There is a tear in my existence,
the gap between two milk teeth
breaking away from wide-mouthed childlike innocence
and falling out,
lost to ice cream cones and garden fences
teen dream dancing and cool pretenses
ignorant bliss, aimless goals
and the taste of near-empty Jack Daniels bottles
seems wiped from me
like a milk moustache.

Adulthood, what are you but a mistress who is cruel to be kind
curling and winding around me until I choke in your perfectly proper pencil skirt?
What are you but a greater knowledge of the world and a lesser understanding of it?
What are you but a greater understanding of the self and a lesser affinity with it?

Adulthood, what are you but broken dreams and disappointment?
What are you but bigger dreams with arms that reach beyond death itself?
What do you bring except shrivelled skin and nostalgia for once upon a times?
What but wisdom and a sense of sanguine satisfaction?
What are you but blood and cells and bells and *** and terrific notions and consequences and deckchairs and chinaware and despair?

Adulthood, what are you but glazed-over wasted days and self-loathing?
What are you but three hundred responsibilities taken care of all at once, caffeine eyes and welling pride?
What are you but the inevitable crash and getting smashed and suddenly remembering why I should do things one at a time?

What are you but change upon change upon change upon mistakes made again for the millionth time?
And my changes, now lifeless
cause an identity crisis
about whether I'm really any different in the end
the likes of which will no doubt be seen again
when Monday rolls around,
what are you but Mondays, endless Mondays
driving me into the ground?

Oh Adulthood,
what are you but a downsize of naivity, a self-belief redundancy, a vitamin D deficiency and a proper place for everything apart from me?
What are you but desperate faces smashing into one another, drowning lungs, curtains pulled down, curtains put up, curtains being suddenly important? Curtains ******* me up?
What are you but woodsmoke and patios, warm faces, good graces and the ceaselessly mounting cost of Freddos, buildings and building things and falling in love...

And falling in love, falling asleep, falling awake, falling apart, falling together, falling
falling
falling
down.

What are you, Adulthood, but always always getting back up again no matter what, and alarms and reminders and no bed times
but being so tired you start to admire
that even the sun must sleep sometimes,
even if it always comes back up, shining even brighter
until the timing is right until the living is right until the mind is right only then can we stop trying
only then can we die
no wonder the afterlife is idealised
and even then, will I see the light?
Can I stop now?
Is it really alright?

What are you Adulthood, but a long list of questions?
Because I have so much to ask, you see, but mostly

What are you here for, except to show me how good I had it before?

Adulthood, I don't know.

the humble sloth sees no morning and no worm in the sun -
nor the chittering of a few eager sparrows,
either -
             he sees everything square in
rhombic - squinty eyed, sorta:
should i bother it, or will i wait long
long enough till it bothers me?
that's me, right there, a young man will
idealise women, until he finally idolises
them in the naked form at-moist
sensual... and this will go on and forth,
he'll pass the corridor of a few
teenage pregnancies, because there
was no *****-Nilly & the Eager-******
scenario for him to scream and moan...
until dawn.
                      the natural contract is there
and it will knit & pick out the most
useless lions... until a few lionesses start
to congregate and do what the lion
does... every lion's statue akin to man's
is not even in a state of contemplation...
strange how man glorifies life and sacrifice
and indeed sacrifices the worth of life
by burning incense, and selling goods,
and running around the world
for a worth of a scalpel's worth of
a barber overdoing it... calling the forehead
a man's chin, and bluntly stroking it
until a dentist can take part in the wreckage...
might i say: i am sometimes like a sponge,
i read a bit of e.e. cummings and act on paper,
i don't plagiarise as such,
i merely focus on how one might repeat -
he said, she said,
       and return to: nonetheless, it said
for both of you: without a neuter pronoun:
she'll say eve, and he'll say eve,
    he'll say apple, and she'll say apple,
and you're still both, both! going to sit on a
******* chair... deemed obscure for
the sistine chapel, but indeed worthy to
scribble the lesser findings of graffiti into
a classroom table, like GD GV M GD CCK...
       so i i dabble a lot, in much of what
really is testing the young men who begin
with misogyny comparisons of genitals
at Billingsgate... and later try to find
one and only monocle to a bowler hat and moustache...
that train? long gone...
     so let us find people like me...
who idolised women, who made them divine in
supposed grace, and... well... eventually
all babies look similar, as do old people...
women chop of their locks (unless
they want to be deemed Merlin's brides)
   and the fat embodies them and they all turn out
alike... we all think heaven is the pinpoint -
    governed by an aesthetic democratisation of
all our faults... i just don't trust a world to be
wandering a forest of oak, while in the background
man settles matters of what dwarf eye of the beholder
should be asserted above the immortals' arrogance...
         but there i was... idealising women...
what a horrid affair...
     the moment you encounter woman
you already know she eats, she farts, she snarls
and she stares... after all: what woman is a woman
who isn't building a cosy abode?
            the moment you begin from a fascination
with women, that you state your anti to a misogyny
well... try wiping your nose with paper
   and even bothering debating feminism with anyone
except a homosexual... you haven't got lunch,
you have this seemingly 1970s film from Polish cinema
that states that feminism is equally transcendent
to encompass Aristotle in the present age,
       as it is not encompassing some frivolous
   ancient Greek joke... why women have less teeth
than men... i guess they hide them... then they
practice felatio... n'es pas?
                    i have a wriggly worm, she has a
hollowed out bone to fill with juices of the marrow...
     then she's practical enough to call Aristotle
an autistic astronaut... i say: give the woman! a time-machine!
         why? she has no sense of humour,
or no historicity concerning humour,
    or how there are necessary fluctuations...
men these days tell rapes jokes...
           because the one joke they are afraid to say, is:
at a ceremonial altar, with the punchline: i do.
               i do is hardly synonymous with the more
appropriate: i will.
                i do is a stagnation coordinate:
how can i do all of that if i say i will do such things
only account of mere ceremony? surely
the chaplain gets paid... but what do i get?
alimony checks, court-hearings and how
        i have two testicles, she has two *******
  and we debate the 2 to 3 ratio of d.i.y. holes
     for inviting sinister sergio to do the plumbing;
cos the ******* cobwebs got in the way by way
of leeching on the purse.
              see where misogyny comes from?
not getting an Aristotelian joke... or basically not
getting an ancient Greek joke right...
because off they go! mistaking dualism as a dichotomy...
   you start idealising women, you encounter
a woman and ****! the dream is gone, and out
pops shaggy and ******-doo...
                   and if you retract from idealising women?
you begin with Billingsgate and genitalia...
me? personally? i always thought of marinating my
chicken thigh in a warmed marinate of yoghurt
and tandoori spice - mix the two: you get Coronation
pink... all fluffy and unicorn and wonderful...
           idealism can be hard to shake off...
unless of course you tell either Americans or Russians
how finicky things can get in the bridal-chambers
of Essex on the Grecian isles of Cos,
   or Ibiza (I-beef-ah), or anywhere where there's
contrary speed-dating shakiness that's bound
to be representative of Essex, once upon a time,
when great music played a key-role in merely
utilising all body parts when dancing, i.e. snogging,
and lo and behold... when satan averted his
eyes composing the two serpent composition,
he looked into the mouth of man and a mouth
of woman, and found no resemblance unto his
original investigation: speak no ill of tongues:
for the tongues of men are merely ill-fated
         against themselves: for they revel in
other parts of their anatomy bearing the sting
and quickened step,
   but whether it's politics or uniting two tongues
in a dance: they're sluggish about it
ever becoming fruitful quickly enough to
            sediment into a snail's shell worth of
chattering teeth into old age, for the slug of both
sexes' tongue, having no such allowance,
         and subsequently left wriggling into their
daily trough of the competitive: first come,
first served.
                   but then man want's clarity!
if i idealised women, have i not become a gimmick
to such idealisation in the first place?
              how can i display this with all but words,
well, i can, all the more simpler...
                 by idealising women i have conceded
to a contest that has brought me against my fellow ***...
              and all because by having idealised woman
as a concept: i cannot see any of man's achievements,
i cannot see any achievements worth striving for
   in what could be translated as creating a reverse
idealisation of woman, in that other men might idealise
me, to later idolise me... all saints were fools in
idealising jesus, which is why he's strung to a crucifix
made of termite-wood... the minute they hang him
upright on mt. golgotha the crucifix collapses...
                        how could he be an ideal if
  the obscurity of righteous judgment be so-far removed
from the people? is this the construct of the pharisees
appealing to the reason of the greeks to save them
from the roman "oppressors"?
         can this really be the case? just because the greeks
had so much more to think about, and so many more
things more interesting than the romans to think about
that they would have rather written the "new" testament
in greek?
    i am indeed graced by an incompetence
   of having begun with idealising women, experienced
a woman, and thus begun idealising myself
    to a status of idol, or a moral example of plagiarism
worthy of imitation...
               does a crucifix imply a metaphor of
marrying a difficult woman? how many poetic
angles has a man have to write to rob these filthy
philistines of taking things too literally
      and provoking Islam?!
                      when it comes to the old testament
poets only exploit the book of genesis...
   but with the new testament... it's almost like
this need to create a poetic attack on the established
order... and when the book of revelation appears
as the exodus-equivalent book...
       we get: a democracy of poetics...
           which accounts for escaping the health
of the body, and an inherent illness of the abstracted
brain: the mind, and then that becomes
     cubed and encompasses nothing quiet
once more able to take literalism mind's experience
of the world: back into it.
             sheltered man of civilisation can take
a painting more seriously, and then explore it in
his dream factory, than the man pledged to the land
with no galleries, and instead given a canvas
that might swarm with tornadoes and give him
absolutely: no luxury to dream.
   dreaming is a luxury... the last remaining luxury
most people have these days...
   i don't think people can be artists by simply
dreaming... i think they're luxury hobbyist,
       call them the ones standing in line
            as Joseph's Travel Agents... 7 years in Tibet
     (lean years).... and 7 years in a district of Beijing -
where have the "blind" prophets disappeared to?
      and why do so many seem blind
      and blindingly obey to the prophets of "sight"?
nonetheless: frivolous questions...
                 i idealised woman to the extent that
upon encountering a woman: i could not find
an ideal to suggest idol worship for other men...
or create a continuum of dialectical embedding
or the sight of following the cause toward becoming
a sacrificial lamb: whether under the bachelor's
ideal of becoming a martyr - or indeed
                      the idea of becoming a martyr:
bound to old age... and woman - for where did
the wooing of man recede to?! farting into an armchair
and arthritis... much aplenty about that much
could be said about me too: solo.

