Ah, Nikolaas, my love for him is not the same, as my love for thee;
My love for thee was once, and may still be, sweeter, purer, more elegant, and free;
But still, how unfortunate! imprisoned in mockery, and liberated not-by destiny;
It still hath to come and go; it cannot stay cheerfully-about thee forever, and within my company.

And but tonight-shall Amsterdam still be cold?
But to cold temper thou shalt remain unheeded; thou shalt be tough, and bold;
Sadly I am definite about having another nightmare, meanwhile, here;
For thy voice and longings shall be too far; with presumptions and poems, I cannot hear.

Sleep, my loveliest, sleep; for unlike thine, none other temper, or love-is in some ways too fragrant, and sweet;
All of which shall neither tempt me to flirt, nor hasten me to meet;
My love for thee is still undoubted, defined, and unhesitant;
Like all t'is summer weather around; 'tis both imminent, and pleasant.

My love for thee, back then, was but one youthful-and reeking of temporal vitality;
But now 'tis different-for fathom I now-the distinction between sincerity, and affectation.
Ah, Nikolaas, how once we strolled about roads, and nearby spheres-in living vivacity;
With sweets amongst our tongues-wouldst we attend every song, and laugh at an excessively pretentious lamentation.

Again-we wouldst stop in front of every farm of lavender;
As though they wanted to know, and couldst but contribute their breaths, and make our love better.
We were both in blooming youth, and still prevailed on-to keep our chastity;
And t'is we obeyed gladly, and by each ot'er, days passed and every second went even lovelier.

But in one minute thou wert but all gone away;
Leaving me astray; leaving me to utter dismay.
I had no more felicity in me-for all was but, in my mind, a dream of thee;
And every step was thus felt like an irretrievable path of agony.

Ah, yon agony I loathe! The very agony I wanted but to slaughter, to redeem-and to bury!
For at t'at time I had known not the beauty of souls, and poetry;
I thought but the world was wholly insipid and arrogant;
T'at was so far as I had seen, so far as I was concerned.

I hath now, seen thy image-from more a lawful angle-and lucidity;
And duly seen more of which-and all start to fall into place-and more indolent, clarity;
All is fair now, though nothing was once as fair;
And now with peace, I want to be friends; I want to be paired.

Perhaps thou couldst once more be part of my tale;
But beforehand, I entreat thee to see, and listen to it;
A tale t'at once sent into my heart great distrust and sadness, and made it pale;
But from which now my heart hath found a way out, and even satisfactorily flirted with it,

For every tale, the more I approach it, is as genuine as thee;
And in t'is way-and t'is way only, I want thee to witness me, I want thee to see me.
I still twitch with tender madness at every figure, and image-I hath privately, of thine;
They are still so captivatingly clear-and a most fabulous treasure to my mind.

My love for thee might hath now ended; and shall from now on-be dead forever;
It hath been buried as a piece of unimportance, and a dear old, obsolete wonder;
And thus worry not, for in my mind it hath become a shadow, and ceased to exist;
I hath made thee resign, I hath made thee drift rapidly away, and desist.

Ah, but again, I shall deny everything I hath said-'fore betraying myself once more;
Or leading myself into the winds of painful gravity, or dismissive cold tremor;
For nothing couldst stray me so well as having thee not by my side;
An image of having thee just faraway-amidst the fierceness of morns, and the very tightness of nights.

And for seconds-t'ese pains shall want to bury me away, want to make me shout;
And shout thy very name indeed; thy very own aggravated silence, and sins out loud;
Ah, for all t'ese shadows about are too vehement-but eagerly eerie;
Like bursts of outspread vigilance, misunderstood but lasting forever, like eternity.

'Twas thy own mistake-and thus thou ought'a blame anyone not;
Thou wert the one to storm away; thou wert the one who cut our story short.
Thou wert the one who took whole leave, of the kind entity-of my precious time and space;
And for nothingness thou obediently set out; leaving all we had built, to abundant waste.

Thou disappeared all too quickly-and wert never seen again;
Thou disappeared like a column of smoke, to whom t'is virtual world is partial;
And none of thy story, since when-hath stayed nor thoughtfully remained;
Nor any threads of thy voice were left behind, to stir and ring, about yon hall.

Thou gaily sailed back into thy proud former motherland;
Ah, and the stirring noises of thy meticulous Amsterdam;
Invariably as a man of royalty, in thy old arduous way back again;
Amongst the holiness of thy mortality; 'twixt the demure hesitations, of thy royal charms.

And thou art strange! For once thou mocked and regarded royalty as *******;
But again, to which itself, as credulous, and soulless victim, thou couldst serenely fall;
Thus thou hath perpetually been loyal not, to thy own pride, and neatly sworn words;
Thou art forever divided in his dilemma; and the unforgiving sweat, of thy frightening two worlds.

Indeed thy godlike eyes once pierced me-and touched my very fleshly happiness;
But with a glory in which I couldst not rejoice; at which I couldst not blush with tenderness.
Thy charms, although didst once burn and throttle me with a ripe vitality;
Still wert not smooth-and ever offered to cuddle me more gallantly; nor kiss my boiling lips, more softly.

Every one of t'ese remembrances shall make me hate thee more;
But thou thyself hath made more forgiving, and excellent-like never before;
'Ah, sweet,' thou wouldst again protested-last night, 'Who in t'is very life wouldst make no sin?'
'Forgiveth every sinned soul thereof; for 'tis unfaithful, for 'tis all inherently mean.'

'Aye, aye,' and thou wouldst assent to my subsequent query,
'I hath changed forever-not for nothingness, but for eternitie.'
'To me love o' gold is now but nothing as succulent',
'I shall offer elegantly myself to not be of any more torment, but as a loyal friend.'

'I shall calleth my former self mad; and be endued with nothing but truths, of rifles and hate;'
'But now I shall attempt to be obedient; and naughty not-towards my fate.'
'Ah, let me amendst thereof-my initial nights, my impetuous mistakes,'
'Let me amendst what was once not dignified; what was once said as false, and fake.'

'So t'at whenst autumn once more findeth its lapse, and in its very grandness arrive,'
'I hopeth thy wealth of love shall hath been restored, and all shall be alive,'
'For nothing hath I attempted to achieve, and for nothing else I hath struggled to strive;'
'But only to propose for thy affection; and thy willingness to be my saluted wife.'

And t'is small confession didst, didst tear my dear heart into pieces!
But canst I say-it was ceremoniously established once more-into settlements of wishes;
I was soon enlivened, and no longer blurred by tumult, nor discourteous-hesitation;
Ah, thee, so sweetly thou hath consoled, and removed from me-the sanctity of any livid strands of my dejection.

For in vain I thought-had I struggled, to solicit merely affection-and genuinity from thee;
For in vain I deemed-thou couldst neither appreciate me-nor thy coral-like eyes, couldst see;
And t'is peril I perched myself in was indeed dangerous to my night and day;
For it robbed me of my mirth; and shrank insolently my pride and conscience, stuffing my wholeness into dismay.

But thou hath now released me from any further embarkation of mineth sorrow;
Thou who hath pleased me yesterday; and shall no more be distant-tomorrow;
Thou who couldst brighten my hours by jokes so fine-and at times, ridiculous;
Thou who canst but, from now on, as satisfactory, irredeemable, and virtuous.

Ah, Nikolaas, farther I shall be no more to calleth thee mad; or render thee insidious;
Thou shall urge me to forget everything, as hating souls is not right, and perilous;
Thou remindeth me of forgiving's glorious, and profound elegance;
And again 'tis the holiest deed we ought to do; the most blessed, and by God-most desired contrivance.

Oh, my sweet, perhaps thou hath sinned about; but amongst the blessed, thou might still be the most blessed;
For nothing else but gratitude and innocence are now seen-in thy chest;
Even when I chastised thee-and called thee but an impediment;
Thou still forgave me, and turned myself back again into elastic merriment.

