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"idealised" poems
I believe that fairy tales are just that: fairy tales. Magic doesn't exist, and of course imagination is just that: imagination. Something not real, an internalised, idealised creation. Happy ever afters, and Prince Charming hero's, are just a lovers fantasy notions. But we are there, You know, at that stage where Romeo is madly in love with...Rosaline. Those evil family relations surround us and a wicked stepmother who overrules. Girls everywhere are obsessed with being the fairest of them all, Eagerly anticipating a dark and handsome: Mr. Tall. Waiting on that fairy godmother to appear, but its already too late because the wolfs already had his dinner, and a sleeping beauty has yet to be kissed out of her nightmare.
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May 4, 2013
May 4, 2013 at 6:36 AM UTC
Fantasy
our bread and butter...      *the web of stars,      the scatter of moons      and orbiting planets.* the entire universe harvested and crammed into the metre, of a poetic verse. our bread and butter...      *harnessing the regal rays of the sun.      inflating the fluff of quiet clouds.      drinking up the winds of the weather.      revering the magic in the flight of birds.* we fill our cups to the brim... with fantastical dreams and let spill over parchment the cornucopia of idealised words. our bread and butter... the incessant peeling and picking on healing wounds. of which we have learnt to savour...      *let bleed      the willing blood...      feed the seeds      with impending flood.* nurture to fruition thoughts stunted in discretion. bring to light thoughts hidden in the nether. our bread and butter... we dip... the nibs, of our word worn feathers. let them sink, shallow beneath the surface to the sanctity of a familiar place.      *casting our trials,      and tribulations...      pent up emotions,      and what we think      unto paper      with the burn of      everlasting ink.*
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Sep 11, 2015
Sep 11, 2015 at 9:16 AM UTC
Bread and Butter
I love the majestic ugliness of the Eucalypt; Aesthetically more appealing in its twisted, gnarled appearance Than any uniform northern conifer; Infinitely more adapted to the unforgiving antipodean climate Than those idealised European deciduous living monuments Still transfixing our collective view of how a tree should be. Those dropping leaves allowing scenes beyond; Those tendrils of bark denoting Darwinian fitness; All tug at the heart of we new Australians, Conflicted, as we are, by sensibilities born elsewhere, But borne, nevertheless, into an Ancient Eden.
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Mar 6, 2014
Mar 6, 2014 at 3:29 PM UTC
Eucalyptus
I didn't push you You decided to walk away Couldn't bear the taste of Defeating over a heart that Was once in your hand I'm not even surprised I would throw up, too 'Coz my heart is dark and bubbly Bitterly smelling and rotting slowly In a chest of a girl Who's perfectly alive And now you're here again Visiting my mind But I won't let you stay You've started a graveyard In my head and in my heart Maybe if things went different There would be “lover” on your stone And few days ago I saw here “friend” Now I can't help but write “stranger” again And there you are Wandering in my mind asking for flowers But I won't visit your grave Not even once again Because there's no point Mourning over people Who are dead, yet alive Why would I cry again if I did it before? The corpses are falling apart, slowly Memories idealised, lying Pretending how pretty it was When we were together, trying to Make me remember things I don't want The look in your glassy eyes is irking Not even trying to pretend the woe Over somebody you've lost Because you don't care enough to go to the funeral Of someone you loved and trusted blindly Calling me sweet and holding me tightly And in my thoughts It's like kissing a skull Dead hand grabbing mine Reaching from dirt and mud We are the same Living skeletons of one another Living without a shame We lost a lover You started a graveyard As a first man I started a graveyard By not loving them And you started a row of lovers But their love was never requited So I pushed them down a cliff of disappointment Or they choose to go the same path as you did Not like there's a difference Because whatever way you choose I'll let you down, either fall or walk And at the end you just see your name on a stone And me, putting the heart I ripped out your chest To put it in another and bury it six feet down Where I can't reach it anymore Unfortunately, where you can't reach it, too So after all this time, I still have your heart But I won't call you mine You're just a memory on faded photograph That I put by the stone One last time I visited And never came back again