I believe that fairy tales are just that: fairy tales.
Magic doesn't exist, and of course imagination is just that: imagination.

Something not real, an internalised, idealised creation.
Happy ever afters,
and Prince Charming hero's,
are just a lovers fantasy notions.

But we are there,
You know,
at that stage where Romeo is madly in love with...Rosaline.

Those evil family relations surround us and a wicked stepmother who overrules.
Girls everywhere are obsessed with being the fairest of them all,
Eagerly anticipating a dark and handsome: Mr. Tall.

Waiting on that fairy godmother to appear,
but its already too late because the wolfs already had his dinner,
and a sleeping beauty has yet to be kissed out of her nightmare.

our bread and butter...
     the web of stars,
     the scatter of moons
     and orbiting planets.
the entire universe
harvested and crammed
into the metre,
of a poetic verse.

our bread and butter...
     harnessing the regal rays of the sun.
     inflating the fluff of quiet clouds.
     drinking up the winds of the weather.
     revering the magic in the flight of birds.
we fill our cups to the brim...
with fantastical dreams
and let spill
over parchment
the cornucopia of idealised words.

our bread and butter...
the incessant peeling and picking
on healing wounds.
of which we have learnt to savour...
     let bleed
     the willing blood...
     feed the seeds
     with impending flood.
nurture to fruition
thoughts stunted in discretion.
bring to light
thoughts hidden in the nether.

our bread and butter...
we dip...
the nibs,
of our word worn feathers.
let them sink,
shallow beneath the surface
to the sanctity of a familiar place.
     *casting our trials,
     and tribulations...
     pent up emotions,
     and what we think
     unto paper
     with the burn of
     everlasting ink.

it's not that my life was / is more interesting than yours, it's only that you idealise details with such grandeour that puts me off, my life was / is like yours, it's only that i love paying attention to details, and the more details there are, the more personal you can become, and in-so-doing, it doesn't matter what the details are, which makes your life less embarassing when compared to the lives of orthodox autobiographical stylicism, the orthodoxy of a many ommitted details.*

when i was younger, i.e. prior to the age of 17
i used to be that fat boy
who was into metal music,
collected pokemon cards,
and liked wwf (world wrestling federation),
even though i was also the kid
who didn't see his father from the age of
4 till 8... and upon meeting him as if for the first time
at victoria coach station, watched the lion king
movie with a certain gravitas religiosity
to consider being a son again
after school for how long i don't remember,
but i miss being raised by grandfather joseph
sometimes, the freedom i would have
been entitled to like my father who was abandoned
by his parents... i wonder where the heraclitus river
would have guided me... new zealand, japan...
china... certainly somewhere east...
dear joseph roth... only major characters are thieves
in films, all the cameos have pockets filled with
pennies and they are losing pennies all the time,
frank sinatra told them to do so...
i'm currently ólafur darri ólafsson from
the film: the secret life of walter mitty... and i have
my shadow again, from the gray that's everyday,
i don't need to fill the higher tier roles of being
recognisable if my cognitive mirror is my self,
i don't, i exercise everyday these days,
four bottled beers around a 3 mile circuit does
my heart proud - i watch the choke brigade of
relentless bedroom experteese run a mile all geared up...
so when i was a teenager, all fat and bubbly i
idealised loving women... what hell that brought me...
thanks for the womb... no thanks after that...
i dearly idealised them, each night falling asleep
i imagined... nothing came of it... one turned out
to be a "reincarnation" of robert johnson's lover...
robert dropped dead right on the stage...
didn't end up a fat and a well versed whiskey poet
into old age like b. b. king - whiskey poet?
yeah... john lee ****** took howlin' wolf's spoon,
then came the clue for the boom oom...
rendition of all possible revisions...
jingle bells, jingle bells, jingle all the way...
rendition? me me, me me, me me me me...
no wonder the crux of capitalism is that one night
in december... guess the surprise...
ancient slavic lore maxim: better a sparrow in your
hand than a dove on your roof...
thumb folded under the index and sticking out
between the index and the *******... what's that?
a fig... co masz? to jest figa dla ciebie!
and where does a penguin's beak bend?
when you show them more than the *******...
you show them the elbow with the arm folded
and tell 'em... this is where the penguin's beak folds!
if you want to lose weight, fatty boy high school crush,
get on your bike boy'o, make those excess lipids
into waterfalls, use your legs to drain the upper body
and you won't have a problem with stretch armstrong
excess skin... during the summers i visited my
grandparents and peddled like mad, my favourite
route was down the 754 route, via krzemionki (flint)
rezerwat (reservation centre), through maksymilianów
where my childhood friend bella the alsatian was born,
and into bałtów, then through wólka bałtowska,
into the masovian voivodeship, through to borcuchy
then onto eugeniów, through dąbrówka, then straight
onto the road connecting ostrowiec with sienna.
the other route... it was in england...
no, wait, that's a lie... my other favourite cycling
route was also in the direction of bałtów,
but in a different direction: through magonie,
boria, stare stoki, ruda kościelna, ćmielów, route 755
through to bodzechów and straight into ostrowiec
(but sometimes through kąty denkowskie)...
my favourite english route though?
i have one specified...
from romford, up to havering-atte-bower,
bournebridge, staplefords abbotts, down ongar rd.,
abridge, through hainault county park
and back home (sometimes in reverse).
so chin hoo fat lost the belly... and stopped idealising
girls, actually lost interest in them...
which is a shame, i quiet liked the fat kid
who put all girls on a peddlestool;
yeah... that could have remained true...
but then he met the girls... and then he met their fathers.

grammatical geometrics, first words serve best,
a couple smoking marijuana walking into
tinsel town, by myself, drinking, lone wolf
drinks a pact's share of harvest of midnight growls,
they say fear the man walking into a forest
at night by himself: if only his ambitions were
an acquirement for more human fossils...
i could never account for some idiot correlation
linking me to the primate form...
grammar geometry though, imagine it!
nouns are linear consolidations taking for tangents
in trigonometry of slang;
grammar is a Christopher Columbus' worth
of star gazing, overshot the mark from Portugal
and landed at Cape Horn...
bring back 1980s disco! i'll give you epileptic seizures!
honestly, ensure grammar is coupled with geometry,
hard to decipher shares with suffixes
                          -ish or                      -able.
some might say nouns are squares, and adjective are
triangles, while others would say hexagons are
verbs along with pentagons - horseradish scandals
and chicken scratches;
but when it comes to rigid grammar categorisation
you will wonder at the re-categorisation
of certain words, as Nietzsche stated, a disbelief
in grammatical arithmetic counter Cartesian
2 + 2 = i think, therefore, i am. a three times table likewise,
a horse with an apple in its mouth is also a horse
without a stable.
concerning god, i mean to suggest that re be regarded
as a pronoun, uncoupled from garçon service as a prefix...
that clean napkin and a Parisian accent of Dover,
i mean to suggest re be akin to the recycling of
sunset, sunrise, summer, spring, repeat,
the idealised pronoun formulation of any if no activity,
hence grammar and geometry,
shapes from adjectives and shapes from other categorisations;
but still the facts: to speak of god's pronoun usage
is to speak in terms of re, the repetitive cascade of
the many to come from such suggestion:
take for example standing on a bridge over the eastern avenue,
looking at trees and looking at street lamps,
the delta equilibrium balancing the analytical knowledge
of trees, and the synthetic knowledge of street lamps...
if our analytical knowledge of trees was perfected
we'd hardly think of chlorophyll incubators of photosynthesis
with solar shields on suburban roofs in Chernobyl...
we've analysed trees to such an extent as to be
ably providing illumination of "trees" for constant traffic...
term it as revision of ontology, variant:
expressing the relationship of a set to its image under
a mapping when every element of the image set has a
reverse / chiral image in the first set - hence god, in pronoun
categorisation with the standard duo function of
equilibrated thinking with being as neither owner nor
discarder, rather applying some sense of
the grammar complexes with geometrical explanations,
the prime pronoun, sunrise 1996 of may,
sunrise 2006 of may, altogether re - re is the
clarifying pronoun, of course a cause of concern leading
toward Kantian pantheism, but better the pronoun re
describing history and the obvious repeat,
than having to ascribe omni a pronoun status
with the verbs / shapes of both thought and being -
who will decipher the assertion that,
                              geometrically-and-grammatically
sp­eaking an adjective is a square? well, me an Raza
were talking about the European Championships:
- who you supporting?
- Poland.
- ah.
- who you supporting, Turkey, obviously.
- well, kind of.
- i think Iceland will bring the carnival, conquering
the Spaniard Dutch in qualification.
- i'm betting on Italy or France.
- what about England?
- ah, England has a **** team.
- true, the best English squad was 1996.
- andreas möller 1996.
- true - best squad since 1966.
- **** squad after.
- completely; when do you think Turkey will finish,
after the group stage? quarters?
- maybe.
- you think Poland will come out from the group stages?
- valiant Northern Ireland, i wish,
  a bit like agnieszka radwańska hearing the practice
of Japanese culture and lost honour:
lost a bet, early retirement, which is why a Pulitzer prize
is such a gagging instrument ensuring you keep
on speaking a trans-grammatical word going, i.e.
blah blah blah.
but still, the way the pronoun category is exploited to argue
the existence and the non-existence of:
pantheism - omni cogito (all manner of thinking provides no
                                             individualised ref. sigma-replica
                                             that might guarantee
                                             a differing between muscle flex
                                             and ego strained),
theism - re cogito (thinking, again) -
monotheism - mono cogito (thinking, alone) -
                                                      it's like neo-liberalism
politics and... the name of the father, after 2000 years
and we still don't know what his father's name is...
odd, isn't it? is it Jaspers? or is it Tickling Architecture in
Timbuktu? there were some serious problems prior
to 632 of the certified era... like... when what who?!
Phantom of Golgotha... i still want to translate geometry into
grammar - or at least,
what once was tree, that became a lamp post,
what once was onto logic, and became second nature,
what was once the nature of being,
that later became, solely, and purely, technical logistics:
whereby using a smartphone became more complicated
than rigid arithmetic, or checking the twelve hour clock-face.
whatever thought you ascribe the pronoun re,
it instils an apathy, an easily multiplying being,
and whatever thought you ascribe the pronoun omni
only means too much is encapsulated in the individual,
usually translated as an individual with debt
and an amputee story of hurt; i treat re and omni as
higher tier pronouns than i might treat the orthodoxy
currently presiding - after all, in existential parameters
i can affirm myself presiding over ****** functions
of taking a **** in whatever disguise i care to make replica
of the syllables e' 'go, or later, with subsequent theory,
the polymer of all possible affirmations, the anti-theoretical
cuckoo.