Thou art now pure-and not by any means meek, but cruel-like thy old self is;
For unlike 'tis now, it couldst never be satisfied, nor satiated, nor pleased;
'Twas far too immersed in his pursuit of bloodied silver, and gold;
And to love it had grown blind, and its greedy woes, healthily too bold.

And just like its bloodied silver-it might be but the evil blood itself;
For it valued, and still doth-every piece with madness, and insatiable hunger;
Its works taint his senses, and hastened thee to want more-of what thou couldst procure-and have,
But it realised not that as time passed by, it made thee but grew worse-and in the most virtuous of truth, no better.

But thou bore it like a piece of godlike, stainless ivory;
Thou showered, and endured it with love; and blessed it with well-established vanity.
Now it hath been purified, and subdued-and any more teaches thee not-how to be impatient, nor imprudent;
As how it prattled only, over crude, limitless delights; and the want of reckless impediments.

Thou nurtured it, and exhorted it to discover love-all day and night;
And now love in whose soul hath been accordingly sought, and found;
And led thee to absorb life like a delicate butterfly-and raiseth thy light;
The light thou hath now secured and refined within me; and duly left me safe, and sound.

Thou hath restored me fully, and made me feel but all charmed, awesome, and way more heavenly;
Thou hath toughened my pride and love; and whispered the loving words he hath never spoken to me.
Ah, I hope thou art now blessed and safely pampered in thy cold, mischievous Amsterdam;
Amsterdam which as thou hath professed-is as windy, and oft' makes thy fingers grow wildly numb.

Amsterdam which is sick with superior lamentations, and fame;
But never adorned with exact, or at least-honest means of scrutiny;
For in every home exists nothing but bursts of madness, and flames;
And in which thereof, lives 'twixt nothing-but meaningless grandeur, and a poorest harmony.

Amsterdam which once placed thee in pallid, dire, and terrible horror;
Amsterdam which gave thy spines thrills of disgust, and infamous tremor;
But from which thou wert once failed, fatefully, neither to flee, nor escape;
Nor out of whose stupor, been able to worm thy way out, or put which, into shape.

But I am sure out of which thou art now delightful-and irresistibly fine;
For t'ere is no more suspicion in thy chest-and all of which hath gone safely to rest;
All in thy very own peace-and the courteous abode of our finest poetry;
Which lulls thee always to sleep-and confer on thee forever, degrees of a warmest, pleasantry.

Ah, Nikolaas-as thou hath always been, a child of night, but born within daylight;
Poor-poor child as well, of the moon, whose life hath been betrayed but by dullness, and fright.
Ah, Nikolaas-but should hath it been otherwise-wouldst thou be able to see thine light?
And be my son of gladness, be my prince of all the more peaceful days; and ratified nights.

And should it be like which-couldst I be the one; the very one idyll-to restore thy grandeur?
As thou art now, everything might be too blasphemous, and in every way obscure;
But perhaps-I couldst turn every of thine nightmare away, and maketh thee secure;
Perhaps I couldst make thee safe and glad and sleep soundly; perfectly ensured.

Ah, Nikolaas! For thy delight is pure-and exceptionally pure, pure, and pure!
And thy innocence is why I shall craft thee again in my mind, and adore thee;
For thy absurdity is as shy, and the same as thy purity;
But in thy hands royalty is unstained, flawless, and just too sure.

For in tales of eternal kingdoms-thou shalt be the dignified king himself;
Thou shalt be blessed with all godly finery, and jewels-which thou thyself deserve;
And not any other tyrant in t'ese worlds-who mock ot'er souls and pretend to be brave;
But trapped within t'eir own discordant souls, and wonders of deceit and curses of reserve.

Oh, sweet-sweet Nikolaas! Please then, help my poetry-and define t'is heart of me!
Listen to its heartbeat-and tellest me, if it might still love thee;
Like how it wants to stretch about, and perhaps touch the moonlight;
The moonlight that does look and seem to far, but means still as much-to our very night.

Ah! Look, my darling-as the moonlight shall smile again, to our resumed story;
If our story is, in unseen future, ever truly resumed-and thus shall cure everything;
As well t'is unperturbed, and still adorably-longing feeling;
The feeling that once grew into remorse-as soon as thou stomped about, and faraway left me.

Again love shall be, in thy purest heart-reincarnated,
For 'tis the only single being t'at is wondrous-and inexhaustible,
To our souls, 'tis but the only salvation-and which is utterly edible,
To console and praise our desperate beings-t'at were once left adrift, and unheartily, infuriated.

Love shall be the cure to all due breathlessness, and trepidations;
Love shall be infallible, and on top of all, indefatigable;
And love shall be our new invite-to the recklessness of our exhausted temptations;
Once more, shall love be our merit, which is sacred and unalterable; and thus unresentful, and infallible.

Love shall fill us once more to the brim-and make our souls eloquent;
Love be the key to a life so full-and lakes of passion so ardent;
Enabling our souls to flit about and lay united hands on every possible distinction;
Which to society is perhaps not free; and barrier as they be, to the gaiety of our destination.

Thus on the rings of union again-shall our dainty hearts feast;
As though the entire world hath torn into a beast;
But above all, they shan't have any more regrets, nor hate;
Or even frets, for every fit of satisfaction hath been reached; and all thus, hath been repaid.

Thus t'is might be thee; t'at after all-shall be worthy of my every single respect;
As once thou once opened my eyes-and show me everything t'at t'is very world might lack.
Whilst thou wert striving to be admirable and strong; t'is world was but too prone and weak;
And whilst have thy words and poetry; everyone was just perhaps too innocent-and had no clue, about what to utter, what to speak.

Thou might just be the very merit I hath prayed for, and always loved;
Thou might hath lifted, and relieved me prettily; like the stars very well doth the moon above.
And among your lips, lie your sweet kisses t'at made me live;
A miracle he still possesses not; a specialty he might be predestined not-to give.

Thou might be the song I hath always wanted to written;
But sadly torn in one day of storm; and thus be secretly left forgotten;
Ah, Nikolaas, but who is to say t'at love is not at all virile, easily deceived, and languid?
For any soul saying t'at might be too delirious, or perhaps very much customary, and insipid.

And in such darkness of death; thou shalt always be the tongue to whom I promise;
One with whom I shall entrust the very care of my poetry; and ot'er words of mouth;
One I shall remember, one I once so frightfully adored, and desired to kiss;
One whose name I wouldst celebrate; as I still shall-and pronounce every day, triumphantly and aggressively, out loud.

For thy name still rings within me with craze, but patterned accusation, of enjoyment;
For thy art still fits me into bliss, and hopeful expectations of one bewitching kiss;
Ah, having thee in my imagination canst turn me idle, and my cordial soul-indolent;
A picture so naughty it snares my whole mind-more than everything, even more than his.

Oh, Nikolaas, and perhaps so thereafter, I shall love, and praise thee once more-like I doth my poetry;
For as how my poetry is, thou art rooted in me already; and thus breathe within me.
Thou art somehow a vein in my blood, and although fictitious still-in my everyday bliss;
Thou art worth more than any other lov

I hate the dripping dark hollow behind the little wood;
Its tips a cursed maroon with a blood-red heath.
I think I praised and lamented it too soon;
Before seeing its scent; I saw already its stray mystical death.

My crown is torn, outraged by florid winds and scorn;
Like a tangled old roots of the windblown thorn;
I shall feel scanty by my own poetry,
And throw it about, duly, like a static little joke.

I shall let my heart grow dull and illiterate;
I shall not taste joy, no more, in any clear--flowery fate.
I shall seek everything bitter, and not sweet;
Even not pure as the honey of a bee; for it shall be plain.

