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Rowan Sep 2018
If I knew, maybe I’d say something,
Why I miss my cats more than my parents
Why I miss the teal walls of my room and the full sized bed
more than I miss my family.
Why I miss the green trees and ravine behind my house,
all I hear is a withering beeping outside my five story window.

This room is so small
and I have to bear it with another
and although she and I get along,
Alone is weighted with wondering when she’ll be back.

Home is more an empty house than a room full of family.
Home is less talk and more birdsong in the background.
Home is…

Not these tight corners and partying bellowing music down in room 809,
not the concrete walls painted white, or the lofted beds I can’t sit up straight.

Getting away from my family was easy,
and my friends hard.
Leaving was easy.
And wishing hard.

I feel, less independent,
there’s only so many places to walk.
No car to escape, nor a room either.

The closest I get is headphones and online friends.
And yet they are so far away.
college livin' isn't really for me as a naturally intense introvert
ryn Oct 2014
Know that my heart beats for you...
Every crank of the wheel, turn of dials...
Leading to my every breath and every sigh
Wishing every moment would stay a while...

Unaware of themselves hard at work,
The cogs in my mind are constantly spinning...
The gears in my head are lodged in place...
Cogs and gears like clockwork, carelessly turning...

Like a factory of sorts,
They keep churning out ideas.
Conceived notions that only had been
Spawned by my mind's nucleus...

Blinking lights signalling ways,
And means to sweep you into the air,
Then leave you lofted for second....
Without a trace of fear or care.

At that moment, what I'd give to just admire...
You floating against a backdrop of stars.
An image frozen in infinite.
An image free from blemishes or scars.

Then when gravity claims you back,
You'd fall the most graceful of falls...
A fall in the slowest of motion.
A fall led by my loving calls.

Fear not darling for my arms would be there...
To catch you and hold you close in a tight embrace.
Cheek to cheek, chest to chest... You'd then know that,
Cogs and gears spin only for you in this very same place...
Haven't written about love in a while.
Seán Mac Falls Jul 2014
Little king of sun toasting petal,
Cups the air with swirling wings
Flashes, flurries of wetted trials,
How you drink of nectar singing,

With invisible wings let whirring,
So robed in arc of rainbows' sky,
Even lofted mist of morn stirring,
All the shaped air, a moving eye.
Seán Mac Falls Nov 2014
Little king of sun toasting petal,
Cups the air with swirling wings
Flashes, flurries of wetted trials,
How you drink of nectar singing,

With invisible wings let whirring,
So robed in arc of rainbows' sky,
Even lofted mist of morn stirring,
All the shaped air, a moving eye.
Chris Feb 2014
I don't know much,
but I can tell you what "whole" looks like.
I've seen it stumble forward
with weary eyes and tired hands.
Come close,
I will hand you a mirror
and tell you to look carefully.
Can you not hear the galaxies
beneath your skin?
They paint in whispers
that even oceans cannot grasp.
I know it took a hurricane and two floods,
but there is soil in your ribcage;
your scars told me so.
Don't mind them though,
they're just reminders
that you love harder than anyone else.
I know you might feel hollow,
but there is a reason your heart
has lofted ceilings.
Never forget how you fought
for all that space.
Look carefully.
These gray skies inside your lungs
are simply a canvas,
and you rain so beautifully.
Oh darling,
you rain so beautifully.
Sarina Apr 2013
Mother Earth has birthed billions of nymphets
knees that flirted with their socks so much it left prints
coquettes gyrating Bubble Yum
         on digits, her sunglasses’ stems,  a split end.

Mother Earth gave us nymphs so
bodies would not be loamless either, so we can be as
fertile as gorges far from any lofted stone wall.

Mother Earth, that she was never nubile
labored faunlets with pink gumwads upon their genitals

and frothed when one creation alit inside another.
Caleb Jaren Mar 2010
Lofted over the Cedar murky
waters the color of coffee flow implacable
immutable towards the Southeast horizon
while Pleiades and Orion hunt above tenacious
juniper fingers driven into crags
boreal bonsai stands everlasting
in time
for me to fly this roost
Seán Mac Falls Mar 2015
.
Little king of sun toasting petal,
Cups the air with swirling wings
Flashes, flurries of wetted trials,
How you drink of nectar singing,

With invisible wings let whirring,
So robed in arc of rainbows' sky,
Even lofted mist of morn stirring,
All the shaped air, a moving eye.
Seán Mac Falls Jun 2015
Little king of sun toasting petal,
Cups the air with swirling wings
Flashes, flurries of wetted trials,
How you drink of nectar singing,