I love the majestic ugliness of the Eucalypt;
Aesthetically more appealing in its twisted, gnarled appearance
Than any uniform northern conifer;
Infinitely more adapted to the unforgiving antipodean climate
Than those idealised European deciduous living monuments
Still transfixing our collective view of how a tree should be.

Those dropping leaves allowing scenes beyond;
Those tendrils of bark denoting Darwinian fitness;
All tug at the heart of we new Australians,
Conflicted, as we are, by sensibilities born elsewhere,
But borne, nevertheless, into an Ancient Eden.

I didn't push you
You decided to walk away
Couldn't bear the taste of
Defeating over a heart that
Was once in your hand

I'm not even surprised
I would throw up, too
'Coz my heart is dark and bubbly
Bitterly smelling and rotting slowly
In a chest of a girl
Who's perfectly alive

And now you're here again
Visiting my mind
But I won't let you stay
You've started a graveyard
In my head and in my heart

Maybe if things went different
There would be “lover” on your stone
And few days ago I saw here “friend”
Now I can't help but write “stranger” again

And there you are
Wandering in my mind asking for flowers
But I won't visit your grave
Not even once again

Because there's no point
Mourning over people
Who are dead, yet alive
Why would I cry again if I did it before?

The corpses are falling apart, slowly
Memories idealised, lying
Pretending how pretty it was
When we were together, trying to
Make me remember things I don't want

The look in your glassy eyes is irking
Not even trying to pretend the woe
Over somebody you've lost
Because you don't care enough to go to the funeral
Of someone you loved and trusted blindly
Calling me sweet and holding me tightly

And in my thoughts
It's like kissing a skull
Dead hand grabbing mine
Reaching from dirt and mud

We are the same
Living skeletons of one another
Living without a shame
We lost a lover

You started a graveyard
As a first man
I started a graveyard
By not loving them

And you started a row of lovers
But their love was never requited
So I pushed them down a cliff of disappointment
Or they choose to go the same path as you did
Not like there's a difference

Because whatever way you choose
I'll let you down, either fall or walk
And at the end you just see your name on a stone
And me, putting the heart I ripped out your chest
To put it in another and bury it six feet down

Where I can't reach it anymore
Unfortunately, where you can't reach it, too
So after all this time, I still have your heart
But I won't call you mine

You're just a memory on faded photograph
That I put by the stone
One last time I visited
And never came back again

they're nothing but glorified bus drivers*,  said my father after i told him i wanted to become a pilot.

the opposite of love is not hate, but contempt.

what causes the kodachrome to fade little by little to grey? is it really bred of familiarity. the wear of gradually learning the truth about somebody. the minutiae of the everyday sanding away at the idealised, sculpural dream.

or is it triggered rather by the dull shock of an identifiable disappointment; the inevitable transformation towards sallow disgust justified by the devastation of slap-to-the-face betrayal or loss.

must we fulfill the dream simply to learn that it was only ever empty?

my father, a devoutly unspiritual pragmatist, had nevertheless as a young man fallen in love with the expansive embrace of the blue above. the son, grandson, and great-grandson of farmers, he worked his hands down to shredded red sores to put himself though flying school only to have his application for a commercial licence rejected due to a doctor's confounding eleventh hour diagnosis. colour blindness. an all-or-nothing man, my father never once returned to the enthralling blues, yellows and pinks offered up by the cockpit, and from that point forward became a farmer.

i gave up on the thought of becoming a pilot, and later, (much later), developed a fear of flying.

May we speak for those forgotten far to soon
You play deaf to requests of human soul
Reptilian lies encasing the heart of stone
Oh Captain, No Captain. On this ship on the edge of the dumb new world
Idiots raised upon the pew, Hailed as Knights of the people
All they’ve brought is numbered days and promises far too few

Too Little, Too late
Deadly victims to the Maybot’s fate
Pillaging idealised dreams of united pride
All the people can do is run and hide
Democracies throat ripped out by the vile disease
British sorry, Not sorry state
Broken system, Shattered across the isle
Devoid of soul, To death do us part
Its Brexit that will drive the steak through
The Iron witches,
Cold.
Dead.
Heart.

why is pixel-white seen as a medium where you're "speaking"? i guess that's due to the immediacy, and bypassing orthodox publishing contracts... i'm not talking... i'm thinking... the difference between the age-old white of canvas used in publishing has changed... in a blink of an eye... the poorest of the poor have now attained a monopoly on the medium... which is why visual art had to become elitist, because artists could never fathom the freedom of having obtained such a freedom of the once monopolised medium of a crisp white page... and yanking the donkey further... i have no intention in treating this as me talking... the talking part is bound to the comment section... and once again, we can bypass the monopoly of literacy with the freedom of the medium also bypassed... i'm not talking... i'm thinking... the talking is done in the comment section... this isn't a care for an intellectual shoot-out... but why in the word do i have to write this, and be remindful? oh wait, now i know: i didn't have to chop a single tree down to then write on it pressed down as paper... but then i wouldn't have... because, if i had enough wine and château... i'd be writing a Dumas novel.