I shall curve and bend any straightforward light;
I shall harass it, and blind it--as if my ghost’s dead soul is very not here.
Ah, where is but Maud, Maud, Maud, and Maud;
Perhaps she is astray in my memory still, and not by my side.

I feel relieved so soon as glanced at her beside me;
She owns still that full lips like a perniciously tasty moon;
She is adorable like the flower of heaven itself;
She strikes me again when away, and tosses me about when near.

Ah, Maud, Maud, Maud;
Tame me again with thy rain of laugh;
Saint me once more like a fresh young bird;
Come to me now, and return my unheeded love.

Ah, Maud, Maud, Maud;
And kissing her forehead takes me back to that day;
A day of myths, a day of agile swans and storms;
An ornate time of hatred; a whirl of bitter fate; a dust of sorrow.

Ah, Maud, Maud, Maud;
And again I was alive in this tale, with a burning heart;
On one eve of tears, a mischief, and a wan poetry;
I caught about shadows in which there was no soul of Maud.

I could only see the stones, lying ghastly about the fireplace;
Ah, Maud, are you but still haunting those whimsical moors?
Their strange murmurs but I cannot hear;
But still they consume me, ah, I am scared;
I wish they would be gone soon, I wish you were but here.

These storms were amusing but peculiar;
They are bizarre, but intelligent and stellar;
And calling thy name out but breathes into me strength;
Ah, but should I be here, and bear away thy image alone?

Ah, and thou wert in but nymphic and lilac dream;
And my heart was still not massaged by the tender storm;
For it meant thee, and hungered but for thee only;
And in the midst of love had it longed, and yearned for thee.

Ah, where is but Maud, Maud, Maud, and Maud;
Her with her childish eyes and rounded head of bronze,
With her rapturous steps and wild glittering aroma,
With her atrocious jokes, and a wintry secret touch?

But still she was not anywhere about;
She dissolved like one romantic bough of soda;
And within a rough joke, she would be but gone;
And now the storm returned, but I was wholly on my own.  

Ah, and now the striking storm is mounting the earth;
Should I write alone and chill myself by the green hearth?
For I hath nothing to console and lengthen my parched logs;
I shall wait outside and drift about yon wintry bog.

Ah, where is but Maud, Maud, Maud;
Maud with her heart-shaped face and bare voice aloud;
A voice that soaked my senses and craving throat;
Maud but teased me and left me to that joke.

Where is but Maud, Maud, Maud and Maud;
Maud, the goth princess within my ancient poetry;
Who but remained symmetrical and biblical in her vain torments;
Who but stayed sturdy and silent; amidst her anger, and vain fellows’ arguments.

Listen to me. I am but full of hatred.
I am neither a gentleman nor a well-bred;
I, who is just a son of an infamous parson;
A malleable son; with a bleak aura of a putrid spring.

I, one who crafted ingenious jokes;
But interminable as they always are;
I made Maud sit still as I held my woodwork;
While she perched herself on yon bench, gazing at dispersed starry stars.

Maud the shadow in my pale mirror;
At times she ceased at morns, but retreated at night;
On her brother’s sight she fled in horror;
But on mine her smile turned me bright.

Maud was idle, sparkling, vibrant, and tedious;
Her heart was free and not marred by stupor.
She was the sun on my very bright days;
She made me startled; she always left me curious.

Maud the green of the farm, the red of the moon;
Without her everything would spring not and remain odious;
Everything would be bleak and stayed tedious;
Ah, but still I could not own her, though I was her saviour.

I was a farmer and perhaps still am;
Perhaps that’s why her mother ditched me with shame.
Maud said she had not places like home;
Her house was the mere shallow--and gratuitous throne.

Maud came often down and agitated;
Her mood shadowy, she cried and cried too aggravated;
I caressed her back, and placed my palms on her white knees;
She told me stories whenever no-one else would see.

She wanted not to mount the throne;
She giggled often, at our country escapade;
She loved my cottage, she sweetened my thin grass;
Even those apple trees had then her eyes, which sprayed tough, lonely seas of green.

Maud took to hymn and dear children’s little songs;
She was popular always among the talkative throngs.
She would love to dance and wiggle and turn around;
While village pupils gathered to sing a noble sound.

Ah, but when the mirthless prince arrived;
With white horses and swords of a knight;
Maud was swallowed every morning, all through day and night;
Maud was no more seen by my side.

I thought I was not alive, for dreams were unreal;
If they had been, then they I’d have want’d to ****;
But seeing Maud not gave me fretful chills;
I often woke up tensely, within a midnight’s shrills.

Ah, where is but Maud, Maud, Maud, and Maud;
Maud my bumblebee and my delicate little honey.
I kept waiting for her behind the rustic brook;
I fetched my net and fished by my old nook.

Ah, and where is Maud, Maud, Maud, and Maud;
My eyes were still and my chest could no more speak.
I wearily fancied she had been kidnapped faraway;
She would be jailed in a sore realm, and would no more be back here.

Ah, for had she been lost, then I had lost my ultimate pearl;
For there would no more be magic, there would be no more of her;
No-one would so restore my original spring;
Perhaps there would be no spring at all, and I would suffer in summer.

And I would lose anyway--my lyrical, elusive demon;
For Maud had always been elusive herself.
She wore that evil smile and thin laugh;
As I told her tales of fairies that she loved.

As I am fond of magical poetry and dramas;
Maud too used to read them with genuine personas.
She was my epic fanatical little devil;
She liked tropical cold and a faithful Mephistopheles.

I should be Faust, as she once said;
For had I fair hair, yet a bald head;
She said like Faust, I was cleverly amusing;
But to me, like Mephistopheles--she was unusually entertaining.

She danced before me a beautiful ballet;
She was young and keen to levitate as a ballerina;
She crafted me limericks and such fair lines of sonnets;
She made earth my heaven, and my melodies a twin cantata.

Ah, and where is Maud, Maud, Maud, and Maud;
I need my butterfly amongst this wheezy curdling cold.
I need my lover to soothe my chained hysteria;
I need to get out of here, and feed my love with her charms.

Ah, but where is Maud, Maud, Maud, is not she here?
I was then screaming in my solitude, could she but not hear?
I could speak not, no more--sore and wounded by this snowstorm;
I crept sick and weak like a dumb old worm.

She was not even heard of upstairs;
While I was dying here as a roaring beetle.
I hath almost lost all my creative flair;
I felt tormented and neglected and nearly feeble.

Ah, but a story like this is not such a fable;
So at that time I did shun sadness and seek a warm ending;
But indeed, to escape fate the poor were perhaps not able;
And the farmer’s son shall never be a king.

And ‘twas the nobles’ right to be idyllic;
To be deemed far then fairly righteous.
My charms were trivial, and so was then my wit;
My prayers were too parted and despaired; no matter how rigorous.

I kept my work along the countryside;
I toiled all night and behind fierce daylight.
I hoped Maud would see me back one day;
But what I found was to my dismay!

Ah, Maud, for she was now engaged;
To that pathetic creature the cursed morn brought about;
And parties arranged, voices too raised;
The union was now what people had in thought.

Onto my shoulders my head kept sinking;
I killed myself nearly, for my irksome defeat in this rivalry;
A rivalry that failed to transgress vital destiny;
A rivalry I could not even bear to think.

But again, this love had always been everything;
And thus Maud’s union would equal my death;
One night I crept out of my bed;
I had in hand a keychain and a net.

The soldier was infused by sound sleep;
And into Maud’s grand chamber I crept;
Everything was pink and quite neatly kept;
But woke I her not--as I heard her breast breath slowly.

She was tremendous still--in beauty;
Maud in her splendour; so young and free.
Ah, she was free but not free, I fathomed;
I looked at her over and over again.

