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I have in me a bit of Tuscan sun
The wildness of mistral
The calmness of a Cezanne village
I often walk around the countryside of Pissaro
And see the colors, still abundant, undefeated
I stroll around the lilies and the harbor of France where Manet painted being thrown out of his house, not able to pay the rent
I dance with the beautiful girls in high society Parisian parties of whom from Zola to Maugham spoke about
I learn art in silence, in the bright orange color of the day drawing the French young girl
Whose face is like Madonna
Her innocence, her laughter, her flawless body
Excite me, breaks me, creates me
I walk with clean head and red wine in the streets of Montmartre
Searching the gone and dusted studio of Renoir, Picasso, Monet
I stand exactly there where there is nothing old except the moon
And the Sacre Couer
In the morning I take the first train to Auvers Sur Oise
And walk into the cemetery
Where lie in the gorgeous French sun
Vincent and Theo Van Gogh
I utter to them, "Can dream ever be false?"
It is when I heard the footsteps
I turned
The girl in the yellow dress stands at the gate of the cemetery
Whom I draw every day but never captured her beauty
The French girl
We both stand there as it is
As if 
framed
paused 
Frozen
We, the Impressionists!
Sara Brummer Sep 2018
There’s a decisive moment
Between light and dark,
An intermission of clear sight
When movement becomes illusion.

For light does not hold still
But converges to a hundred shapes,
Fields, haystacks, cathedral portals,
A dizzy dervish, constant change,
Finally softened by slithering shadows
Of dusk.

A tempered darkliness folding
Into moon-glow pillow clouds,
Creating their own impressions.

— The End —