbécillité.

Cette bande s'embrasse et se livre à des joies.
Bon ménage touchant des vautours et des oies !

Noirs empereurs romains couchés dans les tombeaux,
Qui faisiez aux sénats discuter les turbots,
Toi, dernière Lagide, ô reine au cou de cygne,
Prêtre Alexandre six qui rêves dans ta vigne,
Despotes d'Allemagne éclos dans le Rœmer,
Nemrod qui hais le ciel, Xercès qui bats la mer,
Caïphe qui tressas la couronne d'épine,
Claude après Messaline épousant Agrippine,
Caïus qu'on fit césar, Commode qu'on fit dieu,
Iturbide, Rosas, Mazarin, Richelieu,
Moines qui chassez Dante et brisez Galilée,
Saint-office, conseil des dix, chambre étoilée,
Parlements tout noircis de décrets et d'olims,
Vous sultans, les Mourads, les Achmets, les Sélims,
Rois qu'on montre aux enfants dans tous les syllabaires,
Papes, ducs, empereurs, princes, tas de Tibères !
Bourreaux toujours sanglants, toujours divinisés,
Tyrans ! enseignez-moi, si vous le connaissez,
Enseignez-moi le lieu, le point, la borne où cesse
La lâcheté publique et l'humaine bassesse !

Et l'archet frémissant fait bondir tout cela !
Bal à l'hôtel de ville, au Luxembourg gala.
Allons, juges, dansez la danse de l'épée !
Gambade, ô Dombidau, pour l'onomatopée !
Polkez, Fould et Maupas, avec votre écriteau,
Toi, Persil-Guillotine, au profil de couteau !

Ours que Boustrapa montre et qu'il tient par la sangle,
Valsez, Billault, Parieu, Drouyn, Lebœuf, Delangle !
Danse, Dupin ! dansez, l'horrible et le bouffon !
Hyènes, loups, chacals, non prévus par Buffon,
Leroy, Forey, tueurs au fer rongé de rouilles,
Dansez ! dansez, Berger, d'Hautpoul, Murat, citrouilles !

Et l'on râle en exil, à Cayenne, à Blidah !
Et sur le Duguesclin, et sur le Canada,
Des enfants de dix ans, brigands qu'on extermine,
Agonisent, brûlés de fièvre et de vermine !
Et les mères, pleurant sous l'homme triomphant,
Ne savent même pas où se meurt leur enfant !
Et Samson reparaît, et sort de ses retraites !
Et, le soir, on entend, sur d'horribles charrettes
Qui traversent la ville et qu'on suit à pas lents,
Quelque chose sauter dans des paniers sanglants !
Oh ! laissez ! laissez-moi m'enfuir sur le rivage !
Laissez-moi respirer l'odeur du flot sauvage !
Jersey rit, terre libre, au sein des sombres mers ;
Les genêts sont en fleur, l'agneau paît les prés verts ;
L'écume jette aux rocs ses blanches mousselines ;
Par moments apparaît, au sommet des collines,
Livrant ses crins épars au vent âpre et joyeux,
Un cheval effaré qui hennit dans les cieux !

Jersey, le 24 mai 1853.
Beryl Starkovic Aug 2014
On a steamy island sprayed in melodic days.
Dancing in rhythm as the porpoise play.
Some hymn and some pray enchanting ways,
in the swim and sway of the melody of day.

Languishing in canopy of young vines rope,
as passionate couples intertwine at *****,
below the emerald silence of mountain *****,
heed the joyful herald of fountains of hope.

As cool and winding shady green rivers distill,
hear the tropic's aviary song, sweetest minstrel,
thrashing and dancing in seas azure blue crystal,
as the softly salted winds conjure in Ol' Mistral.