I looked at her violet bed and comfort net;
Ah, my Maud too ****** and temptingly red.
She was too abundant in her young and chaste soul;
Ah, I could not imagine how she would soon be one else’s.

Long did I stand; ‘till morning streamed back again;
Still I remained unmoved; I stared at my darling in vain.
I jumped startled as the door opened;
And showed me the horror of the Queen!

‘Come, ye’ fool’, she voicelessly instructed;
Her face emotionless as these words emanated;
‘And embrace thy very fate’, to the handcuffs me she directed;
‘For daring look into my dame’s immaculately flawless chamber’.

She pointed thereof--a black gun at my chest;
It would soon burst out and tear my vest;
And even fly me straight to death;
So drifted I, without further haste nor breath.

Those poor soldiers imprisoned me there;
A cellar room at the top of filthy stairs;
I stayed awake only for grief and tears;
And most of the time I laid about sleepless and stared.

I grew skinless as my bones squinted;
And laughed at me with their sordid might;
Flies were about me, bending onto my rotten pies;
And slices of meat left out by sniggering guards.

I hit my head on witnessing Maud’s cold marriage;
‘Twas on a Saturday on the castle’s rain-wetted field.
I heaved myself onto the windowsill and saw;
How the couples were blessed and sent thereby back.

I could not see Maud’s face and fleshy cheeks;
But didst I feel her discarded tears;
Marred and defiled her lovely fits;
Though just those innate, and not out there.

I struck the lifeless paint with my bare palms;
Now the walls were tainted; they smelled like my blood.
Time passed and desire for Maud was never killed;
I’th missed her every day, since then, and perhaps always will.

But my love for Maud was never probable;
I was decent, honest, but indeed not preferable;
I was not even preferable by fate, as thou might see;
Fate who is neither truthful; nor frankly urges us to lie.

I often laid hopeless by the moonbeam;
Until night came and eyesight grew more and more vulnerable.
I waited ‘till it was dark and left to day no more gleam;
Then took my journal of Maud’s jests and read her affable poems.

I turned around--and would disgrace my bed still;
I was plain starved but had no desire to be properly fed;
Of a dream of death I grew instantly pertinacious;
And of my future tomb I grew fonder--and yet rapidly curious.

Ah, but my sweet Maud, Maud, Maud, and Maud;
And deliriously she somehow became pregnant;
But remorse said she kept the souls of two;
And fatefully could not make them both perfect!

I indeed plain prayed for Maud’s survival;
I cared not whose sons they might be;
Ah, but the twins were still sinning babies--as I comprehended,
For they were formed not from cells of mine!

Ah, Maud, Maud, Maud,
And during those last days she was cautiously ill;
And a drive of cholera had again grown widespread;
But she was not maddened; by it she was not marred.

She was sickened by temper still;
And the prince found dead, she grew more terrifyingly ill;
She had a pure heart, so she flourished not over the beast’s death;
Nonetheless, he remained the father of yon sickly offspring.

Ah, Maud, Maud, Maud,
I was duly growing perfectly anxious;
She was to give birth--ah, to those little ignoramuses;
And within a little chord in one or days of two--she would do so.

But without a father to care for her notorious sons;
And even I was locked away, and could not do so;
I was terrified, I was horribly undignified;
To learn this stern reality we were so sullenly faced with!

Ah, not now! I could not too believe my ears!
Maud and her children were dead--they’d been stillborn;
Before they left Maud alone to receive her fate;
Her locksmith would not come; he had another due in a nameless town.

By the time he arrived my darling had gone;
Perhaps she was now shimmering in heaven;
Enchanting her children with her enormous spells;
Narrating stories no plain human could ever tell.

Even in heaven my love would perhaps be famous;
Her tenderness would make other angels jealous;
And angered by envy, they would gather and complain to God;
How an earthly soul could be more vivacious than their heavenly were.

Ah, but where is Maud, Maud, Maud;
Maud and her chain of songs that were never to be broken;
Maud and her familiarity with gardens and blue lilies;
Maud and her immaculate pets of birds that still sweetly sing.

Ah, but where is my darling, my darling, my darling;
My eternal ocean, my hustling flowerbed, my immortal;
My poem, my enchanting lyric, my wedding ring;
My novelty, my merited charm, my eternal.

And now she was longing for her grave, as I’d been told;
For I’d been told by the dimmed torches and fuss and mirthless air outside;
By the endless wandering and the prince’s wails and wordless screams.
Ah, my Maud had now migrated from her life--but attained her freedom!

And he was thus unworthy of being in her heaven;
Her heaven where there would be me, her true love;
And thus he would be glad to greet his fires of hell;
He would marry an evil angel there--and make himself again full.

But I’d be with Maud, Maud, Maud and Maud;
I’d be again with my gem, indefatigable little darling;
Whose voice was unsure, whose poems were never known;
But ‘twas enough that they’d been known to me, her secret--ye’ dearest lover.

So took I, that spinning penchant and a circle of strings;
The edges I matched to the chains on my ceilings.
I braced myself for my very own fiery death;
But again, I’d be with Maud and death would no more, aye, be sad.

Thus the above poem was done by my spirit;
But with the same token and awe of genuineness and wit;
I feel tired--I shall close my eyes, and thus enjoy my heaven now;
For my wife and starlings are all waiting for me to-morrow.

It is now nighttime in heaven;
And there is indeed, no place on earth lovelier;
I gaze into my wife with a loving madness;
Her cheeks sweeter still, than any proudest swiftness.

I shall take my vow of marriage tomorrow;
My proud wife sitting in yon angelic chair by my side.
I shall cradle, then, those white little nuptial fairies;
They are Maud’s children’s, but lithe and gracious and bow to me in chaste mercies.

Ah, Maud, Maud, Maud, she is but all mine now;
I am still surprised now, as sitting by this heaven riverside.
One even grander than the one I’d had beside the lake;
Which I often farmed when I had needs to bake.

Ah, Maud, Maud, Maud, she is a ghost but as ever lively;
We are both dead but she boldly remaineth lovely;
I know she is worthier than serene jewels or mundane affairs;
And still she is worthier all the same, than any other terrific palace--or heir.

Ah, Maud, Maud, Maud, and this war is but all over now;
Thus let us dream dead of the exciting tomorrow.
We shall see life and our children grow;
We shall witness delight--and miracles none ever knows.

I don't want to shoot,
I don't want to win
I don't want to 'fight' the way we were trained,
I'll fight with my heart and a can of white paint.

Wounded flags fatefully fall.
Under the spell your command.
But watch me you will, I'll make them true,
Watch me you will, as I make them free.
We don't belong to you.

I'll brush them clean, with the truth of our tears,
Unwilling participants of the sick game,
We never wanted to play.

I don't want to shoot,
I don't want to win
I don't want to 'fight' the way we were trained,
I'll fight with my heart and not with your aims.
I'll fight for us all,
For we all die the same.

Aye, Vladimir, just before I met thee
I hath been sure I hath loved him-
no matter as queer as it may hath seemed!
Thou knowest not, how much tears I hath shredded
and noticest not, how t'eir vanity made me look dead!
But why-why then didst thou appear-
and wokest within me t'is secret fear-
with understanding in thy eyes,
and with a love t'at is to me so dear.
Why-why t'en thou left me, left me again!
Whenst I got to knowest thou but for a moment,
ah, with not so much of an endearment-
afforded ourselves only t'at streak of lovely,
but still weak of too a bond,
or any pact, of young novelty.
And everything was corrupt
As soon as thou re-released me
into t'ese qualms of insincerity
wherest I am still tossed about, guilty.
And hushed, hushed always,
like a trivial, parallel wind!
As though my dear heart's bathed in sin
and of a soul t'at is so thin
So worthy not of thy soulfulness
and sweet dreams of many happinesses.
Ah, Vladimir! If only thou could knowest
T'is thread of passion thou hath sowed
and how my entirety seekest being loved
By thee, and only by thee, o my rain!
As thou art but king to my sneaky moon
and my very own kingdom of stars
Not him-not him, o t'is I entreat,
albeit his wits hath been but to me so sweet.
Still he be a mistake, ah, a chilly autumn mistake
to me, from whom I didst just turn awake.
Probably thou would hath loved me;
imperishably and blindingly,
until all thy superb charms and wit
t'at wert but tortured and unbending
shalt be left within me lit;
and thus leaving our fiery souls entwined
with winds t'at art even sweeter
yet might be torturously everlasting.
Vladimir, Vladimir, oh my only Vladimir!
Thou altogether belongst with me; here,
so unjustly yet heavenly
And in our hands is cherished
our love, o, so wickedly-but fatefully!
How I longst to be thy lover, dearest-
and be so comely as thy only flower;
which ripens thickly in thy winter
and blooms robustly, in thy summer.