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Aug 3, 2018
Aug 3, 2018 at 2:27 AM UTC
Graveyard
I didn't push you You decided to walk away Couldn't bear the taste of Defeating over a heart that Was once in your hand I'm not even surprised I would throw up, too 'Coz my heart is dark and bubbly Bitterly smelling and rotting slowly In a chest of a girl Who's perfectly alive And now you're here again Visiting my mind But I won't let you stay You've started a graveyard In my head and in my heart Maybe if things went different There would be “lover” on your stone And few days ago I saw here “friend” Now I can't help but write “stranger” again And there you are Wandering in my mind asking for flowers But I won't visit your grave Not even once again Because there's no point Mourning over people Who are dead, yet alive Why would I cry again if I did it before? The corpses are falling apart, slowly Memories idealised, lying Pretending how pretty it was When we were together, trying to Make me remember things I don't want The look in your glassy eyes is irking Not even trying to pretend the woe Over somebody you've lost Because you don't care enough to go to the funeral Of someone you loved and trusted blindly Calling me sweet and holding me tightly And in my thoughts It's like kissing a skull Dead hand grabbing mine Reaching from dirt and mud We are the same Living skeletons of one another Living without a shame We lost a lover You started a graveyard As a first man I started a graveyard By not loving them And you started a row of lovers But their love was never requited So I pushed them down a cliff of disappointment Or they choose to go the same path as you did Not like there's a difference Because whatever way you choose I'll let you down, either fall or walk And at the end you just see your name on a stone And me, putting the heart I ripped out your chest To put it in another and bury it six feet down Where I can't reach it anymore Unfortunately, where you can't reach it, too So after all this time, I still have your heart But I won't call you mine You're just a memory on faded photograph That I put by the stone One last time I visited And never came back again
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69
they're nothing but glorified bus drivers,  said my father after i told him i wanted to become a pilot. the opposite of love is not hate, but contempt. what causes the kodachrome to fade little by little to grey? is it really bred of familiarity. the wear of gradually learning the truth about somebody. the minutiae of the everyday sanding away at the idealised, sculpural dream. or is it triggered rather by the dull shock of an identifiable disappointment; the inevitable transformation towards sallow disgust justified by the devastation of slap-to-the-face betrayal or loss. must we fulfill the dream simply to learn that it was only ever empty? my father, a devoutly unspiritual pragmatist, had nevertheless as a young man fallen in love with the expansive embrace of the blue above. the son, grandson, and great-grandson of farmers, he worked his hands down to shredded red sores to put himself though flying school only to have his application for a commercial licence rejected due to a doctor's confounding eleventh hour diagnosis. colour blindness. an all-or-nothing man, my father never once returned to the enthralling blues, yellows and pinks offered up by the cockpit, and from that point forward became a farmer. i gave up on the thought of becoming a pilot, and later, (much later), developed a fear of flying.
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Nov 16, 2014
Nov 16, 2014 at 4:27 AM UTC
colour blindness
May we speak for those forgotten far to soon You play deaf to requests of human soul Reptilian lies encasing the heart of stone Oh Captain, No Captain. On this ship on the edge of the dumb new world Idiots raised upon the pew, Hailed as Knights of the people All they’ve brought is numbered days and promises far too few Too Little, Too late Deadly victims to the Maybot’s fate Pillaging idealised dreams of united pride All the people can do is run and hide Democracies throat ripped out by the vile disease British sorry, Not sorry state Broken system, Shattered across the isle Devoid of soul, To death do us part Its Brexit that will drive the steak through The Iron witches, Cold. Dead. Heart.
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Jul 23, 2018
Jul 23, 2018 at 8:16 PM UTC
Little Legal Lie & an Eye for an Eye.