With invisible wings let whirring,
So robed in arc of rainbows' sky,
Even lofted mist of morn stirring,
All the shaped air, a moving eye.
Seán Mac Falls Nov 2014
The hills beneath him stretched out like the curves of women.  Bent
to the clouds he fell from the earth which geared him prickly as would
a range of *******, then soaring higher, he dived, topping valleys
reshaped downy now into ridges slowly writhed before catching
under toe his own dazzled stare on a water loch of milk and coal-
haired body strewn out to her lily'd bones and still falling, he dropped
to the break of morn dribbling wet sand from his eyes and woke
in the sparring light of his least favourite day.
        In a grainish and utter room, where hanged more than two
pictures of two people, he sank down to Sunday diminished in sighs
from the four tilting walls and blew dead inward unfolding a book.
As he reached for some volume, a baby finger nicked the hair string
of his guitar and for a moment was reminded of her voice in the bedded
vibrations.  Looking on her curves she felt the soft nape of her neck
with his eyes, then those same eyes unhanded her and she, his
dejected guitar, faced him unsung in the cornered glare of his boxed
in room.  He felt frost in throes all that morning and sideways out
of doors— the sun looked back on him even colder.  It would be hours
now until the end of days, so after lunch he went for a walk and a bird
sang nearly the whole way.

  .  .  .  .  .  .  .

It was much warmer than he had fared it to be outside and having wrestled
with this idea, that the day was somehow harder than his soft, flat room,
the mere remembering was rote by him to his pangs.  He turned, thinking
toward other things, like the void of driven streets or the mimicking cruelty
of shadows, until he saw a sullen field and left the road to dust.  He knew
that if lost, walking through the lofted hills, he would end up in the ocean
so he headed higher to the crest and over then saw a stand of trees.
        And facing the water that rilled on its way, in the tall grasses he saw
patches of red, flying with the black birds and his heart, in a boat of swells,
traveled like the red patches those birds carried.  Snowed on alder trees
brushed by him, but the wind was blowing in from the west and there
were beautiful things to behold.  A red-tailed hawk striped the ceiling
of his day by the sea and built an island to his eye and then his head sank
droning into a syndrome of birds as he joined in silence with them all
singing;
        'ta— hee— tae.'      
        Showers of poppies spilled to his heel and the keel-brew of rushes and rain
tasted purple on its way perning to the sky.  At one stop in the middle of his
path, he came upon a purfled coil, a briar snake, its body shaped in question,
unmoved and long.  The dark Orphic frieze, branding his way, it would not
listen, as if she had always been there, deaf to his song.  He felt the loss
of love by echoes from his room in the out of doors.  The drumming trunks,
the stringing leaves harping and the water that gurgled by stones into poems.
A Northerly blew begrudging the trunks, the leaves and the stones and by
the woods sinking taller he felt rushes of time running as breath through
gusty trees and felt chimes of things flying buttery like feathers to a bell.

    .  .  .  .  .  .  .

        But at the deeper woods opening he lost his way and became fearful,
not wanting to enter.  The tallest ones, red giants with faces of evergreen
canceled out the closing sky and so he changed his way back as before
to the rounded hills.  And weary from his climb he rested on the back of her
body in lands overlooking down from the brae he saw the ocean swelling
and the stars being born in wild flowers as the hills at dusk were dissolving.
        After two eternal moments in peace, he rose again in the Highlands,
to the braise and harvest smell of musted hay, cottage chalk and bleating
wool.  Now holding the girl draped in tartan, this time without caring he fell
into the black woods of her mien.  And the milk of her body dripped out into
his and slid back waveishly until she was all hair from black becoming straw
in their bed and feathers when the raven appeared.  And the flooding waned
when she flew through an opening unraveled in the thatching roof, shredded
above the funny moors.
        In seconds he was swiped clear, before the shy song lamenting when
the doors, by tidal weathers, blasted open into the mackerel sky, gathering
too like vapours with the dawn, he wafted up, swept away into the airs
on Highland shoals.  Now sailing above the speckled clouds in a darting
school of other drifters, he heard himself singing in heights of sways
throughout the tangle of wandering bark that stretched by branching coral
midway to the moon.  A great oak tree made of lime pierced the end of blue,
nadir to its zenith and into the heavens all starry.  And ringing its trunk was
a line drawn of which beneath lay the drowning world.  It was as if each layer
were one part oil, the other part water.  Looking down, way, way down
and down even farther, he saw the running seeds of striped minnows
who swam by up-streaming a wide river.  To catch up he dropped, again,
all dressed in the colours of rain, with those gladly miners.  But they swam
above the river between the rounded hills.  And the waters ran runny, now
unwrinkling as does the bowl that holds the Milky Way, when someone
dappled by in whisper saying,
        "Come with us twice the road is easy!"
"Where are we?" To himself he mused, as she blew away and by, like a long
dragon flying.  He let his body to sink with the weeds and sedges he saw,
to a beam held with barely a nail hanging, the age old sign set, spiriting him
back again to his place.  Back to the point that draws itself, as does the wind
that winds through the rushing reeds, back to the sun rising note after moon
underwater and from such still sounds was he a reel, just when the post
that was always sheering spoke out and said;
"Welcome!  .  .  .  "
        "Welcome to Minerva."
The aisling (Irish for 'dream, vision', pronounced [ˈash-ling]), or vision poem, is a poetic genre that developed during the late 17th and 18th centuries in Irish language poetry.  