Homage to the late poet; Kofi Owonor


By
Alexander K Opicho
(Eldoret, Kenya;aopicho@yahoo.com)


In one Sunday Nation article, Professor Ali A Mazrui analyzed the inter-politicality of The Jaramogi Odinga family and The Kennedy family by arriving at a difference that the Odinga’s have curse of long life but the Kennedy’s have a curse of early death through violent and untimely  mode of death .Mazrui made these analogies in reference to violent death of John F. Kennedy and the subsenguent Chappaquiddick bridge tragedy.Similarly,the salient difference between a European and American or a Japanese and African writer or African artist is that most of African writers die early in the mid of their lives through violent death but in contrast American and some European writers die peacefully and comfortably in their old age. Early and violent death is the dominant bane, fate and misfortune that now and then besmirch an African writer. This position is in recognition of a fact that my child-hood American popular literature writers in the name of Mario Puzzo author of the God Father and Robert Ludlum an author of several anti soviet spy series like; Borne dentity, Borne Ultimatum and Icarus Agenda plus very many others like The Matlock Paper had just to die recently in their late eighties. The most surprising of all is Phillip Roth whom I read at the age of twelve years while in my primary four.  Now I am forty years and this year 2013 Phillip Roth is still alive and active to the American literary civilization that he has been touted by the Ladbrokes as a probable candidate for Nobel Prize in literature. But sadly enough on 22 September 2013 in Nairobi the black angel of early  death has carried ahead its  foul duty by claiming the life of Africa’s most honorable literary scholar Professor Kofi Owonor during the helter-skelter of Alshabab terrorist lynch of the upscale West Gate Mall in Nairobi.
Actually this essay is meant to be a deep felt homage to the late Kofi Owonor, Killed by Islamic terrorists in Nairobi. However, the essay also goes ahead to decry the violent and early deaths of several other African writers. The deaths which have almost turned Africa into a literary dwarf if not a continent of artistic bovarism. Kofi Owonor, who peacefully and honorably came to attend Story Moja Literary festival to be held in Nairobi, was violently shot by the Islamic fundamentalist terror group known as Al shabab. Whose gunmen lynched the Mall in which was Kofi Owonor and his son. The terrorist were sending out the Muslim catchword on which if one fails to respond then he was known not to be a non- Muslim on to which he is shot or held hostage for ransom.Fatefull enough, Kofi Owonor was not muslim.He was an elder, an Africanist, a scholar, a poet, a realist, a rationalist, a Christian, a religious non-fundamentalist and a literary liberalist. He could not respond with any tincture of religious irrationalism to the question of the terrorist. He was shot dead and his son injured. Too sad. This is actually the time when Christian positivism goes beyond rigidity of other religious affectations in its classic assertiveness that the devil kills the flesh but not the soul. And indeed it is true the devilish terrorist killed Owonor’s flesh but not his literary soul. They are such and similar situations that made Amilcar Cabral to observe in his Unity and Struggle, in a section on Homage to Kwameh Nkrumah to rationalize that the sky is too enormous to be covered by the palm of a sadist nor to be vilified by the spitting of the filthy ones; Truly, like Nkrumah, Kofi Owonor was the sky of African intellect never to be covered by the brute of the cannon from the parrel of a Muslim terrorist.
Kofi Owonor is not alone neither are we alone. You, my dear reader and I  we are not in any historical nor literary solititude. In Africa God has blessed us with the opportunity of the dead relatives in the name of the living dead. We are not the first and the last to grief. Owonor is not the first and the last to dance with fate. Even Ali A. Mazrui in his literary expositions of 1974 otherwise published as the trial of Christopher Okigbo.A  novella in which Mazrui cursed ideology as an open window into the moving vehicle that let in  a very bad political accident to Nigeria in the name of Biafra war which claimed life of  Christopher Okigbo at the Nzukka battle front. This was one other sad moment at which Africa lost its young literary talent through violent death.
Reading of African literary biographies in all perspectives will not miss to make you attest to this testimony. Both in situ and in diaspora.Admirable African American writers like Malcolm X, and Dr Luther King all died through violent death. Even if in the recent past, the Daughter of Malcolm X revealed to Sahara Reporters, Nigerian Daily, that Louis Farrakhan was behind the assassination of her father, wisdom of the time commands us to know that it was evil politics of that time that made Malcolm X to die the way international politics of today in relation to crookedness which was entertained during the formation of the state of Israel that have made the son of Africa professor Kofi Owonor to die.
An in-depth analysis into the life and times of African writers and artists will show that the number of African cultural masters who die violently is more than the number of those who died normally in their old age. Some bit of listology will show help to adduce the pertinent facts; Patrice Lumumba, Steve Biko, Lucky Dube, Walter Rodney, Tom Mboya, J M Kariuki, Che que Vara, Ken Saro Wiwa, Anjella Chibalonza, and Jacob Luseno all but died through violent death. Lumumba died in a plane crash along with Darg Hammarskjöld only after penning some socialism guidelines. After writing I write what I want, a manifesto for black consciousness Steve Biko was arrested and tortured in the police cells during those days of apartheid in south Africa.Biko died violently while undergoing torture in police cells. Lucky Dube was fatefully shot by a confused ****. Walter Rodney who was persuaded by his student who is now the professor Isa Shivji at Dare salaam University not to go back to his country of Guyana, desisted this voice and went back only to be assassinated in the mid of the rabbles that domineered Guyanese politics those days of 1970’s. This happened when Rodney had written only two major books. How Europe Underdeveloped Africa, being one of them. Tom Mboya was shot by a hired gunman in down-town Nairobi, some one kilometer away from the West Gate Mall, at which Kofi Owonor has been shot. Mboya could have written a lot. Even more than Rudyard Kipling and Quisling. But fate or bad luck had him violently die after he had only written two books; Challenges to Nationhood as well as Freedom and After. Both of them are classically nice reads until today. He had also submitted sessional paper no. 10 to the Kenya government which was a classical thesis on Africanization of scientific socialism.
J M Kariuki, Che and Saro Wiwa are all known for how they violently died. Powers that be and terrorists that be, expedited violent death against these writers. Thus, brothers and sisters in the literary community of Africa and the world as we mourn Kofi Owonor we must also let Africa to unite in spiritual effort to rebuke away the evil spirit that often perpetrate terror of violent death which  especially  claim away lives of African writers.