Drift away drinks of colored Caribbean ice,
air scented of cinnamon, mango and spice,
as we hymn and we pray enchanting ways,
in the swim and sway of the melody of day.
she took deep breath of him through her eyes
he snaked through her brain down her neck straight to her heart
there he stopped to drink from that sacred bowl,
then coiled and wiggled his way to her ***.
she felt a surge as her organs shook
her breath came in bursts.
her mind snapped from her inhibition like a flag
in a stiff wind.
she knew his scent without going near him
it was fern-laced and green, and she wanted
to put her nose to him and inhale to the bottom of her lungs.
she felt his ****** mistral blow through her, warming her limbs
he was water-wind-breath, po-wa-ha.
she felt her old skin peel away in the force of his mistral,
in the clean wash of his waterlight,
and the caress of his breathing on the air around them.
she stepped out of her old pelt to reveal
the woman she had always been.


c. 1995/2017 Roberta Compton Rainwater
Having just climbed
      through ages
up what seemed an endless flight
of narrow winding gothic spiral stairs
I step out
right into the wind's brute force
     instinctively
my arms grasp for a hold
    fearful lest I blend suddenly
    with the white horses
    and the fields of the Camargue
    far down below

Wedged safely
in a nook of stone
a hefty tourist
leans out wide between the walls
toward the setting sun

her summer skirt is blown waisthigh
revealing
unexpectedly delicate lace
above sturdy thighs

her body opens
to the strong soft touch
of the Mistral

A little later
she walks past me
clothes gathered
level gaze calm  
and self-assured

and leaves me wondering
whether the mighty abbot
    on his solitary tower
and his exclusive brotherhood of men
had ever understood
the wind that blew
    and still blows
through two feet of stone
  like they were silk
and thrills a woman
to her bone

      * * *
                                                              ­                        © Walter W. Hoelbling
Montmajour is a place in France, near Aix-en-Provence
Mistral is a strong wind phenomenon in the region
it is not the tier of enmeshed leaves
nor the zither of green. none is their duty
to discover the lunar hook of moon.
   — the old bamboo is the mistral
danseuse tonight.

whatever the etcetera
of it, whatever the birds demand from it.
a sling of breath is far-flung into the sky
announcing merriment before the child
beheads the tulip,
      before the creature chokes the pistil,
        before the light enters slow-churn
           of synthesis.
  
  hearing the giggling of bush in
  the mire of wind, heaving in all kinds
  of sleep, the children, the weather,
    together; synapses drunk in translation
  and we feel no longer the secret
    of a guerrilla behind the foliage.

  it is only the heraldry of the world
  when the morning unclips its wing,
  as monsoons continue their bushwhack
  amongst petty citations.
          past oceans gleaming and
    away from hills dreaming —  by the
river, dead of heart, riveting silence
    of land, past the battered bridge in Marilao tracing deathlier waters,
  
         all gone in recall, something
i scour to find only pining away from
scarcity of remember. it is never their
    duty to bring back its image
  to dance with me again.
Mistral en la costa de mi corazón se lleva el noble arrullo y la sigo hacia el un mundo de sueños
JML Marschalk Nov 2015
When you fall asleep you are never

Where you are when you
Wake up.
    
    The speed that your bed
travels in a second might keep
You awake.

       It feels like standing still.
A nothing wind or mistral.

       Then it doesn't.

And it's hard to stop.
I can hear the baby quail,
they’re telling me, from in the hay bales
and chirping like little frogs.
While they themselves
**** back their bog pockets,
bloom, press the weak wood, and leak to me.
The trickle-slap pipistrelle
in subito notes, that hit and fall,
that explain to me so frantically.
crooning to me so mutually
and between themselves,
like organs pumping air into each other.

The birds sail on it over fields
relying on the attitude of the night,
feeling out its hot rushes.
In sensory geography,
dependent on a mood of its own.
In an ocean, emancipated from the moon.
The sky-lung, plays its shivering reeds
Where the spores, the sycamore, shattering
in crochets, quavers, in minims,  
on any mistral score
are mooring till but a touch of direction.
It hears all of what my fingers feel. 


It tastes all of which my eyes are witless.
The asp in the verge tasting me
with undulating flick of forked tongue
in aromatic echolocation,
both received and given by all.
The curious noses of foxes
between the furious foxglove
sifting out the berries of effort,
of strain and sweat in fur
haunting out from the stems.
There they find the scared,
shouting in the language of the animal.

And when the colours leave the flowers with the day  
the night is painted in flavoursome air.
The night which licks at your ear,
the night that chatters amongst itself,
sonic charybdis,
whirling in the moth-light.
The dark side of the earth
is facing me.
Thought I might wake with
something more than bellyache,but
No,
Today the only way I go is
down.

London,
what a dreary town,
what kind of place is this to be?
this whirlpool of woe is
a mistral of misery.