In the aisling, Ireland appears to the poet in a vision in the form of a woman, usually young and beautiful. This female figure is generally referred to in the poems as a Spéirbhean (heavenly woman; pronounced 'spare van'). She laments the current state of the Irish people and predicts an imminent revival of their fortunes  .  .  .


Minerva ( Athena ) was the Roman goddess of wisdom and sponsor of arts, trade, and strategy. She was born with weapons from the godhead of Jupiter.  From the 2nd century BC onwards, the Romans equated her with the Greek goddess Athena. She was the ****** goddess of music, poetry, medicine, wisdom, commerce, weaving, crafts, and magic.  She is often depicted with her sacred creature, an owl usually named as the "owl of Minerva", which symbolizes that she is connected to wisdom.

The celtic Gauls revered Minerva ( their name for the goddess being 'Brigit' ).  In this poem the name refers to a mythic place in dream.
Dylan D Jan 2011
Masterpieces nailed to the sides of train cars
As they pass it becomes a flipbook
Made of names so grotesquely caricatured
(down to every last tittle and tisten)
They would become beauty through definitions
Written themselves.

It is scrawled onto napkins
Hoisted over the neon city
Crudely lined and curved into cardboard signs
Lofted between vagrant fingers that hadn’t touched a green thing in years.

Safety in the colors
Born from the rust of the river which runs when we walk
And fermented through years of gunfire
Which coincidentally spell out our names between the holes
And deteriorate when obscured by some passing train cars
That I cannot help but to stop and admire.

This flipbook of broken law and clever rebellion
In its own right, a masterpiece in pieces
In its terrible condemnation, erased
And the artist dies again.
Seán Mac Falls Feb 2013
The hills beneath him stretched out like the curves of women.  Bent
to the clouds he fell from the earth which geared him prickly as would
a range of *******, then soaring higher, he dived, topping valleys
reshaped downy now into ridges slowly writhed before catching
under toe his own dazzled stare on a water loch of milk and coal-
haired body strewn out to her lily'd bones and still falling, he dropped
to the break of morn dribbling wet sand from his eyes and woke
in the sparring light of his least favourite day.
        In a grainish and utter room, where hanged more than two
pictures of two people, he sank down to Sunday diminished in sighs
from the four tilting walls and blew dead inward unfolding a book.
As he reached for some volume, a baby finger nicked the hair string
of his guitar and for a moment was reminded of her voice in the bedded
vibrations.  Looking on her curves she felt the soft nape of her neck
with his eyes, then those same eyes unhanded her and she, his
dejected guitar, faced him unsung in the cornered glare of his boxed
in room.  He felt frost in throes all that morning and sideways out
of doors— the sun looked back on him even colder.  It would be hours
now until the end of days, so after lunch he went for a walk and a bird
sang nearly the whole way.

  .  .  .  .  .  .  .

It was much warmer than he had fared it to be outside and having wrestled
with this idea, that the day was somehow harder than his soft, flat room,
the mere remembering was rote by him to his pangs.  He turned, thinking
toward other things, like the void of driven streets or the mimicking cruelty
of shadows, until he saw a sullen field and left the road to dust.  He knew
that if lost, walking through the lofted hills, he would end up in the ocean
so he headed higher to the crest and over then saw a stand of trees.
        And facing the water that rilled on its way, in the tall grasses he saw
patches of red, flying with the black birds and his heart, in a boat of swells,
traveled like the red patches those birds carried.  Snowed on alder trees
brushed by him, but the wind was blowing in from the west and there
were beautiful things to behold.  A red-tailed hawk striped the ceiling
of his day by the sea and built an island to his eye and then his head sank
droning into a syndrome of birds as he joined in silence with them all
singing;
        'ta— hee— tae.'      
        Showers of poppies spilled to his heel and the keel-brew of rushes and rain
tasted purple on its way perning to the sky.  At one stop in the middle of his
path, he came upon a purfled coil, a briar snake, its body shaped in question,
unmoved and long.  The dark Orphic frieze, branding his way, it would not
listen, as if she had always been there, deaf to his song.  He felt the loss
of love by echoes from his room in the out of doors.  The drumming trunks,
the stringing leaves harping and the water that gurgled by stones into poems.
A Northerly blew begrudging the trunks, the leaves and the stones and by
the woods sinking taller he felt rushes of time running as breath through
trees and felt chimes of things flying buttery like feathers to a bell.
Seán Mac Falls Mar 2016
The hills beneath him stretched out like the curves of women.  Bent
to the clouds he fell from the earth which geared him prickly as would
a range of *******, then soaring higher, he dived, topping valleys
reshaped downy now into ridges slowly writhed before catching
under toe his own dazzled stare on a water loch of milk and coal-
haired body strewn out to her lily'd bones and still falling, he dropped
to the break of morn dribbling wet sand from his eyes and woke
in the sparring light of his least favourite day.
        In a grainish and utter room, where hanged more than two
pictures of two people, he sank down to Sunday diminished in sighs
from the four tilting walls and blew dead inward unfolding a book.
As he reached for some volume, a baby finger nicked the hair string
of his guitar and for a moment was reminded of her voice in the bedded
vibrations.  Looking on her curves he felt the soft nape of her neck
with his eyes, then those same eyes unhanded her and she, his
dejected guitar, faced him unsung in the cornered glare of his boxed
in room.  He felt frost in throes all that morning and sideways out
of doors— the sun looked back on him even colder.  It would be hours
now until the end of days, so after lunch he went for a walk and a bird
sang nearly the whole way.