References
Ali A. Mazrui; Trial of Christopher Okigbo
Amilcar Cabral; Unity and Struggle

A name. A name as it just is, but one t'at is so dear
to my heart-th' glint of my dreams,
th' tempest of my soul. Th' wave of my life,
th' tide of my *****-and how bound to my heart-as t'ey art!
Th' glide of my tempest, th' water of my drought-in t'at
simpering stain of th' past-thou wert but my sole emblem
of imagination. Thou wert th' only thunder to my heart-
and my benign indulgence-thy words wert to me my kingdom,
my most earnestly desired kingdom! Thou wert but to me so near-in t'at
affronted fright of my being, thou wert my enigmatic master
and ardour. How thou comforted me!
And how thy charm was but so near!
My prince, my love!
I was but in a striving trance-but as soon as thou reached my handth-
and pressed me so tenderly to thy chest-o!
How I was entangled in a haven of imminent soliloquy.
And my eyes-my very eyes, watched t'ose shadows of bubbles-
and t'at splash of foreign doubts, drift, drift away-like a busy wind,
trying to escape its shrieking rims: how t'ose fears and drears
astoundeth me no more!
And thee,
How replenishing, andth becoming thou art to me!
Vanquished areth now t'ose thoughts unsure-in thee I witnesseth nothing
but pleasure! Thee-thou art, and just thou art, is my warmth and
fiery treasure-just thee, my love. Thou art th' blood t'at feeds my veins!
How thy first words art but fresh in my memory-thou blesth my morning,
and its sublime meekness, but its kisses art as fervent as thine not-and would I
still be gripped by its dangling, mystical fear.
And t'ose rainbows of falsehood, how t'ey snickered-hark to t'eir deceit,
and flakes of malice-hark now! I was so entranced by t'eir speeches, and
blinding emotions, so captivating in t'ose years of insincere heat, but no more!
No more shalt I give my life to 'em-to endue 'em with my glows of aspiration
as heretofore. I would be clever t'is time-and fleet as I like th' pouring rain-
beware ought 'ey to become, of my festive storm!
But thou-as majestic as th' morn's melodious dew-caught my love in a burst
of eloquent second, and lock it in thy memories, heart, and salubrious
weather. How thou gleamed my life-my very life!
T'is life t'at was isolated by flushes of unripe redness-
unlike t'ose taints of glamorous roses-fake, indolent shapes as t'ey are,
scattered along t'ose innocent bushes, and am but afraid t'ey shalt
survive not-and wither shalt t'eir robust leaves, from t'at ample
sadness bestowed guiltlessly on 'em. How t'eir glistening surfaces
shalt be left no more!
Thou art my only jewelry-and th' atonement of my surly sins-
knight to my armour-my warm, neglected armour, how soft and epic
thou art! And thou wilt be by my side-as fatefully'th it been decided,
and how miraculous it wouldth be to me-my very prince, my own,
my own thee! And shall beginth just t'is journey-our very, very journey,
with no more blandnessth as heretofore-in t'is gusty time of year,
as I wouldth but be here with my thee-my dear, my dear.

Try your best to escape and free
Your mind is not your identity
Your genetics, your family tree
Your looking glass eyes can see
Through the window an fatefully
Change your perception of reality
And redefine who you are to be

My new persona is in a coma down in Barcelona
Now I'm Jonah in love with Mona from Arizona
Drinking corona with Fiona in the streets of Verona

Creativity is a proclivity that unshackles our identity free
Journey with me far from the vast sea of mental captivity
Exclusivity of proactivity creates a glorious life of festivity

Consent to your dreams to the absolute umpteenth degree
Augment your schemes and forget about the no guarantee
Reinvent thee extremes, and you will never be a life absentee

Remember as you read that we are all connected eternally
On this marble together spinning we are all just guests
Wandering around trying to solve our personal quests
Humans being we happened to be, but only temporarily

May as well attempt and squeeze life to death and manifest
All your aspirations and ambitions should be put to the test
All so blessed with a mind, and a beating heart in our chest
So why not invest the rest of our time to aspire to be the best

FLAME-Heart, take back your love. Swift, sure
And poignant as the dagger to the mark,
Your will is burning ever; it is pure.
Mine is vague water welling through the dark,
Holding all substances--except the spark.

Picture the pleasure of the meadow stream
When some clear striding naked-footed girl
Cuts swift and straightly as a gleam
Across its ***** ambling and aswirl
With mooning eddies and soft lips acurl;

Such was our meeting--fatefully so brief.
I have no purpose and no power to clutch.
Gleam onward, maiden, to your goal of grief;
And I more sadly flow, remembering much,
Yet doomed to take the form of all I touch.

Galactic curls in spirals swirl, entwining twisted mystery,
where time unrolls in blackened holes, no longer bright and blistery,
but writ like runes on starry dunes enclosed in cosmic history

Galactic dust, from novas' gusts, congesting empty spaces
once fatefully flung beyond the tongue of burnt out astral traces,
may recompress and coalesce in distant times and places

Galactic dwarves, like ancient wharves with silent planets mooring  
yet still in spin though long done in, hide flares no longer soaring -
magnetic webs of eons ebb, in thermal fusion roaring

Galactic tides warp space divides, call forth sublime creation
while bending clocks in rippled shocks, unfolding time dilation
that seems to crown the flowing gown of pulsars' pulsed gyration

Galactic stew, a seething brew, midst background noise and chatter
like Chaos reigns, the sole remains of missing antimatter,
with just a trace to form a space-time, curved or somewhat flatter

Galactic glue holds something new: dark energy and matter
that interacts and counteracts the ancient Big Bang splatter:
a cosmic soup of strings and loops, a universal batter

Galactic life's replete and rife 'neath lactic milky wafer,
though solar gales leave unseen trails of cosmic rays, the strafer;
but nonetheless, one must confess, it seems there's nowhere safer

We adore the hour
Of enduring madness
We are crude and cruel
Like tigers in the morning
We are food for the gods
Who stayed too long
And strayed too far
From their solitary pantheons
We are the shadows of Psyche
Tirelessly shorn from our bodies
We are retired armies
These conglomerates of hatred
Fed up with feminine values
We are salivating angst
We are manic depressive virgins
Coercion is comical
This is evil incarnate
Sardonic solitude shrouds You
In it's vision-less vicissitudes
We are used to being used
And fed ignorance like food
We are bored and longing
For some muscles to flex
So we could attest to our problems
I contest your victory
And seek meaning in expression
Anger is reflexive yet still we beg to differ
Our questions rejected
By an authority we entrusted
To naively negate our egos
We collect puzzles and never solve them
We form alliances with psychedelic buffalo
While meditating butterflies chart
Their ancient transmigration patterns
We are pinnacles of virtue in vitriolic prisons
We administer to the needs of the ordinary soldier
We are shouldering too much responsibility
For if you were entrusted with love
Then please don't abuse it
We are bundles of wood
Woven together like fragile tapestries
We are strategies unused
We are moody lovers confused by each other’s apathy
Our lack of touch erupts into violent volcanoes
Spewing fumes in our bedrooms
We are ****** handed
Balancing on our fingertips
While plummeting a thousand feet
To the bottom of endless seas
We are cheap like sheet-rock and shelves
Upended in an earthquake
We are all that we tell each other
We are purely made from stories
Defending our allegorical right to exist
We are so ******* boring
That our own made-up gods
Can do nothing but laugh
At the infinite ignorance of our species
We are a genus of ingenious desperation
Who gave measurement such an important trophy
That we are beyond permanently broken
And can now fatefully begin authentically working
On fixing our sights, minds, hearts
Hands and bodies upon uniting
With our deepest spiritual longing
I gave up stroking my ego a long time before I met you
What’s next will you expect me to beg for your indulgence
We are making amends for the ways
We dissected our reality
It's a tragedy that the objectification of objects
Leads to a such a Complex Elegance:
These isolated sediments are perplexed at our own self-vehemence

What a way to begin
The end of our undoing
Begs for our compassion
We are not allowed to forget
So we go to sleep
And whenever we awake
You immediately take
Our breath away
To protect against
The faintest chance
Or hint of our remembering

Wistfully
Wishfully
My daydream drift
Takes me eye to eye
And hand in hand
On a sunny morning
Somewhere
Settling dust
Step by step
And side by side
There's a tide close by
Responding to gravity
And gravity of sorts
Draws our souls
Fatefully
Inevitably
Together

                     By Phil Roberts

It is no accident that we have palms
With fingers extending from them
For when we unite our two hands,
They become a blooming flower.
We can follow the veins with our eyes
From fingertips to hearts
Blushing red.