Smoking now,
smoking,
how I wish the flames would bite,
ignite and in the inferno, would be
somewhere
where I'd go
quite
willingly.
Randy Bryte Feb 2016
As you slept last night, and I lied awake beside you, I was drenched in
Your Love For Me
Your kind and angelic soul warming my heart, and soothing my racing mind, i could feel your presence, smell your essence,  I could touch you if my will collapsed, but I stay strong with the power of
Your Love For Me
I could hear you breathing, your dreams were weaving, sowing to and fro conducting your pretty hazel eyes to twitch n rapid concession like a rhythmic prelude to a magical mistral, under the healing and rejuvenating sanctity of your eyelids, you healed me and made me strong, like you always do with
Your Love For Me
Est-ce ma faute à moi si vous n'êtes pas grands ?
Vous aimez les hiboux, les fouines, les tyrans,
Le mistral, le simoun, l'écueil, la lune rousse ;
Vous êtes Myrmidon que son néant courrouce ;
Hélas ! l'envie en vous creuse son puits sans fond,
Et je vous plains. Le plomb de votre style fond
Et coule sur les noms que dore un peu de gloire,
Et, tout en répandant sa triste lave noire,
Tâche d'être cuisant et ne peut qu'être lourd.
Tortueux, vous rampez après tout ce qui court ;
Votre oeil furieux suit les grands aigles véloces.
Vous reprochez leur taille et leur ombre aux colosses ;
On dit de vous : - Pygmée essaya, mais ne put.
Qui haïra Chéops si ce n'est Lilliput ?
Le Parthénon vous blesse avec ses fiers pilastres ;
Vous êtes malheureux de la beauté des astres ;
Vous trouvez l'océan trop clair, trop noir, trop bleu ;
Vous détestez le ciel parce qu'il montre Dieu ;
Vous êtes mécontents que tout soit quelque chose ;
Hélas, vous n'êtes rien. Vous souffrez de la rose,
Du cygne, du printemps pas assez pluvieux.
Et ce qui rit vous mord. Vous êtes envieux
De voir voler la mouche et de voir le ver luire.
Dans votre jalousie acharnée à détruire
Vous comprenez quiconque aime, quiconque a foi,
Et même vous avez de la place pour moi !
Un brin d'herbe vous fait grincer s'il vous dépasse ;
Vous avez pour le monde auguste, pour l'espace,
Pour tout ce qu'on voit croître, éclairer, réchauffer,
L'infâme embrassement qui voudrait étouffer.
Vous avez juste autant de pitié que le glaive.
En regardant un champ vous maudissez la sève ;
L'arbre vous plaît à l'heure où la hache le fend ;
Vous avez quelque chose en vous qui vous défend
D'être bons, et la rage est votre rêverie.
Votre âme a froid par où la nôtre est attendrie ;
Vous avez la nausée où nous sentons l'aimant ;
Vous êtes monstrueux tout naturellement.
Vous grondez quand l'oiseau chante sous les grands ormes.
Quand la fleur, près de vous qui vous sentez difformes,
Est belle, vous croyez qu'elle le fait exprès.
Quel souffle vous auriez si l'étoile était près !
Vous croyez qu'en brillant la lumière vous blâme ;
Vous vous imaginez, en voyant une femme,
Que c'est pour vous narguer qu'elle prend un amant,
Et que le mois de mai vous verse méchamment
Son urne de rayons et d'encens sur la tête ;
Il vous semble qu'alors que les bois sont en fête,
Que l'herbe est embaumée et que les prés sont doux,
Heureux, frais, parfumés, charmants, c'est contre vous.
Vous criez : au secours ! quand le soleil se lève.
Vous exécrez sans but, sans choix, sans fin, sans trêve,
Sans effort, par instinct, pour mentir, pour trahir ;
Ce n'est pas un travail pour vous de tout haïr,
Fourmis, vous abhorrez l'immensité sans peine.
C'est votre joie impie, âcre, cynique, obscène.
Et vous souffrez. Car rien, hélas, n'est châtié
Autant que l'avorton, géant d'inimitié !
Si l'oeil pouvait plonger sous la voûte chétive
De votre crâne étroit qu'un instinct vil captive,
On y verrait l'énorme horizon de la nuit ;
Vous êtes ce qui bave, ignore, insulte et nuit ;
La montagne du mal est dans votre âme naine.