  .  .  .  .  .  .  .

It was much warmer than he had fared it to be outside and having wrestled
with this idea, that the day was somehow harder than his soft, flat room,
the mere remembering was rote by him to his pangs.  He turned, thinking
toward other things, like the void of driven streets or the mimicking cruelty
of shadows, until he saw a sullen field and left the road to dust.  He knew
that if lost, walking through the lofted hills, he would end up in the ocean
so he headed higher to the crest and over then saw a stand of trees.
        And facing the water that rilled on its way, in the tall grasses he saw
patches of red, flying with the black birds and his heart, in a boat of swells,
traveled like the red patches those birds carried.  Snowed on alder trees
brushed by him, but the wind was blowing in from the west and there
were beautiful things to behold.  A red-tailed hawk striped the ceiling
of his day by the sea and built an island to his eye and then his head sank
droning into a syndrome of birds as he joined in silence with them all
singing;
        'ta— hee— tae.'      
        Showers of poppies spilled to his heel and the keel-brew of rushes and
rain tasted purple on its way perning to the sky.  At one stop in the middle of his
path, he came upon a purfled coil, a briar snake, its body shaped in question,
unmoved and long.  The dark Orphic frieze, branding his way, it would not
listen, as if she had always been there, deaf to his song.  He felt the loss
of love by echoes from his room in the out of doors.  The drumming trunks,
the stringing leaves harping and the water that gurgled by stones into poems.
A Northerly blew begrudging the trunks, the leaves and the stones and by
the woods sinking taller he felt rushes of time running as breath through
gusty trees and felt chimes of things flying buttery like feathers to a bell.

    .  .  .  .  .  .  .

        But at the deeper woods opening he lost his way and became fearful,
not wanting to enter.  The tallest ones, red giants with faces of evergreen
canceled out the closing sky and so he changed his way back as before
to the rounded hills.  And weary from his climb he rested on the back of her
body in lands overlooking down from the brae he saw the ocean swelling
and the stars being born in wild flowers as the hills at dusk were dissolving.
        After two eternal moments in peace, he rose again in the Highlands,
to the braise and harvest smell of musted hay, cottage chalk and bleating
wool.  Now holding the girl draped in tartan, this time without caring he fell
into the black woods of her mien.  And the milk of her body dripped out into
his and slid back waveishly until she was all hair from black becoming straw
in their bed and feathers when the raven appeared.  And the flooding waned
when she flew through an opening unraveled in the thatching roof, shredded
above the funny moors.
        In seconds he was swiped clear, before the shy song lamenting when
the doors, by tidal weathers, blasted open into the mackerel sky, gathering
too like vapours with the dawn, he wafted up, swept away into the airs
on Highland shoals.  Now sailing above the speckled clouds in a darting
school of other drifters, he heard himself singing in heights of sways
throughout the tangle of wandering bark that stretched by branching coral
midway to the moon.  A great oak tree made of lime pierced the end of blue,
nadir to its zenith and into the heavens all starry.  And ringing its trunk was
a line drawn of which beneath lay the drowning world.  It was as if each layer
were one part oil, the other part water.  Looking down, way, way down
and down even farther, he saw the running seeds of striped minnows
who swam by up-streaming a wide river.  To catch up he dropped, again,
all dressed in the colours of rain, with those gladly miners.  But they swam
above the river between the rounded hills.  And the waters ran runny, now
unwrinkling as does the bowl that holds the Milky Way, when someone
dappled by in whisper saying,
        "Come with us twice the road is easy!"
"Where are we?" To himself he mused, as she blew away and by, like a long
dragon flying.  He let his body to sink with the weeds and sedges he saw,
to a beam held with barely a nail hanging, the age old sign set, spiriting him
back again to his place.  Back to the point that draws itself, as does the wind
that winds through the rushing reeds, back to the sun rising note after moon
underwater and from such still sounds was he a reel, just when the post
that was always sheering spoke out and said;
"Welcome!  .  .  .  "
        "Welcome to Minerva."
The aisling (Irish for 'dream, vision', pronounced [ˈash-ling]), or vision poem, is a poetic genre that developed during the late 17th and 18th centuries in Irish language poetry.  

In the aisling, Ireland appears to the poet in a vision in the form of a woman, usually young and beautiful. This female figure is generally referred to in the poems as a Spéirbhean (heavenly woman; pronounced 'spare van'). She laments the current state of the Irish people and predicts an imminent revival of their fortunes  .  .  .


Minerva ( Athena ) was the Roman goddess of wisdom and sponsor of arts, trade, and strategy. She was born with weapons from the godhead of Jupiter.  From the 2nd century BC onwards, the Romans equated her with the Greek goddess Athena. She was the ****** goddess of music, poetry, medicine, wisdom, commerce, weaving, crafts, and magic.  She is often depicted with her sacred creature, an owl usually named as the "owl of Minerva", which symbolizes that she is connected to wisdom.