She is preserved at the greenery fading inside the floating yellows her mellow as the sun set strikes face wondering on the future mirror She longs to encase inside her cocoon unhurt the pain pierced in her ribcage the spent morrow of blunt perceptions wavering the chronic deserted day She is alone in a world of within without the touch of the yester clouds the tremor of her upset is unreliable watering the chronic ail she donned She feels the crystal pain on the dial rails of entrust and forgotten tense the troubles of the self sacrifice travellers *trespassing ***** gates of wired shield* She knows when her well is overfilled finding a self that can embrace life the compromised placid meanders flowing the alive esse of a today She moans of eons undignified trying to excavate her sinking soul the one that made her feel like she revealing the reality of her unusual peace She jumps like a seasonal seesaw illusions parading the absolute truce a muse of delicate authentic flavours transversing the idealised time and space She knows herself best when isolated when the moon sinks and the night draw when vagaries explode in the chaotic skies when the pearl starry sun stares in her iris
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Jul 25, 2016
Jul 25, 2016 at 4:22 PM UTC
Lone-wolf She
Does life even have a purpose Or has society given it meaning I don't remember being born with a checklist But society saw my gift and wrote my destiny I try to elude it, but it always finds me Is free-will a myth and is success the only deity Don’t get me wrong I’m not complaining I’m not the recalcitrant teen who rebels to revel I’m the one who’s lost at the intersection of fate and destiny God decides your fate they told me They told me there’s a god inside me And the fate I’ve chosen is poles apart my destiny I am coerced into craving this utopic life idealised by society Who should I pick, who knows better? Society that evolved over eternity or a teen just past puberty In these moments I turn to love to help me I think of my parents and do as they tell me Love demands selflessness and that will drive me My purpose on this earth is to help everyone besides me
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Nov 9, 2022
Nov 9, 2022 at 1:45 PM UTC
Purpose
I plan on using your shaving mug. a plan not worth telling unless you knew of the many howling adolescent evenings I spent jabbing my fingers in the snout to touch your leftover hair. It was stuck, preserved with ancient soap, cleansed of life, of pigment. I wanted to touch the filament that once burnt you into being. Yourself entombed in pottered clay, soft beige monument. The hands that once shaped it, like yours; they tend to me, bring me shape in a formless world. The same shoots grow here; on my crown and over the temples. I worship your concept, myself a replication - thin haired and inadequate. Less loved, more turbulent, with naught left but life. It's less than what you have; idealised memory, a shrine of compliments, a spotless life of saviour and sin. How I love you, oh privation, How I miss you, dear Father. now is the time though, to clear my reflection. now is the time to wash you out.
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Oct 21, 2013
Oct 21, 2013 at 10:48 AM UTC
Shaving Mug
Am I stucked to the same old page of a withering book? Has our story ended, why have I hopes? But you go on forgetting me, maybe hating me, why didn't you just explain? Everytime I read a poem I wonder what would you think, or if you cry reading unsatisfying,sad ends. And I'm hiding behind my dusty glasses while you're a step in front of me in a running over-crowded bus, not greeting like we've never met before. Because I miss you that's why I can't form a proper friendship and people leave, like you did, inexcusably. Maybe I only miss those idealised memories, or need someone who understands all of my aspects like you used to. And they'll keep the promises I believed in. What if I'm stuck to you calligraphic inscription in a tiny note? Do you still read those five pages letters? Do you remember them? Do you remember me? Are we complete strangers again?
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Jun 5, 2014
Jun 5, 2014 at 8:51 AM UTC
Do you remember?
The blind beggar plays to the tune of the river, a Parisian lullaby; une ode à la Seine to deliver. Oh, quickened street, oh, passing joy; my concrete slab, my Helen of Troy. Please stay with me now, my dear wine-soaked friend, do not linger on beginnings; nor focus upon the end. We’ll sing over coffee just to welcome November, a Parisian ensemble; une chanson pour la saison, dying ember. Oh, rainy skies, oh, painted prize; my lucid dream, set before my eyes. Please stay with me now, my idealised sight, do not lend to compromise; in these foreign streets of no plight. And the blind beggar still plays that tune of the river, a Parisian lullaby; une ode à la Seine, et chaleur pour l’hiver.
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Oct 25, 2013
Oct 25, 2013 at 12:01 PM UTC
La mélodie de la Rivière
Nameless is the land I walk upon, despite the flags mounted in wind and the bloodstains on every front door. This body is borrowed from the stars, both a million years old and barely new, despite the gathering of age in my face. All money is spent in vacant assumption; as if these inventions of value do anything but strip all items of their worth. Dreaded is the will I place in travelling, knowing intrinsically about arbitrary birth: that if I was not born on land, I would simply drown. I have paid for the sounds of my guitar, but I lose ownership in their effortless travel through the air - left to sound through the aeons. This house is nothing but Earth upon Earth. Watch as the weeds emancipate through the wall; it is the people who have forgotten their place. These old friends are not mine, but obsessions. Memories of idealised time that I cling to, as toys are swept up and sold in parts. Passing are these clothes upon my back, despite the fashion of my walk and your letters in my old blazer pocket. Rationed is my life upon this planet. All that I meet will fall away, and all that I take, is returned.
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Feb 18, 2014
Feb 18, 2014 at 1:00 PM UTC
Statement of Ownership
Butterfly landed upon my arm Touched just once then flew away Yet trapped in the cage of memories To remain engraved until I fade Lives linked through thoughtless sight And meaningless for one dies so young But does not leave for the other, kissed Yet not missed, taste upon thy tongue Perfection created by not man nor god Pictures and poems can’t replace The Idealised of ones eternity Written upon the others face Beloved, said but I was not For wings of butterflies yearn to fly Alive and caught within a moment If perhaps it lives longer than I.