i feel like writing less and less the days,
3 weeks spent in Poland
exhausted me with talking and reading,
and having the rest of the world
alomost forgotten, among the pines
in a wood, with neatly fallen snow...
i can almost hear the words: you should
go back, then!
yes, and having lost investment in
22 years living in england, and perfecting
the tongue...
    had i not perfected the tongue,
i wouldn't see the maggots engaging in crowds
across the western world...
   what a sight...
      should they only be two serpents entwined...
but this is a world much different from 2007...
it's hard to pick-at an almost shared ethnicty
with the people of the Isles...
   the Romans are dead, yet we share the same
alphabetical arrangement...
     i'm not even ahead of my times,
i write less and less every day,
            because as my irish "friend" once suggested,
that i known language like i might
slurp custard, that i should be bound to my
local community of Poles in England...
   i guess like Seven Kings is basically Paddy
O'clock... drowning his sorrows: while
i spend the same hours, infuriating my passions...
and i get the only narrative available to us
these days, i get how darwinism has killed of
subjectivity, we're about to build a robot,
and how we don't like feeling that much...
i get that...
but i spent 22 yeasrs in these lands...
   why am so entrenched to give birth to
the one i had at "home", but feel no care to return
to the place?
        edging toward the third bottle of wine
on an empty stomach, and i write this...
  apparently you can feed your heart that took
to being an apple thrice-over to attract a satanic bite...
   the dalai lama is a *refugee, what a grand
title, better than the pope could hope to be...
   i am an exile, and the worst reasons for exile
are economic...
   but no dumb-bound irishman can really
call that: i too was on the titanic, to better land sown!
i love the scots, spent three years in Edinburgh,
but the society i came to live in, the society i was
schooled in? i remember only 1 englishman
in the school... the rest were primarily irish...
terrible gnats...
               i live in england and it became to late
to meet an englishman...
   i'd sooner meet one abroad...
    i mean, if you knew someone from youth
and he says to you: you be better off with your kin...
my kin? my kin? on foreign soil?
and what? create these pocket like blisters, these
crab scabs of existence, so that i might live in
England but never learn the tongue?
this paddy hadn't even read Joyce, and i had,
and he tells me to be like him, a wasps' nest
kind of existence... the Poles have but one motto:
never congregate in exile... the 'rish evidently
didn't learn that motto... so they congregated...
and started doing the mating pigeon strutt
of a puffed up chest... like skunks they marched...
   i mean, who the **** does that?
i go to Cheltenham and everyone finds my "accent"
undecipherable...
             this coming from the same guy that couldn't
flick a lighter or cite the alphabet...
    i can go to Cheltenham and become lost
in the crowd... i'll go to a poetry reading and
stand, and clap and encore aloud when the poet
finishes...
             i wish i could go back to the native... land...
and go back to a: life, as usual...
but when you have lived 22 years in exile and
the most constructive years up to aged 8...
you dread the reality of being a child once,
and having idealised the life back where,
communism was dying... esp. given that your
grandparents have a steady pension,
and your father can't hope for one with
the state being applauding him for the efforts,
that the state and the worker are no longer
bound to an umbilical chord when pension age strikes...
  not since 2007, when it all began...
i can't be seen with the words of accusation
against my antagonist in any place nearing
a protest, i'd be scrapped-heaped and lost to the usual
comparison that men are:
  with celibacy intact: shoot anywhere other than
the ******, and you're wasting yourself...
but i wasn't circumcised, sure enough,
if you're circumcised and shoot that load into
a tissue... well... you sorta did touch
the philosophers' stone with your phallus...
    ****! ****! the deadpool movie is ****!
and i can't say that the dada art movment
is worth nothing... the girl, this blonde from Seattle
mentions nothing of cubism...
         modern art isn't useless...
        i can't be epileptic bound to faint before
a mona lisa... i can't do that... but dada wasn't
anything anti-art, of whatever movement...
      dada was anti-war... dada was an anti-war
movement.... it ensured that art be equated with
the whole futility of human endeavour...
   art will make no sense if there's no heroism
and men sit in trenches with wet socks and wet
cigarettes and rats will they ever walk the same
on the marble pavement of Florence...
             dada was anti-war... dada wasn't
anti-impressionism or anything like that...
      it's when artists started experiencing mental illness,
a psychic relapse into dough, dull, and lullaby
worth nothing...
                                  it's about the time that dada
emerged (world war i) that warfare had to turn
to guerilla warfare for some sense of Mars enduring...
   i thought people might think it stupid
during the Napoleonic wars... walking up to your
enemy and at point blank range shooting them down...
so no eastern martial arts agility...
      no wars makes the same sense as the depravity to
reproduce: eager soldiers... given there are none
to replace the numbers.
    yet, that language of darwinism, that objectivity,
that language of: no will unless the will of the species,
a species akin to comparison with ant or other
worthy comparative multiplier of insect worth...
     i get it... meaning i feel nothing for the examples
surrounding me, and i get hyper-sensitive about
the theory...
                    which is a great shame that i feel
no great feat before me when looking upon a woman....
  but then again i could merely qualify as
a ***** talking... because that's easier done...
    and you'd think that bilingualism wasn't such
a proper, well, it is, among the poor...
     it's a real... a REAL! a real threat!
           for some reason i get the feeling that Polish
has to become a bit like outdated Gaelic...
           a great story over campfire... that we once might
have spoken it...
                 i still speak the **** tongue
because i like listening to folk songs...
         but hey! that's my private life... i can still
talk English to you in that grand social-contract of
ensuring we interact... evidently that was the least
liked possibility...
                     i was expected to forget it...
and integrated with the ******* Paddies in England
and speak Polish: no more!
                  i don't want to forget Polish in the same
way that the English don't want to learn
a foreign language, and have the empire upon
which the night never sets upon:
   you're telling me it's not bound to perpetual
daylight working your way from Alaska, New Zealand,
South Africa and England?
   insomniac empire not there?
   i swear i could see it for a minute...
oh, my bad... maybe it was really all about
a drunken night in Dooblin...
            as i remember, not since 2007 has everything
been so: bonkers...
       it's just a case of trying to claim why
my native country ejected me from it...
   or why my parents thought it was necessary to
flee...
                but then i can ask any question
i want and will never get a good reply...
               now that i speak the language i don't
know how to erase 22 years of incubation...
      i can drink as many wine bottles and whiskey
bottles, but it never does it justice...
    and will continue to do so...
    when i get my answers...
                  and, as it looks like...
  i'm bound to be prone to being blamed for a tsunami
than take a blame for having friendship-binds
    when growing up,
      because the a.i. needed improvement,
and that Barabbas lived no life spectacular after
being admonished by the crowd prior
to the desecration of the tetragrammaton by
the crucifx wielder.
    well, this would appear a world salad for a paddy...
given that words for him are all merely verbs
and none address pondering them as nouns
  to reach a nuance...
                       and a delay worthy of 2000 years...
but then again...
           what do i know...
                 once i was the lost to pounce
     on the argument, now i seem to be the first
            to say anything...
                  but here's the therapy...
         people can speak such a godly narrative
  and incorporate it from ants to humans,
   bypassing the mammals the prime mammal
is making extinct... and taking no impression from
fellow mammal... bypassing the mammalian
category, for the sake of number, and argue oh so well
many intended arguments... ants...
    and then get ****** over by an avalanche...
and then wonder with the non-bewildered chemists:
dunno... physics?!
    humanism is trapped in the greatest robbery of
the human heart, if it once belonged by the crucifix,
and with due need, become humbled...
it's now under the ******* microscope and "ennobled",
pride hardened...
     it's an objectivity that doesn't encompass all
   categories... i can so much about ants having perfected
its hierarchy... and i try to imitate...
         sure, it works...
                  i have no need for subjective scientists that
poets are... i need more plumbers... but, wait...
i have to import them from Poland...
                   because i actually no actual
   pill for objective anaesthesia to be implemented
   given that i have the same automaton tendency to
feel, as i have to think, as i therefore have to reciprocate
by being existent...
                 but then again being prescribed
the shadow theories of darwinism, while turning
epileptic with paparazzis dumbing me at the catwalk,
work together... they're not mutually exlcusive...
    mutual exclusiveness is the argument usured in
by moral relativism, whereby moral relativism believes
in the non-existence of mutual inclusvieness...
     inclusivelly the standard bearers are bound to
the coordinate functions of (+, -),
       exclusivelly the standard bearers are bound to
the coordinate functions of (x, ÷)...
meaning that inclusviely: 1, 2, 3, includes 4...
                 1 + 1 = 2... 2 + 1 = 3...
        the near proximity... adding and substracting
are less abstract than multiplying and dividing...
   they do interact, the two factions...
     it's not magic, it's the limitation of my ability
to use language... philosophy really is about being
able to reach a limit of having all possible
competence with language morphed from
phonos to the rightly defined logos, as that
which encounters optics and the higher optics of
cognitive experience; deemed thought,
or the moral compass... and how rarely thought
is not bound to it being a moral compass,
how many times the moral compass
exists, pointing toward the θ / N...
    and the -ought is merely squandered to fiction,
and other such pleasures... and rarely
asked to be done to the moral principal that
overshadows mere naturalistic observations...
trans-category... we, the pinnacle of mammal,
behave like no mammal...
              once again i'll hear the retortion:
infantile argument!
                                it has always been infantile and
delusional, haven't you noticed?
     i find it strange to be living in times of
such rational, truly gifted "adults"...
   i could swear to be looking at the current civilisation
as a kind of kindergarten.
     but then... why bother argue the point further,
when you can laugh, drinking the third bottle of
your home-made wine?

She is preserved at the greenery
fading inside the floating yellows
her mellow as the sun set strikes
face wondering on the future mirror

She longs to encase inside her cocoon
unhurt the pain pierced in her ribcage
the spent morrow of blunt perceptions
wavering the chronic deserted day

She is alone in a world of within
without the touch of the yester clouds*
the tremor of her upset is unreliable
watering the chronic ail she donned

She feels the crystal pain on the dial
rails of entrust and forgotten tense
the troubles of the self sacrifice travellers
trespassing ***** gates of wired shield

She knows when her well is overfilled
finding a self that can embrace life
the compromised placid meanders
flowing the alive esse of a today

She moans of eons undignified
trying to excavate her sinking soul
the one that made her feel like she
revealing the reality of her unusual peace

She jumps like a seasonal seesaw
illusions parading the absolute truce
a muse of delicate authentic flavours
transversing the idealised time and space

She knows herself best when isolated
when the moon sinks and the night draw
when vagaries explode in the chaotic skies
*when the pearl starry sun stares in her iris

people's artistic ambitions, whether juvenile,
or matured, never take into consideration other
people's upheavals and counters,
it's staggering how much
of art is based upon the irrelevance
of shared experience,
and more focused on
passing-time stuck in traffic...
funny, isn't it? the idealised
personal, thus idealised,
becomes impersonal... so much of
art is based upon the irrelevance
of shared experience, and more
focused on passing-time stuck
in traffic... with the number of mammals
roaming this place, a few of us
will become lizards... cold-blooded
heretics opposed to the doctrine
of humanism... with the number
of mammals roaming this place,
a few of us will turn into cold blooded
lizards... sometimes we'll get a
mammalian blood-clot of warmth in
us, a pop song... but that's about it...
we just look at these **** pseudo-sapiens
attempting feats horrid with the deus attache -
and we think... i'd thank a god for a second
chance to be reborn a dentist -
where once the weakness to dislodge self-belief
and believe in god was considered normal
for the iron maiden to say otherwise...
now people are in a frenzy when self-belief
has gone awry, pear-shaped...
because it has... added to the fact that i have
to consider two things with inevitable death:
i have to consider my own mortality
and the chance of fame... you can hardly
become philosophical considering the latter...
what sort of philosophy is spawned from
considering mortality and fame alike?
it's like saying: you're alive... and technically
you're already famous, when nothing
is the entire audience admiring your
self-development... luckily poets never make
it on the t.v. like they did in the 1960s
experimenting with l.s.d., apart from that
one poet on the game show pointless...
with the added celebrity; yep, pointless
celebrities... i wonder if Marx would have
envisioned the celebrity class along with
the bourgeoisie and the working man...
i think he'd have failed that discovery...
i know where i am... i have the perfect seat
in the house, like spotting a ballet dancer
outside the Opera House, standing with
ballet slippers, smoking a cigarette...
in the end: i'm just a passerby -
                       forever attached to hello
and bye-bye...
                           we've been the horrid
process of being educationally institutionalised...
some people feel the wrath of institutions
they end up writing lyrical songs
akin to The  Smiths...
                                      solution?
school uniform... works every time...
originality of the mind converts the peacocks into
pigeons, or it doesn't, whatever.

I plan on using your shaving mug.

a plan not worth telling
unless you knew of
the many howling adolescent evenings
I spent
jabbing my fingers in the snout
to touch your leftover hair.

It was stuck,
preserved with ancient soap,
cleansed of life, of pigment.
I wanted to touch the filament
that once burnt you
into being.

Yourself entombed
in pottered clay, soft beige
monument. The hands that once
shaped it, like yours;
they tend to me, bring me shape
in a formless world.

The same shoots grow here;
on my crown and over the temples.
I worship your concept,
myself a replication - thin haired
and inadequate. Less loved, more turbulent,
with naught left but life.

It's less than what you have;
idealised memory, a shrine of compliments,
a spotless life of saviour and sin.
How I love you, oh privation,
How I miss you,
dear Father.

now is the time though,
to clear my reflection.
now is the time
to wash you out.