The celtic Gauls revered Minerva ( their name for the goddess being 'Brigit' ).  In this poem the name refers to a mythic place in dream.
.
Demonatachick Aug 2017
Trapped on my pedestal lofted up high, shrouded by darkness, dreaming of sky, let me dance for you're enjoyment, let me pirouette and spin, release me from my prison it's you're jewelry box I'm in.
Alchemy- written from memories of my younger self and my first jewelry box which contained a tiny ballerina who spun to Claire du lune.
Doug Potter Mar 2017
I am lost again
beyond the hills
where we made love

under the South Dakota
sun in the wide, wide
open as the wheat

lofted toward the bluest
of June skies and we
rolled and rolled

into an indifferent
world forever,
forever.
Seán Mac Falls Mar 2017
.
Little king of sun toasting petal,
Cups the air with swirling wings
Flashes, flurries of wetted trials,
How you drink of nectar singing,

With invisible wings let whirring,
So robed in arc of rainbows' sky,
Even lofted mist of morn stirring,
All the shaped air, a moving eye.
Seán Mac Falls Sep 2013
The hills beneath him stretched out like the curves of women.  Bent
to the clouds he fell from the earth which geared him prickly as would
a range of *******, then soaring higher, he dived, topping valleys
reshaped downy now into ridges slowly writhed before catching
under toe his own dazzled stare on a water loch of milk and coal-
haired body strewn out to her lily'd bones and still falling, he dropped
to the break of morn dribbling wet sand from his eyes and woke
in the sparring light of his least favourite day.
        In a grainish and utter room, where hanged more than two
pictures of two people, he sank down to Sunday diminished in sighs
from the four tilting walls and blew dead inward unfolding a book.
As he reached for some volume, a baby finger nicked the hair string
of his guitar and for a moment was reminded of her voice in the bedded
vibrations.  Looking on her curves she felt the soft nape of her neck
with his eyes, then those same eyes unhanded her and she, his
dejected guitar, faced him unsung in the cornered glare of his boxed
in room.  He felt frost in throes all that morning and sideways out
of doors— the sun looked back on him even colder.  It would be hours
now until the end of days, so after lunch he went for a walk and a bird
sang nearly the whole way.

  .  .  .  .  .  .  .

It was much warmer than he had fared it to be outside and having wrestled
with this idea, that the day was somehow harder than his soft, flat room,
the mere remembering was rote by him to his pangs.  He turned, thinking
toward other things, like the void of driven streets or the mimicking cruelty
of shadows, until he saw a sullen field and left the road to dust.  He knew
that if lost, walking through the lofted hills, he would end up in the ocean
so he headed higher to the crest and over then saw a stand of trees.
        And facing the water that rilled on its way, in the tall grasses he saw
patches of red, flying with the black birds and his heart, in a boat of swells,
traveled like the red patches those birds carried.  Snowed on alder trees
brushed by him, but the wind was blowing in from the west and there
were beautiful things to behold.  A red-tailed hawk striped the ceiling
of his day by the sea and built an island to his eye and then his head sank
droning into a syndrome of birds as he joined in silence with them all
singing;
        'ta— hee— tae.'      
        Showers of poppies spilled to his heel and the keel-brew of rushes and rain
tasted purple on its way perning to the sky.  At one stop in the middle of his
path, he came upon a purfled coil, a briar snake, its body shaped in question,
unmoved and long.  The dark Orphic frieze, branding his way, it would not
listen, as if she had always been there, deaf to his song.  He felt the loss
of love by echoes from his room in the out of doors.  The drumming trunks,
the stringing leaves harping and the water that gurgled by stones into poems.
A Northerly blew begrudging the trunks, the leaves and the stones and by
the woods sinking taller he felt rushes of time running as breath through
gusty trees and felt chimes of things flying buttery like feathers to a bell.

  .  .  .  .  .  .  .
Sydney Victoria Jan 2013
Do I Dare To Breathe? Do I Dare To Speak?
If I Open My Mouth Will It Be Closed?
If Words Decide To Come Will They Be Meak?
You Doubt This "Rough" Life Waiting To Erode

Am I Not Fit To Love? Am I An Error?
All My Questions Are Going Unanswered,
Yet I'm Pretending I Do Not Care,
Life Throws Me Out And Reads Me The Hansard

May I Be Free As The Gull's Lofted Wing?
Am I Not Worthy In Fate's Glassy Eyes?
Songs Play--But Do I Listen To The Strings?
What Am I Missing In Life, I Ask, "Why?"

The Moon Holds Me, A Heart Soft As Cotton,
Stars Smile To Keep From Being Rotton
I Guess This Is Technically Not A Sonnet Because I Feel It Jumps Some Topics--Oh Well I Guess It Can Still Be Called A Sonnet
Cece Oct 2013
My eyes feel dry and heavier than usual;
coffee didn't do too much for me today.

I haven't seen my roommate in a few hours,
so I'm sitting in the dark waiting for sleep to come.