Pumping into us another day
Another hope
Another dream
To find within ourselves the petals
To water faithfully.

I have watered fatefully.
Yet my flower has grown too long
In chilly dark basements
With mold growing in the corners and
Cobwebs decorating cracking walls.

I’ve only the strength to crack a thin beam of light
To dance upon the corners of my flower.
When will the music invite more?

We all fight our demons… At times, they prevail.
And once we give in, we are fatefully jailed –
By hatred and envy, by lust and ill will,
By malice and greed… Can we bear such a levy?

What happens to us should we rid ourselves
Of the duties, the vows, the commitments we’ve taken?
How long will it take for us to succumb
To the pleasures of flesh and be ever forsaken?
How long till we cry out for help, our tongues
Tied firmly in place by our own repletion?
How long till we see the daylight and admit
There is no going back to relieve our division.

Yet we dream and we hope, and some pray for redemption.
We fight back… And the demons return to the void.
And no fairies exist – not in our dimension.
Yet the demons are real. Hardly can we avoid
The temptations of power, the concoctions of plenty,
And the fight carries on to this day, far and wide.
Every crevice and nook, every palace and shanty
Hold the ones craving nothing but to bask in the light.

19 II 2017

Wistfully
Wishfully
My daydream drift
Takes me eye to eye
And hand in hand
On a sunny morning
Somewhere
Settling dust
Step by step
And side by side
There's a tide close by
Responding to gravity
And gravity of sorts
Draws our souls
Fatefully
Inevitably
Together

                     By Phil Roberts

It's nights like tonight,
When I don't know what to do.
My brain is all jumbled,
With the many thoughts of you.

There lies a question,
And an answer untold.
Either sadness and pain,
Or joy will unfold.

The problem is thus:
It's so right but it's wrong.
It's not what I've hoped,
But desired so long.

She's unlike any other,
Truly among the best.
I can think of nothing,
But her head on my chest.

A mind like an ocean,
Rich and full as the sea.
Her heart like the night sky,
As beautiful as can be.

Words flow from her lips,
Like silken dew drops.
Each something amazing,
With each, my heart stops.

Her eyes are like embers,
With cool, steady flame.
They stand or invite,
With no hint of shame.

Her hair drops like honey,
A gentle flow and cascade.
Not pure or flashy,
None better was made.

Her lips as heavenly,
As the petals of rose.
Of the color and texture,
Where so much of it shows.

Her body is soft,
Like snow in the morning.
So perfect and subtle,
It needs no adorning.

Her style is gentle,
The most perfect blend.
Not shabby nor excessive,
Without need to amend.

She is sublime.
There is no other word.
I can think of no other,
Dictionary proffered.

She is original,
Her own one of a kind.
She is amazing,
Something rare to find.

Finally, she is captivating,
So entrancing to me.
Wherever she is,
That's where I want to be.

But most, above it all,
She is my torturous pain.
The reason I'll be disappointed,
Time and time again.

She can't be what I want,
She just can't reciprocate.
There is nothing I can change,
This is the terrible fate.

I'm destined to love,
Someone who can't be mine.
Fatefully ******,
Can't get her off my mind.

I witness
the marching armies,
some trudging through the sludge of slaughter,
some gliding as if on polished glass  
others flying on sympathetic currents  
few faithfully, but ALL fatefully, moving
onward, to the deep sleep      

like a mute director in life’s one act play
I watch many in their final moments
some in stillness so sweet
my camera gently weeps ( though not I)  
others I record being ripped apart
in metal madness, yet
I don’t blink an eye
even while wiping the
blood from my hands        

you, Robert, music maker at heart,
meat cutter by trade, scored my lens  
leaving it forever altered
I knew you, a year younger than I,
I saw you, beaten down  
by the grave gravity
we cherish yet dread,
you, trudging through
the slaughter, one  
of the harshly humbled,
you, found the right rope  
and your wife found you
on a Sunday morning,
hanging
in the garage,
your letter to the world the clang
of the alarm that woke her  
and hastened her slow march
to the church, where other directors
took over the filming, and  
closed the curtain, after
the final choking act  

I cannot miss you  
I,
(who only wistfully recall
the millions of marchers near and far)  
felt your Sunday sojourn  
**** the air from my lungs
I can only be grateful  
your living and dying  
made me feel
the palled pain
and undying dread

“Rolling Rock” it reads, fatefully so, so I’d hope he’s no Sisyphus.  Bringing corner markets drought with pocket money, he’s perhaps overlooked by the commoner a proletariat.  dating me in simply ways, peeing from the next room, my alone time, and indexing my forefinger: canine and biscupid, telling me to feel the ****** up’d-ness inside his skull.  I claim otherwise but I suppose within fingers lies fallacy!

Land of pain

and complaints

teaching it's young

the miserable lessons of failure

and injustice that went cruelly mad.



An island

with rugged shores

that turn in

on it's own populace.



Rising.

genuflecting

and falling 'fatefully'

again

into the puddles

of it's own demise.



All that remains

is an emerald sadness

filled with living ghosts.

Fatefully falling
He grabs the string
and pulls everything down.

A spyglass of forgotten gems-
won in a rigged lottery
in the days before he was awake-
spies a land that has not yet been ravaged
in the pitch-black starless sky
not yet been taken
by the drilling crushing
by the empty words and hollow promises
The dreams do not prey on tonight.
They leave that vulnerable cardiac node
that empty dried well
for a delectable snack
in the times when the hollow men
should not feel so alone-

Silently drowning
He grabs the rope
and pulls every hope down.

somewhere near the nuclear power plant,
a young thing (not ready to remove those green tights)
observes the peach coloured flame of twin platoons from her window.
they burn at the base of the coffinlid like saliva to raw sugar, uncaring
that soon our sun will bleach it all away & have her
adoring minnesota

but only in the mornings, when
its mint walls and all cherry panels filled with sky.
because she knows, if she lies down flat enough she will
only catch a hint of sherburne roof tops and
fatefully begin her anticipation

for the hammering of sparkling nails deep into to dark purple.

Stockholm, Dublin, Bangkok, Taipei
         Tak, Thanks a Million
        Krop Kun Kop, Xie Xie

       Not for me foreign capitals
    Just story stops along the Way

She leaves a stain on your brain that will drive you insane

Your heart is left with nothing but confusion
Was it all really just an elaborate illusion?  
Time will prove that this is a minor contusion
Still I Helplessly fight the foregone conclusion

The pain will not remain it's just a mild sprain

Make sure you grab some crutches and try and keep yourself busy
Forget how when within her clutches you feel overwhelmingly dizzy

You need to mind less, why fret over things that you cannot control?
Just unnecessary stress, why let, these stings, infect your mated soul?

Finally broke the chain,  as evaporated champagne, is fatefully freed with the rain

With each passing second,
with every breath of air
With a force to be reckoned
Life has never been fair

So you can lie to yourself and say you don't really care
Or you can lie with the truth instead of choosing dare
But even if I become the world's very first trillionaire
I'll smile every day thinking of the rare that we share

Too soon did things blow away:
with the wind went the truth.
And certainty remained lost,
to the dark morning hours:
A place my heart bloomed for you
and later burned 'til black and blue.

Careful


Too easily did the river run dry
with endless weeks of searing tears,
ripping open the agonies of love
unrequited, weaved in shadows:
The torment of which all hopes are soiled.
Beaten by lies of secrets well toiled.