Plus le coeur est petit, plus il y tient de haine.
Shakti Asana Oct 2020
air
you are a breath, fresh of it

blast
make me laugh

breeze
keep it easy

cyclone
hasty hurtful words
followed by
gales
of forgiveness

gust
oh!

blow
in my ear again

breath
taken away with a kiss

chinook
summer breeze
makes me feel fine

draft
make me shiver

flurry
my insides 

flutter
my heart

mistral
we're rarely that cool
toward each other
unless (see: cyclone)

puff
the magic dragon

tempest
stormy passion

typhoon
come into the eye my darling

wafting
scent of love

whiff
when we blow it

whirlwind
us.
by definition.

whisk
me away

zephyr 
gentle me again

This is, in so many words, 
The rarefied air 
we are privileged to breathe

Deep draughts of love.
Between you and me.

Breathe with me.
My beloved.

Breathe.
I challenged myself to write a poem based on synonyms for "draught" (pronounced "draft") and this was the result. Dedicated to my anam cara, my soulmate, my muse. Thank you for reading.
Jim Apr 2021
Hang me high,
closer to heaven when I die.
I'll have less steps to climb.

Place my ashes on Mistral winds
over tranquil pastures.
I will spread to the lands I have traveled.

Wipe your tears with pictures of us.
On better days
with any luck
I will live in memories
A Henslo Jun 2018
Poursuivi par les rafales
les cyprès se penchent au soleil –
Mistral
AH 2016
Mahdi Dn Sep 2019
Ages of mental slavery,
Has brought us pain and calvary.
Within this world of treachery
Is hidden a billion mysteries.
By the deceitful masonry
The world is living in misery.
To end this supreme crookery,
Minds must be free of any boundary.

The sound
Of global disorder has deafened us
From hearing the marching
Of those who once did fall
Winds of the end are blowing as mistral

Apathy and distrust
The weakening waves of frost
Have left on our flesh a crust
Resistant to any light to ******
In between sides we have lost
Our map
Our path
We played and we lost.

This is the sound of global disorder
That deafened us
From hearing the marching
Of those who once did fall
Winds of the end are blowing as mistral

Helpless as long as lives would last.
Just as happened in the past.
Destructive thoughts of doubt
Eating
Our lives and our whereabouts

The purpose of those who just preach
Does not regard your well-being
You suppose it does, but you’re fooled
Between the lines is where you can find the key
To truth…
Lyrics to the song with the same title by Chaos Descent, released in 2016
Written by Mahdi Monstrosity Dn
johnny solstice Jun 2019
The smoke that swirled up from her pipe
hung there in the air, partly obscuring her face

With cupped hands she began
    to gather the smoke
  as if it were sand on the beach

Very carefully she began stroking
and teasing it until it appeared
to be taking on the properties of a solid

What had been the contents of her lungs
moments before, were now compressed
to the size of a tennis-ball

This blue-grey sphere hung there between
us like some strange smoke-filled soap-bubble

As I began to open my mouth to say something
a sword the size of a pin flew from my lips, and
burst the bubble whereupon the smoke fell
to the floor like fine white snow…….

          “…don’t you know?” she said, with a grin,
         “…that’s just the way that wars begin!”

As she refilled the pipe with twigs and weeds
she raised one eye-brow and a voice somewhere
between us said…..
”so you want to find yourself,do you?……..
don’t you know that talking to yourself
is the first sign of ’SANITY?”….

“And with that my mouth
involuntarily said “FORKS”
but the sound didn’t come
instead
    from the side of her bed
came the unmistakable sound of forks falling on a
wooden floor…….and everything began to rhyme
   then I heard the chime of her quartz clock
a rooster appeared, with an immense ****
                               ……..attached to it’s head
                                    by the wind it is lead
                   but East is opposite North instead

  then she scooped it up
    and it turned to twigs..
before my eyes could adjust….
…….the phosphorous flash of IGNITION
                     the firey INQUISITION
As she relit the pipe, with what seemed to be
             my thoughts and dreams made real
                                        in solid words
                                            in solid air
                             I cried in deep despair
                   for the weight of untold shame
                             that showered like rain
                   on those who could not explain
                                         their own pain
                           on those trapped in shame
                               those crucified for vain
                           making everyone to blame
                                             for MY pain
                                    which falls like rain
                                into her upturned hand
                                   where it forms a lake
                                     called “my mistake”