The mini fridge below my lofted bed
sounds like an alien spaceship.
It's strangely soothing, though.

I left the **** window open
and now I'm freezing my *** off,
but the crisp air has a nice smell.

Someone on the third floor is running around
and laughing like an obnoxious twelve year old girl,
which makes me wonder -
when was the last time I laughed that hard?

The mini fridge stopped running,
and my roommate has returned.

Monday is almost over.






*CVT
Powder erupted around the wheels of
the careening steel.  Many questions
remained added to the enigma,

the empty wreck.

Glances over the deployed air bag
indicated that the zeppelin would not
fly, wrinkled, as it was, by the impact
of the road.  Limits implied, in advance,
that the wheel could be expected
to break off of the parked vehicle, not

as often as a blue moon.  This warning
did not reach the pilot deeply immersed
in an adventurous dream.  A tree
arrived to confront the day without

troubles, and, from the leaves, a mistake
was coaxed into being through the use
of incredibly attractive and accented
meanings always intended to provoke an
event, the stormy scene which exploded

in a shower of sparks from the clattering

steel.  A long wait resulted in a deluge of
water across the green strands of hair that
were floating implicated by the color and
the formal presence lofted so easily into
the sky.  In this fashion, they were able to
send passengers far out into the universe,

entering the deep space, where cats became
stable creatures, and the long neck of the
new dinosaur was reaching through the door
of the hay loft asking to be allowed this
journey into the green rivers, which painted
hair, wherever they could be found.  The

stare of the eye, in this storm,

had a memory of endless days spent
manipulating aggravated spirits to create
trivial, game points.  Although winning did not
matter, discovery was losing.  It could not be

escaped with a simple misdirection.  The
crisis was in the middle between departure and
arrival.  The bewildered animals discussed this,
thoroughly, before deciding not to participate.
They were lucky when allowed to watch

quietly from a nearby star system.

Balanced on two wheels, the bell chimed
periodic lengths to extend the race sleeping in
chests in the hall.  It all related to experiences
floundering in relation to news events and
plans to engage in safe travel, indefinitely.
Seán Mac Falls Mar 2016
Little king of sun toasting petal,
Cups the air with swirling wings
Flashes, flurries of wetted trials,
How you drink of nectar singing,

With invisible wings let whirring,
So robed in arc of rainbows' sky,
Even lofted mist of morn stirring,
All the shaped air, a moving eye.
Tryst Jul 2015
Come, silver moon, alight on troubled clouds,
Gift them thy saintly glow lifting the gloom
Levied below, with flowery haloed buds
Springing forth like the lamb from mother's womb,

Light up anew hedgerows and quilted fields
Where cattle sleep in clusters like faint stars,
Constellations huddled upon the wolds,
Breath nebulous as fogging stale cigars;

Ill omens thrive to drift in darkest times
From cloud to stony cloud above the night,
Watching for victims from high lofted climes,
Raining full pent up fury of their might:

Come, silver moon, gift troubled clouds thy lining,
Hope lives in thee as long as thou art shining!
Edward Coles Jul 2015
The teenagers smile through their misery
as they learn to love the taste of beer.
I learned from then on that no actions of ease
are ever sincere; that we all struggle to keep pace
with all that is expected - a grade-mark percentage,
an overtime enthusiast; a steady-state consumer
who is always bright, bright, bright and on time;
who is never bleak and twisted, or overcast and out of mind.

I see the couple's silent feud
as they hold hands across the road;
I see the womanizer pop a zit in a wing mirror
on his way to the latest *******.

The sales assistant yawns through the breathing spaces
of professional enthusiasm, scouring the pages
of the company magazine, whilst the radio sweats
in the corner of the room. Last night's words
are on her mind as she signs the papers
with today's date; today's place in time
amongst all of the others that dominate her life,
whilst leaving scars and no memories,
punching the clock and throwing the fight.

I see the hang-man wince in empathy
after his dog had died last week;
I see the expert in the hotel mirror,
feeling sorry about his ****.

The Beautiful People are walking the ugly track
back home, amongst the rubble of Snapchats
and bad scratch-cards; the cardiac nurse
meditates in the restaurant corridor
before going to meet a woman.
I learned from my lofted position
on top of all the walls I have built,
that no matter how vivid the flower in sunlight,
in the darkness, it will always come to wilt.
C
Edward Coles Nov 2015
Well the dogs begin to bark, disembodied
on the cemetery hill. Gravestones are silhouettes,
furniture in the night. From here you can see the housing estate,
constellations of halogen bulbs and bicycle reflectors.
All is still but my mind and the sound of the dogs in the distance.