Does life even have a purpose
Or has society given it meaning
I don't remember being born with a checklist
But society saw my gift and wrote my destiny

I try to elude it, but it always finds me
Is free-will a myth and is success the only deity
Don’t get me wrong I’m not complaining
I’m not the recalcitrant teen who rebels to revel
I’m the one who’s lost at the intersection of fate and destiny

God decides your fate they told me
They told me there’s a god inside me
And the fate I’ve chosen is poles apart my destiny
I am coerced into craving this utopic life idealised by society
Who should I pick, who knows better?
Society that evolved over eternity or a teen just past puberty

In these moments I turn to love to help me
I think of my parents and do as they tell me
Love demands selflessness and that will drive me
My purpose on this earth is to help everyone besides me

Am I stucked to the same old page of a withering book?
Has our story ended, why have I hopes?
But you go on forgetting me, maybe hating me,
why didn't you just explain?

Everytime I read a poem I wonder what would you think,
or if you cry reading unsatisfying,sad ends.
And I'm hiding behind my dusty glasses
while you're a step in front of me in a running over-crowded bus,
not greeting like we've never met before.

Because I miss you that's why I can't form a proper friendship
and people leave, like you did, inexcusably.
Maybe I only miss those idealised memories,
or need someone who understands all of my aspects like you used to.
And they'll keep the promises I believed in.

What if I'm stuck to you calligraphic inscription in a tiny note?
Do you still read those five pages letters?
Do you remember them? Do you remember me?
Are we complete strangers again?

some of the poems i read i'm afraid of, someone crude would call them mediocre, but i don't have a heart for such words, i'm afraid of them for a simple reason: they're so fragile - it's like handling porcelain with these miner's doughnut hands and thick hotdog fingers, you really don't know what to do with such poems, it's the body undressed, covered in goosebumps and very little else.

sure, you can experience love, the love that's
you and her back in Eden,
maddened, raw, you can experience that,
but such love exists between a boy who
has two years past the teens, and a girl
in her teens, the boy had to invest almost
the same amounts of slush puppy **** as she,
music wise, literature wise, ideals upon ideals,
love is idealised, *** is perfected,
you'll end up gravitating to other people's
expression whether true or fictional,
akin to *kisses sweeter than wine,
stop draggin' my heart around,
fade to black, it's all there, bloodhound
soppy eyes - a variation of some sort of psychic
awakening in alter-psychosis - the variation of
a juggernaut moving about, it's love pristine,
not the love we call petting and paying the bills,
it's a butterfly's wing caressing your ear
while it flutters - it doesn't last once truths
enter and realities condense to custard -
the paint dries on the wall, the Antarctic tundra
freezes and polar bears start hunting (well, you
could call them loan sharks if you wanted) -
when Adam's tonic turns into Sioux's anodyne -
Apache Sioux knew the deal, while others
use the anodyne for parties and uninhibited social
interactions, others sedate - a good enough
reason to forget that ol' wives tale of: better have
love and lost than not have loved at all -
yes, it's there, a bit like first impressions of
a poem for dada day at the place, april 1, 1958,
poems tell a different story, novels tell a different story,
movies tell a different story, asylum Hollywood
captures the imagination, but not necessarily the memory,
music tells a different story - and all converge and
diverge within geometry of circa - so love, mm,
barefooted going to the mosque for curry at the height,
scuttling like a **** head down Nicholson St. (Edinburgh),
past the music shop where once it was all smiles
and approving gestures while buying an album,
what was it? reggae k.k.k., ah right, steel pulse!
handsworth revolution - the same shop months later,
the same attendant of the pulse of music - the words
'if you want to find love, go to Germany', me guess that's
'cos of the accent, he Scot and me chameleon -
Heraclitus knew this flux, changes and changes -
all that and the creeping to the zenith before tumbling
into Milton's opening of satanic inquiry via
fleetwood mac's the chain - bass guitar the real star,
mirage of former glories of solo guitars - bass guitar
the conductor of rhythm - and in so writing, a fly
attracted to my "idle" hands - as they say, the devil
makes work of idle hands - the bass sets the rhythm,
the drums hush for a moment so the bass can be
protruding - great admiration for bands that allow
the bass a ray of sunshine - tool, schism; so yeah,
you can experience this fable of ancient greek
hierarchy - lovers poets prophets - but you have to
invest prior, and by way of chance you might -
slush puppy pop and ideals and ideals and ideals -
i could have went to Bristol, Warwick, Cardiff or Brighton,
instead, thanks to Mr. Thomas Boon'tss (wet snare tss,
sweat from a drummer, instigator of poet in me,
the observer, the shut-up guy, played a jailor in an adaptation
of the Merchant of Venice - skylock shy, frozen in
the reminder on v.h.s.) off to Haggis-land we went,
and found love there, and found inspiration,
and found an iron maiden for our head there too,
and found madness with a keen eye for tomorrow.

The blind beggar plays
to the tune of the river,
a Parisian lullaby;
une ode à la Seine
to deliver.

Oh, quickened street,
oh, passing joy;
my concrete slab,
my Helen of Troy.

Please stay with me now,
my dear wine-soaked friend,
do not linger on beginnings;
nor focus upon
the end.

We’ll sing over coffee
just to welcome November,
a Parisian ensemble;
une chanson pour la saison,
dying ember.

Oh, rainy skies,
oh, painted prize;
my lucid dream,
set before my eyes.

Please stay with me now,
my idealised sight,
do not lend to compromise;
in these foreign streets
of no plight.

And the blind beggar still plays
that tune of the river,
a Parisian lullaby;
une ode à la Seine,
et chaleur pour l’hiver.

Nameless is the land I walk upon,
despite the flags mounted in wind
and the bloodstains on every front door.

This body is borrowed from the stars,
both a million years old and barely new,
despite the gathering of age in my face.

All money is spent in vacant assumption;
as if these inventions of value do anything
but strip all items of their worth.

Dreaded is the will I place in travelling,
knowing intrinsically about arbitrary birth:
that if I was not born on land, I would simply drown.

I have paid for the sounds of my guitar,
but I lose ownership in their effortless travel
through the air - left to sound through the aeons.

This house is nothing but Earth upon Earth.
Watch as the weeds emancipate through the wall;
it is the people who have forgotten their place.

These old friends are not mine, but obsessions.
Memories of idealised time that I cling to,
as toys are swept up and sold in parts.

Passing are these clothes upon my back,
despite the fashion of my walk
and your letters in my old blazer pocket.

Rationed is my life upon this planet.
All that I meet will fall away,
and all that I take, is returned.

Sometimes I look up to the sky and have a longing to propel myself outwards amongst the stars and planets and fragments of dust that cling together in desperation, attempting to create some planetary mass that someone, somewhere, might one day call their home.

The earth looks on. We go about our lives, venturing to her highest peaks and trekking across the open plains. We cultivate crops in the soil and celebrate when the rains flow from the skies and into the rivers and streams and taps and glasses on the dinner tables of business men and dying veterans, and the child who laughs at the forming of the rainbow, that symbolises the unavoidable end of this dream that we have grown so comfortable with.

The earth looks on and is indifferent. We gouge away, we poison, we pollute and we pillage the lands, and expect to fill that void within us. Destroying the very planet that has given us birth so that we might find ourselves, find our way. Yet the more we gouge and poison and pollute and pillage, the further away from this idealised end do we find ourselves. For we do not only destroy the earth; we destroy ourselves. A drop of poison in the ocean is but one more in our cup. As we pollute the skies, so do our minds become clouded and our vision becomes obscured by the continually evolving chaos we find ourselves in, and we double and triple our efforts to maintain order so that we might fill that ever present void.

Should one look to the stars or the depths of his mind to find that which he seeks? The deeper we dig, the higher the towers rise above our heads. One cannot stand on a mountain top and deny the existence of the stream that flows effortlessly through the valley. Swim amongst the clouds and glide with the raindrops and rainbows will make their homes amongst you.

Butterfly landed upon my arm
Touched just once then flew away
Yet trapped in the cage of memories
To remain engraved until I fade

Lives linked through thoughtless sight
And meaningless for one dies so young
But does not leave for the other, kissed
Yet not missed, taste upon thy tongue

Perfection created by not man nor god
Pictures and poems can’t replace
The Idealised of ones eternity
Written upon the others face

Beloved, said but I was not
For wings of butterflies yearn to fly
Alive and caught within a moment
If perhaps it lives longer than I.

You’re the one the I need.
You’re the one that I wanted.
You’re the one I get hurt for
You’re the one that I lean on.

I sit outside contemplating if I’ll ever have the right words to fully orchestrate the greatest love song.
Pondering on the ideology behind each symphony and melody.
Trying to figure out if I can truly compensate for each octave. After all I’m no singer.

I stand before a very large crowd. All eyes on me. I hear each murmur from the background. It would seem they are all waiting on me.
Dressed and draped in black, my hands begin to shiver, sweat trickling down my forehead.
I don’t have the voice for this. How on earth do I put on the greatest show.

Deep breath, inhale, exhale. I tell myself. If it’s all for a love like no other.
Surely I can make this work. Somehow I can. Because if it’s for her. Then I need to become the greatest showman to date.

I want to say things like “I’ve never believed in fate and that every fibre in me believes there’s no destiny. That I always sought love to be superficial or more of a fantasy.”
However I’ve always been a sucker for romance.
And I always believed that love could enhance every bit of our surrounding. And in saying so. I am stating to you that you’re my comfort in ending. And I hope that having a knowledge of this is profound. Because at the end of the day, you’re the only love I need and have found.

I stare in awe at the crowd. At first lost for words. But to the thought of you, I’ve found inspiration. At the sight of you, my confidence sky rockets. I don’t know if you know but you’re my motivation. And for as long as I can imagine, all that I want and need is within you.

I’m a victim of love.
I have stood before Cupid and allowed for him to take a mugshot of me love drunk.
I’ve been in a position whereby I fought love and thought it was love.
But my reality always pulled me out of this dream. Dragged by gravity. I realised it was all idealised, conceptualised misunderstandings of what I thought was what my heart needed.
Because at the end of the day. The love I had given out was never reciprocated. It made me feel as if I was doomed.
As if I was to be consumed by the world and to be hastily chewed up and spit by the people that took my heart only to decide that it wasn’t good enough.