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Jul 29, 2013
Jul 29, 2013 at 8:44 PM UTC
My Beloved Butterfly
Floating around a magic land Our world, idealised and fantastical Unrealistic reality Of which we are fanatical ly- Craving the glow that warms our greeds That electronic heart pulse That life that can be sliced apart Rearranged and made false The smiles overshadowing empty eyes The hands on the hips make slim The figure of this silhouette And the figure that lurks within Pixels of a true smile evaporated from this world Verify? Verifying... Delete.
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Oct 5, 2013
Oct 5, 2013 at 5:13 PM UTC
Deleted
Sometimes I look up to the sky and have a longing to propel myself outwards amongst the stars and planets and fragments of dust that cling together in desperation, attempting to create some planetary mass that someone, somewhere, might one day call their home. The earth looks on. We go about our lives, venturing to her highest peaks and trekking across the open plains. We cultivate crops in the soil and celebrate when the rains flow from the skies and into the rivers and streams and taps and glasses on the dinner tables of business men and dying veterans, and the child who laughs at the forming of the rainbow, that symbolises the unavoidable end of this dream that we have grown so comfortable with. The earth looks on and is indifferent. We gouge away, we poison, we pollute and we pillage the lands, and expect to fill that void within us. Destroying the very planet that has given us birth so that we might find ourselves, find our way. Yet the more we gouge and poison and pollute and pillage, the further away from this idealised end do we find ourselves. For we do not only destroy the earth; we destroy ourselves. A drop of poison in the ocean is but one more in our cup. As we pollute the skies, so do our minds become clouded and our vision becomes obscured by the continually evolving chaos we find ourselves in, and we double and triple our efforts to maintain order so that we might fill that ever present void. Should one look to the stars or the depths of his mind to find that which he seeks? The deeper we dig, the higher the towers rise above our heads. One cannot stand on a mountain top and deny the existence of the stream that flows effortlessly through the valley. Swim amongst the clouds and glide with the raindrops and rainbows will make their homes amongst you.
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Sep 11, 2012
Sep 11, 2012 at 6:54 PM UTC
Reflections
Sometimes I look up to the sky and have a longing to propel myself outwards amongst the stars and planets and fragments of dust that cling together in desperation, attempting to create some planetary mass that someone, somewhere, might one day call their home. The earth looks on. We go about our lives, venturing to her highest peaks and trekking across the open plains. We cultivate crops in the soil and celebrate when the rains flow from the skies and into the rivers and streams and taps and glasses on the dinner tables of business men and dying veterans, and the child who laughs at the forming of the rainbow, that symbolises the unavoidable end of this dream that we have grown so comfortable with. The earth looks on and is indifferent. We gouge away, we poison, we pollute and we pillage the lands, and expect to fill that void within us. Destroying the very planet that has given us birth so that we might find ourselves, find our way. Yet the more we gouge and poison and pollute and pillage, the further away from this idealised end do we find ourselves. For we do not only destroy the earth; we destroy ourselves. A drop of poison in the ocean is but one more in our cup. As we pollute the skies, so do our minds become clouded and our vision becomes obscured by the continually evolving chaos we find ourselves in, and we double and triple our efforts to maintain order so that we might fill that ever present void. Should one look to the stars or the depths of his mind to find that which he seeks? The deeper we dig, the higher the towers rise above our heads. One cannot stand on a mountain top and deny the existence of the stream that flows effortlessly through the valley. Swim amongst the clouds and glide with the raindrops and rainbows will make their homes amongst you.