A lofted branch, a hanging thread:
when did the rope-swing become a noose?
We came down from the trees
to burn them to the ground.
A thousand signals pass overhead. Unintelligible.
Unseen. The homeless leave ****-bottles of cheap cider
and backwater in the flower bins

but no one has seen them do it.
A chapel reflects the distant street-lights, unmoving,
so that only the trees share my discourse with living.
The dogs have shut up. The signals continue.
I lost my way again on the cemetery hill.
Scars have become medals.
My heart refuses to still.
C
Seán Mac Falls Jun 2015

Some birds are blue
Carry the sky
Earthwards

Ground birds nest
In bushes
Bursting like sun

Water birds
Swim to what is there
Always reaching

An eagle is like wind
Never chasing
Simply lofted

Crows are busy
So like tribulations
Spots of wind

A swan knows
Water will carry
As water in cloud

Some birds are dressed
Forthright on earth
The wren, the robin or quail

Each bird is dream
Miracles for us to see
Feathers fall from heaven
Seán Mac Falls Jan 2016

Some birds are blue
Carry the sky
Earthwards

Ground birds nest
In bushes
Bursting like sun

Water birds
Swim to what is there
Always reaching

An eagle is like wind
Never chasing
Simply lofted

Crows are busy
So like tribulations
Spots of wind

A swan knows
Water will carry
As water in cloud

Some birds are dressed
Forthright on earth
The wren, the robin or quail

Each bird is dream
Miracles for us to see
Feathers fall from heaven
Edward Coles Feb 2014
I feel like taking a tab of acid
and disappearing
to town in my worn suit.

Buskers bathe in the eternal winter,
clamouring sounds at passers-by
until Jericho falls in on itself,
money spilling out of its sides
like a fast food waiter
on his cigarette break.

Trawling through the record shops,
I feel as if I've travelled through time;
each bootleg, a manuscript,
each seven-inch, a sonnet.
Pulling fingers through Venetian sounds,
I have found my place
in the library of New Alexandria.

The pigeons are swollen at the ankles.
Like humans, they are losing height
at the promise of another meal,
at another chance to rifle through the crumb.

School kids are waiting for the bus
as I go walking past.
They're unaware of the ease of tread
they have over land,
unaware of how quickly it can fall
and the scathing jealousy
I feel for each of them.

In eyes wet and wide, I turn to go home,
I walk in the rain, before settling for the bus
and returning to that familiar, lofted view
of the world passing by through a maniac's eyes.

It is only then that the world shifts in focus
and lotus flowers crop up through the carpet,
the world outside has grown far too unreal,
to the point hallucinating makes sense of it all.
When you spend far too much time looking out the window.
©
Seán Mac Falls Jul 2015
To saunter through the chiming world,
Downy and white, a cloud burst wafted,
Fresh as the sight of a newborn furled,
A glimpse for mortals gazing gods lofted.

How lovely a way to sail through world,
By streaming to seas or wondrously land,
Fresh as the wave that breaks and curls,
To come from airs breezing from heavens.
Seán Mac Falls Apr 2017
.
To saunter through the chiming world,
Downy and white, a cloud burst wafted,
Fresh as the sight of a newborn furled,
A glimpse for mortals gazing gods lofted.

How lovely a way to sail through world,
By streaming to seas or wondrously land,
Fresh as the wave that breaks and curls,
To come from airs breezing from heavens.
Seán Mac Falls Feb 2016
To saunter through the chiming world,
Downy and white, a cloud burst wafted,
Fresh as the sight of a newborn furled,
A glimpse for mortals gazing gods lofted.

How lovely a way to sail through world,
By streaming to seas or wondrously land,
Fresh as the wave that breaks and curls,
To come from airs breezing from heavens.
Ottar Apr 2013
His heavy soiled worn
work boots, are set aside on
the woven mat in the corner of the room,
behind him.

Picking up the violin and bow,  with rosin
sticking, tuning as he moves across the open, lofted
space
in preparation of play.  And by playing,
the chatter and noise of his work day far and away,
from this private space were no longer a distraction.  They were behind him,
now he had completed a new song, knew it by heart,
as it was from his…
with the sounds and notes soaring above the vaulted
ceiling rafters, he was getting that feeling that comes
with his play.

He began to dance for his audience of One.
the music was his, but with it he asked for forgiveness,
for his thoughtless ways on those days when he cared not for,
any other living soul than his own. Then a heaviness in
the flow, the rhythm, lead him to a place where he knew he
was forgiven now and forever from before he or this song,
were ever birthed.

He dreams Celtic.

Arms moving as he played, feet lifting and placed,
jumping from note to note, to land and lift again. And again.

Lightly.

He dreams Celtic.

He paused, so did his music as did his play
and he stared his work boots down.
Then he quickly he began again fingers dancing over
the strings,
as feet danced across the floor, he knew
that in playing his music there was joy,
in his past there was a history,
that told a story every-time
he played
because he dreams Celtic.

Though the day may tax him,
it was able to be tamed, for
his dreams of music are reality
and he dreams Celtic.