Realistic


Too fatefully did the soul shrivel
under the brutal lashings of Unwant:
carving hollows into the passions,
dredging the unworthy pangs deeper.
To the bottom of the world without light,
one may find a BROKEN HEART without fight.

**Human

There once was a tiny cupboard, where
We kept our groceries there,
Just enough room for two to squeeze
Inside, and under the stair,
And Karen would beckon me go to her
With just an arch of her brow,
She wouldn’t take no for an answer, but
Would say, ‘Just come to me now.’

Then I would go in and close the door
And feel her close in the gloom,
Her skirt would rustle, I’d feel her thighs
And would smell her sweet perfume,
She had such a sense of urgency
When she pulled me down to her breast,
But I would be telling old secrets to
Reveal what’s happening next.

But that was a million years ago,
It seemed the beginning of time,
When we were young, and I’d taste her tongue
Sweeter than strawberry wine,
Those nights were the nights of passion, but
Then nothing could really compare,
With the times when Karen called to me
To meet her under the stair.

But the years unfolded fatefully,
And Karen began to stray,
Her eyes that once had been more than wise
Would seem to have gone away,
She’d stare out into the distance to
Some place that I’d never been,
And when I’d ask her just where she went
She’d mutter, ‘What do you mean?’

I found her wandering down the road
Just down from St. Michael’s dome,
She looked at me, most piteously,
‘I don’t know how to get home.’
I took her hand and I led her back
Through the early morning frost,
And when we got to our gate, she said,
‘Oh God, I seem to be lost.’

The days ahead were a nightmare, she’d
Forget where she’d put the pans,
Then look at me like a stranger, when
I’d reach out, and hold her hands,
But worst of all, she would bring my tears
When she stood by the cupboard stair,
And say, ‘I seem to remember, but
Just what did we do in there?’

David Lewis Paget

I am a poem
I am a tattooed gospel music loving non conformist who
believes that Christ is just an excuse not to be responsible.
I am an antagonist who believes that God is a constant
conversation with the world and that whoever created the
conspiracy of good versus evil was a genius.
I am descendant of the stories encrypted on the Pyramids of Egypt;
I am the physical manifestation of God, the daughter of Man sent
by the creator with all might, faith and wisdom.
I am the melanin woman who walked barefoot,not because she
was uncivilized, she had a spiritual connection with the soil.
Noble and humbled, I have been shipped around the earth to
mother and father the restless and paranoid.
My teachings are the same redefined theories that provide
content to modern civilization and technology.
I am the blue prints of what is being sold back to me.
With this knowledge came the courage to redefine my self.
These days I find myself within insane verses that ooze with
contempt, cast into a life in protest, constantly contesting my
compromised legacy.
So I live on the battle fields armed with weapons of this world,
fatefully fighting my way out.
Trying to relocate to a place where man found no need to
count the days and years of his life.
I refused to play a part in the rat race of degrees and perfect
grades,for wisdom is more precious that gold.
I fight to stay alive because I am a product of war, while all I
want is to be your friendly neighbor.

Ashes to Ashes, Dust to Dust
Late at night alone in this life
Forgotten ignored; A secret door opens
A thousand voices whisper, alone in my grave
Seven demons help me sleep my life away
Surround me poking, jiggling telling me jokes
Keeping me company giggling as I lay
Not here to hurt me letting me know
I’m not alone;  A laughing Legion
Dreaming a Dream, Hoping against Hope
When will it be over? When will it end?
Forevermore Forevermore
Tried to be good, holy, and wise
Made some mistakes, hope I saved untold lives
Alone but not lonely forsaken multitudes
Beg plead yearn to see a distant memory
in Someone’s mind unwritten unspoken
Loaned my soul to live a lie; Eternity beckons
The coffin slams shut, the dirt hits my face
I can’t breathe let me out of this place!
Then a Voice said, “Is This Her?”…

What will you do? Where will you go?
How will it be? What did you think?
Was going to happen when you were caught?
When its time to meet your deathly hallowed
Hangman’s Noose, Lethal Drip, Firing Squad,
Revengeful Lover righteously indignant ...
Should everybody Thank You? Give you a Medal?

Write your Name on the Wall of Shame!
You are Busted, Going Downtown, Serving Time!
Now Who? Who now do you serve,
Fatefully Tragic Face of Death?
An Echo? a Sound? a Fury on the Edge?
Facing the music how do you plead?
Guilty as charged? Or Insanity?
Give it a rest!  Give me a break!
You knew it was wrong so how is it different now?
Wasted your gift for a weekend pass!
A free Gift; a Ticket to Ride:  Kiss My ... !
You had it all; it wasn’t enough!
Lived well, go to meet God.
Sins forgiven by innocent blood
... until Judgement Day.

Through the looking glass
she fell,
and fatefully declined.
Into a world
more cold and dark,
than what she left behind.
The rabbit hole
is vast and wide,
not bound
by sense or time.
To find her way,
she must obey
the rules
of this domain.
For if she strays
she'll lose her way,
and find herself astray.
She must be brave
to fight the daze,
and see the light of day.

I'm sorry
that you wanted her lips
and not mine -
I'm sorry that I misunderstood
I'm sorry that I got
mixed up

It's not your fault;
that I'm fatefully attached
to anyone
who shows just an etch of
consideration
to my worthless soul

And I am sorry,
that I thought you might be my way out

Wistfully
Wishfully
My daydream drift
Takes me eye to eye
And hand in hand
On a sunny morning
Somewhere
Settling dust
Step by step
And side by side
There's a tide close by
Responding to gravity
And gravity of sorts
Draws our souls
Fatefully
Inevitably
Together

                     By Phil Roberts

I am constantly anticipating
A constipated state of waiting
Up Until that inevitable moment, finally arrives
Lessons will be learned, forever changing lives

The Memories are burned
Etched deep within my brain
The feelings were yearned
But Fatefully became a stain

We only have Society to blame
Or maybe it’s all just the same
Traded for a player to be named
You ******* should be ashamed

We’re all on this train
In the conductor we may trust
Yet we silently remain
Unaware we’re so close to dust

So won’t you please grab another plastic cup
And please take a drink of the succulent cool aid
Before you Breed another sheople minded pup
Remember to have your pet neutered or spayed

That moment when the lights turned red, the brake fluid gone, transmission dead and all we did was laugh.

The staff of life like a shepherd's crook reached out to hook us from a certain death.

And now I swallow every breath and every breath explodes inside reminding me that one ride more may be the ride that shuts the door so fatefully, so
gratefully left ajar for me.

Beauty,
but not in the eye is in the moments that pass us by.

I try to remember that.

The phone rang again last night
                 He carried new versions of last spring’s heartbreak, in a brand new season
We’d taken some time apart, and while I loved the freedom, my life’s destined to be his
             We’re fatally; fatefully intertwined he’s my ****** soul mate

We’ve gotten reacquainted over coffees on the afternoon; he knows how I take it; too much creamer for a fake delight, a little bit of sweet to lighten up the dark
    He takes his black, without sugar or any messy mixed deceptions
I whisper, red eyed once again, ‘I haven’t anything to offer; you took too much before’
                 He remains silent, it’s his style, I’ve grown fond of these becoming characteristics; loyal, dependable, and while he can’t be exclusive he never stays away for long
I wouldn’t call what we have love, but an old fashion arranged marriage
             He doesn’t mind my hearts to broken to hold and I don’t mention my resentment towards are lifetime commitment  --- we just sit in each other’s company sharing our afternoon coffees with the same old problems staring at the same bad news.

Wistfully
Wishfully
My daydream drift
Takes me eye to eye
And hand in hand
On a sunny morning
Somewhere
Settling dust
Step by step
And side by side
There's a tide close by
Responding to gravity
And gravity of sorts
Draws our souls
Fatefully
Inevitably
Together

                     By Phil Roberts