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4
I’d seen her coming and going for A couple of years or more, Her hair in the wind was blowing Every time she walked on the shore, I must admit I was taken in By her eyes and her lips of gloss, She made me think of imagined sin The woman who never was. She wore the flimsiest blouses that Were loose, and tied at the waist, And lived in one of those houses they Put up in the new estate. She seemed to delight in teasing me By wearing her skirts so high, The slightest gust from a breeze would free A glimpse of a naked thigh. She never actually spoke to me But she’d raise a brow my way, While I hung over the garden gate Thinking of what to say, And soon it became a ritual She’d pass in the early hours, Then come again in the afternoon With her basket full of flowers. In time I noticed a subtle change In the way she wore her hair, She started to pin it back, and then It didn’t seem so fair. The eyes that had used to tantalise Became harder, and the gloss Was fading out on the ruby lips Of the woman who never was. I thought I was slowly losing her But just a little each day, Nothing would stay the same, I saw Her slowly fading away, I said to a friend, ‘What’s happening, I have this sense of loss,’ And he replied she was trapped inside, The woman who never was. ‘She doesn’t really exist you know, It’s better you let her free, You’ve compromised and idealised Till she thinks, ‘I can’t be me.’ She may just show if you let her go, If you don’t, you’ll count the loss, She’ll stay forever inside you then The woman who never was.’ I switched her off and I walked the shore, Went up to the new estate, Then held my breath and knocked at her door And I said, ‘I know I’m late.’ She looked at me and she smiled, you see, And she said, ‘My name is Roz, It’s been so long I was feeling wrong Like the woman who never was.’ David Lewis Paget
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Aug 22, 2015
Aug 22, 2015 at 9:18 PM UTC
The Woman Who Never Was
I’d seen her coming and going for A couple of years or more, Her hair in the wind was blowing Every time she walked on the shore, I must admit I was taken in By her eyes and her lips of gloss, She made me think of imagined sin The woman who never was. She wore the flimsiest blouses that Were loose, and tied at the waist, And lived in one of those houses they Put up in the new estate. She seemed to delight in teasing me By wearing her skirts so high, The slightest gust from a breeze would free A glimpse of a naked thigh. She never actually spoke to me But she’d raise a brow my way, While I hung over the garden gate Thinking of what to say, And soon it became a ritual She’d pass in the early hours, Then come again in the afternoon With her basket full of flowers. In time I noticed a subtle change In the way she wore her hair, She started to pin it back, and then It didn’t seem so fair. The eyes that had used to tantalise Became harder, and the gloss Was fading out on the ruby lips Of the woman who never was. I thought I was slowly losing her But just a little each day, Nothing would stay the same, I saw Her slowly fading away, I said to a friend, ‘What’s happening, I have this sense of loss,’ And he replied she was trapped inside, The woman who never was. ‘She doesn’t really exist you know, It’s better you let her free, You’ve compromised and idealised Till she thinks, ‘I can’t be me.’ She may just show if you let her go, If you don’t, you’ll count the loss, She’ll stay forever inside you then The woman who never was.’ I switched her off and I walked the shore, Went up to the new estate, Then held my breath and knocked at her door And I said, ‘I know I’m late.’ She looked at me and she smiled, you see, And she said, ‘My name is Roz, It’s been so long I was feeling wrong Like the woman who never was.’ David Lewis Paget
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57
I must have fallen in and out of love a dozen times over the years. This summer I have seen a few of the girls who once were the objects of my affection- albeit idealised versions of themselves whom I created in my mind and placed on pedestals- and spoken with them as though I never felt a spark of passion. And perhaps I did not. So what love have I had that lasted? None comes to mind. How is it I fall in love so easily? I only believe I have not fallen in love at all. And if I have never loved, yet felt so strongly for each after the other, I can only imagine the depths I might feel one day for you. Who can say what it is to love? But I wish to find out; not to fall in love slowly, but all at once. And then all at once again. Like an ocean's waves, endlessly washing over me, I wish to endlessly fall in love with you. To look into your eyes with a steady gaze and know, without hesitation or the faintest doubt, that I love you in that very moment. Because I cannot promise to love you always, and I cannot say I have loved you always, but I certainly can say I love you right now. And what is more honest than to love you in the present tense? And what more could I give than my entire self, as I am, today? I feel as though, I was destined for this. And if you crush me, I would be so honoured to be crushed. If you found another better than I- and scarcely difficult would that be to do- there would be no surprise on my part. But were you to knowingly forgo the possibility of something better, to be with me, there is nothing more than that which I desire. And I am so very often lukewarm, not feeling strongly one way or the other. I would have to say I want for very few things, if I were honest. But my strongest and most passionate wish is to be with you.