Feeling like you’re not good enough and being put in that situation is painful. I remember fully telling myself that I cannot be that again. I need love that is not only healthy but will help me grow and become better and be in a case of “Finally, I feel at home”

When you walked and came into my life. I never expected that.
I know I was wholly curious about you.
I know I wanted to know more, I wanted to know what makes you smile, what makes you laugh, what makes you happy, sad, confused, confident, what ticks you off, what angers you, what makes you. So you.
And how can I be apart of your life. How can I see that smile everyday and make you laugh and make you see the world the way I see it in your eyes.

And it’s weird. I know.
But when i heard your name for the first time.
It felt like my heart finally found its other half.
I love you.

I’d seen her coming and going for
A couple of years or more,
Her hair in the wind was blowing
Every time she walked on the shore,
I must admit I was taken in
By her eyes and her lips of gloss,
She made me think of imagined sin
The woman who never was.

She wore the flimsiest blouses that
Were loose, and tied at the waist,
And lived in one of those houses they
Put up in the new estate.
She seemed to delight in teasing me
By wearing her skirts so high,
The slightest gust from a breeze would free
A glimpse of a naked thigh.

She never actually spoke to me
But she’d raise a brow my way,
While I hung over the garden gate
Thinking of what to say,
And soon it became a ritual
She’d pass in the early hours,
Then come again in the afternoon
With her basket full of flowers.

In time I noticed a subtle change
In the way she wore her hair,
She started to pin it back, and then
It didn’t seem so fair.
The eyes that had used to tantalise
Became harder, and the gloss
Was fading out on the ruby lips
Of the woman who never was.

I thought I was slowly losing her
But just a little each day,
Nothing would stay the same, I saw
Her slowly fading away,
I said to a friend, ‘What’s happening,
I have this sense of loss,’
And he replied she was trapped inside,
The woman who never was.

‘She doesn’t really exist you know,
It’s better you let her free,
You’ve compromised and idealised
Till she thinks, ‘I can’t be me.’
She may just show if you let her go,
If you don’t, you’ll count the loss,
She’ll stay forever inside you then
The woman who never was.’

I switched her off and I walked the shore,
Went up to the new estate,
Then held my breath and knocked at her door
And I said, ‘I know I’m late.’
She looked at me and she smiled, you see,
And she said, ‘My name is Roz,
It’s been so long I was feeling wrong
Like the woman who never was.’

David Lewis Paget

to live the most ordinary life and internalise
  supra-human potential,  this is what is intended in terms
  of acquiring striving - to turn the tetragrammaton from
  a noun into a verb - given the four parts,
  we can excuse the rat maze of thought adding to 6
  as a sense pseudo... it takes a loss of one sense
  to identify and study the Tetra...
  for me it was not feeling a woman touch my skin
  for intimate suggestions -
  but it takes a loss of one sense
  to read into the tetragrammaton -
  and this isn't some linguistic lesson -
  you can have all the shrapnel you want,
  utilising grammatical categorisation
  to obstruct narratives into reaching for ideas
  rather than nouns - for me the tetragrammaton
  experience convinced me it was more a verb
  than a noun - a way to do things - rather than
  a way to be kept caged in an enclosure of nouns,
  you said the tetragrammaton like you said pineapple,
  nothing gratifying in that... 4 x 10 -
  when modernised -

and i still have the postcard, opening reads
dear Matt, (if any1 is reading this the ur just sad).
it is almost 1 a.m..... my greatest fear (one of them)
is to pass a 'once upon a time good friend' on
the road and have 1 of those superficial conversations
u know?? take care - A. x x -
dated 2007, addressee Matt E.
                                        11/2 new arthur's place
                                        edinburgh
         ­                               EH8 9TH...

you probably will... we either age to be superficial
or superstitious - it's a nice combo -
i still keep this postcard in hermann heße's steppenwolf,
i write this, methodological with my drinking
and typing away - i can walk into town and hear
the words: 'that's the devil',
i spotted your mother at the market a few months back,
she looked happy, well, simplified happiness:
contentment - i felt no inclination to talk,
just a fancied breeze of ****** recognition -
i'll thank you more for the handwriting than what you
wanted to say, handwriting suggested i could read
how you would read my body in Braille -
but of course the content matters -
i never replied, unless my memory is faking it,
but given the cognitive prompt on the canvas of memory,
i think meaning i doubt i replied to that postcard -
what i am certain of are those M.S.N. conversations after
homework - the time i wanted to take you to cinema
and you freaked out... i put so much effort
into reading Stendhal as a teenager i exchanged Linkin
Park's debut for the book at a tongue-tie in Trafalgar Sq.,
to no avail... i think i idealised women too much,
i left them without any practicality - left them impractical -
a bit like those prior-feminists left them to mind the house
sending them off to the front-line and football -
idealism makes choice'd isolation units impractical -
the ******* peddle-stool hierarchy -
my thinking made women impractical, which is a shame
to experience the rosy buds of the mundane everyday -
i wish i didn't make such ideals from women, blame my
childish mind at developing ******* by the comparison
of Don Juan - and what a perfect joke that is -
a working format: to idealise women leading to an idealisation
of life - well, whatever, i'm junk now - this ain't a
depressive adjective - what, from 70 odd kilograms to
over a hundred and ten? **** a mongoose -
i'm hellbent on simply writing, money or not money -
and if my human integrity is finally breached
and i have no passion left in me... i'll do a Zeno of Citium...
and hold my breath.

I must have fallen in and out of love
a dozen times over the years.
This summer I have seen a few of the girls
who once were the objects of my affection-
albeit idealised versions of themselves
whom I created in my mind
and placed on pedestals-
and spoken with them
as though I never felt a spark of passion.

And perhaps I did not.
So what love have I had that lasted?
None comes to mind.
How is it I fall in love so easily?
I only believe I have not fallen in love at all.

And if I have never loved,
yet felt so strongly for each after the other,
I can only imagine the depths
I might feel one day for you.

Who can say what it is to love?
But I wish to find out;
not to fall in love slowly,
but all at once.
And then all at once again.
Like an ocean's waves,
endlessly washing over me,
I wish to endlessly fall in love with you.
To look into your eyes
with a steady gaze and know,
without hesitation or the faintest doubt,
that I love you in that very moment.  

Because I cannot promise to love you always,
and I cannot say I have loved you always,
but I certainly can say I love you right now.
And what is more honest than to love you in the present tense?
And what more could I give than my entire self, as I am, today?

I feel as though,
I was destined for this.
And if you crush me,
I would be so honoured to be crushed.
If you found another better than I-
and scarcely difficult would that be to do-
there would be no surprise on my part.
But were you to knowingly forgo
the possibility of something better,
to be with me,
there is nothing more than that which I desire.

And I am so very often lukewarm,
not feeling strongly one way or the other.
I would have to say I want for very few things,
if I were honest.
But my strongest and most passionate wish
is to be with you.

Between a blink,
In darkness ever so brief,

Against each eye lid,
A visage rest finely engraved,
A visage of my own,

Though immaculate in high relief,
There was increasing unease,
As though to perceive it,
Was to obscure it,

Could this be,
But a buried impression of me,
Of dwindling memory,

Or, some idealised state,
That I hopefully await,

One thing be certain,
What visage linger,
Between the blink,
Is what I will never understand.

and do you believe a woman could undo man's desires, and instead become murderer rather than poet at first sighting of desired affection, or what's to be described as anti-rubric magnetism?*

oh love at first sight, and subsequently idealised,
but then the same love
paying the bills, the taxes, changing the nappies...
what love so convenient to be eternal
and yet so inconvenient as to be mortal?

502 bad gateway:

title: left-over meat
body:
left-over: d'ah beat!
boom! Chloe wadies in
the hizz dep.
shout the harem chant
out loud!

in the full stare of the sun i sometimes feel like
the music dictates to me:
somewhere between Julian Winding's neon
demon and anything by Boy Harsher:
country girl e.p. / the song pain...

for the first time in my life my grandmother didn't
call me up to wish me a happy birthday...
i was always of the impression: cringe...
i don't like to be awarded anything: esp. when
it's a given: it's not ******* accomplishment...

i can remember having about 3 birthday parties
in my life...
one where i screamed: i'm afraid i'm afraid
for having to pop off the cork of a make-shift
non-alcoholic champagne bottle:
which i later spilled onto the glass table
and started slurping it like a dog...
like: a dog...
whereby i heard the prompt:
Matthew! we don't drink from the table!

what was the surname of those two boys?
Zawacki... no no... Ostarek... that's ******* *******...
i just made that surname up...
Ostatek! yeah... those boys...
i bashed one of them months later and
ripped off this crucifix: geld necklace...

one other party in a bowling alley...
whatever...

my 21st? oh sure... sure... that was "great" too!
i had to manage the crowd
and also deal with a jealous girlfriend
tightly knit in her spider-web of jealousy
smoking marijuana in my bed...
wanting everyone to leave:
because she couldn't stand me getting any
sort of attention...
then my high-school friend whom i invited
to stay over with three other high-school friends...
drinking too much...
vomiting outside the toilet on the carpet:
me... having to clean it up...