DWE 2013-04-21
Matthew Mefford Apr 2014
Molten glass crunching loudly underfoot,
She makes her way slowly over his terrace,
His glistening eyes blinding her under the moonlight,
The crackling of ashen logs falling in the furnace,
The scent of his cologne lofted through the dewy air,
And caressed her senses so gently, she fell away,
The silk of the bedspread caught her and held her close,
Until her lover knelt down to quietly say,

I need you now.
Jai Karkhanis Jun 2015
The winds of the west blow
from hallowed undying lands
to lands east,over the oceans flow
into mortal realms where darkness lies
They stem from His thoughts,who dwells on his lofted throne
and transcends the realms of every age
giving life to that gentle breeze,
that has the power to assuage,ills
begotten when the girdle was built
sundering one and one from the other
even so the west wind fills,the chasm so deep
that was bourn out of the wrath,that once was
but now gently sleeps,in the west
from where the wind blows.
They breathe life into shrivelling palms
hope into tired arms,and strength when all else fails
For the winds alone remain,in union with the sea,of those
who of yore roamed in fellowship where man was found
in the deeps of the elder days,before the ships were set to sail
by the same wind,that still returns,for it has neither forgotten
not forsaken those who it left,on shores hidden from light
that does not burn,yet smoulders still in the hearts
of those who looked upon it,when the world was young.
So the west winds blow,but also return to lands where
they were birthed,carrying tidings of all things
that come to be,dark or fair,to the lords
who set it to wandering go,beyond,where no duty calls
and so does it also bring,the weary fallen,
to return home and grandly dine, in the halls
where their fathers are,in the west
from where the winds blow.
Inspired by Tolkien's universe
Riley Mar 2021
She danced today
A debut in this instance, nix any sign of delay
Flight of sound and light and flow
Dramatically distant, conventions that she used to know
She danced today

Let her flow from the underbelly
Like it could never be
Lofted in comfort and empyrean robe
One down, seven to go
Never were there rules
Not like it mattered anyway
No corset could ever restrict the first time in a little bit

She's her today
It won't be the last time, infinite painted decay
A cold squall of calamity cools a hot head of fury
Simply a flurry
She bellows and bellows and bellows and bellows and bellows
Lyrics I penned for my original song, "Bellows". Listen: http://boltcutter.fanlink.to/bellows
we slept all
bundled up in
beds too tiny
meant for
one


limbed and
twiny under
breathy blanket
quilted by
your mom


in pokey dorm rooms
loud and
clambersome


we slept all
upside down
in princess bed
of brass ornate
and painted
ceramic of
flowers pink
and dainty


pulled and
rubbled out
from rummage
sale in
somebody's
front yard


enclosed by walls
of wood
a-seep with
rugged deep
grotesque koala
gnarl


we slept all
pulled out long
on foamy
futon


slats a-stick
in ribs and
jutting out


to wailing
whooping
siren sounds
and tv screams
and chopper
chops
and others'
midnight
lovers' fights


a-pound and
hot and grimy


we slept all
lofted up
and alcoved
cozy
high in castle
attic


nunnery
monastic


circled round
by clouds
and crows and
osprey


wings a-soar
wings a-flap
dizzying up our
weathered dreams


with
cat a-curled and
purring at
our tender feet


and farback
memories
swirling sweet


of bygone nights


of bygone plights


of sleeps
slept other
places


© 2017 Adelaide Heathfield
The bed on which you sleep is full of memories. The sounds that swirl around, the light that filters in, the lumpiness or firmness of its cradling round your body, and the scent of the person with whom you share it becomes inextricably linked to that bed itself.

A couple in love graduates from bed to bed as they progress through ever-changing life circumstances. And the memories of those beds contain the memories of all the happy, miserable, beautiful, and strugglesome times that befell them in between all those sleeps.
Edward Coles Feb 2014
They're hysterical in the streets as the power goes out,
whilst we peel through the volumes of our love.

They're twitching in their sleep with caffeine on the blood,
whilst we twist through the veil of our thoughts.

Some call to the Lord for the all-promised cleansing,
others poison themselves just to get by.

Some forget old friends in the luxury of living,
others see ghosts out in the marble hall.

Laura is waking to the lofted smell of coffee;
Jack is *******, late for work again.

Laura is nursing back her life to take it slowly;
Jack is shooting up all of his tomorrows.

They're selling bags beside the old abandoned temple,
whilst we sit inside looking at the rain.

They're feigning love and gaining innovative profit,
whilst we pick at the scars of yesterday.

Some pin string on maps to plot out their escape route,
others settle for feeling far away.

Some build up their biceps to bring about beauty,
others waste in chairs, hoping for reprieve.

Mary pacified want through the ohm of the river;
Joseph touched wood to keep his mind at peace.

Mary paraded in her soft and fragile spirit;
Joseph ruled the land with an iron fist.

You are the one I turn to in all eventual outcomes;
I have turned to a preacher at your door.

You are the limitless fuel for this vital ache;
I have turned to a shadow of before.
For the foolhardy enterprise of living.
Isaace Dec 2023
I have wrapped the coast of Miston, walking from The Haunted Plains to the old church, Once More, once again, never stopping, except for a cool drink and the gentle repose of shade.

I have walked a pale road towards Golgotha, where our Lord, our saviour, Jesus Christ, was crowned by thorns and lofted in pain.

I have walked into old Seabridge town, all the way to where the water runs and where the snow rests on frozen days.

However, there are still many souls to be found in these towns, if only— and I pray— my feet stay supple and take the strain of my long, wandering days.

— The End —