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Sep 20, 2013
Sep 20, 2013 at 12:20 PM UTC
Heart's Desire
I must have fallen in and out of love a dozen times over the years. This summer I have seen a few of the girls who once were the objects of my affection- albeit idealised versions of themselves whom I created in my mind and placed on pedestals- and spoken with them as though I never felt a spark of passion. And perhaps I did not. So what love have I had that lasted? None comes to mind. How is it I fall in love so easily? I only believe I have not fallen in love at all. And if I have never loved, yet felt so strongly for each after the other, I can only imagine the depths I might feel one day for you. Who can say what it is to love? But I wish to find out; not to fall in love slowly, but all at once. And then all at once again. Like an ocean's waves, endlessly washing over me, I wish to endlessly fall in love with you. To look into your eyes with a steady gaze and know, without hesitation or the faintest doubt, that I love you in that very moment. Because I cannot promise to love you always, and I cannot say I have loved you always, but I certainly can say I love you right now. And what is more honest than to love you in the present tense? And what more could I give than my entire self, as I am, today? I feel as though, I was destined for this. And if you crush me, I would be so honoured to be crushed. If you found another better than I- and scarcely difficult would that be to do- there would be no surprise on my part. But were you to knowingly forgo the possibility of something better, to be with me, there is nothing more than that which I desire. And I am so very often lukewarm, not feeling strongly one way or the other. I would have to say I want for very few things, if I were honest. But my strongest and most passionate wish is to be with you.
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52
They say love should not be idealized but isn't love the only thing that deserves to be idealised ? They say we shouldn't get too attached but shouldn't we give our all for love if not then can we call it love at all? They say don't give your self up for love but if not for love then what else is there they say we shouldn't get too tethered to love but isn't love something to get wrapped for? oh what i would give to get wrapped in those arms but why did you left me with this void instead of promised future was it all in my head? was I the one dreaming of you while sleepless was i the one looking at your silhouette during the Sunkissed day was i the one who felt the tug while you were chained at the bay? How can one know the end still hope for change how can i fight against the current of the river while you were the sea itself How can i stop myself from burning when you lit the fire yourself.
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May 13, 2025
May 13, 2025 at 2:00 PM UTC
A Future Unwritten
Between a blink, In darkness ever so brief, Against each eye lid, A visage rest finely engraved, A visage of my own, Though immaculate in high relief, There was increasing unease, As though to perceive it, Was to obscure it, Could this be, But a buried impression of me, Of dwindling memory, Or, some idealised state, That I hopefully await, One thing be certain, What visage linger, Between the blink, Is what I will never understand.
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Aug 12, 2017
Aug 12, 2017 at 8:20 AM UTC
Blink
I feel wistful. Wistful of talents I do not have, and places I have not been. But then I remember, Time is limitless if I choose it to be. So many choices, decisions, prospects, endless opportunities. And while others experience, I flounder. In the inbetween state, tiptoes up to the edge but not daring to jump, not yet. Scared of what truth the idealised holds in store for me. I am to find m self in the embrace of a lover, skin to skin. Or in a high so high the sighs of my yesterdays are forgotten. Or am I to find myself always expecting, craving more. Craving I had choosen different choices, made different decisions, followed different prospects. All these endless opportunities, but here I stand afraid. Afraid to chance regret. Afraid to chance wasted time. Afraid to chance. Afraid.
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Dec 20, 2015
Dec 20, 2015 at 6:44 AM UTC
Afraid
and do you believe a woman could undo man's desires, and instead become murderer rather than poet at first sighting of desired affection, or what's to be described as anti-rubric magnetism? oh love at first sight, and subsequently idealised, but then the same love paying the bills, the taxes, changing the nappies... what love so convenient to be eternal and yet so inconvenient as to be mortal?
0
May 23, 2016
May 23, 2016 at 7:45 PM UTC
v.
How hollow the hallowed hours are spent in adoration, These born not by feeling, but simple desperation, As false green pastures of forests set as scenery now wither, That feared cold that the woodland warded against now haunts and hounds, leading one to shock and shiver. Loneliness. That dark dire and deadly dread that stalks us through our lives, We're told we're only alone in death but far less than lonely when we die. We are very rarely not alone, with respect to lives within our heads, Which hold thoughts and hopes and words, only thought of, never said. Nobody really knows us, not all of us I feel The reality is we only reveal a part of ourselves, our self idealised ideal, So here we're left, severed, distant, and detached, Hoping, seeking for some form of a preformed idea of a match, Distinctly apart from each other we are kept for most of the time, Is there any surprise in false emotion of devotion spoken? With loneliness as motive, is there any wonder why the crime? Anything to avoid the harrow of a hallow of the heart It makes out endings and our starts, but which leaves us more apart, I see others, remark and wonder, ponder whether or not they are the same, Lonely empty canvases, blank and always seeking a partner, painter or just a frame. Though these plays we cast, for a time they do sustain, I'd like one day, for the truth to at last be known, Is there a mirror or a soul with who we are the same? Or are we always to be be left alone?
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Jan 16, 2016
Jan 16, 2016 at 7:05 PM UTC
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