Jesus could have washed feet!
**** Jesus! i was cleaning up puke!
   to hell with that sociopath!
            hell: i'll grow my hair long if i have to
be missing a towel... i'll wash feet from dust...
you want to take care of
a, a Roman **** feast of bulimia?!

and why is it, that i don't celebrate my birthday?
a bit pointless...
now that my grandmother stopped giving a ****:
my maternal grandmother...
my paternal grandmother i don't even know
what she looks / looked liked...
she abandoned my father so she abandoned me...

woo boo hoo: who hurt you?!
   no one...
         that's why i go and visit prostitutes
to relax my heart...
like my maternal grandfather said to me once:
make sure to keep your heart small:
then you'll have people in the clench
of your fist...
              
              that's of course when...
my maternal grandmother phoned me two days
prior to my grandfather's death and told me:
oh... he's about to die...
2 years later... ah... the anaesthetic is finally
kicking in... for me!
   she's dead already...
3 ******* months prior i was sitting with him...
getting private dental treatment
because... England is a place where you
find: the non-existence of teeth!
people just slurp pre-digested proteins and
other assortments of shakey-shakey:
vegan "milk"-shakes...

             i managed to find... karl ove knausgaard's
alternative project after his magnum opus...
my struggle, i.e. Autumn...
  that part about eating the entire apple...
with the core... i sometimes do... whenever i feel
like eating an apple... rarely i stopped feeling
it was necessary to eat apples...

it's so much more simple when...
   you have issues with... your grandmother...
than... say... a past girlfriend...
so much... simpler...
               because the "misogyny" is not so...
harsh... so... obvious... sexually related...
   no no... it's... subtle... it's more on the level of:
distinction: i'm a man... and you're... a woman...
let's compare...
it's not like i want the stereotypical antagonism
of misogyny of: i want to **** this woman
but she doesn't want to **** me...

oh no...

oh look, who's here? Sylvester ******* Stallone...
i can be proud of my cat...
maybe it's just me...
   moo... he actually ******* moos and there's
the moon and i want a simple meow
but... after a certain hour when the foxes run
rampant i don't want to let him out:
but he wants to go to the toilet...
meows like Sylvester ******* Stallone speaks...
i have to chase him into his cuvette
whereby he... d'uh... decides to leave me
a doughnut's worth of **** in those flakes
associated with cat-litter...

he actually needs me to watch him urinate...
so i can immediately clean it up and
he doesn't have to bother with the "hide the evidence"(!)
side project...

moments later... Sylvester ******* Stallone:
meows like moos like the final speech
in the boxing ring of Rocky... it's doing my head in...
i go back up... number 2... with a slight tease
of diarrhoea... now i have to clean up...
and wash the ****** up...

i look at him now: lying in my bed...
sort of happy-proud that he has an owner that takes
care of him...
if only i had a child... eh... i sometimes wish...
but as a Mary Shelley experiment...
oh no... not with a partner...
i'd like an experiment as a male: not a single mum...
that must be fun...
you can play around with language...
morph, mutate... it would be...
then again no: people have their own agency:
young people succumb to peer pressure..

- but it's different now...
   oh who hurt you? who? might ask some "future girlfriend":
ah ha ha...
my grandmother did...
she told me only two days prior of my grandfather
and best friend being dead...
but she knew he was deteriorating a month prior:
and i had all that spare time on my hands:
i could have cared for him!
fishing trips! climbing trees! horse riding trips!
foraging for mushrooms! sure...
he did drink! that's all she remembered...
he drank because of her!
trips to the metallurgy plant!

i've learned my lesson: money's on the table...
i can only be gentle with prostitutes...
or let's put it this way...
whatever violence was performed on prostitutes
in past centuries... esp.: notably in England in
the 19th? that's *******, gone!
that's done and over and... gone... ****!
gone...

i couldn't harm a *******...
whenever i visit: i don't visit her for lies...
if she wants to say some truths most women are afraid
to say: fair enough...
i'm there to ****...
like i go to a butcher's for a pound of cool, red, raw,
Tartar... beef!
like i go to a florist for a bouquet of tulips...
i'm not there for some ***** **** latex suit gimp
fetish ***!
   i'm not saying that's wrong:
but like i already said:

once you walk through the desert of ***, less, -ness
long enough: you stop being thirsty...
and it doesn't matter whether you ******* or don't...
i tried both avenues...
you are simply turned off...
or rather: prompted by cues from animals...
pigeons do it too often... on rooftops...
you need a female cat and groom her while
she raises her **** of an *** with her nail
wriggling toward your nose...

that's how i was woken from my slumber...

it felt so good not hearing and good wishes on
my birthday from my grandmother...
for once! finally! i'm freed from that superficial *******!
i didn't accomplish anything by being born!
so why the **** would i celebrate this day?!
sure... it's nice when it's covertly celebrate:
no chores around the house...
no cooking... some champagne... fair enough...
but... oi oi! gather round! friends! family!
what a load of crock-****!

- today i was curating my eucalyptus tree..
cutting excess branches...
not a bad beginning... i'll be keeping the CROWN
of the tree... let it grow higher! higher!
but i'll need to cut off the branches outgrowing
sideways...

while doing just that... i was prompted
by a memory at "work": the first and probably the last
time a **** tried to work around me:
instruct me... "tell me off":
became angry with me...
     all of this is of course in my head:
what's outside is usually cordial, formal...
she said: you're not supposed to be here!

i should have said: and you should stop being
so confused, pretending to be macho!
why be ******* with me while at the same time
wanting to **** me!
******* ****: macho ****** are a massive
turn off... turn off the lights
and i still would do doggy dodge-style...

i have an ego of an iron maiden in my head....
it's all nice, politeness on the outside...
in the shallows of a veneer...
dig a little bit deeper and i'm savage...
today i proved that to myself...

it would have been so much different if i were
that stereotypical male hurt by his ex-girlfriend...
sorry, girl... that spot is taken...

so while i was curating my eucalyptus i was also
rummaging in my garden...
this poor apple tree... infested with parasites...
it's in ******* plain sight!
a bit like seeing the parasite mistletoe!

people hide, when cancer attacks: but trees are
in plain sight...
i don't even know what attacked it...
fruits about to blush further up...
but further down... these *******... critters!
these... aphids... i don't even know...
                                        coccoidea?

i don't care... i didn't... dearest mother was supposed
to spray these ******* off...
no... can't wait... i know a better procedure...
i'll just cut off the infested branches off...
and i did... threw the cut-off branches into a bag...
sealed it: now! suffocate!

i hate to see a suffering tree...
i guess: more than seeing a suffering animal,
more than a suffering human being...
because... trees... are mute!

so Edward Secateurs came into play...
no... no need to wait for spraying these ******* off...
i'll just cut off the branches infested...
put them into a bag: suffocate them...
cut off their live supply...
       i will embrace a rat...
vermin: king of the hierarchy balance...

i still don't understand why it's almost, somehow:
oh so, "normal"...

i think i idealised women once upon a time,
that's why i allowed myself to love them...
within the confines of a prescribed narrative...
my heart's too small to love like
a teenage boy, ever again...
i idealised women once upon a time...
after all: once upon a time there was
a once upon a time that was spread infectiously
like a cognitive-pandemic...

if i were to replicate my fish-dinosaur genes
any time soon... eh? too many complications...
potatoes cost too much:
i don't feel like driving or owning a car...
i don't want to extend the misery...
or pursue it in a linear fashion...
    i better be dressed for a vertical take-off...
white shirt, black tie, blak shoes...
                  black trousers, bye-bye...
oh... right... some underwear would be nice...

i figured it out though...
i'm not lonely: i'm longing...
that's the crux of the debate:
no one is truly alone... no one feels lonely...
lonely is sick... it's a sickness... it's parasitical...
i figured it out...
not now... some hours prior....
i'm... longing... i am prone to project vague:
idealisms on people... it's a sort of a 2nd reminder
of Romanticism...
i'm longing... wow! even i'm astounded!

ich bin sehnsucht! i am longing!
that's my only counter: when people try to make the distinction
between being lonely and being alone...
me? i'm simply: longing...
it's what drives me forward...
that does not give me exacting coordinates of
existence... in situ / in vivo / in vitro...

i need: ich brauchen bewegung!
i need movement!

for sure: polite societies: salon societies once
need rhymes and piano / violen concertos to
entertain the ladies to be a better: ****...
but... no...
talk is cheap... art is cheapest...

those botanical parasites attacking my apple tree
sure as **** got their worth's worth...
i almost cried with joy cutting the infested
branches off... stuffing them into a plastic bag...
sealing it... hello gas chambers two-point-oh!
unless any willing vegans might want to
change, their minds, any? any?!

well then... limb by limb we go.

How hollow the hallowed hours are spent in adoration,
These born not by feeling, but simple desperation,
As false green pastures of forests set as scenery now wither,
That feared cold that the woodland warded against now haunts and hounds, leading one to shock and shiver.

Loneliness. That dark dire and deadly dread that stalks us through our lives,
We're told we're only alone in death but far less than lonely when we die.

We are very rarely not alone, with respect to lives within our heads,
Which hold thoughts and hopes and words, only thought of, never said.
Nobody really knows us, not all of us I feel
The reality is we only reveal a part of ourselves, our self idealised ideal,
So here we're left, severed, distant, and detached,
Hoping, seeking for some form of a preformed idea of a match,
Distinctly apart from each other we are kept for most of the time,
Is there any surprise in false emotion of devotion spoken?
With loneliness as motive, is there any wonder why the crime?

Anything to avoid the harrow of a hallow of the heart
It makes out endings and our starts, but which leaves us more apart,
I see others, remark and wonder, ponder whether or not they are the same,
Lonely empty canvases, blank and always seeking a partner, painter or just a frame.

Though these plays we cast, for a time they do sustain,
I'd like one day, for the truth to at last be known,
Is there a mirror or a soul with who we are the same?
Or are we always to be be left alone?

can you please tell, what is it, that you're talking about?! i know i can comprehend english, but the english i'm hearing is hardly classifiable as english per se, there's something in the language, some sort of additive, that i can't quiet comprehend.

i like this motto:
   speak the *truth to power!
     huh?! when did a shadow of a person
speak to power, let alone speak?
i simply can't see it beyond
the adequate framework of:
speak "truth" (i.e. comfort)
  to powerlessness -
         i too have my "idiot" category mind
you, they're not useful "idiots"
they're just gnats... ****** me off watching
these protests...
          keep your mouths shut,
and keep your head down:
look at the grace of the inverted ceiling,
you never know, you might end up
like me, finding a 20 quid banknote
in a puddle...
      speak truth to power?
w'ah? what will you get from that,
   why not speak comfort to the powerless?
men = ***** = will
   women = ovaries = stability, a home -
a catching glove -
you invert the women into will-enabled
men you can start freezing your ovaries...
there come boundaries, and there comes
caviar... you decide upon the boundary,
but as every drunk, i have an opinion,
never really holding one sober,
curse me,
    bless me,
            whatever, i have lizard skin when it
comes to approval or disapproval,
i can be your surrogate *****-father for a bit,
which is why i french kissed a bottle
of bell's whiskey saying: i missed you
brother...
          but something really
authentic did catch my interest,
why women are unhappy and žižek:
it's zee-zek - and you didn't exactly
eat an e, but malformed it...