Based on a lack or something missing
                     I can hear the hissing
                          of the black snake
                  the guardian of the gate
                 my birthright to legislate
                catch fire before my eyes
                 as  another dreamy spire
                 of grey-blue smoke…….
                     …….rises into the void
for a brief moment the only rhyme is
            PARANOID

             but just as quickly it is gone

As the pipe glows then rises musical notes pour
from its bowl as if the Mistral wind itself were
blowing through the embers.
Upon inhaling I am surprised to find that my
companion has been joined by Oscar Wilde…
heavily, theatricaly disguised as an empty chair
    with accompanying wall-paper

This observation becomes solid in the air
and suddenly there are chairs everywhere
in my pockets, in my pipe, in my hair…..
chairs of every size and type and colour everywhere
no standing room, just chair upon chair upon chair

“Collect your thoughts” said Oscar Wilde
to me, as if I was a naughty child
So, slowly, I gather the chairs together
with cupped hands, like sand, into one single chair
then lay my pipe upon it to make it real
from behind the canvas I step….my hands reveal
PAINT AND BRUSH
IN SUCH A RUSH
                       GRIND AND CRUSH
                                       YELLOW OCHRE
                                                    CHROME YELLOW
                                                              yell “HELLO!”
                                        ’”HELLO!”
                          “HELLO!”

“    “….have you fallen in love with that pipe?” asks the chair
       As I stare…
            yellow sunflowers everywhere
festoon the walls, the floor, the chair…..
                 elsewhere…
there's rubber clothes and x-ray hair
           starry nights and daymares
         loveless thighs and derrieres
          cut price love unguaranteed
    sure-fire ways to dispose of seed
right now…… with GREED-SPEED
            rivers of come, knee-deep
            bed’s on fire…..can’t sleep
cut off my ears but they won’t bleed
               instead they turn to ****
which I place on the chair with the pipe
and invite my companion to take her feed
      
   “…don’t mind if I do” she replies
  “…but must we forever sit inside?”
“..not far from here I think I spied”
“… a cornfield……some countryside..”
“we could walk far, and near, and wide
then round and left and right outside
till darkness falls upon our heads…..
  and sends us scurrying for our beds”

But sleep won’t come
because some elektronik hum
is buzzing in the walls
makes me shiver in my *****
till my spirit-level falls
and my skin begins to crawl
off my body,….up the walls
         reality DISSOLVES
………skinned alive on a granite rock
……beneath the stars of future-shock

                 alone…….
with billions of others
           with no cover
other …than the cold blankets of mist
        that hiss
           from the wounds in my wrist
         reality persists

              CAN MY SOUL RESIST?

          WILL MY HEART DESIST?

FROM BEATING IN MY BREAST

WILL MY BONES STAND THE TEST?

…….or will they crumble like the rest?

                             and be blessed

                                        by her

          as she smokes me in her pipe ….

               I am scorched by her love

         that comes raining from above

                   into my upturned hand

        and when I can no longer stand

               another day another night

                  in this lifetime of fright

                 and I want to take flight

               I drink her from my hand

like fresh spring water on a summer’s day

                      she makes my head sway

              to the natural rhythm

               of her breath……..

                 of her smoke…..

                   of her hair……..

                     of her chair….

        of ANYWHERE

      where she is…..



She gives me back my skin

         fills me to her brim

then strikes another match

and draws me deep inside

till I can no longer hide…

      my grin, a mile wide

   I’m safe here inside

          ………outside

         ………inside

     THE VOID….
=====================================
''Did you hear my crying heart's bleeding ?
When you were busy, not even listening
In anguish, did your thoughts sear ?
When you experienced a chilled feeling ?

Sadly a lost soul, a dying mistral went by
Touching your lips, which you missed''...
For eyes, I may not lift a hand to clear
Half in rest half in strife, shadows are trailing?

Know I need all help when heart is bleeding
Listen to pleading in mist of year's receding
When we were together danced all day, dear.
Never sung a song of dark-deep for speaking

I am calling you in this hour since I'm breathing
Life is not for cheating but love keeps on healing!

Written by
~~~Jawahar Gupta~~~

— The End —