(me, verbatim):

men have the cushion (metaphor),
i.e. outlet of being "interesting"
when they don't or "can't"
achieve happiness...

  women? i've never met an interesting
woman unless she was psychotic...
never mind...
   women are too reactionary to be
interesting...
women can only achieve the zenith
that's happiness...
   women can't be interesting:
they talk too much...
    the only type of woman that's
"interesting" is a happy woman...
   an unhappy woman is anything but...
unless she turn psychotic,
well? then you get the parade of clowns
and acrobats to dazzle you, and keep you
preoccupied with what men hate most:
drama.

          i don't mind drama of a father and son
looking for a lost tool-box with the father
having sentimental value attached to it,
having inherited it from his father,
but a transgender person (more likely "thing")
looking for this lost emblem after
the transition period, is hardly a shakespeare's
worth of writing a play...
    
women can't stomach misery while
morphing it into being curious -
    sexist? whatever, i don't mind if you actually
call me an SS-man,
no qualms: you have a cat i pet for a month
and then gouge its eyes out? the current ginger
i own i could do donation free, no problem...
annoying as **** -
he owes me, given that i once fed him
dead fish eyes, and he gulped them down
like harrod's oysters.

women are funny, i give them that,
but they can hardly turn into interesting creatures
when they are not cushioned by happiness...
unhappy girls are only interesting
when they turn psychotic...
   i guess it might be every girls' dream to
craft a psychotic sylvia plath narrative,
which has to include "daddy issues" -
         every girl must dream of that sort
of kafkaesque moment in composition...

given? a love unexplored, tactful in theory,
and never in the empirical muddle of mud
and mistakes,
     idealised in theory, perfect, undisturbed,

as will ******* yeats wrote

   turning and turning in the widening gyre
    the falcon cannot hear the falconer;
    things fall apart; the centre cannot hold;
    mere anarchy is loosed upon the world

- as someone also wrote:

   - hell know's not of a woman's scorn* -

call it what you will in your head & rhyme -
but just wait for her to discover the real
world, and the casino of ***.

in summary?
i've never met interesting women,
   i've only met women... i could stand.

a man walks into a supermarket, he picks up an orange (30 pence a piece), and then heads for his usual shopping spree: a bottle orum & a bottle of ms. m. pepsi; walking to the cashier, he gets "interrogated": what's the orange for? ah... poached pears, i never cooked poached pears, i'm curious, but i didn't have an orange to make poach pears today, had the handy citrus of a lemon, but i really needed the orange... hence the orange.

and **** me, i can even make a soufflé...
not that hard, just a tender moment
where you squeeze your heart out
and turn a pair of lumberjack hands,
into the hands of a surgeon -

and yes, the joke is:
   the hands shake upon the first drink;
after a few?
       steady as a rhythm of a heartbeat.

mind you, there is that eerie moment when
you're walking on the outskirts of a city,
and you nearly match the pace of
a woman walking in front of you...
the eeriness disappears in a crowd,
   but when two strangers end up walking
in close proximity, with one being
the woman ahead, and the other being
a man just behind:
   the lion-hyena dynamic:
          carnivore parasite walking behind
the roar...
         i hardly think it's lechery that's to be
minded, it's just the oddity, esp. during the night...
and given it's the outermost tip of suburbia,
well, you get the idea...
all i needed to zenith at a fetish
was a pair of headphones and *pseudo echo's
song his eyes blasting into my ear
like a pneumatic drill...

i really did feel like satan this time round,
hellfire on the breath, and a fruit in my hand:
**** me, i haven't seen a decent movie
in ages, thankfully being an only child:
i have managed to entertain myself with
the most, crude, props.

speaking of which: the transgender movement
is really ****** that nag hammadi
library, aren't they? the st. thomas gospel is
all ablaze, it's the rave party coming to
the second burning of the library of alexandria...
and with this unearthing?
   well... the quran is... a tad bit pointless...
no wonder they're *******...
   but i mean, what's with this m.g.t.o.w. acronym?
i don't get it:
   i, for one, believe myself the practitioner
of a pontius pilate "chess" move...
   i, simply, washed, my, hands, clean on the matter...
evidently there's a difference between
shoving your tongue into a newly acquired
canvas of spreschen: namely the cognitive ****
that my host provided,
   and another to actually shoving a ****:
up a rotten **** of: some call it strange,
some call it oblivious, some call for nosferatu,
never quiet the sober economic policies
of communism: after all - if you want to rebuild
a country, capitalism isn't, going to exactly
"work"... as long as the people can reach with
re-instigating a plateau from the dis-synchronised
nadir, then at least upon reaching a synchronised
plateau, they can later attain a "dis-synchronised"
zenith - communism ends up being
a buffer zone for the time being...
      well, it's effective, not as permanent ideology
but as a temporary solution:
  given that almost every is miserable
after a conflict: why deny the effectiveness of
this post-conflict economics?
      
so, yeah... what was i saying?
   (your ice cubes are melting in the sharpshooter,
******, make it snappy!)
        
  was i really thinking about the event horizon
of the earth's atmosphere, how there are
only three primary colours: blue, brown & green,
and how they are also called the alt. primary:
namely the iris colours?
            n'ah... couldn't have...
   but wait (i have the attention span of a cat,
easily fickle) -
         i swear i was! thoughts have become like
dreams,
   i hardly remember any unconscious roulette
that dreams have become, and in that being the case,
10 minutes ago i don't know,
   what was i thinking?
was i even thinking?
             the event horizon though,
where the atmosphere ends, and the vacuum of space
begins... so what part that Na (sodium) have
in this membrane?
         so the sun shines on the oceans
and that's how we have blues skies...
     so are we encrusted by a membrane of salt?

philosophy: are you just lazy, or just plainly
  stupid?
              don't know, that's a cyclic questions -
and it's not that it deserves an answer,
or doesn't,
       but it's what any gandalf said
    of peregrin took:
fool of a took, throw yourself in next time
and riddle some of your stupidity!

       well... there's that aspect of the subject -
as there's also the "m.g.t.o.w." pontius pilate
effect...
            i'm done, i'm washing my hands clean,
of the zeitgeist matters all too apparent...
        this is the only resting place,
   of men who idealised women, too much,
    and in their delusion prior to a complete
(*** included) encounter with these creatures -
have, not so much been left "burnt", exhausted,
or disappointed,
            or diametrically minded -
  but?
    a woman, as an ideal, will never materialise
into the practical needs of opposing sexes -
but at least, can allow a man to see past the practicality
of woman, and peer into the impracticality
of sophia (σoφια)... that much said: moving beyond
          the heraclitean and therefore christian
notion of the logos (λoγoς)...
wait a minute: shouldn't that be considered an
"impracticality" - after all, of all things considered,
man is not a creature mindful of a vacuum,
   for man cannot craft a vacuum, even with death
as his shadow...
     man is brimful in all things,
               only a god could craft a vacuum -
and reside in it, taunted by man's arguments
to reveal himself, from within the confines of his sloth;
ah, however it be not:
that impractical things, desire the most thought;
so ask an old man to explain a mobile phone...
dumbfounded, the "fool" will reply:
   i don't know... and then see the subtle awe,
that borders on "stupidity".

An idealised view of who
men think they are.

a pop star
a *** machine,
the matinee that women love
and men desire to be,

the macho man,
Peter Pan and
Tinkerbell?
well
it's not the dark ages
anymore.

it's harder to be anyone than the one you thought you were when the ideal isn't ideal even when you think you're there.

I’m a gen z baby
Emotionally messed up baby
Snowflake little baby baby
You think you know me baby

**** that…
Apathetic, rude *****
Cut you off without a worry
I wont whine unless I want you to be ******* sorry

***** mouthed lady
Twenty-one and failing
Honey I don’t really care how you wanna see me
In these times, it’s about how I see me

Maybe since I lived in chaos
Now it’s where I thrive
Tried to tie my hands and control me
Now I run my hive

Tellin’ me to simply smile
Ain’t gon heal the child
It’s about my self-respect
It’s learning to take the wild

Hit me once hit me twice
You won’t knock me down
I take the sorrow and I swear
I won’t hit the ground

Lived through a pandemic
You expected me to study?
My trauma came back to haunt me
But you where too busy makin money

Tellin me to look up to Thunberg
All she did is skip school
I could have done that any day
But it won’t have gone my way

Yeah I’m going all dark knight rises
Quoting Joker and blaming society
I went and got my ******* Pfizer
But none of it will repay me

For all I have lost throughout the years
That took you a disease to realise
I doubt you’ll ******* learn
Ignorant and idealised

Maybe I’m always on my phone
Because I was raised wirelessly
Relying on a wifi rather than integrity
Go on and blame me once again

Yeah I sound like a bratty child
But have you ever considered
Why the attitude is needed
Nah of course you don’t listen

Ever since I was born it’s always been this way
You start the fires and let it burn
Leaving us with the ashes
You let us take all these lashes

Over and over again
The consequence simply does not leave
You pollute our lungs and sit there
Wondering why we can’t breathe

An open letter to our abusers
I hack up tar on a daily basis
And yeah I blame you for my strife
You had no right to ruin my life

The further away I get from you
The more I can see into your past.
Time and space offer a grander view
Of how we made it last.

When we were joined at the hip
And our love was new,
All your faults were totally eclipsed
By my romantic idealised view of you.

Abandon the failures,
Imperfections are unacceptable:
Loved ones were perfect in shape and spirit
(in imperfect, idealised memories).

Flawed not flawless,
These bespoke folk:
They are and are not that rotting loved one.

'Failed clone'
Society's latest stigma.

'Orphaned clones'
The lowest class.